#Watch this post get 0(zero) engagement

[edwardallenpoe]

being young, black and queer (particularly butch and lesbian) online (but Tumblr specifically) is like rummaging and searching for somewhere you're fully welcome and seen but only finding places that accept parts of your identity or the places that were there that fully accepted you have been quiet and abandoned long before you even came along. You go on blogs that say they welcome queer black people or people who have weird identities but they never talk about the things that affect you or (even unkowingly) shut you down when you bring it up. You find blogs that say they accept queer black people or people who have weird identities but they're making blogs targeting and harassing transfems. You find blogs that say they accept queer black people or people with weird identities but their blog isn't safe for minors. You find blogs that say they accept queer black people or people who have weird identities and the person who runs the blog is queer and black but the last update was 2016. It's incredibly lonely.

[genericpuff]

saw a post criticizing lore rekindled a while back, and one of the points made was "it's unfair to rachel that someone else can profit off and make money off her work"

do you profit off lore rekindled??? i don't remember if you ever said that you were monetizing lore rekindled, so i'm unsure where this piece of information came from

I literally do NOT profit off Rekindled in any way shape or form, it's a Tumblr comic that's free to read, zero subscriptions, paywalls, or ads.

I did just recently open a Patreon and apply my Twitch channel to become affiliate, but 1. my Patreon doesn't have any paid members yet , 2. my Patreon won't be offering rewards that limit the reading experience of Rekindled (it's gonna be like random doodles n junk), and 3. I haven't even streamed since I applied for Affiliate and people are watching the streams for art and lo-fi, not for any sort of exclusive reading experiences that wouldn't also be accessible on Tumblr (you just get to watch me slowly work on Rekindled while playing FF XIV LMAOO) All of these restrictions I have in place is to prevent exactly what folks assume or accuse me - profiting off Rachel's IP. At the end of the day I just wanna create an AU fanfic project, even if it's created out of disappointment for what could have been.

I *do* spend a few hundred a month though for my assistant. So I'm working on Rekindled completely at a loss, out of my own pocket. So in that regard, even if I were to monetize any part of Rekindled... it wouldn't be for my own profitable gain, I'd maybe be able to cover some of my assistant fees 🤣 (but that's just hypothetical food for thought, because as I said above, I don't want to monetize Rekindled because of the potentially legal and ethical issues in doing so. Making money is also just not why I'm making Rekindled because it's something I wanna just do for fun! Money complicates things, turns shit into a job :'0) And let's be real, in that hypothetical scenario, I don't think any money I could generate on my free to read Tumblr project would come anywhere close to threatening Rachel's bottom line 🤣

And this isn't to throw anyone under the bus but when people get suspicious of Rekindled profiting off LO, I can't help but think of the actual fans of LO selling handmade LO merch on Etsy and LO-style adoptables and other arts and crafts dedicated to their favorite comic. And I'm not gonna judge them for that, more power to 'em if people wanna buy their cool stuff (and some of it is really REALLY cool, like I wanna buy their stuff too LOL), I just think it's ironic that people separate the two because... I'm not a diehard fan? Or because Rekindled has gotten popular here. Beats me. All that "popularity" is still just a niche remake of a niche comic in a niche medium. It's not Spiderman Lotus levels of big 🤣 but I know it probably feels that big to people who are engaged with this fandom and spend a lot of time in it.

There's an opposite side of being a yes man that perpetuates similar behavior on the other side - when you come up with reasons to rag on someone just for the sake of it because you can't rationalize them NOT being the all 100% pulp of evil LMAO (and I see people do this even to Rachel and it's not fair imo, like people who use the Lolita thing as a way to accuse Rachel of being a legitimate pedophile? Like no, I don't think we should be normalizing serious accusations like that. I think she's just misinformed in a lot of ways at worst and suffering from dark romantasy porn brainrot at best LOL).

Like, as an example, I've also seen people claim stuff like I'm in the fan spaces telling people not to read LO and to read LR instead? Which like... why would I do that, LR isn't for the fans anyways and I don't gain anything by being a dick in their space 🤣 If my own readers are doing that, that's out of my hands (but respectfully don't do this please!!! there's a reason I don't use the standard LO hashtags and only stick to the anti ones!!!!) but again (and this is a big assumption so take with grains of salt) I think people just like to claim these things because they feel it's just naturally the right thing to do when someone who has opinions they don't like actually puts them into action. Because now they can't say shit like "well if you think you're so much smarter than Rachel why don't YOU write the story!" and "you don't know what it's like to manage a comic!" so they grapple onto whatever other argument they can even if it's misconstrued or entirely pulled out of thin air and not backed up with any legitimate evidence.

Their perspectives make sense to them. My perspective makes sense to me. I don't blame people for being suspicious when they see someone like me pour this much time and effort and money into a project like Rekindled, they assume it HAS to do with something they can rationalize from their own point of view, like wanting to "steal" Rachel's work or profit off it or take it for myself out of "jealousy".

Sorry to disappoint y'all with a boring answer, but I'm just someone who was once a huge fan of LO and couldn't let it go. I'm just someone who's way too hyperfixated, with a lot of passion for making comics and experience to match. I'd still be making it even if I didn't have an assistant. I'd still be making it even if I was stuck working with nothing but paper and pencil. Because I love making it and I love what it means to me, and I love that it makes other people feel the same way I do about it.

And that's really all I have to say on that.

[gwenfr]

We should be suspicious of fake fans for using actual BTs to get info. They've done it before to various extremes. Just yesterday, when checking out blogs that liked a randomly created blog that made an anti BT user post, in which they were also supposed BT/multiship supporters themselves, once again I found multiple set-up blogs poorly acting as actual bucktommy blogs. As you said, most of these blogs I looked at were recently made within 2-4 weeks at most but some were created that day, and again, they had basically 0 Tommy support from the beginning of creating for supposedly being a BT shipper and as I've seen previously I saw variations of -

Using Tommy's pic/name or saying BT/MSer in their bio, but having zero BT/Lou post or being completely dedicated to other fandoms with no 911 in sight, keeping their follows/likes public and seeing other anti users/post, or seeing their username under recent antis post. Actually reblogging from well known Bobs or having nearly all post about buddie endgame or being super pro Ryan only or truly believing in Ryliver. "pro" Tommy post that were tagged with B*mmy or T*mu. Try way too desperately to find ways to be a part or eagerly try to get info to join a group. Asking too many questions claiming to "be new" but know other 911 lore but also have no clue about "anything" because they "never" seen the show, not saying there aren't newbies like that but usually they actually claim to of have watched all the Tommy scenes lol. Want to jump into discussions with the wrong tone or unlike all of us acknowledging Tommy/Lou's faults without being weird about it and say he's 100% perfect/did nothing wrong like that's somehow appealing when we've admitted that's not true... Or make up stories about when "BTs/Lou did this..." Without evidence or any other supporter knowing about said incident. They also always use something like "I heard/saw this about xyz... is that true? What do you know about xyz? 🥸" or send nasty ask about other cast/characters/crew or blogs or accounts to try and implicate or stir drama trying to make BTs look bad.

It's honestly easy to find out who's real or fake because truthfully, they don't know how to act or tolerate or engage genuinely with Tommy, Tevan, or LFJ supporters. These frauds can't keep up the act because they can't actually pretend to like Tommy/Lou without gagging 😅 They try way too hard to fit in that it makes it obvious. They're not good spies, but general psa, just don't be giving out personal info or go inviting every rando into your business without being well established or doing your own research. They've hurt and done really harmful things to actual supporters before. Have fun, but be cautious in this fandom.

Okay so I'm not the only one who've seen some weird shit going on ...🤔

And yeah your examples are exactly what I saw so yeah apparently it's true...

That's sad. I don't understand wasting free time like that when they could do art and other interesting things to feed their fandom.

And don't worry, I'm not giving personal info and even if I was, I don't have any other social media so they would not be very successful in finding dirt on me 😅

Thanks for your answer and thanks for the advice 👍🏻 have fun too.

[demonfuck]

sons of bitches will imitate the language of freaks before developing consistent principles and like i get it, that's the order things happen in when you're growing and learning, but it doesn't mean i have to follow your blog

after i unfollowed they deleted the bad take. i don't know how to communicate with blogger i'm not friends with. my words get ignored but i guess this time i hit them where it hurts (the follower count)

i don't feel good about this. i don't have any reason to believe they're reconsidering the beliefs they held that led to the bad take. a conversation would be better but it would have to happen publicly and that sucks for both of us

i'm just scared of being in the vulnerable position of openly disagreeing with people. nuance is found thru conversation with people you trust and respect

but i'm a random blogger, so i assume when i show up in someones notes i have 0% of their trust and respect. so i kinda go into it without any hope in the first place

does this assumption only reflect on myself and the lack of trust and respect i have for my fellow bloggers? i am so so scared of confrontation

i don't unfollow for 1 bad take, i unfollow for persistent bad take(s) + zero demonstration that they will engage with disagreement. i don't learn anything from a blog that keeps posting Good Sentiments but engages in Bad Practices

no avenue to learn, no avenue to teach. just watching until i get fed up and unfollow. this is an aspect of social media i do not like

[marketingprofitmedia]

How I Turned $0 to $500 Every Month with Instagram Affiliate marketing

Are you tired of your mundane job and looking for ways to turn your Instagram account into a money-making machine? Well, you’re in the right place. In this article, we’ll embark on an exciting journey where I’ll share my personal experiences and insights on how I transformed my Instagram presence from zero to a consistent $500 every month through affiliate marketing. We’ll explore the ins and outs of this journey together, using simple language and avoiding complex jargon. So, fasten your seatbelt, and let’s dive into the world of Instagram affiliate marketing.

My Best Recommended & Proven Way to Make $100 Daily — Watch THIS FREE Training to START >>

Table of Contents

What is Instagram Affiliate Marketing?

Why Choose Instagram for Affiliate Marketing?

Getting Started with Instagram Affiliate Marketing

Content Creation: The Heart of Instagram Affiliate Marketing

Growing Your Instagram Following

Tracking Your Affiliate Marketing Success

Monetization Methods for Instagram Affiliate Marketing

Challenges and Pitfalls in Instagram Affiliate Marketing

Scaling Your Income in Affiliate Marketing

Now, let’s start in the world of Instagram affiliate marketing and learn how to turn your $0 into a consistent $500 income every month.

What is Instagram Affiliate Marketing?

Instagram affiliate marketing is a powerful method of earning commissions by promoting products or services to your followers. As an affiliate marketer, you partner with businesses, promote their products through your Instagram posts, stories, or even IGTV videos, and earn a commission for every sale or lead generated through your unique affiliate link.

Why Choose Instagram for Affiliate Marketing?

Instagram’s visual-centric platform makes it an ideal choice for affiliate marketing. With its 1 billion monthly active users, Instagram offers a vast and engaged audience that you can tap into to showcase products and services. The highly visual nature of Instagram allows you to craft compelling content that resonates with your target audience, ultimately leading to higher conversion rates.

Getting Started with Instagram Affiliate Marketing

Creating Your Instagram Account

To begin your journey into affiliate marketing on Instagram, you’ll need to create an Instagram account if you don’t already have one. Make sure to choose a username that reflects your niche and is easy to remember. Add a profile picture, write a catchy bio, and include a link to your affiliate website.

Identifying Your Niche

Identifying your niche is a crucial step. Your niche defines the type of products or services you’ll promote. Select a niche you’re passionate about and one that has a demand in the market. This will not only make content creation more enjoyable but also help you connect with your audience more authentically.

Finding the Right Affiliate Programs

Next, search for affiliate programs that align with your chosen niche. Look for programs that offer attractive commissions, provide high-quality promotional materials, and have a solid reputation. Some popular affiliate marketing networks include ShareASale, CJ Affiliate, and Amazon Associates.

My Best Recommended & Proven Way to Make $100 Daily — Watch THIS FREE Training to START >>

Content Creation: The Heart of Instagram Affiliate Marketing

Crafting Engaging Content

Your success on Instagram hinges on your ability to create captivating content. Ensure that your posts and stories are not only visually appealing but also informative and engaging. Share your personal experiences with the products, and explain how they can solve your audience’s problems.

Using High-Quality Visuals

Instagram is all about visuals, so invest in a good camera or smartphone to capture high-quality photos and videos. High-resolution images and well-edited videos are more likely to grab the attention of your followers.

Leveraging Captivating Captions

Don’t underestimate the power of a compelling caption. Your captions should complement your visuals and provide additional information about the product or service. Ask questions to encourage engagement and interaction from your audience.

Growing Your Instagram Following

Building Authentic Relationships

Building a loyal following on Instagram is essential. Engage with your followers by responding to comments and direct messages promptly. Be genuine and approachable, which will help you build trust and credibility.

Engaging with Your Audience

Host Q&A sessions, polls, and other interactive activities to keep your audience engaged. The more they engage with your content, the more it will appear in their feeds, increasing your visibility.

Collaborating with Influencers

Consider collaborating with influencers in your niche. Influencer marketing can help you tap into a broader audience and gain credibility through association with established figures in your field.

Tracking Your Affiliate Marketing Success

Analyzing Key Metrics

To gauge the effectiveness of your affiliate marketing efforts, track key metrics like click-through rates, conversion rates, and earnings per click (EPC). Use Instagram’s built-in analytics tools and link tracking software to monitor your performance.

Adjusting Your Strategy

If you notice that certain products or strategies are not yielding the desired results, be ready to adjust your approach. Experiment with different types of content, posting schedules, and promotional techniques to find what works best for your audience.

Monetization Methods for Instagram Affiliate Marketing

Promoting Affiliate Products

Your primary role as an Instagram affiliate marketer is to promote affiliate products effectively. Create posts or stories that showcase the products in a genuine and convincing manner. Highlight their benefits and explain why your audience should consider buying them.

Leveraging Sponsored Posts

In addition to affiliate marketing, consider doing sponsored posts for brands that align with your niche. Sponsored posts can provide a consistent income stream, as you’ll receive payment directly from the brand for showcasing their products or services.

Running Giveaways and Contests

Giveaways and contests are a fantastic way to generate excitement and engagement. Collaborate with affiliate partners to organize these events, and encourage your followers to participate by following, liking, and sharing your content.

My Best Recommended & Proven Way to Make $100 Daily — Watch THIS FREE Training to START >>

Challenges and Pitfalls in Instagram Affiliate Marketing

Adhering to Instagram’s Guidelines

It’s essential to follow Instagram’s guidelines when promoting affiliate products. Avoid aggressive or misleading marketing tactics that could result in account suspension. Always disclose your affiliate relationships in your posts or stories.

Avoiding Over-Promotion

Balance is key in affiliate marketing. Avoid bombarding your audience with constant promotional content. Instead, maintain a healthy mix of informative, entertaining, and promotional posts to keep your audience engaged.

Handling Negative Feedback

Not everyone will be thrilled with the products you promote. Be prepared to handle negative feedback professionally. Address concerns, offer solutions, and maintain a positive online presence.

Scaling Your Income in Affiliate Marketing

Expanding Your Niche Portfolio

Once you’ve established a successful affiliate marketing presence in one niche, consider expanding to additional niches. Diversifying your portfolio can increase your income potential.

Diversifying Your Income Streams

Don’t rely solely on affiliate marketing. Explore other income streams, such as selling your digital products, offering consulting services, or creating online courses related to your niche.

Scaling Your Instagram Presence

As your audience grows, you can scale your Instagram presence. Collaborate with more influencers, invest in better equipment, and consider running paid ads to reach a broader audience.

Conclusion

In conclusion, turning your Instagram account into a $500-a-month affiliate marketing powerhouse is a journey that requires dedication, creativity, and patience. With the right strategies and a genuine approach, it’s entirely achievable.

Whether you’re just starting or already on your way, remember that consistency, authenticity, and audience engagement are the pillars of success in this venture. Keep tracking your progress, adapting to changes, and staying ethical and transparent in all your endeavours.

The future of Instagram affiliate marketing is bright, and you have the opportunity to be a part of it. So, what are you waiting for? Start your journey today and turn your Instagram account into a source of steady income.

Frequently Asked Questions (FAQs)

1. How long does it take to start earning with Instagram affiliate marketing?

The time it takes to start earning varies, but it often depends on your niche, content quality, and audience engagement. Some marketers see results in a few months, while others take longer. Stay patient and consistent.

2. Are there any costs associated with Instagram affiliate marketing?

Starting Instagram affiliate marketing is virtually cost-free, but investing in quality equipment, tools, and promotions may be necessary in the long run.

3. Can I do affiliate marketing on Instagram without a large following?

Yes, you can. While a large following helps, it’s not the only factor. Quality content and effective marketing strategies can help you succeed with a smaller audience.

4. How do I disclose my affiliate relationships on Instagram?

Instagram requires transparency. Use hashtags like #ad or #affiliate, and make it clear when you’re promoting affiliate products. Transparency builds trust with your audience.

5. What are the most common mistakes to avoid in Instagram affiliate marketing?

Common mistakes include over-promotion, ignoring negative feedback, and not analysing your metrics. It’s crucial to stay ethical and adapt your strategy based on performance.

With these answers in mind, you’re well on your way to achieving success in Instagram affiliate marketing. Good luck on your journey to turning $0 into a steady $500 every month!

My Best Recommended & Proven Way to Make $100 Daily — Watch THIS FREE Training to START >>

Affiliate Disclaimer :

This article Contain may be affiliate links, which means I receive a small commission at NO ADDITIONAL cost to you if you decide to purchase something. While we receive affiliate compensation for reviews / promotions on this article, we always offer honest opinions, users experiences and real views related to the product or service itself. Our goal is to help readers make the best purchasing decisions, however, the testimonies and opinions expressed are ours only. As always you should do your own thoughts to verify any claims, results and stats before making any kind of purchase. Clicking links or purchasing products recommended in this article may generate income for this product from affiliate commissions and you should assume we are compensated for any purchases you make. We review products and services you might find interesting. If you purchase them, we might get a share of the commission from the sale from our partners. This does not drive our decision as to whether or not a product is featured or recommended.

Source : How I Turned $0 to $500 Every Month with Instagram Affiliate marketing

Thanks for reading my article on “How I Turned a $0 to $500 Every Month with Instagram Affiliate marketing“, hope it will help!

[hopelesshawks]

Heyyy bestie how about some headcanons of brat taming for Hawks, Bakugo, Dabi, and Shoto from bnha~

I gib kith youre so amazing mwah <3

It’s been awhile since I did headcanons why do I find them harder than longer writing lmao so Imma have to dust off the rust for this one but anything for you love.

Reader is gender neutral

This post is 18+, minors dni

Warnings: dom/sub relationships, degradation, mention of edging, overstimulation, spanking, choking, degradation, dacryphilia, oral sex (m!receiving)

Brat Taming Headcanons!!

Hawks

I know a lot of people see Keigo as a hard dom but I really can’t

Bird boy has been so starved of love and treated with such cruelty and neglect growing up I don’t think he could really bring himself to be harsh with a partner

So he’s not going to order you into submission really if you’re being bratty, he’ll be more cunning than that

Hawks is the type to think “I giveth, and I taketh away”

If you say you can do better than him he’ll lean back and smirk at you and tell you to do it yourself then (with him watching of course)

When you inevitably fail to pleasure yourself he’ll be super teasing and condescending about helping you out

“Poor little Dove, can’t even make yourself cum huh? Just can’t do anything without me.”

Or when you’re talking shit he’ll make you think he’s conceding to you only for him to overstimulate or edge you until you’re begging for him to stop

“But I thought this is what you wanted Dove” head ass

Overall an absolute Menace(tm), the easiest physically but don’t think he’s got you any less wrapped around his finger by the end of the night

Bakugo

Now Bakugo absolutely can and will get rough with you if you’re being a brat, with his actions and his words

Especially if you’re also a pro because then he knows you can take it

Will slam you up against walls, hand around your throat, growling, teeth bared

Absolutely down to spank you until you’re a mewling mess, degrading you the whole time

“Look how turned on yer gettin’. Fuckin’ brat. Actin’ so tough when really you’re just a whore beggin’ to be punished”

But Bakugo doesn’t like being mean contrary to what many people seem to think

So once you do submit? Man is he gonna take care of you

Because Bakugo likes a challenge, thinks it’s fun when you put up a fight instead of submitting to him by default

He likes feeling like he earned your submission, so once you submit he’s not punishing you anymore, just reminding you exactly why it is you enjoy being his good little submissive in the first place

From pet name (derogatory) to pet name (affectionate)

Dabi

Definitely the roughest/most unrelenting of this group

Probably another one who’s very into degradation

Not afraid to use his quirk in bed to get you to submit though he will stop short of leaving lasting damage

Makes you choke on his cock with zero (0) regard for your gag reflex

He will absolutely tease you about how turned on you’re getting from being put in your place

Won’t even think about touching you until he’s satisfied you’ve learned your lesson

Just getting you to submit isn’t enough, he’s not stopping until you’re crying and begging for forgiveness

Then you’re probably getting overstimulated until it literally hurts

Knows he’s hard with you so absolutely will engage in the longest aftercare to make sure you’re ok and bring you back down

Because he knows you’ll do the same when it’s his turn to be controlled

Shouto

The most condescending ass bitch of all time when you try to brat, you cannot tell me any different

I feel like generally he’s pretty gentle, y’know soft touches and caring words

And then you start being a brat and mans full on rolls his eyes

“Really? This again? We both know how this ends. You don’t really think this is a fight you can win do you?” 

Punishes you with a straight face, seeming entirely unaffected but is hard as a rock the whole time

Will use his quirk for temperature play but not to the extremes where you’re getting burned or frostbite, just enough heat and chill to make you extra sensitive~~

Absolutely is petty enough that you’re just not gonna get to cum that night. Play stupid games, win stupid prizes. Better luck next time

Like he’s not even quite edging you, that’s more stimulation than you deserve, his hands are not going anywhere near your sex

he’s gonna leave you turned on and wanting with no satisfaction

Come correct in the morning and he’ll take care of you properly but he’ll be reminding you the whole time that the pleasure you’re getting is because he was generous enough to forgive you

[ot3]

i watched red vs blue: zero with my dear friends today and i was asked to “post” my “thoughts” on the subject. Please do not click this readmore unless, for some reason, you want to read three thousand words on the subject of red vs blue: zero critical analysis. i highly doubt that’s the reason anyone is following me, but hey. 

anyway. here you have it. 

Here are my opinions on RVB0 as someone who has quite literally no nostalgia for any older RVB content. I’ve seen seasons 1-13 once and bits and pieces of it more than once here and there, but I only saw it for the first time within the past couple of months. I’ve literally never seen any other RT/AH content. I can name a few people who worked on OG Red vs. Blue but other than Mounty Oum I have NO idea who is responsible for what, really, or what anything else they’ve ever worked on is, or whether or not they’re awful people. I know even less about the people making RVB0 - All I know is that the main writer is named Torrian but I honestly don’t even know if that’s a first name, a last name, or a moniker. All this to say; nothing about my criticism is rooted in any perceived slight against the franchise or branding by the new staff members, because I don’t know or care about any of it. In fact, I’m going to try and avoid any direct comparison between RVB0 and earlier seasons of RVB as a means of critique until the very end, where I’ll look at that relationship specifically.

So here is my opinion of RVB0 as it stands right now:

1. The Writing

Everything about RVB0 feels as if it was written by a first-time writer who hasn’t learned to kill his darlings. The narrative is both simultaneously far too full, leaving very little breathing room for character interaction, and oddly sparse, with a story that lacks any meaningful takeaway, interesting ideas, or genuine emotional connection. It also feels like it’s for a very much younger audience - I don’t mean this as a negative at all. I love tv for kids. I watch more TV for kids than I do for adults, mostly, but I think it’s important to address this because a lot of the time ‘this is for kids’ is used to act like you’re not allowed to critique a narrative thoroughly. It definitely changes the way you critique it, but the critique can still be in good faith.  I watched the entirety of RVB0 only after it was finished, in one sitting, and I was giving it my full attention, essentially like it was a movie. I’m going to assume it was much better to watch in chunks, because as it stood, there was literally no time built into the narrative to process the events that had just transpired, or try and predict what events might be coming in the future. When there’s no time to think about the narrative as you’re watching it, the narrative ends up as being something that happens to the audience, not something they engage with. It’s like the difference between taking notes during a lecture or just sitting and listening. If you’re making no attempt to actively process what’s happening, it doesn’t stick in your mind well. I found myself struggling to recall the events and explanations that had immediately transpired because as soon as one thing had happened, another thing was already happening, and it was like a mental juggling act to try and figure out which information was important enough to dwell on in the time we were given to dwell on it.

Which brings me to another point - pacing. Every event in the show, whether a character moment, a plot moment, or a fight scene, felt like it was supposed to land with almost the exact same amount of emotional weight. It all felt like The Most Important Thing that had Yet Happened. And I understand that this is done as an attempt to squeeze as much as possible out of a rather short runtime, but it fundamentally fails. When everything is the most important thing happening, it all fades into static. That’s what most of 0’s narrative was to me: static. It’s only been a few hours since I watched it but I had to go step by step and type out all of the story beats I could remember and run it by my friends who are much more enthusiastic RVB fans than I am to make sure I hadn’t missed or forgotten anything. I hadn’t, apparently, but the fact that my takeaway from the show was pretty accurate and also disappointingly lackluster says a lot. Strangely enough, the most interesting thing the show alluded to - a holo echo, or whatever the term they used was - was one of the things least extrapolated upon in the show’s incredibly bulky exposition. Benefit of the doubt says that’s something they’ll explore in future seasons (are they getting more? Is that planned? I just realized I don’t actually know.)

And bulky it was! I have quite honestly never seen such flagrant disregard for the rule of “show, don’t tell.” There was not a single ounce of subtlety or implication involved in the storytelling of RVB0. Something was either told to you explicitly, or almost entirely absent from the narrative. Essentially zilch in between. We are told the dynamic the characters have with each other, and their personality pros and cons are listed for us conveniently by Carolina. The plot develops in exposition dumps. This is partially due to the series’ short runtime, but is also very much a result of how that runtime was then used by the writers. They sacrificed a massive chunk of their show for the sake of cramming in a ton of fight scenes, and if they wanted to keep all of those fight scenes, it would have been necessary to pare down their story and characters proportionally in comparison, but they didn’t do that either. They wanted to have it both ways and there simply wasn’t enough time for it. 

The story itself is… uninteresting. It plays out more like the flimsy premise of a video game quest rather than a piece of media to be meaningfully engaged with. RVB0 is I think something I would be pitched by a guy who thinks the MCU and BNHA are the best storytelling to come out of the past decade. It is nothing but tropes. And I hate having to use this as an insult! I love tropes. The worst thing about RVB0 is that nothing it does is wholly unforgivable in its own right. Hunter x Hunter, a phenomenal shonen, is notoriously filled with pages upon pages of detailed exposition and explanations of things, and I absolutely love it. Leverage, my favorite TV show of all time, is literally nothing but a five man band who has to learn to work as a team while seemingly systematically hitting a checklist of every relevant trope in the book. Pacific Rim is an incredibly straightforward good guys vs giant monsters blockbuster to show off some cool fight scenes such as a big robot cutting an alien in half with a giant sword, and it’s some of the most fun I ever have watching a movie. Something being derivative, clunky, poorly executed in some specific areas, narratively weak, or any single one of these flaws, is perfectly fine assuming it’s done with the intention and care that’s necessary to make the good parts shine more. I’ll forgive literally any crime a piece of media commits as long as it’s interesting and/or enjoyable to consume. RVB0 is not that. I’m not sure what the main point of RVB0 was supposed to be, because it seemingly succeeds at nothing. It has absolutely nothing new or innovative to justify its lack of concern for traditional storytelling conventions. Based solely on the amount of screentime things were given, I’d be inclined to say the narrative existed mostly to give flimsy pretense for the fight scenes, but that’s an entire other can of worms.

2. The Visuals + Fights

I have no qualms with things that are all style and no substance. Sometimes you just want to see pretty colors moving on the screen for a while or watch some cool bad guys and monsters or whatever get punched. RVB0 was not this either. The show fundamentally lacked a coherent aesthetic vision. Much of the show had a rather generic sci-fi feel to it with the biggest standouts to this being the very noir looking cityscape, which my friends and I all immediately joked looked like something from a batman game, or the temple, which my friends and I all immediately joked looked like a world of warcraft raid. They were obviously attempting to get variety in their environment design, which I appreciate, but they did this without having a coherent enough visual language to feel like it was all part of the same world. In general, there was also just a lack of visual clarity or strong shots. The value range in any given scene was poor, the compositions and framing were functional at best, and the character animation was unpleasantly exaggerated. It just doesn’t really look that good beyond fancy rendering techniques.

The fight scenes are their entire own beast. Since ‘FIGHT SCENE’ is the largest single category of scenes in the show, they definitely feel worth looking at with a genuine critical eye. Or, at least, I’d like to, but honestly half the time I found myself almost unable to look at them. The camera is rarely still long enough to really enjoy what you’re watching - tracking the motion of the character AND the camera at such constant breakneck high speeds left little time to appreciate any nuances that might have been present in the choreography or character animation. I tried, believe me, I really did, but the fight scenes leave one with the same sort of dizzy convoluted spectacle as a Michael Bay transformers movie. They also really lacked the impact fight scenes are supposed to have.

It’s hard to have a good, memorable fight scene without it doing one of three things: 1. Showing off innovative or creative fighting styles and choreography 2. Making use of the fight’s setting or environment in an engaging and visually interesting way or 3. Further exploring a character’s personality or actions by the way they fight. It’s also hard to do one of these things on its own without at least touching a bit on the other two. For the most part, I find RVB0’s fight scenes fail to do this. Other than rather surface level insubstantial factors, there was little to visually distinguish any of RVB0’s fight scenes from each other. Not only did I find a lot of them difficult to watch and unappealing, I found them all difficult to watch and unappealing in an almost identical way. They felt incredibly interchangeable and very generic. If you could take a fight scene and change the location it was set and also change which characters were participating and have very little change, it’s probably not a good fight scene. 

I think “generic” is really just the defining word of RVB0 and I think that’s also why it falls short in the humor department  as well.

3. The Comedy

Funny shit is hard to write and humor is also incredibly subjective but I definitely got almost no laughs out of RVB0. I think a total of three. By far the best joke was Carolina having a cast on top of her armor, which, I must stress, is an incredibly funny gag and I love it. But overall I think the humor fell short because it felt like it was tacked on more than a natural and intentional part of this world and these characters. A lot of the jokes felt like they were just thrown in wherever they’d fit, without any build up to punchlines and with little regard for what sort of joke each character would make. Like, there was some, obviously Raymond’s sense of humor had the most character to it, but the character-oriented humor still felt very weak. When focusing on character-driven humor, there’s a LOT you can establish about characters based on what sort of jokes they choose to make, who they’re picking as the punchlines of these jokes, and who their in-universe audience for the jokes is. In RVB0, the jokes all felt very immersion-breaking and self aware, directed wholly towards the audience rather than occurring as a natural result of interplay between the characters. This is partially due to how lackluster the character writing was overall, and the previously stated tight timing, but also definitely due to a lack of a real understanding about what makes a joke land. 

A rule of thumb I personally hold for comedy is that, when push comes to shove, more specific is always going to be more funny. The example I gave when trying to explain this was this:

saying two characters had awkward sex in a movie theater: funny

saying two characters had an awkward handjob in a cinemark: even funnier

saying two characters spent 54 minutes of 11:14's 1:26 runtime trying out some uncomfortably-angled hand stuff in the back of a dilapidated cinemark that lost funding halfway through retrofitting into a dinner theater: the funniest

The more specific a joke is, the more it relies on an in-depth understanding of the characters and world you’re dealing with and the more ‘realistic’ it feels within the context of your media. Especially with this kind of humor. When you’re joking with your friends, you don’t go for stock-humor that could be pulled out of a joke book, you go for the specific. You aim for the weak spots. If a set of jokes could be blindly transplanted into another world, onto another cast of characters, then it’s far too generic to be truly funny or memorable. I don’t think there’s a single joke in RVB0 where the humor of it hinged upon the characters or the setting.

Then there’s the issue of situational comedy and physical comedy. This is really where the humor being ‘tacked on’ shows the most. Once again, part of what makes actually solid comedy land properly is it feeling like a natural result of the world you have established. Real life is absurd and comical situations can be found even in the midst of some pretty grim context, and that’s why black comedy is successful, and why comedy shows are allowed to dip into heavier subject matter from time to time, or why dramas often search for levity in humor. It’s a natural part of being human to find humor in almost any situation. The key thing, though, once again, is finding it in the situation. Many of RVB0’s attempts at humor, once again, feel like they would be the exact same jokes when stripped from their context, and that’s almost never good. A pretty fundamental concept in both storytelling in general but particularly comedy writing is ‘setup and payoff’. No joke in RVB0 is a reward for a seemingly innocuous event in an earlier scene or for an overlooked piece of environmental design. The jokes pop in when there’s time for them in between all the exposition and fighting, and are gone as soon as they’re done. There’s no long term, underlying comedic throughline to give any sense of coherence or intent to the sense of humor the show is trying to establish. Every joke is an isolated one-off quip or one-liner, and it fails to engage the audience in a meaningful way.

All together, each individual component of RVB0 feels like it was conjured up independently, without any concern to how it interacted with the larger product they were creating. And I think this is really where it all falls apart. RVB0 feels criminally generic in a way reminiscent of mass-market media which at least has the luxury of attributing these flaws, this complete and total watering down of anything unique, to heavy oversight and large teams with competing visions. But I don’t think that’s the case for RVB0. I don’t know much about what the pipeline is like for this show, but I feel like the fundamental problem it suffers from is a lack of heart.

In comparison to Red vs. Blue

Let's face it. This is a terrible successor to Red vs. Blue. I wouldn’t care if NONE of the old characters were in it - that’s not my problem. I haven’t seen past season 13 because from what I heard the show already jumped the shark a bit and then some. That’s not what makes it a poor follow up. What makes it a bad successor is that it fundamentally lacks any of the aspects of the OG RVB that made it unique or appealing at all. I find myself wondering what Torrian is trying to say with RVB0 and quite literally the only answer I find myself falling back onto is that he isn’t trying to say anything at all. Regardless of what you feel about the original RVB, it undeniably had things to say. The opening “why are we here” speech does an excellent job at establishing that this is a show intended to poke fun at the misery of bureaucracy and subservience to nonsensical systems, not just in the context of military life, but in a very broad-strokes way almost any middle-class worker can relate to. At the end of the day, fiction is at its best when it resonates with some aspect of its audience’s life. I know instantly which parts of the original Red vs Blue I’m supposed to relate to. I can’t say anything even close to that about 0.

RVB is an absurdist parody that heavily satirizes aspects of the military and life as a low-on-the-food-chain worker in general that almost it’s entire target audience will be familiar with. The most significant draw of the show to me was how the dialogue felt like listening to my friends bicker with each other in our group chats. It required no effort for me to connect with and although the narrative never outright looked to the camera and explained ‘we are critiquing the military’s stupid red tape and self-fullfilling eternal conflict’ they didn’t need to, because the writing trusted itself and its audience enough to believe this could be conveyed. It is, in a way, the complete antithesis to the badass superhero macho military man protagonist that we all know so well. RVB was saying something, and it was saying it in a rather novel format.

Nothing about RVB0 is novel. Nothing about RVB0 says anything. Nothing about it compels me to relate to any of these characters or their situations. RVB0 doesn’t feel like absurdism, or satire. RVB0 feels like it is, completely uncritically, the exact media that RVB itself was riffing off of. Both RVB0 and RVB when you watch them give you the feeling that what you’re seeing here is kids on a playground larping with toy soldiers. It’s all ridiculous and over the top cliche stupid garbage where each side is trying to one-up the other. The critical difference is, in RVB, we’re supposed to look at this and laugh at how ridiculous this is. In RVB0 we’re supposed to unironically think this is all pretty badass. 

The PFL arc of the original RVB existed to show us that setting up an elite team of supersoldiers with special powers was something done in bad faith, with poor outcomes, that left everyone involved either cruel, damaged, or dead. It was a bad thing. And what we’re seeing in RVB0 is the same premise, except, this time it’s good. We’re supposed to root for this format. RVB0 feels much more like a demo reel, cutscenes from a video game that doesn’t exist, or a shonen anime fanboy’s journal scribbling than it feels like a piece of media with any objective value in any area.  In every area that RVB was anti-establishment, RVB0 is pure undiluted establishment through and through.  

[initiumseries]

Hey! I love your thoughts on bad tv and I’d love to hear a series wrap up on CAOS if you want to make a post about it. If not no worries and thanks for posting your thoughts on the show over the last year. Loved them and love your blog too!

Thank you!! Sure I can totally do a series wrap up, pretty much right now, in response to this ask. 

So, if I had to distill my issues with this series into a few bullet points it would be: 

-plot -world building/continuity -characters

Plot

CAOS struggles with plot, and I think the biggest reason why, is they just seemed to completely lose track of what the hell they were doing lol. Season 1, ends up being the tightest season because the plot was simple: Sabrina’s dark baptism and her leaving her mortal life behind to become one with witchkind. They beat us to death with the Satan stuff, and they cram as much corny imagery as possible in, even if it doesn’t really make sense. 

why are they having class in a hallway? Do witches not use technology? Why is that blackboard so small? Why isn’t this just a normal classroom setting?

Sabrina’s Season 1 character arc is also clear: she decides, fuck the rules, she’s going to straddle both worlds and everyone’s just gonna have to accept it. It’s not good, but it’s clear. S2, 3, 4 get completely lost in all this other weird stuff. Sabrina is actually not her father’s daughter, but Satan’s, and that plotline goes absolutely nowhere when Sabrina conveniently doubles herself (and experiences 0 consequences for it) and rules hell while also staying in Greendale as herself (seriously, it’s not like satan was dying or anything, he was perfectly fine. For what reason did Sabrina need to become Queen? There’s no answer or explanation for that, she just...did. Ok :/).  Father Blackwood goes apeshit and pulls a Jonestown, for no real reason, CAOS starts leaning heavily into this white feminism stuff (for godsake, the coven kills a DEMON, with the fucking pain of childbirth?! Are you SERIOUS??) Then, s3, it’s about losing their powers because Satan is childish and petty, and a new group of spellcasters are out to kill the witches, and Prudence and Ambrose hunting Blackwood. S4, the eldritch terrors, which honestly, make so little sense, I couldn’t even be bothered. Each season, CAOs falls deeper into the trap of trying to up the ante, make the danger BIGGER, WILDER, more insurmountable, while being completely unprepared to stay consistent with their characters/motivations and undercutting their own BIG ideas with stupid, nonsensical solutions (let me trap this all powerful eldritch terror by taking it to a party, proposing and luring it into a magicked dollhouse...wtf?). 

Worldbuilding/Continuity

What I hate most about these writers for Riverdale and CAOS is that they just don’t feel beholden to being consistent in their worldbuilding and continuity. I don’t find anything cool about kids living in houses with old tvs and rotary phones, but then having a cell phones or wearing modern clothes. Historical anachronisms like that should serve a purpose. 

It COULD be interesting if the conceit is that Zelda and Hilda are OLD, so they take comfort in old things like that, but then that should be specific to the Spellman house, and it should be weird. People should take note of it when they’re there, Sabrina should be conscious of it because she grew up in a time where TVs didn’t look like they were stuck in the 50s. But instead, it’s just...a stupid mess of aesthetic anachronisms for no reason other than they can do it and I just find that to be lazier than utilizing those details in an interesting way. 

In season 1, we get a relatively clear idea that the witches have a certain way of life, that bleeds into season 2. It’s still very sloppy; the anti-pope, using satan where we’d use “god”, introducing the feast and other dangerous parts of being a witch, and essentially just doing the opposite of christianity (except for the racism/sexism ofc. That would require too much thinking I guess). But by season 3, essentially the witches’ way of life have been completely turned upside down. And we never...unpack that. There’s no mourning for literal millennia of supposed tradition, there’s no real floundering or struggling. There are apparently no other adults AT ALL in this magical world outside of Blackwood, Zelda and Hilda, so there’s no real way to get a sense of the REALITY of losing their way of life for these witches, or this world. Is it even a world? Or just a handful of people? Lol. What it means to have to choose a new god to pray to, and is there an divisiveness over who? In Harry Potter, the kids’ parents are tangentially involved when they start pulling their kids out of Hogwarts. Do any of these kids’ parents pull them out of the school when they start praying to Lilith and then Hecate? Do any of the boys have issues with moving from a male god to a female one? Where did all these kids come from if they didn’t have parents and families? Is this witch world just...the school? Why? It would have been interesting watching the witches struggle and scramble to regain their powers while also being hunted by this new, threatening group whose magic seems to be much older, much darker. But instead, they just pivot, and have a fucking picnic before the full moon. 

There’s nothing interesting about characters just constantly pivoting around obstacles without having any real emotional reaction, any real struggles. Obstacles like losing their powers, should be an actual obstacle. They should struggle, there should be emotional weight, and consequences. Instead, Sabrina continues to break rules to suit her agenda, put her friends and family and risk and everyone just...rolls with it. No one is angry at Sabrina for the loss of their powers? Her choice to not become Queen of hell is why they lost their powers right? No one has feelings about that? Sabrina isn’t ostracized? We never see the way these choices, or the overarching plot obstacles impact the characters emotionally. Instead, they’re doing this stuff:

Which is completely ridiculous to me. It all just...HAPPENS. Which is this entire series. Stuff happens, and the characters just, do stuff in reaction to it. Harvey, Theo and Roz are ostensibly human, living human lives. They end up getting pulled into Sabrina’s world, and no one has any strong feelings about that? Harvey’s brother is killed, Roz is turned to stone and Theo talks to his dead great aunt and none of them are haunted by any of that? No? They just decide to create a faux scooby club to fight demons?  Ok. And that cheerleading things is over as quickly as we see it. Stuff like this is insanely frustrating to watch because it makes the show a nonsensical slog to sit through. There’s nothing interesting or engaging to latch onto because they just hammer through it all and make up stupid solutions to get themselves out of the impossible stakes they threw the characters in in the first place. They introduce ideas and discard them just as quickly. An ex:angels show up, start killing people, Sabrina channels satan and kills them, and then that’s the last of those guys. Metatron (jfc even the name is stupid) shows up and is killed just as quickly.  Why bother introducing them then? Why bother do any of the things you’re currently doing in this show if you have no intention of seeing it through? 

Characters 

No one on this show gels, at all.  I don’t believe Theo/Roz/Harvey/Sabrina have been friends for ages. I don’t believe Sabrina and Nick are “end game” (why the hell do we keep saying this riverdale? It’s stupid and senseless). I don’t believe any of these relationships at all. Part of this is because the cast have no chemistry with each other:

they do not look like a friend group or couples at all, these are a bunch of people paired together.

But also because they weren’t consistent at all. 

Father Blackwood went from a witch/warlock purist, to a raging sexist, to a cult leader who killed his followers, to a raging maniac bent on hitler-esque destruction in 4 seasons...for nothing. It served no purpose. He didn’t even DO anything. He was nice to the Eldritch Terrors, and became immortal...for nothing. He killed the coven, for nothing. He killed his wife in childbirth, for nothing. Zelda stole the baby, for nothing. None of that amounted to anything worth while in the entire series. So what was the point?  Zelda marrying Faustus also made no sense and only happened to show JUST how sexist he was! But why? WHY? We don’t receive explanations for character behaviour, and when we do, it still makes no sense. 

Sabrina breaks all these rules and experiences ZERO consequences. At all times, and it makes her a terrible main character. Everyone else abides by the rules but she doesn’t and doesn’t have to pay for that? Why? She straddles both worlds instead of committing to one, and that was the closest we got to seeing consequences for her. Everyone rushes in to help Sabrina break rules instead of holding her accountable for feeling above them. Sabrina creates 2 versions of herself, and they sloppily tie in that all the realms are converging in on each other because of what she did. Except she and Sabrina Morningstar had been hanging out...ostensibly for days/weeks/months (who knows? Not this show!) before we saw any potential issues, and then we end up finding out that this is about the next eldritch terror, not about Sabrina existing as a double in 1 universe. People get upset for a second and then move on to help her. So why have rules in this world at all if it means nothing to break them? 

Nick goes through literal hell, and immediately cheats on Sabrina because of how a man made of clay looked at her. That’s laughable to me. It makes no narrative sense. Their relationship doesn’t even make sense.

Roz and Harvey spend 90% of their time almost fucking. It’s bizarre. Their getting together was random and every single scene with them alone in it is like a precursor to fucking and I don’t get why. This show does not grasp how to build up relationships. Also do these kids not have parents? Theo and Harvey stay having constant sleepovers with their respective partners, in their parents’ houses? Really? At seventeen? Lol k. 

I feel like, if CAOS were better thought out, it could have actually been interesting. But it was just a smorgasbord of stuff happening, and characters doing stuff, and none of that following in any real narrative way. Storytelling has structure for a reason, and a show with a good story structure usually yields an enjoyable watching experience. CAOS is a pretty strong example of how throwing that out and relying so heavily on aesthetics and still taking the show so seriously it’s not even fun terrible, gets you nowhere. Ultimately I’m glad it’s over.

[saiyef]

Decided to make this post because I got tagged to say what I was reading. They’re all mixed bag that will range from ‘trash’ to ‘okay’ to ‘amazing’. I’ll bold series that are my absolute favourites.

Manga I was recently rereading:

The Love Doctor

Tensei Kizoku no Isekai Boukenroku ~Jichou wo Shiranai Kamigami no Shito~

Mahou Shoujo Gakuen no Suketto Kyoushi

Still Sick

Fluttering Feelings

Ihoujin, Dungeon ni Moguru

Manga I’ve recently read or are currently reading:

Mushoku Tensei

In Another World With My Smartphone

Liar Satsuki Can See Death

I Gave Birth To A Murderer's Child

The Hidden Dungeon Only I Can Enter

Kemono Jihen

Beelzebub

Dorei Tensei: Sono Dorei, Saikyou no Moto Ouji ni Tsuki

Isekai Cheat Magic Swordsman

Isekai Kenja no Tensei Musou ~Geemu no Chishiki de Isekai Saikyou~

Kanchigai no Atelier Meister

I Was Invited to Join the Country as an Otherworldly Warrior but I Refused and Decided to Start as a Soldier

I Was Dismissed from the Hero’s Party Because They Don’t Need My Training Skills, so I Strengthened My [Fief] Which I Got as a Replacement for My Retirement Money.

Kajiya de Hajimeru Isekai Slow Life

The Church in Front of the Devil’s Castle

Kage no Eiyuu no Nichijou-tan

Lv2 kara Cheat datta Moto Yuusha Kouho no Mattari Isekai Life

The Irregular of the Royal Academy of Magic ~The Strongest Sorcerer From the Slums is Unrivaled in the School of Royals ~

Tada Shiawasena Isekai Kazoku Seikatsu

Shoki Skill Ga Benri Sugite Isekai Seikatsu ga Tanoshisugiru!

Dream Life: Yume no Isekai Seikatsu

Her Royal Highness Seems to Be Angry

Level 0 no Maou-sama, Isekai de Boukensha wo Hajimemasu

The Struggle of Being Reincarnated as the Marquess's Daughter: I'll Deal with What’s Coming to Me!

Story of a "Unemployed" Champion and a Princess Who Together Find Their Happiness

Tantei wa Mou, Shindeiru

Ongoing manga I really like (off the top of my head):

The Monster Duchess and Contract Princess

Maid kara Haha ni Narimashita

Villainess Level 99 ~I may be the Hidden Boss but I'm not the Demon Lord~

Kaguya-sama: Love is War

Oshi no Ko

The Cuckoo’s Fiancee

Are You Really Getting Married?

My New Wife is Forcing Herself to Smile

Tensei Shitara Slime Datta Ken

The Ancient Magus Bride

Kusuriya no Hitorigoto

Tate no Yuusha no Nariagari

Berserk

Goblin Slayer

Goblin Slayer Year One

Hataraku Maou-sama!

Honzuki no Gekokujou

A Capable Maid

A Stepmother's Märchen

This Girl is a Little Wild

Doukyonin wa Hiza, Tokidoki, Atama no Ue.

Ossan Boukensha Kane no Zenkou

I'm a Middle-Aged Man Who Got My Adventurer License Revoked, but I'm Enjoying a Carefree Lifestyle Because I Have an Adorable Daughter Now,

Boukensha ni Naritai to Miyako ni Deteitta Musume ga S Rank ni Natteta

Isekai Yururi Kikou: Raising Children While Being an Adventurer

The Swordsman Called the Countless Swords' Sorcerer

May I Please Ask for One Final Thing?

Princess Bibliophile

Yuukyuu no Gusha Asley no, Kenja no Susume

One Piece

My Hero Academia

Black Clover

Phantom Seer

Ayakashi Triangle

SAKAMOTO DAYS

Dungeon Sherpa: Meikyuu Michisaki Annainin

Emergency! How to Deal With Love

Seamstress Girl

Magic Artisan Dahliya Won’t Hang Her Head

I was Told to Relinquish My Fiancé to My Little Sister, and the Greatest Dragon Took a Liking to Me and Unbelievably Took Over the Kingdom

Maseki Gurume: Mamono no Chikara o Tabeta Ore wa Saikyou!

Is It Odd That I Became an Adventurer Even If I Graduated From the Witchcraft Institute?

Jui-san No Oshigoto In Isekai

The 31st Consort

The Emperor Hopes for the Court Lady as His Bride

For Certain Reasons, The Villainess Noble Lady Will Live Her Post-Engagement Annulment Life Freely

The Earl's Daughter was Suddenly Employed as the Crown Prince's Fiancée

Nidome no Jinsei wo Isekai de

I Swear I Won’t Bother You Again!

Ai to Ao no Kyoukai

Hazure Skill "Kage ga Usui" o Motsu Guild Shokuin ga, Jitsuha Densetsu no Ansatsusha

The King of Cave Will Live a Paradise Life

Isekai De Te Ni Ireta Seisan Skill Wa Saikyou Datta You Desu

My Lord The Wolf Queen

Kage no Jitsuryokusha ni Naritakute

Futago No Ane Ga Miko Toshite Hikitorarete, Watashi Wa Suterareta Kedo Tabun Watashi Ga Miko De Aru

Saijaku Tamer wa Gomi Hiroi no Tabi o Hajimemashita

Tenohira Kaitaku Mura De Isekai Kenkokuki: Fueteku Yome-Tachi To Nonbiri Mujintou Life

Genjitsushugi Yuusha no Oukoku Saikenki

Shoukan sareta Kenja wa Isekai wo Yuku

The Undead Lord of the Palace of Darkness

Tensei Kizoku no Isekai Boukenroku ~Jichou wo Shiranai Kamigami no Shito~

Isekai Kenkokuki

Reincarnated as an Aristocrat with an Appraisal Skill

Please Don't Call Me Queen!

Yakudatazu Skill ni Jinsei o Sosogikomi 25-nen, Imasara Saikyou no Boukentan Midori Kashi no Akira

The Old Man Who Got a Second Round in Another World

I Came to Another World as a Jack of All Trades and a Master of None to Journey While Relying on Quickness

Shin no Jitsuryoku wa Girigiri Made Kakushite Iyou to Omou

Samayoeru Tensei-sha-tachi no Relive Game

Clearing an Isekai with the Zero-Believers Goddess

Imiko to Yobareta Shoukanshi

Party kara Tsuihou Sareta Sono Chiyushi, Jitsu wa Saikyou Nitsuki

Gakuen Babysitters

Niehime to Kemono no Ou

Yondome wa Iya na Shizokusei Majutsushi

Milady Just Wants To Relax

Assassin de aru ore no Sutetasu ga Yuusha yori mo Akiraka ni Tsuyoi Nodaga

The Reincarnated 「Sword Saint」 Wants to Take it Easy

The Holy Grail of Eris

Saikyou Juzoku Tensei: Cheat Majutsushi no Slow Life

Heartwarming Meals with Mother Fenrir

Mofumofu to Isekai Slow Life o Mezashimasu!

Another World Munchkin -Conquering the Dungeon as the Strongest and the Fastest with Only 1 HP-

The Reincarnated Inferior Magic Swordsman

Assassin’s Pride

Even Though I'm a Former Noble and a Single Mother, My Daughters Are Too Cute and Working as an Adventurer Isn't Too Much of a Hassle

Ankoku Kishi No Ore Desu Ga Saikyou No Seikishi Wo Mezashimasu

Slave of Black Knight

The Executed Sage is Reincarnated as a Lich and Starts an All-Out War

Tenkuu no Shiro o Moratta no de Isekai de Tanoshiku Asobitai

I’m just a human but I was raised by the Four Heavenly Kings of the Demon King’s Army. The Demon King’s daughter loved me and bestowed me the authority to rule over all attributes.

Ani no Yome to Kurashite Imasu

A Workplace Where You Can't Help But Smile

Hana ni Arashi

Koushin Koinu ni Koibumi wo

Can’t Defy The Lonely Girl

Adachi to Shimamura

Crescent Moon and Doughnuts

Bocchi Kaibutsu to Moumoku Shoujo

Bai Lijin Among Mortals

Whispering You a Love Song

Kami eshi JK to OL fujoshi

Dear, My Teacher

Useless Princesses

Your True Color

Nettaigyo Wa Yuki Ni Kogareru

Even if it was Just Once, I Regret it

A Monster Wants to Eat Me

Kimi ga Shinu made Koi wo shitai

APPROXIMATE

Beast of Blue Obsidian

Nito no Taidana Isekai Shoukougun: Saijaku Shoku "Healer" nano ni Saikyou wa Cheat desu ka?

Isekai Meikyuu no Saishinbu o Mezasou

Your SSS-rank Afterlife is Confirmed, Virtuous Old Man

The Strongest Wizard Becomes a Countryside Guardsman After Taking an Arrow to the Knee

Eiyuu Kyoushitsu

Saikyou Yuusha wa Oharai Hako: Maou ni nattara zutto Ore no Musou Return

Level 1 no Saikyou kenja ~Noroi de sai kakyuu mahou shika tsukaenaikedo, kami no kanchigai de mugen no maryoku o te ni ire saikyou ni~

Isekai de Shippai Shinai 100 no Houhou

People Looked Down on Me for Having a Crummy Job but it really isn't all that bad?

I Shaved. Then I Brought a High School Girl Home.

The Two of Them are Pretty Much Like This

That Inferior Knight, Lv. 999

The World's Best Assassin, Reincarnated In A Different World As An Aristocrat

Makui no Risu

Easy Amnesia

A Sword Master Childhood Friend Power Harassed Me Harshly, So I Broke Off Our Relationship And Make A Fresh Start At The Frontier As A Magic Swordsman.

A Dyad of Revenge

Fiancée Be Chosen by the Ring

Hard-Boiled Cop and Dolphin

i tell c

WITCH WATCH

The Elusive Samurai

Maou Toubatsu Shita Ato, Medachitakunai node Guild Master ni Natta

Moon Flower Country's Strange Doctor

Ore wa Mada, Honki o Dashite Inai  

Noble Reincarnation

Maken no Daydreamer

Hagure Seirei Ino Shinsatsu Kiroku ~ Seijo Kishi-dan to Iyashi no Kamiwaza ~

[edwardallenpoe]

white people stop talking for Bipoc challenge (impossible)

[akari-hope]

Idk if I’m just being sensitive but I saw a post earlier that said, “Being autistic isn’t an excuse for being obsessed w/ cartoons as a grown-ass adult. Grow up.” They went on to say that it wasn’t ableist to point out how pathetic & creepy that was, & it was tagged with SPOP, TOH, SU, etc. It is ableist to bully autistic people for their hyperfixations & special interests, though. As a queer autistic adult who has 0 support irl, this community has brought me so much joy & seeing us ridiculed

2/2 just feels like such a punch in the gut. Stuff like this is why I’m so self-conscious about my interests. Can neurotypicals go two seconds without being ableist & cruel?

HONESTLY. like it's one thing to say "you having hyperfixations/special interests does not exempt you from engaging critically with them", which is a statement i DO agree with. but so many people are straight up saying "you need to get different interests, more adult interests". like who went and put you in charge of who can like what?? i mean with that logic then if you're an adult you shouldn't be playing video games or watching superhero movies either. "you read comics as an adult? :/ aren't you a little old for that?"

also, "creepy"??????? what the hell is creepy about someone liking a cartoon????? like??????? imagine saying to someone "if you like hello kitty that's pathetic and creepy" LIKE??????????? where is the logic. where is it.

it's just so funny bc i never see these people say shit about people liking percy jackson or the hobbit or into the spiderverse or whatever. even though, by all means, those are for kids/kid-friendly. hell, i get ZERO shit for being an adult and liking kingdom hearts, which is a disney property and rated e10+. like it's so bizarre bc these people will NOT be consistent with it, and the second you start to notice that their opinion really starts to lose any kind of weight.

so, no, you're not just being sensitive, bc it's legitimately irritating and frustrating. why those people choose cartoons as the hill to die on will never make sense to me. but also try and take some comfort in the fact that while you're spending your time enjoying something, THEY'RE spending their time caring about you enjoying something. and if you ask me, i think they should care more about finding some interests of their own.

[scottspack]

Over a week ago @progmetallesbian created the “Top Ten Niche Interests” tag game and tagged me in it and ive been meaning to do it ever since!!! My lovely wife @got2ghost tagged me in it again today so it’s finally happening:

TOP TEN NICHE INTERESTS

As a preface, ive seen a lot of these from other people and you all have wonderful, very niche interests (ex: amy & chi) and it made me feel like a lame normie when i started thinking about my interests bc apparently im not into anything THAT niche, so these are the things that to me are personally niche and to everyone else are probably just normal things

1. TOTTENHAM HOTSPUR FC: there’s a long unimportant story to how my dad and i became spurs fans but the fact of the matter is that we’ve been following spurs soccer for three years now and it’s an interest i literally ONLY get to talk about with my dad because i have about two (2) friends who are interested in soccer and zero (0) of them watch the EPL. it’s hilarious to me that what is probably my personally most niche interest is the one that is shared by the vast majority of the world. such is the life of being a soccer fan in america :(

2. THE PIRATES OF THE CARIBBEAN TRILOGY: this is an old niche and another one that isnt that niche at all but one i feel compelled to include because when i tell you that i was obsessed with this trilogy in elementary school, obsessed is not nearly a strong enough word. i watched all three movies so often that i broke about 2 sets of dvds per movie. i know every possible piece of trivia about these movies. i had every piece of merch from claire’s and hot topic that it was possible to own. my friend and i read about 500 different books on pirates. we called orlando bloom “orly”. i could go on. potc was probably the only thing ive ever been legitimately “hyper-fixated” on and i will defend all three of those movies until i die!!!! if you’ve ever said “i liked the second two but i just couldnt follow the plot” please let me know and i will be happy to explain it to you in excruciating detail!

3. SOLO THRU-HIKE BLOG POSTS: this one i feel can actually count as niche! i fucking love reading blog posts from professional hikers who do crazy long solo thru-hikes. the lewis and clark trail, the appalachian trail, and the te araroa trail in new zealand are some of my favorite to read posts about, but ill read about any solo thru-hikes because i think its fucking bonkers and interesting and complex and inspiring and i hope to never ever do one in my entire life!

4. R/PARANORMAL: i have no reddit experience, i dont have an account, and i never want to actively engage in the reddit community. BUT. i fucking love ghosts and the paranormal so r/paranormal is a treasure trove for fun ghost stories and i read it pretty regularly! a lot of them are silly as youd expect but every now and then there are some really good ones that scare the shit out of me

5. HISTORICAL DRESS YOUTUBERS: it started with bernadette banner and once i had watched pretty much every single video she ever made, i started watching her friend’s channels, and then their friend’s channels. i have no interest in ever dressing historically, i dont really care about fashion, and i will never make my own clothes, but goddamn it if it isnt extremely fun and interesting to watch how passionate these ladies are about their specific niche time period of historical clothing! the talent! the history! its amazing! 

6. INSTAGRAM PINUP MODELS: i honestly cant remember how i stumbled into this world but there is an entire community of classic “pinup” models on instagram who have the most beautiful and creative looks ive ever seen and i now follow like 15 of them and am obsessed with watching them do their hair and makeup 

7. THE COUNT OF MONTE CRISTO (2002): this is the greatest film adaption of a book, the greatest period piece, and the greatest piece of cinema ever created by human kind. im not interested in debating, i just know that im right.

8. ENDLESS OCEAN: endless ocean was a game i owned on the wii as a preteen that i played for like a year and has been living in my head rent free ever since. you play as a scuba diver in the great barrier reef and all you do is go diving and catalog fish for your conservation team. thats it. that’s the entire game. and playing it was the happiest ive ever been in my life!

9. BANDS FC: there’s a guy on twitter who combines bands and soccer clubs to create new logos. ive been following him forever and its one of my favorite things on the internet!!! he puts a ton of time and research into his designs and they’re all so good. fun fact, he’s also a gay ally and once went to battle against british footie homophobes! a true king!

10. CHRISTIAN MYTHOLOGY: idk if it counts as niche if i blog about it on the regular but i have a deep deep love for the aesthetics, stories, and legacies of christianity. i grew up non-denominational christian but have always been (prepare for cringe) a spiritual person, so i have a huge appreciation for all religions! but obviously christianity is fairly ubiquitous in america and the only religion i have any claim to, so it’s a big interest of mine to explore christian mythology and the ways it’s shaped human history

im going to tag @wolfbuddy @eremji @curlytemple and @significationary if yall are interested!

[intouchables2011]

[Intouchables] (2011)HD Film Complet Streaming VF en Français

Regarder Intouchables Film Complet Streaming VF En Français — HD 2011 Voir Intouchables 2011 Film Complet En Français, Voir Intouchables 2011 Film Entier En Français, Voir Intouchables 2011 Film En Français, Voir Intouchables 2011 Film Complet, Voir Intouchables 2011 Film Complet VF, Voir Intouchables 2011 Film Complet Streaming, Voir Intouchables 2011 Film Entier, Intouchables 2011 Film Entier VF, Voir Intouchables 2011 Film Entier Streaming, Voir Intouchables 2011 Film Streaming VF, Voir Intouchables 2011 voir en streaming gratuit,

Image for post

⭐⭐⭐⭐⭐⭐⭐

Intouchables 2011

8.3/10 de 13137 utilisateurs À la suite d’un accident de parapente, Philippe, riche aristocrate, engage comme aide à domicile Driss, un jeune de banlieue tout juste sorti de prison… Bref la personne la moins adaptée pour le job. Ensemble ils vont faire cohabiter Vivaldi et Earth Wind and Fire, le verbe et la vanne, les costumes et les bas de survêtement… Deux univers vont se téléscoper, s’apprivoiser, pour donner naissance à une amitié aussi dingue, drôle et forte qu’inattendue, une relation unique qui fera des étincelles et qui les rendra… Intouchables.

🎬 VISIT THIS LINK : https://t.co/k10juwiLYX?amp=1

Sortie: 2011-11-02 Durée: 112 minutes Genre: Drame, Comédie Etoiles: François Cluzet, Omar Sy, Audrey Fleurot, Anne Le Ny, Clotilde Mollet Directeur: Olivia Bloch-Lainé, François Emmanuelli, Jean Goudier, Jean-Paul Hurier, Mathieu Vadepied

Il y a de cela fort longtemps, au royaume imaginaire de Kumandra, humains et dragons vivaient en harmonie. Mais un jour, une force maléfique s’abattit sur le royaume et les dragons se sacrifièrent pour sauver l’humanité. Lorsque cette force réapparait cinq siècles plus tard, Raya, une guerrière solitaire, se met en quête du légendaire dernier dragon pour restaurer l’harmonie sur la terre de Kumandra, au sein d’un peuple désormais divisé. Commence pour elle un long voyage au cours duquel elle découvrira qu’il lui faudra bien plus qu’un dragon pour sauver le monde, et que la confiance et l’entraide seront essentiels pour conduire au succès cette périlleuse mission. 31 mars 2011 / Animation, Fantastique, Aventure De Don Hall, Carlos Lopez Estrada, Paul Briggs … Avec Kelly Marie Tran, Awkwafina Nationalité Américain Intouchables Intouchables vf Intouchables grand rex Intouchables sortie france Intouchables youtube Intouchables telecharger Intouchables age Intouchables durée Intouchables bande annonce Intouchables casting Intouchables sortie Intouchables au grand rex Intouchables affiche Intouchables à partir de quel age Intouchables avis Intouchables avant premiere Intouchables au cinema Intouchables age minimum Intouchables a telecharger Intouchables age conseillé Intouchables âge Intouchables bande annonce youtube

🎬 VISIT THIS LINK : https://t.co/k10juwiLYX?amp=1

🔮 THE STORY 🔮 Sci-fi is like dream, aside from stories in this classification utilize logical arrangement to explain the universe that it requires place in. It for the most part incorporates or is focused on the assumed impacts or repercussions of PCs or machines; travel through space, time or imaginary worlds; outsider living things; hereditary designing; or other such things. The science or innovation utilized may or probably won’t be completely explained on; stories whose logical components are sensibly point by point, well-informed and viewed as generally conceivable given current information and innovation are regularly known as hard sci-fi. Writing that objectives posses, criminal associations that give a degree of association, and assets that help a lot bigger and more specialized criminal exchanges than an individual criminal could accomplish. Criminals will be the subject of a few motion pictures, especially from the period somewhere in the range of 1930 and 1960. A restoration of criminal sort films happened since the 1990s with the blast of hip-jump culture. Dissimilar to the sooner hoodlum films, the more current movies share comparative components to the more established movies yet is more in a hip-bounce metropolitan setting. An experience story is around a hero who excursions to epic or removed spots to perform something. It could have a considerable number of other classification factors included inside it, since it is an open type. The hero incorporates a mission and faces hindrances to get to their objective. Additionally, experience stories as a rule incorporate obscure settings and characters with valued properties or highlights. At first proposed as a classification by the makers of the pretending game Children of daylight, dieselpunk alludes to fiction propelled by mid-century mash stories, predicated on the style of the interbellum period through World War II (c. 1920–45). Like steampunk however especially observed as a the ascent of oil power and technocratic discernment, fusing neo-noir factors and sharing subjects more clearly with cyberpunk than steampunk. Despite the fact that the striking quality of dieselpunk as a classification isn’t totally uncontested, portions which range from the retro-advanced film Sky Captain and the World of Tomorrow to the 2001 Activision computer game Return to Castle Wolfenstein have been recommended as quintessential dieselpunk works of fiction. A style when an entertainer acts before a live crowd, talking straightforwardly to them. The entertainer is generally alluded to as a comic, professional comedian, professional comic or simply a hold up. In stand-up parody the entertainer ordinarily discusses a relentless progression of amusing stories, short jokes called “pieces”, and jokes, which comprise what’s regularly called a discourse, routine or act. Some professional comics use props, music or sorcery stunts to improve their demonstrations. Stand-up satire is regularly acted in parody clubs, bars, neo-vaudevilles, schools, and theaters. Outside of live execution, stand-up is typically circulated monetarily by means of TV, DVD, and the web. like customary activity; instead of utilizing hand drawn pictures, stop movement films are made with little puppets or different articles which have their image taken regularly over a grouping of little developments to make liveliness outlines. Models are The Nightmare Before Christmas, Coraline, and Corpse Bride. 🔮 COPYRIGHT CONTENT 🔮 Copyright is a type of intellectual property that gives its owner the exclusive right to make copies of a creative work, usually for a limited time.[1][2][3][4][5] The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itsDemon Slayer the Movie: Mugen Train.[6][7][8] A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States. Some jurisdictions require “fixing” copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders.[citation needed][9][10][11][12] These rights frequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.[13] Copyrights can be granted by public law and are in that case considered “territorial rights”. This means that copyrights granted by the law of a certain state, do not extend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large group of countries, have made agreements with other countries on procedures applicable when works “cross” national borders or national rights are inconsistent.[14] Typically, the public law duration of a copyright expires 50 to 100 years after the creator dies, depending on the jurisdiction. Some countries require certain copyright formalities[5] to establishing copyright, others recognize copyright in any completed work, without a formal registration. It is widely believed that copyrights are a must to foster cultural diversity and creativity. However, Parc argues that contrary to prevailing beliefs, imitation and copying do not restrict cultural creativity or diversity but in fact support them further. This argument has been supported by many examples such as Millet and Van Gogh, Picasso, Manet, and Monet, etc.[15] 🔮 ADAPTATION 🔮 Sarah Paulson is my top choice, yet this film isn’t her best. I trusted that months for this will come out and I’m left asking why I was so energized. The trailer parted with everything. You knew the entire story before it even began. There was practically zero character improvement and everything just felt like it was 0–100 with no pacing at all. Likewise, the cosmetics office for Sarah’s last look-the hellfire would you say you were folks on when you thought of this? I really snickered when I saw her. It was an alright film. One that you’d be pissed on the off chance that you burned through cash on. Nothing new, normal, worn out acting. Additionally, no one realizes the proper behavior an asthma assault. This film had so many plot openings that it seemed like a parody. The mother can simply take an infant from the clinic? She harms her little girl for quite a long time and no specialist actually sees this during her regular visits? How did she manage the postal carrier’s vehicle? No one minded the postal carrier was absent? For what reason did the girl never get one of the numerous sharp or gruff articles around her and hit her mother? The mother leaves all her significant reports in a container sitting out and marked? For what reason would she tie up her girl’s wheel seat and not her girl? This is the means by which the entire film goes. The main redeemable nature of the film was Sarah Paulson’s very frightening acting. Likewise, this story has been done so often. I would not burn through my time watching this. Run is unsurprising and not extraordinary. The acting is phenomenal, while the story is fair. The story makes a magnificent showing of being exciting, yet it chiefly doesn’t go anyplace. I knew all that planned to happen despite the fact that I knew nothing. Nonetheless, There was one scene I appreciated where Clare says, “you need me.” The acting was only exceptional in that particular scene. In general, it’s a one time watch that you’ll most likely fail to remember. This is another film on Hulu by Aneesh Chaganty (and co-composed by Sev Ohanian), following up their realistic presentation Searching (2018) with a spine chiller including a mother and her 17-year-old little girl brought into the world with a few confusions (arrhythmia, hemochromatosis, asthma, diabetes, and most effectively loss of motion). I will say that it’s conceivable this film is superior to I preferred it, yet in the event that so it would be for its coordinating and acting, and less so about the composition. I felt like there were openings all over the place, and maybe an excess of is tossed at us too early for us to appropriately think about the characters and their circumstance. This sort of film has been done previously, absent a lot of new added to the table short the wheelchair perspective. There were a ton of components set up for what might have given a more grounded finishing conveyance and punch, yet the greater part of those beats were one-note and spent prior in the film as opposed to associating a solid inward weaving as Searching had the option to do. I went in visually impaired, and it’s possible better that I did given that the trailer is fairly uncovering. I don’t think it had a sufficiently high roof in any case to overshadow any wild absence of desires I previously had. My solitary desire was in the possession of the makers, and the most saving grace this film will probably have on crowds is I expectation they become mindful of Searching and see it sooner or later… which is the thing that I expectation the greater part of all of you can detract from this. That was my #1 film of 2018, and Run will tumble to the wayside as fairly convincing yet totally forgettable. The story and pre-assembled relationship just needed more squeeze once the credits rolled. This film was average, best case scenario. Try not to accept individuals giving it 8 or 9. The plot has been seen ordinarily, it was excessively unreasonable, and the closure failed. They attempted to showcase it as a loathsomeness/spine chiller however nothing about it is exciting. It’s a dramatization completely. I will say however, the entertainers did astounding with what they were given. Sarah Paulson was her standard sDemon Slayer the Movie: Mugen Train, great, not honor commendable. Be that as it may, Kiera Allen truly captured everyone’s attention. She made the film (which delayed for what seemed like 2 hours) watchable. In the event that you appreciated The Act or have nothing else to watch, give it a go. What’s the point of messing with this poop. It resembles a low lease endeavor at a spine chiller yet you definitely know the closure. The faltering endeavors at tension are more irritating than anything. It’s a terrible lifetime film to be straightforward. Furthermore, I like lifetime motion pictures! It’s additionally excessively coordinated, the music is exhausted and the acting isn’t incredible

[five-wow]

considering what we now know, one of the last of these i might ever get to do: i watched 10.18! thoughts under the cut.

the previously on reminds us of adam’s yakuza problems, so i was braced for that, and then we get an establishing shot of the mcgarrett house instead! and suddenly steve is ironing a shirt on a towel in his kitchen again, and for a moment i was extremely confused because this is very clearly not the same shot as in the valentine’s episode but it’s also... the same thing?

BUT THEN, of course, we get steve raising a finger and going “don’t” just before we’re shown that danny is SITTING ON THE KITCHEN COUNTER WATCHING HIM, again i might add, and danny hasn’t even said anything yet but steve is already defensive and claiming that he likes ironing (which i love, that is a wonderful headcanon) and as far as déjà vus go, this is one i do not mind in the slightest. this is, in fact, the exact content i come here for.

okay wait, EVEN BETTER, danny seems to be sitting on the counter... reading a book? he is... in the kitchen, reading (writing in? idk) a book (in a room where there are zero chairs, which is usually where people locate their asses when they read books), while steve is also in the kitchen, ironing a shirt? dear lord. danny moved in and suddenly eddie wasn’t the only guy following steve from room to room in his own house anymore, i guess.

waiiit, steve is going on a date with emma. that is. not bad, just, so very confusing. (potentially very much a lie, omfg. that kind of confusing.)

HAH. i’m not the only one who went “?”, because danny doesn’t believe steve either.

fdjkfd steve asks alexa for his schedule to prove he’s telling the truth but what this really proves is that if it’s a lie, steve had the foresight and intention to put a fake appointment in his calendar, which i would in no way put past him. that’s the easiest thing in the world.

also, danny casually dropping in that he bought alexa for steve? i??? danny is just “casually” hanging out in rooms steve is hanging out in while it makes no sense for danny to be there, buying steve presents, pulling steve’s pigtails by questioning everything he does when he gets the chance, and that’s? that’s normal now?

junior!!! junior pops into the kitchen!

and he’s GOT A DATE TOO, which is a) WONDERFUL and b) a reason for danny to start describing tani which is fascinating and c) a reason for steve to say “well you know what, i think it’s great that you and tani are giving it a go, bud”, which is super cute and it’s A+ to know they have steve’s official stamp of approval (i mean, he’s their boss, that could’ve somehow gotten awkward), but also leads to a shot we get of danny pulling a face that’s kind of “ugh” and “yeah right” mixed into one and just. you know where i’m going with this. if you’re on this blog and you’ve read this post all the way to this point you definitely know where i’m going with this, but yes, this is absolutely danny mentally yelling that it sure is great THEY’RE giving it a go, steve, and doesn’t that potentially inspire you to ruminate on something going on in your own life, like, say, how you feel about your best friend and partner who also works on the taskforce with you and has a big mouth and whose name is oddly close to tani, actually, for that matter?

steve gets a call about shots fired at adam’s building and i’m just now realizing i’m only two minutes into this episode. i’ve spent at least ten times the amount of time rambling that i have watching anything. gonna need to shake that up a little bit.

fdjkfd lou and hpd enter adam’s apartment and they find at least three guys in actual gear, all dead, and adam curled up on the floor in what looks like sleep clothes, with blood all over him, and a) is adam literally superman now? but also b) even if i do accept that it’s possible he killed all of those guys before they managed to hit him anywhere vital even once, then how did he get smeared in blood that evenly all over? did he roll around on the floor before he curled up in the corner? i’m not an expert, but i feel like that’s not how a person would look after fighting off three attackers and presumably shooting most of them.

oh BOY. adam, with a crazy glint in his eyes: “i’ve been trying to dismantle kenji’s operation for months now. and i finally have the evidence to do it.” i both unexpectedly like this, and already low key hate it for how it’s probably going to be used as the show’s way of clearing adam from all the completely bonkers things he’s been doing all on his own with zero authorization or backup and bringing him back into the fold of five-0 as a somehow still trusted team member.

oh dang. opening credits do their thing, and then there’s no pause to check whether there’s even actually any actual evidence on that thumb drive adam was holding, but we just jump to swat, adam, lou and junior rolling up to kenji’s house and engaging in a huge shootout.

adam is now the lone dude pursuing kenji through the dark woods, who is also alone, of course. they brawl, adam gets the upper hand, and he gets a chance to shoot kenji which he doesn’t take, and then he calls for emts (good! this is good!) and extremely dramatically tells kenji “you were right not to trust me. i was working for five-0 the whole time”, and it just sounds like such a weird brag at this point. so i guess adam never went to the bad side again, suddenly? he just... keeps pretending he does over and over, and the criminals on this very small island keep being stupid enough to trust him, which honestly, is on them.

adam keeps bragging and oh gosh, tell me there’s a twist here and this is not just his victory lap. there’s so much of the episode left that something has to go very wrong about adam’s nice plan to wrap it all up neatly.

aha! it’s implied that letting kenji live might go badly for adam because kenji has information about adam that is bad for him. they did not completley forget that adam did crime stuff!

noelani seems to be at a funeral and we meet her parents and they don’t exactly seem super proud of her achievements, which i think we were told in the past, but now we’re shown, and it hurts my heart.

oh noooo. noelani gets to the open casket and immediately finds marks on the body that she clearly thinks are suspicious. that’s! not going to go well, gosh.

fdjkfdjkf adam and steve are in steve’s office and steve basically just went “so your plan to fight the yakuza was to join the yakuza” and adam very seriously goes “yes.”

steve is very not happy and adam doesn’t truly seem to grasp why and then steve’s phone rings and there’s a case, which is very nice timing for adam. saved by the bell.

so five-0 is on a ship that got robbed by pirates but it’s all very mysterious, and then they realize there might still be a pirate on board and they split into search parties and it’s junior and tani as one (who start talking about their missed date), and steve and danny as the other (who are not shown talking about dates, but who knows), and just. i love watching both of those duos work together, and the junior-tani vs steve-danny parallel is once again very in your face, hah.

tani gets locked in a kitchen with the pirate and junior is outside freaking out and that’s angsty but then junior and steve finally break through the door in a combined effort and they and danny rush in, only to find tani has already solved the problem without their help. YES. GOOD CONTENT.

jkfdfjdk over on the island, quinn is now helping noelani intimidate the coroner who wrote a bad report on noelani’s uncle’s death and that is ALSO very good content.

dfjdk lou welcomes most of the team back to hq and asks “anybody left pining”, which he follows up with the rest of a sentence about the high seas, but UH. YES. i know some people who might be pining.

lots of plot stuff happens and it’s genuinely interesting to watch, but also, oh my god, quinn and noelani are making me cry.

fjdkfd tani goes to meet one of the guys from the magnum pi crossover and he says he’s still waiting to hear back from quinn about the dinner he was hoping to have with her, and i like that because my lesbian quinn headcanon is still going strong.

quinn and noelani encounter a teen trying to get out of gang life who might be on a wealthy person’s hitlist, and my first thought is just. put the kid in the mcgarrett house. not only will he be instantly adopted by steve (and thereby gain a complicated network of siblings), but he’ll also be living in a place where he’s protected by not one, not two, but three members of five-0, two of whom are former seals. just. aside from the dire lack of beds, it would be so good.

jfkdslf, steve, danny and junior find the pirates and a room full of bags of powder that looks like drugs but probably isn’t, seeing as it killed the pirates, and then a small army rolls up outside and starts shooting at them, forcing them to take cover in the room with the powder, which starts dusting the air as the bags get shot. i love how the writers made the circumstances work here, omg.

I LOVE THE WAY THAT PLAYED OUT EVEN MORE, because it made a) for a very interesting shootout with clear stakes, and b) for a somehow both hilarious and potentially super angsty moment when danny is fairly affected by the powder, which has to bring up some bad sarin gas memories for him, and then steve shoots one last bad guy right over danny’s head and danny’s ears are ringing and he yells something and steve doesn’t understand him and just kind of pats his back in comfort, which in turn gives me strong driving-a-nuclear-bomb-through-the-woods, name-your-restaurant-Steve’s-please flashbacks, oh my gosh.

tani makes a REALLY LAME PIRATE JOKE and i LOVE HER.

quinn got the whole team together at a bar so noelani wouldn’t be sitting at home alone!!! the type of supportive female friendship i want to see!!!

and then quinn wants noelani to come dancing with her, but the magnum pi guy shows up and noelani tells him that maybe he could take her place. GAY QUINN IS SOARING. also, poor woman. this has strong vibes of danny setting steve up half against his will.

tani and junior watch quinn and the guy dance and decide to join and/or dance fight them in the best conversation ever, and it looks they’re all having SO MUCH FUN and it makes my heart happy.

what ALSO makes my heart happy is how much i enjoyed this episode, because i thought there would be a lot of yakuza stuff after that “previously on” and the beginning, but adam just kind of disappeared after his talk with steve, and suddenly there were two entirely unrelated plots which were both very neat and gave me so, so many character interactions i adored, ahh, how wonderful. i love season 10 so much.

[brajeshupadhyay]

NBA players are about to venture into the unknown, wishing for the best possible outcome for a season that’s scheduled to resume under cloister at Disney World but no longer sure what “best” means anymore. Will an elaborate plan to regularly test players for COVID-19 and minimize their contact with nonessential personnel keep them healthy long enough to award a championship? How many positive COVID-19 tests will be enough for Commissioner Adam Silver to abandon this restart in Florida, where the number of confirmed new COVID-19 cases spiked this week? So many questions, so few reassuring answers. With about a week to go before teams are due to report to Orlando for training camp, Clippers coach Doc Rivers acknowledged he’s concerned about the health of everyone involved — and the rest of us. “I’m hoping, quite honestly, and it’s just a hope, that when we get to the bubble it becomes the safest place in America,” Rivers said during a conference call Wednesday. “But we don’t know any of this, and yeah, this pandemic, it seems like obviously — I guess this is the only political statement I’ll make on it. It would be great if we had national leadership, which we have zero on this, and so, unfortunately, everyone is left to do their own thing from state to state and in some places from city to city. It’s absurd. “But what we’re going to try to do once we get to Disney is protect each other, protect the area. But we have to get there. You know, you’re almost nervous about that.” Rivers compared the mind-set required to navigate these anxious times to carrying out a Navy SEALs mission. Resolve, he said, will count as much as skill. “I was talking to the commissioner last week,” Rivers said, “and he said the team that wins this will deserve a gold star, not an asterisk. If you think about the mental toughness it’s going to take, whoever comes out of this, it’s going to come down to that. “It’s going to come down to teams trying to get back together and play together. But there’s going to be so many things that are thrown at us that we don’t even know yet, that it’s really going to be a mental toughness challenge.” Rivers believes he has gained a good read on his players by maintaining constant contact with them since the season was paused on March 11. What began as mundane chats about family and staying in shape took on depths beyond basketball in late May after video emerged of George Floyd dying while being pinned beneath the knee of a Minneapolis policeman for 8 minutes and 46 seconds. “That’s almost an entire quarter of basketball that you got to sit and just watch,” Rivers said. “Just watch it in full, and if that doesn’t change you or affect you, then you have no feelings.” Conversations about the brutality of Floyd’s death inspired discussions among players and coaches about their lives and their options in responding to pervasive racism. Some have posted messages on social media; some have participated in peaceful protests. Rivers praised the advocacy of Atlanta Hawks coach Lloyd Pierce, whose team announced plans to turn State Farm Arena into a massive polling place to fight voting suppression. Rivers said the Clippers, with the strong support of owner Steve Ballmer, will speak out against social injustice but Rivers declined to disclose specifics. The NBA has said it will permit players to replace the name on the back of their respective jerseys with phrases related to social justice, and teams will compete in Orlando on courts that will have Black Lives Matters painted on the floor. Rivers’ conversations with players about Floyd and the protests triggered by Floyd’s death were informed by a lifetime’s experience of racism. Remember, Rivers expertly guided the Clippers through tense times in 2014 when the league banned then-team owner Donald Sterling for life because of racist remarks and mandated that Sterling sell the team. “I think my life did, honestly,” Rivers said when asked whether the Sterling episode had shaped his current approach. “Sterling is just one of the small chapters in it. I’ve had my house burned down. I grew up in Chicago, and in the time I grew up in Chicago it was probably the most segregated city in the country. “So, I’m seeing this through my life. I’ve seen it through my father, who was a police officer, and through my grandparents, who told stories about Macon, Georgia, where they grew up. This is just another chapter. But this seems to me to have legs, this one. I’ve seen too many protests that they become protests and then everybody wears a badge or wears signs and then it goes away. This is not going away this time. I really believe this. I think social media is part of that, and I just think our young people are engaged. … This thing has life, and so we have to keep it going.” In the meantime the NBA is determined to finish this season, barring a massive COVID-19 outbreak that bursts its bubble. Hoping for the best these days means more than getting competitive games and correct calls from officials. window.fbAsyncInit = function() { FB.init({ appId : '119932621434123', xfbml : true, version : 'v2.9' }); }; (function(d, s, id){ var js, fjs = d.getElementsByTagName(s)[0]; if (d.getElementById(id)) {return;} js = d.createElement(s); js.id = id; js.src = "https://ift.tt/1sGOfhN"; fjs.parentNode.insertBefore(js, fjs); }(document, 'script', 'facebook-jssdk')); The post Column: Doc Rivers hopeful, yet concerned, about completing season appeared first on Sansaar Times.

http://sansaartimes.blogspot.com/2020/07/column-doc-rivers-hopeful-yet-concerned.html

[steve0discusses]

Yugioh S3 Ep 43: Tea Can Just Knock Over Joey Wheeler With Her Index Finger

Guys guys guys, my favorite Character is back. That’s right--the storyboarder!

So this episode looked helllla nice for a Yugioh episode (again, this is Yugioh, it will win no awards.) It wasn’t as nice and fluid as the episode where they temporarily killed off Joey Wheeler, but I give it a good 2nd place.

You can tell we’re getting to the climax of the season because they’re throwing down their most entertaining art people onto the screen, giving us about 5 zillion dutch angle fashion close-ups of Marik’s cabbage face, and a whole lot of zany and hard to very hard to draw fish-eye lens angles of Pharaoh.

Also, everyone wears flared bell-bottom pants now. New stylistic decision, as decided just now. Everyone in pants now has flares. Even if their pants are cargo pants. How very 00′s. (my pants were flares from like birth until 2006, it was a good trend, super comfy, bring it back.)

(read more under the cut)

First off, Evil Marik decided to rewrite Marik history a little bit with some hilarious retconning that only the most evil Marik would think is legit.

I mean I was there when Marik was introduced and was a complete asshole all of S2. I remember when Odion considered murdering the hell out of his little brother because this Marik guy was such freakin tool and his Dad was an evil cultist bastard. I...I’m gonna go on a limb and assume that calling Marik a “loyal servant” is a freakin stretch. Marik made his choices. Yes, his bad side killed his Dad, but they have made sure to indicate that yes, this is the evil inside of Marik, something that he himself caused--but most of the things that Marik has done (with the exception of killing his own Dad) is still Marik. He did that.

The fact that his evil side can’t quite connect that his good side and evil side are at all the same however, is fitting for an evil Marik to think. More and more, Marik and Marik are becoming 2 different people, and this game is the deciding factor to finally give this guy full autonomy of his other half.

We’ve seen this type of contrast before with Bakura and Ryou--where Ryou and Bakura don’t really get along but have always been clearly different people, so the culpability of what they do tends to fall on Bakura. (which is a pretty GRAND assumption, I still think Ryou is a precious but absolutely still shady little bastard) So, it’s a little different that Marik considers himself two completely different people when it’s just...not the same. Marik’s alter ego is just an ego. More like how Yami was in Season Zero but a little bit more evil. Both Marik’s have the same upbringing and the same source.

It’s been kind of an interesting progression now I can look back on it, where slowly the two have been clashing to the point that they are in fact different, disparate people now. The fact that Marik points out how his situation similar to Yugi and Pharaoh being a host is almost like “well yeah, it would have been nice to see how the whole Season Zero Yami evolved into more of a separate person over time, I’m glad you inferred that, and I’ll never get to see it, thanks” But again, all that is inferred. Whether Yami Yugi eventually became Pharaoh over time or whether Pharaoh is a big retcon of Yami Yugi for the new series in order to keep the culpability for what he does off of Yugi Muto was never directly spoken in the show so it’ll be left to your fanfictions.

Meanwhile, Yugi has decided that they’re going to try and purify the Marik situation and save the good side. This is sort of the Yugioh thing, to dispel the bad forces from people and leave behind hollow husks, so yeah...it tracks. I mean...there’s very little Marik left to save, but it’s better than a husk, amiright? Better than what happened to freakin PaniK, RIP. I’m sure erasing over half of your identity will go over real well for Marik and be absolutely painless.

And then we had a lovely scene that, for those people doing scene redraws from anime, as has been a popular trend on art blogs lately--this is your episode for Yugioh. This episode’s got moody lighting, we’ve subdued all our weird ass colors into one concrete palate (remember how green the carpet used to be?) we got interesting elements of Marik being here despite being chopped into pieces. We got so many ellipses drawn in perspective (y’all I could write an entire posts just about ellipses but I’ll spare you). It’s like Yugioh gave itself a redraw.

I can’t believe this shot came out of freakin Yugioh.

Also, this guy was an ASSHOLE for the past 2 seasons but the show was like “time to make him likeable” and so they dropped some good ass cinematography and sung that sad backstory tune on the trumpet and you know what? It works.

+++++++++++++++RANT ABOUT REDEMPTION ARCS FEEL FREE TO SKIP THIS MASSIVE WALL OF TEXT++++++++++++++++++++++++

Now I think the arc of Marik is pretty simple and people are pretty chill with it. But, I’m gonna talk about villain redemption arcs just in general--gonna sidetrack a little from Yugioh for a moment. Partly because I watched 6 seasons of Once Upon a Time, which is basically Villain Redemption Arc Controversy: The Show.

It bothers a hell ton of people when TV shows have to make a villain redeemable, but there’s only one episode left so they put their hands up and say “but I swear the good side of him was always good” But, does that mean Marik’s going to make up for all the murder and sending people to the shadow realm? No. He never will. Even if Marik was completely his bad half the whole time, it still wouldn’t make up for the damage done. Dead people are...DEAD.

Marik can’t actually make any choices right now to redeem his character. All he’s doing is accepting he will never be a full person ever again. Hence why he is in slices and pieces, and in several shots is trapped either in an empty glass or a window. The choice to redeem him is entirely on other people.

And that’s the thing about redemption arcs that I want to bring up--how much of a character’s redemption relies on what the villains do to “Make up for what they did”, and how much relies on everyone else to redeem them. I think the tendency is for people to assume that the villains should be doing 90-100% of the redeeming, but unless they have a time machine--they can’t do any. Even if they freakin die to sacrifice themselves it’s still like “that character was basically little Stalin, right?

I’ve seen like a million ways to write a redemption arc, but none of them, not a single one that I can think of, can ever truly make up for the things the villian has done. There’s no way that Darth Vadar was suddenly going to become a good Dad, no matter how many Palpatines he can toss into a...whatever that was at the end of that movie. That’s the riddle behind what makes redemption arcs so engaging--By all cultural standards these villains should always be tagged a “bad guy” but, we, the audience, are being challenged to ignore those standards.

And I know a lot of people see redemption arcs as a quasi-religious sort of adventure into atonement, where we’re supposed to see ourselves as the villain searching for some type of forgiveness from a higher, most-likely-a-reference-to-Jesus-power, but I don’t really see them that way. Maybe it’s because, I dunno, I haven’t killed anyone recently or possessed other people’s minds or strung them up to anchors and dropped them into the ocean. But if you see yourself as a Marik, then go for it, I won’t stop you.

But, to me, a redemption arc is more of a question posed for us as viewers. Since it is impossible for the writers to ever fully redeem a character, the only ones doing the redeeming are the people watching it, who’s reaction will differ wildly from person to person, and that’s what makes it fascinating.

And like, that’s my thesis here at the very last paragraph of this long meandering rant. Redemption arcs aren’t about “hey is this person good enough to be redeemed (because that will never happen)” it’s “are you too good to redeem that person?” It’s a large scale experiment on the viewers watching and that’s why it makes people so freakin pissed and uncomfortable. Every redemption arc calls them out directly, and for some people it’s just like--the world ends or something. I have seen actual internet mobs develop over...a villain redemption arc. Which is weird.

And so I’ll leave it with my other spicy take that...you don’t have to redeem every villain when the question is asked. I mean these aren’t real people. The questions of “would you redeem this person” is asked entirely hypothetically. And that’s what makes up stories, not just the interaction of the people inside the stories, but when it affects the moral structure of the readers directly, and seeing how for some people, that can be a very intense and deep reflection. (which usually leads to a hell ton of either retconning fanfiction or a hell ton of really, really angry posts)

bro’s just told me that Yugioh is just a redemption arc for season 0 Yami Yugi. Bro and his spicy headcanons. This one holds some water though, lol.

++++++++++++END OF A SUPER LONG RANT ABOUT VILLAINS THAT I HELD IN FOR THE ENTIRE 6 SEASONS OF ONCE UPON A TIME, WOW A LOT OF PEOPLE HAD OPINIONS ABOUT CERTAIN CHARACTERS THAT THEY JUST EXPECTED EVERYONE ELSE TO HAVE, AMIRIGHT????+++++++++++

Anyway, back to jokes.

Again, Storyboarder just...nailing these weird ass shoes that are somewhere between a dress shoe and a boot. Shoes are hard to draw, y’all. This storyboarder. And they even made sure that the shoes looked very small and precious the way Yugi shoes would be. Little Cinderella size 5 Yugi shoes.

Oh finally.

So it was only a matter of time before the people who actually care about being possessed noticed this situation, it just took like...a season longer than I thought it would. I’ll be honest it was quite cathartic for them to actually address for the first time in what feels like a long time “SHOOT, GHOSTS!?!?”

Although it was kind of funny that the biggest reaction to all of this came straight from Joey. Yugi still doesn’t care, Tristan’s decided to just accept this, and Duke is just slowly backing away. But Joey’s going to try and do the work that Yugi should have done last episode.

HOT DAMN.

So, lets go over the Yugioh power chart here. Tristan can punch out Bakura. Tristan can also defeat Seto Kaiba with a broomstick. Joey can kick Tristan, even when Tristan is armed with a broomstick, so hard that Tristan flew through a metal door and bent it completely over backwards. Tea, however, can knock Joey completely over with one single index finger.

How has this girl ever been abducted? Was she just bored?

Bro wants to bring up that she once incapacitated a man with her butt. Just falling on top of a guy and hitting him with her butt of steel. Was she even in danger from the shipping container when she could just bat it away? She once choked out Season 0 Yugi Muto. She was always fine.

Credit to Joey, he keeps trying, and it gives us, for the first time, a sneak peek into what it must be like for Yugi and Joey to hang out on the offtimes that Yugi switches over and Pharaoh hasn’t quite gotten the memo.

This is in fact, the second time that she’s done this.

(meanwhile, sitting next to Odion, is one single cargo pocket floating in the air, gently smoking a purple haze like incense)

Welcome back Odion! I only now just realized how freakin jacked your neck is.

Like y’all his neck is wider than his head, hot damn.

Anyway, this show is secretly all about the power of big brothers, so I assume he’s going to start the mile long crawl to the top of the tower and then just...walk in...just walk right into a shadow game...?

...no one thought to stay with Odion? Like not even Serenity? Or at least leave him a weelchair? what the hell?

Odion always gets the worst wrap, this poor guy.

Anyway if you just got here, this is a link to read these recaps in chrono order from the beginning and watch my progression of knowing nothing about Yugioh to knowing a lot about random facts about Yugioh but still knowing absolutely nothing at all just like Socrates.

And here’s that shot of Marik for y’alls anime scene redraws, knock yourself out.