#a decade gone

[sexy-sapphic-sorcerer]

I recently saw a post theorising that Sir Oswald and Sir Ethan are a couple (if anyone can find it, please share) and holy shit they so are

not only do they travel together, but when they arrive in Camelot, Arthur only knows Oswald, not Ethan*. He simply assumes they are together and offers Merlin to serve both of them

Then! when Oswald tells Merlin to move their (shared) luggage trunk from one side of the (singular) bed to the other, Ethan says it will 'get in my way there' despite this room being established as Oswald's chambers

we later see Oswald sleeping on his side of the bed (shirtless, no less)

but Ethan is immediately there in the next scene (maybe he just popped out to go to the loo in the first scene idk)

what's more, Oswald then says that Ethan can vouch for him as a witness, implying that the whole court already knows that they're sharing the bed

so yeah, openly gay couple in merlin, we love to see it

(*or, Dagr and Ebor masquerading as Oswald and Ethan, but I'll refer to them as the later for convenience)

[lillotte17]

I have been in the solavellan fandom for...A While. (do not count the years, i beg) and everyone has their tropes and themes re: wolves/halla and hunter/prey and the New Herald being worshiped/the Old God nearly forgotten, and tbh I like bits and pieces of all of them, but like...

For me, the most compelling story is that Lavellan is just Some Guy (gn).

They meet Solas and accept that he is like them. He's an elf. One of The People. You are like me. I am like you. We are The Same People. And because of that, I will protect you with whatever power the humans around us have given me, because I know this is not the safest place for either of us.

And it just fucking... gets him, right? Because that's his whole deal. The world is broken because the people aren't People. He's not like them. They're not like him.

I just love the idea that this impossibly old, incredibly powerful sort-of-god, trips into a hole and nearly throws his entire game away because a regular person (albeit one who was thrust into extraordinary circumstances) decided to be kind. Offered him protection and friendship. Asked him to tell them stories. Grieved with him when he lost one of his oldest friends.

He could not deny that they were a person, because they treated him like a person.

I love how ordinary that is. How simple. How devastating.

'You're real, and it means everyone could be real. It changes everything, but it can't.'

[sunderwight]

Bingyuan modern ABO AU where Shen Yuan tutors sweet white lotus Luo Binghe and dutifully sends him off to university all prepped and ready to take the world by storm, and then three years later Omega Binghe shows up on his doorstep with a baby, all washed out with his prospects ruined and the father in the wind.

Beta Shen Yuan, furious, is determined to look after Luo Binghe and his adorable baby whilst tracking down the feckless Alpha involved and then... castrating him? Forcing him to step up? One of the two at least!

Only it turns out:

-Baby isn't actually Luo Binghe's

-Luo Binghe isn't an Omega

-Binghe also didn't wash out and in fact just came into a massive inheritance

He didn't even know Shen Yuan was living at the apartment he went to, he was bringing the baby to Shen Jiu in order to blackmail him. The baby is SJ's and Omega Yue Qingyuan's, and had been quietly sent away to avoid scandal. As the next phase of Luo Binghe's hundred-step plan to marrying Shen Laoshi, cuddling the baby in a vaguely sinister fashion while making thinly-veiled threats was vital to blocking Shen Jiu's inevitable attempts to interfere with Binghe's pursuit of his younger brother.

But then Shen Yuan opened the door and promptly drew all the wrong conclusions, and now Binghe is rethinking his entire strategy, furiously googling Alpha-to-Omega transition options and making Mobei Jun make Shang Qinghua find out how to fake a birth certificate for a stolen baby.

[skywerse]

thinking about little chip & arlin before the horrors happened... OUGH

[syn0vial]

boba fett's childhood is such an untapped goldmine of uncanny existential horror, even before he loses his father.

like, imagine growing up never seeing another child except those that are identical to you—carbon copies in every way, except their heads are shaved, they're plugged into machines all day, and they never stay children for very long. the ones that survive turn into men who look like your father, but your father calls them cattle, cannon fodder.

you're a clone, too. you should be cattle like them, but your father doesn't call you those things. he says you're his real son and that he loves you.

your father loves you. this is what distinguishes you from the cattle and the canon fodder. your father loves you and that's what makes you a person.

and :) then :) he :) fucking :) dies :)

[worstloki]

AU where Loki doesn’t interfere with Thor’s banishment at all and it takes Thor years to prove himself worthy and when he returns to Asgard everything is just. The same. Nothing seems to have changed at all and everyone greets him like his absence was a minor obstacle that didn’t fundamentally change Thor and the worst part is Loki stepped down from the place as regent without any delay and Thor can’t help but feel there’s something underlaying the way his brother looks at him now and won’t let him touch him and Thor doesn’t know what he could have missed because he doesn’t think he would have found anything wrong with the things around him and how everyone behaves if he hadn’t spent time on Earth reflecting.

[thebibliosphere]

How are the new glasses working out?

Yeah, they're um, *clears throat and starts crying anyway* they're working great.

[beebfreeb]

Hotel guests.

[theamandacollection67]

Sheet Music 1919 by Irving Berlin

[biancabelairs]

vince and laurinaitis being monsters and rapists isn't news to anyone but when you get the details to it and you realize just how many people must have also been part of it or at the very least known about it and turned a blind eye, it's just. so depressing and horrifying to think about. we always talk about how this business is fucked and very few people in it are clean but it's still so fucking shocking when you get concrete evidence of just how deeply vile the culture in this business still is

[firehose118]

“We’re just helping each other out on a long shift. It’s not gay,” Sal says into the air of the empty station bathroom as he wraps a hand around Tommy’s dick, and then in the same breath, “No one can ever know.”

Tommy nods, too far gone in the fantasy-come-to-life of what’s happening to dwell on the irony there. He’ll pick that apart later. For now, he has what he’s craved for so long within his grasp, he just has to reach out and take it.

He gets his hand on Sal’s dick in return and revels in the way it twitches under his touch. Tommy wants to moan with how good it feels to touch another man like this, to be touched by one. But he has to pretend this is friend stuff—normal straight guy shit, not the stuff of waking wet dreams—or else it will be taken away from him.

{finish on ao3 or continue below}

Tommy tries to match Sal’s pace: hard, fast, efficient. He thumbs through the liquid gathering at the head, twists his hand on the upstroke, but doesn’t let himself linger—even as his body is screaming for him to slow down and savor it. This might be his first and last chance to have this.

The way Sal is looking right at him is unexpected. He’d thought Sal would look away, pick a tile on the wall and stare at it, pretend this isn’t happening, but no: Sal is in it, studying Tommy’s face in that passive slack-jawed way of his. Tommy keeps his expression carefully neutral but he’s worried even that will give him away.

Sal’s mouth drops open on a silent moan when Tommy’s thumb drags along the vein on the underside just right, so Tommy does it again harder. He wants Sal to like this. He wants Sal to want to do this again.

Tommy is losing focus quickly. Sal isn’t working as hard to impress him, isn’t pulling out different moves to see what he likes, but his hand is big and warm and calloused and masculine around Tommy’s dick and it really doesn’t need to do anything else to have him panting and leaking.

He’s thought about this so many times and the reality of it is even better than he could have imagined. Every bit of energy he’s not using to give Sal the handjob of his life he’s putting into not whining and humping Sal’s hand like a dog.

He takes half a step forward before he can stop himself; needing to be closer. Sal huffs but he doesn’t say anything, doesn’t step back.

They’re so close to each other now that Tommy could wrap his hand around both of their dicks and jerk them off like that. He knows it would feel good, wants it more than anything in this moment, but it would be a definitive step over the ‘not gay’ line into territory he’s not sure Sal will follow him willingly. It’s this or nothing, so Tommy chooses this.

“You close?” Tommy asks. He is. He can already feel it rising in his stomach, his balls, licking along his spine. He wants Sal to come first, to hide whatever his own orgasm is going to look like in the mists of Sal’s pleasure.

Sal nods. His face is inches away from Tommy’s and he looks like he wants to say something, but he doesn’t.

When it happens, Tommy feels it. He doesn’t know why he didn’t expect to—he always feels the pulsing of his own dick as he comes—but to feel another man’s dick twitch and spasm as it shoots warm into his hand has Tommy biting back a moan so quickly he chokes on it.

Sal comes with a low groan and Tommy is helpless to follow. For as long as he’s wanted this—wanted Sal—he thinks he could’ve come from that sound alone, but the way Sal’s big hand tightens on the next few strokes is the last thing he needs to send him hurtling over the edge.

Tommy’s forehead drops to Sal’s shoulder without permission and he keens high in his throat as the pleasure rips through him. It’s easily the best orgasm he’s had in years and he’s instantly terrified of what that means.

He shoves it down. Later. He’ll think about that later.

Tommy pants, coming back to himself, and he gives himself two more seconds of physical contact with Sal before he pulls back completely.

They both lean against the hard tile wall of the bathroom and catch their breaths.

“Good?” Tommy asks, giving a joking half-smile. He knows the answer but it seems like a safe enough way to start talking again.

“Jesus, kid,” Sal laughs. “Yeah. It was good. Where the fuck’d you learn how to do that?”

He grabs some paper towels to wipe his hand off, then gives them to Tommy to do the same.

“Lonely childhood,” Tommy says. It’s true but it’s not the answer. “Dad had a lot of porn mags he’d leave around. I spent a lot of time jerking off. Figured yours doesn’t work too differently from mine.”

That look is back in Sal’s eyes like he wants to say something, but he stays quiet again. He just shakes his head and laughs.

Sal walks towards the door but stops before he opens it. “Give it a few,” he says. He doesn’t look back at Tommy but he has a small smile on his lips still. Tommy takes that as a win.

Sal leaves and Tommy is left alone with the enormity of what just happened. It was good. It was hot. Sal clearly doesn’t hate him, isn’t disgusted by him. He seemed almost… intrigued.

Tommy will sort out the shame and elation he feels swirling inside of himself like oil and water later.

For now, he washes his hands, splashes some water on his face, and gets back to work.

[writer-room]

Hey. The Finders have no idea that Bonzle was captured. Fritz and Spitz are still waiting, playing video games in the Monastery, for Cole to bring their sister out of hiding now that the blood moon is over. Geo is still sitting by the window, watching and waiting for a dragon on the horizon to return his kid safe and sound. Cole took a very unsure Bonzle, assured them all everything would be okay, and they'd be back soon. He promised he'd find a way to protect her.

Don't think about how they'll smile when Cole finally trudges back, happy to know he's okay. Especially don't think about the Finders stopping, looking out over the group, and how Cole can't look them in the eyes when they turn to him and ask; where's Bonzle?

[inke-ri]

So I couldn't help but browse the THG tag bc those books own my whole heart. I actually check it now and again, and it's been interesting see how opinions have changed over the years, especially in regards to Gale and Peeta. Going through the evolution of them as just potential love interests to being far more complex than I could have expected has been a wild ride. Crazy how this reads different than from when I was a preteen.

That said, I wanted to give my unsolicited two cents on my boys, because though I have been enjoying the discussion on Peeta and Gale and what they mean to the story, I also feel like reducing them to Peeta = peace and Gale = war is far too simplistic... and oftentimes unfair to one or both of them.

See, I don't think Peeta and Gale are peace and war/destruction. They're compassion and indignation.

Peeta worries about the other tributes, or their families, or how to repay people like Rue and Thresh for what they did.

Gale is indignation at how the Capitol treats its citizens, it's anger at the injustice of inequality and brutality.

Both are needed in a story like THG. You can't have people like even Peeta not say something like "maybe we're wrong about keeping things quiet in the districts", you can't have him not drop the baby bomb, you can't start a revolution without Gale's indignation at the status quo. At deserving a better life but being denied it, at having your kids be mercilessly killed for literal sport.

However, if you start a rebellion and loose sight of your compassion, you end up no better than the people you're fighting against. Gale wasn't a bad person, imo. His heart was in the right place. He was flawed, yes, but so is everyone in this series. Gale, most importantly, lost sight of the line between fighting for the people he cared about and fighting against the people who hurt him.

Reducing Gale's indignation to just revenge and hatred ignores so much of what he stands for. Who hasn't seen laws passed that dehumanize people, who hasn't been angry and furious when someone is elected who fundamentally hates everything you are, who doesn't think some people need to pay for the atrocities they committed? There's a little bit of Gale in every single one of us - and it's important that it's there, because that's what gives us strength to challenge the status quo and make life better for the future generations.

But. You can't let it take over. You can't loose sight of your compassion or your empathy.

That's where Peeta comes in. Peeta is the voice in your head that worries about how many good lives will be lost when they give themselves up for this cause. Peeta is the worry about the people caught in the crossfire. Peeta is rebuilding when it's over and believing that the next generation will have a better life than your own. Peeta is being kind, even to people who may not deserve it.

And Gale... Gale looses sight of his compassion, and he doesn't realize it until it smacks him in the face when the bombs go off and Prim is gone and he's too far gone. Meanwhile, Peeta advocates for the end of the war even though it means the status quo remains - and regardless of what he believes himself, I don't think Suzanne chose him to say those lines by chance. It means both mindsets have their flaws: too kind and things that shouldn't remain will never be challenged and changed, too angry and you may loose sight of what you're fighting for.

And that's just how Suzanne uses her characters, both of them, all of them. Just look at who is with Katniss depending on the situation:

- Katniss chooses to "rebel" after Gale is brutally whipped. She kisses him.

- Katniss realizes that in order for D12 to rebel, everyone would need to be in on it, and she realizes most of them are not like her, that they're scared and she understands, emphasises with them. Peeta walks by her side.

- Katniss finally does it though, shoots the arrow at the force field, and Peeta is taken from her, it's now Gale by her side.

(You can't start a rebellion without indignation, and sometimes you HAVE to do it or things will never change, regardless of the inevitable pain that will come along.)

- Katniss is righteously angry at the Capitol bombing a hospital full of innocents to make a point. Gale remains there.

- Coin twists people's compassion into an army to fight for her own personal gain. Peeta is hijacked and looses his sense of self.

- Katniss and Gale go to District 2 and even though she tries to be like Peeta, she's still shot- reinforcing Gale's views, the person who was with her during that sequence.

- Katniss is angry at Snow, Katniss goes to the Capitol to kill him. Gale is there.

- Katniss gets in way over her head and realizes she is responsible for the death of most of her squad. She shares the lamb stew with Peeta, and later cleans his wounds.

- Finnick dies and she's at her lowest up until that point and all she wants to do is give up and give in to the anger. She kisses Peeta and begs him to stay with her.

... Claiming that Gale is destruction ignores the fact that he's with Katniss through her own moments of strength. Her desire to change things, to fight back, is as important as her compassion. Mockingjay just brutally shows you what war does to your indignation, to your compassion. How easy it is to cross a line between righteous anger and revenge, or how your sense of empathy and compassion can be manipulated into something monstrous by others, or by all the terrible, brutal, painful things you see.

How easy it is to loose yourself- and that goes for both of them.

Peeta and Gale aren't static characters, they go from representations of sentiments regarding an injust government to what happens to those feelings when an extreme situation such as war breaks out. All of that, by the way, while dealing with this duality themselves, because they are still characters who think and feel and struggle and have flaws of their own- and while I love what they stand for, I've seen too many comments that pin everything into what they mean, that they forget that Peeta and Gale are still people, they aren't perfect metaphors. They're human.

Ultimately, Katniss doesn't really choose peace. She wants peace, yes. But what she chooses is compassion. empathy. hope. There's a time and place for anger at injustice. There's a time when fighting back is the right thing to do. There are even times when you wanna give in to your despair and lash out. But if you want peace, then you have to choose Peeta, because Peeta represents what you need to focus on to achieve that peace. You have to let go of the anger or you won't ever rest. So Gale leaves, and does not come back... And yet, Katniss still has her moments of indignation, of making a stand, even as he goes - she still casts her vote at that meeting, she still shoots Coin. Katniss does not abandon that part of who she is. It's just not her main drive anymore.

So then she goes on to make the choice, every single day, to be compassionate to others. To have hope. To rebuild. Of course she chooses Peeta.

... Idk, man. These boys are so much more than what I see them so often reduced to. They're in all of us. There will be times to stand and fight, and times to show mercy and be kind. We just need to find that balance, as Katniss eventually did.

[ironmansbay]

hiding from leaks rn so im posting to preoccupy myself. still thinking about how the first and so far only time that Larys has ever made physical contact with another person on the show was him helping Aegon back to bed… still screaming too!!!

[shaunashipman]

is this enough to get those "tommy's evil for how he treated hen and chimney" to zip it? clearly he's grown and changed enough in the literal decade they worked together that kenny can say that chim loves him

[relaxxattack]

yet another “quadrant understanding” post ten years too late to actually affect how anyone understands quadrants 💔