really love characters who have varied panic responses. kirk stating himself that he does not panic outright, externally, not in high-stress dangerous situations, but instead becomes tense and level like a wound string, on-guard: mostly because his role as captain necessitates that he maintain level rationality even when facing potential death as his training as 'the guy who tells you what to do when shit hits the fan' requires, but also because his childhood experiences taught him early that drowning in the desperate haziness of panic won't help you survive. especially as kirk already follows his intuition so deeply. he learned to grasp and contort the feeling. spock is the main person who represses his emotions, of course, but kirk does it to those deep-set, personal ones (this includes how he doesn't reveal anything truly personal about himself willingly 90% of the time, only what others already know/shallow anecdotes) in a much more subtle way that's really interesting to me. certified expert at avoiding the subject as long as he isnt caught out on the lie. professional bluffer.
in terms of past or parents we dont know much!!! hes known as the heart-on-his-sleeve guy!!! like yes he yells, he gets irritated, excited, hes a whirlwind of quick-thinking and plans and intuition, he goes out of his way to connect with his crew and shows it, when he puts on a little act or bluff he puts his heart into it and clearly enjoys the dramatics so much, at times he wears his heart on his sleeve, he laughs openly and is honest to spock about what he means to him, he's very sun-coded to me in a burning, passionate way, always intertwined with the stars and seeking them out, but when it comes to genuine deep-set turmoil? we dont actually know all that much about him??? hes so full of emotion and character (i love fics where spock characterises jim's mind/bond as a whirl of colour and sensations, hes a quick thinker!!! intuitive!! lively!!!) and yet its still so outwardly surface level. tarsus iv gets mentioned like twice? so especially here where kirk gets briefly jumpscared by the creature, because like:
its subtle but his eyes. his eyesss!!!!! kirk commands with his emotions but there's always some sort of level of control to it, or he transforms them into something that spurs on others or uses them to ascertain a goal: seeing unguarded fear/distress in his eyes even if its faint and brief (in this instance) makes me go insane every single time. like!!! its such a small moment!!! he isnt even panicking!!! really, he just got jumpscared!!! its insignificant!!!!!!! but seeing a two-second flash of actual, naked apprehension is just...oughhh,,,,,,,,,
oh god, and dont even get me started on the galileo seven episode where he assumes a tense level-headedness throughout the whole thing, irritated and apprehensive but not panicking, making sure he maintains intelligent rationality, even when he has to leave them behind, but when spock and the crew are confirmed safe and the bridge is occupied the camera pans to him and his eyes look like they're fucking watering and he's so achingly relieved. don't even talk to me. im. fuck.
he shows so so much but at the same time reveals so little.
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thinking about that fake dating post w pissa. phil makes an offhand joke about how they should fake an engagement, "get some free food and gifts, throw a big party, wouldn't that be fun?" and it's a JOKE, REALLY, IT IS, but missa jumps on it and refuses to let it go. as soon as the words are out of phils mouth missa is pressed right up against his side, "oh, mi amor, I'll get you a ring if you want one, you only had to ask" and phil is immediately red faced and spluttering, trying to take it back.
missa and chayanne planning the dining menu for their engagement party. keep asking phil his thoughts, what he'd want, and everytime he just says "mate we really don't have to do this" and missa ignores him, "oooh yes I agree, chocolate cake sounds good for dessert, write that down." lullah bullies him into helping her with flower arrangements and the whole time phil keeps trying to argue out of it but lullah is Not playing around she will not let him get out of this. you will NOT take this opportunity from her, u made ur bed philza minecraft and now u have to lie in it.
just every member of his family seeing through his bullshit and bullying him about it. every one of the islanders congratulating them whenever they see them. phils face is permanently red, blushing and flustered damn near constantly. missa is having the time of his life and being an absolute menace about it.
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Entry to RoyEd Week 2023 August 2nd Day 2 - Soulmate AU
(Edited: Long fic ahead! Also I posted this on ao3 too :> thank you everyone for all the wonderful comments!! I am all giddy over them)
It was already late when they arrived at the Rockbell’s house, where villagers said they could find the Elric brothers if they were not home. The cottage was dim inside, only allowing the faintest trace of dusk to put shape to the helpless boy in the wheelchair, and the enormous suit of armour towering over him.
In the literal blink of an eye, Roy Mustang’s life was turned upside down.
Despite the darkness, Roy saw the boy in foreign vividness that he had never witnessed; colours exploded in front of his eyes like fireworks, rendering him speechless. The boy’s shade was accentuated by a distinct warmth— Roy would later learn the name of the colour that was gold, a pigment that he would come to associate with justice, passion, and everything that was pure and magnificent.
Before arriving at Resembool, Roy had rehearsed his recruitment speech for five different situations, but none of which took the current one into account. For the first time in a long while, he had no idea what to say.
At that moment, assaulted by colours he had yet to know, he only knew one thing— that destiny had cursed this little boy to be attached to him, Roy Mustang. A man who had far more enemies than allies, more nightmares than sleep— more dead than alive.
The boy did not give any visible reaction to Roy’s loud entry into the house, and his aimless eyes had already betrayed his state to Roy.
He could not afford to have a soulmate. Not when his soulmate sat defencelessly like this, deaf to the entire world. Being his soulmate meant putting a target on their back, meant always sleeping with an eye open, meant never finding peace till the day of his death.
He could not, in good conscience— with what little he had remained of it— put his soulmate through what his life entailed. Anyone sane enough would be able to see him from a distance and turn around immediately. Nobody deserved to be Roy’s soulmate to experience what he would inevitably put them through. No one would be tough and yet foolish enough to stay.
Ignoring the nausea this revelation has caused him, Roy bit his tongue and demanded an explanation for the situation instead. He listened, in slowly freezing horror, to the younger brother of the Elrics– Alphonse Elric– explaining how they ended up in their current bodies.
Roy looked at Edward Elric who was missing two limbs, and reminded himself that this young boy in front of him had committed the greatest taboo in alchemy and survived. Then, as if it was not enough, did it again to bargain his brother’s soul back. An improbable, stupid, and lethal decision—yet it was undeniable that he had done the unthinkable and survived the consequences. At such a young age nonetheless, when most alchemists' apprentices were still struggling with the most basic of elements.
Perhaps given time, this boy could grow into someone beyond Roy’s imagination. Perhaps given time, Roy could grow into someone strong enough to shield his soulmate from harm.
And so Roy told him, in an earnestness that surprised even himself, that when he was ready, he could find Roy in East City and Roy would provide him with resources that could put him back on his feet. That it would be a road filled with thorns and danger, but the rewards were worth the risk.
Against his better judgement, Roy had provided his soulmate a choice. Edward could choose to run after him into the shower of bullets and webs of lies, or he could choose to stay in the quiet countryside and never let their paths cross again.
Secretly, Roy wished that his soulmate would choose the latter, wiser option. But he also knew acutely that the world had a morbid sense of humour, and whoever that was tied with him could never have any good sense in them. If fate had decided that they were meant to be, then his soulmate must have been as much of a stubborn fool as him, if not more.
Roy bid the family goodbye, and walked out of the dark shadows of the cottage. He was greeted with an entirely new world, now coloured in radiant hues he could not put words to.
He examined his palm under the flickering street light. He could see his veins faintly under his skin, pumping blood into every corner of his body. It was purple and flesh and red and human. It was warm and colourful and alive.
Remember it, remember what I’ve said, and catch up to me. Roy thought. Those who cannot keep up with me cannot be my soulmate.
I’m putting my faith in you that, no matter which way you end up choosing, our paths will converge, and we shall meet again at a time when you and I are wiser and stronger and unmovable in the face of danger. I’m putting my faith in you that, regardless of the dangers on my journey, you will find me and stay beside me and not be frightened.
I’m choosing to believe, if fate has decided that I’m still worthy of a soulmate despite my sins, then there must still be something redeemable in me, and you must be someone with enough love to love me for the monster I am.
Please find me soon.
==============================
And then Ed surprised him after a year when Roy expected to wait at least 5 more years lmfao
I wanted to play on the idea of “you only begin to see colour once you’ve met your soulmate” and thought VERY hard about how to visualise it without turning it into a long comic. My very stupid, no good brain came up with the idea of putting a colour wheel in the background :> in hindsight it’s very cringe but at that point it was already too late to give up or change it lmaooooo
I also put paint and paint brushes around as decoration which i think is kind of cute ^^ and special thanks to my sister who helped me fix the colouring because my usual way of doing it just… lacks the vibrancy this prompt asks for. She’s a goddess and 192729% better at this drawing business than me.
@royedweek2023
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I can't help but think about what if Buggy was raised in White Beard's ship rather than with the Rogers? In my heart of hearts I really do want to believe that Rogers cared and treasured Buggy like he did Shanks but afaik Shanks feels like a favorite; he's given the strawhat, and there's the Wano flashback of the Roger pirates about to face off the Whitebeards, and Shanks is wearing Roger's current captain hat on top of the straw hat while he's munching on some chocolate (😭) and idk, it makes me feel for the little clown
Whitebeard seems like he's a better father figure than Rogers considering his treasure is his family, so I wonder if he would have a better understanding of how Buggy feels, and how to raise a kid who doesn't take to battle as quickly as the other kids (let's say Marco bc he probably is the only other kid in the ship). Would Whitebeard celebrate and praise Buggy for his creative inventions and bombs? Would he encourage Buggy to be the flashiest boy of the Grand line, and to wear his red nose proud bc no matter what, he loves Buggy the way he is anyway? Idk I'm just thinking about what if Buggy wasn't broken and jaded :')
I'm still a Shuggy enjoyer so I want Shanks to be still a part of Buggy's childhood. What if Shanks is interested in Whitebeard's youngest bc he's also a kid too, and he's super eye catching. Shanks probably tries to fight Buggy but he gets overwhelmed by Buggy's bombs or whatever, or because Buggy's too good at dodging and/or running away (Whitebeard probably clues in that Buggy's not battle heavy, but he has immense potential when it comes to escapes and getting out of danger). Shanks just falls in love with this kid who he can't quite grasp and always looks forward to seeing again. Or maybe Shanks also gets adopted as a Whitebeard, but Whitebeard's parenting polishes Shanks and Buggy's strengths in a way where one doesn't feel inferior to the other and they're both happy kids. Lots of maybes...
Case and point, Buggy as a Whitebeard would maybe fix him 😭
buggy as a whitebeard pirate… i do think he ends up mentally healthier for it, but not necessarily because “roger’s a bad dad”—imo he’s not trying to be anyone’s dad, he’s buggy and shanks’ captain, it’s a different relationsh—*a long hook drags me offstage*
ahem. anyway.
potential upsides to being a whitebeard pirate:
if buggy’s in whitebeard’s crew, he is whitebeard’s family. there’s no room for doubt, he joined the crew this morning and has already been called ‘son’ three times.
lots of support, resources, etc. should he eat the chop-chop fruit. this is a crew with a lot of devil fruit experience, they know how to deal with the limitations that arise. if buggy mopes and complains about not being able to search for treasure underwater, i bet somebody comes up with a diving suit or a little submersible boat he can use; if he wants to swim, they find him a fresh water pool; etc.
there’s not just two kids around—he’ll get less focused attention, yeah, but the same is true for everyone. cap’n dad might play favorites, but i think that not being the favorite hurts more when there’s only two options. when there’s five, ten, dozens of other kids fighting for his attention… well, buggy might be bitter about not being the favorite, but he surely knew the odds weren’t in his favor. also, not being codependently reliant on one single peer/friend can do wonders for your mental health.
no childhood trauma over the crew breaking up and the captain dying!
potential downsides to being a whitebeard pirate:
he never gets to leave the nest. whitebeard pirates who want leadership roles can become division commanders; if they want an independent leadership role, i guess they can become captains of whitebeard subordinate crews? but it seems to me that they only leave if they die, retire, or turn traitor. i think buggy would find that stifling. whitebeard: the world’s most powerful helicopter parent?
there’s not just two kids around—if focused attention turns out to be something buggy really needs, that’s a shame, because he’s not gonna get it.
this is not a crew that cares about finding treasure or going on grand adventures. i don’t think buggy is gonna be too happy about whitebeard’s “the real treasure was the family we found along the way” ethos. though maybe he just ignores this, the way ace ignored whitebeard’s lack of interest in the pirate king title.
adulthood trauma over the captain dying and the crew falling apart/being destroyed by a traitor!
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There is so much u can read into with this one line… I’m going to go insane… tsukasa as a kid seeing his sister and parents actually be happy for once and they’re all in the same place and enjoying themselves as a family… tsukasa “family is everything” tenma internalizing that specific moment for the rest of his life bc he’s like “finally here’s something I can do to help” when he’s been unable to do anything to help saki or his parents (mostly saki bc lbr saki has always come first for him but I think seeing his parents stressed over saki definitely factored into this) & being like “its my job to make everyone happy because that’s what I *can* do.”
He undoubtably loves shows now (to an insane degree) but it fascinates me that his love for them originates from his love for his sister. Obsessed with them. Also has… so many implications wrt dazzling light and the period where he was really focused on the piano instead of shows. Saki is doing worse -> using piano as a way to deal with his feelings over that.
Saki is feeling better and recovering -> “I can play anything” (I don’t feel like I need to say anything abt that)
“She’ll be back (and I’ll be waiting for her) (at home)” head in hands. So much of what I hate about the overly angsty reading of tsukasa in middle school is that it completely ignores *why* he was more subdued/down at that point, which is that the person he loves more than anything and would do anything for is suffering and there’s nothing he can do to help her.
Saki is literally the most important thing in the world to him to the point where it’s shaped just about every aspect of his life. I have tenma siblings induced mental illness and it’s lethal I fear.
Speaking of saki:
“Was it (tsukasa’s interest in shows) all for me?” The implication that saki (who hates the idea that people feel compelled to inconvenience themselves for her which. Is an entirely different conversation) thought he was still following this path for her and her alone… That’s such an insanely heavy burden to carry… SAKI………. (Soung of crying)
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@ihaventpickedausername wanted to see the tazzy version of mutant cass, so here's some concept sketches.
I ACTUALLY REALLY LOVE THIS DESIGN! and i thought a tasmanian devil suited her really well too - small, but INCREDIBLY fierce (they have the highest Bite Force Quotient of any living animal!! about the size of a cat, but with a bite so strong it can crush bone), and they just remind me of her visually, too.
the reason i stuck with ferret is because logically there would be close to NO way for casey to find a devil, let alone come into contact with one without being mauled. they're an endangered species endemic to Tasmania. and i didn't have a preference between the two options anyway. if i'd stuck with tazzy devil, though, her mutant powers would probably relate to screaming/biting.
while i'm talking about them, yes, tasmanian devils are endangered! one cause being due to cars/roadkill, but the main threat being Devil Facial Tumour Disease - a transmittable parasitic cancer that's done numbers on wild devil populations. If you want to learn more, University of Tasmania has some projects on DFTD, Wildcare Tasmania has a lot of good resources, and Zoos Victoria has a brief summary of everything.
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