#add to render que

[yanoverload]

Finalmente eu consegui terminar isso, pqp😩😩😩 Eu demorei MUITO mais do que deveria por conta do cabelo, QUE PREGUIÇA DE RENDERIZAR CABELO😭😭😭

(I finally managed to finish it😩😩😩😩 I took MUCH longer than I should have because of Ramune's hair, I'M SO SICK OF RENDERING HAIR😭😭😭😭.)

Bom, aí eu optei pelo jeito mais simples e preguiçoso(me esforçarei mais da próxima😔). Eu tentei colocar um filtro de ruído, os detalhes e o fundo que tu geralmente coloca nos teus desenhos, espero que tenha ficado minimamente parecido.

(Well, I opted for the simplest and laziest way (I'll try harder next time😔). I tried to add a noise filter, the details and the background that you usually use in your drawings, so I hope it looks at least similar.)

TA-DA!!!! Eu realmente gostei do final, apesar de ter vários erros idiotas, foi divertido fazer. Eu fiz o Ramune com a pele escura já que no último desenho que você fez dele, ele tava com a pele mais ou menos nesse tom e combinou bem mais com ele do que da cor que eu pintava antes.

(TA-DA!!!! I really liked the ending, even though it had a lot of stupid mistakes, it was fun to do. I made Ramune with dark skin since in the last drawing you did of him, he had skin around that tone and it suited him much better than the color I painted him before.)

Bom, eu fiz isso com muito amor e carinho, espero que tu saiba o quanto eu amo os seus personagens(especialmente Ramune♥️). Essa é primeira vez que eu termino de fato um desenho digital, então se sinta especial.

(I did it with a lot of love and affection, I hope you know how much I love your characters (especially Ramune♥️). This is the first time I've actually finished a digital drawing, so I hope you feel special.)

Muitos beijos e feliz páscoa😘😘😘

(Many kisses and Happy Easter😘😘😘)

I answered you privately but everyone deserves to see this BEAUTIFUL SHOWSTOPPING ART as usual, are we surprised?

Thank thank thank you a MILLIONS GAZZILIONS Thank you, the way you draw Ramune is like... my dream come true....

Everyone, observe and admire with me THANK U SO MUCH RAAAAAAAAAAAAAAA

[nintendocompositions]

IT'S HERE!! 129 hours of love went into making this megamix party anthology of some of my favorite dance tracks! CapCut is now banned so it might be while til I upload videos as I re-learn.. life comes at you fast but I'm so lucky to have finished rendering this monster beforehand!

🪩 = bootleg by me

JUSTICE - The Party (ft Uffie) Miami Horror - I Look to You (ft Kimbra) Annie - Heartbeat (EarthMoonEarth Remix) Tove Lo - Disco Tits Goldfrapp - Slide In (DFA Remix) Millionaires - Stay the Night Calvin Harris - Merrymaking at My Place (Mr. Oizo Remix) Soulwax - NY Lipps (Kawazaki Dub) 🪩 YELLE - Je Veux Te Voir (BAИSHI Funky Edit) Peaches - Shake Yer Dix (Tiga's Where Were You In '92 Remix) Ladyhawke - Paris Is Burning (Alex Metric Remix) Felix Da Housecat - Silver Screen (Shower Scene) Tiga - Shoes Black Strobe - Me & Madonna (The Twelves Remix) The Swiss - Kiss to Kiss SOPHIE - NOTHING MORE TO SAY (DUB) Shinichi Osawa - Detonator (ft Princess Superstar) Boys Noize - & Down Klaxons - As Above So Below (JUSTICE Remix) Sneaky Sound System - When We Were Young (GLOVES Remix) Kylie Minogue - Boombox (LA Riots Remix) 🪩 Madison Avenue x Tkay Maidza - 24k (Don't Call Me) The Ones - Flawless Playgroup - Make It Happen Tove Lo - Pineapple Slice Treasure Fingers - Cross The Dancefloor (Chromeo Remix) Chilly Gonzales - You Can Dance (Fare Soldi Gonzobot Remix) Feist - Sealion (Chromeo Remix) 🪩 Deee-Lite x Zongamin - Groove Is In The Bongos Daft Punk - Around the World Kelis - 4th of July The Count & Sinden - Beeper (ft Kid Sister) Sneaker Pimps - Spin Spin Sugar (Armand’s Dark Garage Mix) Basement Jaxx - Red Alert Mason vs Princess Superstar - Perfect (Exceeder) 🪩 Far East Movement x Megan Thee Stallion - Like a Freak6 Lady Gaga - Donatella Marie Davidson - Work It (Soulwax Remix) Miss Kittin & The Hacker - Frank Sinatra 2001 Azealia Banks - 1991 Carte Blanche - IN THE MIX Fare Soldi - Tutto Tutti Sempre Subito Lykke Li - I Follow Rivers (The Magician Remix) Uffie - ADD SUV ft Pharrell (Carte Blanche Remix) YELLE - Que Veux-Tu (Madeon Remix) Azealia Banks - ATM JAM ft Pharrell (The Oddword Remix) 🪩 Benny Benassi x Charli XCX - Guess My Satisfaction (ft Billie Eilish) Daft Punk - Technologic SOPHIE - VYZEE No Mana & SOFI - Digital Friends Mario Più - Communication (Yomanda Remix) 🪩 Proyecto Uno x Yomanda - Tiburón y Strings Basement Jaxx - Bingo Bango Kelela - Sorbet (LSDXOXO Remix) CoastDream - Eivissa

I DON'T OWN THE RIGHTS TO ANYTHING

[ya-boi-haru]

I've had a few people reblog this with things like, "omg would you actually?" "Oh I'd only rant about one specific arc/ep/song"

Here are some things I put on as background noise:

• A video explaining every detail, fandom/lore explanation and frame by frame analysis of ONE episode of Gravity Falls (A Tale Of Two Stans) that went for 4 hours- and am currently rewatching (video by Hanna hyperfixates 10/10 would recommend)

• Was on call with a friend while they explained the entire fnaf lore which lasted 2 hours. We had this call twice, both lasting 2 hours and I plan to ask them to do it again at some point (it's their special interest and they're very happy to do it, even making a power point on it)

• Wendigoon's fnaf 1 1/2 hour explanation of the fnaf lore is a common one for me to go back to

(These ones aren't the "hours long" type but I will add them to prove a point)

• Murder Drones fan epsidoe 'Intermission', because I find watching an episode in storyboard form, its fascinating and wish we could see full episodes in either this form or animation before rendering (you can see so many details in it)

• Whenever Connor uploads an 'ambient audio' I get equally excited for the Tumblr "details I did" post that comes after and actually try to read it first so I can hear all the neat little details (was upset when he almost forgot to post one for Aaxs /lh/hj)

• I've always said it would love to sit in a meeting while the Fable cast plans lore just to watch them organise it (ques, scripts, 'things to do') cause I think that's super interesting

• And I myself have 3 analysis videos on Miraculous- that no one asked for - one doing character analysis for each holder, that I really hope to do one day

So yeah... give me your nerdy ramblings cowards!!!!!

As an enjoyer of those hour/s long ramble/facts/explaining videos, I think Fable fans (and creators) should make some based on Fable.

Give me *all* your headcannons, all your thoughts, give me your essays on characters, plots, arcs

ALL THE CONTENT-

[campaci]

CGI - Office

Instagram: https://www.instagram.com/fattoamano3d/ Behance: https://www.behance.net/campaci Pinterest: https://br.pinterest.com/renancampaci/ Web: https://bit.ly/fattoamano3d

[PT]

Sobre

Apresentamos uma modelagem e renderização em 3D de um ambiente de escritório pequeno e super moderno, utilizando câmeras abertas e fechadas para destacar todos os detalhes. O ambiente é caracterizado por tons mais escuros, com destaque para um teto em madeira que confere um toque clássico e aconchegante ao espaço.

—

[EN] About

We present a 3D modeling and rendering of a small and ultra-modern office environment, utilizing both open and close-up camera angles to showcase every detail. The space features darker tones, with a particular highlight on a wooden ceiling that adds a classic and cozy touch to the area.

[mega-punani]

Hi everyone!!! I am Dani! I draw (y/n) and skelly stuff ♡

I am 19 and my birthday is March 29. I go by she/they and am pansexual 🍳

The besties: @astrxmm & @the-turtturt

If you are racist, homophobic, sexist, transphobic, ableist, condone pedophilia, fatphobic, against neo-pronouns, a proshiper, or a Zionist please do not follow or interact with me. You are not welcome, and this is not a safe space for you.

Now here are some ground rules:

Requests: I mostly do y/n and skelle related requests. I can also do wholesome doodles that are platonic! I don't do Frans, sanscest/self-cest/incest. (I am personally uncomfortable with drawing/ writing them)

I don't do commissions: Oc requests, personalized stories, and fully colored/rendered requests.

I WILL NOT DO REQUESTS THAT I DO NOT WANT TO DO!!!!

NO NSFW ASKS (just cause I have alot of minor followers)

I post REALLY slow so if you have a request, please expect a long wait time,,,

Angst is okay 👍. Maybe not something super dark though, yeah?

If u look like a bot (no profile pic, bio, activity, etc) imma block u.

(I'll add things as I go on, but I can't really think of much rn...)

Here's my que of asks!

[van-yangyin]

Jack Santos's post

(This is a post from his point of view)

~🎶~

¿Debería escribir esta publicación en español, inglés o japonés?

Ok, I better write it in English so more people can understand me.　Can I "die" for being an indecisive person? If I only knew one language I wouldn't have so many problems, I think life would be easier for me. Here we go, me as ToonMe singing a lullaby song to Kyla.

I had to add some facial hair, because it didn't exist this way.

Aris said us, to Kyle and me, to do if we wanted in our version, it has been hard not to do it when our little Kyla has constantly asked to see us too, so I think it's ok if I share it here as well.

And here with my open eyes, because Kyla said if I didn't show my beautiful eyes she would be sad, and I can't say no to su carita de manzana

So now I'm looking forward to seeing Kyle and our little Kyla as an adult (que extraño suena decir "como adulta" a nuestra pequeña y dulce Kyla) in this version.

It's a lot of fun, do it if you like to have fun, here. Diviértete!

~🎶~

If you want to see a render of Jack singing to their little Kyla, go here.

[nordleuchten]

La Fayette, Le Havre and his Sword of Honour

A couple of years ago (read as: before the pandemic) I had the chance to visit Le Havre on the north-west coast of France. Le Havre in and on its own is a deeply fascinating city with an interesting history and an even more interesting architectural style. During the Second World War the city was destroyed by British bombers so that the Nazis could not make use of Le Havre and to drive them from the region. After the War, Le Havre rose like a Phoenix from the ashes, being rebuilt with what little was left of the city. The French architect Auguste Perret oversaw the process and his architectural style of using reinforced concrete is very visible all throughout Le Havre. The result is a very unique architecture and a recognition as a UNESCO World Heritage site.

Anyway … La Fayette “often” stayed in Le Havre. Le Havre was and still is one of the largest harbours in France and La Fayette sailed from Le Havre to America or return to France via Le Havre. In late 1779, our Marquis was once again in Le Havre, supervising and organising the French contributions to the American War effort that were to depart from Le Havre.

When he had left America earlier that year, Congress decided that they wanted to honour La Fayette by presenting him with a ceremonial sword. They wrote Benjamin Franklin in France to take charge of the endeavour. Franklin in his turn wrote to La Fayette on August 24, 1779:

Passy, Augt. 24. 1779

Sir,

The Congress sensible of your Merit towards the United States, but unable adequately to reward it, determined to present you with a Sword, as a small Mark of their grateful Acknowledgement.— They directed it to be ornamented with suitable Devices. Some of the principal Actions of the War, in which you distinguished yourself by your Bravery & Conduct, are therefore represented upon it. These with a few emblematic Figures all admirably well executed, make its principal Value. By the help of the exquisite Artists France affords I find it easy to express every thing, but the Sense we have of your Worth & of our Obligations to you. For this, Figures & even Words are found insufficient.— I therefore only add, that with the most perfect Esteem & Respect, I have the honour to be, Sir,

p.s. My Grandson goes down to Havre with the Sword, and will have the Honour of delivering it unto your Hands.

La Fayette desired that the sword should be manufactured by his own cutler, a Monsieur Liger in Paris in the Rue Coquillierre. Liger finished his work on August 27, the day he wrote the final bill for the sword. Ligner had truly outdone himself. The sword was a magnificent piece of art - but that also caused a bit of a stir. Both British and French writers and caricaturists mocked the sword because it was so extravagant. La Fayette’s own father-in-law called it “plus poétique que ruineux” (“to poetic to be ruinous”). La Fayette’s friend and physician Jules Cloquet Germain punlished two sketches of the handle and the mounting in his books Recollections of the Private Life of General Lafayette.

La Fayette received the sword on August 27, 1779 in Le Havre from Benjamin Franklin’s grandson William Temple Franklin and two days later he wrote a thank-you note to Franklin:

At the havre 29th August 1779

Sir

Whatever Expectations Might have been Rais’d from the Sense of past favors, the Goodness of the United States for me has ever been such, that on every occasion it far surpasses any idea I could have conceiv’d— A new proof of that flattering truth, I find in the Noble present which Congress have been pleas’d to honor me with, and which is offered in such A Manner By Your excellency, as will exceed Any thing, But the feelings of My unbounded Gratitude— Some of the devices I Can’t help finding too honorable A Reward for those slight services which in Concert with My fellow soldiers, and under the God like American hero’s orders, I had the Good luck to Render— The sight of those Actions where I was a witness of American Bravery and patriotic spirit, I will ever enjoy with that pleasure which Becomes a heart glowing with love for the Nation, and the Most ardent zeal for theyr Glory and happiness.

Assurances of Gratitude which I Beg leave to present to Your excellency are much unadequate to My feelings, and nothing But those sentiments May properly acknowledge Your kindness towards me— The polite Manner in which Mr. Franklin was pleas’d to deliver that inestimable sword, lays me under Great obligations to him, and demands my particular thanks.

With the most perfect Respect I have the honor to Be Your excellency’s Most obedient humble servant

Lafayette

At the height of the French revolution, La Fayette’s wife Adrienne had the sword buried near La Fayette’s ancestral home Chavaniac in order to preserve it. Years later, when Georges Washington de La Fayette, the couple’s son, returned from America and prepared to follow the rest of his family into exile in Danish-Holstein, he had the sword unearthed. The long years in the soil had severely damaged the blade and Georges could only save the handle and the mounting. He smuggled both things out of the country - a great personal risk. When he returned to France, La Fayette adjusted the handle to a sword (better; the blade of a sort) that had been given to him by the Parisian National Guard. That sword was made out of the iron bolts and bars of the demolished Bastille. Although the sword was so severely damaged, we know pretty well how it looked like the day La Fayette received it. Benjamin Franklin had composed a description of the sword in August 1779:

[c. August 24, 1779]

Description of the Sword given by Congress to the Marquis de la Fayette.

On one Side of the Pommel are the Marquis’s Arms, and on the other the Device of a new Moon reflecting Rays of Light on a Country partly cover’d with wood & partly cultivated. Symbol of the Republick of the United States; with this Motto, Crescam ut prosim. By this it was intended modestly to express

1. Her present Mediocrity of Strength, as the Light of the Moon tho’ considerable, is weaker than that of the Sun.

2. Her Expectation of becoming more Powerful as she increases, and thereby rendering herself more useful to Mankind

3. The Gratitude with which she remembers, that the Light she spreads is principally owing to the kind Aid of a greater Luminary in another Hemisphere.

On the Bow, is this Legend: From the American Congress to the Marquis de la Fayette 1779.

The Handle is ornamented with two Medallions. In One America represented by a Woman, presenting a Branch of Laurel to a Frenchman. In the Other a Frenchman is treading on a Lyon.

On the Guard are Seperately represented, in fine Relieve,

The affair at Gloucester

The Retreat off Rhode Island

The Battle of Monmouth

And the Retreat at Barren Hill.

The Hilt is of Massive Gold. & the Blade two edged.—

Cost 200 Louis.

Made by Liger, Sword Cutler, Rue Coquillierre

Notation: Description of the sword given by Congress to the Marqs de la Fayette

Back to the main point of this point: Le Havre. The city of Le Havre (or better the Historical Society of Le Havre) honoured La Fayette and his role in the history of Le Havre in 1921 by installing the following plaque.

Ici

Residait

Le

General de Lafayette

Lorsquil Reçut

Le 27 Aout 1779

Des Mains du Petit-Fils

De

J. B. Franklin

L Epee D Honneur

Qui Lui Etait Offerte

Par

La Congres Americain

My translation:

Right here

resided

the

General de Lafayette

When he received

August 27, 1779

From the Hands of the Grandson

Of

J. B. Franklin

The Sword of Honor

which was given to him

By

The American Congress

The plaque miraculously survived the bombing that destroyed more than 80% of Le Havre but the building itself was completely destroyed. After Le Havre had been rebuild in 1954 the plaque was affixed to a new building with a second plaque for explanation.

De 1921 A 1942

Cette Plaque Était Apposée

Sur Le Batiment

Des “Fermes Royales”

Qui S’Élevait Ici

Jusqu’en 1944

My translation:

From 1921 to 1942

This plate was affixed

To The Building

“Royal Farms”

That Stood Here

Until 1944

During my stay in Le Havre I naturally went to see the plaque and I just stood in front of the building, taking pictures and grinning like an absolute made-woman. A few locals passed by and they probably thought me mad as well - I have no regrets. :-)

“From Benjamin Franklin to the Marquis de Lafayette, 24 August 1779,” Founders Online, National Archives, [Original source: The Papers of Benjamin Franklin, vol. 30, July 1 through October 31, 1779, ed. Barbara B. Oberg. New Haven and London: Yale University Press, 1993, pp. 260–261.] (03/28/2022).

Jules Germain Cloquet, Recollections of the Private Life of General Lafayette, Baldwin and Cradock, London, 1835, p. 197-201.

“To Benjamin Franklin from the Marquis de Lafayette: Two Letters, 29 August 1779,” Founders Online, National Archives, [Original source: The Papers of Benjamin Franklin, vol. 30, July 1 through October 31, 1779, ed. Barbara B. Oberg. New Haven and London: Yale University Press, 1993, pp. 269–271.] (03/28/2022).

“A Sword for the Marquis de Lafayette: Four Documents, [before 24 August–c. 24 August 1779],” Founders Online, National Archives, [Original source: The Papers of Benjamin Franklin, vol. 30, July 1 through October 31, 1779, ed. Barbara B. Oberg. New Haven and London: Yale University Press, 1993, pp. 257–260.] (03/28/2022).

[thewollfgang]

read part one here

previously...

Silence falls and Lucifer’s wings flex and pull tighter. “Okay,” Dan says from behind the protective wall of demon warriors. “First off, what the fuck.”

.

“Daniel,” Lucifer says, turning to face him more fully, clearly trying at a reassuring tone rendered a bit ineffectual as it rumbles with strange, inhuman tones. There’s no way for Lucifer to look less threatening, not like this, but his wings pull in tight in an attempt to look smaller. She keeps her hand on it, maintaining a connection, palm pressed to thin, membranous skin. 

Dan steps forward aggressively and points a finger. “Don’t you Daniel me.” Then he seems to realize he’s halfway to getting into the face of the actual devil and pales. “Shit. You’re the devil.”

“I am.” 

Dan looks over at her. “And you know this?” 

“Yes.” She nods, projecting as much calm at Dan as she can without leaving Lucifer’s side. “For awhile now.”

Dan puts his hands to his face. “Okay. Okay. Sure. Lucifer’s the actual devil. We’re apparently cool with this. Okay, next point, where the hell have you been?”

“You’ve answered your own question,” Lucifer replies. “Hell,” he clarifies. “Until word reached me that Michael was threatening the Detective, at which I traveled here immediately.”

A demon near Dan puts her blade away. “He fled without a fight. Coward.” A sneer pulls at her face.  

“He knew the price that would be paid if he hadn’t,” another demon answers, then adds something in a deep guttural language that makes the other demons grin and Lucifer huff a laugh.

“Right, now that we’ve taken care of that,” he begins and tries to move forward. His leg buckles. He manages to catch himself, a palm pressed to the corner of a desk. Chloe darts closer, hand wrapping around his arm. “Lucifer?” Panic threads her voice.

“I’m fine,” he says, but he doesn’t look fine. The blue flame on him gutters like a candle caught by a breeze. “Travelling in that manner and carrying three demons alongside is no easy feat.” 

Dan moves forward to help brace Lucifer’s weight as he gets his feet underneath him, edging carefully around the demons, muttering under his breath. “Dios mío, this is so fucking stupid. No puedo creer que estoy haciendo esto.”

“Here,” Chloe directs, angling them toward her desk and Lucifer’s customary chair. “Sit down for a minute.”

Lucifer falls into the chair heavily, wings lifting and hooking over the back to let them relax a bit. They splay out at an awkward angle, but Lucifer doesn’t seem to care as he takes a moment to catch his breath. “Thank you,” he tells them. 

She drifts her fingertips over his craggy features. The brow is heavier, the nose both sharper and flatter. “Are you okay?” His eyes close for a moment, leaning into the contact. “And don’t lie to me.”

“My duties in Hell are...” He searches for the word. “Taxing.”

He looks worn thin, even as muscle sits heavily on his frame. The change is different this time, more thorough. His hands are claw tipped like before, but his feet more talon than toe. Heavy, bone-like spikes bristle down his spine, line his shoulders. His armor is black and glossy, curving over his strange form like a carapace, plates fitting smoothly between his altered physiology. 

“Can you change back from this? Back to...?” Yourself, she doesn’t say, because it’s not strictly true. This is him, as much as anything else is.  

He looks pained. “I don’t- Not- not at this very moment. My apologies.”

She shakes her head.  “No, don’t apologize.” She runs a soothing touch down the sides of his face, the hard, gaunt edge of his cheekbones. “It’s okay, I just want you to be comfortable.”

“I am not in discomfort,” he answers, “Hell has always changed its rulers to suit itself.” 

Amenadiel steps forward, clearly uncomfortable, but unafraid. “How long has it been for you, brother?”

She feels the fine shudder that runs through Lucifer. “I found it better to stop counting after a decade or so.” Her grip on him tightens. She’d been told time worked differently, slowly in Hell, but decades?

“Why did you not stay near the throne?” Amenadiel asks. 

Lucifer’s red-orange gaze slides over to him and there’s something reptilian and cold in it. “Did you expect me to quell rebellion from a tower? You mistake me for our father.”

“I- I don’t know what I expected. Not this.” Amenadiel’s face crinkles with distress.

She wonders if Amenadiel cannot see the hurt that causes Lucifer. “Go,” he commands Amenadiel wearily. “Report to dear old Dad what Mikey has been up to and let them know I’ll follow through on my threats.”

“And of your Queen?” Amenadiel raises an eyebrow. “Shall I announce her coronation to the Host?”

That shuts Lucifer up, mouth closing with a click. There’s a long moment before he answers. “No.” The word is terse, spit out between teeth.

Now Chloe is the one feeling an inexplicable pang of hurt. Amenadiel folds his arms. “Really. I assumed you’d want to make it official.”

“It is my position to give,” Lucifer snaps. “It is another’s to consent to.”

“What does that mean?” Chloe asks, breaking up the tension between the two of them. Amenadiel looks smug and Lucifer stiffens guilty, but answers.

“It means you’re not queen. I apologize for insinuating you held the position. It was the fastest and easiest way to get Michael to back down if he was informed you held the title. I would never ask that of you, Chloe. Never. To rule Hell isn’t something I would wish on anyone.”

And yet he undertakes the burden himself, alone, for the rest of them to be happy. It’s not right. Chloe’s innate sense of justice won’t allow it, but more than that...she loves him. She loves him and she can’t leave him to this task, abandoned. Not if she can do something about it.

“So you didn’t mean it?” she asks, glancing over when the demons shift uneasily.

“Chloe,” Dan says, low and warning, already following her train of thought. She shakes her head and waits for Lucifer’s reply.

“I-” he stops, swallows. “I don’t lie, Chloe. There is no other who could hold the title, whether you assume the role or not. But you are under no obligation to accept it.”

She can almost feel the atmosphere in the room change. This is a pivotal moment and whatever happens next will change everything.

“I do,” she tells him. She presses her forehead against his. “I do accept it.” The words carry a weight, the low pressure of a vow and something burns in her chest, makes her ears pop. She gasps softly as power rushes through her, searing. The demons put their hands to their chests and dip their heads.

“Chloe,” Lucifer breathes, his eyes wide with shock when she pulls back to meet them. She looks down to see the same blue fire that flickers in and out of the lines of his armor slipping up her arms, twisting around her fingers. It tickles. 

“Hail,” he says, voice trembling and reverent. “Queen of the Morning.”

[jjkpls]

Rose (m)

> genre : fluff, light smut

> pairing : park jimin x reader (f)

> total words : 2k

> warnings/content : established relationship, light gender bending

> summary : Y/N wants to practise her make-up skills and her boyfriend volunteers. She comes down to a curious realization, she really likes him with it.

You’re blushing as you stare at him and your tiny work on him. Tiny because no matter how much time and effort you’d spend on his face, you wouldn’t add much to what’s already here. The art is his face, bare and natural, craved so curiously, with those bold sketches and lovely shades.

You’re blushing because it’s indecent. He’s not indecent. He’s anything but indecent right now, looking so sweet and innocent with that pretty peach blush on his cheekbones and on the tip of his nose; with the soft glittery gold you traced on his eyelids, complimenting his dark eyes, bringing them an intensity and hypnotic quality you’ve never found before in anyone. He looks pretty. Like a girl would. All rosy and sugary, soft and sweet, quite far from the tough-guy look boys usually aim for. 

What’s indecent is how you feel about it, about him. You don’t remember ever wanting him that bad. Feeling that aroused, a yearning that bad for his touch, for his harsh fingers and his cock. The only reason you’re not indulging in it is that you don’t understand those urges and you’re worried you’d scare him. Which is ridiculous, honestly. Jimin is not simply ‘not the kind’, he would simply not treat someone with disdain, express pure rejection for someone’s likings simply because they’re unusual or don’t match his. And he’s your boyfriend. Your loving and understanding and open-minded boyfriend. He’s not going to flee away. It’s just about you. How embarrassed you are about the new discovery on yourself.

As the realization downs on you, you slap yourself across the head mentally and lean in already, about to kiss him. He’s just staring back, awaiting for you. The blush has extended to the apple of his cheeks, where you haven’t put any makeup and you wonder what he feels shy about. Maybe he can sense how much you want him. Or perhaps, and you hope it’s that one, he’s realized how pretty he looks all dolled up like that. 

You don’t kiss him yet. Even when his eyelids flutter closed and his hand squeeze your thigh pressingly. He looks so inviting. He always does, however right now more than usual. But his mouth, his delicious lips, slightly open, waiting for you to bite on the thick flesh and suck on it and simply cherish it the way you generously do on the daily -because his mouth is the nicest thing you’ve ever given to taste, his lips always feel so nice between your own, between your teeth, under your tongue and he tastes heavenly each time you wrap your lips around his long tongue to suck on it as if it has anything to be milked from- you want to, no, you need to do something else with that mouth of his before kissing it. 

Grabbing your makeup bag to bring it between you two, you start rummaging through it. You’re not one to wear that much makeup -hence you wanting to try some technics and looks on your boyfriend before splattering it on your face and go out, parading around looking like a mess for everyone to see- and don’t own that many products either. But lipsticks have always been a favourite of yours. Fairly easy to apply, quick and effective, you could easily go for weeks without a full face of makeup but you would hardly walk out without a hint of tint on your lips. Therefore you have a bunch of them. All shades of red and pink and burgundy and peach. All lovely shades you want to try on him. It’s hard to pick. Feels like a terrible dilemma you can't solve. You don't want to mess up what you have facing you with a poor choice that would ruin the harmony, the softness, the perfection that he is. You don't want to spoil it. He could easily turn vulgar or ridiculous and you dread the idea. Fetching two different tubes, you uncap them up and roll the makeup out to show them to Jimin. 

“Which one do you want?” He first gives you a curious look. One that transpires how confused he is for you asking him to make the decision. He’s doing this for you and doesn’t feel like he has an opinion right now. But he sees your pleading eyes, the nervous worry on your bottom lip and he decides to make an effort for you. When his beautiful gold and brown eyes set down on the two lipsticks, he takes his time. You can tell he is thinking about it, seriously, and the idea that he too wishes to look the prettier spreads a new wave of heat to your head. You’re feeling giddy just watching him pondering over the choice. After an excruciatingly long time, the hand not holding your thigh rises from his lap to take between his ring-covered fingers one of the tubes. It’s the darkest from the two, deep pink with gentle red undertones. 

“I think that one.” He whispers so quietly. It then hits you. The tension. You felt your body and mind filled with it for so long but you haven’t imagined he would feel it too. Yet he does. Since the beginning, when you just finished wiping the soft brush on his second cheek and the colour, coming out so wonderful on his sun-kissed skin, has shocked you and rendered you speechless. You haven’t talked much since then, so entranced in your work and the astonishment and the admiration and -you have to admit- arousal. You haven’t even picked up on the fact that he, also, hasn’t been any kind of talkative. 

You put the unchosen lipstick back in your bag, secretly hoping that you’ll get to try it on him another time because it’s a shame if the nicest shade of ruby never ends up on the nicest pair of lips to ever have been moulded. 

Smearing some of the tinted cream onto your pointer's fingertip, you turn back to him, enchanted to not have to demand him to open his mouth for you to apply for he’s already prepared for it. You're not sticking the lipstick directly into it, nor using a brush. It’s not that you’re worried about hygiene, quite the contrary, you just want to press your finger on his lips, feel directly as you minutely tap the pigment on the pillowy heavens. 

The room is so hot. Your cheeks, your whole body, to the tip of your finger touching his mouth. Everything burns as you diligently dress up his mouth, struggling to breath when his lightly dry lips stick to your finger and gets moved and dragged a bit to then fall back into place when you leave the skin to reach for more product. It moulds so endearingly under the passage of your finger. This feels somehow like the most intimate and sexiest thing you have ever done with him, or anyone for that matter -even though you've had his dick in your mouth too many times to count. 

His dick in your mouth. That’s precisely what you need. Him gasping for air, ravishingly-decorated lips falling open, shaping around profanities he could hardly mutter. Some of the black mascara running a bit under his eyes. Shit.

Once you’re done, he rolls his lips together, smacking them a bit as you watch, mesmerized. He chose perfectly. The tint, darker than his natural very light pink, compliments his tone and the whole makeup, brings a new shine to his luscious lips, making them more kissable than ever -and this, you’ve never thought possible.

“What do you think?” He asks, not sounding doubtful or embarrassed. Curious is the precise word. 

“You look so pretty, Jiminie.” That makes him chuckle, his boyish squeaky laughter that always manages to steal a fond smile from you. He’s a bit abashed now, you gather from the way he ducks his head forward to avoid your heated gaze. 

When he leans back up, he challenges you, “Then kiss me.” You bend forward, enough to place a soft kiss on his pout, gentle as can be, not wanting to mess up the lipstick. It doesn’t resemble you, nor him, to kiss like that and Jimin, almost bitter, points it out. 

“I don’t want to mess it up.” 

“Is it that good?” He wonders out loud and you nod eagerly, eyebrows high from how inappropriate the question just sounds to you when you can see him, right in front of you, looking the way he does. You remember then that since you’ve started he’s hasn’t gotten a glimpse of his face and has no idea what he actually looks like.

You grab portable mirror before he even tries to aim for it, pressing it to your chest by fear of him taking it from you. You don’t want him to look. You don’t want him to spoil it all with a reaction you would wish different, with something, anything, that could disrupt and diffuse the tantalizing tension. He looks mildly annoyed when he looks up at you, probably because he knows it’s just a waste of time: he will get it once he asks for it, he’s not really one to get denied anything and you’ve always been the worst at saying no to him. Indeed when his hand opens up, falling forward between you two for you to place the mirror on, you do just that, forgetting all about your little rebellion and even most of your apprehension, Que sera, sera anyway. 

Jimin takes it with both hands, placing it in front of his face as he looks, before he sends a hand through his hair, mating it poorly backwards, exposing his forehead further. You wish you had a flower right now. A rose, bloody red, that you could stick behind his ear. God, would he look exquisite. 

He observes thoroughly in the mirror. His pretty eyes a bit wide from the surprise, you suppose. Even if it’s tiny. Infiniticim compared to the surprise you feel. You were anxious, a nerve wreck at the idea of showing him what he looked like, not wanting him to miss what you see, not appreciate the way you do. You imagined him to burst out in either genuine or awkward laughter, trying to deal with an image of himself he would find ludicrous. But he doesn’t. He doesn’t laugh, just spare a tiny smile he catches back when his eyes are seized by it and by the coloured lips and he pouts slightly to see better and then relaxes his lips, letting them rest slightly parted, the edge of his endearing crooked front teeth glimpsing in between. He looks so sinful when he does that. And with the fucking makeup. He’s Devil sent. 

“You like it?”

“I do.” He starts, moving his face a bit and twisting it to the side to try and see the eye makeup better. “I wouldn’t wear it outside but I could wear it for you.” He says, attention leaving his reflection to set on you. His words sound soft but his gaze is predatory as he peers into you, seeming like he’s trying to expose you for what he just learned about you. His hand grabs yours, the cold and hard steel of his rings digging uncomfortably as he brings it to his mouth. He kisses the plump of your fingertips, watching you watching him -you’ve just met back with the incredible sight of his cheek, the skin is so ethereal, abnormally poreless, so soft looking, with the discreet, gentle shimmer of peach caressing it, you feel like crying- before he bites teasingly on it through his smirk.

a/n : a little something different. it came to me in a dream because jimin is just too pretty. tell me whatever! kisses & love!

[roll20]

A New Light

At the start of 2019, we helped Roll20 Get a New Look with an update to Advanced Fog of War. While our data showed that the changes made the system run faster for many users, it also highlighted structural problems with the original design and architecture of that feature.

It became clear that we couldn’t bandage up this feature. We needed to rebuild it from the ground up, leveraging modern tools and designing with an eye towards our users' needs. Thus began work on the project we called “A New Light.”

Today we’re ready to unveil the results. Meet Updated Dynamic Lighting, a completely refurbished Plus and Pro subscriber feature which integrates all the functions from our existing lighting system with one streamlined name and future-ready code. It runs faster, supports more use cases, and represents the single biggest Roll20 upgrade since… well, the original Dynamic Lighting.

The old system (Legacy Dynamic Lighting) will run alongside the new system (Updated Dynamic Lighting) at first, to give you time to adjust, and then the old system will be retired later in 2020. We’ll give you lots of advance notice when its retirement party is coming, but for now, just know that you can switch between systems when you’re ready to try out the new update.

Because of its size and importance, we have a lot to say about Updated Dynamic Lighting. We front-loaded the features list for those of you who want to get right to the point, but read beyond that for a more robust explanation of what changes we made and why.

Overall Features:

Performance boost

Plus and Pro subscriber only

More robust technology that will work with modern hardware and browsers more efficiently

Change in tech will let us deliver more, highly requested features

New Lighting Features:

Light radius and Vision radius are now two separate settings

Dim Light and Bright Light are individual settings

All Light can be seen by all players' tokens with Vision

Tokens can now have “Night Vision” that doesn’t require light

Explorer Mode Features:

Replaces “Advanced Fog of War” with a toggle

Reveals in a radius around a token (no more grids!)

Saves revealed areas that a user has seen for all tokens they control

Visit the Roll20 Forum Bug Thread for more details and known issues about Updated Dynamic Lighting! We’d love to hear your feedback.

Parallel Systems: Legacy and Updated Dynamic Lighting

Currently, 51% of Roll20 games use some form of Legacy Dynamic Lighting or Advanced Fog of War. With a feature that touches so many of your lives, the last thing we wanted to do was make a sudden switch on you. Therefore, we’re introducing Updated Dynamic Lighting feature as an opt-in feature that will eventually (but not for some time yet) replace Legacy Dynamic Lighting. These systems will remain active side-by-side until we feel confident that we’ve met your expectations and given you enough time to switch.

Please be aware: Legacy Dynamic Lighting WILL be going away, but not until later in 2020. Given its structural problems, it would be untenable for us to support both versions of this system going forward. So we encourage you to try out the Updated Dynamic Lighting as soon as you can! We’ll make sure to give you a reminder well before the final change takes place.

We’re also confident that you’ll like it. The new system leverages WebGL, the same system that Legacy Dynamic Lighting always used. What’s new here is that the feature set from Advanced Fog of War has been integrated into the same system, and rebranded as “Explorer Mode,” a new setting for Updated Dynamic Lighting. In essence, this means that if you can run Legacy Dynamic Lighting, then you can run Updated Dynamic Lighting with the benefit of new features and substantially faster processing time.

We chose WebGL because it leverages the power of your computer’s graphics processor instead of taxing your CPU. We measured, and 99.9% of Roll20 users already use WebGL, and if you’re not sure whether that includes you, you can check with this webpage.

As with all Roll20 features, Dynamic Lighting has been designed for use on our officially supported browsers, Firefox and Chrome. You will need to use one of these browsers for the features to perform correctly.

What Happens When You Switch?

If you already have Dynamic Lighting barriers drawn on your Dynamic Lighting layer, those will stay. The new system uses that same layer to create line of sight for your map. However, if you were using Advanced Fog of War to remember where your players have already explored, their memory of revealed portions of the map will not carry over to Updated Dynamic Lighting. For that reason, it’s best to make the switch when moving your players to a new Page.

But don’t worry: if you want to switch back, you can. In essence, both Updated and Legacy Dynamic Lighting have separate memories of where your players have been, so what’s revealed in one system will not be revealed in the other. When you switch back and forth between them, however, they will each retain their individual memory of areas revealed while that system was active in your game.

As mentioned above, the feature set from the old “Advanced Fog of War” system has been integrated and renamed “Explorer Mode” for Updated Dynamic Lighting. It functions in the same way: as your players move their tokens around the play area, those sections of the map will be revealed and remembered. You just need to toggle Explorer Mode on.

Several other features have been rebranded for Updated Dynamic Lighting. You can read more about them on the Roll20 Help Center. Lots of newer GMs told us they had trouble understanding how the different pieces of the lighting system interacted with each other. We hope that the new names help shine light (!) on those issues, but hey! Let us know your feedback on the forums.

How to Turn on Updated Dynamic Lighting

Updated Dynamic Lighting will exist alongside the old systems for now, but you can’t use them both at the same time. When you enable Updated Dynamic Lighting, the old system will be disabled - but don’t worry! It only applies to the page you change the setting for, and you can revert if you wish. Make sure you read the “What Happens When You Switch?” section above for more detail on changing systems!

How to enable Updated Dynamic Lighting on a map or page:

In the Page Menu, click on the Gear Icon for the Page you want to edit.

Find the section in Page Settings labeled Updated Dynamic Lighting and switch it on.

Optional: If you want your players to retain visibility of the Map Layer after they have left their vision radius, turn on Explorer Mode (replaces “Advanced Fog of War”)

Optional: If you want to avoid placing lights, or it’s an outside, sunny kind of adventure, turn on Daylight Mode (replaces “Global Illumination”)

Click Save on the Page Settings

How to give an object Vision on an Updated Dynamic Lighting page:

Select the object (such as a character token or a pet controlled by a player)

Make sure that it’s Controlled By the correct players

Navigate to the “Updated Dynamic Lighting” tab

Turn on Vision

Optional: Turn on Low Light Vision radius

Optional: Turn on Night Vision radius

How to Light up an object on an Updated Dynamic Lighting page:

Select the object (such as a torch or character with a flashlight duct-taped to their head)

Navigate to the “Updated Dynamic Lighting” tab

Set the Bright Light radius to the distance that bright light should be emitted

Optional: Set the Low Light radius (usually larger than Bright Light)

Optional: Set the Angle and Starting Degree of light emitted (for a flashlight, etc)

Voila! Or “que la lumière soit,” if you want to get fancy. As long as you have Dynamic Lighting barriers set up (and you can learn how to do that on this Roll20 Help Center article), your page is ready. You can also check your work by selecting a token and hitting Ctrl + L to see what that token would see.

Support for Roll20 Marketplace Products

When you switch over to Updated Dynamic Lighting for your existing products from the Roll20 Marketplace, you may notice that some areas of your lighted maps have light leaking through corners and around walls. We'll be fixing this for all products (including Marketplace Creator products) with future patches to Updated Dynamic Lighting, so please don’t worry that you will need to correct this by hand for all your maps!

What’s happening here: Updated Dynamic Lighting is far more precise about detecting the exact length and placement of barriers on the Dynamic Lighting layer. In places where the lines of a corner don’t join up 100% precisely, light will now shine through that small gap. Sometimes, Updated Dynamic Lighting, you do your job too well. We’re scoping out some tweaks to close those gaps moving forward!

You can still start or continue playing on existing maps during this time, but we recommend checking for light leaks before you let your players loose on them. The last thing any GM wants to hear is “Uh, I think I can see the boss through this corner?” Keep your secrets hidden, and we’ll keep you posted on the patches that will correct this problem in the future.

The Future of Dynamic Lighting

So what’s new in Updated Dynamic Lighting? Everything! And nothing. Under the hood, the code has been entirely refactored. Although the whole system is smoother and more efficient, we designed it to parallel the existing feature set of Legacy Dynamic Lighting. Explorer Mode (previously Advanced Fog of War) has gotten huge performance upgrades that are really cool if you’re the type of person who gets excited about the fact that it now renders revealed areas in a circle instead of a square. (FYI, we’re the type of people who get excited about circles instead of squares. CIRCLES, everyone! Round happy circles!)

Even if you don’t care about circles, the new system opens up a whole range of possibilities for the future. With A New Light complete, we can add more graphics features: specifically, the Layer Up update that was delayed last year and remains the most popular user request of all time. We also have a ton of exciting user ideas on the Suggestions Forum for lighting improvements that are much more doable with the added power of WebGL.

We also did some tinkering under the hood to add new features. One of the requests that drove us to embrace the need for a new system was our users' desire to have lighted objects be visible outside a character’s immediate vision radius - like the glow of a faraway campfire, beckoning you through the dark. The old system made this possible through some twists and contortions, but Updated Dynamic Lighting allows any object with Vision to detect any object with Light. Simple as that.

This is just the beginning, and we’re excited to shine A New Light on Roll20’s future. Please give our new Updated Dynamic Lighting a try, and let us know what you think on the forum!

[pokewooloo]

Kabu and Romance:

( it originally started as hcs, but idk what happened...)

-He'll be drawn to you almost immediately, but quickly pushes those feelings away because of his age.

-These insecurities will weigh on him. After all, what can he, an old man offer to someone in the prime of their life? That's not fair to you. You deserved someone better.

-So, he moves on...Until he sees you camping by the 2nd mine. Against his better judgement, he jogs over to you and the two of you quickly strike up a conversation about camping. He suggests a recipe that both you and your Pokemon will enjoy before heading into the mines. For some reason, he's a bit too distracted to get the full effect of his workout.

-A few days later, after battling a Gym Challenger, he finds you standing in the lobby checking the time on your phone. You glance up and see him. The smile on your face renders him speechless. You're walking over, excitedly chatting about sonething- Kabu can't know for certain. Your words aren't reaching his ears. All he can do is stare...

-The small Bulbasaur printed container you're offering him snaps Kabu back to reality. You made the curry he suggested. It was delicious and you brought him some as a way of saying thanks.

-He gives you a warm smile before accepting it, but the expression in his eyes was of a man who's torn. Kabu knew he was in trouble now, and the rational thing to do would be to pull back. Surely, he could do that?

-Well, you sure didn't make it easy for him. Kabu noticed you every time you blew into town. Occasionally the two of you would have lunch. He told himself he was only doing this to make sure you were alright. Sometimes, you would be dusty from a sandstorm or cheeks crimson from a blizzard in the Wild Area. Everytime, he would warn you to be careful but the energy in your eyes told him you wouldn't stop anytime soon. Though, honestly that's what he loved about you...

-That word entered his mind without him realizing it, and when it did it took the rest of his words with it. He was in the middle of lightly scolding you about training in a thunderstorm while drying off your hair with his towel. The Motostoke Gym was closed for the night, and it was just the two of you and the cleaning crew who were somewhere else in the building. Kabu believed their presence would add a buffer...to keep something like this from happening.

-Whatever was happening, you felt it too. It was in the way your eyes looked up at him. Kabu knew he truly needed to pull away- put an end to these emotions no matter what. They were dragging you down too...

-But like usual, you didn't make it easy. You carefully took his hand in yours, letting the towel fall silently to the floor. Your eyes were on the both of your hands. Kabu wondered what you saw. Did you find the contrast of his older hand to your younger one disturbing? Almost on que, you lowered your head to his hand. Your lips softer than a cloud, grazed against his knuckles. Kabu gasped quietly from the gesture. You looked at him again and Kabu had never seen a smile so loving.

-Pulling away would be the smart, no the proper thing to do. But Kabu didn't want to do what was smart or proper or expected of him. All he wanted and needed was you- his love. He pulled you in you into his arms and smiled into your hair as you held him back. Kabu would conquer any insecurities he had if it meant he was able to hold you like this for the rest of your lives.

[dorapoeta]

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[marysaid-blog]

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[byjmcv]

* Prepar3D (pronounced as prepared for "prepared", short P3D) is a simulation software from Lockheed Martin, which is mainly, but not exclusively, used as a flight simulator. It is a further development of Microsoft Flight Simulator based on Microsoft ESP. It is only licensed as education, training and learning software and, unlike Microsoft Flight Simulator, is explicitly not available as entertainment software. The first version was released in autumn 2010 and the current version 4.5 was released on April 9, 2019. Version 4 was announced on 23 May 2017 and was released on 30 May. The most fundamental innovation is the switch to 64-bit architecture, which eliminates the program crashes caused by exhausted virtual address space that often occur in previous versions, especially when using memory-consuming add-ons. In addition, new 3D effects for snow and rain, dynamic lighting and a revised SDK are implemented. With version 4.4 the rendering engine was revised and supports Physically Based Rendering since then. Many manufacturers of well-known add-ons for Prepar3D were involved in the development and beta testing to make existing products or products under development compatible with P3D V4 as early as possible. * The Douglas DC-3 is a propeller-driven airliner which had a lasting effect on the airline industry in the 1930s/1940s and World War II. It was developed as a larger, improved 14-bed sleeper version of the Douglas DC-2. It is a low-wing metal monoplane with a tailwheel landing gear, powered by two 1,200 hp (890 kW) Pratt & Whitney Twin Wasp radial piston engines. It has a cruise speed of 207 mph (333 km/h), capacity of 21 to 32 passengers or 6,000 lbs (2,700 kg) of cargo, a range of 1,500 mi (2,400 km), and could operate from short runways. * Blackpool International Airport (BLK/EGNH) is an airport on the Fylde coast of Lancashire, England, in the Borough of Fylde, just outside the Borough of Blackpool. It was formerly known as Squires Gate Airport and Blackpool International Airport.

* Prepar3D (prononcé comme préparé pour "prepared", court P3D) est un logiciel de simulation de Lockheed Martin, qui est principalement, mais pas exclusivement, utilisé comme simulateur de vol. Il s'agit d'un perfectionnement du simulateur de vol de Microsoft basé sur l'ESP de Microsoft. Il est uniquement autorisé en tant que logiciel d'éducation, de formation et d'apprentissage et, contrairement à Microsoft Flight Simulator, il n'est explicitement pas disponible en tant que logiciel de divertissement. La première version est sortie à l'automne 2010 et la version actuelle 4.5 est sortie le 9 avril 2019. La version 4 a été annoncée le 23 mai 2017 et est sortie le 30 mai. L'innovation la plus fondamentale est le passage à l'architecture 64 bits, qui élimine les plantages de programme causés par l'épuisement de l'espace d'adressage virtuel qui se produisent souvent dans les versions précédentes, en particulier lors de l'utilisation de modules complémentaires gourmands en mémoire. De plus, de nouveaux effets 3D pour la neige et la pluie, un éclairage dynamique et un SDK révisé sont mis en œuvre. Avec la version 4.4, le moteur de rendu a été révisé et supporte depuis le Physically Based Rendering. De nombreux fabricants de modules d'extension bien connus pour Prepar3D ont participé au développement et aux tests bêta afin de rendre les produits existants ou en cours de développement compatibles avec P3D V4 le plus tôt possible. * Le Douglas DC-3 est un avion de ligne à hélices qui a eu un effet durable sur l'industrie aérienne dans les années 1930/1940 et pendant la Seconde Guerre mondiale. Il a été développé comme une version améliorée et plus grande du Douglas DC-2, avec 14 lits. Il s'agit d'un monoplan métallique à aile basse avec un train d'atterrissage à roue de queue, propulsé par deux moteurs Pratt & Whitney Twin Wasp à pistons radiaux de 1 200 ch (890 kW). Il a une vitesse de croisière de 333 km/h, une capacité de 21 à 32 passagers ou de 2 700 kg de fret, une autonomie de 2 400 km et peut voler sur des pistes courtes. * L'aéroport international de Blackpool (BLK/EGNH) est un aéroport situé sur la côte de Fylde, dans le Lancashire, en Angleterre, dans le Borough of Fylde, juste à l'extérieur du Borough of Blackpool. Il était autrefois connu sous les noms de Squires Gate Airport et Blackpool International Airport.

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BYJMCV 2020/03