#adventures in sakartvelo

[noseysilverfox]

For some reason, my imagination gave me the idea that I was in the Savannah😄📸

Почему-то фантазия мне подкидывала мысль, будто нахожусь в Саванне😄📸

[sorrynoroomsavailable]

Аліна Якубенко - Пріключеніє русского солдата Резиденція Вибачте Номерів Немає 10 липня, 2023 року, Double room 1114, готель Інтурист-Закарпаття

У своїх малюнках та працях київська художниця Аліна Якубенко критично та іронічно розглядає агресивні та жорстокі дії “мирних” росіян зі зброєю в руках, в Україні. Котрі в Другій серії після російсько - чеченських та російсько-сакартвело воєн продовжили вбивати та гвалтувати в Україні під виглядом пригод випадково потрапившого русского солдата в Україну.

Резиденція та виставка Аліни Якубенко стали можливими завдяки підтримці: European Cultural Foundation - Ukraine edition of the Culture of Solidarity Fund The beaux-arts Academy in Paris

(eng)

Alina Yakubenko - The Adventure of a russian soldier Residence Sorry No Rooms Available July 10, 2023, Double room 1114, Hotel Intourist-Zakarpattia

In the drawings and works, the Kyiv female artist Alina Yakubenko critically and ironically examines the aggressive and brutal actions of “peaceful” russians with weapons in their hands in Ukraine. Who in the Second Series, after the russian-Chechen and russian-Sakartvelo wars, continued to kill and rape in Ukraine under the guise of the adventures of a russian soldier who accidentally got into Ukraine.

Alina Yakubenko’s residency and exhibition became possible thanks to the support of: European Cultural Foundation - Ukraine edition of the Culture of Solidarity Fund The beaux-arts Academy in Paris

Photo credit Petro Ryaska

[brosencrantz]

This is the last post in a series! You can start from the beginning in Kutaisi here, or browse the whole Adventure in reverse order using the tag here. And as ever, click the images for full-size versions.

The 12th century Tsunda church: locked to visitors, with an alcove by its hearth stained by the soot of centuries of votive candles. I wonder how many have burned there?

Breakfast was a truly scrumptious mix of local fruits, veg and preserves, cheeses, fresh bread, and good black tea (with milk, even!) Unfortunately Arpi was totally ruined with sickness and couldn’t eat, so half – well, a third – of it went back uneaten. I scrubbed the transport arrangements to Batumi, cancelled the nice-looking airbnb in Batumi, agreed another night with our lovely hosts, and asked them if the offer to drive me around the ancient monastery and fortress complexes was still open. It was. So myself, the guesthouse owner and the 12-year-old daughter went off on a ROAD TRIP.

Southeast of Akhaltsikhe, on the way to the Turkish border, the Kura has eaten deep into the stone of the Caucasus mountains.* There are flat valley floors here, rectangles of green and yellow like elongated chequerboards, but it’s mostly a rugged landscape of high hills and scree. Huge building works were going on near the road, vast concrete pilings and silver pipes reaching down from mountaintops; we discussed what was going on, eventually reached a shared understanding of pumped storage. Bright sun beat down; the constant hiss of the crickets mixed with the rush of the airstream, changing in tone as we jinked around crags and big holes in the road. There were more cows about than cars, and it was difficult to get a sense of how busy this place must have been in its heyday. But the relics of a past Georgia were everywhere: a beacon-tower from the time of Tamar; a church one thousand years old; a fort that had once been sacked by Alexander.

“There was a market here for selling people. Is that right?” “Slaves?” “Yes. A slave market.”

Past the confluence with the Paravani river, the land takes on a different character. Like Dartmoor, evidence of sustained, intense human activity is just beneath the surface everywhere: step-farm wine terraces abandoned for centuries; cliffs riddled with mysterious, too-regular holes; remote domes perched on crags; the high, remote, romantic silhouette of the earthquake-slighted Tmogvi fortress, its ruined towers merging into the mountainside. Eventually, most dramatically of all, we came to the monastic cave-city of Vardzia.

https://brosencrantz.files.wordpress.com/2018/07/20180701_102951.mp4

Dramatic Vardzia Reveal. But if that doesn’t work for you, there’s a photo here.

From a distance, Vardzia looks like a termite mound with the side kicked off, if termites could carve out entire mountains. A quake in 1283 did terrible damage, and the whole site was abandoned after an Ottoman invasion a few centuries later. Around three hundred chambers survive of a supposed six thousand. The guidebook at the guesthouse said that it only has four levels now, from an original eight; the audioguide I rented (in good, slightly breathless English) contended that the original number had been nineteen. Much of the city’s structure can only be guessed at, but if you start from the idea of a well defended fortress-monastery dug into the hillside, with a supporting town in its skirts, the picture comes together.

I hiked up the hillside to the base of the complex, rather than wait for a minibus; there were a handful of other tourists there, some American, some Russian. The exposed architecture is weathered to abstraction, and I needed the guide to explain most of the chambers. There were buried stables, refectory chambers similar to those at David Gareja, rooms with huge ceramic wine vessels buried in the floor. A belfry with martens nesting in its carved eaves is one of the rare parts of Vardzia which was actually meant to be above ground. Deep within the mountain, accessed only by a hundred yards of bent-double crouch-walking, a clear spring next to a floodlit chapel gave a real, rare sense of serenity. The audioguide was filled with explanations of sneaky ways the locals would wall themselves off in times of trouble (with only one main entrance and exit to the city). And wonderfully, the core holy site and the most artistically important part of the whole complex has survived very well: the Church of the Dormition, with its ancient but decently-preserved paintings of angels, saints and Tamar the Great.

Tamar occupies a similar position in the Georgian national pantheon as Elizabeth I does in the English: a much-celebrated queen** ruling over a golden age of cultural achievement (with her chronicler Shota Rustaveli an independently-legendary writer of Shakespearean renown***), their reputations shining all the more brightly owing to reigns bookended by periods of darkness and horror. Her depiction at Vardzia is the oldest and most famous, dateable very precisely to within a year of 1185. In a fantastically detailed royal costume, she’s moon-faced and tough-looking: narrow eyes, strong brows and a pursed mouth might indicate character, might depict courtly formality, might be the 1180s ideal female beauty, or might just be the result of an artist used to painting human faces in a martyrdom context. A long, winding, dusty stair took me back to the valley floor; my Georgian guides, who had seen it all before, were chilling by the river. We refilled our water bottles at a fountain, and rode on.

The Vanis Kvabebi complex (“Vani’s caves”) is if anything even more interesting than Vardzia, because it’s easier to understand how it worked in its golden age. A triangular settlement, two sides defined by a deep V-shaped notch in the canyon, one a massive fortification still impressive eight hundred years later. The open-air buildings are mostly now outlines and wildflowers, but the cave dwellings remain in decent nick. A segment of the dome of a fallen church is visible above an altar; in the caves, ancient wine-vessels cut ceramic-lined circles in the floor. Above it all, a tiny dome perches like an eagle’s nest (see if you can find it in the pictures), supposedly lined with ancient calligraphy. My guide was eager to show it off, and borrowed a key from a bearded monk who seemed to appear from nowhere, but a long, steep, rickety pathway and a makeshift ladder later we were wiggling it without effect in a lock. Maybe the lock needed oiling; maybe the monk didn’t like our faces.

Last point on the journey back was Khertvisi Fortress, which stands where the fairly dramatic Paravani River meets the extremely dramatic Kura. Legend says Alexander stormed a predecessor of this castle – plausible, it’s a supremely defensible point even by the very high local standards. As with most of these places, imagination is required regarding the contents, but the keep, the towers and the gingerbread-man-hand crenellations all stand on their own, huge and impressive.

We came back into Akhaltsikhe via a moneychanger – an interesting thing I’ve learned on travels into similar economies is that you get better exchange rates in the back of beyond than you do in the big cities – and I tried, with only partial success, to pay my hosts properly for the wonderful journey. I can’t remember what trifling amount they eventually accepted, but it wasn’t enough. I roused a still-ill Arpi, wrapped up our belongings, and we headed for Kutaisi and the long journey home.

* One plausible etymology for the river’s Georgian name is “gnaw”, as in “gnaws through mountains”. ** There are lots of modern English-language references to Tamar as “King” rather than “Queen”, and half-baked suggestions that this is a unique honour or that she somehow had a masculine kingliness. But Georgian doesn’t have grammatical gender, so her title is genderless – “monarch” or “sovereign” would be more appropriate. *** If you really want to stretch the point, The Faerie Queen and The Knight in the Panther’s Skin are also roughly equivalent, being famous era-defining literary works which are also thinly veiled political allegories about the queen. But that’s a bit tortuous.

  Georgia 2018

Good morning, Kutaisi! – Museums and wine – Chiatura from above – Pioneers’ Palace, Gori – Tbilisi – David Gareja – Akhaltsikhe – Vardzia

the hall of the mountain queen This is the last post in a series! You can start from the beginning in Kutaisi…

[lutnistas]

Tbilisi ( Georgia ) 

[ctdots-blog1]

In the West we take many things for granted, but in the East something like a giant cross next to a major city in #Georgia Batumi is an absolute enigma once you try to find any information. I share my experience of hiking to this mysterious object. #travel #photography #blog #hiking Read more here: https://ctdots.eu/places/sakartvelo/hiking-batumi-hill-cross/ #connectingthedots #photooftheday #picoftheday #photographyislife #photography #awesomeearth #travelwriter #travelblogging #travelblog #travelblogger #postcardsfromtheworld #adventure  #instagood #instadaily #mountainslovers #travelphoto  #traveler #welivetoexplore #travel  #ontheblog #instagoodmyphoto  #travelandlife  #worldplaces #igshotz  #huntgram (at Batumi) https://www.instagram.com/connect.ngthedots/p/BxYDcibg1d_/?utm_source=ig_tumblr_share&igshid=1qpiiozrw1mix

[waleed1112]

#georgia #atlanta #tbilisi #atl #florida #travel #batumi #love #texas #newyork #photography #usa #alabama #nature #ga #travelgram #music #miami #travelphotography #instagood #sakartvelo #mountains #gudauri #like #football #follow #explore #fashion #art #adventure @waleeds1112 (at Georgia (country)) https://www.instagram.com/p/B88JxgeJc2_/?igshid=1egfzm772rl2v

[suburbansukka]

Sakartvelo means land of the Kartvelians. Great time exploring the lands of Iberia. Thanks to Sandro for showing Georgia to me. Malova for the memories. 

[ckknirsch]

Plánovanie: Po vlastnej osi do Sakartvelo

Náš najbližší cieľ je teraz pre zmenu smerom na východ. Do Sakartvelo, čo je len iný názov pre Gruzínsko. Spiatočné letenky za 60,- € sme kúpili pred rokom!

Zatiaľ veľa ľudí má neopodstatnené obavy v naplánovaní vlastnej dovolenky, či výletu za hranice nášho štátu a radšej využijú služby cestovných kancelárii. Ale stačí chvíľa na internete a môžeš si urobiť dovolenku podľa vlastných predstáv za podstatne nižšiu cenu. My ti teraz ukážeme, ako sme si naplánovali vlastnú týždennú dovolenku v Sakartvelo.

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[noseysilverfox]

June 2024

Views of the Aragvi River, Georgia

[noseysilverfox]

August 2024

The view I rose for. As a "forest" resident, I want to say that I'm not used to seeing everything so small😸

Вид, ради которого поднималась. Как "лесной" житель хочу сказать, что не привыкла видеть все таким маленьким😸

Jagludzha Ridge, Rustavi city, Georgia

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August 2024

I was climbing the Jagludzha Ridge again. Wanted to walk along the entire ridge and reach the cape, which is visible in the first and second photos.

Вновь поднималась на Яглуджский Хребет. Хотелось пройти по всему хребту и дойти до мыса, который виден на первой и второй фотографиях.

[noseysilverfox]

July 2024

At the foot of the fortress of Bebristsikhe in Georgia, you can find a maze. It is designed in such a way that there are no options for choosing a path, all its paths must be traversed to get to the middle. That's why I think the maze represents the way of life. It turns out to be a kind of journey of reflection.🤔😁

It took me 10-15 minutes to complete the maze without haste, so the video is just the beginning, but I hope it will amuse or smile you!😄😃 The reward at the end was the opportunity to make a wish!😁🌿

У подножия крепости Бебрисцихе в Грузии можно встретить лабиринт. Он сконструирован так, что вариантов для выбора пути нет, все его тропы нужно пройти, чтобы добраться до середины. Поэтому я думаю, что лабиринт олицетворяет жизненный путь. Получается своего рода путешествие с размышлениями.🤔😁

Мне потребовалось 10-15 минут, чтобы без спешки пройти лабиринт, так что это видео - только начало, но я надеюсь, оно вас позабавит или улыбнет!😄😃 Наградой в конце была возможность загадать желание!😁🌿

Mtskheta, Mtskheta-Mtianeti region, Georgia.

[noseysilverfox]

July 2024

Ruins of an abandoned stadium🌱

Руины заброшенношо стадиона🌱

[sorrynoroomsavailable]

Аліна Якубенко - Пріключеніє русского солдата Резиденція Вибачте Номерів Немає 10 липня, 2023 року, Double room 1114, готель Інтурист-Закарпаття

У своїх малюнках та працях київська художниця Аліна Якубенко критично та іронічно розглядає агресивні та жорстокі дії “мирних” росіян зі зброєю в руках, в Україні. Котрі в Другій серії після російсько - чеченських та російсько-сакартвело воєн продовжили вбивати та гвалтувати в Україні під виглядом пригод випадково потрапившого русского солдата в Україну.

Резиденція та виставка Аліни Якубенко стали можливими завдяки підтримці: European Cultural Foundation - Ukraine edition of the Culture of Solidarity Fund The beaux-arts Academy in Paris

(eng)

Alina Yakubenko - The Adventure of a russian soldier Residence Sorry No Rooms Available July 10, 2023, Double room 1114, Hotel Intourist-Zakarpattia

In the drawings and works, the Kyiv female artist Alina Yakubenko critically and ironically examines the aggressive and brutal actions of “peaceful” russians with weapons in their hands in Ukraine. Who in the Second Series, after the russian-Chechen and russian-Sakartvelo wars, continued to kill and rape in Ukraine under the guise of the adventures of a russian soldier who accidentally got into Ukraine.

Alina Yakubenko’s residency and exhibition became possible thanks to the support of: European Cultural Foundation - Ukraine edition of the Culture of Solidarity Fund The beaux-arts Academy in Paris

Photo credit Petro Ryaska

[sorrynoroomsavailable]

Аліна Якубенко - Пріключеніє русского солдата Резиденція Вибачте Номерів Немає 10 липня, 2023 року, Double room 1114, готель Інтурист-Закарпаття

У своїх малюнках та працях київська художниця Аліна Якубенко критично та іронічно розглядає агресивні та жорстокі дії “мирних” росіян зі зброєю в руках, в Україні. Котрі в Другій серії після російсько - чеченських та російсько-сакартвело воєн продовжили вбивати та гвалтувати в Україні під виглядом пригод випадково потрапившого русского солдата в Україну.

Резиденція та виставка Аліни Якубенко стали можливими завдяки підтримці: European Cultural Foundation - Ukraine edition of the Culture of Solidarity Fund The beaux-arts Academy in Paris

(eng)

Alina Yakubenko - The Adventure of a russian soldier Residence Sorry No Rooms Available July 10, 2023, Double room 1114, Hotel Intourist-Zakarpattia

In the drawings and works, the Kyiv female artist Alina Yakubenko critically and ironically examines the aggressive and brutal actions of “peaceful” russians with weapons in their hands in Ukraine. Who in the Second Series, after the russian-Chechen and russian-Sakartvelo wars, continued to kill and rape in Ukraine under the guise of the adventures of a russian soldier who accidentally got into Ukraine.

Alina Yakubenko’s residency and exhibition became possible thanks to the support of: European Cultural Foundation - Ukraine edition of the Culture of Solidarity Fund The beaux-arts Academy in Paris

Photo credit Petro Ryaska

[sorrynoroomsavailable]

Аліна Якубенко - Пріключеніє русского солдата Резиденція Вибачте Номерів Немає 10 липня, 2023 року, Double room 1114, готель Інтурист-Закарпаття

У своїх малюнках та працях київська художниця Аліна Якубенко критично та іронічно розглядає агресивні та жорстокі дії “мирних” росіян зі зброєю в руках, в Україні. Котрі в Другій серії після російсько - чеченських та російсько-сакартвело воєн продовжили вбивати та гвалтувати в Україні під виглядом пригод випадково потрапившого русского солдата в Україну.

Резиденція та виставка Аліни Якубенко стали можливими завдяки підтримці: European Cultural Foundation - Ukraine edition of the Culture of Solidarity Fund The beaux-arts Academy in Paris

(eng)

Alina Yakubenko - The Adventure of a russian soldier Residence Sorry No Rooms Available July 10, 2023, Double room 1114, Hotel Intourist-Zakarpattia

In the drawings and works, the Kyiv female artist Alina Yakubenko critically and ironically examines the aggressive and brutal actions of “peaceful” russians with weapons in their hands in Ukraine. Who in the Second Series, after the russian-Chechen and russian-Sakartvelo wars, continued to kill and rape in Ukraine under the guise of the adventures of a russian soldier who accidentally got into Ukraine.

Alina Yakubenko’s residency and exhibition became possible thanks to the support of: European Cultural Foundation - Ukraine edition of the Culture of Solidarity Fund The beaux-arts Academy in Paris

Photo credit Petro Ryaska