#ain't that also fun?

[faceeeeee]

Fun fact, demon guardian is the only one who can harm Rubrub and vice versa. Ain't that fun?

[eyes-of-nine]

do I ship them? not really???maybe idk but 1) I needed someone for this to work 2) I do enjoy making LQQ suffer 3) it would be kinda funny ngl

[dotted-clouds]

Replaced.

[vaguely-concerned]

gideon cheerfully accepting kremy using suggestion on him left and right (and also being like '*fond smile* aaaaw yeah all the good old times :)' at the implication that kremy has essentially wielded him as a bloodied blunt instrument all these years) has some. hm. kinky implications. perhaps. also narrative/character/interpersonal ones of course but the kink factor here is unspeakable.

why are you as a man freely and gleefully offering the use of your body and occasionally autonomy to another man. why would someone who fought so hard for freedom and agency find such joy and satisfaction in willing submission. who's to say! finally actually having gay sex about this would frankly be less gay than whatever sublimated thing is going on right now

[novelconcepts]

The more the show progresses, the more I want to see the 90s cast infiltrating the modern timeline. We've gotten hints of it with Shauna and her younger self, her Jackie hauntings. We've gotten a little more with adult Lottie seeing teenage Nat (and Laura Lee), and with Natalie getting teenage Lottie in her final moments. I want more. I want the teen cast to be absolutely invasive on pivotal adult moments, infecting their adult counterparts when least expected. I want Taissa's argument with Van to dissolve into their teenage selves, their bond endless and timeless and inescapable. I want Misty absolutely wrecked by young Natalie lurking around corners, watching from mirrors. I want to see these women unable to navigate adulthood without the specters of their teenage selves cropping up absolutely everywhere, more and more as they let the memories in, as they stop being able to repress the trauma. They didn't grow up. They never could. You are always doomed to regress around your high school teammates. You are haunted by the phantom elements of your misspent youth. It is a comfort, and it is a gift, and it is a trial, and it is a curse. I would love to see that reflected with greater intensity, until the lines blur, until the timelines have no choice but to intersect. They haven't escaped themselves at all. They didn't grow up. They just got older.

[finemealprompt]

DP x DC Prompt #50

When Danny came to Gotham, he hadn't been planning on being a vigilante, he swears! And, technically, he wasn't a vigilante. He was a villain. Sort of. He was Catwoman's sidekick. Her partner in crime, quite literally.

But hey, it hadn't taken a lot of convincing from Catwoman to start stealing things from a bunch of rich dudes. Danny hates rich fruit loops.

[pinkvaquita]

HEY, TUMBLR USSERS THAT SHIP SHADOW MILK WITH ANYONE (OC INCLUDED) New realization hit today... he say in canon he writes poetry. HE WRITES POETRY

DO YOU REALIZE ALL THE THINGS YOU CAN DO WITH THAT??? Shadownilla and Eldershadow shippers:

you can make the most angsty psychological complex shit with this. Imagene him writting about how much he hates them yet he finds them entretaining

Burningshadow or Silentshadow shippers or anyone that ships them with the other beasts: POETRY IN PRISION. POETRY IN PRISION POETRY IN PRISION. POETRY IN PRISION. POETRY IN PRISION. POETRY IN PRISION. POETRY IN PRISION. POETRY IN P-

Poetry during their years being sealed about how much they want to free them and go out and be an evil powercouple. ShadowLychee:

Same as above with the idea of writting about how can they destroy the world together, but add also the idea of Shadow Milk writting a last poem for Lychee before being sealed away.

Shadow x oc: THAT IS ENDLESS. You can think of him being a perfectionist and thinking on how to make a perfect poem for your oc. You can make him send letters begging them to return to darkness if they are a sixth ancient. YOU CAN MAKE HIM WRITTE AND GET FLUSTERED BECAUSE THEY WRITTING ABOUT YOUR OC. I'm begging you. USE THE CONCEPT OF SHADOW MILK AND POETRY.

[roadsaltedpretzels]

You're going to die.

Are you scared?

Good.

Now save yourself.

More fanart of Castoff by @thestarfishface!! (this time with 100% fewer memes)

1000/10 very good comic you should read it immediately!!

I got waaaay carried away with the lighting and glowing and junk and I'm still not even super happy with it lmao but I gotta stop eventually

[starry-bi-sky]

Out of Context Danny Phantom Memes for a fic i haven't posted (yet)

[faceeeeee]

The girlies are here (and nabnab)

[dirtytransmasc]

concept, cause the dynamics at play would be super interesting:

when Tuk and Neytiri are sucked into the hold of the Seadragon, what if Spider, unwilling to watch another one of this baby siblings, nor his siblings mother (despite everything cause he's a good kid), die without doing anything, jumps in after them?

they're now stuck in a flooding ship, spider knows his way around to a decent extent, they're all tired, they're all scared, they're all hurting. they have to depend on each other for survival.

Neytiri has to not only trust Spider, but has to follow his lead, has to trust him to guide her around a demon ship, has to untrust not only her own life, but the life of her youngest child to this boy.

Maybe they're separated, they have to find one another (my personal favorite scenario is that Tuk and Spider are together and he has to try and find her/guide Neytiri to him)

Spider taking Neytiri and Tuk's arms so they aren't separated by stray currents and raging waters (a parallel to "Sully's stick together"). Spider talking them through the breath holds he learned as a kid in case his mask malfunctioned before bringing them through the depths of the submerged ship (parallel to Jake and Lo'ak)

anyway. I just can't stop thinking about it. think about it.

Neytiri is faced with the fact that Spider jumped in after her and Tuk. he came for them, he put himself in danger to save them, to save her daughter. even after what she did to him. even after she held a knife to him, after she cut him, after she intended to kill him even after Kiri was released. he still jumped to her aid, even if he could have stayed with Kiri above deck where he was safe, he could have just aided Tuk and left her behind, but he didn't.

and there's so many ways to play with it and the aftermath. like.

Spider dragging both Tuk and Neytiri up the surface, trying his best to keep the trio afloat (namely Neytiri who was much less adjusted to the water and is exhausted by the night they've had) as they hope and pray to be reunited with the rest of their family.

maybe the stress gets to them and Spider just starts apologizing. I should have fought them harder. I shouldn't have let Lo'ak and Neteyam try and leave with me, I would have been fine. I should have seen it coming, should have taken it myself. it should have been me. my baby brother shouldn't be dead.

maybe he becomes partly delirious as he too gives into exhaustion, the big brother in him being the only part of him left coherent, so he takes Tuk close, whispering prrnen tsmuke [baby sister] over and over into her braids, assuring himself that she's safe and unharmed. he keeps praying to the Great Mother for his siblings to return to him unharmed. maybe he keeps asking where they are, if they're safe as his awareness fades and his memory weakens. all of his siblings. asking if Neteyam is ok, only to remember he's gone the second the words leave his tongue.

Jake and Lo'ak finding them when they come up with Payakan, both worse for wear, exhausted, clinging to one another, the only thing keeping their heads above water being spiders life vest, Tuk cradled between them. what a sight.

Neytiri watching as Spider looks over each of his siblings, taking them close, holding onto them as if they will be ripped away from him. the realization that he would die before he let that happen again hitting her like a ton of bricks the second she sees the look in his eyes.

a peace being made between the two in the wake of this event. spider silently claiming the role of big brother (he always was, but he had to pretend he wasn't. with Neteyam gone, he can't pretend he's not anymore), Neytiri silently agreeing.

idk man. it would be interesting.

[tswwwit]

i have a counter argument to the 'only one person can boop bill' thing, mabel. she's the type of person to slap stickers on people, she would definitely be the type to also boop others occasionally and bill would be no exception. she probably doesn't do it to annoy bill like dipper would, but maybe as a form of a friendly gesture, kind of like those people who will lightly punch friends in the arm when they hang out.

You know what? Good point. Mabel would get away with more than most, as a fun-loving lady! Bill understands those impulses, and being a touchy person! He indulges in similar ones himself.

Though when Bill's not in the mood to be playful and gets booped anyway? The 'sister-in-law' status grants her considerable grace.

[bloodofgrapes]

yaoi!edgeworth is real now

bonus:

[lesbianfakir]

Fakir's theme (Beethoven's Coriolan Overture) always struck me as funny because it stands apart from the other character's themes. Mytho has the delicate Dance of the Sugar Plum Fairy, Rue the somber Gymnopedie No 1, Duck the cheerful Nutcracker Oveture etc... while Fakir's theme is well... LOUD.

It characterizes his most aggressive moments, mainly playing in scenes where he antagonizes Mytho and Duck.

This always sat a little weird with me as it is a very surface-level character theme for such a complex character. In contrast, Rue's theme tells us something about her motivations under the Kraehe persona. Fakir's on the other hand tells us that he's mean and aggressive... something any viewer who's gotten to a scene where the song plays already knows.

On one of my rewatches, though, I noticed that he has another song that functions as a sort of secondary theme: an excerpt from Scheherazade.

This song plays most notably throughout most of episode 12, while he is bonding with Duck. It shows up a few times later in season 2, mainly in scenes concerning Fakir's struggle to write. As such, I view it as a complementary theme to the Coriolan Overture.

Listening to the song, it feels much more in line with Fakir we've come to know him. The song can be a little delicate and a little sad with gentle wind solos that lead into loud, grand orchestral sections. The repetitiveness, tempo, and use of dramatic brass and strings give these louder sections a gallant, almost desperate tone. It's super fitting that this is the song that plays throughout the episode where we get the best sense of Fakir's natural personality when he isn't putting on the cold persona.

I don't really have a deeper analysis here I just think it's really fun that as his character develops he gets an additional theme. If you think about it the music in Tutu functions as a sort of jukebox musical--the world and characters are built around the songs. Once we start to get to know who Fakir really is, the music that represents him changes to reflect him better.

[whenthewallfell]

Thought I'd mark the end of the mad knitting rush by sharing what I'd made. There's a couple of summer tank tops I'll want to make, but I won't have the same drive to knitknitknit in quite the same way.

Now the only things I'll have to keep me occupied whist watching youtube videos are sewing and drawing :) Patterns for them that wants 'em: Into the Wild by Tania BarleyEarth Pullover by OzettaWinona Polo Heavyweight Edition by Emily Y Chen

[artsy-n-smartsy]

behold...

the Luigi