#al Qazwini

[arthistoryanimalia]

One more for #WorldGiraffeDay:

The Giraffe, folio from Aja'ib al-makhluqat wa ghara'ib al-mawjudat (aka The Wonders of Creation) by al-Qazwini (d. 1283), Iraq or eastern Turkey, early 15th c., F1954.88. Ink, watercolor, gold on paper.

Seen at the Smithsonian National Museum of Asian Art in 2020 (they have a rotating display of pages).

“…he described the giraffe as a hybrid of an Abyssinian camel, an antelope, and a male hyena.”

[mioritic]

Fruit trees: etrog, pomegranate, mulberry, fig.

Zakarīyā Ibn Muḥammad al-Qazwīnī (1203–1283?), The Wonders of Creation (published Wasit, Iraq, 1280)

Library of Congress

[cuties-in-codices]

human-frog creature

in the oldest known manuscript of zakariyya' al-qazwini's "aja'ib al-makhluqat" ("the wonders of creatures and the marvels of creation"), wasit (iraq), c. 1280

source: Munich, BSB, Cod.arab. 464, fol. 69v

[nobrashfestivity]

Abu Yahya Zakariya ibn Muhammad ibn Mahmud-al-Qazwini (ca. 1203-1283 CE), is known simply as al-Qazwini, Kitab Aja'ib al-makhluqat wa Gharaib al-Mawjudat, literally “The Wonders of Creation,” compiled in the middle 1200s in what is now Iran or Iraq.

[a-book-of-creatures]

hello can i have some unicorns :)

Oooh, of course you can! Let me quickly look up some of my favorite sources...

Thomas de Cantimpré has no less than 3 unicorns covered! That's 3 times the amount of unicorns! From top to bottom, you have the monoceros, the Indian onager, and the unicorn itself.

Albertus Magnus gives us this classic animal, looking somewhat heraldic.

This unicorn from the Ortus Sanitatis, though, is rather contemplative looking. And seems rather goaty too.

The rhinoceros (karkadan) from Middle Eastern manuscripts varies a lot, sometimes clearly a rhino and sometimes more fanciful. This version is from a copy of al-Qazwini.

Jonston covers around 9 different unicorns, some of which are horny in more ways than one! (Trust me. Look them up, I've posted them before). These ones look like standard maned unicorns.

Ambroise Paré had a lot to say about unicorns (and mummies, and the plague, and anything else vaguely related to public health). Here is the pirassoipi, a two-horned unicorn (a bicorn?) from Italy

And you know what? I've been sticking to vintage illustrations but here's Rudolf Freund's spectacular historically-accurate unicorn!

Stay tuned for more unicorn imagery!

[the-puffinry]

from 'Al-Qazwini (d. 1283), Marvels of things created and miraculous aspects of things existing.

Representations of birds in this text are in a style similar to traditional Greek drawings of animals.

Manuscript P 2, f. 185

[eyeoftheheart]

The Angel Ruh holding the celestial spheres, from ʿAjāʾib al-makhlūqāt (Wonders of Creation) of Qazwini, Iran, ca. 1550. Ink, opaque watercolor and gold on paper.

Ashmolean Museum, Oxford

“In Islamic cosmology, angels play a central role as divine agents. As attested by popular medieval cosmographical treatises such as the ʿAjāʾib al-makhlūqāt [Wonders of Creation] of Qazwini (ca. 1203–83), the world of angels (ʿālam-i malakūt) was believed to be closer to the world of absolute truth-reality (ʿālam-i hāhūt or ḥaqīqat) than our material realm. As Chittick explains, “the imaginal world is more real than the corporeal world, since it is situated closer to the World of Light, though it is less real than the spiritual and luminous realm of the angels”. Rooted in Quranic and hadith literature, and popularized in the medieval world by Ibn Sina, Muslim angelology saw each created world in the cosmic hierarchy as governed by a specific angel. According to this system, it is the angels who activate God’s power, qudrat, in the cosmos and maintain its balance and harmony. In both the microcosm of the inner human being and the macrocosm of the outer world, angelic perfection is reflected through their outer beauty as well.”

[drachenwiki]

Thought you might like this, there is a connection between Chinese and Persian dragons in art. The "London Qazvini manuscript" as it's called has illustrations that are heavily influenced by Chinese art, the dragon's pose, head, bodily flames, and flaming pearl are almost identical to Chinese depictions. It was also said to start life as a snake, only to be thrown into the sea (by God) because it grows too big for land. Just thought it was interesting seeing as Chinese and Korean dragons either start as fish or snakes too.

You are right, Chinese influence on Persian (and through contact Arab, Turkish and Mughal, afaik) depictions is well attested after the Mongol conquest. Probably even earlier through the Seljuks.

I love how much the world was connected,one could say globalized, even in the middle ages and antiquity.

[costumedump]

A Man With His Head In His Chest From The Islands In the Indian Ocean

Zakariya ibn Muhammad al-Qazwini, Book Of Wonders And Oddities

Istanbul, 1553

Reinventing the Américas: Construct. Erase. Repeat

[lilbluntworld]

“The Epoch of Reionization” Abu Yahya Zakariya’ ibn Muhammad al-Qazwini, 13th century

[tamamita]

Does Islam have versions of Leviathan and/or Behemoth?

They do appear in later cosmographies by Al-Qazwini, but there are no primary sources in Islamic traditions that make any mentions of them, so they are a later invention.

[arthistoryanimalia]

Happy #InternationalCheetahDay!

Here is the cheetah in Zakariya al-Qazwini's 'Aja'ib al-Makhluqat wa Ghara'ib al-Mawjudat (The Wonders of Creatures and the Marvels of Creation), an important work of Islamic cosmography which was probably first written in the 1260s, and for centuries after was reproduced across the Islamic world. This illuminated manuscript copy was made in Wasit, Iraq in 1280 CE and is the earliest known surviving version.

[mioritic]

Zakarīyā Ibn Muḥammad al-Qazwīnī (1203–1283?)

Page from The Wonders of Creation (published Wasit, Iraq, 1280)

Library of Congress

[cuties-in-codices]

the inhabitants of saksar island

in a turkish edition of zakariyya' al-qazwini's "aja'ib al-makhluqat" ("the wonders of creatures and the marvels of creation"), anatolia or persia, 1717

source: Hamburg, Staats- und Universitätsbibl., Cod. orient. 342, fol. 83v

[nobrashfestivity]

Raghib Al-Isfehani ( Abul-Qasim al-Hussein bin Mufaddal bin Muhammad)

from ʻAjāʼib al-makhlūqāt wa-gharāʼib al-mawjūdāt (The wonders of creation, or literally, Marvels of things created and miraculous aspects of things existing) by Zakriya ibn Muhammad al-Qazwini (circa 1203-83) is among the best known texts of the Islamic world. It is often referred to as "The Cosmography." 

The work begins with an introduction, and is followed by two sections, the first on supra-terrestrial, the second on terrestrial creatures. Al-Qazwini concludes his work with a section on monsters and angels. The genre of Aja'ib al-makhluqat (The wonders of creation), of which al-Qazwini's work is the most famous example, includes texts in Arabic and Persian that describe the marvels of the heavens and the earth. Numerous manuscripts of al-Qazwini's work have survived, as have several Persian and Turkish translations of illustrations.

[a-book-of-creatures]

@maniculum whoa check out this scorpion from al-Qazwini’s Wonders of Creatures!