#albums of the near

[be-ready-when-i-say-go]

Favorite Albums of 2022

Thanks @hoodharlow for tagging me! I’m not sure how many I’m supposed to give.

No Pressure Tags: @mcplestreet @5-secondsofcolor @pinkbubbles-and-bigtroubles @boomhauer @loveshotzz

[gods-favorite-autistic]

Track list for Fig and the Cig Figs independently published Junior Year album (officially named “Infaethable”)

Teenage Rebellion

Night Yorb (a heavy metal banger)

Summer Scaries

Devils Nectar

Time Quangle (a love song about Ayda)

Multiclass (Gorgug sings on this!)

The Ballad Of Lucy Frostblade (Kristen was the one who convinced Fig to write this)

So Late, So Tactical

Do You Have A Fucking Warrant

Cassandra (Can You Hear Me)

Hall Of Mirrors

President Applebees (written entirely in the night after Kristen gets elected by a drunk Fig with extremely drunk notes by Kristen)

Raging For Love (inspired by Gorgug, of course)

The Elven Oracle (Has A Day Job) (So Stop Bothering Her)

Maximum Legend

Fury Of The Ball

Cursed

Infaethable

The Bad Kids

[hoezier]

There's something at the tip of my tongue about the parallels between Jackie and Wilson and Who We Are

How the narrator of Jackie and Wilson wants to run away with a woman that he's carved out of his imagination based on a brief interaction. How they would try the world, but good god it wasn't for them. So they run away from it into a fantasy world where they live by their own rules.

And then comes the narrator of Who We Are, who dreamt his whole life of finding someone who would hold him like water or like a knife, only to find that running away from the world will only get them so far, since "the hardest part is who we are". And only to find out that the "phantom life" he's fantasized about is actually just that: a phantom. And its absence sharpens like a knife

[hrokkall]

ULTRATOBER DAY 24 /// LEVIATHAN

[PREVIOUS] 🌊 [NEXT]

[chongoblog]

I think I’m gonna try to put out a mashup album this May.

[kingpains]

got to see the @narcissistcookbook in dallas, thoroughly enjoyed it

[jikigo]

If he looks anything like them idc what Nintendo says they’re siblings

[xunkun]

THE BLOOMEDS THE BLOOMEDS THE BLOOMEDS THE BLOOMEDS THE BLOOMEDS THE BLOOMEDSTHE BLOOMEDS THE BLOOMEDS

REI'S SMILE I CANT HIS TEETH IS SO CUTE HIS SMILE

KAORU PLEASE PLEASE PLEASE OH

this is fucking it lads

[01-05-2001]

that one girl that does not play about collecting CDs

[httpiastri]

dear everyone,

a while ago, i hit 1.5k followers on this blog.... i didn't want to get too sappy but i really wanted to write something, so:

the fact that over one and a half thousand individuals follow me is truly insane and too much for my little brain to grasp. i want you to know that i'm so extremely thankful for each and every single one of you and this makes me so so so happy. this is way more than i ever had expected when creating this blog.

i made this account back in june purely for my own enjoyment; i created it mainly because i was disappointed in myself for having stopped writing, since writing has been such a big part of my life since forever. ever since i stopped writing about kpop, i had barely written anything at all... i made this account just for fun with no pressure and no expectations, and before i knew it, this blog turned into something so special for me. the blog, all of the people i've met through it and all of the moments we've shared, all mean the world to me.

honestly, i'm not sure what i would do right now if i didn't have this blog and this community. these last few months have been pretty rough for me, but i've always been able to come back on here and gain a smile or some laughter. you've all helped me so much, even if unintentionally – every single interaction helps me push forward. i'm eternally grateful for every single like, comment, reblog and ask i've received on here, and your kind words really do mean the world to me. i don't know where i would be without you.

i hit 1k a while ago but didn't celebrate it properly, so i decided to make an 1k/1.5k-celly that i will be releasing soon (when i have more time to actually write)(hopefully at the start of december). please stay tuned!

and once again, from the bottom of my heart, thank you all so so so much. you truly are the best. 🧡🧡

[rooolt]

guy going insane trying to place sophomore slump during a specific time period of canon because we know scary was writing lyrics during the two week timeskip of spider-boyz: homecoming and so initially I assumed it was recorded in the two month timeskip of stand and delivery bc in the birthday message link’s voice hasn’t dropped yet, BUT that doesn’t make sense bc hermie is in the birthday message and he should’ve been guarding the door during that time. Very important to me bc if it was recorded during that two month period, then that means Scary’s birthday was during that two month period which is utterly ridiculous and hilarious that she spent it watching anime with her divorcee vice principal

[jammyjamster]

What Will Wood song(s) do you associate with Death Note characters?

sorry for not replying i dont check this often :(

laplaces angel: lawlight

2econd 2ight 2eer: beyond birthday

outliars and hyppocrates: ryuk

6up 5oh: beyond

aikido: misa

white knuckle jerk: lawlight

cotards solution: beyond

mr capgras: near & beyond

the song w/ five names: L & beyond

hand me my shovel: mello

willard!: near & L

thats all… i could go in depth n shit and explain why and how i associate these songs with the characters but im tireddd maybe tomorrow (lie) idk

[gracebethartacc]

the day I get cotards solution jash cover is the day I die a happy man (<not a man)

[vse-kar-vem]

feeling a deep sense of grief about the loss of barve oceana all of a sudden

[daddy-long-legssss]

The Story Behind The Song: Arctic Monkeys’ early ambitions on ‘A Certain Romance’

Lucy Harbron – Far Out Magazine | January 17, 2024

It was 2006. Mortgages were crashing, and businesses were going bust. Tony Blair was on his last legs in office as the longest-serving prime minister since Margaret Thatcher, and the hangover of ‘Cool Brittania’ was beginning to set in with an unexpected ferocity. Things were bleak when a young Alex Turner sang, “There ain’t no romance around there” through the public’s speakers. Arctic Monkeys were about to write themselves into musical history as the voice of a new generation.

The final song on their debut album, there has always been something special about ‘A Certain Romance’. In 2022, after the release of their seventh album, The Car, Turner seemed to find himself reflecting back on that 2006 track. To the musician, that early cut holds a clue to everything that was to come as he said the piece “showed that we did actually have these ambitions beyond what we once thought we were capable of”.

Coming in at over the five-minute mark, ‘A Certain Romance’ almost feels like the Arctic Monkeys’ version of a rock opera, summarising all the themes, feelings and energy that came before it on their seminal album Whatever People Say I Am, That’s What I’m Not. It has the cheekiness of ‘Fake Tales Of San Francisco’ and the catchy instrumentals of hits like ‘Dancing Shoes’ or ‘I Bet That You Look Good On The Dancefloor’. Utilising the northern charm of ‘Mardy Bum’, it stands as a final, neatly summarising point on the social commentary found in their early tracks like ‘From The Ritz To The Rubble’ or ‘Riot Van’. Really, it could be argued that ‘A Certain Romance’ is the ultimate example of Arctic Monkeys’ original sound, perfectly encapsulating all the things that made the world listen up and pay attention.

It’s like they seemed to know that, too, always allowing the song a special place. In fact, it was really the band’s opening remark. Years before the offer of a debut album came around, the group were a well-oiled machine with their own local hits. They had the northern live music scene in their hands as their homemade demo CD was passed around like everyone’s worst-kept secret. Beneath the Boardwalk features eight out of the 13 songs that would be on Whatever People Say I Am, That’s What I’m Not, albeit in a slightly different, lower-quality version. But the opening number, ‘A Certain Romance’, sounds just the same.

It’s all there, from the rolling opening drums to that final guitar solo. Recorded and produced in a rented studio at only age 17, the existence of ‘A Certain Romance’, one of the band’s most explorative and energetic numbers, in this form this early in their career feels like a diamond sitting in a mine. It proves that they were always onto something special.

They never needed any help. In fact, their producer, Jim Abbiss, noted that they even seemed nervous about the help. “I think they were probably a bit weary, like ‘who’s this guy? And is he gonna make our sound this or that.’”

They didn’t want anything to change too much, as the group already had the songs figured out. Turner certainly did, as the track’s meandering narrative about hometown lads, fights, and local boredom is already there. Talking on a podcast, original member Andy Nicholson revealed the story behind the song. “We had a practice room with a pool table in, and we had a party in there, and we invited another band who were friends of ours, and we all had some drinks,” he said. “Then something happened, someone throws a pool cue, someone throws a pool ball, and everyone ends up fighting,” he added, explaining the lyrics, “there’s boys in bands / And kids who like to scrap with pool cues in their hands.”

But the magic of Arctic Monkeys lies in their nuance. What begins as a snooty analysis of his local landscape is a genuinely affectionate take. “Well, over there, there’s friends of mine / What can I say? I’ve known ’em for a long long time / And, yeah, they might overstep the line / But you just cannot get angry in the same way,” Turner sings, looking around at his bandmates and lifelong friends. ‘A Certain Romance’ is not only a time capsule for the group’s beginnings but is an ode to all the people who were there with them. It’s an ode to the hometown that made them and all its various characters.

But as the last guitar solo roars to life, there is an unspoken statement that they’re going to be bigger than what they came from. “I remember when we were recording ‘A Certain Romance’ and having a conversation with the producer about the final guitar solo,” Turner told NME, recalling the moment these songs were reworked for their debut. But they wouldn’t let anyone mess with ‘A Certain Romance’, knowing exactly what they were doing and trying to say with that one. In the 2003 demo version, all the feeling is already there, and Turner wouldn’t risk it.

“There’s something that happens at the end of that track where we break some rules in a single moment,” he continued. What happens at the end of the piece feels even more special, considering how the album was recorded. “These are the songs we wanna do, and I think this is the order we wanna do them in,” Alex Turner told their producer, recounting the conversation in 2007 to RadioX, “And he goes, ‘alright, we’ll try to record them in that order as well.’” As the final song, that last guitar solo is the last thing recorded for the album, standing as a cathartic outlet and a chance for the band to prove themselves.

“We focused on the [emotional] effect of the instrumentals over the words,” Turner reflected on the track, concluding, “and I feel like we’ve been trying to do that again and again since then.”

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[the-musical-cc]

Your lips are warm, my head is light Were we alive before tonight...?