#also all the micro expressions

[my-rose-tinted-glasses]

At 25:00 in Akasaka Episode 2

[faunandfloraas]

fav skz // He's always pretty.

[arcanegifs]

Caitvi Scenes: 26/?

[theforgottengreatpoem]

"Find them Skullcrusher. Find them."

[cowboyshit]

[livetogether--diealone]

a study in mannerism - SEB, singapore 2017

[redwoodrroad]

"It's just us."

[cerealbishh]

All we really have are days to dream and days to lose, I just need to choose my time!

🎥: @bikinibottomdayz

[moe-broey]

Okay sorry I'm jsut so fixated on my art rn LMFAOO BUT. ONE. CONTEXT/SNEAK PEAK. With horrible lighting as a treat 🥰

LIKE??????? ARE YOU SEEING THIS SHIT????????? WHAT THE FUCK IS THAT

[astarlightmonbebe]

on another note, based on the context of ryangeum telling the story of gabsoon and gabdol, i think the story was less meant to be a thinly veiled dig at gilchae and yeonjun, and moreso him thinking about his own relationship with janghyun. 'is there really a person like that (that isn't easy to forget,' 'there is'...he sounded very much like he was thinking of how janghyun was the person to ryangeum that would never be easy to forget, no matter what he did.

[laststandx3]

*sobbing* daryl dixon is so bad. it feels like it was written by coping every other zombie story but without a drop of creativity. is so boring, so predictable, the characters are so boring. ep 1 dixon arrivies at the nun place, doesn't want to take the *mysteriously special* kid with him. why will he change his mind? but sure the nuns get all killed by a sort of militia that decided the nuns were responsible for the murder of one guy. of course it's the nuns! ep 2 the group has dinner with some kids. there's the most predictable oxigen tanks drop and explosion and then they keep on walking. there was a woman that hid a 7 months pregnancy to her sister, even tho they lived together, and you can't hide a 7th month belly. magical kid has the same origin story as the kid from the last of us. identical + the nuns. who are the people i would trust the most in case of a medical emergency. i mean we all know how nuns these days study anatomy and medicine.

now poor adnag that so far has been given the blandest generic douche boyfriend character!! he was really there trying to pull a face cupping that would make a marine sergeant blush and betray his country, all the while saying 'lets leave your sister on the road while we run'. what person in the world can think this line can work. lets abandon your pregnant sister on the road during a zombie apocalypse. this is just stupid. who would agree? who wrote this line and thought it was a plausible conversation? they just needed to make this scene believable, like pregnant sister is starting to have contractions in the car and then he panics and wants to leave her behind and non-preg sister leaves him. and it makes more human sense like uugh. who can ask a person to leave their sibling during the apocalypse? but this is the level of character depth we have in this show. this is the level of writing we have to witness.

and why everyone has to speak english even when they're between them? even when dixon isn't around. if you don't want them to speak french then don't set the story in france. if you want them to speak english all the time then never make them speak french from the begin and we can just pretend they're speaking the language of the audience. let them speak french!

[istherewifiinhell]

anyone wanna get emotional about collaborative art with me?

[Mirage 19 Story: E&L, Layout: Eastman, Pencils: Jim Lawson, Inks: Laird, Letters: Steve Lavigne]

ID from alt: Cropped section of the page annotations by Laird, (relevant) text: Page 18 is also the beginning of what I think of as "Brick hell" - Jim drew so many panels with hundreds of bricks in them, and I felt obliged to ink them all in. That was a LOT of bricks." Left is a panel showing Raph running down a curving brick tunnel, the wall is drawn with individual bricks, uncountable amounts of lines that illustrate the curvature.

If not, enjoy brick hell instead (I'll leave, just a doozy of a brick hell image at the end)

(this issue has beautiful layout paneling, which little snippets of could never replicate. great one to check out. imho)

come one come all to the worst barn party of the decade...

[IDS AND ALTS THE SAME]

ID: Jones family barn interior. Mike and Don speaking to Raph (off panel). Mike, in an open gesture: Life is good here... It's given us time to heal, to accept what's happened. Leo's needed this time, too--. Don, by his work table, no mask, wearing an apron. More neutral: We're not the guardians of society, Raphael... we never were. END

ID: Three panels, Raph pushing Leo around, yelling at him. The background moves from uninked, to midtone, to dark tone, as they both get more angry. Raph: No-- You're hiding out here... scared to face facts... And you're dragging all of us down with you! Fun and games are over, Chump... Look at yourself! END

ID: Two panels, Raph looks down to a wooden sword Leo (off panel) has held up in his way. He looks at it, unimpressed. Then looks up, pissed off and says only "Mistake." END

1. Three panels, Leo in the forground, just his leg seen. Raph on the floor against a wall. He whips his chin, saying "You were always good, Leo...". Close up, spit hangs from his mouth, continues "... One of the best..." He stands and finishes "...Which makes life here even more of a crime."

2. Four panels, Leo has Raph in a choke hold, holding him from behind, they are on the floor. Sweaty and teeth grit with exhertion. Leo says "--Do you hear me?!" Raph starts throwing punches to Leo's head, just above his own. As each one land we close in on Leo's face. END

Well. Thats great. Ill eat my own heart out how abouts.

AND ANYWAY. My favourite favourite effect.

ID: 1. Four panels, Leo, Mike and Don, run along a roof top, grab some fire escapes, and make their way to street level, skirting the edge of a street lamp's glow. The entire set is pen inked normally, and washed completely with the mid tone, save the small circle around the lamp, glowing white.

2. Large panel. Raph, 3 point lands, kicking up dust in the center of a spot lit section of sewer. The tail ends of a hood he wears trail up with the motion. Very little double-tone is used on the page, instead the shadow is communicated by increased hatch lines still following the shapes of every object in shot. END

ID: Raph sits in the tattered remains of the turtles lair, his brothers shadowed in the foreground. Raph, not very warmly says "Welcome Home." END

Okay okay. cry forever and every. please for the love of god. read comics. now. more brick hell

ID: Three panels, showing the entrance of a sewer tunnel into a larger area, closed and open pipes along the wall. The shot holds empty for two panels, then with the inclusion of Raph jumping out the exit in the third. If you are to look carefully. You can tell, though the scenery remains the same, in each, the intricate pen inked brick work and shadows have been done three separate times. END

LIKE. I KNOW ITS TRADITIONAL MEDIUM COMICS. But sir.... SIR? Another annotations from Laird specifically. Have mentioned using the copier to place certain things in backgrounds.... i just.... SIR?

[godzexperiment]

As much it would be angsty- do you know how !!!!!! i'd be about writing nix fully losing his shit in the violence aspect of him? Of an Nix who unleashes akin to his makers level of and more full of Wrath. Just the intensity that even thickens the air with it.

It's even more fascinating with some connection before; like no illusion he can't fight and that obviously. But knowing him, knowing his choosing to not be an weapon (even if not fully). Used to his letting bugs out. Only to watch him then get that lost in his weapon like nature. Especially if it's an sibling??? Who probably is more used to violence and all that having an 'holy shit that's overkill' reaction. (there is so many routes that could be explored tbh and angst thereof)

[sorrellegiance]

visited my preschool teacher! admitted that i'm writing and lots of people got excited and gave me advice about genre (don't worry about it) and publishing (so complicated) and perspective ("if you have any ethnic perspectives, publishers are giving those a lot of chances nowadays...looting the folklore it's called...")

[storyweaverofgondor]

Can i just say how much i love that of the people in The Dresden Files look different from each other? Most current shows be making me think i have face blindness with all these 'Hot' people in them.

[bastardlybonkers]

i feel like not enough ppl are factoring in the cultural clash between laios and shuro and the many micro agressions shuro faced while being in their group. literally the name 'shuro' in itself is one

his name is toshiro 😭 lets also not forget that he has his own communication issues, in the opposite way that laios does- thats literally a factor in their argument, that his envy for laios's ability to express himself sincerely manifested as part of his distaste for him.

ig all this to say like, was their fight heart wrenching, especially when reading laios as autistic? absolutely. anybody whos ever been in laios's position knows how much it hurts to realize someone you thought was your friend doesnt actually like having you around, especially when they didnt tell you and you had no way of knowing due to not understanding their cues. but im begging yall to step back and see the nuance of this situation cause im gonna be real a lot of you are kinda just brushing over it acting like everything is toshiros fault and that hes a terrible person when in reality hes an average guy who really, really clashed with laios and it led to a very long misunderstanding due to their supremely opposite methods of communication. even laios and toshiro, after letting everything out in their fight, were able to come to an understanding and start a foundation for an actual friendship built on better communication

ok yknow what Edit: i shouldve made it even more explicit at the end of this post, i hadnt thought i would need to since i started the post with this, but i think a few too many people are missing my point so i just wanna clarify. i shouldnt have said 'really clashed' and left it at that because yeah they did, but it wasnt just their opposite methods of communication, it is also very much that toshiro was experiencing microaggressions via laios. it may have been unintentional on laios's part, but it still happened and wore him down, made it harder for him to communicate on top of both the more subtle social cues that he was raised with and his own communication difficulties. i also want to say that the fandom reaction to toshiro and the complete ignorance of this point is also racist tbh or at the very least ignorant. i understand that the anime did not cover this panel, and neither did the manga, as this was an omake, but im gonna be real with you guys. there are enough context clues within the story to clue you into this. if you didnt pick up on it thats ok, but i think this is a good lesson in picking up subtext in the stories that youre watching and/or reading. kui shouldnt have to explicitly say 'by the way laios was racist to toshiro' for this point to be understood, and at the very least, when the author portrays a character in a sympathetic light (as kui clearly does) it should make you question Why they are doing so and what makes them sympathetic, rather than youre immediate and only reaction to be 'well i hated what this guy did/said so i hate them and they suck'. idk exactly how to finish this, just. idk. question your biases and gut reactions to things you see in media and stories, and think about whether or not theres subtext that youre missing.