You know people assume (and like it's their right to do so, its headcanons, etc etc don't come with pitchforks at me) that Bradley's youth queer experience would be very positive given Mav and the implied icemav of it all
But I think instead of making him more open about his sexuality in adulthood (or just unapologetic), it'd give the opposite result
This is to do with that, although he'd see happy queer people (Mav and Ice) behind closed doors, his childhood, mainly in the 80s and 90s, as well as Mav's and Ice's attitudes toward being open about their relationship, would teach him how cruel the world can be and the typical 'better safe than sorry' attitude being queer outside of typical queer spaces brings to many
He could see Mav and Ice love each other very very much, maybe to the point he'd even base his idea of love on them, but he'd also see how much maneuvering would keeping their relationship from the public cost. Sure, there are friends who supported them (flyboys, Carole, etc), but there were also countless people who would destroy their careers and lives if they ever found out (also if Mav ever adopted/fostered him, just suspicions of him being queer could put Bradley back in the system, the way things worked back in the 90s and also given how many fostering agency, even government employed, are christian-lead...)
In the instances someone would come close to discovering it, not only he'd see how distressing it can be but also how much being discovered would cost - whether this is personal safety, job security, respect, etc. And even if the worst didn't come to it, he'd still be left with the foil remarks and hate 'bullying'
As long as DADT was in place, I think he'd be equally if not more careful in comparison to what he had seen while with Mav and/or Ice
If anything I think Jake would have more of the naivety being openly and unashamedly queer takes (whether this is because he grew up in an environment with no visible queer people ergo never saw actual acts of hate toward them, or because he thinks he left the most hateful environment and nothing can be worse than it OR maybe because he is 100% or nothing kind of guy, no matter to what he commits)
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headcanon asks for Bradley: 1 and 19?
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1: holiday headcanon
christmas was always one of bradley's favorite holidays, all throughout his childhood. every adult in young bradley's life, all with varying backgrounds and types of childhoods of their own, could come together to agree on one thing: bradley's christmases should be magical. carole, trying to keep the magic of those first three christmases with everyone all together alive; mav, trying to give bradley the kind of happy memories he never had; ice and slider, woven into the family by carole's steady hand, determined to give this little makeshift family what it needs. bradley remembers holiday baking with mom, learning about the traditions of ice's family, so different from theirs; neatly-wrapped gifts from santa, much lumpier gifts that were also "from santa", supposedly, but he knew those ones were from uncle mav- it would be fair to say bradley was a little spoiled when it came to the holiday season.
after carole is gone, and it's just he and mav, those years are empty and feel meaningless, but they try. they try for carole's memory, for each other, and for ice and the others. bradley's eventual disillusionment with the holiday doesn't start there- no, it starts after.
once he and mav have their falling out, it's like someone has flipped the light switch. the last few chrismases were quiet ones, lonely without mom, sure- but he and mav got thru them together. after losing mav, too, though, it's radio silence. bradley goes from loving and enjoying the christmas season to hating it, overnight. the first christmas after is bleak. a long december and a somehow even longer december 25th. the only accompaniment that he has for the next four years of college are the cards and the letters he doesn't open. he spends it in the dorms alone while everyone else goes back to their families.
once he meets phoenix in flight school, things start to look up, just a little. she has a lively, bustling family full of extended relatives and family friends, and they're happy to fold in one more. it still doesn't feel right. it doesn't make him feel at home. for all their effort and kindness, phoenix's mom is nothing like carole and phoenix's dad is is nothing like goose- and as much as he hates himself for thinking it, more importantly, is nothing like mav- and the traditions and energy are all so different that it just feels unfamiliar. though it tugs painfully on his emotional aches and pains, he is grateful to have somewhere to go and happy to be included, even if it only exemplifies to him how alone he really is, and how he really doesn't seem to belong anywhere.
post-mission, post-reconciliation, bradley isn't sure what to expect. he imagines that mav would have built a life without him in it by now and is dismayed to learn this is not the case. he isn't sure if mav will want him around for the holidays after everything he's done and said. phoenix pushes him, telling him that of course he's welcome at the trace family table again this year, but you really ought to stick around and sort this shit out. through much hesitation, bradley does.
the post-reconciliation christmas is not lively or bright or boisterous like the christmases of old. it'll never be the same, without mom, without uncle ice, when the other flyboys have families of their own to worry about now. but mav welcomes him, wants him to be there, and it's more at home than bradley has felt in fifteen long years. it's not about the food or the gifts or the decorations. it's about the people- person, actually. it's about being invited into mav's life and heart even when he knows he can never deserve to be in those places again. at the end of the day, the old christmases were always about family and love and connection, and even though they're quite different on the surface, the new christmas is about all those things, too.
19. favorite photograph headcanon
photos were and are such an important part of the bradshaw-mitchell family. bradley knows it- and it's a part of why, when he leaves, he doesn't take the photos of himself and mav. he knows that to mav, that will say something, loud and clear, and he wants to be hurtful- he wants his emotions to be heard and understood. instead, he takes with him only the photos of his mom and dad, and a couple with the flyboys that mav took, and subsequently was not in; but bradley tells himself that he doesn't need the pieces of a relationship that there's no point in trying to salvage, so he leaves all of those pieces behind.
except for one.
it's a somewhat dilapidated polaroid, taken with his dad's old camera, snapped by carole as she'd stood on the back porch of the little bungalow house that bradley grew up in. in it, a six-year-old bradley sits in mav's arms, held up at eye-level in one strong arm as mav points up with the other. bradley has one hand fisted into mav's shirt, and his gaze and rapt attention are locked overhead. mav always used to tell little bradley to look up at the stars if he missed him, because it's the same stars- they always have that between them, at least. in the photo, mav points out the constellations they share even when apart, and bradley listens intently, trying to commit the names to memory. when he became old enough to have one, bradley used to keep it in his wallet.
eventually, when it's all fallen apart and those connections between them have been severed, bradley gives a new photo the place of honor in his wallet, a photo of he and mom- but he can't just throw out the old picture, no matter how angry he feels when he looks at it, no matter how badly he wants to. it goes into the box with everything else, with letters and cards and artifacts that mav sends him or that he can't bring himself to throw away. sometimes on a quiet, lonely night aboard a carrier or on leave, floating adrift in the world with no anchors to speak of, he thinks about it. he looks at the stars and he sees that image in his mind's eye and he remembers being six years old and thinking mav would always be there, and he wonders sometimes in the most empty moments if the old man still remembers all that shit about the stars. if he ever still looks at them, still thinks of it, of bradley, if he ever wonders anything about bradley the way bradley wonders about him. deep down inside, he knows that he mustn't. deep down inside, he tells himself that there's no chance in hell mav does. because, if he does, it means bradley threw away something that was still alive. it's a fate he cannot bring himself to accept.
when they've reconciled, bradley will find that old beat-up picture in the box. he'll show it to mav. i never forgot, he'll quietly admit. i always thought about it. i- i guess i thought that you probably didn't even care to look at them anymore. i just- i thought it was over. mav will take the photo, tattered and much-handled, from bradley's outstretched hand, studying it with a reverence that bowls bradley right over. i looked at 'em every night, baby goose, he'll admit. always hoped you might be looking, too.
tysm for this ask !!! and for your infinite patience in my disastrous ability to reply 😭😭but i loved answering this ask sm !!! and i definitely did not answer it in longhand at my job and i also definitely did not accidentally write so much about the christmas thing that i had to chop it way down for this ask because it accidentally kind of became a chapter of something lol. i am a disaster. but thank u so much and i hope u enjoy and are well!! <3<3<3
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