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#also btw. saying you’re not an analyst is like saying you’re not an artist
shadowpeachyuri · 11 months
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I'm not an analyst but i am a theater kid so these are just my thoughts. I might bring up various theater classmates of mine so to keep anonymity I'll just call them by their first initial. To me Macaque is a theater kid that is a mix between my classmates M & E. He's a serious theater kid who's been in more than his fair share of plays/musicals but he's also a dramatic little shit who i don't think would settle for backstage. He's experienced, and he's a good actor, but he's also kind of quiet and reserved, they are maybe one or two other theater people he's close to but he's really just there to act. However he isn't lead material he's side character material all because Wukong showed up, tripped over his own two feet, fell flat on his face onto the stage and the director went "YOU! You're perfect!" and cast Wukong as the lead. However Wukong, just like classmate D, doesn't want to be there he'd rather not be there AT ALL or be cast as Napkin #2 rather than the lead but the director knows he's a good singer and dancer because Wukong's been alive for how long? He's had to have picked up something as common as singing and dancing. So he's cast as the lead cause he has the looks, the skills. Sure he's not as good at remembering lines as Macaque, though this can easily be excused to the director as "he's a lead, he just has a lot of lines to remember" so they're hardly gonna bat an eye. But the stage fright, what about that ? I hear you asking. Well also like classmate D he's loud, a contrast to Macaque's quiet reservedness, he's not gonna let a bunch of "random" people know he has stage fright especially when he's the great sage equal to heaven. So in response he's loud, and annoying, and generally not showing people how close he is to pissing his pants. Also I'd just like to mention that by having Macaque be a side character instead of backstage and Wukong as a lead the warrior is once more cast in the hero's shadow (lol I hate myself) Lastly tho I'd just like to say that once upon a time they were both totally DBK's hypemen and would've played a pair of (equals) Lefou's to DBK's Gaston (and you can pry this from my cold dead hands). --Mythicalmagicalmonkeyman
listening and taking notes. i’m not a theater kid (was in drama club and was in a couple non-school plays but never fully joined the group/polycule), and mostly assigned mac as backstage bc
moving in the shadows
emphasis on not being heard, since in the brotherhood and shadowpeach flashbacks there was a recurring pattern of him not being listened to
mental image of him wearing all black or smth (idk what the techs wear :[) looking at wukong and just SEETHING
the new minifigure of him where he’s holding a boom mic and looks like a tech guy
but also it’s like. i picture him losing the role in auditions to wukong (mostly bc god hates both of them) and then him getting assigned a more minor role but then he’s like “fuck this” and does tech instead for petty bitch reasons (note: again i don’t know how this behind the scenes drama works i was in the ensemble if i participated at all)(and that was mostly just school plays too)
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afinepricklypear · 4 years
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I’m writing this largely in response to angel-rhetenor’s replies on my recent reblog with comments of the post “Why is the BSD fandom so terrible about leaving comments?” The replies I received from this person and the OP were understandably emotional responses but also problematic because they made claims of there being some hidden meaning behind my statements that wasn’t there and accused me of attacking OP, which I didn’t. I’m not posting to defend my statements or place blame, I stand by what I wrote and encourage people to read it, rather than the replies it was given, to decide for themselves. Unfortunately, I know that most people won’t. It is long and it’s easier to see the responses, and because those individual’s posed arguments that are easy to agree with (yes, it is wrong to call someone stupid or to say that their work is low quality when you haven’t read it, and, yes, it’s equally wrong to suggest that writing shorter stories, shorter chapters, one-shots, and/or rare-pairs makes your writing bad – btw, a ludicrous assertion to claim I said, not least of all, because I do and have written all of these things).
As well there were issues that these individuals claim I either ignored or did not speak to, which was simply because the primary intent behind my comments was to discuss analytics, how they work, how to interpret them, and how to use them to improve your own work.
Quick side note, I also briefly want to acknowledge remarks made about my comments being “well-researched” – I deleted the credentials from my original comment, I didn’t think it lent anything to it, but I’ll add them here: I have a BA in Anthropology, I’m two semesters from a BS in Computer Science, and I work as an Analyst for a public utility company. Data, data analysis, and interpreting data as it relates to population behavior, not to mention, research is all, kind of, my thing.
There were a number of issues that were raised by these individuals, and some points made in their replies that I’d love to address, but there is one I really need to talk about that was brought up in angel-rhetenor’s reply: reposting fanwork. This is a big issue in regards to any kind of intellectual property, and angel-rhetenor posed it as being analogous of the issues regarding feedback and whether people “owe” fanfiction writers or, really, any content creators compensation (in the form of likes, feedback, comments, etc.) for enjoying their work when it is provided free of access. This person concluded their statements with the bold, and yes, true assertion that artists and writers deserve recognition for their work.
So, if this conclusion is true, what can I have to say about it, right? This person must’ve really proved me wrong.
Well, the biggest problem I have with this argument is that, as presented, it is a false equivalency. Meaning, the issues behind reposting and giving feedback are not the same. In fact, the issues behind reposting and giving recognition, as this person indicated, are not even the same.
To be clear: The issues behind reposting are not about feedback, not about showing appreciation/gratitude to content creators, and not about recognition.
Now, before you run to your keyboard to react to this statement, let me explain.
These may seem on the surface to be the same thing, they may even feel related to one another, they certainly feel like they derive from the same place in the audience, but it’s important to understand the distinctions between them if you are posting your work online especially because reposting someone’s work, unlike the other issues discussed, can be a legal matter. If find yourself in the situation where your work has been stolen, you need to understand the difference between these issues and why. Although some of the concepts behind these other issues do inform legal problems in the real world, it is not in the way that you may think. 
Feedback
One of the things that really set me off about the post that started all of this was OP’s comments to another individual reply on this post that Kudos/Likes are not showing gratitude, that she doesn’t even look at them, and they aren’t real feedback. To an extent, she isn’t wrong. Feedback/Comments and Kudos are not exactly the same. Kudos/Likes are a form of positive feedback only, they do show gratitude for the work, they do indicate that the work was liked and appreciated – that is their entire meaning exactly. An author may decide that they want more than kudos from the readers, but it is up to the author to determine what they are looking for in return from posting their work online and then finding the appropriate forum to get that return – in which case, if you don’t want Kudos, AO3 is probably not the place for your work.
If all you want is praise for your work, that’s what Kudos are, but feedback in general isn’t always given because someone liked your work. In fact, feedback in an open forum is often given by people who just felt strongly about your work one way or another. That is unless you’ve directly asked someone to read and give you feedback – in which case, these kinds of obligatory transactions need to be arranged with the individual up front rather than after the fact, otherwise you are getting into ethical issues of scamming, conning, and manipulation ß this is actually the basis behind “Unordered Merchandise” complaints, which you can read about more on the FTC website. There are ways to encourage people to give feedback that don’t include any of these sticky problems, such as, starting the conversation for them (via the notes section of your story) by asking questions or making your own comments about the work, or simply being clear about what kind of feedback you’re looking for from the readers. Some good examples might be:
·        Making speculations about the plotline, “I wonder what this character is really up to…”
·        Highlighting parts of your writing you really want people to notice, “Feeling proud of that dialogue, really hope you guys agree…”
·        Or calling attention to areas of the writing you feel shaky on, “Not really happy with how that action scene went, felt clunky…let me know what you guys think?”
Additionally, if what you are looking for is feedback to improve as a writer, I might mention that the fanfiction community is probably not the best place to go for it. I love the readers, I’ve been highly impressed by the quality of comments I’ve received on AO3 over the comments I’ve gotten on FF.net, but many of the readers are younger, not writer’s themselves, and, while they can tell whether something is “good” or “bad”, they can’t necessarily tell you why or give you the constructive criticism necessary to develop better writing skills. Additionally, readers tend to be more generous in their feedback because they have received the content for free, in which case, you’re not getting the most honest feedback. Feedback is better received by joining/starting a writing group, teaming up with beta-readers, or hiring an editor. But I don’t want to turn this into a discussion about how to get feedback or use it to improve, that’s not the point of this post.
Given this definition, I hope you can better see how feedback and reposting are not the same thing. While reposting poses the issue of diverting feedback from the creator, there is a vast ethical difference between whether I should be required to give you my opinion on your work or not and me posting your work elsewhere.
Appreciation/Gratitude
Many arguments presented by the OP of the “Why is the BSD fandom so awful at leaving comments” post and angel-rhetenor are predicated on the idea that everyone who read or looked at your work liked it, they were entertained by it, and, thus, should show appreciation or gratitude to you for it. Of course, this is the understood socially accepted behavior, isn’t it? I’ve given you this ‘gift’, and now you tell me “thank you”. As I’ve already argued, this is what Kudos are designed to do. However, beyond gratitude and appreciation, Likes/Kudos also serve as forms of endorsement. It means, I’ve read this and I approve of it. Now, this type of endorsement is stronger in social media systems like Instagram, Twitter, and Tumblr, where the newsfeed algorithm is going to push to me those posts that people I follow (read as: opinions I trust) are liking and, therefore, helping to grow that person’s audience. In AO3, public bookmarks are actually a better form of an endorsement in this sense. That said, if I’m trying to decide if something is worth my time to read, I might jump to the Kudos to see who else liked it, furthermore, if a story has a large number of Kudos, that means that a larger number of people endorsed it and stamped it with their seal of approval. You might feel that Kudos is meaningless to you, but that is someone giving you a show of support that serves as a visual indicator to other potential readers that your work is worth reading.
Of course, this also touches on the concern raised by angel-rhetenor of audience entitlement. The issue as stated was that audience members feel entitled to a creator’s time and that they are allowed to demand that a creator makes work or delivers new works for free.
The thing is, they are allowed to make those kinds of demands of a creator, at least, until that creator blocks them on social media. In the same vein, you are perfectly allowed to demand people leave comments on your fanwork that you’ve posted to AO3. But just as readers are not obligated to leave you feedback, creators are not obligated to provide free content. You can scream into the wind as loud as you want: GIVE ME FEEDBACK! GIVE ME CONTENT! No one has to listen to you or deliver on it. There’s nothing obligating them to do so. That said, if they like your work and want to see more of it, then yes, they should understand that showing support is going to be the way to ensure new work appears without shaming or guilting or emotionally blackmailing them into it. As I said in my last post, if I have one reader that likes my work, I’m going to write for them. If I don’t have any readers liking my work, I’m less likely to continue that story, I’ll probably just keep writing and posting until I lose interest. But that’s fine. Yes, once again, I get that it can be frustrating especially when you see other works that you, maybe feel aren’t as good as your own, getting more attention because they hit the nail on the head of what their audience was looking for. But you can’t force or obligate the readers to give you that feedback, especially if they, maybe, aren’t interested in supporting your work even if they did enjoy reading it.
As for the comments regarding monetization, and the attitude that “because this is provided free, why should I pay for it from you”…uh…they’re not wrong. This is ECON-101, supply and demand, and, despite popular belief, it is NOT exclusive to fanwork. Every business has to overcome this problem. What are you offering consumers that goes beyond what they can get elsewhere and is worth them spending their money on to get from you?
angel-rhetenor also accused my comments of promoting, rather than discouraging, what they feel is an erroneous and harmful thought process, that “Everyone can make fanwork”. Here’s the thing, everyone can make fanwork. Everyone out there in the fandom is capable of it, that’s what makes it great and accessible to people that want to create. You have to figure out how to set your fanwork apart and how to effectively sell that. It might help to pose this in real world terms: Microsoft Office is a relatively expensive word processing software. Microsoft Wordpad is also a word processing software that comes free with your Windows operating system. So why do people spend money on Office, when Wordpad accomplishes the same thing without additional expense?
You set the value of your own work, you determine how much your time is worth, but the harsh reality is that just because you’ve decided that this is how much you want for your work, that doesn’t mean everyone, or anyone for that matter, is going to agree to pay that much for it, especially not if they can go to someone else and get what they’re asking free. Does that mean that those people are right and you need to start giving your work away for free? No. It means you need to figure out what it is that you’re selling that they should want to pay for, market yourself. Is it higher quality, is it a cleaner more polished work, do you have a better vision or take on the characters, is it a better display of skill. Are you selling them Microsoft Office or are you charging them for Wordpad when it’s a free software? You’ll still have people that are willing to settle for less, Wordpad is still around for a reason, but there are those who will pay you for your work because they want your work.
However, if no one wants your work for the price you’re asking, you need to revisit your business model, and that might mean that you need to improve what you are trying to sell. In terms of artists, there are decidedly better artists out there than others who are posting and sharing their work. Now I may hit the ‘Like’ buttons for a beginner artists’ shared artwork to show them support and encourage them to keep trying, but I’m not going to buy their artwork until they have developed their skill. A slightly better artist, I might pay for their work, but I’m not going to pay as much as I would for artwork from a master artist. This isn’t to say that the beginning artist sucks and didn’t work hard on their artwork, but to claim that they should receive the same return on their product than a more experienced artist who has spent many more years developing their skill is unfair to those artists that have put in the hours to develop their craft, and actually does more to harm people who are trying to monetize their work than helps by belittling and devaluing what it takes to develop a skill and build a following around their work.
Now I know where people are going to go: doesn’t saying it’s okay for people to share their work free with no obligations support the idea that people can also just take your work if they want it? You can go ahead and jump to the Reposting section to get the full answer on this, but in the meantime, consider this example: Imagine you’re shopping for a couch. You go to the store and decide its way more than you’re willing to pay, decide to shop around some. On your way home, you come across someone dragging their couch out to the curb, you go to speak to them, turns out it’s brand new, past return date but too big for their place so they’ getting rid of it and yes, you can take it if you want. Does that mean I can now go back to the store and just take the couch they had on sell there for free? No. The idea that because someone else is giving their work away for free, doesn’t then justify you taking someone else’s work for free.
Posed like this, I hope it’s obvious to see why demanding endorsement (in the form of Likes/Kudos) is, once again, not the same issue as reposting someone’s work, and, a bit of how these concepts relate to monetized works. In fact, many people who are reposting works when confronted with this perspective would easily counterargue that they are showing appreciation/gratitude by reposting someone else’s work. They see it as a sincere form of endorsement and support to that creator. They say “imitation is the highest form of flattery”, right, so outright copying must be the height of love? Which brings us naturally to recognition.
Recognition
It is a true statement that artists should be recognized for their work. Recognition is not feedback nor is it appreciation or gratitude. Recognition is just saying, “This person created that”. This is the most flummoxing part of angel-rhetenor’s argument regarding reposting because in terms of reposting, it is not enough to say that the artist needs to be given credit, and giving credit is not the issue regarding reposting. Someone can repost my story on Wattpad, complete with name on the byline, a link to my AO3 profile or email so that readers can contact me and ensure that feedback comes to me, and then they could even leave a comment praising my work and telling me that they’ve posted it on Wattpad for me, “You’re welcome!”.
So, what’s the problem here, huh? They’ve given me feedback, they’ve given their readers a method to forward me feedback, they even let me know that it was posted there, made sure proper credit was in place, and I can’t think of a higher form of endorsement, or show of gratitude/appreciation, than going to the trouble of reposting my work elsewhere for me in an effort to help give my work attention and grow my audience. Gosh, aren’t they nice? Isn’t this wonderful of them? They seem like they did all the right things.
Except, I don’t want my work on Wattpad. That’s why I don’t post it there.
Reposting
It is easy to get confused on what the real issue is in regards to reposting someone else’s work, especially because there are so many other concerns that get lumped in with regards to it that, reposting may affect, but those issues don’t have any relevance to the ethical reasoning behind reposting. I hope I made it pretty obvious in my last example, that there are ways that reposting work can look, on the surface and, in some instances maybe even truly, be beneficial to the creator. The reposter can seem to do all the right things in terms of addressing those issues, but it’s still wrong. At this point, many of you are probably thinking, “Well they needed permission before doing all of that, duh!”
But permission isn’t the issue either. The issue is ownership.
It is incredibly important for a content creator to understand the concept of ownership in terms of intellectual property, because this is the way it will be argued in terms of the law, and this is the information you need to gather before you post your work online (what are you agreeing to in terms of your ownership of your work when you post to a platform) or make claims of theft. It’s also important not to conflate this issue with things like recognition, showing appreciation/gratitude, or giving comments/feedback, because those are strawman arguments that are easy to counter. They don’t actually support the notion that you shouldn’t repost another’s work even though they may all represent reasons that a creator doesn’t want someone else reposting their work.
When I post my work to AO3, I am only granting people access to read my work for free through AO3, I grant AO3 permissions to distribute my work through its various networks, and while a reader is able to download my work from AO3 for their own individual use, no one else is allowed to distribute it. This is the explicit contractual agreement that authors and readers make when using AO3, and in that sense, exactly as I have stated, no one owes you anything for reading and enjoying your work, because you are giving them that access to it for free. Arguing that they are then obligated to give you feedback after the fact falls into the same realm as ‘Unsolicited Merchandise’.
However, you are not giving anyone ownership of your work just because you have made it available for them to read or view. Retaining ownership of my work means that I get to dictate where and how it is distributed and displayed. For a real-world example, let’s take into consideration holiday decorations. I might decide to decorate my door with a Holiday Wreath, it is free for people to see, they are not required to come to my door and thank me for the decoration, but they also cannot take my wreath and move it to my window or to their own door or to the door of a neighbor down the street. Depending on what they do with my wreath, it can be classified as vandalization or theft.
This is a problem that just about everyone that shares their creative content online is going to run into, and it is difficult – in many instances, impossible – to fight against. This is not a widespread issue, as angel-rhetenor suggests, in the sense that the majority of people are purposely doing it despite knowing the reasons for why they shouldn’t. Most people actually want to do the right thing, they just don’t know what the right thing is, and when you confuse all of these elements and complaints within the fandom, it can be difficult to determine what is right. You will see people reposting artwork asking who the creator is, unintentionally contributing to the problem and if they don’t know who the source is or what the permissions are for sharing that work, they should not be reposting it. You’ll see people remarking to a reposter that they need to give credit to an artwork, when, no, unless they can prove they have permission to post it, they need to take it down. These people are not trying to do wrong in most of these cases; they just may not recognize that this is a problem at all. Some might even misunderstand and argue that “because it was posted in a public place, it is now public property”, but the flaw with that argument is that it was not posted in a public place. It was posted to a private platform for the use and purposes of that private organization that owns that private platform as contractually detailed in that private platform’s Terms of Service, which you agree to when using that private platform’s services. AO3, Tumblr, Twitter, etc., all have written into their ToS that their content providers retain ownership of the content they share via these platforms. When you repost someone’s work from AO3 or Tumblr or Twitter or…so on and so forth, you are not just stealing someone’s property, you are in violation of that platform’s Terms of Service.
Does that mean that there aren’t individuals in the community that do it knowing full well that they shouldn’t, and having been given the reasons why? Absolutely not. Criminals exist. They are a thing. The question is, how many of these people fall into that category? Not as many as you think, most are willing to take it down when they understand why it is wrong, but it is made more difficult that many people don’t understand IP to be property owned by someone, IP Theft is often considered to be a victimless crime, and the fact that when you post something on the internet it becomes difficult to control where it is spread.  
Unfortunately, if your work is not monetized, damages are hard to prove over IP Theft and usually take more effort/resources to combat than what you’ll get out of winning the fight, you may not have much in the way of a copyright claim unless someone has commercialized your freely distributed work. In other words, if someone stole a story, I wrote to share with people free on AO3, and posted it to their website which is monetized through advertisement, they are now profiting off my work and I have grounds to sue them. People who do monetize their work have a bit more of a leg to stand on in terms of copyright claims, because they can demonstrate financial damage caused by the theft or plagiarism of their work. But it is still an arduous process that causes more than just emotional distress over “nobody likes my work”.
So here is the bottomline: If you are posting your fanwork on free-to-access platforms, no one is obligated to give you feedback and no one is obligated to Like/Kudos your work. That is endorsement and support that goes above and beyond what you’ve agreed upon by posting on that platform. It is a nice thing to do and does help to ensure that your favorite content creators continue to create work. They will most assuredly stop if you do not give them encouragement. That said, content creators should not be telling their audience that they need to or they are required to give feedback or comments on works they’ve read/enjoyed, or to shame those who do not, on the grounds that they are “not being grateful or appreciative”, because that is emotionally manipulative and, overall, unethical. If you want feedback on your work, that needs to be arranged and agreed upon before sharing it.
Reposting someone’s work without their explicit consent isn’t just morally wrong, it is a crime. Equating it to asking for feedback or showing appreciation trivializes the severity of the issue. These are not equivalent, and while not giving someone feedback on their work may hurt their ego or lead to them feeling discouraged from continuing to create, reposting someone’s work can have real world economic consequences for the creator and cause tangible damages.
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mystical-imagine · 4 years
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I was mentally abused and betrayed which results in my trust issues, depression and wanting full loyalty towards me from a partner. Not being over exes and inability to apologize are my deal breakers. I tend to treat my s/o very differently, in way way warmer way than anyone else. My s/o must be prepared for me being caring, loving, cuddly but also logical, strategic and protective. Love language - quality time and physical touch. Enneagram 6w5 sx/sp. 4/4! Thank you very much, sorry for length!
Hii! Im just gonna reply to this one instead of taking screenshots and posting them all, like I used to 😊
Id match you with Zen!
Its so cool that you're majoring in math and want to be a data analyst/scientist. Zen dropped out of school so he's very impressed by you and your knowledge, though he doesent understand a lot of what you do, he'll gladly listen to you ramble.
Zen loves all kinds of different Music genres, so you two could explore new artists and music together.  Zen loves how creative you are and would want to do all the things with you. Sucks big time at painting and drawing and cant figure colours out. But is surpsingly good at writing.
Likes to cuddle up with you in the evenings and watch Anime together,
He does not understand how you like math but is very supportive of you. Its the only hobby he won't want to participate in.
Zen loves fashion so he's very psyched that you want to make your own clothing and would love to learn too. Will beg you to make something for him too so he can show it off to everyone and say "my girlfriend made this."
You both have a tendency to have too high expectations of yourself and your skills. It can be very stressing and a burden on your mental health. You two could help each other to not push yourselves too hard.
It would take him some time to get used to your kind of humour, but quickly get used to it and grow to find it funny too. He wont care if you make dirty jokes. Will act shocked for the dramatics and fun though.
Its okay that you need alone time. When zen has been around people all day he also needs a bit of peace and quiet so he doesent complain if you wanna be separated for a few hours.
Like you, Zen can also be possessive. So he understands. As long as neither of you go overboard its fine.
Zen would be completely loyal to you, he's an extremely loyal person to those he cares about, the rfa and you. Hed do his best to help you and reassure you in whatever way possible when you're feeling down. Make sure you eat and get up in the mornings. He would make coffee/tea for you in the morning.
I hope you like your matchup! 💕
Oh BTW if you ever need someone to talk to about your abuse and vent, feel free to message me ❤
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