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adhdtsukasa · 3 months

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tsukasa tenma has ADHD!! except it's an actual analysis because 1. look at my url 2. i'm mentally unwell (and i started to love tsukasa mostly because i immediately recognized my ADHD traits in him). which is a thing i should probably leave for ADHD awareness month, HOWEVER!! it was my birthday yesterday and i wanted to spoil myself (i just kinda overlooked how much time writing it from scratch would take me, so i'm a bit late with it). and i reaaally don't wanna wait until november when i finally wrote it down because i'm so HYPED because i was preparing for it like what? two years? somewhere around it. and that's a LONG time.

please keep in mind that i'm no psychologist, psychiatrist nor a neurologist and while i do use some sources (cannot really confirm if they are true, though... because i forgot to write credits down... so i'm really sorry for that), most of this analysis was just based off on my personal experiences with the disorder (and i don't really have the full professional knowledge of what i struggle with i'm just a Boy). i mean, i am analyzing a character from a hatsune miku game. i think i'm already putting way too many effort than i should.

also the examples of tsukasa's behavior here are not all of the things, because i wrote down only the things i remember off from the top of my head. sorry, guys. my hyperactive ass is not sitting thru all the stories again just to get my crumbs, unfortunately.

anyways, with this a little bit unprofessional and messy introduction, let's get it started!

1. THE MAIN PART OF THIS WHOLE THING, AKA HOW THE ADHD SYMPTOMS CORRESPOND TO TSUKASA'S BEHAVIOR

i wanted to write it down in my own words, but i think the screen above has summed it up perfectly; there are some established symptoms of ADHD, but to be an ADHDer you don't have to experience them all. and this is going to explain why i'm gonna show a lot of these symptoms later, yet gonna connect only some of them with tsukasa. it's only these i have evidence for, and yet i think they're good enough to point at tsukasa and already say woah! an ADHDer!!

in short, there are three types of ADHD: hyperactive, inattentive (ADD) and combined. the combined one is the most common iirc, so that's also what i'm going to focus on today. especially since for a rep of the other types, i could say that shizuku's a rather great representation of ADD — but that's not the point of my ted talk today, so i'm not going to go into the detail about it. i'm sure some momojan or shizuku oshi would do better than me in this field, so i'm leaving it to the experts.

these are the symptoms that i managed to gather — the first two screens being about the symptoms viewed in children, the last one being about the symptoms viewed in adults. "in which one of them tsukasa belongs to?" that's a good question, because i actually don't know. calling a high schooler a child doesn't sit quite right with me, yet a freshly turned 17/18-years-old is not exactly an adult, either (although most of the symptoms i'm analyzing come from these that are viewed in adults). and while i do think tsukasa has more of the symptoms viewed in adults, we're gonna analyse them all! because i'm putting my all into this.

FORGETFULNESS

i believe there's not much left to say, as this is the most obvious one and everyone already knows that. even though it's not touched that much anymore for some reason, tsukasa's forgetfulness is his very apparent trait. it varies in severity a lot of times: from him basically forgetting both his childhood and true feelings in the main story to him, for example, forgetting his own phone and lunch (in the same day!!) in hinamatsuri. even saki in the same event, while they were arguing, called him a "big, dumb forgetter" and assumed that he forgot what happened the day he brought her the hinamatsuri dolls to hospital. while forgetting basically half of your life is not exactly normal and can be a sign of something bigger, like dissociative amnesia, his forgetting of just the ordinary things and it happening a lot definitely still fits this trait.

EXCESSIVE TALKING/PHYSICAL MOVEMENT

while this is something that you'd rather connect to emu (and for a good reason), it's not like tsukasa is completely devoid of it either; he talks a lot. he moves a lot. it's not on emu's level of hyperactivity, but it's also not "a lot" that's taken as a social norm, based on how the people around him react. he's putting the 1 in oddball 1 2, after all.

in holy night or some side stories connected to it (it might be meiko's side story? but i'm not exactly sure) it was also said that tsukasa moves in his sleep a lot to this point that his parents have to leave his christmas presents under his door instead of next to his bed.

oh, and he also talks to himself a lot. even in class, which was confirmed in chapter 6 of dazzling (or maybe even earlier, it's just the one moment that i remember). (but i'll get to this moment later on)

he says his long monologues, he strikes his poses at every occasion — and while i don't think that's the first thing you think of when you have "excessive talking/movement" in mind, for me it sure does count as it.

LITTLE OR NO SENSE OF DANGER

this point can seem rather weird, because "isn't tsukasa always riddiculed at rui's weird inventions"? well, yeah, he is, that is not a thing to deny. but he also agrees to try out most of them, if not all, if it's for the sake of the show. he's aware of what can happen, but he also doesn't back away if it means that he'll be one step closer to achieving his dream of stardom.

does it count as "little sense of danger"? well, i'm actually not sure, for me it doesn't, but maybe for someone it does. i'd say that's a rather weak point, but i wanted to include the explanation for the counterpoint of it — that's why i even mentioned it in the first place. i don't have a lot to say about this tbh.

update: oh, actually no, wait, i just remembered. remember how tsukasa in phoenix decided to not eat anything for three days just to be able to resonate with rio, while also having to do straining exercise on top of that? you certainly cannot say that's a safe thing to do, but he still went along with that in order to get the role. it makes me come to a conclusion that tsukasa actually has a sense of danger, but sometimes chooses to willingly ignore it if only it makes him get closer to fulfilling his dream. i think it's coming close enough to the little/no sense of danger to be actually considered an ADHD trait.

DIFFICULTY KEEPING QUIET

while i'm not sure if what i'm going to talk about is a difficulty keeping quiet in a traditional sense of way, it definitely counts as it, somehow: tsukasa is loud. like, really loud. and that's another obvious fact both for us and for characters in-universe, especially when thinking of tsukasa shiho's first thought is that he's kinda noisy, which can be seen in the "a friend's brother" 1koma. (and probably a lot of other cases. free shiho.)

tsukasa doesn't seem to realize that he's way louder than he should be and that him being loud is his first impression in most of the cases, though, or at least i don't remember any moment where it happens (and it's a possibility. then that's on me, i guess.). and yeah, i know what's the reason for it, obviously — he's supposed to be a comic relief character. because wansho's stories are mostly supposed to make you smile, as this is what wansho's aspiration is. however, as much as being intended to make the viewer laugh it wouldn't be, it still is a part of tsukasa's character, and a rather important one on top of that. his constant loudness is something that's definitely not considered normal by the society and could very well fit into this symptom.

and since i promised to elaborate on the mentioned before scene from dazzling chapter 6: when tsukasa talks to himself in class, it always ends up to be loud. and it already happened a few times.

(tl by tsukasa's #3 fan on youtube because i don't have proseka on my phone wah)

if it's not a difficulty keeping quiet, then i don't know what is. bro can scream up to 120dB as measured by robonene for god's sake.

IRRITABILITY/QUICK TEMPER

again, this is something that was more apparent with early game tsukasa, maybe he just got medicated. idk man. but even if it happened three, almost four years ago, it still happened, i don't make the rules. back in the early game, tsukasa was really easily losing his temper and getting annoyed, mad even — i mean, that was the whole point of the main story argument: tsukasa's first response to nene accidentally messing up their show, which was not even her fault, was to shout at her. and while this was obviously very important thing to him and being upset at this is a rather understandable reaction, taking this as far as screaming at a poor girl for not being to face the audience because of her anxiety is not something a person who can control their anger would do.

it could be also easily seen by his reaction to emu and rui's antics back in the early game, which were often stained with irritation.

another example is his hinamatsuri argument with saki, where, despite loving her so much, he still got slightly mad at her for not liking the new dolls he bought her. he started to regret his harsh words and actions soon enough, obviously, but it doesn't change the fact that it was rather easy for him to get him across.

INABILITY TO DEAL WITH STRESS

if i'm not mistaken, tsukasa has once said something along the lines of "is it anxiety? there's no way a star like me would feel anxiety" — but i cannot recall for the love of my life in which story it appeared, so i don't want to take it as a face value when i don't have a solid proof for it.

other than this vague mention of "something that's in the story but i don't remember where", i'll admit, i don't really have anything backing me up for this tbf. i mean, i guess maybe tsukasa doing his best to appear strong as a child to not worry his parents could work? because the stress of saki being in the hospital definitely was also present here, although i just see this more as a coping mechanism for his situation than a reaction to stress, so that's not a solid evidence either.

so, yeah. take this one with a grain of salt, actually.

from the symptoms that weren't listed here, i remember reading something about people with ADHD enjoying to show off more, which is certainly what tsukasa does often — and while it actually applies to me too, it wasn't on an english site so i didn't screenshot it and i cannot really find it anywhere in english... so even though i treat it just like my whole argument for the inability to deal with stress, i thought it's just worth mentioning.

however, there is obviously one more thing...

HYPERFIXATION/SPECIAL INTEREST

obviously, i'm talking about acting here: for tsukasa, acting aligns with all these criterias. it is his deep passion; it is something highly engaging for him; it is sometimes all-consuming for him; he tunes out the world around him when he thinks about how can he possibly improve his acting (see: the dazzling moment i showed earlier. yeah, i like to use it as a backing point a lot, as you can see.); and it is something that is his life-long interest.

is it his special interest or his hyperfixation, though? well, it's hard to tell...? because while according to screen two, spinterest revolves around a topic and hyperfixation revolves around an activity, so it would qualify what tsukasa feels towards acting as a hyperfixation, it's still kinda hard for me to call it so because of its length. yes, screen three clearly says that hyperfixation can last years, but they mostly revolve around shorter periods of time, after all (my longest hyperfixation was just a year long, for example). i think it's up to you to determine whether you'd call tsukasa's love for acting a hyperfixation or a special interest, but it's something from these two most certainly.

i'm also a big fan of the headcanon that tsukasa's other spinterest is kaito ww it's in no way a canon evidence (unfortunately!), but kaito's 1* side story, where tsukasa and emu are watching kaito's show and tsukasa is explaining to her why kaito's wearing a scarf somewhat implies that tsukasa knew a thing or two about kaito before the main story. and i'm all for it. colopale let tsukasa be a kaito fanboy pleaseee.

2. I REALLY LIKE ANALYZING SONGS, IF YOU CAN'T TELL

those who have already read a few of my things probably know what i love to do the most — analyzing songs!! so i wouldn't be myself if i just left tsukasa's commisions without analyzing them under the angle of neurodivergence, especially since the sole reason i became obsessed with the thought of ADHD tsukasa was that one sekahaji line (there's too much noise, so much noise and it keeps getting worse you will always be famous).

of course, remember that only the world hasn't even started yet should be taken as a canon value! producers are often given space to do whatever they want in the lyrics of the songs they are commissioned for, so they're not canonical in any way. i think it's still fun to look at their lyrics and ramble about them for a bit, though. i've already got too carried away anyways.

won't be posting photos of the lyrics since i'd hit the images limit, but you can check them yourself — all the translations i'm taking, as always, from the vocaloid lyrics wiki. (since filament fever has two tls on there, i want to clarify that i've only looked at and considered in my analysis the official english one, because it's, well, official.)

THE WORLD HASN'T EVEN STARTED YET

besides the mentioned earlier there's too much noise, so much noise and it keeps getting worse, which i think of as a representation of overstimulation (since i used to see people asking "oh but why tsukasa has something about there being too much noise in a song made out of his feelings when he's such a loud person himself". because he likes the noise he makes, not the overwhelming, overstimulating noise from the outside!!), sekahaji also has a rather good amount of quotes that could be read as something connected to neurodivergence (based on the fact that it's not supposed to be a song about this topic): the main theme of these are procrastination, which can be seen in let's cross the end of all of this, partying forever and the world hasn't even started yet line itself. the thought of the world not even starting implies that there's still a lot of time left to do something, while "partying forever" can refer to deciding to give up on doing the things you should do and going to drown in something that indulges only you and yourself for the rest of eternity. while procrastination is not counted as an official ADHD symptom, it's a trait that people with the disorder very often have (for reasons obvious).

other lines, which i couldn't entirely fit into a box of a certain symptom, are there's too much conflict, so much conflict and it keeps growing (a parallel line to the noise one, so it means something! right) and let's break the plans for a harmonious future. in my personal interpretation, they both can be viewed as your typical neurodivergent struggle in a neurotypical society — "too much conflict" refering to an internal struggle of not being completely normal, while the "harmonious future" that's going to get broken are just the social norms that are going to be broken because of an off-putting, neurodivergent behavior. something that some neurotypical people dooon't really like.

TONDEMO-WONDERZ

since i've just talked about breaking the social norms, "why?!" and "do it like this!!" aren't like you, huh? line from tondemo-wonderz is going to go first, because it revolves around the same topic. it's the same case: it's about (subconscious, not intentional) fighting what's accepted by the society by just being yourself — because you're neurodivergent, you're different.

from the other lines in tondemo-wonderz, i have only one and it's take an eraser to your memories?!, which is pretty much self explanatory. as always, a mention of forgetting something in tsukasa's commision. who would've thought.

88 SHOOTING STARS

another self explanatory line that i have written down as first: it's okay if you only remember a little part of it sometimes. another mention of tsukasa forgor™, and while it corresponds with what happened in dazzling, it's still a line mentioning forgetfulness — so it's worth mentioning.

aren't we just inevitably going around in circles? and it's okay if you take a rest for a little bit sometimes can be interpreted as another mention of procrastination and while it's not that apparent as it was with sekahaji, because going in circles can refer to something else and taking a rest sometimes is not a bad thing at all, i still wanted to mention them here. for the record.

you ought to slip and fall in panic in the final moment is connected to a symptom that i showed, yet didn't elaborate on it (because i didn't have anything to work with) — making careless mistakes. the same case, yet with another symptom goes with is this not enough yet again? is this not how it's supposed to be? couldn't we go even further than this?, which can be seen as a reflection of unability to listen to instructions. a bit of reaching with this one (like this whole part damn), but as i said earlier: for the record, i'm leaving it here. to show that i had some intense thoughts.

tbf, when i think about it now, maybe the mentioned earlier "why?!" and "do it like this!!" aren't like you [...] could very well fit this symptom too.

MR SHOWTIME

mr showtime you will always be famous, because this is a song that gave me a looot of things to work with. i was so flabbergasted when i read these lyrics for the first time. tsukasa tenma why are you like this. /aff

there are a lot of lines hinting being easily distracted, and these are basically the very first ones, too: you know what? i just can't make up my mind, it's so messed up that i can't put my thoughts together and a merry-go-round (my thought process) goes round and round are all about it. like you cannot deny it this time, if it's not about being unable to stay focused then i really don't know what is [insert the tsukasa don't look away stamp here because i love it and it's my biggest motivation to actually focus whenever i do something]. the more i mess around and waste time, the more i become hungry / and i can't handle it can be seen as about procrastination again, and even not "can be seen", it's literally being frustrated at yourself for wasting time, that's the sole outcome of a procrastination!! being bothered by feeling anxious, meanwhile, is resonating with the inability to deal with stress once again.

also jumping the gun. driving in a zigzag manner can actually connected with the little to no sense of danger. because, as far as i'm aware, driving in a zigzag manner is certainly not a safe activity. don't do it at home.

from the symptoms that i haven't yet mentioned to this point, am i taking a long way? am i making a fruitless effort? can be reflecting difficulty organizing tasks — since the poor planning of your activities can make you take a long way and can make you do a fruitless effort. then, where's the fun in taking shortcuts all the time? can be read along the lines of something coming close to extreme impatience and while a person that's extremely impatient would actually enjoy taking the shortcuts to get closer to their goal or destination, said impatience can be also connected with the desire for something interesting to happen. a task can make you impatient not because it's long, but because it's simply boring — avoiding shortcuts can make it less boring, even if it extends its duration. with this explanation, it makes the unexpectedness (unexpected program) is the best part of the show (my life) perfectly fit into this category, even though i wouldn't call this line a sign of impatience on its own.

i have some issues with i'm pathetic. i can't satisfy myself, because... at first i thought of connecting it with either mood swings or inability to deal with stress, however i'm not sure if that's really it. i'm pretty sure it connects to neurodivergence in some way, but i just can't put my finger on it, so... i'm just leaving it here for the record, once again.

oh, and there's also i got lost in the world (stage) and / the end credits rolled (the curtain fell), which also is pretty much summing up the experience of being neurodivergent in the neurotypical society. in the middle of trying to stay true to yourself and having to mask just to be accepted, it's easy to get lost — and once you do so, there's no going back. the curtain falls.

to end this part of the analysis, i'd show the lyrics from filament fever and sekai wo terasu tetrad here. i won't do this, however, and the reason for it is fairly simple — they don't give me much material to work with and i'm not really surprised, because mr showtime has succesfully sucked all of the neurodivergent coded lyrics into itself. there just won't be another song like mr showtime, i fear.

i can just say that in filament fever there is running away from the flow of time — which got me thinking of either procrastination and unability to stick to time-consuming tasks, with the former being more plausible as a potential interpretation... but that would be it.

3. NAKAYAMA IS A METAPHOR FOR NEURODIVERGENT MASKING AND IT'S THE STUPIDEST THING I'VE EVER SAID BUT YOU HAVE TO HEAR ME OUT ON THIS

listen, i know how it sounds.

i'm not actually a fan of trying to fit every thing a character does into a box of a metaphor, symbol or allegory, i really am not. i think some things should just stay as simple as they are, but this thought has been bothering me ever since i've first seen spoilers of what's happening in a story where you're the star for the very first time. i'm in no way saying it has any canonical meaning, but i just thought it would be fun to include. because maaaybe someone sees my vision.

for those who haven't seen tsukasa4 yet or want to have a recap of what has happened in it: the whole event story revolves around tsukasa trying to grasp his role (as always). wxs got recommended to shunmei-za by shousuke and went there to practice their acting skills, immediately getting thrown onto the preparation for their next performance. tsukasa, however, is not a lead this time — he got the role of a supporting character and has got basically three lines to say on stage total. since tsukasa's used to playing lead roles, he obviously has issues with grasping the role — it's hard to use method acting in regards of a character that says three sentences total and nothing more. with help of bakuno reki, one of the actors in shunmei-za, and the rest of wxs, he manages to create a portrayal of nakayama that would make him "come to life" and "be a protagonist of his own story", something that would make it easier for him to get into role, however...

he gets a little bit too carried away with his acting during the actual performance.

and this is not something that would ruin the whole play, obviously, he's just a supporting character, the less invested audience would probably forgot about his impact on the story after five minutes of his last appearance — but he still made a slip-up. he still resonated with his role, but didn't achieve the utmost perfection. he still did well acting, after all, he managed to receive praise from the director in the end... but it's still a very apparent mistake that was made.

(tl, once again, by the awesome tsukasa's #3 fan)

and that's where the nakayama masking metaphor theory (it's not even a theory but it sounds cooler this way) comes in.

nakayama is supposed to be just a man. from what we know about him, he's in his late twenties and works as an editor — and even though tsukasa makes up a whole backstory for him later on, he's still supposed to be ordinary. nothing special. he's coming nowhere near the other roles that tsukasa has played, he's not on the same level as miles, torpe and rio. and while you could possibly consider torpe and rio as rather ordinary, they still had something interesting to happen to them, the main reason why they were lead roles for their respective plays. in the tsukasa4 play, nakayama has nothing like that. he's literally just a guy, he's normal. and "normal" is a keyword here.

tsukasa did everything he could to fit into nakayama's role. he followed the script, he took the advice from a more talented and professional actor that is bakuno, he didn't do any mistakes during his preparations — and yet he still managed to mess up in the end. why?, besides of the fact that he just let himself become one with nakayama during the performance and it resulted in a supporting character outshining the lead?

if we take as a fact that tsukasa is, in fact, neurodivergent, it would make sense that he's having troubles with playing a normal person — because he's not exactly normal either. and this would very well work out as a metaphor of masking; even when you try your best, even when you mask yourself perfectly, you can still make slip-ups. you can still accidentally drop the act in middle of something that absolutely required it, or, similiar to what tsukasa did, can accidentally overdo it and end up perceived as even more weird than you'd be without masking. something something i got lost in the world and the end credits rolled. rings a bell?

and i'm not saying that tsukasa has a problem with masking, because he doesn't. he tries his best to pass as a normal member of society, but he also makes no effort in actively masking his weirdness (or else he wouldn't be a part of oddball one two). however, if you want to neurodivergent code your character, it would make sense to include a possibility of it in some way, right? especially since wxs stories' already had the theme of dealing with being perceived as weird (eg. rui's whole backstory, obviously). even if it's not affecting tsukasa directly, i think it would be cool to include something that indicates this issue's existence in his story and, in a way, his struggles.

however, as i said earlier, this is a very stupid thought and that's why i left it for the very end. i don't actually think that how tsukasa played nakayama was supposed to be a metaphor for masking, it's just a pure coincidence that it could be interpreted like that when you think about it too much.

aaand with this, we've finally come to an end!! (finally. i'm so exhausted.) i don't have anything more to say about this topic. maybe i'll retweet it with some more evidence in the future if we ever get more ADHDkasa content. for now, it would be all!

is tsukasa actually intentionally written as an ADHDer? Who Knows! there's a possibility that he is, but even if he's not, he's still one in my heart. regardless of the status of his possible neurodivergence, analyzing his behavior in this light was still very fun! and maybe i even converted someone into the ADHDkasa hell.

feel free to add something if you want to, and feel free to correct me if i got some things wrong! i still hope that even though of how messy this whole thing is written, i did tsukasa justice and didn't accidentally say too much nonsense lmao

...i hate ending analyses.

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anxiety-pickle · 4 months

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Jade + Aventurine analysis bc you guys can't read

A somewhat pretentious analysis of Jade and Aventurine by your friendly local neuroscience major (with receipts) (I am putting my academic knowledge to good uses obviously)

Let’s recap what we know about Aventurine

He is, insofar as he’s aware, the last surviving member of the Avgin people of Sigonia

Is he actually the last member? It’s unclear, but the IPC seems to think so (which will become relevant later)

The genocide of his people occured on the day of the Kakava festival, his birthday, by the Katicans, an opposing clan of the Avgins. Both the Katicans and the Avgins were exiled to the desert because of the fighting. The assorted clans of Sigonia were not willing to protect the Avgin people, and they knew that if they were to be let inside the city, the Katicans would follow

The origin of their fighting is uncertain. It is implied that none of the clans got along well. (Aventurine’s second character stor)

Why did the genocide happen? Because of the Katicans and the IPC

But wait!! I hear you yell, didn’t you just say the Katicans are the ones who killed the Avgins?

And to that I say, yes! I did! But the IPC is still the reason they died. During the 2.1 story, All the Sad Tales, during the cutscene with Kakavasha and his sister right before the massacre.

“Little do the katicans know, this time we will fight back! The men in black that descend from the skies are on our side. The Katicans stand no chance against them…” (Kakavasha’s Sister)

This means that the Avgin people only decided to fight back because the IPC told them that they’d protect them, which they clearly did not do

The IPC also had a financial motive for getting rid of the Avgin people (and the Katicans, though that’s not relevant to the discussion)

We can see in Aventurine’s character story I, “And let’s not forget the letters from the councilors of the Sigonian Sovereignty. They denounce his tribe for once breaking arrangements and sowing discord… resulting in repeated delays in the signing of agreements between Sigonia and IPC.”

The IPC therefore had a very clear motive for deceiving the Avgin people and allowing them to enter a fight unprepared

To make matters worse, the IPC, the hub for technological advancement, medical discoveries, etc, could not save a single person? Not a single man, woman, or child could be saved? Forgive me if I find that unbelievable

“The clan launched a massive attack on the Avgin… who were under the protection of the IPC, resulting in 6,728 deaths and 3,452 missing.”

So… around 4,000 people were missing…? This brings me to my second concern:

The Katicans do not particularly strike me as the type of people who take prisoners - their goal is clearly to exterminate the Avgins

4,000 missing individuals implies that either

1) The IPC did not give a single fuck and simply decided not to search for them (didn’t bother collecting their bodies, tracking down the Katicans who took them, giving them proper burials, etc), or,

2) The IPC DOES know where they are, and decided to mark them as missing persons

As far as real-world tragedies go, I am not inclined in the slightest to give the IPC any benefits of the doubt. These are the same guys who nuked Boothill’s planet. And are currently extorting Belobog. And canonically forced Topaz’s planet into indentured servitude (and were likely going to try the same with Belobog). We don’t even know the full extent of the damage they’ve caused, honestly, and I don’t think we ever will.

After the genocide, there is an unspecified period of time between Kakavasha’s escape and his enslavement. The ‘indifferent man’ in his quest calls him a “scrawny brat”, so he was probably a teenager/young adult at that time. It’s unclear what his history was prior to that point, however we do know:

Indifferent male: “The guys in black didn’t say much…”

…the guys in black? As in, the IPC? Those are the EXACT WORDS that Kakavasha calls the IPC workers multiple times throughout the quest

It also means that he bought him from the IPC

So, at the VERY LEAST one department of the IPC was involved in human trafficking

It would make sense if the IPC had somehow captured him at some point, as he would’ve been like. An unsupervised 7yo in the desert. And of course, upon realizing someone survived the massacre, decides to ‘maximize profit’, for lack of a better word

It’s unclear to me currently why the case of Kakavasha tricking the IPC and the Intelligentsia guild is called the “Eghazyo Aventurine case” because this would have happened before Kakavasha became Aventurine, unless this is a mistake or mistranslation. The voiceover seemed to imply that the name of the case was aired during the time that Kakavasha was testifying, so I doubt that it’s called the Aventurine case because Kakavasha became Aventurine

Another option I’ve seen is that ‘indifferent male’ is the previous Aventurine, which I can’t confirm or deny, though it seems likely

Only thing that doesn’t make sense to me is that if he was the previous Aventurine, why would he call his fellow IPC workers “men in black?” Does anyone know if there are other instances of IPC workers calling each other this?

Aventurine is forced, by ‘indifferent male’ to kill 34 other slaves. He essentially Hunger Games’d 35 people. It’s also implied that it was broadcasted, because other people were betting on it and were making comments about he “looked good”.

At some point, Aventurine manages to trick the IPC and Intelligentsia guild into believing that the remains of Tazzyronth (or the Sand King) are buried in the unclaimed Sigonian desert, costing the IPC billions of dollars and eventually killing the man who bought him (rightfully so)

After that point, he’s taken to trial before Jade, where he strikes a deal: he gets off death row if he proves to be a good investment

Now, let me make myself clear: Jade did not save Aventurine from shit. Aventurine got himself out of a horrible situation by any means he had available to him, and those means happened to involve leveraging his situation and putting his life on the line to prove to Jade he was a worthy investment. I’ve seen people try to argue that ‘joining the IPC is what Aventurine wanted’ but I think this is a shallow and disingenuous argument because it removes the context of his decision entirely. He did that because he felt cornered, and then, presumably, because he hoped he could use the power within the IPC to protect other Avgin people (which is why he asks after them in his character story). I also saw people saying that Aventurine deserved to be on trial…. Which is certainly an interesting opinion. Mind you, the man who Aventurine killed was responsible for the deaths of 34+ people and was actively buying human beings on the black market, so as far as I’m concerned killing him was an act of public good.

A few more things to clear up about this situation:

In the IPC broadcast about the Eghazyo Aventurine case, it conveniently leaves out that Aventurine was enslaved, probably because that could influence public opinion; additionally, I think the erasure of the whole ‘slave’ thing was just to cover their own ass because they knew that shit wouldn’t fly

Aventurine was not ‘in control’ of this situation; too many of you don’t understand what coercion is and that scares the hell out of me. He killed that man because that was the only way he could be free, and after that the IPC sentenced him to death. It isn’t a choice when your only other option is death. It baffles me that people think this.

Jade does not give a single fuck about Aventurine beyond what he provides to the IPC because she cannot conceptualize relationships or the value of human life outside of a transactional purpose, which tracks with her being a debt collector…

Jade literally says, and I quote, “A servant should obey his master”. For the people in the back, A SERVANT SHOULD OBEY HIS MASTER. Who the fuck says that. Even if she isn’t personally involved with whatever human trafficking the IPC has going on (which I seriously doubt she isn’t at least aware of, given her rank), she sympathizes with a literal slave owner over his victim which is genuinely insane.

Something also incredibly important: Aventurine had no legal defense

Like… none at all? I’m not overly familiar with the US legal system, but even in this case I feel like there would be some kind of self-defense justification. Like. He bought people. On the black market. And then made them kill each other. I don’t think killing him warrants a death sentence for Kakavasha (especially one that holds over once he’s a Stoneheart)

This extreme overreaction on behalf of the IPC probably also has something to do with him not having an ‘interastral refugee travel permit’ (mentioned in the first broadcast message during All the Sad Tales) which also begs the question what in the godamn fuck is an interastral refugee travel permit. I can only assume that the IPC is handing out these ‘travel permits’.... Which also means that they are directly responsible (for the sole survivor of a genocide THEY caused) not having one

The fact that the legal system is structured like this does not surprise me at all. It was stacked against him from the beginning and we need to stop pretending this was a power play on Aventurine’s part rather than a desperate last ditch attempt at some form of freedom

Additionally, Aventurine’s banner is literally called “gilded imprisonment” and his light cone is called “inherently unjust destiny” like they literally could not make it more obvious. He just exchanged his old shackles for shinier ones :/

Something else I’d like to point out: Penacony has a grand overarching theme of “a cage is still a cage”; in fact, Himeko says that verbatim in 2.2! I think that’s also important to consider when looking at this situation.

Also, Aventurine also feels so little autonomy that he was literally willing to kill himself to escape. Like full stop kill himself. His future self tells him that “death” is the only real freedom he will ever experience, and I think that alone demonstrates that the IPC has done nothing more but lengthened his leash. I don’t think it’s fair at all to claim that any of this is what he “wanted” or that he’s like. Enjoying himself. Because 2.1 makes it so abundantly clear that he’s fucking miserable. Like you’re aware that this is still coercion right. What do you think happens if he stops performing well? What do you think the IPC will do to him if he is no longer producing money for them? Quickly. Look me in my eyes

Now onto the elephant in the room: Jade herself

Personally I find her character design gross fetish-bait, but to each their own I guess. It’s not really my business if you like her character for whatever reason. I’m not saying that you can’t enjoy her character, but I do think people should be examining their reasons for liking her a little more closely. Or at the very least not making jokes about slavery. That is very strange.

I’ve seen a lot of people say that we should reserve judgment for what her character is like until after she’s out; I disagree. I think we have everything we need. (This is coming from someone who could see Aventurine’s backstory from a mile away and predicted it in 2.0. So far my track record is unblemished but if you don’t want to take my word for it I have evidence).

Let’s take a look at her eidolons:

E1: Altruism? Nevertheless Tradable

E2: Morality? Herein Authenticated

E3: Honesty? Soon Mortgaged

E4: Sincerity? Put Option Only

E5: Hope? Hitherto Forfeited

E6: Equity? Pending Sponsorship

That’s a mouthful, right?

Eidolons are supposed to be the truest reflection of one’s soul and provide us information on the character themself. All of her eidolons reference a kind of transactional relationship - in which she evaluates concepts like altruism, morality, and honesty on a scale of how much worth she can drag out of them. This is consistent with what we’ve seen from her character so far. I find the specific statements ‘Hope? Hitherto Forfeited’ and ‘Equity? Pending Sponsorship’ to be… so sinister lmao. Like she is straight up saying the quiet part out loud. Now let’s compare her eidolons to Aventurine’s:

Aventurine’s E1: Prisoner’s Dilemma.

The Prisoner’s Dilemma game theory wherein two people, separated, must cooperate for mutual benefit, or betray their partner for an individual reward. This perfectly reflects Aventurine and Ratio’s plan in 2.1, and goes to emphasize the importance of trust that Aventurine has.

Aventurine’s E4: The Unexpected Hanging Paradox

At first inspection, the ‘unexpected hanging paradox’ appears to be a regular thought experiment, but actually has to do heavily with probability. The Unexpected Hanging Paradox entails a situation where a criminal is sent to death, however the Judge does not tell the prisoner which day he will be executed on, only that the executioner should ‘surprise him’ over the course of the next week. The prisoner therefore concludes that he will not be executed because it will be impossible to surprise him based on a game of probability. This directly references Aventurine’s experience in court both as Kakavasha, on trial for murder, and when he confronts Sunday.

We can see here that eidolons are absolutely reflective of character goals, intentions, and thoughts. Jade’s eidolons are based entirely on a manipulative, exploitative worldview. Whether or not her worldviews include herself are up for interpretation at this point, but it’s obvious to me that she sees Aventurine as an investment and not a person. The first thing she comments when she sees Aventurine is how pretty his eyes are - immediately assigning material value to his body, which is especially gross considering she is well aware that he was enslaved.

Then, at the end of 2.2, she makes another cameo - and Aventurine does not seem to receive her well. Understandably so. He mentions wanting to “escape her” during his phone call, providing us with insight into his framework and how he perceives her. He literally uses the word ‘escape’. He does NOT like her. Jade proceeds to call him “child”, which I interpret as at least partially demeaning. She also didn’t seem to care at all when she thought he died in 2.1, so I’m not really sure where anyone got the idea that they were close.

As another note on Jade’s character design before I wrap up, I personally find it extremely uncomfortable that she has a whip. Again, I’m not going to tell anyone that you can’t enjoy her character, but there are definitely some extremely strange undertones that hyv is leaning into that I really don’t appreciate. I also think the greater reception of Jade’s character deserves its own post because I don’t even know where to start with that.

So, giving Jade EVERY benefit of the doubt, we can conclude that she: she ONLY knows about the enslavement - but has no personal ties - and does not care, does not appear to care that her colleagues were participating in human trafficking (specifically seemed more put-off about the lack of revenue than the various human rights violations, which makes sense because she doesn’t seem to care about any of the other human rights violations, such as nuking planets, either), would have had no problem sentencing him to death had he not been a company asset, implied that slavery is good, claimed that she didn’t know why Aventurine would kill the person who owned him because it ‘didn’t benefit him’, is participating in the repossession of Penacony by the IPC, is a debt collector (derogatory), did not gaf that her colleague was going on a suicide mission, and did not gaf when her colleague presumably died.

Footnote: Before you start, no disliking Jade but liking Aventurine is not misogynistic (and that accusation is, in itself, misogynistic), yes, it is disingenuous to claim that Aventurine was not coerced, it is also disingenuous to claim that the IPC had no knowledge of the human trafficking, yes you can still like her. Idgaf. And stop making jokes about racism and slavery, it’s weird and I think your brain should be studied in a lab so that doctors can determine what is wrong with you

In conclusion:

Media literacy is dead and the hsr fandom killed it.

#hsr #hsr jade #hsr aventurine #i hate it here #i should've known better than to get into another hyv fandom

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skiddlecat · 10 days

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you know what? fuck it. the dynamic between taco and microphone is really interesting and dumbing it down to "evil terrible abuser and poor innocent victim" flattens both of their characters simultaneously.

they both hurt Each Other in ways that can't be undone!!! mic did her fair share of Fucking It Up Big Time as well and i think the way their fallout went down is the best example of times mic could have been better. and before anyone says it NO i'm NOT saying she didn't have a right to back out when she did but what i AM saying is that i think the way she handled cutting taco off showcases one of her biggest character flaws EXCELLENTLY:

when she's hurt by someone, she will hurt them back twice as hard. cheesy makes an insensitive joke? she calls him a monster. taco relapses in her bad habits? she weaponizes her past friendship with pickle. i'm pretty confident in saying both of these responses are Pretty Damn Disproportionate. and i think that's really interesting!!! we should talk more about this!!!!!!!!!

taco did a lot of bad things in their friendship and should absolutely be held accountable for it, but i also think simply calling her a heartless abuser is horribly undermining her character. like, imagine with me, if you will:

(post-writing note. HOLY SHIT this was way longer than i thought it'd be. putting the rest of this post under the cut because the previous paragraphs are pretty much all my thoughts but i kind of go into a full taco character analysis below. if you want to see that then keep reading i suppose LMAOOO)

you once accidentally formed a friendship with someone based off of a lie. you exposed the lie, sabotaged that relationship, and cut him off. that was the last conversation you had. a good while later you realize that, oh no, you actually DID care about this person, and you miss him! but he's GONE and it's YOUR FAULT!!! so you write. you write, you write, you write, hoping to get a response, but you never do.

and then. and then you find someone else. someone who's loud, chaotic, cast out. she reminds you a little too much of the lie you built for yourself. and so, you help her. for your own selfish reasons, sure, but you attempt to reign her in. she doesn't trust you at first, you don't trust her either, and you are... less than kind to her. it's not pretty, but at this point it doesn't really matter to you, because right now she's just a means to an end. she doesn't mean anything to you.

but slowly, over time, things start changing. she starts seeing past the brick walls you built around yourself. starts trying to break them down, little by little. you avoid, you resist, you do everything you can to prevent her from getting through, because vulnerability is frankly disgusting, and you don't want to talk about your problems anyway! but, this doesn't last. you actually apologize to her, for being so closed off, because you should be doing better, and she seems to appreciate it.

someone brings up that old friend to her. you get MAD. it's like rubbing salt in the wound, reminding you of every reason you're not happy, every reason you've been scared of getting too close. he suggests that you will leave her the same way you left him.

and. surprisingly. your ally does not side with him. she tells him you're changing. you're changing. she looks at you and all of your disgusting flaws, and she sees someone not beyond redemption. and you think that maybe. maybe you can trust her. maybe you CAN let your walls down. maybe you won't screw it up this time. and, and...

one mistake.

a pretty big one, granted, but a mistake nonetheless. you relapse into some bad habits, because the situation you entered was not the one you planned for. and she's mad. so mad, in fact, that she takes your old friendship, something she knows is a touchy subject, that hurts every time it's brought up, and she weaponizes it. she looks at you as if you mean nothing to her, and then she leaves. she leaves before you even have a chance to respond.

one. mistake.

one mistake is all it took for her to grow sick of you, for her to agree with all of the terrible things people say about you. and what hurts the most is that you TRUSTED her. you thought you could be open with her, you thought she was DIFFERENT. but no, she's not different. she's just like everyone else. and maybe, if the one person who believed you could be better gives up on you... maybe they're all right about you.

the walls are back up. they're thicker, stronger, and as far as you're concerned... it will take FAR more convincing to let anyone get through ever again.

...and then mepad comes along and says he doesn't even believe you're a bad person in the FIRST place, which is. astounding and very hard to believe but he's seeing you at your absolute worst being needlessly cruel to everyone and is STILL saying this with complete confidence so, fuck, kind of hard to keep THAT up for very long. then ii16 happens and you know the drill SHE'S DOING BAD.

hoo boy this went on for a lot longer than it was supposed to. anyway all this to say i think we should talk more about how they both hurt each other rather than push the narrative that one of them was "the abuser" and the other was "the victim" because frankly that's not even how it works in real life. thank you for coming to my ted talk i've been sitting on this for weeks afraid that i'd be told to kill myself over anons 👍

#inanimate insanity #ii taco #ii microphone #should i tag this as tacomic. it's not really meant to be romantic #i won't. people are in that tag for toxic yuri not toxic up for interpretation relationships

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whoishotteranimepolls · 5 months

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Poll analysis part 5

This one isn't so much related to fandom behavior. Overall, it's more about how certain characters or apparently where some people draw the line enough to have made a fuss in the comments or my inbox. I find it interesting where the standards are for some people and I mean I just drew the line at no sentient weapons or mechs

And when I say cause a fuss that would mean causing crap in the comments to messaging me asking me to ban characters or entire franchises because they're problematic for various reasons which I will get into. To flat out harassment of me for allowing these characters in my polls and the people who voted for whatever character they have a problem. It's the full spectrum of bad behavior. This is going to get weird

Izutsumi from Dungeon Meshi why is she the only character people are causing crap about for being 17? I have gotten so many messages about this one character. No one gives a crap about the other underage characters apparently, but the 17 year old cat girl is too much. And again, I think I would have gotten at least one message about one of the 15-year-olds but no just the underage cat girl. I am so confused why this is the line for so many people. When I say she has been a problem, she has been in two polls and she has been the source of 7 polite messages. 12 not nice messages full on harassing messages. Calling me a disgusting pervert for even allowing her in my polls. 11 comments that had to be deleted 12 tags/Reblogs that had to be hidden. All because they said something like she's 17 you perverts. I have set a new record for the amount of people I've had to block over a single character and she's been in two polls. I didn't get this much crap over the character that looked 12.

Kikuri Hiroi from Bocchi the Rock! My original problem character because of her Moe art style she looks 12. Even though she's 28, I've resorted to just putting her age in the post to avoid the things turning into a dumpster fire after that first poll.

Uncle Iroh was a character. I did not expect to cause issues because everyone loves Uncle iroh. Apparently some people find it weird that some people find him hot. Because multiple people have made a fuss in comments or in my inbox about how it's gross or weird to find him hot because he's a grandpa. Ironically, one of the people making a fuss about iroh really has a crush on Silvers Rayleigh the irony in that is hilarious.

Toji Fushiguro I've gotten a few messages about him saying he should be banned because he's a crappy father. A terrible person and anyone who finds him attractive should seek psychiatric help. People he's a villain calm down This is Tumblr. I feel like people have forgotten Loki mania where he was considered the god of Tumblr. I think Tumblr has a thing for villains. Look at the persistence longevity of the Hannibal fandom. So please calm down people it's still not a justifiable reason to ban a character from my polls.

Dracula from Castlevania because genocide and sexism once again I'm sorry people sometimes find villains hot. I'm confused about the sexism part. I think it's because of the way he treated Carmilla, But I'm still confused because that man loved his wife

Franken Stein from Soul Eater. I've gotten a message that he should be banned because he's a groomer. I watched Soul Eater and I'm also confused about this one. If any Soul Eater fans can anyone help me? I'm again so confused about this one. If anyone from Soul Eater should be banned for bad behavior, it is not Stein

Gojo, is a little bit of a headache character for me for the thousands of comments I've seen calling him the Blue-Eyed demon seriously Tumblr what has this man done to you? How did he hurt you? He is also a character I have had people message me asking me to ban because apparently he's racist. I'm so confused.

And to build upon this, someone sent an entire list of characters that should be banned because they have blonde hair and blue eyes because if they win that reinforces white centric colonial beauty standards I should have screenshotted that message. These polls are done for stupid fun and I don't think they are going to reinforce colonialism. In fact, many of you have told me they're going to kill the British monarchy and I think that's the opposite of reinforcing colonialism. That list is too long to post in its entirety here. Remember I said this was going to be a little weird.

Someone actually messaged me saying I should not put Victor from Yuri on Ice in future polls because he is not a good representation of the lgbtq+ community

I've also received similar messages about Grell Sutcliff and Yamato for the trans community

Dungeon Meshi You think would be free of criticism because it's so loved however Laios Touden should be banned because he's blonde with blue eyes and a bad representation of people with autism. I wish I was making this up. Marcelle and Falin are not safe either because some people have it out for blondes and they are also not good representation of the LGBTQ+ community

A bunch of Fullmetal Alchemist characters should be banned including Mustang, Hawkeye, Ed, Alphonse, Armstrong, Hughes basically everyone but Scar. Because those characters perpetrate and promote genocide, racism, ethnic cleansing, imperialism, the military industrial complex, colonialism, fascism, sexism, misogyny, and white supremacy. I honestly think someone missed the entire point of the show but that's just me.

Someone wants the entire Apothecary Diaries franchise banned because it's sexist, misogynistic and a poor representation of Chinese culture.

And basically any villain or abusive parent. Someone has complained about or pushed to get banned because it makes them uncomfortable. Because God forbid characters have flaws

So many One Piece characters are problematic just for being One Piece characters not for anything they've done in the story or their character arc or anything like that. It's really because I have a group of people that think I should ban the entire franchise from my polls because the one piece art style is misogynistic. Oh boy. I should have screenshotted some of the essays I received in my inbox. Some of you need to take a chill pill because if I get another essay about one piece being misogynistic because of the art style, I'm going to shame you by posting that crab publicly. Because I will admit the art style is not for everyone, but especially when it comes to the female characters. But those female characters are some of the best written you will find in all of Shonen anime. Plus if we really want to start banning anime franchises for being misogynistic, It's going to be a bloodbath. Because if One Piece is misogynistic for the art style, Naruto is misogynistic for the writing. And I could probably find something misogynistic about most Shonen anime. So again let's not even go there.

The only justifiable reason I would ever ban a character is if the fandom becomes so toxic it's no longer worth it for me to put up with the drama. Now all the blogs I have had to block have been dedicated to one of two things. Naruto or Dungeon Meshi. One of those fandoms I already refer to as my problem child fandom and the other one I hate to say is quickly becoming its twin.

So can we all just agree to calm down because if I banned everything someone had an issue with because it's sexist, misogynistic, racist, etc. There would be no characters left. So let's calm down everyone and please keep the complaints and the tantrums to a minimum. I am a fellow fan that runs this blog for fun and I'm very tired of this crap.

#poll analysis #not a poll #fandom culture #whoishotteranimepolls #fandoms and media literacy

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blueepink07 · 2 months

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Yuno: her struggling relationship with autonomy

(character analysis)

One aspect I have always loved about media characters is their attempt to be perceived as mature, despite their young age. Some succeed, others struggle to hide what they see as their childish side.

Yuno is no different in this context and I'm surprised that people don't talk about it enough.

Beginning with her age 18, it's truly a controversial age, if I may say. It's a confusing age, because you are technically considered an adult, but, at the same time, your mind is not fully developed to actually be one. In the end, you are still a child at heart and mind, despite the fact that you are legally an adult.

We don't know much of her home life and honestly I don't think it would do any good for me to make assumptions, since it's pointless in the long run and it would just lose credibility. However, one thing it's for sure based on Yuno's actions. She desires autonomy.

Yuno: Despite that, you arbitrarily assumed things about me and sympathized with me. Even though all I did was make a rational decision of my own free will.

I'm the one who chose, let you and you and you all in ~🎵

She highlights quite a lot with these phrases… She chose for herself, she is an adult who willingly decided to partake in compensated dating. Being called naive or innocent, two words that usually are used to describe little children, surely infuriated her… and she shows it.

It's funny now that I think about it. Fuuta also has the same problem, but his reactions are more childish, in the end, not doing him any justice. However, Yuno is no different. Of course, she does it in a more subtle manner, but she really does get worked up quite a lot when it comes to her being perceived more as a teenager than an adult. Her whole song it's literally about this idea. Yuno being infuriated that she is infantilized by the audience, making a sad backstory for her so they can dismiss the idea that there wasn't necessarily a big factor that provoked her to partake in compensated dating, but it's only her own free will.

I might add that the compensated dating itself is a way for Yuno to feel that she has more autonomy and she no longer needs to be treated as a child.

"An adult is a human or other animal that has reached full growth.[1] The biological definition of the word means an animal reaching sexual maturity and thus capable of reproduction." ~ wikipedia

Moreover, even the media promotes the fact that sexual content should strictly be watched by adults. And Yuno does end up having sex during some of these dates…

And if this idea isn't convincing enough… I think that Yuno likes to partake in compensated dating, because she knows the clients don't consider her a child. They are interested in her, in a way that makes Yuno feel satisfied with herself (at least, for a short period of time, when she is in their presence) she feels grown up and mature. She also receives money for her services, providing her with enough financial resources for Yuno to consider that she finally managed to complete one of the first steps of adulthood, to be financially stable.

Doing something that is not really socially accepted, again, can be considered as autonomy, because you do not follow the same rules that the society obligs. Yuno knows how compensated dating is perceived, but she still does it, because she thinks this action provides her "warmth".

The "warmth" that Yuno speaks about is a vague term to describe her desires. Based on her interactions, I would like to think that this term refers to genuineness and mutual understanding. Yuno, in the first VD, describes the society as being a place where "everyone eats each other". People need to point fingers at others who made a mistake, who did something that's not socially accepted to make themselves feel better.

Yuno: That’s right. You know those people who just wanna convince themselves, so they intrude in other people’s affairs even though it’s not their place—I despise them. That’s what I was saying. They only do that to make themselves feel better, don’t they? Those people don’t actually end up doing anything.

And you know what is interesting? The fact that Yuno finds more closure being in the company of some murderers. Why? Because they can also be considered some outcasts of the society that she pretty much dislikes.

Es: However, it also explains why you’ve given up. About yourself, human beings, even the whole of society, you’ve realised everything—that’s why your expression is so cold.

Teenagers usually have little power in our society. They can achieve great things, but have to go through more hardships due to the limited freedom. They need an adult to actually help them. That’s just how society is built.

Yuno's distaste for the society can explain why she has grown so fast, or, at least, thinks that she has matured enough. She was tired of the society inflicting on her rules that she, as a simple teenager, had to oblige. So, going into Milgram, starting to hear people crafting a sob backstory for Yuno, treating her like a child, despite the fact she has already done a few steps in order to sustain herself financially and emotionally as a young adult, it's truly insulting.

Es: This is just popular belief, but the law is also something the people have decided. There’s nothing, which can satisfy every single human being, now is there?

Yuno: That’s right.

However, even after all these, that doesn't mean she doesn't actually struggle with this new found autonomy that she craves.

I actually think that this autonomy is the cause of most of her suffering.

As I stated before, compensated dating is something that she decided to partake in, in order to prove her independence. She thinks that what she has chosen for herself is healing, helping her. But, if it's that the case, then why do we have these scenes?

It's difficult to admit that one of your decisions was actually… Quite wrong. Especially, when it's one of your first one's as an official adult, in the very first stage of your life when you finally have enough independence.

“Cognitive dissonance is what we feel when the self-concept — I’m smart, I’m kind, I’m convinced this belief is true — is threatened by evidence that we did something that wasn’t smart, that we did something that hurt another person, that the belief isn’t true,” said Carol Tavris, a co-author of the book “Mistakes Were Made (But Not by Me).”

She added that cognitive dissonance threatened our sense of self.

To reduce dissonance, we have to modify the self-concept or accept the evidence,” Ms. Tavris said. “Guess which route people prefer?”

So which one does Yuno prefer? To convince herself that what she is doing makes her happy.

Yuno: Despite that, you arbitrarily assumed things about me and sympathized with me. Even though all I did was make a rational decision of my own free will.

Yuno: I’m not pitiable. My family gets along super well. And I’m not particularly struggling for money. I decided, of my own free will, to do it because I felt that it was necessary for me.

Sometimes, considering how many times she mentions it, for me it feels like Yuno tries to convince herself that what she is doing is good for her.

But you know what is funny to me?

She is good at making herself enjoyable for others as well as giving somewhat good advice:

Mahiru: My birthday…… the day I was born……But was there really any reason for me being born? Lately I’ve started to wonder that. Do you ever think about stuff like that, Yuno-chan?

Yuno: Eh? Not really. I mean, Mahiru-san, you’re really the romantic type, right? Not that I have anything against that. But isn’t it a bit much to think that everything in life has a meaning? If it makes you happy to think like that then go ahead, but if it doesn’t, then isn’t that in itself meaningless?

Mahiru: : ……you might be right. I’ve always just lived my life like this, so I don’t really know.

Yuno: We’ve all just gone through a bunch of things in life that happened to lead us here. It’s nothing more than a coincidence. Definitely not fate or anything. Probably. Even if there isn’t a meaning, you can still be happy that it’s your birthday. That sort of thing’s all you need in life really. So happy birthday, Mahiru-san.

Mahiru: ……no, I’m fine. As long as I don’t move too much I don’t even feel any pain. Sorry for making you worry.

Yuno: Oh, really? That’s good then. Mahiru-san, if there’s anything you want then just ask. It’s not like it’s a huge burden, I can just ask for it along with my own stuff.

Mahiru: Ok…… I’m fine for now. Sorry, for making you worry. Ah, Yuno-chan…… Today’s your birthday, right? Happy birthday.

Yuno: …Haha, thanks. Thank you, but y’know. Is it really ok for you to be saying that to me when you’re in that situation?... you really aren’t suited for Milgram, huh, Mahiru-san.

Amane: What is it… Kashiki Yuno. Don’t sit so close to me. Go away.

Yuno: Sorry for barging in when you’re getting into your worldview thing. But Mahiru-san’s finally managed to get to sleep. Humour me with some small talk while I take a break. By the way, Amane. Have you ever wished you were never born? I’ve thankfully lived a pretty fun life so far, so haven’t really. But you seem to be struggling with something. So I kinda wondered if you thought like that.

Amane: ……I don’t think that. Being born into this world is the first miracle any person experiences, and is something to celebrate. Even if after birth I was put through trial after trial, the value of that will never disappear.

Yuno: Hmm. Ok…happy birthday, then. It’s good that you were brought into the world, I guess.

But Yuno has a big, and I mean a BIG tendency to self-destruct, not intentionally.

Wanting to be independent comes with its own downfalls. At the beginning of the trial, Jackalope states that Yuno has distanced herself from social interactions. So much so, that we have never seen her actually confiding to someone else, in any of the portal timeline translations. She might have her reasons, either minimizing her problems, and using her energy to help the ones she deems to have worse than her, or, this is simply her nature to bottle up her own sadness. This again might also be the cause of her wanting autonomy and proving to herself and others that she is mature enough to manage her emotions.

Not confiding in someone else for a long time can cause depression. Something that Yuno might be struggling with during trial 3 or she is already struggling with it a bit.

Furthermore, it's interesting that Yuno admits disliking behaviors that she deems childish. For example, she doesn't like the way Haruka and Muu behave, because they are ignorant of the problems in prison and have a really childish way of thinking. Amane's hate towards Shidou, might be often wrongly interpreted as a simple child's tantrum. Kotoko's actions, responding with violence to violence, it's again, an aspect often deemed as childish and immature.

Yuno: Really? If you ask me, Kotoko is someone I would never want to make my friend, though. She’s the type who picks a conclusion from the very beginning and won’t actually talk with you.

Yuno: Well, I guess it’s arbitrary who one gets along with. But Mahiru-san in particular is something. I think both her body and mind are at their limits. Also, Mikoto-san was also attacked but apparently it ended up in something of a draw. That guy was strong, huh—how unexpected. Also Haruka and Muu-chan have become kind of bothersome. And additionally, Amane-chan and Shidou-san too, huh.

Lastly, her second MV also shows her desire of autonomy in Milgram, not only through lyrics, but through visuals too.

Beginning with her door, it looks a lot like a medieval castle door.

Her room, the way it is designed, especially the bed and the chair, also resemble a princess' room.

However:

Despite the important role that princesses played in courtly life, they had limited personal freedom. They were often kept under close guard and were rarely allowed to leave the palace or castle where they lived. This was done to protect them from danger and to prevent them from engaging in political activities that might undermine the authority of the king or prince.

Medieval princesses had little to no autonomy most of the time. Their life was dictated from the start, having the only purpose to be betrothed and give birth to children.

That’s why the design choice is intentional. Yuno feels like a princess trapped in her pretty room (the MV is quite claustrophobic, the only outside elements being a few memories), exposed to the world (the many windows imply this), the voices that keep demonizing her.

That’s why the scene where she starts breaking things in her room is so important. It serves as a sign of rebellion, to show that she is not the perfect, helpless princess that people like to portray her as. She is an adult who makes bad or good decisions, who thinks for herself. She is proud of her autonomy and is tired of constantly proving to others that she is not capable of taking care of herself.

#My birthday is on Tuesday so I've decided to write a character analysis of my favorite milgram character!#I actually wanted to post it tomorrow #but I'm sure I would have just ended up being unsatisfied with what I had written!! #I hope you enjoy this as much as I enjoyed making it!#Yuno is very fun to analyse as a character #milgram #thoughts #milgram theory #character analysis #milgram yuno #yuno kashiki #milgram mahiru

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kriscommitscrimes · 4 months

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IN-DEPTH CHARACTER ANALYSIS OF KRIS(MAS) DREEMURR

Hello! I've wanted to make this post for a WHILE now, since Kris is my favourite character ever, and I LOVE analyzing characters!!

Anyway before I start just remember that people consume media differently, and this is just what I've personally picked up on. You may interpret certain points I make differently to me, and that's ok! I'm just sharing MY analysis of Kris, at the end of the day, they're a character who has never spoken any dialogue that's visible to us, so their intentions behind certain things could be interpreted differently depending on who's consuming the media.

Kris will be EXCLUSIVELY referred to by they/them (they/them/themself specifically) pronouns throughout this post. If you refer to them as anything other than they/them while interacting with this post I'm gonna block you on the spot sorry.

ANALYSIS BELOW THE CUT BECAUSE IT'S LONG!!! TW there's probably some swearing I can't remember

By the way, I'm not including any screenshots because I. forgot to take them last time I played through Deltarune, but the next time that I do, I'm going to make like a revamped version of this post with screenshots. Sorry about that!!

Kris is their own, separate character from the player. This is a no-brainer if you've actually played through Deltarune and paid the slightest bit of attention to it. Kris is their own, separate character with a VERY distinct, interesting personality, who had a life before the events of Deltarune, and even still has control over some things that they say and do while in our control.

Kris isn't actually a quiet person. Kris, in reality, is an overdramatic, sassy, talkative person who often draws attention to themself by scaring people (especially Noelle), and causing scenes. They CONSTANTLY play mean spirited pranks on Noelle or pressure her into things (I'm NOT talking about Snowgrave, I'll get to thar later), like shaking the ferris wheel carriage despite Noelle being scared of heights, and telling her that ICE-E is real and eats kids. They still do this during the events for Deltarune, like if you go against Noelle's wishes and pet the cheese, Kris strokes it like a cat, and if you give Noelle a healing item called a Choco Diamond, she says something along the lines of 'Umm, it's ok, Kris, I'll share', and both of them get healed. We don't choose for Kris to force Noelle to share, that's a decision they make. As for drawing attention to themself, the first thing that comes to mind is they falling to the ground and sulking when they're too short and weak to play Queen's arcade machine, or them barking at Noelle when she offers them a dog treat. They're loud and impulsive, shown when they eat the pie at the end of chapter one, repeatedly kicking the robot in the basement when nothing happens originally before the Sneo fight, eating all of the chocolate Undyne gives them to give to Alphys if you interact with the box, and screaming that they're normal if you call Toriel after watching her conversation with Alphys at the start of chapter two. Speaking of which...

Kris seems to have identity issues. This is one of the things here that everyone in the fandom is kind of already aware of, but this is a full character analysis, so it's still important to mention. Kris is the only human in Hometown, but desperately wants to be perceived as normal. They scream it at Toriel like I mentioned earlier, they wore a headband with red horns on it when they were little to look more like a boss monster, and they seem actively disgusting or even frightened by other humans. They also seem to be living in their brother's shadow a bit, which may be why they like drawing attention to themself. Everything I've said about their personality seems to be a little on the negative side so far, but everyone in Hometown knows their name, and seems to quite like them, so why is this? Well...

Kris is charming, well-spoken, and funny. They're a prankster known for pulling mean-spirited pranks on people, but even still characters like Noelle look back at those things fondly, and everyone in Hometown seems to like spending time with Kris. Kris' flirting abilities are pretty obvious, and are used to win over loads of Darkners, not to mention their ability to formulate a compelling speech on the spot, as shown during the first Queen battle when toasting to her. They easily win people over, especially if they like a person, I mean, they became best friends with their former bully in a DAY! A DAY!!! People seem to find them just genuinely fun to hang around, probably due to them just being a funny, charming, somewhat balls of the walls kinda person.

Kris is NOT evil or malicious. This is one of the most important points I've wanted to make on this post. I've seen the theory that Kris is evil because they don't actively do anything to prevent Snowgrave from happening tossed around and I'm here to say that that is actually fucking stupid sorry. Normally I HATE being mean about people's theories because, like I said, everyone consumes media differently, but that one is just genuinely terrible. I'd say it's WAY more likely that as Noelle gets strong, out control over Kris becomes stronger. Normally, when we choose an option to make Kris say or do something, they ELABORATE on that, which is confirmed by how characters interact with them. We just can't see them speaking to give the illusion that they're a blank slate, under our full control. But, during Snowgrave, they just say EXACTLY what you tell them to say. If you tell them to say 'We're something else', they just say 'We're something else'. If you tell them to say 'Proceed', they just say 'Proceed'. Sure, you could put this towards them not caring, but after Berdly is frozen and you reunite with Ralsei and Susie, both of them say that Kris looks HURT. And later on, they REFUSE to go and see Noelle in her room. The refuse to THINK about it. They're not happy with what happened. They didn't want to go around freezing people. But the one thing that Really stood out to me, was during the Snowgrave Spamton Neo fight. Near the end, you have the option to call Ralsei and Susie for help, which prompts the flavour text; 'Kris called for Susie and Ralsei... But nobody came'. After that, you have to call Noelle for help to finish the battle, which prompts the dialogue; 'You called for Noelle'. Spamton states that Kris could barely whisper her name. They're trying to stop you from calling for her. Those aren't their words. I think that kind of confirms that they didn't want Snowgrave to happen. Kris is just a funny teenager with identity issues, they're not evil. Sorry evil Kris fans.

Kris probably isn't the Roaring Knight. They're A knight, but not THE knight. So far, they don't REALLY have any motivation for opening the first two fountains that I'm aware of, and I doubt they knew they could open a fountain until Queen's speech at the end of Chapter 2. At the end of Chapter 2, however, they do seem to have a motivation to open a fountain. They (presumably) slash Toriel's tyres to stop her from leaving the house to go and get flour. They want her to see the Dark World. And if you choose the option to talk to Undyne about the Dark World, Kris explains it to her in FULL DETAIL, but she brushes it off as a joke. Toriel finding her tyres slashed leads her to call the guards, and Kris leaves the door of the house wide open. They want Undyne to see the Dark World, I don't know WHY, but they do for some reason. But I REALLY doubt they're the Roaring Knight, they just don't have the motivation, and if it is them, it would be really weird for Toby to reveal that so early. I really doubt that kid wants to bring on the end of the world.

That's all I have for now!! Expect a more fleshed out version of this next time I play Deltarune with screenshots and such, though I may wait until chapter 3 and 4 come out! Thanks for reading!

#robinrambles #character analysis #kris dreemurr #kris deltarune #kris #long post #gif tw #deltarune #utdr #safeutdr #safe utdr

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sherbertilluminated · 3 days

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Last night I was talking with my friends @teefigotem and @calypsopond about the pacing of the musical Les Miserables. I think Les Mis' libretto is one of the best foundations for a musical out there, but the first act has so much more plot and more iconic songs than the second, and I worry that top-heavy structure diminishes the ultimate impact of the uprising in the second act.

Caly and Maddy agreed that the 2012 film adaption had the right idea when it swapped the positions of "Do you Hear the People Sing" and "One day More." Transplanting the former to the beginning of Act 2 maintains the balance of revolutionary fervor (and iconic songs) between the two acts, and a serves as a payoff to the tension at the end of Act 1. While "Upon these Stones/Building the Barricade" begins Act 2 in the current libretto, it's high on exposition and low on enthusiasm. Since "Do You Hear the People Sing" has become an international revolutionary anthem, making it the opening of the uprising, rather than the prelude to it, builds on *ahem* that connection.

Just picture it: the audience returns to their seats, the orchestra hums with tension, and the lights go up on a somber street with a single voice—Enjolras, probably—singing. Students emerge from the set, workers join in, the turntable starts turning and it becomes clear that soon a barricade will be built in the street. The subsequent Marius/Eponine conversation that transitions into "On my Own" would still probably work here. In the span of fifteen minutes, the thesis statement of the revolting students turns into the reveal of the final barricade. It'd be pretty damn rousing, right?

The potential problem with this change is the lacuna it would leave behind. In the current structure of Les Miserables, "Do you Hear the People Sing" is an elaboration on Enjolras' claim that "they will come when we call!" and going directly from that rallying cry to a quiet romantic interlude flattens the rhetorical tension between romantic love and revolution "Red and Black" and makes Mairus seem a little silly (which, to be fair, he is. But Enjolras is not.) Although "Do You Hear the People Sing" is a little too bombastic for Act 1, before the uprising actually begins, there's still got to be some kind of transition. Something needs to foreshadow the violence to come. But what?

I proposed that the best transition would be a reprise of Stars. And that Eponine should get to sing it.

Since the Broadway premiere of the musical Les Miserables in 1987 and especially following the 2012 film adaptation, Eponine's character has been a locus for fandom attention and discourse. Because she's really compelling: despite being the daughter of the selfish, abusive Thenardier, she devotes her life to protecting Marius and ultimately sacrifices it for him. But the closest she ever gets to being understood is by the audience; even Marius, one of two people in the show to be kind to her (the other being Valjean), doesn't really understand the full extent of her devotion to him. And that devotion is powerful, whether as a proxy for audience members' own experiences with unrequited love or a representation of the bourgeousie's reliance on unacknowleged suffering. There's a lot going on with her in the musical. But there's even more to her in the Brick.

Unlike my esteemed Les Mis mutuals I'm definitely not informed enough to do original analysis, but I'm a big fan of the Javert/Eponine wolfdog theory. My introduction to it was with this post by @pilferingapples, although I don't know whether it originated somewhere else. The theory posits that Javert and Eponine, who are both compared to wolfish dogs for their ferocity and devotion to their idiosyncratic systems of morality, are character foils who represent the limited choices offered to people excluded from. I definitely don't know the op who suggested they trade methods of death (if anyone does, please let me know!) but that's also in the Brick. And while the musical adaptation doesn't preserve Hugo's canine/lupine symbolism, it keeps Eponine's one-sided committment to guarding Marius. And it keeps Javert's devotion to the institution of Law.

"Stars" is the hymn of that devotion. It's more sinister than Eponine's love for Marius, but in the grand scheme of things it's just as pathetic. Giving a short reprise of that song to Eponine not only explicates that parallel and gives new life to relatively-unused musical motif, it has the potential to tie together the action of the first act and add a new dimension to subsequent scenes.

Imagine if, instead of beginning "Do You Hear the People Sing" immediately after "Red and Black" or transitioning directly to the Rue Plumet, the scene changes to the outside of the ABC cafe. On the other side of the turntable/wall, Eponine is waiting. And worrying. She knows her father's going to rob a house tonight and that the girl Marius asked her to find lives there*. She can't let her father hurt him. She's smarter than him. She'll do whatever it takes to keep him safe, she swears—not to God or the stars, as Javert does, but to herself. The promise is shocking, because the audience heard that melody two songs ago and are just now discovering there is another way to be. There is another vow that can be made.

While she's singing, the ABC society files out the door. Maybe some hand out pamphlets or chat with people on the street. If the production wants to emphasize Eponine and Gavroche secret sibling bond, maybe they interact a little. But no one pays her too much mind. No one ever does.

The last person to emerge is Marius, looking a bit shaken. The timeline of the students' plans has been unexpectedly accelerated, he says. In case it's his last chance—nevermind why, 'Ponine, don't worry about me—he needs to see her once. You've found her, haven't you? Could you show me? Please? For my sake?

Consumed by shame and dread and the sense that he'll probably do something really stupid if she doesn't tag along, she agrees. And the stage begins to turn into the Rue Plumet, where "In my Life" begins. The whole interaction would take maybe two minutes.

There are of course thematic objections to this plan. There's the argument that "Stars" ought to be a unique, distinct song like "Bring Him Home." But those motifs are reused in instrumental form after Javert's and the students' respective deaths, so I don't necessarily think they're scene- or character-specific. There's also the argument that the melody of "Stars" is altogether too rigid for Eponine's character. I think there are a couple moments that would work quite well with the emotion("and if they fall as Lucifer fell," for example) but if you really don't want Javert's and Eponine's motif to cross, the melody of "A Little Fall of Rain" ("and you/I will keep me/you safe") could work for this moment too.

There's also the argument that Eponine already gets "too much" attention in the musical adaptation and doesn't need. But I don't know if that's true either. She interacts with Marius in several short scenes, she's present for "A Heart Full of Love" and "One Day More," she goes on her errand to Valjean, sings "On my Own," goes back to the barricade and dies shortly after. She gets about as much stagetime as Cosette does, and a little less than Marius.

It's true that she stands out as a character, but that's because she's got such interesting writing and is so isolated in the narrative. And while it's important to keep her "on [her] own," for the plot, using shared motifs to emphasize her symbolic similarities with other characters might make her character fit more cohesively into Les Miserables' grander thematic narrative. It could even make "On my Own" that much more powerful if she has a little hope that saving Marius from her father might get him to like her, and subsequently understands that this is not happening. But there's a lot more to her than being Marius' rejected best friend** and this choice has the potential to make that clear onstage.

In conclusion: moving "Do You Hear the People Sing" to the start of Act 2 letting Eponine do a wolfdog reprise of "Stars" between "Red and Black" and "In my Life" would be sick as fuck and maybe resolve some pacing issues in the libretto.

*There is a moment in the show where she realizes that she and Cosette grew up together. I like it in concept but it's a little awkwardly-placed and integrating it into the unnamed Red and Black/In my Life transition song would be great. Overall, her interactions with Marius seem like afterthoughts in between the larger numbers, which isn't fair to either of them.

**And for the record: this not a post pitting her against Cosette! They are both good characters and I wish the best for both of them!

#ok sherb time to list everything this theory is relevant to:#les miserables #les mis #musicals #eponine #javert #marius #red and black #do you hear the people sing #in my life #on my own #rhymes with thaumaturge #sherb's sub sub library

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rainbow-crane · 3 months

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In-Depth Analysis On All The DR Characters Because What, Are You Gonna Try And Stop Me? Who Are You, My Mom? Yeah, I Didn't Think So- Part 4: Yasuhiro Hagakure

I've actually managed to hype myself up a good bit for this one, despite the fact I'm not fond of Hiro. If there's anything I've learned since starting this series, it's that taking the time to actually absorb these characters and their full existence in the narrative reveals a lot more than you get just by playing the game normally, and I'm hopeful that doing that will make Hiro that much better of a character for me. So, let's dive in.

Per usual, this analysis uses only official materials from the DR series, primarily the english translation of the game. If you aren't that interested in lengthy yapping, then keep scrolling.

Part 1- Character Design

Yasuhiro Hagakure wears several layers of clothing, having a haramaki, white button-up, and his old high school uniform all on over a yellow shirt and a pair of baggy black pants tied up with a yellow bow. His old high school emblem is purposefully designed to look like the yin and yang symbol, and his hair is up in locs styled to bend backwards and stick out at odd angles.

Yasuhiro is a dual character, typically either being the most relaxed or the most panicked person in the room. This sort of duality is likely why he was given the yin and yang symbol, a symbol of balance, along with his talent. Yasuhiro was given the talent of SHSL Fortune Teller, or Ultimate Clairvoyant, and has a unique connection to the spirit world. This may also be why his hair is designed to stick out, similar to how when you touch an object with enough static, your hair stands up. In this way, we can see Yasuhiro is visibly connected to the spirit world at all times.

Part 2- Character Introduction

Hiro is actually the first character to speak in-game after Makoto's self-introduction, calling out in surprise when Makoto gets to the main hall with everyone else("Woah, hey! Another new kid?") He then continues on to be the first one we're able to identify as speaking after the class panover is completed.

This immediately makes him stick out, as this is the character the game makes a point to show you directly before anyone else- not Sayaka, Kyoko, Byakuya- nope, Hiro is first and foremost. Despite this, he fades into the background of the conversation almost immediately after as everyone else decides to introduce themselves to each other. When we get back to his introduction(one of the last ones we see), he introduces himself as someone who takes it easy, and tells you to do the same. We know from Makoto's internal dialogue that he has little to no knowledge on fortune telling, and thus, have almost no insight to Hiro's perspective. We also learn that within the psychic community, he's referred to as 'Supernova'. As he begins to speak, though, we learn exactly what the game's plan for his clairvoyance is: a big joke.

Though, he himself admits he's joking around, and invites Makoto to talk about Lemurian civilization. Lemuria is a debunked theory about a potential 8th continent that was believed to have sunk into the Indian Ocean, disproved by further research on continental drift and plate tectonics. Despite this, it still remains as a subject of conspiracy for many, and tells us a lot about Hiro's interests. Combined with his talent in fortune-telling, Hiro is someone with a fascination for what lies beneath the surface of human understanding. We also learn that he's of drinking age(20 in Japan, though this was changed to 21 in the English translation to reflect international drinking laws). He admits this is due to being held back a few years, waving it off as a 'long story' that we never get to hear.

As the class continues to talk, he remains completely calm, and insists it's all part of the fancy school's orientation. He continues to hold this belief even after Monokuma appears at the entrance ceremony, playing off Monokuma's threat of the killing game and Monokuma himself as a bit.

"Reveal the trick...?" "Yeah, cuz I mean... Y'know, this is all some kinda trick and all, right? So uh, like..."

So our first impression of Hiro is that he's a laidback older guy who isn't the sharpest knife in the kitchen, and that he's into conspiracies.

Part 3- Early Game Development

Once the game's officially started, Hiro very much takes a backseat so the story and mystery can develop, to the point where even when the entire class is talking about their explorations and what they found, Hiro remains silent, only telling the others to chill and continuing to say he believes this is all planned by the school. He appears completely unbothered by the whole situation.

"I mean, this was all planned out, right? The people in charge of Hope's Peak put this all together, right? Man, if I got stressed every time something like this happened, I'd have ectoplasm shooting out my mouth!"

Despite this, if you take the opportunity to talk to him in the laundry room the following morning, you get this:

Despite Hiro's insistence that this is all normal, he's run himself ragged trying to find out why they're trapped in the school. It suggests that his relaxed attitude towards the situation may be some kind of a facade to keep both himself and the others calm. He continues to insist upon it even after multiple days have passed, when Monokuma reappears again to give out the motive videos("Why the hell are you laughing?" "I'm just impressed at the total commitment to this whole act.") He refuses to acknowledge the mere possibility of this situation being an actual threat to their lives, even after watching the motive video of (presumably) his mother and sister in danger.

He insists on it to the point where he doesn't realize the truth of the situation until "Junko" is impaled with a ton of spears and dies right in front of him, and even then, his reaction is delayed, not realizing until Makoto and Byakuya check her for a pulse.

"Sh-she's... dead!? Then that means...! That means everything that's happened so far is real!? It's not a joke or whatever!? It's really real!? Hell no! Someone save me! Let me outta here! SOMEBODY HELP ME!!!" "You're j-just now accepting that...?"

He switches from total calm to ungodly terror, as he didn't experience the dread leading up to the incident that everyone else did. The horror renders him immobile for nearly the entire investigation, only pulled out of shock when Makoto shows him his broken glass ball.

"Did that guy totally dupe me!? He said it belonged to the pillars of history... Genghis Khan, George Washington, Napoleon... He said whoever controlled that crystal ball controlled the world! Was that seriously all BS!?"

"I'm almost afraid to ask, but how much did you pay for that thing?" "Everything I'd saved up from fortune-telling for two full years. Came out to be like... a million."

Not only did he pay that much for what was pretty obviously a glass ball, he fully believed that story despite the fact one of the named holders that 'controlled the world' was a failed emperor that died in exile. It is a hand-sized glass ball. Paying $1M in USD shouldn't have even been on the table in the first place.

Hiro goes into the next chapter still completely panicking, babbling on to Makoto about the 'ill omen' that is the items set in the display case and once again begging to the heavens to be released from the school.

"Ahhh! I've been struck with knowledge! It's an ill omen of total devastation and ruin! L-Let me outta here! Let me ouuuut!"

It's a bit late, as the only dangerous item from that case was used in the previous murder, but better late than never, I suppose.

Prior to the motive announcement, Hiro reveals that he was the one to pick up on the goings-on outside of Hope's Peak, having been in the dining hall and heard what he described as 'noises like a construction site'. It's important enough that Monokuma confirms the noises to be a) real and b) the result of some level of violence, as his provided explanations are an explosion or machine gun. So although Hiro himself hasn't had much of a story yet, he's still keeping his ears open and is at least paying some attention to the problem at hand now.

During the investigation, Hiro ends up in a much better position, now able to not go into total shock and do an investigation of his own. Although it doesn't yield many results, talking to him makes it clear that he's both trying to find something useful and trying to keep what information he does have private before the trial, which is progress. He's doing something instead of just sitting on his ass, and he's trying to remain secretive, even if he's really bad at it.

When the trial comes around, he's excited to provide evidence, being the one to tell the class about the e-handbooks in the mailbox despite insistence that he probably couldn't help anyway. Despite this, he takes it well when he's told he's wrong the second he's given a reason.

"No, she DID have a way! And I can tell you what it was!" "I highly doubt that." "Shut up! I'm telling you, I know how she could've done it!" ('it' being Chihiro entering the girls' locker room)

"She used the thing that was in the main hall!" "Huh? What thing?" "I'm talkin' about Leon's handbook, of course!"

"Why not!?" "Because Leon's handbook was broken." "Oh! Well then yeah, I guess that'd be pretty impossible, huh?"

Part 4- Midgame Events (In fact, we're gonna frame you for murder!)

Now that Taka's grieving, Hiro remembers he's significantly older than the rest of the class and decides to step up as the class rep and keep everyone calm and focused, at least until Taka can take over again. Although it doesn't last for very long, it's a nice gesture on Hiro's part, and shows some level of responsibility from him.

He's the one to direct the class to the 3rd floor and opens up to conversation about what they found, doing everything he can think of to both keep the class' gaze fixed ahead and try to rouse Taka from his silent state, though this falls apart the second Hina starts talking about a ghost.

Despite his efforts, Kyoko is the one who's really in charge here, and instead, Hiro becomes a messenger for her, alerting the rest of the class to 'bathtime' and acting as a voice of reason when both Hifumi and Taka become obsessed with Alter Ego.

"I happened to do a psychic reading for a certain famous CEO once... And that guy was seriously head over heels for a mannequin. He had a wedding and everything! And your eyes just now... I saw the same look in HIS eyes!"

"Oh, Taka! Are you back!?" "Who the hell's Taka!?" "Um... you?"

He also delivers letters to everyone in class when Kyoko has an important update on Alter Ego, assuming that the files have been decrypted. It's also worth noting he has remarkably clean penmanship, and this is attributed to his supernatural beliefs.

The following morning, when Hiro is one of the many students to go missing, Celeste sets it up so that almost everyone is led to believe that Hiro is the obvious culprit before he even so much as gets a chance to defend himself- falsifying and planting evidence, removing proof of innocence to the best of her ability, and manipulating Hifumi to help her- all with the stroke of luck in her favor that even after remembering his life before the game, Hifumi still couldn't betray her when he tried because her legal surname was the same as his first. On a surface level, almost every slip-up or seemingly stupid move was shrugged off as 'well, Hiro's an idiot anyway, so he probably didn't realize,' which is exactly what Celeste bet on. The only one who wouldn't automatically fall under this assumption (Kyoko) was so distracted by her own schemes that she was pulled out of the investigation for the vast majority of it. Even Byakuya completely fell for it until Makoto pointed out some of the inconsistencies to him.

But here's the thing: Hiro's gullible, not stupid. He may fall for other people's schemes, but he can just as easily craft his own and sell them, even when the person being sold to knows they're being duped to some degree. He's a businessman at heart, and you can't become a successful businessman if your schemes don't work. If Celeste wanted her plan to work, then she chose the wrong guy to frame. (The game never actually addresses this directly, but from a meta perspective, it's pretty obvious Hiro is just being used as a red herring, and it's all symbolized in his handwriting- Hiro is more put-together than he's given credit for, and that truth creates the physical evidence of his innocence Celeste couldn't change.)

I mean, Hiro deliberately plays up his own stupidity in the trial, taking the argument that was supposed to work against him and using it in his favor to convince everyone around him of his own incompetency. That's not the strategy of someone incapable of working out a survival plan.

"Come on, I'm not smart enough to think of trying to change my handwriting anyway!" <- a direct contradiction to when he writes Toko's name in blood in handwriting not of his own in the following chapter

Hiro being a red-herring suspect for a murder is quickly followed up with Hiro being a red-herring suspect for a murder. Yes, they do it twice, but this time, Hiro himself believes he's responsible. So there's enough differentiation to warrant it within the plot.

With chapter 4, Hiro's paranoia hits an all-new level. And for good reason, too. Not only have there been 5 attempted murders in the span of just over 2 weeks, 3 of which were intentional and 4 of which were successful, there's also a known serial killer chilling with the rest of the class that's known specifically for attacking men. Not only that, he was literally framed for a double murder case just a couple days ago, and to top it all off, Sakura, the visibly strongest person not only in the class, but also officially recognized as strongest person in the world, has been outed as a spy for Monokuma. So naturally, Hiro's a little on edge when he receives the invite from Sakura to meet in the rec room. So when he hears her muttering to herself-

"This is it... I'm going to end it today... I'm going to end... everything." "As soon as I heard that, I just knew... I knew she was gonna try and kill me! She was gonna kill me and make her escape!"

So, rather then let that potential end happen, he made the panicked decision to defend himself.

He admits to this pretty quickly in the trial as well, as the moment the dying message is disproven as being from Sakura, he caves and tells them everything that happened from his perspective. And he feels terrible about it, too, accepting that he has to die for what he did.

"Well, that's what happened. Go ahead, roast me, boil me, do whatever you want..."

Once Makoto and Kyoko are able to prove he's innocent, it's a massive weight off his shoulders. His fear and panic all but disappear, and he spends the rest of the trial in a much more relaxed state.

And once the trial is over, and they've all heard the truth about Sakura's case, he throws his full support to Hina and Sakura, unable to be mad at either of them.

"This is because of our misplaced hatred. I don't blame her(Sakura)! I CAN'T blame her! And nobody can blame Hina, either!"

Besides being a suspect in both murder cases, Hiro has another important moment in chapter 4. At breakfast on the first morning, after sharing his prediction of no more murders, he tells the story of his encounter with aliens, in which a burger that was supposedly 100% beef was beamed up by an alien spaceship. And because aliens supposedly steal cows, the meat separated and only took 30% of the meat. When he went back to the restaurant, they admitted to mixing pork into the meat. This story is representative of Hiro's own fortune-telling, as only 30% of his predictions are real and the rest are done just for money.

Part 5- Character Relationships

Though none of them are given a main focus in-game, Hiro has fairly important dynamics with about half the cast of THH. Actually, basically everyone that made it past chapter 2 has an established dynamic with Hiro.

5.1- Kiyotaka Ishimaru

Though it's a bit of a one-sided relationship, Hiro is the only character to show any concern for Taka going into chapter 3. After the brutal death of Mondo, Taka goes comatose, and won't eat, sleep, or speak to anyone. It's when in this state that Hiro attempts to get him back in action as class rep, more than once. Unfortunately, he never really succeeds, though this does leave us with the implication that he was the one who told Taka about Alter Ego, as it doesn't make sense for it to have been anyone else at this point.

5.2- Hifumi Yamada

Similar to Taka, Hifumi spends chapter 3 with a special interest in Alter Ego. Hiro is the one that tries to get through to him, calling out his strange behavior and likening it to a former client in love with a mannequin. The two of them also bounce off of each other quite a bit in the first half of the game during group conversations, and when they do, it often paints Hiro in a more reasonable light. As the older and therefore more mature of the two, he knows when Hifumi is full of shit and calls him on it, particularly when he's being horny("But he's a guy! And also a computer program!" "Oh, that aspect is no problem." "That... aspect?").

Hifumi later goes on to work with Celeste to frame him for the murder of both Taka and himself. It's unclear if he had any resentment for Hiro or if he just agreed with Celeste that he'd make a good scapegoat.

5.3- Celestia Ludenberg

Celeste frames him for murder, despite the fact that they didn't have much interaction before then. Why Hiro, though?

"Because you're stupid." "That's it!?" "And in that regard, I made the right choice. I'm so glad your stupidity surpassed my every expectation. Life must have been tough on your parents, though." "I feel like I could cry..."

Not only is this one final dig from her before her execution, it's also just blatantly wrong. Not only was Hiro not there for the majority of the investigation(by her design), but the supposed stupidity of his character she's referencing had almost no effect on the investigation or trial. Rather, it was the assumptions of the rest of the cast that benefitted her, with characters like Hina and Byakuya going along with the same assumption she wanted them to. He was almost immediately proven innocent by Makoto, and was only considered a suspect because Celeste herself kept hounding the idea.

In short, this proved Celeste the idiot. She didn't know her opponent at all, and so she lost, lying about it to the bitter end.

5.4- Sakura Ogami

Hiro's lack of a significant relationship with her is more important than what they did have. Throughout THH, Hiro consistently refers to Sakura not by name, but by the demeaning nickname given to her online, 'Ogre', due to how physically imposing she is. As such, the two never really connect, and when she's outed by Monokuma as the spy, he turns against her immediately, even when they were relatively friendly with each other up until that point. He doesn't necessarily want to distrust her, but not only is her allegiance under fire, but he's already been betrayed and directly put in the line of fire once. He has to consider his safety first, so he cuts her out with the others, though he does say if she makes good on her assertion to defeat the mastermind, that he'll forgive her("If she really can beat the mastermind like she said, that'd go a long way in my mind...").

But even if he isn't condemning her to hell like Byakuya and Toko, he still doesn't know her. He never bothered to try. So when she invites him to talk, he stays on his guard. The game has rendered him unable to connect to her, and so when he hears her speak of 'ending everything', he can only assume the worst. And it leads him to open the case of Sakura's attacker- not Toko, not Jack, not Byakuya. Hiro starts it. And he carries that guilt into her trial.

5.4- Byakuya Togami, Aoi Asahina, Toko Fukawa, Genocide Jill

Hiro has a fairly antagonistic relationship with the other non-main-character survivors(and Byakuya, if you consider him one). The 5 of them spend most of the latter half of the game at each other's throats, often for miniscule, petty things. This is mostly used as a source of comedy, with each pointing out the others' flaws and making each other look dumb. However, when it comes down to it, they can get along and cooperate when it's important.

He gets along best with Hina, as both were part of the overarching group from the beginning, and both are consistently present whenever the group splits up(for example, before Chihiro's body is found). And because Toko and Jack follow Byakuya around, and Makoto and Kyoko are the main characters, the two of them end up as an unintentional pair when it comes to group dialogue, even ganging up on Byakuya or Toko when appropriate. That said, Hina doesn't like him much, either.

5.5- Kyoko

Kyoko acknowledges Hiro's attempts to become the leader of the class in Taka's absence, and uses him to communicate with the rest of the class about Alter Ego when necessary. He acts as her messenger, suggesting she trusted him to some extent, enough to let him be the messenger. Their relationship isn't expanded upon outside of this, though.

5.6- Makoto Naegi

Despite his mounting paranoia and trust issues in the previous chapters, Hiro is shown to trust Makoto specifically, likely because he was the one to prove his innocence in both chapter 3 and 4. He holds Makoto in high regard, enthusiastically agreeing with Kyoko to let him hold the knife in chapter 5 and attempting to explain the dismantling of Monokuma to him: "I'll explain what's goin' on, Makoto. Cuz that's how much I like ya! Byakuya found this li'l fella layin' around, then we tore it apart!" "That doesn't explain anything..."

Part 6- Hiro's Clairvoyance

Despite Hiro's claims of only having a 30% accuracy rating at best, his fortune-telling and bouts of clairvoyance are accurate a good few times in THH. I'm not doing the math to see if it actually falls between 20-30%, but it is enough to be significant.

In the prologue and 1st chapter, Hiro insists that the killing game must be a prank because of his total certainty that the execs of Hope's Peak were the ones who locked them in the school. This is revealed to be true in chapter 4, when Alter Ego reveals the Hope's Peak Headmaster planned the shelter, and the board signed off on it.

In his 1st FTE, Hiro reveals he's already seen that his and Makoto's paths intersect, and that the mother of their children is the same woman. This becomes true if you get the bad ending in chapter 5.

The chapter 2 cover art has Hiro holding a manga with Taka and Celeste covered in blood, with the number 2 beside Taka. This accurately depicts that Celeste would kill Taka in the following chapter, and that he'd be one of two victims of hers.

In the start of chapter 4, Hiro reveals a prediction that there won't be any more murders. This turns out to be true, as the only other deaths after this are both by suicide.

Hiro's wild guess about what started the Tragedy was later proven in the series to be correct repeatedly- Hope's Peak students' deaths started and continued the domino effect of the Tragedy. Hajime became Izuru due to Natsumi's and Sato's murders; the student council were all slaughtered inside the school as the beta kg; the Reserve Course students killed all the Main Course students that weren't either 77-B or 78-B, and then committed mass suicide via brainwashing. All the students were killed.

Part 7- An Inner Look

During THH, we get a look at both Hiro's bedroom and his locker in the main story. This gives us a unique glimpse into his mentality that we don't get with anyone else in THH.

Interestingly, his room and his locker are very different, despite them both containing his fortune-telling materials. In his bedroom, his books are stacked fairly neatly on the desk, and his divination tools are organized, being set on separate tables with a protective tablecloth underneath. The singing bowl and incense- which work for ambience- are kept on one desk in the back, while his cards and dice are kept on the main table in the middle of the room. Meanwhile, his locker has his books shoved awkwardly into the bottom, while his divination tools are all lumped together on the top and have no separation or organization. The locker's state even leads Makoto to say that its owner "probably has organization problems in every part of their life". This may suggest that his room is clean for the sake of potential customers, or just that the lack of space in the locker was inconvenient.

Part 8- Late Game Events

When chapter 5 opens, Hiro's 'dumb guy' shenanigans are cranked up to the max. While everyone's investigating the 5th floor, talking to Hiro in the garden reveals his conspiracy theory on the inevitable global domination of the world by plants. He also gets excited about the 5 chickens, claiming the number 5 to "contain the mysteries of the cosmos" and says it's a good omen.

When he tells the rest of the survivors about the garden, he decides he wants to use the lawnmower to create crop circles, as a signal for help. What he fails to realize is that there are no crops in the school, and that no one would be able to see them from above if there were. It's this moment that Hina points out how ridiculous he's getting:

"What the heck's happened to you...? You weren't like this in the beginning, you know." "Well back then my personality hadn't quite solidified yet...!" "I didn't think it was possible, but I'm more disappointed in you now than I've ever been..."

This suggests Hiro's characterization, from the ground up, was designed to be laughed at. (That's a surprise tool that will help us later.)

When the other survivors decide to dismantle Monokuma, Hiro is the one who actually undergoes the process of dismantling and opening him up, with the only one we see helping with the parts to be Toko. This puts him directly under fire if Monokuma wakes up and decides to punish the perpetrator. It's safe to assume this is why he and Toko were chosen by Byakuya to do the actual dismantling. He also goes on to be the one to get the TV working in the data center, suggesting some level of proficiency with technology that's never explored again.

When the 5th trial begins, Hiro's panicking, insisting that Kyoko is a ghost("she's like the latest evolution in ghost technology!") and has to be corrected before the actual trial can start.

When the final investigation begins, and Kyoko, Byakuya, and Toko have all gone off on their own, Hiro decides he's going to go off on his own as well, declaring he's going to use his "totally awesome spirit power to figure out the mastermind's identity!" This declaration goes nowhere, as he's the only survivor you don't need to talk to before Monokuma's clue, and his only dialogue before the trial is him avoiding you. This 'totally awesome spirit power' is never used in the final trial, either.

When the final trial begins, Hiro is the first to make the accusation Monokuma wanted- that he was the only innocent one, and that everyone else was working together. But when Hina and Byakuya piggyback off of him, he's the first to realize that they've all been given the same evidence. Simultaneously, somehow, he's the last one to realize the evidence is fake("Wh-what? Wait, hold on... This doesn't make any sense... How can the three of us each have that kind of evidence!?")

When Junko reveals the truth to everyone, he's the first to beg for mercy. He's brought to despair- "We get it... We get it, okay? You're totally awesome, right? We get it already! So help us! I'll do anything! Just help me!" "A peasant begging for his life? How delightful! We've never witnessed such a travesty firsthand..." But when Makoto fights back, he's also the first one to embrace hope(assuming you shoot the characters in the order they appear):

"But to live means moving forward, right...? So even if it's hard... even if we're scared... we don't have any choice, do we? I want to keep on living! I want to open the next door! There must be something new waiting for me! So that's why... That's why...! No matter what, I need to get out of here! The whole fortune-telling thing doesn't matter anymore! What matters is my own gut feelings! I... I've decided to have faith in myself!"

He, along with the other survivors, votes for hope. Junko is executed, and the seven of them leave together.

Part 9- Ultra Despair Hagakure (yes we have to talk about this)

TW: discussion of pedophilia and incest. Skip to part 9 if you need to(5 paragraphs down).

Ultra Despair Hagakure, or UDH, is the spinoff-spinoff LN unlocked by completing "spinoff" game Ultra Despair Girls. It follows Yasuhiro Hagakure in Towa City as he's saved by former captive Kanon Nakajima, and the two of them try to survive the Monokumas and find a way to escape. The novel's state of canon is unclear, but it doesn't directly contradict anything in the main series continuity in terms of plot progression.

The problem with UDH (well, for Hiro anyway. Kanon is a whole other can of worms for the Leonalysis) is that UDH establishes Hiro as a pedophile. Kanon is 15, and says as much in her internal dialogue, but Hiro(who introduces himself as mid-20s) spends the LN being attracted to her, and that attraction combined with his money-hunger pushes him to stick with her, hoping to squeeze money out of her rich father upon their escape. He describes her as 'the type to have a baby by 21', and there are multiple instances of him being turned on by her, either while she's fighting the Monokumas or when she ends up physically leaned against him. All around, it's just a really unfortunate choice they made for his character that serves nothing to the main plot besides acting as a way to emphasize how cute Kanon is. Why did they choose to have Hiro act in this way towards Kanon? Simple: UDH is a fetish novel.

UDH adds no significant development to the worldbuilding or its pre-established characters, with two exceptions- Hiro, and Leon. Both become victims of immoral fetish content, though Leon at least gets the shield of plausible deniability from an unreliable narrator. Hiro doesn't get that since we see his first-person perspective. The plot of UDH is structured around Kanon, despite its being named after Hiro, and centers on her feelings of lust and desire for a relationship, using the setting of UDG as a backdrop. Hiro is an older man than Kanon, and Leon is Kanon's cousin. Both of these characters had their names and base personalities recycled to act as her love interests, as an excuse to write fetish content. It's as simple as that. And Hiro in particular suffers because he's the living and present man of the two, so to make the content, he's given perverted, sexual thoughts about Kanon, a 15 year old girl, as a grown adult in his 20s, not because it's something Hiro would've done, but because it's part of the older-guy fetish. It's unnecessary for his character, and doesn't appear at all in the next and final appearance he has in the series, nor does it ever come up outside of this LN.

UDH is a dark spot on the history of Yasuhiro Hagakure, and one of dubious canon at that. But it's still important to acknowledge that was written and released as official content within the DR franchise, and therefore, must be part of this character dissection. Ultimately, I've come to the conclusion that, due to the entire LN being primarily fetish content, it can't in good conscience be held up as part of Yasuhiro's own character. However, it is reflective of Kodaka's lack of care in the treatment of Yasuhiro Hagakure as a character.

Part 10- Danganronpa 3: Future Arc

Hiro, alongside Makoto, Kyoko, and Hina, are brought back as part of the lineup for DR3's Future Arc, participating in a new killing game with 12 new characters.

10.1- Character Design Pt 2

Hiro's design is updated to his Future Foundation uniform, with his pant sleeves rolled up, his blazer over his shoulders, and a bright blue tie. His locs are now pulled back, he's wearing thin-wire glasses, and he's pictured holding his crystal ball(though again, it breaks in the 1st episode).

10.2- Hiro's Subplot

In the first episode of the Future Arc, Hiro's left out of the meeting by the others and told to wait outside. He's then left out of the killing game and locked outside the building by accident when the exits are blown up, and left to fend for himself in occasional clips for over half of the season until Byakuya shows up to break into the building.

His only role in the anime is an occasional cutaway to him wondering what's going on inside, only to be shot at by a helicopter with a machine gun and barely survive unscathed. The anime straight up tells the audience the reason for this in one of the opening recaps:

He's the only survivor from THH not to play a significant role as well, as Makoto, Kyoko, and Hina are active in the kg, Byakuya is the one to lead the rescue effort, and Toko and Jack get a dedicated episode in Towa City with Komaru to hunt down Monaca. All this to say, his occasional bit of barely surviving is all he gets in comparison, which isn't much.

10.3- Byakuya Togami

As the only character Hiro has significant interaction with in the season, the relationship between Hiro and Byakuya is mildly expanded upon. Once Byakuya arrives, Hiro immediately falls in line beside him, following orders to lay explosives and try to break into the building, complaining all the while as Byakuya watches and directs him. It's all reminiscent of their relationship at the endgame of THH; however, Byakuya appears to be more fond of Hiro at this point, stopping him from triggering the trap in the lobby and keeping him out of danger at his own risk. In that vein of logic, Hiro being told to stay outside by not only Byakuya, but also Makoto, Hina, and Kyoko wasn't because 'no one likes him', it was because of genuine concern that he'd get caught up in something that wasn't his fault. It was because they liked him that he was safe.

Part 11- Racism in Danganronpa

As we've seen, Hiro is a character without much of a story to talk about. He's got his bit moments, and a banterous dynamic with the other survivors from THH, but even in his own novel, he doesn't have his own plot to speak of, nor does he ever receive any significant character growth in 8 years of DR history by real-world years. He is wholly a gag character, meant to be messy, stupid, and altogether unimportant in comparison to the rest of the cast. And to call this anything other than flat-out racism would be flat-out ignorance.

First off, in a series with over 100 characters, Hiro is one of 3-4 characters who are canonically dark-skinned(I can't remember if Akane was dark-skinned or is in "it's just a tan" club with Hina, Sakura, Teruteru, and Gonta). Of those, he's one of two black men, and the other is a racist caricature whose sole purpose is to die in demonstration of a 'game mechanic'(Daisaku Bandai). So already, we can clearly see that black men, as well as any other dark-skinned characters, aren't prioritized in DR's narrative.

When it comes to Hiro specifically, though, the specifics of his character- his design, his backstory, and the perception the other characters have of him- all at least partially stem from blatantly racist stereotypes. It's not just a matter of lack of rep, it's a matter of stereotypical and often outright offensive representation.

Scroll back up to see Hiro's THH design again. He's dressed in multiple layers, making him look 'grungy', like he doesn't care about his appearance, and he's the only dark-skinned character to have a black hairstyle throughout the entire series. There's a point in the game where, if you choose to speak to him in a group setting, Genocide Jill refers to him as "Afro Thunder" as a derogatory remark. Even from a character that gives everyone nicknames, this is clearly racism, as the other nicknames are plays on the characters' names ('Big Mac' for Makoto, 'Tick Tock' for Taka, etc).

While the details of Hiro's backstory aren't fully expanded upon, we do have enough information from his mother, Hiroko, and some of his dialogue in THH to have enough of an idea. Hiroko was a teen mother, and considering Hiro is in his mid-20s(23 at the youngest) while Hiroko is around 36 during the events of UDG according to the UDG artbook, that would mean she had him at age 13, at the oldest. In addition, Hiroko isn't dark-skinned, meaning that either Hiro got his color solely from his father, or his mother was biracial and just didn't get those genes. In addition, we know that his father wasn't around for most of his life, as he left Hiroko for an unspecified act she 'let go on too long,' which implies infidelity. We do know his dad was around long enough for Hiro to remember him, though, as he's able to recall an instance where his father burned their house down due to smoking in bed. Now, this may be on me, but the implication all this seems to suggest is that his father, who would've been black, left his family and left the teen mother to raise Hiro on her own, and that the one depiction we receive of him paints him as irresponsible for causing a house fire. It's not expressly canon, but it's the implication the given information leaves for the player, and is eerily similar to the stereotype that black men are irresponsible and absent fathers that knock up younger women.

Throughout all of THH, Hiro is perceived as stupid. Just about every character that interacts with Hiro calls him an idiot at least once, and he's repeatedly portrayed as not understanding what's going on around him. The only character that's ever less aware than he is at any given time is Genocide Jack or Toko, and that's because the two don't share memories. In chapter 3, his supposed idiocy is emphasized as the reason Celeste targeted and pinned a double-murder on him, and how she was able to get away with framing him for so long. Almost everyone agreed with her that Hiro's idiocy explained away the flaws in logic from his perspective as a killer. Byakuya even says as such("He probably thought that if nobody saw his face, it wouldn't matter if he was seen. Because he's an idiot, you see."). He falls for every little lie Monokuma drops over the course of the game, to the point where he contradicts himself at the start of the final trial. There's a moment in chapter 5 where Hina goes on about how stupid he is, and asks him what 10+10 is. It offends him to the point he forgets what question she asked, and when he asks her to repeat herself, she just says "Don't worry. You've already answered it." Even Makoto, the POV character who we're meant to project ourselves as player onto, goes on about how stupid and disorganized he is at multiple instances when talking to him. Not only do the other characters perceive him as stupid, but the game wants you as player to perceive him as stupid, too, at the detriment of his own characterization as a successful and sleazy businessman who's made millions. Stupid, disorganized idiots who spend $1M on a glass ball aren't normally charismatic and clever enough to be making that much at such a young age from the ground up.

And maybe, maybe, if Hiro were the only instance where a dark-skinned character were subject to this volume of stereotypes, and the rest of the dark-skinned characters were all excellently developed and unique and well, not written consistently with racist tropes, then you could try to make the argument that this was by mistake. That it wasn't fully intentional, or that the creator was just trying to make a variety of characters, whatever. But every single dark-skinned (or tanned) character in the series suffers from some kind of racist trope. If it's not this, or being a blatant caricature like Bandai, it's being a monster brute who's viewed as an inhuman monster(Sakura, Gonta), it's being an islander cultist who follows some indigenous violent god(Angie), etc. The racism within Danganronpa's dark-skinned characters is inherently a part of their characters, to the point where you cannot separate the sins of the author from the character. Yasuhiro Hagakure is a byproduct of racism, and it holds him back as a character from being expanded upon outside of what the stereotype allows so long as he's written by his creators.

Part 12- Fortune Telling Does Matter (Why we should care)

We've now thoroughly dissected Yasuhiro Hagakure and his role, or often lqack thereof, in the story. He's a gag character built on racist tropes that the creator didn't give a fuck about, and was lent out for a fetish piece. He's an idiot, a useless guy whose own creator built to be pointed at and laughed at. Why should anyone care about Hiro? The answer comes in the epilogue of THH, from Hiro himself:

"...Ah! I get it now! If there's no road, you just gotta build one! Creation... Fate is telling me to remake the world! That's... my hope! I've reached the next stage! The next chapter of Yasuhiro Hagakure's Life Story is about to begin!"

'If there's no road, you just gotta build one.' Hiro was made with racism, yes, and went underused in the source material, but that doesn't mean that was all there was to his character. If you dig into the work, you'll find a passionate man that cares deeply for his interest in the unknown, someone who researches and collects artifacts in his free time, and who genuinely believes in his clairvoyance, and used that passion and belief to build a career and life for himself. The pieces are in place for his story to continue, and if the source material won't do it, then well, can't we? Danganronpa is known for its love and attention to detail of its characters. Each and every character is designed with the potential to become the protagonist of their own story. That includes Hiro. He does have the potential to rise past the source material in the right hands, and those could be your hands. Who's to say? Maybe there's some unwritten genius hidden within that next chapter. That's the beauty of fanwork; untapped potential can become a fan favorite if you know where to look.

Afterword

"Hey guys, Sayakanalysis is taking a while, I want an easy one next." Well look how that turned out. This shit was NOT easy, not by a long shot. I've come to the conclusion that there is no easy character to analyze in this godforsaken series

That said, I am happy with how this turned out. Even if Hiro is a bit all over the place, I genuinely like him a lot more now! There's actually a lot of fun to be had with his character if you're willing to look deeper into him; that's what I want people to take away from this

Anyways, it'll probably be a nice long wait for the next one because uh. Junko is next. And V3 is basically the only time she doesn't show up soooooooo hope you enjoyed catch ya later

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silverskye13 · 5 months

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Silver I know next to nothing about the alien franchise and movie, I am giving you full permission to use this ask as an opportunity to spread propaganda to get me (and anyone else) to finally watch it

So it's, so like, the thing is, right. I'm not a movie tech kinda person [though it is technically impressive, the funny little tricks they did, like not having the budget for a Big Space Ship Derelict so they are a scaled down model that the director's kids in space suits walked up to so it would look bigger, and it was shown to the audience on a shitty CCTV because they didn't do a big matte painting of the set they filmed the tiny one, projected it onto a wall, and then filmed that.] So my rant isn't going to be about how technologically cool the movie was for 1979 on a less than optimal budget. But what I do like, what I excel at, is breaking down themes and tropes. And my god. My god. Just. Ugh. [Flails my arms.]

So a basic rundown for the movie, spoilers ahead, and my analysis of how fucking cool it is:

Basic gist of the movie: The crew of the commercial mining vessel Nostromo are awoken halfway through their trip back to earth by a mysterious signal, calling for help on a far away planet. Upon going down to investigate, one of their crew members is attacked by a strange alien parasite which attaches to his face. This kicks off a tale of increasing horror as the new alien kills off the crew one by one, culminating in Ripley [the main character] blowing up the ship and fleeing in an escape pod, not sure if she'll ever be picked up in the vastness of space -- with the ships cat, who miraculously also survives. [We all know Jonesy is the real main character 💜.] Along the way a plot by the Weyland-Utani corporation is revealed, one of the crew is discovered to be an android, and there is a lot of alien screeching.

Now! The themes that I go absolutely feral over can commence.

The horror of the movie, the reason why the alien is scary, and lethal to humans specifically, is it is a creature built for efficient survival, and this is a trait that Ash, the ship's science officer [and resident hiding android] highly praises in the critter. He describes it as beautiful, elegant, pure in its efficiency. The perfect organism. Efficient.

Humans, by comparison, aren't efficient. We are social. And efficiency preys on social needs. For example:

The xenomorph eggs can survive for ages [in the derelict they're found on, the dead alien who drove the ship is described as fossilized. These eggs have been here for thousands of years. But they activate immediately when a curious human pokes around them. It isn't a fast process. Kane is poking around for a few minutes, looking at the movements of the creatures in their eggs, making observations. Curious. Curiosity is an inefficient trait -- he would have survived if he had climbed out of the hole the eggs were in and left, or even waited for the rest of his team to enact quarantine and investigation procedures.

Speaking of quarantine! When Dallas and Lambert bring Kane, newly infected by an alien parasite, back to the ship, Ripley locks them in the airlock. There are quarantine procedures. We can't risk the whole crew. But they are scared for Kane's safety. He might die without help. They break quarantine. If they hadn't broken quarantine, the baby alien would've been born in the airlock, where it would get spaced the moment it was born.

When the face hugger parasite dies and Kane seems to return to normal, what they should have done to attempt to reinstate quarantine was put him in hyper sleep. His body would have been frozen in a stasis which might have frozen the parasite or, if it hadn't, would have left the new baby alien trapped in a stasis pod. But Kane, haggard and scared from his ordeal, asks can we please have one more meal together before I go to sleep? And that one meal is long enough for the new xenomorph to be born, and release terror on the ship.

There is more. Parker would have lived if he hadn't gone to find the cat by himself, leaving the safety of his group. Dallas would have lived if he let Ripley go through the vents, but he was the captain and he didn't want to risk someone else's life so he went instead. Brett would have lived if he'd left Lambert behind when she was being attacked, or if he'd hit the xenomorph with the flamethrower instead of insisting Lambert get out of the way first. And Lambert would have lived if she'd run instead of being paralyzed in fear by the creature killing her friends. And the xenomorph? Wasn't even eating it's kills. No gore. Little blood. It was killing them because it knew they would kill it, and it was neutralizing threats. Efficient.

The xenomorph is very clearly engineered for survival, and it's survival depends on killing the inefficient organisms around it. Even it's acid blood is described as a survival mechanism, not an offensive mechanism.

Okay Skye, we hear you talking about how scary the critter is because it's not a social creature. That's an interesting observation, but it's still just a monster story, right?

Well, let me tell you an alternative story. Just a little to the left of the original, but one I would argue is still very very canon.

You are an android built by Weyland-Utani, a company which is jealously hunting alien tech to use for its many space programs. You are placed on the Nostromo because there is a known anomaly in the area, and they want to find it. Your job is to get a specimen back to the company, all other protocols expended.

You are programmed to be efficient, so you get to work.

You wake the crew when you find the signal. You give them only the information they need to investigate: it is a signal that repeats every 12 seconds. You let them make the conclusion it is an SOS. Humans are social creatures. They want to help other social creatures in need. There is some arguing about whether they should go, but in the end an extra push from you sends them. Ripley, one of the more efficient members of the crew, keeps asking you why you haven't decoded the message.

"Mother [the super computer running the ship] is still working on it." This is true. She has only translated part of the signal. By the time Ripley realizes it's a warning, the crew is already on the way to the derelict. You tell her if she walks out there, they will have already figured out if it's a warning or not by the time she makes it to them. She agrees.

When they return with a specimen, Ripley [efficient, following protocol] doesn't want to let them on. But Ripley doesn't know you're an android, so when you break quarantine, and you tell her you just wanted Kane to be safe, she begrudgingly believes you.

When the alien is loose, it is easy for you to keep them from killing it. Humans are social, inefficient creatures, and you feel no empathy for their deaths. You do pity them though. Between you and the alien, their chances of survival are slim.

If only they were more efficient.

The horror in Alien is not the xenomorph. The horror in Alien is when anything, primal creatures, androids, a particularly greedy corporation, preys on human social needs in order to get what it wants. There is significance in that Ripley, despite everything, chose to save the cat. She needed companionship. All humans do. She needed to save that cat. A cat that was cantankerous and mean, and hissed whenever it was held, was better than the cold efficiency of empty space.

Any system that prioritizes absolute efficiency will be inhospitable to human life.

#spazzcat barks #alien 1979 #xenomorph #i could go on actually #the entire second movie Aliens is about a colony falling prey #about families torn apart #about a little girl who survived because she was quiet and saved by her brother #about how a thousand times they should have left that child behind to save themselves but they didnt #and how an android not powered by the company helps them survive #i just..... the movies are about corporate greed #wait it was about the dangers of capitalism all along? always has been

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saerotonins · 9 months

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tied red strings of fate

ft. gojo satoru x gn!reader

request: omg .. tadhana by udd + satoru please ?

content warnings: fluff, angst, hurt/comfort, jjk manga spoilers [ch 236], canon divergent, implied that reader knows about curses but is not a sorcerer, lowkey a character analysis but yeah, happy ending

wc: 1283

note: when i saw this request i was so happy because tadhana* is literally one of my fave opm classics! also, im sorry nonnie if this was long overdue, figured i'd give him some fluff at his death "anniversary" heh (albeit a little late). i miss our glorious king sm :(( happy holidays 🎀

song: tadhana-up dharma down

*tadhana=destiny

gojo satoru is a force to be reckoned with. his name rings a bell and brings shivers to the spine of any potential enemies he has.

he's gojo satoru, the strongest of all, the holy grail of jujutsu sorcery. he's gojo satoru, whose power literally repels and divides everyone else and him.

but to you, he's a lover, a man of his own, an independent being who is capable of emotions. he's satoru. the love of your life.

so when he decided to call it quits, to say you were devastated is an understatement. you were left broken, calling out his name at night hoping he would appear in front of you just one, for closure. him closing the chapter of your book got you weeping and yearning for more of him.

because even though he's your lover, even you have a hard time of catching a glimpse of who he really is. satoru is an open book, but he's hard to understand. you did all your best to ease him and make him open up, show more of himself to you, bare his truth, the good, the bad, and the ugly, all of them you're willing to accept.

alas, the universe has other plans, the challenge ended even before it began, he is most definitely an enigma, someone that you will probably never get to solve. satoru's backed turned against you was a sight you are never going to forget. you spent months moving on and try to live a life where he isn't yours. it's hard but you try to manage anyway.

so when a knock on your door was heard by the 31st of december, you didn't expect gojo satoru in his full glory standing before you. as shocked as you are, you see his eyes had sunken. he's beyond exhausted but when he sees you, his eyes lighten up and you feel the warmth of his arms and your feet off the floor. you miss this, you miss him, it was all so familiar and something you very much miss. every fiber of your being remembered the way he touched you, triggered by the way his hands gripped onto your waist for dear life. as confused as you are, you reciprocated his gesture, opting to rest your hand on his shoulder blades.

"satoru?" you managed to voice our before you feel him put you down but his embrace remain. he then rests his head on the crook of your neck, then you hear him sniffle. suddenly you feel something drop onto your skin. his tears slowly roll from his face to your neck and shoulders.

satoru's lips wobbles as he tries to contain himself but to know avail, he lets his cries out, deciding to bare himself to you and be vulnerable. he was so so so tired of fighting. as great as the title 'the strongest' sounds, it gets too lonely even for him. being on the top is lonely. and he knows it himself.

he'd rather fall from grace than live a life where he isn't yours. he was too late to realize it. he was so stupid, too cocky, too condescending that it took him facing death before realizing that he wants to live, just for you. so when he finally defeats the evils of the jujutsu world, his first thought is you. the only one who provided light in his dark and desolate world.

as charming and bright satoru is, he is often left in the shadows in the cave but when he came to know you, he was absolutely in love and smitten. you were like a fresh breath of air to him. but when he decides that creeping into your mundane and simple life would rather be selfish of him. someone cursed like him shouldn't be able to be with someone who is blessed and down to earth like you.

but being selfish be damned, he had faced battles, including one that almost left him biting the dust. he wants you, he needs you in his life and letting you go was definitely a mistake, something that he will never do ever again.

when his cries had calmed down, you finally get his voice again after a long time. "i'm so sorry," satoru started. "i was an idiot, i love you so much and i never stopped loving you. i was so stupid to let you go, i have never loved someone as much as i did with you." satoru knows his worth is probably lesser than any other being the moment he let you go, the only pillar who provided stability and balance in his life. he was impulsive, too proud, and too strong. but the way you held him every time you caged him into your arms is like he was fragile, someone to be protected, someone to cherish.

satoru loved that. and he was stupid to think that was worth letting go.

knowing you has made him scared of death, an entity or event that could break the two of you apart and live in separate worlds, and he couldn't bare to face it. he loves you too much to let himself go and so he fought with you in mind and thank any deity that exists, he finally won.

gojo satoru is the strongest.

so seeing him crumble right before your very eyes as his knees meet the concrete is a shock. he had bowed before you first before he had bowed to any higher up. hell, satoru bowing before anyone else would come as a shock. he held onto your ankle for support, his voice begging to take him back as he spews even more apologies that he can manage.

"please, please, i'm so sorry darling, i'll do what it takes for you to take me back. i love you so much, no other human had made me feel this way, please i'm so sorry. i miss you so much, god, i can't even remember a life before you, please." satoru had begged, begged, and begged, his voice getting louder and louder and each increased volume of his voice his hurt is more evident.

with the way his voice cracked broke your heart, and that's when you knew he meant every single letter, every syllable, every drop of tear, and every breath of his apology.

you had completely broken the strongest. but satoru doesn't mind. even if you break him a thousand times, he'd painstakingly pick up every single piece of himself to present it to you. and that's what he's doing right now.

"i forgive you 'toru," he barely hears you say through his wails and it slowly comes to a halt. he then lost the feel of your ankles as he sees you kneel yourself to his level. your hands reached to touch his face and there you see his eyes, glassed with tears, love, and regret. satoru feels the heat of your hands on his cheeks and his instincts leaned into it. "i was hurt, but i'm never mad, i just wished you'd tell me why," his heart broke when he heard your voice crack.

"but you're hear now, right? we can fix this, we can fix us." you say as you carefully wipe the tears on his face. satoru nodded as he holds your wrists and caress his thumb on it. "yeah, we'll fix us."

"together?"

"together," satoru said in confidence.

and with a light heart, satoru leans in to catch your lips on his, sealing his silent promise to never hurt you ever again, or he will never get to forgive himself.

he's gojo satoru.

he'll always find a way back into your arms.

another note: i'm quite unsure with the ending but this is all that i got 😔 i hope this was on par with your expectations nonnie hehe 🫶🏻

#🧤muse: satoru #gojo fluff #gojo angst #gojo satoru x reader #gojo x reader #gojo satoru fluff #gojo satoru angst #gojo satoru x you #gojo satoru x yn #gojo x you #jujutsu kaisen fluff #jujutsu kaisen angst #jujutsu kaisen x reader #jujutsu kaisen x you #jjk fluff #jjk angst #jjk x reader

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utilitycaster · 7 months

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Hi there, I saw in one of your tags recently that "if you think the raven queen was being unfair, I'm not really interested in your opinions." I was wondering if you could talk a little more about that because I'll be honest, Vax isn't my favorite character but I've seen all of C1 and I really don't get why some people HATE the RQ, call her unfair, manipulative and pretty plainly say this moon conflict is mostly her fault because she took Vax and through a Domino effect Ludinus is releasing Predathos. Also, I enjoy your theories and analysis for CR so much you got me listening to Midst, so thank you.

Hi anon,

Great question! This is going to be a very long post, with a relatively short initial answer, because there is both the literal misinterpretation that indicates this is not someone with strong analytical skills nor knowledge of canon, and a number of potential mindsets that lead to this manner of thinking in the first place, none of which I respect. You happen to have sort of hit upon the foundational elements of my whole deal re: CR meta, so, buckle in.

The first part is simple: Vex died because Percy triggered a trap before she'd been healed up. We've seen this sort of trap elsewhere in non-divine contexts (Folding Halls of Halas); it's just a form of trap. A particularly nasty one, but this is for a very powerful relic she doesn't want falling into the wrong hands, and, moreover, the party could have likely disabled it either through rogue skills or magic had Percy waited. Vax, then, as the third part of the resurrection ritual, told the Raven Queen to take him instead of Vex. The Raven Queen did precisely as he asked. He did not need to offer this (Scanlan was going to make an offering, the other parts of the ritual had gone well, it was Vex's first death so the DC was low, and Vax could have made any number of other, less dramatic offers), and he did so with the understanding that he would die in lieu of Vex, right then and there. He did not. I think that's the only case, actually, where the Raven Queen was not 100% upfront with her intentions before Vax accepted something; but he offered it voluntarily. Vax was a person who formed extremely intense connections, to the point where it was perhaps unhealthy, and did not believe life without his sister was worth living, and was willing to sacrifice himself to a god.

Everything after that was extremely straightforward. Vax communed with the Raven Queen, who spoke very directly with him in his vision in the Raven's Crest. She was extremely clear when she met with him following his disintegration: he was given the option to refuse her offer, and he took it instead. It is not manipulative to give someone a difficult decision, and if a character you like makes a choice you don't like, it is not automatically the result of manipulation.

As for the moon conflict being her fault…that is, to put it bluntly, unhinged, and what's more, ironic given that that's the manipulative argument. Ludinus tried to commune with Ruidus using a random crystalline artifact beneath Molaesmyr, centuries before Vax was born. He was going to do this regardless. If he couldn't get Vax, he'd get some other sliver of divinity, and what's more, it's been all but stated that Vax is not actually supposed to be leaving the Shadowfell to protect Keyleth, and is disobeying the Raven Queen directly (and it's been stated that this isn't necessarily helpful for Keyleth, who is trying to grieve and move on). So: Vax made his choices with the knowledge of what they entailed, is trying to bend if not break the conditions to which he agreed with full knowledge in a way that probably isn't healthy for him or Keyleth, and it's bananas to be like "wow look at how the Raven Queen made Ludinus try to free Predathos." Like. Even if she had tricked Vax, which she didn't, Ludinus literally could have just kept on his racist imperialistic longevitymaxxing beat indefinitely and left the moon well enough alone. The domino meme is a meme. I mean, while we're at it, couldn't we trace it back to Vecna instead, for killing Vax with Disintegrate in the first place, since had he not done so, Vax would have either survived that fight or would have been resurrected normally? Or perhaps it's Percy for triggering that trap. Or the Chroma Conclave for being the reason why Vox Machina was seeking the Deathwalker's Ward in the first place…but that only happened because Allura and Kima didn't kill Thordak but rather sealed him, and because a priestess of Melora cursed Raishan so that she had reason to ally with Thordak. We can go on indefinitely; the point is, to assign blame specifically to the Raven Queen when Ludinus literally did not have to do a goddamn thing with the moon is a fucking stupid take.

Below the cut, I talk root causes behind why people might decide the Raven Queen was unfair and come up with the above nonsensical argument to support that, since I don't think people say stupid things just to be stupid.

I think one root cause for this mentality of this is that the person in question wishes Vax hadn't died and is looking for someone to blame because they don't want to blame Matt Mercer and Liam O'Brien, even though yeah, that's who to blame. The thing is, as we learned in Campaign 2, character death is quite literally on the table. Had Vax not made his bargain, either in episode 1x103 or his original one during Vex's resurrection? He might have simply remained dead. Had he not given his life for Vex's, he was pursuing paladin anyway with the Everlight, and we don't know what she'd have required of him. But more importantly, for all people like to bring up a PC-centric perspective (which, in Actual Play, is inevitable) Vox Machina's frequent use of resurrection spells was in fact a massive privilege most people in Exandria do not have. And, unsurprisingly for a table whose DM made up rules specifically to make resurrection more difficult, the Critical Role cast is open to a story where death exists. I do not think it's an accident that resurrection has been made even harder in the subsequent campaigns. I also happen to think that Campaign 1 is a far richer and better story with Vax's death, given the other events that occurred. Had Vax not been the sort of person who would offer his life for a god to take in exchange for his sister? Sure, he'd possibly have lived to the end. But he was, and that's the character those people who wish he were still alive loved. If he wasn't that person, they wouldn't have liked him in the same way.

D&D is fundamentally about exceptional characters becoming more powerful, and will be focused on those characters. I do not think D&D supports a story about characters who reject all power. They can give up political power (the Mighty Nein, for the most part, do this - certainly more so than Vox Machina, and Bells Hells is yet to be seen) but they will progress in levels, which is power. Even if unwanted, it is power, because most people in the world are commoners with 5 HP and 10 in all their stats. With that said, a lot of people desperately want a subversion of this power narrative. Vax is, I think, the closest we get. In D&D you are not going to get a player character who finishes a campaign and remains Just Some Guy. But you can have someone like Vax, who doesn't have any interest in power (compare to Vex, who very much is about power and who gets a much happier ending) who nonetheless ends up on the Tal'Dorei Council and the favored of a god…and yet, in the end, his equally powerful friends still can do nothing to save him. I think a Power Bad story is overly simplistic, but "there are limits to power, and ultimately none of us have complete control" is not. I think Vax's death gives the story of Vox Machina a finality and heft that it would lack otherwise.

A second possible cause is the "What if the gods are BAD" argument. I'm going to be totally honest: I did not see this in the fandom until Campaign 3, and honestly, not until EXU Calamity in any widespread sense, which does lead me to believe that most people did not come up with it as a reasonable idea on their own until characters started saying it, because it is so plainly in conflict with the themes of Campaigns 1 and 2 that to make this argument would be obvious projection. Do I think a nuanced view of the gods as flawed beings, rather than perfection, is warranted? Absolutely. Mortals, too, are flawed, and we don't kill them all for it. I think Vax's story makes them uncomfortable because it makes it clear divine favor is not, as Ludinus Da'leth tries to argue, the gods just bestowing and withholding their gifts arbitrarily, but rather that divine favor comes with a divine responsibility as well. Clerics and paladins do not study the way wizards do; but they must live lives in service, whereas a wizard can shut the book at the end of the day and do whatever. Clerics and paladins have powers that can be taken away; a wizard does not. That's the fundamental concept behind the Age of Arcanum - wizards trying to get around the fundamental rules of this world! Vax's paladin powers came at a price. His options are guided, but also limited, by the oath he took. He is far more fettered than a wizard, in the end, and I think that fucks with the narrative of the gods cruelly withholding their gifts from all but a select few, so they instead make their gifts into manipulative punishments…while still, contradictorily, arguing that characters such as Laudna or Ashton or Imogen were denied the mercy of the gods. Now, setting aside the obvious, that these characters have their backstories because Marisha and Taliesin and Laura decided they would because this is a story, and one in which someone had a perfect life would be boring and so the gods didn't intervene with Laudna because Marisha Ray wanted to play a Sun Tree corpse (see next section), it really is fascinating to see how people who hate the Raven Queen so neatly align with Ludinus. It's fine for sorcerers to have inborn powers, apparently, and Ludinus actually has himself tried to ape druidic magic; it's not about power, it's just about that power source. Honestly, they're not even above the gods as a power source - Ludinus used the crystal beneath Molaesmyr seemingly unaware if it were of the Archheart, and he's demonstrably using Vax, and everyone loves a resurrection from the gods, but heaven forbid you pay someone for the work you feel yourself entitled to. (Entitlement: this will also be a theme throughout the rant portion of this post.)

As a brief subsection to this: the idea that bad things happen to good people because the other side of that coin is free will is an ancient theological and philosophical discussion, and one we are obviously not going to solve here, though it is a little depressing I have had multiple rewarding conversations on this topic, thanks to an academically rigorous religious education, starting from the tender age of 9, and a lot of adults on Tumblr seemingly can't engage on the level of my third-grade classmates. I think, however, it tells a truth that fits in well with the wizard (and entitled fan) desire to control everything. People are terrified of random forces. Cancer, for example, is a matter of probability. There are things that can increase your chances of developing cancer, to be sure, but the simile I used when I was taught about radiation-induced cancers was that of lottery tickets: if you buy more, you have a better chance; but sometimes someone who bought a single ticket "wins" and someone who bought a ticket weekly never does. By believing the gods of Exandria are on trial for not intervening with every little hardship or for not taking Vax precisely as he intended, they reveal a profound terror of random chance and of the free will of people who are not them. Which is very funny when you consider we're watching Actual Play, where random chance is a deliberately induced element. I think the takeaway of all of this is "I think some of you guys are really mad this is a D&D game." But let's continue.

The third, and honestly most likely cause, is honestly sort of a continuation of the first but not centered around Vax so much as just a general, in my opinion deeply childish discomfort of any sort of tragedy or unhappiness in fiction. I've noticed this a lot lately, and I am not a cultural critic and don't have a high enough level view to pretend to be one, but as others have noted a lot of people seem affronted when whatever show they are currently watching does not meet their specific standards of "comfort media" or "hopepunk." It's a self-infantilization I don't care for, and it's certainly not limited to the CR fandom (see: any grown-ass adult passionately defending a choice to only watch children's cartoons and only read YA) or even fandom at all (see: the baffling popularity of the Mr. Rogers "look for the helpers" line which was intended for anxious young children, not for adults who can and should be the helpers). It really came into focus for me with CR when people referred to both EXU Calamity and to Candela Obscura's Circle of Needle and Thread as specifically "hopeless." They are, to me, deeply hopeful series. They are sad, and tragic, and many characters do not get a happy ending, but they are ultimately about how some people will endure, and will live on and find meaning after great loss. Calamity explicitly states that because of the actions of the heroes, while devastation will occur, total annihilation is mitigated. It's like the adage of how courage only means something in the face of fear; hope only means something in the face of darkness. Happy and fluffy tales are not hopeful; they are merely not things that require you to have hope. The root word of catharsis is that of cleansing and purgation and it originally related to physical excretion - cathartic stories are about getting those complicated and ugly emotions and fears out and feeling better for it by briefly feeling, perhaps, worse! Now, again, this has worsened with Vax's story with time. Shortly after Campaign 1, it was very common to see stories where Vex or Keyleth were utterly distraught, indefinitely, but those at least were engaging with grief, even if in a very shallow and unproductive way. But this has morphed into this idea that the fact that a work of fiction might make you even feel sadness makes it bad, and wrong, and hopeless, and the machinations of a cruel and heartless god. Which brings me back to the entitlement narrative: it's really as simple as "the story didn't give me what I wanted (whether that was a happy ending for Vax, or for Keyleth, or just a lack of sadness generally, or a narrative about the gods that validates my personal beliefs, or a way to justify Ludinus's actions), so it is bad." Which again is about being in control of the narrative, which again, in D&D, is simply not something anyone can claim. Why are these people here watching a D&D game? I don't know.

So that's really it: on a basic level, if you think the Raven Queen is unfair, you are profoundly ignorant of canon, so I'm already going to have to fact check anything you cite (if you cite at all), but there's a much deeper refusal to meet stories where they are and expand one's own comfort zone at play, and that means any analysis will never consider the possibility that your pre-existing beliefs were wrong (absolutely crucial in meta). You will always play it too safe and be uninspired and reactionary because the alternative is uncertainty and fear. I think a refusal to embrace tragedy in fiction is itself a profound tragedy; that is someone who is terrified to believe that life goes on.

#answered #Anonymous #cr tag #long post #candela tag #ngl i'm torn about not maintagging this; kind of want to but it does go somewhat far from the original topic

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noonblight · 2 years

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Nemona, Female Neurodivergence, and Good Representation

Spoilers for the plot of ScarVi ahead, but here’s my full analysis and breakdown of Nemona!

So, I know what you’re thinking, ‘Game Freak making an autistic female main character? You must be out of your mind. This is clearly projecting!’

I’d like to preface this gently by saying that this is obviously just my personal conclusion based on subtextual analysis, but also, I’d like to call attention to the fact that Japan isn’t like the west when it comes to neurodiverse representation, and there isn’t a lot of Japanese media that explicitly uses the word autism. It’s a little unrealistic to expect Game Freak to call it by name, especially considering they make games for children and topics such as neurodiversity are often viewed as a more ‘adult’ thing to discuss. You are free to disagree with me, but please be polite in the replies of this post, as I only wish to have a constructive conversation about a writing decision that has been made.

Anyway, on to the good stuff and I must apologise in advance for this post being long, but I wanted to be thorough!

I played through all of ScarVi and I’m actually very pleased with Nemona as a character. I feel like despite the game’s technical quality, there was a real effort made this time around to flesh out the named characters. Nemona is one of my favourite examples of this, because her arc isn’t solely about being autistic, but it’s clearly a large part of her character and affects her life in a lot of ways.

Nemona is a battle fanatic, and it’s very likely one of her special interests. It’s how she connects with other people such as the main character, and it’s something she devotes her entire being and effort to. She never says she does so in order to impress others, but rather because it’s something she heavily enjoys.

Right from the start, Nemona is a successful champion rank trainer and wants you to become a trainer who can rival her in skill, and feels like it would lead to a better friendship if you could do that. Nemona’s priorities always centre around battling, and doing as much of it as possible. She’s the one who asks Geeta for permission to bestow a Tera orb upon your player. She gives you tips about the battle courts at different gyms. She even raises a new team of Pokémon throughout the game just to have an excuse to battle you at your level and watch you improve.

Nemona even loves battling so much that she finds it a little strange when others aren’t as enthusiastic about battling as she is, below is a quote I found particularly interesting because it really does show that she can be socially oblivious at times when it comes to societal expectations about what is an appropriate place or time to have a Pokémon battle.

Accompanying this, multiple times throughout the game she exhibits impulsive or oblivious behaviour and asks you to have another battle with her straight after another battle you’ve just had, usually due to being excited. Sometimes other characters will need to remind her that your Pokémon require healing first, or that there are other things that need doing. She doesn’t always understand how things should be handled in a conventional manner, despite being an expert on the topic of battling! (Or, she gets too excited and can’t help herself.)

In post-game, there’s even a scene where she doesn’t seem to understand that another student is reluctant to battle her and makes an excuse to leave early because she’s so far from being a casual trainer that it intimidates him. This is, in my opinion, actually quite a sad scene. She genuinely continues to think that he will challenge her to a battle at a different time, not realising that her ‘unusual’ enthusiasm and skill has scared him away, and that he has no intention of returning. A situation I’m sure a lot of neurodiverse children would connect with because it so accurately depicts what it’s like when others don’t share your interests to the degree that you hoped they would. This scene also hints at Nemona’s trouble with reading the emotions and intentions of others.

Nemona’s final post-game scene (which please, I BEG of you to go watch, it’s so good) confirms this outright, and also gives one of the most relatable lines in media about what it’s like to be neurodivergent in any way, especially as somebody who is younger:

Something I like about Nemona is that despite being socially oblivious and pushy with her interests, she is still a very sympathetic and friendly character. Not only does she cheer you on throughout the game, but she doesn’t only do it for the sake of serving only her own interests! She’s genuinely caring about others around her too.

(Nemona, congratulating the player when they beat her at the end of her storyline after she goes full-out. She is thrilled that you beat her! I love this moment.)

Throughout the last chapter in the game, there’s a lot of great moments with Nemona that show how caring she is. I think the best moments however, are where she tries to understand and support a scared Miraidon, and where she tries to help Arven.

Initially, she is misunderstanding and expects that the second Miraidon will be friendly and that it will be a family reunion, but once she realises this is not the case, she immediately switches to trying to support your Miraidon in any way she can. Despite not understanding why Miraidon is so afraid of returning to the Crater and facing the other Miraidon, she can be observed multiple times attempting to encourage it during the final battle, and can be seen in the final cutscene of the game with her arm around it as the group walks back to the academy.

(Nemona, displaying an implied struggle with visually judging the emotions of others.)

Nemona is also the one who suggests after a very heavy story ending that everyone goes home, and that they take the scenic route back to town. She clearly doesn’t know what to say to Arven about what he’s just been through, but she attempts to make him feel a bit better regardless.

I think this makes for particularly good representation, because not only is she less feminine than previous female rivals with her more sporty style and interests (something very common with autistic women) it also shows depth. I’ve seen autistic characters before that fall into the stereotype of coming across as emotionally detached or cold, or far too over-reactive. But I think Nemona strikes a lovely balance of caring, emotional, and socially lacking.

Now, on to a smaller detail that I want to point out that I really like the inclusion of is that glove. I could talk about how Nemona displays memory issues at times or other smaller symptoms of autism, but I really want to talk about the glove. I made a post on this subject the moment Nemona’s design was revealed on the official website, but I like that the game content openly confirmed that Nemona has motor issues with her dominant hand.

(Nemona, needing to support her arm when about to throw a Pokéball, or when she is about to terastalise her Pokémon. The burst of energy from the tera orb must make things a bit more difficult for her. A lovely small detail in her battles.)

(Nemona, confirming that she has trouble with Pokéballs. Something her website entry also stated.)

Now I’ve saved this until last because this is, in my opinion, a smaller detail that they didn’t need to include to make Nemona read as neurodiverse, but I’m thrilled they did. Nemona is the only character who wears an arm brace, something I picked up on immediately in the trailers before the games released. No other trainers wear one for the terastalisation mechanic, unlike the Z-bands from Alola. And even though Pokémon battling is her bread and butter, she still struggles with certain aspects of it! Not only is this trouble with motor skills realistic, but it’s also a very accurate portrayal of motor dysfunction that a lot of neurodiverse people experience in their day to day lives.

To bring this all to a close, I think that even though it isn’t stated outright, I believe Nemona isn’t just representation of neurodiversity in women, but I think that she is also GREAT representation. She knows that she has problems, and tries her best regardless! She is kind, and caring, even though she has difficulties with reading the emotions of others and understanding social expectations. Her entire story may be about making friends with you through the medium of battling, but it’s also a story about how she’s struggled in the past to connect with others because of her love of that medium.

I truely do feel like she’s a lovely depiction to be in a children’s game, because she is a very positive depiction of something that a lot of kids go through, and in the end, she gets to be herself and she gets to be happy by being true to that self. She is never forced to change to make friends, and instead befriends you and the other characters simply by remaining as she is.

#I’m sorry this post is so long I actually could have analysed it scene by scene but I wanted to be nice to everyone #and have a semblence of conciseness!#pokemon 2022 #nemona #pokemon #pokemon scarvi #autism #pokemon scarlet and violet #miraidon #arven #analysis #character analysis #actually autistic #representation

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pit-and-the-pen · 4 months

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ACOTAR Zodiac Signs

I’m just doing Sun (because this would turn into a full dissertation if I did rising and moon but I might do them in the future This is obviously just my opinion and for funsies. Please be nice if you disagree. Also, the book I use is called “The Complete Guide to Astrology.” It’s on kindle unlimited if you want to look into it! (there’s also 13 characters I’m doing here so some will be repeats)

Also, thank to @milswrites and @prythianpages for suggesting for me to write this all out <3 I'm happy to be your go-to for astrology.

Azriel: Scorpio. ““It is often said that a Scorpio man can be obsessive, possessive and vindictive, but the truth is he can also be loyal, supportive, compassionate and incredible in bed. This man has to deal with unusual emotional depth, leading to his extreme sensitivity and his need to close his heart in order not to get hurt. The only reason he becomes vindictive is in his deeply emotional nature and his incapability to forgive the depth of his injuries.” (this is the only one that didn’t come from the book and I can’t find the website I pulled it from) This one seems pretty self-explanatory but Azriel holds his emotions close to his chest for sure. I’m not convinced he doesn’t feel deeply and just has closed himself off to letting others feel his emotions.

Cassian: Taurus. Embodies an animal like wisdom in that they have finely honed senses and are sensual, practical, and loyal. Inwardly, they are deeply grounded, patient and steady, but this can also lead to the tendency to be stubborn or bullheaded and overly materialistic in the pursuit of security. Others can see taurus as stable and lacking pretense.” Despite everyone thinking he’s a bit dull, Cassian is a rock to all of those around him. He might not be the smartest in a scholarly way but out of the IC I think he has the most emotional intelligence despite not being able to read the room all the time. But he’s definitely stubborn.

Elain: Virgo. Analyze is the primary word for virgo. Virgo energy embodies the principle of service, as they love to feel useful in the world. Virgos are attentive to detail and very analytical. Their inner world is often self-critical and they are worriers. They tend to servitude rather than service and forget to take care of themselves in the process. Others see virgos as ethical and organized, though it’s a bit of a myth to say that all virgos are naturally tidy. This is, in part, because their perfectionist tendencies can lead to analysis paralysis. I think this really describes pre-fae Elain. She might have not been the best at protecting Feyre but she was really the only one that saw what everything was doing to her. She also loves gardening which feeds into the nurturing part of virgos. Idk she just gives me virgo energy.

Eris: Okay, bare with me on this one. Pisces. Their primary word is believe. They are seen as highly sensitive, creative and mystical beings. Pisces often struggle with boundaries and extreme empaths, which can cause them to fall into the role of victim or martyr. LIke the symbol of fish swimming in two directions, it’s the lesson of pisces to live in the realms of the manifest and mystical. If they can become comfortable with being agents of change they will avoid the escapist and addictive tendencies they may turn to on occasion. Like I said, bare with me. We never truly get to see Eris for who he is. We only get to see the mask that he puts on while Beron is alive. But even then, he’s willing to risk his life to help out the night court. He became their inside man and we get to see little bits of his personality. I think Eris is rules far more by his moon than his sun but I also think that who he presents as is mainly because of the abuse he’s suffered from Beron.

Emerie: Libra. Balance is the primary word for libras, because they try to find the middle ground and harmonious balance in all that they do. Libra is the diplomat and mediator of the zodiac. Because of that, they can come across as indecisive, vacillating and even passive-aggressive at times. Generally, Libra comes across as fair, peace-loving and creative. Inwardly, they are focused on others and relationships (not always romantic) Emerie was the first person to see Nesta for who she is. And she is fiercely loyal to those she picks to be apart of her life. But she does seem to be in the middle of what little spats there are in her group, but as the most sensical one if that makes sense? We don’t get a lot of Emerie in the book (a crime if you ask me) but I think this is the closest to her character.

Feyre: Sagittarius. (actually confirmed by the book). Wander and wonder are the primary words for Sagittarius because they like to wander-physically and mentally- and they often live in a state of wonder at the world. Sagittarius is the seeker of truth and freedom and loves exploration of all kinds. They are seens as naive, inspirational and eternal optimists. Spiritually oriented and visionary, they have the ability to see the big picture of life. If Sagittarius embraces life as a quest for experience and truth their tendies towards naivete can become higher wisdom. I don’t fulllllyyy agree with all of this, but since her birthday is on the winter solstice she would be a Sagittarius and I can see it in bits and pieces. She’s always been very creative and literally see’s the bigger picture in life in the way can see the art she wants to create. But she’s also very self-sacrificing which I think adds to seeing the bigger picture. She’s able to look past her own wants and desires and do what she needs to do for the sake of everyone else.

Gwen: Taurus, (see Cassian)

Helion: Leo. Leos are born to lead, and that is their primary word. Whether king, queen or leader in their own home, leos are born to shine and charm. They crave attention and tend to be melodramatic and superior when in shadow. Otherwise, Leos are dynamic, self-confident and playful. At their best, they are magnetic and affectionate and light up the lives of those around them because they carry the sun’s radiance within (I swear, hand on the bible, that’s what my book actually says and I didn’t read the whole thing before I made my choice on this.) This is an other self-explanatory one but even without all the sun references. Helion is kind and charming, but also a great leader.

Lucien: Cancer. Feel is the primary word for cancers, they are all emotion and intuition. Cancer is the nurturer of the zodiac and are very traditional and family oriented. Inwardly, the sign is extremely sensitive and can tend toward being insecure and giving too much to the point of ignoring their own needs. Others see them as responsive and loving but they can also be moody. Lucien feels a lot of stuff. He’s written off as being snarky but I think it’s because he can see through peoples bullshit because of how much he truly feels. He was there for Feyre. And regardless of what you ship, he was the only one to think of giving Elain something to cover herself with.

Mor: Gemini. Gemini is the thinker and symbolizes the mind, voice and communication. Their inner life is curious, observant, often scattered and may be highly strung. Geminis are seen as socially verbally expressive but can sometimes manipulative and duplicitous. All I can say for this is SJM ruined what she had going for Mor and focused too much of the manipulative side of her. Mor had so much potential but this is still her sign.

Nesta: Aquarius. Aquarians are the individuals of the Zodiac and their primary word is “know”. Aquarians are socially conscious and are dedicated to causes and reform, but they can also be emotionally distant and even anarchistic at times. Because they often feel alienated from those around them, they are sometimes tempted to betray their convictions to fit in, but their path is to embody their personal truth no matter what. Nesta is at her very core, loyal. She cares deeply for the people she’s let into her life, regardless of how much she will fight them as they try to get close to her. But she stands by her morals for sure. She is also willing to do what she needs to do when she thinks it’s right. I think that arrogant, cruel facade is the very conviction she was forced into. She was raised as nothing more than a way for her family to marry up and she took it in stride, despite how much it obviously affected her.

Rhysand: Leo. (See Helion)

Tamlin: Capricorn. The primary word for Capricorn is achieve. Capricorns are focused on climbing the ladder of achievement but may have a tendency to do so based on the expectations of the outer world rather than based on a foundation of self-trust, which is where the tail of the fish comes in. Capricorn is seen as responsible and determined but also, at times, controlling and fearful. Inwardly, although Capricorn is hardworking and law-abiding, there is often an underlying fear of never being enough. Their commitment and leadership qualities are their strengths. Tamlin is actually a good leader, he just lets himself be ruled by the fear he has of things happening to the people he loves.

#acotar #acotar fanfiction #acosf #acomaf #acowar #a court of thorns and roses #a court of frost and starlight #a court of silver flames #a court of mist and fury #a court of wings and ruin #astrology #this is just my opinion

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openphrase123 · 1 month

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hey hi hi i've read everything of curtain call (except, obviously, what hasn't been posted yet) and i HAVE to ask you to share your lost country/skywatcher language thoughts so i can devour them immediately please.

hiiiiiiii so like 90% of the language worldbuilding i did for curtain call was like. very simple sentences and words since i didn't want to make an entire conlang for this fanfiction. what i have written in-fic would fall apart in two seconds if i tried to expand it to any of the lines outside of what i wrote. HOWEVER i have a lot of thoughts about how it WOULD work if it had the capacity to expand outward

putting under a readmore both for curtain call spoilers and because this is going to get long and insufferable for anyone except ME

also if you're not reading curtain call. this is still a fun little analysis about how siffrin's native language influences their behavior. you might have fun with it wheeeee just know that the actual language i'm talking about is not canon. i made it up.

disclaimer: i speak a couple of languages but my knowledge of languages is VERY limited to what i know. so you're going to see a lot of instances of me calling back to japanese or other english dialects. other languages exist and also have these features but i'm just not gonna say anything if i'm not sure of what i'm saying. if you are interested in these concepts in a more academic setting i am NOT the place to find that

second disclaimer: in curtain call, the name for qilaksut comes from greenlandic/kalaalisut which is an endangered indigenous language. this is an open invitation to go learn who, historically, lived in and supported the land you're living on. consider supporting them whatever way you can.

number ONE. dude is it that serious??

nah.

again, i built this for like ten sentences out of a 100k+ fic. so like. there's some inconsistencies, there's some weird stuff. and i know i could have just written all of the curtain call qilaksut in english but italicized, there would have been nothing wrong with that. but i did not because i thought it would be a good exercise in character exploration

because the language you speak has some measure of how you act and carry yourself in the world. (sorry elizabeth if you're reading this. i'm not going full noam chomsky i swear i don't believe in linguistic determinism i'm using this as a literary device) and since siffrin is the only speaker of the forgotten language we see (loop never engages with that in-game as much) and i was a little bit like. okay. why is he like that. how much of that is siffrin and how much of that is the home they don't know

in odile's friendquest she remarks that she only finds similarity in herself within vaugarde because vaugarde is so welcoming to travelers. however odile never went to vaugarde until she was an adult - siffrin presumably lived on the island until he was a teenager, and your personality is fairly Formed by then (at least enough for people to put iterations on it in adulthood) so as much as i could have gone the route of "siffrin it's okay that you don't see yourself in your past" i thought for the themes of this fic it made more sense to go "oh THAT'S why siffrin is Like That"

so as you're reading through this: yes i'm worldbuilding language. but MOSTLY as a siffrin character study. okay! okay.

number TWO. situational meanings.

so ✦‧₊ is "you" and ✧‧₊ is "me/i". but "hello" is ❇✧ which - hang on, isn't that the word for universe and me? no, actually, there's no pronoun suffix (‧₊ denotes when a person is being talked about) so in this context ✧ means "inside". which means ✦ means "outside" in some contexts.

(but harrie, why does "hello" mean "inside universe"?? well i imagine it's the difference between older medieval greetings and the modern "hi". languages morph and drift. this kind of just suggests that without me having to write an Entire Language Family Background. probably a shortening of some corny shit like "within the universe i find you" or whatever. semantic drift.)

and part of the reason i did that was for unicode constraints - there are only unicode characters that look like stars. but the other half is because in japanese and i THINK also in chinese each character has a few different meanings. take 本, in japanese. it has a lot of meanings on its own but let's look at it in situational context. 本棚 is bookshelf. 本物 means real. 本土 is mainland.

so in qilaksut i think these kinds of multi-use words are common. ERGO. why siffrin has trouble thinking of very situational words in vaugardian. if your native language is built up of tangential mnemonic connections, of course you're going to have trouble remembering the word kiln!!

number THREE. reduplication and repetition

take the phrase "✦‧₊ »»⟢" from ch10. in my head, » means "fast" and doubling it gives you "really fast". this happens in AAVE (e.g. "he's RICH rich") and japanese (there is an entire kanji expressly used as a repetition mark so that you don't have to draw complicated kanji twice, it's 々(noma) and as an example, person is 人 but people is 人々)

reduplication is slightly different from this but i think it shows up for words like »», where you're not literally saying the word twice but the vowels double themselves. kind of in a trilling way. i actually say this in inutile and not curtain call but i think the Siffrin Accent wavers a lot and feels like a twinkling star. because i think it's cute

alsooo repetition. wish craft. do u see the vision

number FOUR. pronouns and clusivity

i don't get into the he/she/they or any other third person pronouns in the fic because. well i think the lost country would go so hard on pronouns. there are child pronouns. adult pronouns. pronouns denoting somebody's job or status. hell loop is SO casual about offering to use the "royal we" i genuinely think pronoun usage in the lost country is more tied to interpersonal relationships than gender. but of course that plays a role too

because i think there's a huge amount of gender concoction you could brew in there. i think it would be really fun if siffrin uses he/they because in qilaksut siffrin is mainly referred to as the neutral pronoun mashed together with the masculine one. i think that would be fun.

and then for funsies. clusivity. i definitely think there is a difference between "we" (me+one other person, excluding you) and "we" (me+others+you) in qilaksut. would be fun if this is why siffrin automatically assumes they're getting excluded from things. "where is the vaugardian inclusive we and why has nobody said it to me???"

number FIVE. structure

i don't have a lot of Full Sentences in qilaksut in the fic but in general it follows the pattern place - > noun - > adjective - > verb. and you might be going "harrie, you weeb, that's japanese again" well. i didn't want it to be like french or english. and that's the one i know. so. shut up!!!!

"well why can't it be the same syntax as vaugardian then?" i'm glad you asked. i wanted it to feed again more into the idea that siffrin is more susceptible to getting "lost" in a conversation. hard to focus when your normal syntax anchors are not there!!

but at the same time. i write siffrin as a polyglot in curtain call. they're pretty equipped to learn and absorb new languages. once you learn a second language, in general, your third/fourth/fifth gets easier

number SIX. things i can't do in the fic except for once or twice because of unicode restrictions

well i could do it ONCE. with two sentences that are coming up in tomorrow's chapter: but i think in qilaksut writing, changing the rotation/orientation of the word also changes the meaning. slight spoilers for tomorrow's chapter but siffrin has two ways of saying "love you" for two different people - for odile, it's ❥✦‧₊ and for isabeau it's ❤✦‧₊

this isn't for any particular reason, i just think it's neat in the context of how i do names and titles for the rest of the fic. getting called different names based on your relationship to somebody, using altered terms of endearment for someone. two extra rotations of the heart could exist in theory so one of them is probably "loving your kid" and the other issss i dunno. maybe a closer platonic love nearer to a qpr or something. or what you use for your parents/guardians or your betters. i didn't think that far!!

also word opposites. ✷ doesn't have another version with just the lines, but that means "yes" and i think a hollowed out version of that would mean "no." obviously the ✦/✧ shift goes here too. and i think the inverse of ✪ (little) would mean big. but i couldn't find those in unicode so they do not exist in this fic oops

if you made it this far into the post. hi. thank you for reading :) that was probably a lot more than you were asking for. i won't apologize. anyway this post doesn't even TOUCH how i do name stuff in the fic but that also feeds into this. (and the name stuff was something i took out of an old dnd campaign anyway) (of which i have a DIFFERENT altered version for my original fiction but shhhh)

#isat #thank you for asking :)#i'll always extrapolate on some bullshit i made up for a fic AKDJFLSADKJF #i think about this stuff Too Much

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