#also i was legit concerned for the actress in that first scene like even if those scissors were blunt (and i'm assuming they were)

[thewritingpossum]

Geez Natalia, I really wonder why she might be afraid to be alone in a room with you, truly a strange reaction...

[star-shard]

Thoughts on: Elvis: The Early Years (2005)

It stars Johnathan Rhys Meyers as Elvis, the first episode covers the 50s, and the second covers the 60s. Each episode is around an hour 30 and at the time of writing are available on Freevee.

So the first episode covers the basics, a lot of whats covered in most Elvis properties being how he got started. It's road well tread so I'm going to keep it short and sweet that it's pretty accurate to the events, thats good.

Meyers is a talented actor but it's hard to see him as Elvis, imo. He does the raised lip thing which looks pretty weird rather than natural. And in a majority of songs, they dub him with Elvis's voice. And I'm sorry dude, you don't sound enough like him for that to work. It came off as jarring. That being said he's a fine actor, no doubt about that at all. But, idk, I didn't feel a whole lot of love in his performance. Hard to describe. (AKA Austin Butler has ruined all other EP performances for me lol)

The second episode is what's usually breezed by in depiction of Elvis: The 60s. Even Elvis (2022) does a montage for the early/mid 60s. That's the unique bit of this particular series. Involving his relationship with Pricilla, Ann Margret, and a surprise showing of Larry Gellar. It's a time of his life less shown in media, lets talk about that.

So the 60s were seen as the dark ages for Elvis Presley (if we're to call the 68 special a renaissance). He was making movies he didn't believe in and music that was churned out fast, even for a couple of hits that were found in there (Little Less Conversation, c'mon now), theres just as much throwaway.

I for one really like his 60s era. Idk even if his movies are far from high art I get a lot of enjoyment out of them, and it's an interesting era to know about, one a lot of people ignore.

So any media willing to show it, I encourage that.

So how they'd do?

Well I'm glad they addressed his relationship to Pricilla head on. They didn't skirt it, she was 14 when they met and they say it out loud. I am ALSO glad they made it clear they didn't have sex until she was an adult, also a fact. And it was Elvis's decision, he wanted to wait (they could have just taken the provocative route but they stayed true to reality) As well as his at times turbulent relationship, EP's controlling nature. Loving as he could be, he wasn't the best husband at all.

I wish they showed more of Ann Margret in a positive light. Y'all, the actress for her was so... terrible. Idk why they gave her a sexed up babydoll voice like. No. Sure she was the 'other woman', but she was also an uber talented actress with her own story. And from everything I've read her and Elvis were legit soulmates. I understand why it didn't work out, (EP preferred traditional relationships, thats a roadblock) But I wish they showed more of their souls here. Rather than it being a fling. They were friends for years after, c'mon now.

They were transparent on his drug use, spending habits, how it negatively affected those around him. A rare violent moment when he was drugged up and injured a woman with a pool cue. And also on how Tom Parker held his career back for money. Truths.

Elvis's interest in spirituality was also shown but... in a very negative light. Now, I won't pretend I know exactly what happened. If my friend ran up preaching at random hours maybe I'd be concerned too. But it's always rubbed me the wrong way that it's depicted like a drug fueled weird detour in his life.

To my understanding Elvis was unhappy with where his work had been going, and what his place was. When you're unhappy, you look for answers. He was already an avid reader so of course he'd look into finding religion. Maybe Larry Gellar had other motives, I don't know, but his inner circle forcing him to burn his books comes off as... ugly. It truly did happen, which makes it even worse.

The scene tries to paint Elvis as a lost kind of person going off the rails but it just ended up with me kind of hating the Memphis Mafia. Dude, if your friend/employer is starting to rave about the meaning of life and what he's here for, maybe thats an INDICATION that he needs a different kind of support than he's gotten and it's not be joked about. Burn the drugs, not the books.

#ElvisNeededTherapy

Religion was the least of his problems, that's all I'm saying.

And they show the whole 'Elvis wasn't recognized on Hollywood Blvd.' story which, is unconfirmed let's face it. It's a good indication on where he was in life, but this miniseries is going for more realism so idk thats a weird moment (yeah his movies weren't doing great but ur telling me NOBODY recognized him? Not buying that one)

The more I watch other depictions of Elvis, the more I can see why Elvis (2022) is praised. So many of these series paint post-50s Elvis in a depressing light, like he was never happy and a has-been always ten feet away from relevancy. It comes off as so dark.

(Side note something I noticed is: Most people that hate his post 50s career seem to be specifically music artists that were inspired by him. They wanted him to be everything and were angry that he couldn't be that.)

It's important to address his flaws but, I just really feel tired after depictions like this. And not in a way like I got to know him. Movies that strictly take after Elvis: What Happened, and Elvis and Me, I always take with a grain of salt. (Written by scorned parties, there were true stories that were written fast and both pools of writers have regretted/taken back parts of their books)

Yeah, I just appreciate Elvis (2022) so much now. It showed both his darker sides while still maintaining his humanity. It showed his teeth and also explained why they'd gotten so sharp. It explained WHY he lashed out, why he felt the way he did. Rather than taking the sides of people that would gain from writing a tell all book for the fourth time.

[bleulone]

i love your analysis so much! i have a question as well, like, how do you envision polin's sex scenes ? thanks for your answer (:

    Hey! Thank you very much :)) I have no idea if they are that even good but I’m happy you like them. It’s just my brain tending to produce some iNsIGhiTfUL analyses though they usually end up drowned under a huge wave of stupidity and horrid spelling/grammatical mistakes XD. So, about Penelope and Colin’ sex scenes, I guess we’re getting spicy in this house 🌶. I mean, I don’t blame you. Who’s not hot for Polin ?! The steamy Polin hours have already begun and they’re legit challenging my patience. (Be still my Polin heart, be still).

   Okay, without further ado, let’s talk about sex baby, shall we ? It’s a pretty long answer/meta so bear with me.

    I don’t know if you’ve read Romancing Mister Bridgerton, but a quick reminder (for those who haven’t... yet), there are a bunch of iconic steamy scenes that I’m dying to watch on screen. First we have the famous “thank you” scene where Penelope, now a 28 year-old spinster, asks Colin to kiss her because she doesn’t want to die without having been kissed... then ends up thanking him— which happens to be humiliating for our 33 year-old boy because he thinks that she thinks he did it out of pity while he absolutely did not. The man definitely felt butterflies in his stomach... and in other places as well lol. We also have the ICONIC carriage scene where Colin gives Pen’s generous bosoms™ the attention they deserve. This is followed by his proposal. Later on, after the announcement of their engagement, there’s a pretty hot make-out scene on Lady Violet’s sofa. Finally, we have their first time in Colin’s bedroom, after sneaking out of their own engagement party... which leads Colin to push the wedding date forward. At this point, I just love their horniness, especially Colin’s who’s just so freaking amazed by Penelope for more than 300 pages straight (duh! who isn’t ???).

    When you say envision, I suppose you mainly refer to the way those scenes will be filmed right ? I’m afraid I don’t have an advanced knowledge in film-making but let me start by telling you what elements need to be depicted. I would love Shonda and Chris to capture the real essence of our boos’ feelings : the yearning, the love, the respect and the guilt (specifically on Colin’s side) in their eyes. The more we move forward throughout the seasons, the more we see different layers of the perceptions of they have of each other, going from a childish idealization/immature ignorance to a sudden realization. A mature one. Penelope goes beyond the facade of the charming devil-may-care guy to meet the seriousness and temper of her significant other. Meanwhile Colin discovers how confident, powerful and attractive this woman is and always has been. It echoes what I’ve written about the importance of the gaze in Polin’s love story in this meta. By the time season 4 hits, man... their heart eyes and eye-fucking will jump OUT XD, all fibers of their beings, burning with need. The fact that this evolution took literally years is very emotionally painful, which is why I find it important to keep the slowness aspect of their relationship before and during their love making. I’m really looking forward a slow build-up toward their intimacy. It would differ from Daphne and Simon who merely shared one hell of a kiss in Lady Trowbridge’s garden then shared their sexy times after they married or Anthony and Siena’s rough sex... In fact, there’s a certain (sweet) ardent tenderness in Polin I like due to the fact that they’re slowly (re)discovering each other, as adults. Since they were both introduced in season 1, the audience will have all the time in the world to notice numerous evidences of the many natures of love they have for one another : from an affectionate and friendly love to a more carnal and enduring one.

    Okay so, in terms of filming, with Netflix’s Bridgerton being a show which promotes the female gaze, it wouldn’t be that much of a surprise watching those sex scenes being shot from Penelope’s perspective, like it was the case with Daphne in the first installment of the series. Most of the time, sex scenes in Historical Romance are not gratuitous. Their presence serve an important purpose in a hero/heroine’s journey. In Penelope’s case, they’re here to help her learn to embrace and love herself. In other words, sexuality is synonym of freedom. I don’t know if they’ll show a lot of skin, but I won’t be complaining considering the fact that we’ll have the chance to get a chief kiss treat on screen : a plus size woman in a major successful Netflix period drama getting a love story as romantic and steamy as other more “fit” female characters. No, your weight doesn’t prevent you from being desirable at all. As far as I’m concerned, I haven’t watched a plus-size female character portrayed as an attractive protagonist in a period drama (please if you have, let me know, I can be wrong). Having a beautiful half bare curvy body like Nicola’s being equally filmed like numerous slim actresses will be so inspiring and powerful to watch, especially for (young) women who struggle, like Penelope, to love their body shape which, to them, doesn’t “fit” the “beauty standards”. By showing her female gaze and portraying her as seductive, Pen’s “supposed” imperfections transform themselves into mighty assets, loved and worshipped by our dashing Mister Bridgerton. That’s body positivity at its finest darling ;).

    It will be deliciously erotic watching the undressing process being exquisitely slow, garment by garment, while their gaze are all heated and hungry. Their sex/make-out scenes should be tender and passionate, sweet and raw. The lightning, colored by a dark blood orange yellow or a blue depending the locations^^. Moreover, the depiction of the exploration of Penelope’s desire can translate itself thanks to multiple close ups. For instance, I can imagine a few ones on Pen’s fingers gently roaming over the smooth skin of Colin’s firm chest and back/touching his hair right after he removed his shirt. And a disheveled Colin letting his hands and lips making a journey of their own, mapping, conquering the alluring unknown territory that is her gorgeous voluptuous body... kissing her on the places he knows oh too well will give her pleasure (is this me wanting him to go down on her?— um yeah I sure hope it IS! If he doesn’t, trust me imma riot... AGAIN). Even a close up on her face while Colin is performing his addictively pleasing torment will be a marvelous proof of the female gaze. By the way, why not even adding a post-coital scene after their first time ? I can picture Penelope waking up first and contemplate her handsome soon-to-be husband. She’d bring her hand to his face and let it travel all around his forehead, his cheeks, his lips, his neck and let it rest on his heart— making sure that what she’s just experience was real... obviously, Colin will wake up in the process and he’ll take this as his cue to go for another round of sexy times under the sheets.

   Showing Pen reaction is essential according to me because she was stuck with the idea that she would never experience the luxury of being loved, giving pleasure nor receiving it... she ended up being happily wrong. Throughout her multiple intimate encounters with Colin, I want her to progressively realizes that she can be an active partner. In the carriage, she knew she had an effect on him, but it’s not until their first time that she actually realizes it. Hence the reason why I WANT the mirror’s introduction in one of their sex scenes. Here’s as a little reminder an excerpt from chapter 18 :

“I want to see you sitting up," he groaned, "so I can see them full and lovely and large [about Pen’s breasts]. And then I want to crawl behind you and cup you." His lips found her ear and his voice dropped to a whisper. "And I want to do it in front of a mirror."

“Now?” she squeaked.

He seemed to consider that for a moment, then shook his head. "Later," he said, and then repeated it in a rather resolute tone. "Later.”

   It would be such a shame if the show doesn’t use the incredible potential of this object (/kink). I mean, the symbolism is pretty clear. Penelope has always fled her “ugly” reflection but it seems like Colin wants to show the real her, the beauty that holds every single inch her alabaster skin and the effects they have on him. Thus, I would love to watch a scene where Colin just praises the alluring goddess and siren that is Penelope Featherington. Just imagine! Just IMAGINE the power of this scene : a shirtless Colin sitting behind her on a bed, meeting her gaze in the mirror, his lips touching her right ear, biting and licking the lobe sometimes, whispering all kinda of dirty yet poetic words to her while letting his hands caress her thighs, her hips, her arms, her lovely bosoms™... oof. At the same time, a wonderful and harmonic instrumental music will play in the background and match the melodic partition of shudders, breathes and moans let out by our lovers. I can imagine Luke inspiring himself from his performance in the 2019 short film, Youth In Bed. The way he conveyed the awe and the yearning on his face, in his eyes with his mouth slightly open when he knelt before his partner Shun Yin was just captivating and— and so Colin! I cannot help but bring myself to picture Ethan, the character he played in YIB, in a Polin steamy scene. I cannot unsee this anymore jsksk. I mean, all this gifset radiates this book4chapter18!Colin, you cannot tell me otherwise!

    Also, I would love Shonda and Chris to keep Pen and Colin’s cute/emotional pillow talk. One thing I really love in JQ’s books is the concern she gives to her male protagonists about potentially hurting their partner during the act of penetration. Colin is a rake, and what his experience with women taught him is that he needs to be very gentle with the love of his life. It was so adorable seeing him not wanting to harm her and asking her to tell him if he does anything she doesn’t like 🥺. Plus, before actually doing it, Colin and Penelope shared a few kisses and just laid down side by side, confessing their love. Though our boy kept feeling guilty about not returning her love after all these years. He desires nothing but to make up for the lost time and show his love and desire during this special intimate moment. I hope they’ll keep all of chapter 18’s dialogue. It’s just so telling of our boos’ feelings, you see.

    All in all, I can’t wait to watch those Polin steamy scenes. As much as I may sound crazy, I want them after two other seasons of pure pining and yearning in order to have a very good payoff. I’m not an expert on depicting intimacy on screen, but I loved so far what Lizzy Talbot, the intimacy coordinator who worked on the show, have done in season 1. Sex scenes in Bridgerton seem very real and dive you in the intimacy of the moment, leaving you all flustered and hot. So probs to her! I have faith in her work and have no doubts about what her and the directors will serve us in future seasons. Though, in the end, I think it’s mostly up to the actors, Nicola and Luke, to see if they’re comfortable filming sex scenes.

    If you guys have any suggestions or wishes for those steamy polin scenes, please do share them :) by commenting on this post or by sending me asks! I’d love reading your thoughts/take on this very important matter ;)) 

[razberryyum]

Why I love the Phoenix Mountain Hunt: an essay

(with novel spoilers)

Ok, firstly, the beautiful WangXian elephant in the room: I honestly never expected us to get the blindfolded kiss scene or anything close to that, though I was hoping for at least a mild hint at it involving Wei Wuxian being blindfolded and Lan Wangji at least somewhere nearby before they fade to black or cut- away, but I think what they gave us instead was just as awesome since it completely captured the spirit of the stolen kiss. For me at least, that blindfold scene was essentially LWJ being so overwhelmed by his feelings for WWX that he actually broke probably every moral code he’s lived by to uncharacteristically act upon his urges, pretty much taking advantage of WWX in his self-imposed vulnerable condition (although, how WWX could ever mistaken LWJ for being a female cultivationist, even if she’s especially arduous and STRONG, is beyond me…I mean, who has he SEEN at the hunt that would even fit that bill??? I probably could write a whole other essay just to figure this one out). With the “confession” scene we got instead, it feels like we basically got everything we wanted from the blindfolded kiss scene except without the actually kiss…which is pretty damn fine, all things considered. LWJ still was so overwhelmed by his feelings for WWX that he uncharacteristically almost demanded of WWX what his status in his life is and then pretty much eagerly pledged his continued devotion to him. To make things better, WWX was the one who came up with the word 知己 (more on that later) to describe how he felt about LWJ…which is actually a step up from how it was in the novel, where WWX, although aware of LWJ’s existence all of the time, mostly seemed to just enjoy teasing him for his own amusement. They definitely weren’t at the point where WWX would refer to him as a soulmate for life (and my God does it take a while to even get to anywhere near that point…not complaining but just…all the mostly one-sided pining on LWJ’s part in the novel hurt me).

I actually loved how the confession scene began with WWX immediately happy from seeing LWJ passing by and instinctively wanting to call out to him, only stopping himself because he remembered the talk he and big bro Lan Xichen had…which was not in the novel, completely original to the drama. I loved that change since that talk the two future bro-in-laws had just made me love LXC even more and also informed us further of just how much LXC is aware of his little bro’s feelings for WWX. But then LWJ was finally the one to spot WWX first and as he heads towards him, WWX has just the most heart-meltingly soft expression:

Like he’s so relieved and just happy that LWJ realized he’s there on his own so now they can finally converse. And then of course the conversation they have…so meaningful.

Now, tbh, for most of my life I thought the word 知己 actually just meant “dearest friend”, which would’ve been good enough already considering they can’t straight out say anything more intimate than that, but then upon finding out that the word can also mean “soulmate”, I was of course overjoyed. And considering the emotions involved in that scene and the way the two wonderful actors played it, along with the beautiful WangXian score coming in and their lingering looks, I don’t doubt that both LWJ and WWX did mean “soulmate”, especially considering how more developed their relationship was already by that point, thanks to the changes in the live action.

What I also love about the Phoenix Mt Hunt in terms of WangXian is just how WWX-focused LWJ was. It’s like he couldn’t take his eyes off of WWX the majority of the time, and he was constantly concerned for him. Other than the cute ribbon exchange at the beginning and the aforementioned conversation scene, my other favorite WangXian moment between them was when LWJ held WWX back while they were in hiding behind the tree, eavesdropping on Shijie and Jin Zixuan:

…because of the expression on LWJ’s face. It’s obvious he sees through Jin Zixuan’s facade, that the Jin dork is actually already crushing on Shijie, hence LWJ’s almost smile in that moment while trying to pull WWX back from ruining the two future lovebird’s alone time…

It felt like the reason LWJ understood JZX’s feelings was because he too was trying to hide his true feelings from the one he is enamored with.

And then of course there’s all the physical contact between WWX and LWJ…

Another reason I love the Phoenix Mt Hunt is because of Shijie, Jiang Yanli. I don’t post much about anyone else other than WangXian because Tumblr freaks out on me when I post about something more than once or twice a day so I have to pick and choose my loves, but I pretty much loved Shijie the moment she appeared in the live action. They could not have chosen a sweeter, more loving looking person to play her. I was already a fan of her character right from the get-go, but when she stood up for her little bro, WWX and her sect, I just about burst out crying cuz I was so damn proud of her. I wanted to reach into the screen and just hug her so much. She was simply amazing in that scene, the actress and the character, and I felt like we saw some of Madame Yu in her.

I’m still not very convinced that JZX deserves her, cuz he’s still kinda a dick to WWX, but if that’s the man she wants, who am I to deprive her of anything. Give her the world, please, cuz Shijie deserves it.

Oh and this moment, I really appreciated as well:

That look of utter fear on WWX’s face…which I feel wasn’t just due to the fact that he was worried for his Shijie’s safety, but because he knew there was no way he could protect her due to his condition. Bless LWJ again of course for coming to his rescue…which actually makes me wonder why he hasn’t said anything to WWX about his golden core considering it’s pretty obvious he knows something’s up. It’s actually still driving me a little crazy that LWJ continues to keep that to himself even though he clearly knows or is at least suspicious enough that he’s constantly coming to WWX’s rescue…during the Sunshot Campaign and now even at the hunt.

I also love of course how LWJ seems to be in constant fear that WWX would just lose it completely and then do something irreversible…which, of course we know that he eventually will, sadly, but my heart just ached on behalf of LWJ and the non-stop concern he must’ve been feeling for WWX like 24/7. I mean, leading up to the hunt, we know he was breaking sect rules to look up ways to help WWX, while WWX on the other hand got to enjoy life in Lotus Pier. All of it just makes LWJ’s words to his big bro, where he talks about wanting to just hide WWX away, that much more heart-breaking. It was already poignant in the novel knowing that he would even want to do something like that (after what happened with his parents) just to keep WWX safe, but somehow it felt worse in the live action because of all the build up to that moment, where we see how almost desperate he is to keep WWX on the right path and safe.

Lastly (omg, this thing is already 3 pages long), what I also appreciated about the Phoenix Mt Hunt is the stuff that happens to Jin Guangyao. First off, against my better judgment, every time he pops up with LXC, I can’t help but smile cuz it IS so damn cute how the two of them are like always attached at the hip…they just appeared together here…like, I guess they just ditched their crabby older bro to wander off together?…lol. 

And then, when you see just how shitty Madame Jin and even that ass-weasel Jin Zixun treats JGY despite the fact that he’s basically helping them run their freaking sect now, really makes a good case for why he doesn’t feel any love for his so-called family, even before we find out his history. Not that that justifies what he does, especially considering how much he hurts those we do love, but we can see the Jins really don’t make a good case for themselves. Not to mention, at the start of the hunt, with how they use the probably innocent Wen members for archery targets, the line between the Jins and the Wens became really blurred, despite the Lanling Jin’s more angelic looking outfits. Again, I don’t get a chance to talk about this enough, but part of the reason I love Mo Dao Zu Shi/The Untamed is that surrounding the beautiful love story between WWX and LWJ there is a legit fascinating story about the world of cultivation, the sects and families within it, which is populated by characters that are just as interesting and dynamic as our two protagonists. I think the Phoenix Mt Hunt really highlights this fact by giving us a glimpse into all these different aspects of the two main stories at play in one event…and not to mention, WWX just looked cool AF doing all that stuff with a blindfold on…which is why I love the hunt so much.

Thank you for reading my thesis. I will continue to work hard to earn my doctorate degree in MDZS/The Untamed.

[littlestsnicket]

the witcher: the end’s beginning

Whenever I hear the netflix noise, I automatically start singing Look Away. Doesn’t matter that I haven’t actually rewatched ASOUE that many times.

i very much appreciate how they make this first monster fight look difficult (it gives such scale to how dangerous these monsters are when you compare it to Geralt fighting Renfri’s posse later). And Geralt’s not at all human eyes. The spidering poison is super unnerving and feral looking. Great introduction to the character. (per my understanding of the video game, he absolutely ate that deer raw, when he tells Renfri he’s full later, he is FULL OF RAW MEAT.)

so that paper 100% says kikimora on it. important a scene or two later. 

some of the costuming decisions aren’t 100% but I am a big fan of the set design. especially all of the candles. 

i want to squish renfri’s cute little face! (her costuming is also on point, i really love the specific red color of her shirt. Although on further examination, the fit is actually a little strange? Or the pleating doesn’t read right on screen all the time.)

“more and more i find monsters wherever i go.” yup... early introduction of *theme*

“I killed a rat this morning with my breakfast fork.” Got to love Marilka!

“You don’t scary me”/“That’s too bad.”

(Geralt will be a good adopted father to Ciri, he’s good with violent, headstrong teenage girls.)

Marilka lied there, the flier was absolutely for a kikimora. She is very deliberately intercepting him to take Geralt to Stregobor. And Geralt is just like, fuck fine? You do sort of get the impression that people refusing to pay him as contracted is something he deals with ALL THE TIME!

“I think that makes you a hero.” (aww, Marilka!)

Marilka and Geralt are so cute together (I think he likes people who will talk at him)

Geralt’s little smile when she says “girls can’t be witchers that’s the stupidest thing i’ve ever heard”

Gratuitous nudity? Nah, we’re establishing something about Stregabor with this. Also, it’s just sort of there... in the background, like we should barely pay any attention to it. (So, per the timeline, Stregobor has already tried to prevent Yennefer from going to the court she wants for no apparent reason. Stregobor is a bastard.)

“I seem to remember that Witcher’s don’t feel anything”

Aw, Ciri dressed as a boy handing out with some rascals. She’s wearing normal pants here... 

”Gross”, yes Ciri your horny grandparents are gross.

“Wizards are all the same. You talk nonsense while making wize and meaningful faces. Speak plainly.” Geralt is so done with everything. That’s how we meet him. I question the received fan wisdom that Geralt doesn’t talk very much. He’s just surrounded by people who talk A LOT.

How full of shit is Stregobor? It’s very difficult to tell. Does he actually believe his bullshit? What evidence did he actually have of these internal mutations? How did they die so he could autopsy them? Difficult to say. Also, there is something super weird about how Stregabor talks to Geralt, the way he’s moving and the tone of voice he’s using--like he’s trying to get in his head. Is it strictly psychological or is he attempting to do what he accuses Renfri of and manipulate him with magic? Make him kill Renfri?

“Pretty ballads hide bastard truths.” (Rewatching, this makes me think of episode 4, they’ve met Jaskier. I wonder if Jaskier wrote anything about Calanthe — there are so many references throughout the series of the power of song to change perception of the past, which changes the present.)

I can’t unsee how the bodice of Crir’s dress doesn’t lay quite right and the fabric is weirdly modern looking. (Her face when she is doing the kicky part of the dance--she’s so right, what the hell even is that.)

GERALT’S FINDING SHIT TO MAKE A POTION! 

“Queen Calanthe of Cintra, she just won her first battle” — if you are paying attention, the timeline stuff is actually pretty clear, the clues are all there. I was explaining to a friend that i have trouble watching things that are of midrange complexity; i can follow this and i can follow a sitcom, but I often have trouble following things inbetween. 

“Because then I am what they say I am” — Geralt is morally incapable of rehabilitating his own reputation, he’s too concerned he might deserve it

renfri says “no more princess” and then Geralt calls her a princess. He is SO DELIBERATE with words. 

The violence in this battle is something. The visuals are weird; it’s not torture porn, it’s frantic and horrifying. There is this unbelievable level of squelching and bits flying around, but very little blood. And I don’t think i’ve seen a battle sequence that is washed out in that precise way--the overcast sky reflects the sun everywhere until you can hardly see. That’s got to be a horrible circumstance to fight under. 

I hope we see Ciri comfortable enough to be this impetuous again. 

Does Mousesack know Stregobor? Why does he choose to tell Ciri a story where a wizard systematically kills young girls? There’s no real moral relevance or connection to what they are talking about, unless it is the cruel callousness of fate. 

Calanthe is so devastated when Eist dies :(

Ciri looks so scared and like the world is ending, talented actress, she’s wonderful!

Geralt’s giant monologue talking to his horse. Yeah, perceived fan wisdom isn’t quite right. He talks. He’s pretty verbal and good with words. He’s just so very careful around people and cultivating this very specific image.

“She took one look at me, screamed, vomited and then passed out. Yeah I thought the world needed me too.” I bet he is still thinking about Marilka calling him a hero. 

Back in Cintra... the color has shifted so drastically from the glaring white to the orange burning. 

Geralt is THERE, right NOW. escaping from the prison cell Calanthe put him in. DESTINY! But why?!?

The way Mousesack looks at Ciri when she does the magic yelling thing for the first time. He does not look surprised. 

“Find Geralt of Rivia, he is your destiny.” I should have counted how many times the word Destiny is said. I’m sure it’s off the wall. 

Note to self: Mousesack and Calanthe know that Nilfgard is here for Ciri. They say so. Were they too in denial about it to take appropriate action? Cause strategically, if they knew that, nothing they do makes any sense. And they could not have gotten new information since Calanthe went off to battle. 

Cintra doesn’t have a court mage, and hasn’t for ages. Pretty sure Mousesack is a druid, but is it hard to convince Calanthe to let him stay? (should get back to this train of thought in episode 4)

This bit with the soldiers handing out the poison drives home how scary Nilfgard is so much more effectively than seeing them graphically torture people. (Not that what we see of the slaughtering people isn’t graphic enough.)

Calanthe just tipping out the window gets me every time. The soundtracking is great, the way is gets quiet and picks back up again. 

Geralt is so fucking close to Ciri in this moment, but not close enough!

What is Renfi’s intent in sleeping with Geralt? Is it just because she wants to or does she have some ulterior motive? Does she think it will sway him? They both look at eachother so softly though. The way it is done in this weird prophesizing flashback is so strange. 

“You have to choose the lesser evil.”

Geralt goes from resigned fuck to snarling so so fast when it becomes obvious that Renfri’s posse is not going to back down.

“They created me just as they created you, we’re not so different.” — what does she mean by that? Does she mean it philosophically that they have both been badly mistreated by society, or is she implying that her mutations are deliberate. And she was created, like a Witcher. Not a coincidence of being born during an eclipse. If that was the case, Stregobor would know, possibly even have been the one to do it, that creepy fucking bastard. I don’t have easily searchable transcripts handy, but I *think* Geralt mentions something in another episode about how he’s found mutations to be deliberate. Going to keep an eye out for that. I’m proposing that Stregobor was out to create an army of female witchers and it went... badly and he killed them all off. Maybe he was even doing it to replace Tissaia and Aretusa. This could be a *thing*. 

I am 90% sure Geralt just grabbed the blade of the sword. Yup, he’s definitely holding the sword in his off hand by the blade when he kills Renfri. The fuck Geralt? Does that not hurt your hand?

Renfri’s giant eyes when she’s dying. God. 

So Ciri legit causes a giant crevice to form in the earth. WHAT IS SHE CAPABLE OF?!?

The way Stregobor looks at Renfri’s corpse. So upsetting. He doesn’t look at her like a person. Stregobor is definitely using the idea of Renfri’s mutation manipulating people to turn the crowd against Geralt; make him seem more untrustworthy and shut down any attempt for him to defend himself. Protecting Renfri’s corpse from horrible wizard dude is 100% in character for him. 

Shit. Geralt’s resigned but completely devastated face when Marilka tells him to leave and not come back. And she is so soft and quiet about it too, that must make it so much worse. And Marilka looks like she’s about to cry too--she’s lost something: her innocence, her chance to escape, both. What does she really, deep down, think of Geralt here? Will she lie awake at night wondering if she should have said something else? I wonder what becomes of her. What does she think about Stregobor after this? Her face though, she has to know something is wrong here. Does she leave Blaviken? Does she hear tales of Geralt the White Wolf as an adult? What does she think of them?

Close up shot of the pin he took from Renfri.

And then the clear visual cue that Ciri is the girl in the woods. If you just roll with it and assume things will get explained a little better later, this really isn’t confusing. You just need to let go a little.

[alphabees-writes]

Glee - S1 E4 (Preggers)

And from this moment onwards, Kurt Hummel proceeded to steal every single damn scene he was in. I’m actually unironically excited for this one. I didn’t think that could still happen! Here goes!

I will always love this Single Ladies scene. I will always love season 1′s Tina/Kurt friendship. Also, Brittany’s here, inexplicably. Did he pay her for this? In Pixie sticks, perhaps? Or Monopoly money?

“Kurt’s Superstar Playlist” is the most adorable name his playlist could possibly have. All we get to see on it are 4 Beyonce songs, and 1 Gwen Stefani - but it’s a cute little insight.

God sometimes I forget how cute Jenna Ushkowitz is and then this scene really slaps me round the face with it huh!!!

WHY are you filming this, Kurt? What are you using this for? I’d love to know. I’d say it’s just to check out his own dancing technique but it’s in black and white… Where are you posting this!!!

I want that swingy-suspended chair thing he has in his room sooooo bad

Ok now the fact that this is being filmed is giving me fic ideas…

BURT HUMMEL!!!!!!!!!!!!!!! BURT F U C K I N G HUMMEL BABIE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

God the look of fear on all three of their faces when they see Burt??? Don’t you worry kids he’ll come around real soon…

Burt’s approving nod when he yanks on Kurt’s unitard… God I love this man.

The LOOK on Kurt’s FACE when Brittany says he’s on the football team… I can hear his inner monologue like “bitch we may be in the basement but I will make a window to throw you out of”

Kurt just wants to relate to his old man so bad :( Baby boy he’s already so damn proud of you!!! Also that LAUGH.

He really just slapped Tina’s ass! And she completely rolls with it, the absolute champion. Also, the subtitles Netflix provided me with were (smacks bottom) and I just love that.

Oh god it immediately cuts to the WORST scene. Terri learning to give birth. William Schuester trying to help. Just let me perish, RIB?

Shout out to Kendra’s actress for somehow managing to make her character even more despicable than Terri!

Actually the shit she says to Will here is almost valid… All three of them are fucking awful huh!

Seriously why are Kendra and Terri the best actresses on this whole show? It’s the only reason I care about this fake pregnancy arc anymore…

The teacher’s lounge is always either an arid, desolate wasteland, or the only watering hole within 100 miles where all the thirsty ass teachers congregate. Take your pick.

Why does Will pretend to hesitate before going to sit with Ken and Emma? They’re the only people we ever see you talk to dude!!!

Ken with the psychoanalysis, wow. Just hit her right there buddy!

THAT’S HOW SUE C’s IT!!!

Rachel really just EXPECTS every solo… I almost forgot how bad she was when she started. “Maria is MY part!” Not anymore!! Kudos to Lea Michele for managing to make Rachel really sound like she thinks she’s the victim when she really isn’t.

Tina’s face… She was seriously happy. Season 1 Rachel SUCKS for even trying to take this from her. She IS talented. She IS ready!

Everybody else knows it’s a fat load of BS… Kurt lowers his sunglasses to look at her like she’s a bug beneath his shoe. Also, Kurt, why sunglasses? You don’t start getting hangovers ‘til next episode, sweetie!!

“You’re trying to punish me” I think being a total martyr might be one of Rachel’s worst traits early on in the series. I get that performing is her deal, but she can’t even take a second to at least fake being happy for Tina? Unreal.

Everybody else just moving straight on with it is hilarious. They’re all so happy for Tina and don’t give a shit about Rachel’s melodrama, which I’m living for!

I wanna be all “Finn’s an arrogant bastard for assuming Kurt wanted to ask him to prom, grr!!” But then I remember Kurt’s canonically in love with him at this point, so I’ll let him off this time

Kurt’s devious little smile when he asks Finn for a favour… I love one (1) boy!

AHHH THE TRYOUT SCENE. INCREDIBLE. This might honestly be my favourite scene from season 1. It’s definitely up there, anyway.

Cute brotherly Furt moments. Finn putting that helmet on for him. “Red’s your colour!” And they DON’T make Kurt get all giggly about Finn just being nice to him? Kurt just telling him he’s really cool? Pure.

“Rehearsing–” “PRACTICING!”

Finn tells Kurt he’ll be murdered if he uses his music and Kurt comes straight back with that rum chocolate souffle line. This show would be NOTHING without Kurt.

And THIS is what I mean when I say Kurt was a Gryffindor from the get-go. Even now he’s refusing to be anything less than himself for anybody, even the jackasses that harass him every day when he’s on their pitch.

Shut the fuuuuuuuck up, Puck!

“Hi, I’m Kurt Hummel and I’ll be auditioning for the role of kicker.” What did we do to deserve him?

His starting pose… His hips… The footwork… “That was good, right?” His whole ATTITUDE. THE ROYAL WAVE.

As if the TV network would cancel Sue’s news segment for having a few Cheerios in the glee club?

Oh god. Quinn telling Finn she’s pregnant. The fucking cinematography here… The camera work, the audio mixing…

“Think of the mail… Think of the MAIL…”

Did Quinn seriously just say “Ask Jeeves” told her the hot tub could knock her up? I mean, I know she’s lying, but ASK JEEVES? That should’ve tipped Finn off more than anything else…

Damn. Season 1 really had the power to get me shook, laughing, and then crying in the span of 30 seconds? Or maybe it’s just because I can’t stand seeing Diana cry…  

Sandy lets his kettle whistle for far too long, it stresses me out

Sue just… Offers this fired man a job? I know she’s got Figgins by the balls over the stockings commercial, but come on, surely the council would get involved or whatever???

Rachel sucks right now but god damn it Taking Chances gives me chills every time I hear her sing it… And she’s so cute when they tell her she got the lead!!!

If musical stuff is so frowned upon socially here, how are they expecting to get a full cast for Cabaret? Especially if NONE of the other glee kids are interested?

And there’s no funding for the arts but they have a whole ballet studio on school property…?

Sign #12 That Mr Schuester Is An Asshole: He just straight up tells Rachel that he’s the only person that likes her, which is wrong for so many reasons

He does have a point about Rachel needing to take a step back sometimes though. I hate that she’s so awful sometimes that I have to agree with Schuester.

He’s not HURTING you Rachel, he’s giving a chance to grow to somebody else!

Jenna did a beautiful job with this solo… Tina’s so cute too! I love her singing this sweet song with her goth aesthetic

This scene between Mr Schue and Tina was almost sweet BUT:

Sign #13 That Mr Schuester Is An Asshole: He did NOT need to touch Tina’s shoulders, or get that close, or whisper to comfort her.

Don’t take one for the team, Tina! Take one for YOURSELF!

I’ll let him hugging Finn slide because, wow, Finn’s breaking my heart right now…

However I will not let it slide that he’s seemingly taken him off campus for lunch…???? Dude, take him to your office. This is creepy as all hell even if he has good intentions…

“I got this at the school library. Did you know that you can just… Borrow books from there?” Protect him. Protect him at ALL costs. He was so genuinely inspired by watching Kurt make those goals that he went to a library for the first time in his LIFE oh my goodness

Oh god. The camera panning from a random father and his young son, over to Mr Schue looking at Finn? HE’S NOT YOUR SON MY GUY, HE IS YOUR PUPIL. PROFESSIONAL BOUNDARIES!!!

Terri and Will are both brushing their teeth with no toothpaste… Freaks…

Have I mentioned how much I adore those little background choir soundbites between scenes? They did so much for this show…

SHUT! UP! PUCK! Drink your fucking character development juice already!!!

Kurt just casually dropping in Sun Tzu’s Art of War… He just knows that. He’s prepared to just drop that in conversation. Son, why are you so ready for combat,

Also the way Kurt commands their attention? They can rag on him all they want but they all know he’s legit…

Look at all these doofuses in their football gear busting a move. Look at Kurt sat at the front just watching, judging, as he was born to do

MIKE! KILLING! IT! I love that they let us see a sneak peek of his moves… Serious HC that Kurt making the football team dance is the first time that Mike really got to show off his skills

Kurt shooing Mr Schue away like that gives me life!!! Sit down old man

“All right boys…”  And they all look so concerned behind him lmao… “Oh– SNEAK ATTACK back to the ring…” Mike’s trying so hard to keep in time. I love him. OH and there’s Matt! Most valid glee club member simply because he never says anything.

“Comb through the hair… SLAP THE BUTT!” And they’re all trying so hard… 10/10

“I’m your best friend,” says Puck, to the boy he has been consistently fucking over for four (4) episodes, and presumably many years prior…

I really do hate Puck for the first part of this season but god damn does he have some lines. “’Sup, MILF?” “Well, CALL the Vatican! We got ourselves another ImMaCuLaTe CoNcEpTiOn!”

I remember the first time I heard the term “Lima Loser” but I didn’t know the show was set in a place called Lima (I would’ve been, like, 9) and I thought it was lime-a-loser. Like he was going to have limes thrown at him. And it was this big, serious threat…

How the FUCK did Terri get into Quinn’s car? Why is that never addressed? Like, ever? Quinn doesn’t even ASK?

Do this many people turn up to American high school sports events irl??? And do they really play the national anthem? That must get old

Why are all these football players 30… I’m so thirsty for realistic casting…

BURT’S HERE TO SEE HIS SON!!! We love a proud dad.

“I TOLD YOU! I TOLD YOU!!!” And now he’s doing high kicks. Kurt’s doing the absolute MOST.

I will never understand the rules of American football… And I mean NEVER.

“Ring on it on three” I love that it has a code name. And they were all too busy being dudebros to call it Single Ladies…

The one dude on the opposite team who starts boogying along is the real MVP

NEVERMIND. BURT BOPPING IN THE STANDS IS THE MVP!!!

“Can I pee first?” Legendary

Burt just going “he’s so little…” In the middle of the silent crowd…

MY BOY NEEDS HIS MUSIC!

BURT’S SO FUCKING PROUD I’M ACTUALLY CRYING??? YOU CAN HEAR HIM SHOUTING “THAT IS MY BOY!!! THAT IS MY SON!!!” THROUGH THE WHOLE CROWD!!!!

I feel like Puck seeing Finn and Quinn kiss and then the crowd going silent as he walks away is meant to make me feel… Bad for him…? But we’ve only ever seen him be mean to Quinn, really. You’ve got to earn those moments!

Ah… The skincare routine. He’s thriving.

Burt! Hummel! Is! Proud! Of! His! Son!

Burt… I’m pretty sure he assumed you wished his mother was alive. As opposed to her corpse being at the big game.

Oh boy here it comes…… Chris looks SO young here. So scared. So vulnerable. The way he slightly stutters… He nailed this scene. So much.

He’s gay!

He knows.

Do they make sensible heels in sizes for three year olds…? Asking for a dad

The raw EMOTION on Kurt’s face. It’s killing me.

This is the starting point… “I’m not in love with the idea, but I love you.” And it only gets better from there…

And he THANKS his SON. He’s sure. He’s so sure, Burt, and you are going to be so proud of him forever.

Finn gives Quinn that blanket his dad gave him when he was a baby… Did she give it back? I fucking hope so…

You tell him, Finn! Puck IS an asshole!

MIKE’S IN GLEE!!! SO IS MATT!!! And Puck’s here I guess, yay… He’s got a season or so of sucking to go before I can get excited about that.

“Regionals” here we come? My guy, let’s get through sectionals first…

Rachel’s big, cruel smile when she thinks she’s going to be handed Tina’s solo. Why would she presume that it’d just get handed to her??? I mean, I know why, but like, why… And she has the audacity to look like she’s been betrayed. Not even slightly, hon! You deserve nothing if not getting one solo is all it takes for you to quit!

This Sue’s corner genuinely gets me through some shit. “There’s not much of a difference between a stadium full of cheering fans and an angry crowd screaming abuse at you - they’re both just making a lot of noise. How you take it is up to you. Convince yourself they’re cheering for you. You do that, and someday, they will.” Hits me hard!

This one was longer. Primarily because of Burt, I will admit, but it can’t be helped. Perhaps it’s the best episode of season 1 because of Burt! Now that’s a break through…

[tellywoodtrash]

Sanjivani - Week 6

Overall Plot

Holy shit, what a fucking week. Lots of interpersonal developments (read: dhamakas!) Shashank ousted Juhi all those years ago (on the request of Rahul) because he was in love with her?!?!? Shashank is also possibly Sid's father, or somehow personally associated with him?????? Rishabh's background is revealed too!!!!! Phew. I am dizzy.

The Medical Stuff

Not that much focus on the medical stuff this week. Neil's dad is quickly diagnosed with Legionnaire's disease and I assume cured (since we didn't see him after that, and Neil happily went along to Sid's for Ganpati.) There's an old friend of Shashank's whose wife had a nasty fall and is showing some pretty bad effects of concussion. Sid's injuries seem to be the priority right now.

The Acting

Dude. Sayantani, what a stellar actress. I could not take my eyes off her in the the scenes where she's at Juhi's house. Her eyes glittering with a strange sort of determination, almost like a suicide bomber, as she presses the button to detonate life as Shashank and Juhi know it. Fucking amazing. She blew (pun unintended!) even Mohnish outta the water, with her ice-cool, unperturbed performance, standing up to him so ably! Gurdeep too, had a nice couple of scenes, alternating between Juhi being disturbed at what she found out, as well as having to take charge of one crisis after the other, and she played it with such grace and poise. Surbhi had a more toned-down week (other than the scenes when Sid gets injured.) I particularly liked the apology scene and the scene where she's praying for Sid. I'm watching YPNTKH rn, and find Namit to be waaaay more polished in that than he is here? How did his dialogue delivery and acting regress a level or two, when he’s so damn steady there? Now I'm legit suspicious of the director(s) of this show, coz if they're not extracting the best out of their two leads, who have proven to be much better performers than they’re exhibiting in this show.... What are they even there for?  

The Characters

Sid: Watching YPNTKH has given me a new appreciation for Sanjivani!Sid (he's called Siddhant in that show too!) because he's a much better character here. He's a soft boi who isn't hyped up on ego and toxic masculinity, and I really really love and appreciate that. His admonishment of Ishani (during her apology) underscores his true character; he glossed over her poor behaviour towards him in public and even the fact that she slapped him, to focus on how she was ready to blow up her own career and throw it all away over a past she had nothing to do with. He's an excellent mentor who truly cares for his team and wants to make them the best doctors that they can be. Also, I'm so, so heartened to see how accommodating he is of Ishani's germophobia. Everyone else treats it as a quirk or inconvenience, but he truly takes it into consideration, asking for consent before coming in contact with her (at almost every instance they're close by - not just once for effect and done - I hope they maintain this aspect for good), or protecting her from unwanted contact from others. His crush on her is just so adorable - checking if she’s okay while he’s carrying her, remarking he’s glad that he didn’t punish her for her insubordination because he likes seeing her all soft and contrite; his bashful glee when she gives him a flower, the (mischievously) proud grin as he watches Ishani walk off to give Rishabh what he deserves; gently guiding her to where the best views of the Ganpati fest are, all the while shielding her from unwanted contact from strangers; semi-consciously dragging himself on top of her, to protect her from the gunde!!!!!! What a good, good bean he is. He's truly so beloved that seeing him brought in injured paralyses the whole hospital in shock, and they all unite in both dawa-and-dua ways to ensure he pulls through. Please show, I am fucking begging you; do not ever ruin this character by making him a typical Tellywood hero. Keep him soft and respectful and lovable forever!!!!!!!!!!!!!!!!! I deserve a male character like this after all the fuckery I’ve been through the years!

Ishani: Ishani finally comes around to seeing Sid for what he is. Even before she learns that he wasn’t the one to blame for the poster drama, she opens up about her emotional issues to him, perhaps the first person she's let in for over 20 years now. Not only him, we see she lets in his mom as well; letting her smear colours on her face, hug her, and feed her sweets from her hand, even asking for more. Really sweet and shows the willingness to make progress on her part, for people who really matter. We also see the side of Ishani that's fiercely protective of those she considers her own; lambasting Rishabh for trying to play with Asha's career, and taking on a whole group of rowdy men who were harassing her, but as per usual, her impulsive side creates more problems than she ever accounts for. Couple that with her tendency to self-blame to a destructive degree, and our girl has a lottttt of work to do, mentally. I really liked the scene where she's praying for Sid, and she says that Sid is her friend, he's everyone's friend here, and they all really need him in Sanjivani. That's all the emotional development that's appropriate for now; what the fuck is this sudden realization of "love" that's coming outta nowhere acc. to the promo for next week???? Please! It's too fucking early for love and all. Friendship, maybe a confusing infatuation of sorts because he’s been her saviour multiple times now, that's it. Not CAPITAL L waala LOVE and all. Also not a fan of how she was just paralyzed and clutching at Sid and weeping after he got injured, instead of doing something helpful. Like, it's hard to believe she's a good doctor when she reacts so emotionally in scenarios like these. I think her skills extend only to diagnosis and she should maybe focus on that, instead of the surgical part.

Asha & Aman: Asha's woes against the patriarchy continue. First with Rishabh threatening to derail her career by bringing her family into the picture, and then those random drunkards at Ganpati. She does pull together nicely though while Ishani is panicking tf out, and manages to insert a chest tube for Sid to alleviate the internal bleeding. I’m glad that she finally opened up to Ishani about why she’s so competitive and bullheaded at work, which in turn leads Ishani standing up for her against Rishabh. A solid girl!love bond growing there and I am thrilled! Aman toh... Lol, continues being Aman. He offers to beat Rishabh up for Asha, roams around the hospital like an errant 10 year old, just generally having a gala time, unlike the others who are there to focus on work. I really cannot read the vibe between these two; are they just really good bro-sis type friends, or is there a romantic undercurrent? I can't tell. Either way, they're good together, and I don't mind whichever way it develops.

Dialogue(s) of the Week:

Asha [when Ishani freaks out that she threw away the literal white flag she was carrying to make up with Sid]: Ab ke ho gaya???? Wapas se teri overacting; dekh, sahi dustbin mein daala hai (iss baar.)

Aman [literally rolling into the scene on a razor scooter, seeing the yellow rose that Asha suggests Ishani give Sid]: Chee, chee, chee chee; itni gareebi aa gayi, ki yo peela phool dene laage tum log? Arre, manne bol diya hota, english waala phool mangwa deta, phoren se. Lekin [scoffs disdainfully] tumhari marzi... [scoots away]

Rishabh: We finally conclusively know who the worst fucking person in this show is so far. Ding ding ding! Winner winner, chicken dinner! This dude is just something fucking else. He threatens to fuck up Asha’s career if she tells anyone about the poster drama. He is a classist fucker who puts down Asha’s background to Ishani, saying she has “gaon waali harkatein.” He doesn’t give a shit if Sid dies of his injuries, to the point that even Vardhan is taken aback with how vitriolic he is. A truly vile creature, this one. We finally find out that he’s the son of the canteen waale chachaji, which explains the confrontation on the day Sid was called in for his investigation (Sid says that only he knows Rishabh’s “asli aukaat”, before Rishabh rudely pushes past him and the canteen chacha who came to offer them both chai.) All his LV belts and fancy car and show-shaa is just to hide his actual economic background and as such, he prevents his father from interacting with him while in Sanjivani. He’s terribly rude and dismissive of him, to the point where the dad wishes it was Rishabh who was battling for his life instead of Sid, who’s always been more of a son to him. Yiiiiikes. Anyway for all his bluster, I am happy that he’s properly terrified of Ishani, who threatened to fuck. him. up. if he steps out of line as far as she and her friends are concerned.

Neil: I was hoping we’d see more of the Neil-struggles-with-medicine-and-his-father’s-expectations plot, but it was done away with for this Ganpati wala track. Maybe next week? Shout out to him for his adorable wardrobe filled with cartoon characters, even a Tweety Bird waala kurta that he wore to Ganpati!

Rahil: Ride or die for Sid, and I’m so glad these two soft boys are best bros. They deserve each other. He seems to be pretty close with Sid’s mom too, which makes me wonder what his family situation is? It was nice to finally see Rahil integrated into the group of residents, teaming up with Asha and Aman to get the truth out of Rishabh. I also like that despite his own terrible injuries, he takes charge of the situation when Sid is injured and gets him the first aid he requires at the moment by instructing Asha/Aman/Neil what to do. Nice progress from that first case where he was panicking and Ishani had to step in. He’s inconsolable when they reach the hospital though, and unwilling to leave Sid’s side to get his own injuries looked at. Best boy, all the love for him!!!!!!!! 

Shashank: Lord above, what a week for poor Dr. Shashank. All his children are spontaneously combusting and giving this poor man the worst week of his life (probably.) Anjali unrepentantly blew up his personal and professional relationship with Juhi, Juhi is freezing him the fuck out (I refuse to believe that he has any romantic feelings for her unless he says so himself, out loud), Sid has been brought in at the brink of death, and Ishani is on the verge of a breakdown blaming herself for what happened with Sid. For godssake, this poor man is still recovering from a VERY MAJOR BRAIN SURGERY! Could y’all cut him some damn slack, you terrible little brats!?! He’s trying his best to manage; diplomatically addressing the issue with Anjali, trying to engage in conversation with Juhi, comforting Ishani and friends about Sid, but gosh, he’s really struggling to keep his head above water. Also, the overwrought reaction about Sid......... We’re supposed to think he’s Sid’s father right? But would they really do that to this character???? Make him romantically involved with Juhi AND have an illegitimate child with another woman? Very unlikely that they’d make him such a horndog. So one of these plotlines has to give up, and I really hope that it’s the Juhi one. I can begrudgingly tolerate him being Sid’s dad, but being in romantic love with a woman who was canonically a daughter-figure to him for all these years? Un-fucking-acceptable.

Sid’s mom: We don’t have a name yet, but Aarti Bahl (aka Ekta Sohini) also played Nurse Padma Bansal Gupta (Shashank’s second wife) in DMG after Shilpa Tulaskar left. So is she Padma here too, or a whole new character with the same face? As for why the previous actress was replaced, I have a feeling it was because she didn’t look age-appropriate and/or conventionally “attractive” to be paired against Mohnish for this “is Shashank Sid’s father?” plotline. I’m not sure what to make of Aarti’s acting, she seemed very stiff with that forced smile throughout the Ganpati function; and wasn’t too impressive in the scenes where she was panicking and hiding from Shashank either. The scenes I really liked her in were when she was lovingly fussing over Ishani, and later in the hospital when she remarked how proud she was of Sid for standing up to protect the honour of a woman. She has a very soft and calming voice, and her dialogue delivery is really pleasant and soothing, so I’m hoping I grow to like her in this character.

Juhi: Juhi’s not really having a great week either, but she’s a boss bitch who has everything (mostly) in control and I am so fucking happy to see that. I’m glad she didn’t fall apart over the “truth” or try to leave Sanjivani over it - curtly stating to Shashank that she’s signed a contract and intends to honour it, unless he fires her again. She has a brief confusing moment with him while conducting a motor function assessment to determine his fitness to do surgery again, but other than that, she’s all pulled together. She’s mostly brusque with Shashank, trying to prove that she deserves to be here because of her capabilities, and trying to break out from under his shadow to be a proficient COS in her own right; but she’s also gently firm with him when he emotionally barges in trying to help with Sid, insisting that she has it under control and assuring that she will not let anything happen to him. It’s so great to see her balance both her medical/admin skills as well as the firm-yet-empathizing demeanor so ably.

Anjali: Oh Anjali. I love you but you have some serious daddy issues that you need heavy-duty therapy for. On one hand, I understand why she is so resentful and passive-aggressive the way she is (Sayantani’s portrayal compels us to peek beneath the layers!) but on the other, she really had no right to throw Shashank under the bus like that. But I can’t say I didn’t enjoy the way she did it - so bloody spectacularly; unfazed at getting slapped by her father in front of her “rival”, chugging down a whole glass of wine and insulting Juhi’s cooking before she left for the night. So tragic, yet so fucking hilarious. On a professional front, I’m predicting that she’s gonna tire of this Luxury Ward COS post real soon, since it only seems to have her stand around kowtowing to rich assholes like a receptionist of some sort. I can only hope that she wises up to Vardhan’s BS soon enough, instead of serving as collateral damage and falling into the quagmire he’s planning with Rahul to target Shashank/Juhi.

Vardhan: Not much of Vardhan this week other than him entering that secret room he’s built for Rahul in the Luxury Ward. Good. I prefer him in small, controlled doses. And at least we have some clarification that even with all his shady crap, he’s not as horrible a human being as Rishabh - stating that even though he doesn’t like the way Sid operates within Sanjivani, he hopes he pulls through in surgery.

Overall Rating: 4/5

[someone-elses-star]

The 100 6x09: What You Take With You Personal Narrative

Another two week hiatus that absolutely killed me! Thank goodness for the Beliza pics from the recent con or I would absolutely be drowning! What did you guys think of the sneak peaks we got? I’m excited to see the new dynamic between Octavia and Gabriel! I also want to know if she’s faking not remembering anything or not. Plus, we get so much Bellamy/Jo!Clarke action tonight! I definitely don’t think we’ll get Clarke back this episode, but I’m hoping for 6x10 when the Blake siblings are reunited! :) 

Alas, the episode is about to begin, so let’s get started:

It’s coming on! I’m so cool with Eliza introducing all the episodes.

Eliza is such a great actress. She does so well with separating her Josephine voice from her Clarke voice.

Aww... clean and young looking Octavia. Gotta love the glam that the anomaly provides!

Does Octavia really remember nothing? Seems strange....

Gabriel is pissed.....Why does he want to know so much about the anomaly?

Help....? That can’t be good

What’s in the creepy boxxxx

What the hell is Gabriel doing?

He’s going to get her.....high? Ahhh so that’s how she is going to see Bloodreina. 

So the anomaly doesn’t heal...but it passes through time possibly....then erases memories? Interesting....

So there could be truth in the time travel theories that have been floating around?

Can we really trust Gabriel, though? I mean....he has been lying about who he is.

Damn....that was quick. Where can I get that stuff? Lol

Nice glowing boxes. Red light. Green light. And she decides to go towards the red? That’s such an Octavia move.

Yes, let’s pick the angry looking box that is obviously going to lead you towards your worst memories. 

Marie is such a great actress. What did we do to get such great actors and actresses in this show? Did someone sacrifice a virgin or something?

Echhh.....creepy new Marcus---Marcus Kane II if you will---I do not like it! SO ICKY!

I mean....he’s hot....but....him and Abby possibly being romantic in the future is just a kinda gross concept. 

Is anyone else sick of Abby? She has gone way too far.

There love story has never really been healthy in my opinion, but this is too gross and too far. 

Ewww don’t kiss! Stop it! Stop it! Stop it!

Yes, everything is wrong, Marcus. People are not meant to switch fucking bodies! 

Yay! Bellamy and Jo!Clarke!

Aww Bellamy can’t stand seeing Clarke in pain in any aspect.

You tell her Bellamy!

“I guess you just care about her more.” Well that is dropping some more truth bombs on Bellamy!

Commercial Break #1 Thoughts: WOW! Josephine dropping the truth bombs on Bellamy! Everyone is calling him out on this! This has got to mean something for Bellarke! IT HAS TO! We usually only get like one of these comments per season about the two of them putting each other first but.....now we’re getting this like twice in two episodes? AMAZING!!! If this is anything like what the rest of the episode is going to be like we are going to be served a MEAL! So thrilled! On the opposite side, Kabby 2.0 is creepy and I’m grossed out. Who’s with me?

Ohhh we’re in a cave! And Josephine is such a fucking priss. 

Seriously Josephine is going to get herself killed. 

Bellamy is such a boss. Though is he going to get them killed? Doubtful. But his heart is definitely leading over his head.

Oh my gosh. He just said Doubtful after I did! It’s fate!

Can she really hear them now? OMG!!! 

What is he going to say?

OMG he was always speaking to her! In the trailer he was speaking to her and not just metaphorically or whatever! WHAT A FUCKING TREAT!

Was it worth it? Probably not. 

Eeww....the host had a wife....and still willingly sacrificed his body? Wow these people are brainwashed!

Ohhh what is the truth?! Reveal it Kane! Drop some truths!

Kane is our King! Even if he is in a new body. 

Woop there it is! This is the only time where Raven’s condescension this season isn’t bothering me.

INDRA IS BACK!!!!

I forgot Indra and Kane were friends! This is awesome! I missed Indra so much! Is she going to ask about Octavia? Is she? 

Commercial Break #2 Thoughts: After the first commercial all of the commercials come so quickly. But we seriously got info that Clarke can hear them! And it seems legit! And Bellamy in the trailer was always just talking to her!!! I love this so much! I’m so happy! But what worries me is the fact that Clarke’s brain---according to the episode sneak peaks we got with Jason and this episode’s writer--has only a few hours left. So....hopefully they get her into the anomaly or something soon? If it will heal her...but if it is just a time anomaly will it actually fix her or just kill her brain sooner because of a time jump? I’m concerned, confused, and cautiously hopeful. 

And we are back with Octavia and Gabriel! He better hear his call from his people! We need him to save Clarke!

Octavia versus Bloodreina! FINALLY!

Oh....no....Pike. Interesting.....

We are really getting down to the deepest set of what turned Octavia so dark. Intense

Did anyone else miss Pike’s actor like I did. I mean....I didn’t really care for Pike, but I love the actor who plays him! 

Ohh...playing the Bellamy card with her. Ouch.

Of course she hates herself. She was forced to do a lot of shitty things and she did a lot of shitty things on her own. She’s a bit fucked up. 

Wow! Pike is really laying into her. Her mind is almost as bad as Clarke’s.

There’s Bloodreina! 

Pike is Octavia’s good side of her conscious? Interesting.

Lincoln!!! I don’t want to see this again! Don’t show me his death again! NOOOOOO!!!!!!

Hmmm....but Octavia still protects her mind Pike. Good for her!

You kill Bloodreina, Octavia! I know you can do it!

Damn. That kill shot came quick. 

Aww Gabriel is wiping her forehead! That’s sweet! 

Commercial Break #3 Thoughts: So....that was intense. But we don’t really know what happened in the anomaly still? Or will it come back to her now that she fought against her demons/Bloodreina? I still think the fight was kind of quick. Even if Octavia has been continuously thinking about getting redemption for awhile now, it still seems like a quick internal battle. I’m sure she will have to fight harder on the outside for redemption with Bellamy and the others, but it wouldn’t have killed us to get a longer fight. However, I will be okay with this shorter fight if it means longer scenes with Bellamy trying to save Clarke.

INDRA!!! Because she loves you.....yes drop those truth bombs girlfriend!

Hmmm....Indra....what are you saying. We need you on our side!

Ohhh.....Raven/Indra/Kane II team! Love it!

YAY Bellamy and Jo!Clarke interaction!

At least she knows that bringing her back was a big mistake sorta.

OHHHH what Clarke/Bellamy truths is she about to drop?!!?

Bellamy’s hope is so cute! I hope it continues and he’s right!

Haha continue to be confident if it pisses her off Bellamy!

Bellamy looks so hurt that Clarke’s body is being hurt.

Uhhh....ohhhh....They know! 

Is....Clarke back?

Oh!!! How is this possible! This is such a great fanfic....I mean episode. LMAO!

Commercial Break #4 Thoughts: So....now that she gave control back to Clarke....does that mean that she can take it back or does Clarke have to give it back? I mean....Clarke’s brain is obviously still dying, but will this make it better? Worse? I just can’t believe we just got Clarke back so suddenly! I’m so crazed! I’m so much more hopeful now! Is this going to make me a clown in the end? I don’t know....but I refuse to let go of this hope! Clarke is BACK! 

Wait...she is running towards motorcycles...is she playing the part of Josephine or....is she actually Clarke? Yup....actually Clarke. 

Ohhhh....So Clarke does have to give back control. So cool. 

I’m loving Clarke on the motorcycle! SUPER FUCKING HOT!!!

Clarke and Josephine interaction, and Clarke sassing her! I LOVE IT!

Ohhh....Octavia seeking redemption is hot! And....they just heard the radio calls.

Octavia wants to save her people!

“Things are about to get weird...” Lmao....I love Gabriel! Best line of the night, probs!

Commercial Break #5 Thoughts: So confirmed Clarke is back. We get to see Josephine and Clarke interact with each other outside of her brain. So thrilled that Clarke is back though! SO HAPPY! And Octavia actively seeking redemption, and Gabriel pretty much being cool with it despite him wanting info about the anomaly. That is legit wise-old man vibes! I’m digging it, Gabriel. You’re awesome! I take back not trusting you. If you don’t do something stupid...I’m just going to love you.

Indra is such a badass. We should have brought her back sooner. 

Ohhh...are we losing Marcus again so soon? That’s sad....but it makes a good point to this whole show. I really think letting him die would be better for all of this. It proves the point that taking over someone else’s body and living forever is never right. Sometimes people just have to die and stay dead. 

Ohhh....she is seeing his old face! I love it! Or are we just seeing it? I don’t care! It’s amazing!

This is the perfect way for us to say goodbye to Marcus! I LOVE IT! 

I’ll miss you Marcus! But sometimes dying is for a good cause! 

“This is how we get our humanity back.” 

I’m crying!!! May we meet again, Marcus Kane. Your fight is over.

So....that episode ended abruptly. But at least we only have one week until next episode!

[that-curly-haired-lesbian]

The Seven Husbands Of Evelyn Hugo + Taylor Swift: a master post - Part 6/6

Hi guys, welcome to the final part of my masterpost regarding parallels between Taylor Swift and Evelyn Hugo, the fictional actress from the book The Seven Husbands Of Evelyn Hugo by author Taylor Jenkins Reid!

Before proceeding please be aware that there will be

 **MAJOR SPOILERS**

for the book ahead and please also read my disclaimer!

It’s very important that you read these in order so if you haven’t yet go ahead and check out the previous part right here, thank you and enjoy!

When Evelyn starts telling us about beard #6 she reveals that they got married in Joshua Tree (Pg. 295) which is you know, an actual place and all, but my first reaction was (perhaps understandably given this context)

“You got married WHERE, now?!” and then it took me quite a while to stop laughing and honestly, this is kind of too hilarious not to include!

Evelyn also points out on that same page that she wore an ocean-blue dress for the ceremony.

--

 Though Max Girard (beard #6 and legit husband #2) initially starts out as a non-bearding situation (in a desperate attempt to get over Celia) it soon becomes clear that Max doesn’t love Evelyn, he loves Evelyn Hugo™ He loves the idea of her more than the actual person, he loves the famous persona. Evelyn says:

  “I didn’t know how to tell him that I loved her too, but I wasn’t her.” (Pg. 298)

This is that age-old debate of Taylor vs. Taylor Swift™. The two are not the same person and sometimes it feels like (het in particular) fans have as hard a time as Max to make that distinction.

Taylor Swift the public persona isn’t Taylor Swift the person and that is perhaps the most true when it comes to Taylor’s actual love life vs. her fabricated one. There might not be a single fact more important to come to terms with in order to understand Gaylor Swift (and her reasons for being closeted) than that simple one. If you feel lost here, please go read this again!

--

    “When you’re known for being gorgeous, you can’ not imagine a faith worse        than standing next to someone and falling short.” (Pg. 299)

  And all the young things line up to take your place

--

In a letter to Celia:

  “I hope you will forgive me for being so blunt, but how did we make such a     mess of it all?” (Pg. 301)

Oh, we made quite a mess, babe

--

After years of being separated (yet again) Evelyn finally calls Celia and when they discuss the possibility of getting back together without having to hide Evelyn points out that:

                        “Everything has changed”

And as proof of this change she brings up the fact that Elton John is now proudly out (this part of her story is set in the late 80’s) to which Celia counters with:

  “’Elton John doesn’t have a child and a career based on audiences     believing he’s a straight man.” (Pg. 303)

Taylor may not have a kid, but she most certainly has a career based on audiences believing she’s a straight woman and that must be freaking terrifying!!

--

During that phone call Evelyn explains that she never stopped loving Celia and when Celia questions this by pointing out that Evelyn (in a non-bearding way) got married to someone else Evelyn explains:

  “’I married him because he helped me forget you,’ I said, “not because I     stopped loving you’” (Pg. 304)

He will try to take away my pain  And he just might make me smile  But the whole time I'm wishin' he was you instead

--

During a dinner following the phone conversation Evelyn tells Celia:

  “I spent my life hiding so no one would knock me off the mountain. Well, you     know what? I’m done hiding. Let them come and get me. They can throw me     down a well as far as I’m concerned.” (Pg. 313)

When Celia questions if Evelyn really means that Evelyn assures her that she does.

  “Any other line of thinking…It’s how I lost you. I don’t want to lose anymore.”

HELL YEAH, EVELYN IS DONE HIDING!! Also, the “I don’t want to lose anymore”-line reminds me of:

  Us traitors never win

And what I said about that line in my analysis of Getaway Car:

What she says I think is that people who pick their career over their love life won’t end up being happy, or “winning” at life in the long-run.

--

When Celia has made absolutely sure that Evelyn is truly ready to give it all up for her this time she suggests that they move to Spain together, she says she wants to spend her final years:

  “On a beautiful beach. With the love of a good woman.” (Pg. 314)

  Drinkin' on a beach with you all over me

--

When Evelyn leaves her sixth husband for Celia he is pissed off and threatens to out her and he does, to untrustworthy magazines and anyone who will listen. (No one believes him, but still) (Pg. 319)

The whole divorce is very bitter and the bitterness of it all kind of reminded me of one of Taylor’s particularly bad bearding situations.  But when Max goes so far as to basically say he made Evelyn’s career an even worse taste was left in my mouth……………..

--

In a conversation with Evelyn about their differing degrees of fame Harry says the following:

  “I’m only famous because you’re famous, Ev. They don’t care about me or     what  I’m doing unless it somehow relates to you.” (Pg. 321)

Here we once again have bearding 101, but also it reminded me of someone…

On page 325 Evelyn refers to Harry as:

   “My best friend, my family.”

And while this is obviously said platonically between those two it nonetheless made me think of something that I’m honestly still not over Taylor saying about Karlie!!

--

Towards the end of her career Evelyn meets a young man named Nick, he wants to be an actor and asks Evelyn for advice. She bitterly considers telling him:

  “You have to be willing to deny your heritage, to commodify your body, to lie     to good people, to sacrifice who you love in the name of what people will   think, and to choose the false version of yourself time and time again,   until you forget who you started out as or why you started doing it to   begin with.” (Pg. 326) (x)

--

Evelyn’s friend (and beard) Harry dies tragically in a car accident in 1989

While Taylor has always used the motif of cars/car rides in her music there are A LOT of car mentions on 1989, an album many het Swifties seem to believe to be about Harry Styles, interesting…

--

After Harry’s death Evelyn and Celia move to Spain together and out of the spotlight they finally get to openly be together and Evelyn “chose the rose garden over Madison Square” if you will and she was extremely happy. About her relationship with Celia during that time she says:

  “I cherished every moment we had to ourselves, every second I spent with my    arms around her.” (Pg. 344)

   When I get you alone it’s so simple

                           //

  I could've spent forever with your hands in my pockets

Evelyn describes her seventh husband and last beard (Celia’s brother) as so charming that most other women were:

  “Enchanted by him” (Pg.344)

Oddly specific word choice!

As happy as Celia and Evelyn were at this point in their lives something was hanging over them, Celia was sick and dying. Evelyn tells Monique that when Celia promised Evelyn she’d never leave her again:

    “We both knew she was making a promise she couldn’t keep.” (Pg. 346)

  Brokeeeeee the sweetest promISEEE that you neverrrrr should   have MADEEE

Listen to that you guys, that’s my goddamn heart breaking!!!

--

CELIA AND EVELYN’S WEDDING SCENE (pg. 347-349) IS SUPER SWEET!!!!!! A fun little detail is that New York (which is as we’ve previously established significant to the Kaylor relationship as well as the Evelyn and Celia one) was made relevant in a scene taking place in Spain (Celia’s shirt)

ALSO allow we to go into crazy fanfic territory here, but can’t you just IMAGINE the “we can get married”-conversation happening between Taylor and Karlie when same-sex marriage became legalized nationwide????

All wlw just want a wife #ConfirmedOnPage349

Seriously, if you wanna be punched in the feels today go read the wedding scene and imagine Kaylor in Evelyn and Celia’s place. (No one is sick in the Kaylor version, but they are deeply closeted and still at the height of their careers) oh, my fragile, gay heart!!

--

When Celia does die from her illness Evelyn describes her reaction with:

      “I fell to the floor.” (Pg. 350)

  I'm HERE on the KITCHEN flooOOOOr 

Don’t TOUCH MEEEEEE

After Celia’s death Evelyn truly stops hiding in the closet:

     “I could not keep my true self from coming out.” (Pg. 353)

  “It cost so much, caring. I didn’t have any currency to spend on it.” (Pg. 354)

  “People were still easily distracted from seeing how I felt about Celia St.     James, but this time was different because I wasn’t hiding anything. The truth   had been there for them to grab if they’d paid attention.”

  “But of course they got it wrong. They never did care about getting it right. The    media are going to tell whatever story they want to tell. They always have.     They always will.”

To me this is the essence of the Reputation era, Taylor having realized that she can’t make the media she the truth so she just avoids them and tells the truth to those of us who are paying attention. This time it’s different, because she isn’t hiding anything.

  There will be no further explanation. There will be just reputation

--

Evelyn saying it made her happy to spend money on her loved ones (Pg. 356) makes me think of Taylor being so extra with the fans ❤

--

  “No one is just a victim or a victor. That’s Evelyn Hugo for you, somewhere     in the middle.” (Pg. 366)

--

   “She’s painfully human to me now.” (Pg. 371)

Is that Monique saying that about Evelyn Hugo after finding out her true life story or is it me saying it about Taylor Swift after falling down the Gaylor rabbit hole? No one knows for sure…

--

  “Evelyn is going to die when she wants to and she wants to die now.” (Pg.375)

  I'm sorry, the old Taylor can't come to the phone right now (Ooh, look what you made me do)  Why? (Look what you made me do)  Oh, 'cause she's dead!

                                //

  in the death of her reputation she felt truly alive

                     The huge difference between the death of Taylor Swift and the death of Evelyn Hugo is that Evelyn’s death is literal and Taylor’s is figurative.

Despite this Evelyn’s death is somehow every bit as cinematic as Taylor who just recently killed off her reputation in order to feel truly alive. They’re both still doing it on their own terms, literally controlling the narrative that is their lives up until their last breaths (figurative as well as literal)

  “Evelyn trusts me with her story. Evelyn trusts me with her death.” (Pg. 377)

Just as Taylor is trusting us with the death of her false reputation and the truth of her actual story and narrative.

  “The tears that come out of me feel as if they were decades in the making. It     feels as if some old version of me is leaking out, letting go, saying good-bye in     the effort of making room for a new me. Somehow both more cynical about   people and more optimistic about my place in the world” (Pg. 377-378)

Okay so this is a lot and it hit me right in the heart! I can only imagine this is just how Taylor felt when she decided that killing of her old reputation and public image was the right move. After everything that happen to her just before she decided to take a break to figure that stuff out (and everything that has happened for her entire career as far as bearding and hiding goes)I bet those tears felt decades (or at least a decade) in the making when they finally came. After all she’s been through in the industry since the age of 16 it’s no wonder if she feels cynical about people, but after taking the break to figure it out and deciding to COME out I’m sure she also feels optimistic now that she’s on the road to being herself publicly. She’s found her place in this world as out and proud and now she’s working towards getting to that place every day.

All these years she’s just been trying to find a place in this world and oh, Taylor, I am so glad you’ve found it! ❤

It must be such a relief to have made up your mind, to not have to be afraid anymore.

   “There’s still so much I don’t know about my father. Maybe he was gay. Maybe    he saw himself as straight, but in love with one man. Maybe he was bisexual.     Or a host of other words. But it really doesn’t matter, that’s the thing.” (Pg. 380)

This is an interesting quote, to Evelyn the word bisexual mattered a lot and to Celia the word lesbian did, as for Monique’s father we don’t know what he would have said on the matter concerning his own identity because he’s been dead since long before the book started. Ultimately Monique comes to the conclusion that it doesn’t matter what her father would’ve identified as, as long as she knew he loved her (which it has been shown throughout the book that he undeniably did.)

In the same way we could argue all day about whether Taylor is gay or bi or straight or a “a host of other words” for the time being we’re in much the same position as Monique, Taylor hasn’t told us and it’s not like we can just ask her, but does it matter? We all love Taylor and we know that she loves us. Her being in love with women and writing her songs about them instead of the men we were lead to believe were her muses doesn’t change that. In the end it’s not a big deal whether Taylor is gay or straight, we still love her, we came for her music that we related to and loved and then we ended up staying for Taylor, the person, because we fell in love with her and her storytelling. Who she loves doesn’t change that.  We love her and she loves us and that’s all that matters.

--

On page 382 GLAAD is mentioned by name as an organization that Evelyn gave most of her fortune to after her death.

The piece Monique ends up writing about Evelyn for Vivant summarizes the main theme of the both and to me it also summarizes what Gaylor Swift is about:

The TRUTH behind the SCANDAL that was her love life.

(Pg. 385)

And now for the final piece in this puzzle

And all our pieces fall  Right into place

🌈 🌈 🌈

--

Thank you SO much for reading all of these masterposts, I really hope you enjoyed it as much as I enjoyed reading that amazing book and writing all of these parts!

[blessuswithblogs]

Video Games are a God Damned Mess: Bad Business Practices, Unsustainability, and the Fidelity Plateau

(shoutouts to the anon rando in my inbox for telling me about the read more button you were kind of rude about it but i don’t use this website so i legit didn’t know)

The video game industry has always been a bit wild and wooly compared to its older contemporaries. The emergence of a new medium is always rife with upheaval as paradigms shift and people discover that the old rules don't necessarily apply all of the time. That said, the past three months have been filled with what I can really only describe as catastrophes for many disparate publishers and development studios.

 You may recall I talked a bit about this during my game of the year list and Fallout 76 analysis, but to recap: with Telltale shutting its doors and shafting its workers, the writing was on the wall for the same thing to happen again as the intrinsically unsustainable boom and bust cycle began the less glamorous stage. It turns out I was correct in my predictions but congratulating myself for seeing this coming is not unlike congratulating myself for accurately predicting that tomorrow will be Tuesday. Or. Whatever day it will be when I post this. fuck i dated the lp thread ruined LOOK the point is that this was really obviously going to happen and that nobody felt the need to prepare for it or try to stop it before 10% of Activision-Blizzard's workforce got canned is a major failure of the industry at large.

So let's talk a bit about what's happened since then. There's been a lot, so forgive me if I miss your favorite corporate implosion. First, at Blizzcon, Diablo Immortal was revealed to what actually might have been the most actively hostile reception of a game in history. This has less to do with the more financial aspects of the ongoing Videocon Crisis and more just kind of served as an ill omen and an example of Blizzard's worrying descent into... wherever it is they're going. If gross incompetence was a place, they would be descending into it. On paper, a Diablo mobile game is a money-printing proposition. When all is said and done Immortal will still probably make them gobs of cash. In practice, however, they fucked the landing so hard they probably lost potential sales. The kind of folks who go to Blizzcon and get omegahype for a new diablo game are not the kind of folks who play mobile games. Mobile games have a Stigma among the hardcore crowd, and also the Ethical Business Practices in Video Games crowd (which as of this writing appears to be me, Jim Sterling, and the Warframe devteam). For a lot of braindead gamerbros, mobile games are synonymous with things like Candy Crush and Peggle, which are perfectly fine games honestly but they're For Girls or some shit so mobile games are bad and for casuals. More pertinently, mobile games are also a ferocious jungle of microtransactions, pay2win mechanics, and generally shoddy design. Command and Conquer and Dungeon Keeper, beloved franchises that have been ripe for revisiting for years now, both found mobile games and they were both utterly terrible. These games make a great deal of their money by exploiting "whales", or in actual human being language, vulnerable people with disposable income and difficulties with impulse control or addictive personalities. Or kids who know their mom's creditcard number. Kids play video games. Now that we are no longer kids (theoretically, anyway) it can be easy to forget that. I'm not the pearl-clutching type, but I think that stigmatizing a genre of games that proudly touts an exploitative-of-children business model is probably okay.

So there are lots of reasons to be skeptical of Diablo Immortal right out of the gate, and quite frankly whoever thought that just pushing that out there with literally no other Diablo related news items (like any whispers of the long coveted hd remaster of diablo the second) was either transferred in from another company the day before or had some kind of unspeakable grudge against the scheduled presenters, to whom my heart goes out to. There is also some undeniable precedent that Blizzard-Activision will, in all likelihood, monetize the everloving daylights out of it. Both Hearthstone and Overwatch have more or less become nicely polished vehicles with which to deliver lootboxes to players for a nominal fee. If this hadn't been followed by a seemingly unceasing calvacade of disasters, the whole debacle would have been really funny to point and laugh at. It's still pretty funny to point and laugh at, but it also has some less amusing implications. Blizzard in particular has been up to a lot of no good lately. Let's talk a little bit about their recent one-two punch.

First up, we have the complete and sudden abandonment of competitive support for Heroes of the Storm. Heroes of the Storm was essentially Blizzard's seething regret and resentment for letting Valve snatch up the whole Defense of the Ancients thing put into code and unleashed upon an unwitting populace. It had actually been gaining some renewed interest over the past year or so due to the developers putting in some elbow grease and making the game both more accessible and just. More better. HotS has also had a modest but respectable eSports scene since the game's launch, with a variety of professional players, shoutcasters, tournament organizers and emergency bugfixers employed. Many of them were anxious about their jobs for months in advance with no word from the higher ups about who would still be employed by 2019. Sometimes, companies have to make difficult decisions and let people go to keep operating. Even my communist ass reluctantly accepts this as a reality of the system we live in. However, there is a protocol about this kind of thing. Giving notice. Giving, you know, severance pay. Stuff like that. And of course this presupposes that this sort of cut to the workforce is actually necessary in the first place. Given that AB subsequently reported record profits for the year of 2018, I have some doubts. Completely dropping support for a game out of the blue is a scummy thing to do to your playerbase. When it is also directly impacting the livelihood of hundreds of people in your employ, it goes beyond scummy and turns right into Unacceptable.

But "unacceptable" is Bobby Kotick's favorite word in the English language so while shoving hundred dollar bills from his latest corporate bonus up his butt he and his friends in the boardroom decided that the HotS esports people might get lonely, so they had better go and fire another 10% of the workforce too. Just because. Like literally just because. His company is doing fine - better than fine! They are at record levels of better than fine. But the shareholders demand more and more exponential growth, so to cut costs that really didn't need cutting, away goes 10%. Will game quality suffer because of this? Undoubtedly. More work being piled on fewer people who are also living in mortal fear of losing their jobs Just Because is not a recipe for success. People are mad about this, much like people were/are mad about Fallout 76 - players of games, industry wonks, and iconic voice actresses alike are no longer tolerating this kind of thing in Two Thousand and Nineteen, Common Era. Nor should they!

Elsewhere in the Game-o-sphere, similar developments are brewing. ArenaNet, the folks wot do Guildwars, went through another round of mass layoffs. EA's stocks have plummeted and Battlefield V "failed to meet expectations" because it only sold A Ton and not A Fuckin Shit Ton, and Anthem is not really lighting the world on fire. After Mass Effect Andromeda's... curious debut, Bioware has probably been feeling the heat and a lot of people are concerned that it too will suffer the ultimate fate of all studios acquired by Electronic Arts: joining Visceral Games in a broken heap at the bottom of the garbage chute. Bring back Dead Space you motherfuckers. Bethesda continues to, improbably, suffer through PR disaster after PR disaster with Fallout 76, a game that seemingly cannot stop fucking up. Ubisoft has received some positive attention for vowing to NOT lay off hundreds of employees for no discernible reason, which leads me to believe that our standards for praiseworthy behavior have dropped alarmingly low. Even 2K Games in all of its monolithic glory seems to be feeling a bit of a Stock Price Squeeze. Honestly by the time I get this done and posted it's entirely possible that somebody else will fuck something up. I'm still kind of waiting on the fallout from Randy Pitchford's porn thumbdrive, but I'm also a little bit pleased that Actual Money Crimes are getting more traction in the news cycle.

So, returning to the main point: the industry is in a bad situation of its own making. It's a scene that's almost always been defined by trend-chasing. For a while, that meant that we would just have to suffer through an endless glut of EXTREME SPORTS GAMES SPONSORED BY A DUDE or a barrage of samey console shooters desperately trying to be Halo every once in a while. Unfortunately, the trend-chasing now extends not only to the games themselves, but to the methods by which they are monetized. Ever since DLC became a mainstream thing, the brightest minds of the boardrooms have been working tirelessly to deduce which method of fleecing players will scientifically speaking get them the most money. Inevitably, when some enterprising little weasel develops a new and improved monetization scheme, the rest of the little weasels will immediately latch on to that scheme and that's how you end up with Battlefront 2's ridiculous lootbox grind and Shadow of War's ludicrous inclusion of randomized lootboxes in a singleplayer action-adventure game. While I'm certain that the platonic ideal of the lootbox has existed in some form or another for decades now, I think that we can squarely lay the blame for the Great Lootbox Plague of the Twenty-Tens at the feet of Valve.

Valve has been known for questionable business practices for a while now (albeit in a more lowkey way than We Fired 800 People So Bobby Kotick Could Buy a New Yacht), largely getting away with it because Steam has been more or less unchallenged as the premier digital distribution service for video games. This might be changing soon, as Epic Games is going straight for the jugular with a number of aggressive moves with its own fledgling platform, but historically, Valve has faced very few consequences for just kind of being petulantly antagonistic towards its userbase because said userbase is easily mollified by steam sales and Gaben memes. When people think lootboxes in 2019, they probably think of games like Overwatch or Battlefront 2 or basically any contemporary multiplayer game. I certainly do, but a bit of fact finding allowed me to remember that Valve has been doing this shit since Counterstrike and Team Fortress 2, and Dota 2's byzantine cosmetics market can't be overlooked either. All three of these games are or were at one point genre leaders and made Valve so much money they basically decided that they didn't really need to make games anymore. A reasonable conclusion to draw, given the fact all three of these games are inextricably linked to their history as very popular mods. Valve just outsources a great deal of its labor to dedicated, naive fans and gives them a pittance of the huge mounds of dollars they make from their hard work. It's a good racket, but it has set an alarmingly poor example to the rest of the gaming world.

Games as a service, in concept, is fine for games that lend themselves well to the idea. MMOs have been using a variation of the model for decades now and that genre is actually like, Perplexingly Healthy. Free to play games like League of Legends and Warframe have also had success with a service model. The problem comes from the AAA Game industry's pathological insistence on shoving square pegs into things that don't even have holes to begin with. Shadow of War, or Assassin's Creed, or any other major singleplayer offering, has no business whatsoever being a Live Service. They are finite experiences by design and that's completely fucking fine and normal. Appending microtransactions and lootboxes to them is a transparent attempt to just suck up a little bit more money from players in the most unsustainable way possible. Here is a small hint if some WB Games bigwig stumbles upon this: first of all, I'm building a guillotine, so you better watch your ass. Second, how dare you fucking make Shelob a sexy lady. Third, (this is the one that is probably most relevant): People are willing to pay as they go for cosmetics and timesavers for games that they like and want to support. I've dumped a lot of money into League over the years because there was a period of time where I was playing it nonstop and having a wonderful time for quite literally no cost to myself, so I felt like buying the cute Panda Annie Skin was a good compromise. Regrettably I would later learn that there are aspects of Riot Games I'm not super okay with giving money to but at the time they seemed agreeable and my friends who work there gotta get payed somehow. This whole dynamic of wanting to support a video game goes out the damn window when you are already charging a $60 entry fee, plus whatever highway robbery pricing you put on the inevitable DLC. In this case, the onus is squarely upon the publisher to provide an experience and content one would reasonably expect of the pricetag. Putting in microtransactions for cosmetics is galling. Putting in microtransactions for actual game progression, like in Battlefront 2 or Shadow of War, is outright insulting.

Many will leap to the defense of these publishers and developers, saying that these measures are necessary to make these ludicrously expensive and lavish AAA games that all look suspiciously like one another. For the time being, let's accept this as a true statement. If this is, in fact, the state of affairs in the industry, then the industry needs to change to a more sustainable business model. When playing Destiny 2, during a big space cutscene, the cute pilot lady ferrying me to The Large Molerat Man's Murderboat had beautifully rendered skin where you could see the pores and the little wispy cheek hairs that swayed to the momentum of the space plane's movements. It was very nice but then the next year or so I heard nothing but people pointing out "hey this game has no content you dipshits" or "the devteam is actually scamming people with the experience system to wring more playtime out of them". The cheek hairs affair succeeded in making me want the pilot to buy me dinner and regail me with stories of her space adventures as I batted my lashes at her in romantic admiration, but also: stop it. You do not need to do this. This is strictly unnecessary. The graphics arms race of yesteryear is over. Nobody cares anymore. Fidelity is plateauing harder and harder, to the point where games running properly on console without having to settle for 30FPS is becoming very difficult. There is an Earth B somewhere out there where Bloodborne was not a sony exclusive and got a PC release with 60FPS support and loading times for humans and on Earth B I am still playing that game for the forseeable future because it is the best game ever. We are far past the paradigm where we are making Tremendous Graphical Leaps with each successive generation. Right now, as of this writing, games look jawdroppingly good. Just ludicrously pretty and grandiose. Continuing to push the graphical envelope for Every Damn Annual Release is a waste of resources: monetary resources, labor resources, system resources. As of March, 2019, what people really want is stability and functionality. Something that runs nice and smooth at 60FPS and doesn't turn its characters randomly into nightmare inverse-Rayman beasts. I think the huge success of the Nintendo Switch, a console with relatively modest hardware but superb functionality, portability, and a surprisingly full featured library of both massive first party titles, like Breath of the Wild and Mario Odyssey (which honestly look better than a lot of games on more robust hardware because of wonderful art direction) and smaller indie games, is testament to this line of thinking.

Maybe that's too bold of a statement. Maybe there's this huge swath of the gaming public that is just clamoring for more cheek hairs. If there are I think they're fucking out of their minds but who am I to judge. As long as games like that werewolf game The Order exist, where the universal reaction is "this is so pretty!!! ...wait there's nothing in here." I think that there is a serious responsibility to push back against that because evidently it's bankrupting the game industry and forcing them to violate international gambling laws to stay afloat. Except it's fucking not, actually. Many publishers are claiming record profits, upward trends, and are in a spot to have the raw nerve to say "well this game that sold 7 million copies didn't sell 8 million copies so it failed to meet expectations". They are doing ludicrously well for themselves in terms of generating revenue from sales. Where these highly successful corporations are running into problems is satisfying the almighty Shareholders. Shareholders are sort of like. Imagine if you got a job where you had to keep a large committee of actual babies happy, except the babies don't know shit about fuck about anything and demand that you routinely break all reasonable laws of sustainability and keep bringing in exponentially higher profits or they will take their ball and go home. There is still, evidently, money enough to give newly hired executives million dollar signing bonuses, but when it comes to just making a game that doesn't fall back on exploiting people with gambling addictions, we're suddenly dealing with an outfit of noble, longsuffering churchmice just trying to make ends meet. People are rapidly getting fed up with this blatant hypocrisy and dishonesty. Sales from Hearthstone card packs alone could fund a robust HotS esports scene for eternity if properly apportioned. This money is not properly apportioned. It is thrown into a gigantic incinerator so Kotick can get high on the fumes.

You might be wondering what this girls' deal is with Blizzard. Surely there are more egregious offenders? Firstly, Blizzard is very relevant at the moment because they are one of the highest profile publishers to recently Do A Business Oopsie. Secondly, I live in Irvine, California. Blizzard HQ is a ten minute drive from where I live. It's a local company to me, and it's legitimately kind of hard to see it continue to go down this path because I've had friends and neighbors who have worked there and enthusiastically described the experience right up until the very moment they get canned for no reason. My alma mater, UC Irvine, is one of the leading schools in the nation on adopting eSports into their collegiate athlete program. I understand, to a lot of people, Electronic Sports (please support them) are a big joke silly thing, but to me and my family who work in the UC system, they're actually like a huge and pertinent part of professional life. I'm literally being consulted by my mom's co-workers for advice and insight on how to minimize the abusive and toxic behavior that has become synonymous with streaming and professional gaming because campus now has a huge eSports center with rows on rows of gaming computers for students to use. Games Are Big. They are a powerful cultural and economic force in the lives of millions of people and denying that because of "haha nerds" is the same shortsighted, utterly-lacking-in-self-awareness wanking that resulted in the stupendously destructive "its just the internet, it doesnt matter lol" attitude that has caused the world so much grief. That said Bart Simpson becoming an esports legend sponsored by Riot Games is still pretty lame don't @ me.

What it comes down to is this: the games industry has grown into a hugely influential and powerful institution that affects the lives of more and more people every day. However, the appropriate growth in regulation, oversight, and worker protection has not occurred and has honestly shrunk. People love to talk up Satoru Iwata because when the Wii U was floundering he took a massive pay cut and refused to lay off any staff, reasoning that "it will be very difficult for our teams to create software that will impress the world when they are constantly worrying about losing their jobs." It's a little incredible that The Baseline Reasonable Thing To Do has elicited such effusive praise, but that's the world we live in and Iwata-san was pretty alright so I'm okay with it. Both his conduct and reasoning are both solidly above reproach in this case: it is really hard to be creative when the Sword of Damocles is hanging over your head! That’s 500% true! This goes for game developers, community managers, eSports staff, support staff, literally every part of the process that matters, even the totally unrelated clerks and communications people who are still completely necessary for creating games. The only people who don't suffer are the dipshits on top who don't actually contribute to the creation of games in any way. They're still fine. Better than fine, really. That's why people are mad. That's why people SHOULD be mad. Don't stand for this anymore.

[bronyinabottle]

SPARKLE’S SEVEN THOUGHTS

First of which I will definitely say Sparkle’s Seven was quite the fun episode. Plenty of good humor, good performances by the voice actors done for their very own ideas. And a nice way to set off the 200th episode of the show.

But I do need to kind of address the whole Spike sibling sub plot for the episode since I’m not going to lie. I was screaming internally a bit given a huge part of I Dream of Twilight Sparkle is the mother/son interpretation. I’m not saying I was entirely upset by this angle. I’ve kinda long suspected that most of the staff aside from maybe Meghan McCarthy saw Spike as at most a tag-a-long little brother to Twilight more then the complex relationship that it is. My concern mainly came with how the fanbase might react now. The mentality of “They said in the show they consider eachother as siblings, therefore the Mother/Son interpretation is and always will be wrong!”. When there are perfectly legit reasons to believe they’re kind of both at the same time.

Twilight and Spike’s relationship remains rather complex even as we get closer to the end of the show. Even one episode that explicitly says sibling isn’t exactly the final answer because there are several moments in the show that even in the best case scenario where an older sibling is a parental figure to a younger one is a little odd to say the least. And for what it’s worth, the very person who suggested this be a part of this episode (Cathy Weseluck, Spike’s voice actress) has said after the fact that both are valid interpretations. In the show, it’s not clear cut one way or the other and that’s actually what makes Twilight and Spike such an interesting dynamic.

I will say that at the very least, much of the relation between Spike and Twilight were closer to the show in terms of being somewhat more sibling-orientated early on even in the chronological timeline of this blog. I think for the exception of Owl’s Well That Ends Well and up until the fear door scene in Crystal Empire, siblings is closer to what Season 1 and 2 portray Twilight and Spike. However, from Season 3 onward I feel like I could point a sort of growth between how the two interact that include a bit of parental and/or child behaviors that kinda comes to a peak in Father Knows Beast when Twi’s heart breaks when Spike yells at her because he thinks he might of found one of his “real” parents. In this blog’s timeline however, a bit of a sub plot of the whole “Twilight becomes a genie” thing with Spike being her designated “master” is how the whole thing shapes the relation between Twilight and Spike. And I’ve done (or at least I hope I’ve done as best I can to do so) it in a way where I think the situation would bring Twilight and Spike closer to the conclusion that Twilight has grown into becoming Spike’s mother figure.

In my blog, Twilight’s biggest reason for staying a genie for at least 1000 years was for Spike, and while the official adoption doesn’t happen until a year after that moment. It’s harder to view an older sibling doing the same thing for a younger one but would probably be a wish that a mother would have to see their son grow, especially in the case here where it’s implied Dragons have much longer lifespans (Also keep in mind the moment Twilight became a genie both meta-wise and in-universe wise we wouldn’t know Twilight kind of already at least got her life extended via becoming an Alicorn) then most ponies do. Twilight perhaps doesn’t explicitly see this as motherly behavior at first, but perhaps her instinct to choose the path where she’ll actually get to see Spike grow up to full size was the first major domino effect leading to where they are now. Choosing to stay a genie effectively dedicated herself to Spike more then getting wished free and getting her lifespan increased by just the Alicorn transformation later (Of which she nor Spike couldn’t of known was going to happen) would of done. No doubt by now Twilight has found more reasons to enjoy being a genie, but there’s no stronger reason then what it will mean for the future she’ll have with Spike. Who is her pride and joy, and while it will always seem a little unorthodox based on both character’s histories. He is and will always count as Twilight’s son on this blog.

I actually have a few surprises in store after Season 9 is finished for more of Spike’s story. With only 13 unknown Synopses left in the show. I doubt we get any heavy stuff about Spike’s past before his egg ended up in Canterlot. There may be a closure Spike episode near the end of some sort, but even if say it tells us who Spike’s birth mother is. That’d be a special case where I ignore an episode (Or part of an episode) in canon altogether. Cause let’s just say, I have ideas that will fit in with the rest of this blog’s story and lore.

[ellie-valsin]

Okay, you guys know what this means, right?  (Other than the fact that I will surely end up arranging a trip to “visit family” in Tokyo in January 2019.)  That’s right, it means that Natasha, Pierre & the Great Comet of 1812 will be getting its first post-Broadway production in Tokyo next year!

Congratulations to the show, and I would be lying if I said I wasn’t going to make every earthly effort to get there to see it.  Because my husband does still have family living in Tokyo, we’ve been there a number of times and I’ve been lucky enough to see several Broadway-style shows there.  Let me give some straight-talk insight on what to expect from a Japanese production; those who are offended by straight-talk may stop reading now.  ;)

-The company producing it:  Toho Stage.  If I’m being totally honest, this fact has kept me up half the night worrying.  To be fair, they have produced plenty of what I would call “legit” musical theatre, including, coming soon, Fun Home, as well as everything from South Pacific (I know, whut) to Secret Garden.  The problem is that they also produce tons and tons of Bway flops and Euro-pop musicals, which is mostly my personal experience with Toho.  (Anytime a French musical is licensed in Japan, I know before even looking that it will be with Toho.  No exceptions.)  And they are usually veeeeery loose adaptations of those shows, so I am a bit concerned.  But probably I’m worrying for nothing on this point...We’ll see.

-The staging:  Japan does many musicals, both old and new, American, European, and Asian, but when it does first run versions of recent Broadway musicals, it usually makes some attempt to replicate the staging, stage design, and/or costumes.  You see much more slavish imitation productions out of Shiki musical productions than out of Toho ones, but that’s because Shiki holds the rights to every Disney musical ever, and Disney is very particular about such things.  When Toho puts on Les Mis, they do have an exact replica production of whatever’s playing in other countries, because Cam Mac is similarly particular about it--however, I’ve also seen them change many production designs for other shows.  It all depends on who’s granting the rights and what restrictions are placed on those rights.  The Natasha, Pierre rights holders would be very wise to insist on a similar production to the American one, imo, but then again, I really can’t see any of the immersive stage designs working in the theatre that Toho uses...Not because the stage couldn’t be adapted to, say, the A.R.T. configuration they used in Boston, but because I don’t think the interactive elements/jokes would go over that well with typical Japanese audiences (I think the majority of Japanese musical fans would be very uncomfortable with it).  

Whatever the stage and costume design, I imagine it will be beautiful, since I have always been impressed by that aspect of every production I’ve seen there, whether imitation staging or new staging.

The only thing that worries me about the staging is, well, the stage--or, more precisely the theatre.  Toho’s usual theatre is huuuuge compared to your standard Bway theatre.  We always knew this would be a problem if this show toured, since most touring houses in America are also huuuuge, but I always secretly hoped they’d go back to a tent format and do sit-downs in big cities that way.  I...don’t think a tent is what Toho has in mind.  We’ll have to wait and see, but I will say I don’t think I’d want to be in the back of the balcony on this one.....

-The casting:  Yes, they will all be Japanese, except for the Koreans they hire.  So, in that sense, yes of course it won’t resemble the diverse ensemble from the OBC.  On the other hand, I am quite confident they can find a girl who can look and act the part of Natasha, since most of the female leads I’ve seen in musicals there are quite ingenue-typed sopranos.  They will also make a killer Anatole.

Also, I forgot to mention: it will likely be double-cast, meaning there will be two separate actors or actresses cast for each of the most demanding parts (in this case, probably Natasha, Pierre, Anatole, Sonya, and maybe Helene), and they’ll rotate their schedules throughout the run.  This is typical of Japanese musicals, and should be interesting.

-The singing:  Compared to the OBC, it will most likely suck.  Japanese musical theatre voices are trained to sound a bit different from contemporary Broadway voices, so they usually already sound pretty different when singing regular Broadway scores, but this one?  I predict that this’ll be baaaad.  But you may say, ‘everyone in the OBC sounded “different” from a standard Bway voice, why couldn’t that work for the Japanese, too?’ to which I say, well, it’s a different kind of different.  The OBC had distinctive voices, interesting voices (which, personally, I feel like we’ve been missing more and more on Broadway in these past 10-20 years), but they were hitting very specific notes, often weird ones, since it’s Dave after all.  ;)  Not only have I not seen proof that the average Japanese musical singer can sing a score of this complexity (I’ve never seen them do Sondheim, for instance, though I know it does exist), but they seem to be mostly trained to do a sort of “Rodgers & Hammerstein” style of singing in which everyone attempts a pretty classical musical theatre sound with lots of vibrato and a woman’s break occurs very low, that is, the head voice is used where often the original show belted the notes (see: the painful rendition of Evita’s “A New Argentina”).  High belting is not even a lost art in Japan, because I’m pretty sure it was never found to begin with: clips from shows as disparate as Aida, Hunchback of Notre-Dame, and Wicked have made this clear to me, and certainly every experience I’ve ever had mixing Wildhorn with Japan (Scarlet Pimpernel, Jekyll&Hyde, etc.), or even the more poppy French musicals in Japanese.  Does every actor/actress belt flat?  No, of course not--but plenty of them do.  New contemporary musical theatre continues to move into the realm of American Idol, producing beltier and beltier music, so it’s only bound to become a worse problem over time...

But anyway, even with bum notes and heavy vibrato being consistent annoyances, will that really affect Nastasha, Pierre, which is not really an example of the “belt it higher/longer” Wicked school of musical writing?  Well, of course it will, sometimes.  Don’t expect anyone who can tear into Maria Dmitrievna in Japan.  Don’t expect Natasha will be able to powerfully slam those top notes in her “argument” scenes.  Don’t expect the end of Dust & Ashes to sound great.  And certainly don’t expect to get a reliable “PETERSBUUUUURG!!!” out of anyone (though one might say that for most actors working on Bway, too  ;)).  

And even if they somehow find a miraculous cast hidden away somewhere who can sing the shit out of the notes, there will always be:

-The translation: This shit will be difficult as all hell to translate.  Between Malloy’s own writing style and Tolstoy’s text, I really don’t know how it will be done.  I’ve attempted it myself, so I’ve already seen the challenges first hand...  Japanese is acknowledged as one of the most difficult languages to translate English lyrics into, mostly because the structure of the two languages differs so greatly: in Japanese, you can usually express pretty much any of the same ideas you can in English, but you usually can’t express them in as few syllables.  When my husband and I made a project of translating “No One Else,” it proved almost impossible to fit every idea expressed in the English lyrics into the translation without running waaaay too long to fit the meter.  This is usually solved for in professional Japanese musical translations by cutting out whole lines from the original libretto and taking, say, two lines to translate one line of English text.  It can also be solved by pretty much ignoring the English lyrics and just making up some different ones in Japanese that fit the meter and don’t sound too out of place thematically.  These methods work fine for shows that were lyrically insipid to begin with, like the Euro-pop musicals (yes, Romeo & Juliette, I am looking at you), but on Dave Malloy’s libretto???  Why bother if you have to do a hack job to make it work...?  There’s a reason Sondheim is so infrequently produced in Japan......

Now, for many of you, the translation will not affect your life in the slightest.  For my husband and other bilinguals, it will be excruciating to listen to.  He already gets annoyed enough listening to Japanese Les Mis...I don’t know how I’m going to get him to listen to a translation of lyrics he actually loves to death in English.  ;) 

Anyway, if it sounds like I’m very wary of this production, that’s because...I am.  It’s scary not only because it’s a Japanese production, but also because it’s the first production post-Bway, and nobody knows quite what sort of adaptation to expect.  I’ll try to keep the faith, while still keeping it real...  The good news is that you all will likely be able to judge it for yourself, because Toho usually puts out at least a cast recording for its musicals, and sometimes even a DVD of them!

And will I be attending, in spite of my serious concerns?  Yeah, duh, if I can swing it.  XD  I can already tell you there will be tears at the end, which is one thing I fully expect them to get perfectly right.  :’)

[calliecat93]

ST: TNG S4 Watchthrough Episodes 10-13

The Loss: They did it again guys! They made a good episode about the female character! This time for Troi, yay! I love the woman, but her focus episodes have just been… let’s just say not up to par. But this time? A strange anomaly causes Troi to lose her empathic abilities, and… well, she doesn’t take it well. She tries to take it well, but when one loses a part of themselves that they’ve had their whole lives and rely on for not only their job but to go about their day? You’re not just okay. Deanna tries to just live with it and deny that it’s an issue. All it does is cause her frustration to build up and lash out. If this was an episode meant to focus on disabilities… well while I don’t have one, Troi’s reactions make perfect sense. She gets rather harsh, but I’d be more concerned if she didn’t cause… yeah. Everyone tries to be sympathetic, but all it does is make her feel like they’re pitying/acting condescending towards her. Again, understandable. Everything that she is feeling is perfectly understandable and I just want to hug the poor woman. I feel like there are some issues like Riker, while I can tell that he was using a tough-love approach t get her o get int ouch with her human half, was a huge asshole when comforting Troi the second time cause saying she acted like her Betazoid abilities made her superior to humans when she never did and is having a hard time adjusting to a major loss? Yeah… dude WTF? Also felt like Geordi shoudl have been utilized cause he’s also disabled and already figured out how to go through life with it. Even if Troi didn’t want his help, it would have been nice to mention. Also kind of conflicted on Troi getitng her powers back. I’m glad that she did, but I think it would have been much stronger if she hadn’t since she proved that she can still do her job without it, or have to regain it over time. Nevertheless, it’s still a really nice episode with Marina Sirtis doing an excellent job here, and again, Troi FINALLY got a good episode. Now keep it up TNG cause she deserves the best~! 4/5.

Data’s Day: We get a pretty unique approach for this episode. We follow Data as he is making a log to send to Maddox, who I guess had an epiphany since The Measure of a Man to not be a discriminatory asshole. Data logs what is, to him, an ordinary day on the Enterprise. We see him perform regular tasks, deal with problems, and his role in solving the Problem of the Week that would normally be the main focus. We get Data’s narration throughout, which allows his personal perspective on the matters. Also on this particular day, Transporter Chief O’Brien and a woman named Keiko are getting married… and Keiko gets cold feet and thus the whole situation becomes a lot more complicated with Data, who more or less got the two together, stuck in the middle. I really enjoyed this new approach! Not only is the episode still eventful to keep our interest, but it’s very much an episode that we haven’t had either here or in TOS. Just a day in the life of one of the characters, which with all the issues they get into once a week leaves plenty to over. We have a good balance of the Romulan/Vulcan Ambassador plot and the wedding and Data’s part in it. Seeing and hearing his perspective and things like getting Crusher to teach him to dance since he’s filling the ‘father handing off the bride’ roll for Keiko… it was just so fun. But the most important part of this episode… DATA HAS A KITTY! FINALLY WE SEE THE KITTY! I LOVE IT SO MUCH, IT’S SO FLUFFY~!!! The ending with the wedding was also just so heartfelt and I already love this O’Brien/Keiko pairing a lot~! When O”Brien gets promoted to main character status in DS9 they better give me all the domestic fluff! 4/5.

The Wounded: And speaking of DS9, while I won’t be watching that one until TNG is wrapped up, I do know that the Cardassians are a big deal within it. Guess it’s appropriate for O’Brien to get some focus in this one, I guess they were predictig the future here XD So here we have a Starfleet Capain named Maxwell who has gone rogue and blown up a Cardassian ship despite the Federation having a treaty with them. Why? A few things, but the short version is War is Hell and even when a war ends, the hate/prejudice formed against the enemy after years of kiling each other doesn’t just go away. O’Brien, while not murderous, served under Maxwell during that war and with the Cardassians on board the ship… yeah he’s got some issues. So first… I reaffirm what I said above, O’Brien/Keiko is freakin’ precious! I am SO happy to see a happy, healthy couple in something and they’re just so lovely~! Can we get more of this in the media? Please?! Second… just damn. Maxwell, while very much not protrayed as in the right and his actions nearly caused a war to reignite, feels very much like. traumatized man who never got over the horrors that he endured nor gotten proper help, and it lead to his hatred taking over and causing the deaths of hundreds. While we find that he did have some right to be paranoid, he still did it for vengeance and didn’t have legit proof to justify the provication (and even then that doesn’t justify the body count), but it still feels utterly tragic. O’Brien going to him at the end and talking him down from continuing the onslaught… damn man. IDK if they were planning DS9 when they made this episode, but if it’s anything like this one then I’m expecting some good quality! The trauma of war and how it lingers, what happens when you allow yourself to get comfortable in one’s hatred, and considering that O’Brien is a B-Team character the same way everyone not The Triumvirate was in TOS, I like the focus and development for the character and I’m so excited to see how it continues when DS9 comes along~! 4.5/5.

Devil’s Due: Okay first, the Christmas Carol simulation in the beginning is hilarious considering that Patrick Stwart himself would later play Scrooge. His is my mom’s favorite adaptation actually (Michael Caine will always be the true Scrooge to me though). Okay, the actual episode… it was alright. Honestly, it feels more like a TOS episode, albeit it’s not as frustrating to me as their attempts in the past. But we have a very attractive woman claiming to be The Devil romantically hovering over the Captain. Almost makes me think of Sylvia from the Catspaw episode. Kudos to the actress for Ardra, she really made what would otherwise be another sexualized, evil female character essentially forcing herself on the hero like in every other TOS episode with Kirk fun. She’s not intimidating, coming off more like a diet, far less complex female version of Q, but still fun. Otherwise, it was just okay. Not great, not horrible. Just kinda ‘watchable but indifferent about’ kind of episode. But after a more intensive episode like the last one, having something a bit more light-hearted without any serious introspection, politics, and trauma is honestly pretty welcomed. Also, Picard getting teleported to the planet in his pajamas and Worf just being so confused was the funniest scene all episode though Data as the judge in the court battle (just go with it) was also amusing XD 2.5/5

S4 has just been delivering hard thus far! Event he last one, while he lowest rated so far, was still fun. We’re about halfway through and I can’t wait for what else awaits~!

[keyofjetwolf]

Jet Wolf Summarizes Act 39

The manga and I kind of hate each other. This is unfortunate, but still, I’m determined to come out of this with something. Rather than spend energy on a liveblog that’s increasingly negative, I’m reading each manga act (mostly) silently, and then writing up summaries at the end. I won’t pull my punches. There’s going to be criticism and snark about the manga, either wholesale or in details. If that isn’t a thing you feel like reading, please skip this post!

On the one hand, when I started this act today, I thought I was still in the Infinity Arc, which was bound and determined to live up to its name. I was not! I am even closer to the conclusion of the manga than I realized!

On the other hand, I’m in the Pegasus arc.

Dear god help me, I’m in the Pegasus arc.

We open with the Inners, but don’t get excited, this will be the last time you’ll see them for the next hundred pages. They’re gathered together at a park to watch the eclipse. Where’s Usagi, you ask? At another park somewhere else with Mamoru and Chibi-Usa, because if they were there, we might feel for a second that Mamoru was not the center of the universe, and can’t possibly risk it. CAN’T MINGLE WITH THE HELP YOU KNOW.

That little girl I posted earlier wishes to become an actress, and Minako whirls around, Kill Bill sirens blaring. "My dream is to become an idol!” she says to her friends for what is almost certainly the tenth time that hour. However this prompts the others to say their dreams (PS: THIS IS THE DREAM ARC) and they are every bit as obvious and lacking in character development as you’ve come to expect.

“I want to be a bride!” Mako says as I cry inside. "And then maybe have a flower shop or cake shop, but mostly bride!”

“I wish to become an elegant doctor!” Ami does not care that I am crying harder. Not brilliant. Not genius. Not lifesaving. ELEGANT. AMI MIZUNO’S PREFERRED ADJECTIVE IS ELEGANT AND I AM ON PAGE TWO OF THIS ACT

As for Rei?

While you will pry International Success Life Rei Hino from me absolutely never because my grip will only become stronger in death, fair enough, but for fuck’s sake, AMI ALREADY SAID ELEGANT REI I REFUSE TO BELIEVE YOUR EGO WOULDN’T DEMAND ANOTHER DESCRIPTOR.

Meanwhile, at No Senshi Allowed Park, Mamoru doubles over with chest pains. FINALLY SOMEONE HAD THE CORRECT DREAM. Unfortunately it passes quickly, just in time for the Dead Moon Circus to arrive on their fucking giant flying stingray shark pirate ship what the fuck??

THINGS ONLY GET MORE HORRIFYING

Of course if one thing is going to be consistent for me from the anime to the manga, it’d be how much the Dead Moon Circus creeps me the fuck out. OF COURSE THAT.

The Circus disappears then, and I’ll give the manga credit where it’s due here, it doesn’t have thirty fucking installments of no one seeing the bloody ten block giant floating circus tent.

Back to Peon Park, the Senshi also saw the circus arrive, and this apparently freaked Phobos and Deimos out so badly they had to to fly to Rei on her day off and bring her a newspaper and some feathers AND A FUCKING TAROT CARD ARE YOU KIDDING ME THESE GUYS NOT ONLY FOUND REI’S TAROT DECK BUT SORTED THROUGH THE CARDS TO FIND THE EXACT ONE TO BEST COMMUNICATE THEIR MEANING MEANWHILE I CAN’T GET MINA TO BRING ME THE GODDAMN BALL WHEN SHE WANTS ME TO THROW IT

Armed with this information, Rei, my beloved, light of my life, favourite character for over twenty years, concludes

Really, Rei. Really.

The Senshi rush to Usagi, though not one of them wonders why they bother, and that’s the real tragedy in this.

At the other, better park, for characters the author actually cares about, Mamoru thinks traffic will be bad getting home and suggests they wander around the shopping district instead. Hey look, there’s a sale on! This doesn’t seem strange at all!

Nobody thinks to mention the timing of this sale or arrival of an imminent circus alongside THE FLYING SHARK PIRATE CIRCUS SHIP, so maybe I was too quick with my credit-giving a minute ago. They wander around the stalls and shops, until something catches Usagi and Chibs’ eyes.

HMM I WONDER IF THESE WILL BECOME IMPORTANT

They convince Mamoru to buy them at $100 for the pair, which breaks down, in overall kaleidoscopic entertainment value, to about $100 a minute. As Usagi and Chibs rapidly burn through that minute, the Senshi show up, relieved to find everyone okay. “Should we join them?” Ami asks. “God no,” replies Minako, dragging everyone off to do jello shots for the rest of the issue.

God knows how many hours later, it’s 5pm and everything’s still just as packed as it was this morning, making Mamoru’s whole thing about having trouble getting home particularly dense because everyone’s fucking HERE and not on the road. But everything’s about to get a thousand times stupider.

Usagi says that it’s getting late and maybe Chibi-Usa shouldn’t go home until tomorrow. I was busy trying to puzzle out what that meant, like sleep-over in the park? No, no, she means home to the future, to which Mamoru says:

IT’S A THOUSAND YEARS IN THE FUTURE MAMORU THE DAY YOU’RE ON IN 1995 IS COMPLETELY IRRELEVANT TO THE 30TH FUCKING CENTURY WHAT SENSE DOES THIS EVEN MAKE

AND THEN CHIBS JUST MUDDIES IT EVEN FURTHER

HOW DOES

WHAT DOES THAT MATTER WHAT SENSE DOES ANY OF THIS MAKE THIS IS SO NONSENSICAL AND I’M LEGIT IRRITATED ABOUT IT

And then it’s Usagi’s turn to just make shit up as she goes.

SHE WON’T BE LATE IT’LL BE THE SAME FUCKING DAY BECAUSE IT’S A THOUSAND YEARS IN THE FUTURE AND THAT IS INDEPENDENT OF WHAT DAY IT IS IN THE PRESENT TIME IS NOT LINEAR FOR YOU PEOPLE AND YOU KNOW THAT BECAUSE YOU ARE HAVING A CONVERSATION WITH YOUR DAUGHTER FROM THE FUTURE

And I can’t even see why there’s all this bending over backwards trying to explain any of this away when plot coherency is something Takeuchi wrestles with on a daily basis about as much as she does character development.

SPEAKING OF

Cut to Mamoru’s apartment. Chibs is getting ready for bed.

Recognize the mirror?

JUST AS WELL BECAUSE THE MANGA COULDN’T CARE LESS IF YOU DO OR DON’T

FOUR TAGS WITH SQUIGGLY LABELS FOR MAMORU’S SHIT

THE PJS OF WHICH WILL BE MENTIONED IN-TEXT AT LEAST ONCE MORE IN THIS SCENE

FUCK ALL FOR MICHIRU

IT MANAGED TO BE EVEN WORSE THAN “MICHIRU WAS ALSO THERE” BECAUSE YOU CAN’T EVEN KNOW MICHIRU IS ALSO THERE UNLESS YOU ALREADY KNOW IT

WE DIDN’T THINK IT WAS POSSIBLE TO BE MORE DISMISSIVE OF MICHIRU BUT THE MANGA FOUND A WAY

Meanwhile Usagi is lying to Ikuko about sleeping over at Mako’s, and I’d like to think Usagi cleared that with Mako first, but that would’ve required thinking about her, and there’s just no way. The next three hundred pages are basically Mamoru and Chibi-Usa and I’d summarize what happened but I’ve punished myself enough today, and also NOTHING HAPPENED.

Over to the Dark Moon Circus, where we don’t begin with the Trio but with the Quartet.

Not that I expect anyone to have any personality. And just as well! Here’s a sample.

PALLAPALLA HATES BORING INTERCHANGEABLE DIALOGUE

Chibi-Usa has finally fallen sleep. I know what this means. I feel my mind, my soul, my very sense of self trying to shrink away, but to no avail. It comes.

AAAAHHHH

AAAAAAAAAAAAAHHHHHHHHHHHHHH

For relief, please join me in imagining for a moment a Sailor Moon SuperS revival featuring, as Pegasus, BoJack Horseman.

Pegasus and Chibs fly over Tokyo and then he gives her a little bell so she can summon him whenever she wants. In return?

CHIBI-USA TSUKINO I KNOW YOU READ A LOT DO NOT TELL ME THAT YOU HAVEN’T SEEN THIS IN ENOUGH STORIES AND FAIRY TALES TO WANT TO GET THE FUCK OUT OF THIS IMMEDIATELY YOU ARE SMARTER THAN THAT YOUNG LADY THIS IS HANSEL AND GRETEL WITH WINGS

The next morning, Usagi and Mamoru wake up and realize they were both dreaming about Chibi-Usa and her new horse friend. Nothing about this alarms them anywhere near the correct degree in this humble Jet Wolf’s opinion. Mamoru has another partial heart attack but again does not die because I never get what I want. They realize Chibs left without them, and if I were Chibs, I’d do the same.

In the park (probably The Creator Loves Us And Only Us National Park), Chibs digs in her pockets for her Time Key, and I know Chibi-Usa is concerned about wanting to be an adult and all, but she has literally never been more hashtag relatable.

She pulls it out, but also pulls out the bell. GASP IT’S REAL. She thinks about Pegasus and how creepy he is and how she should never talk to him again and then she shatters the bell on the pavement. IF ONLY. She also thinks about her mother, specifically how she said “Leave and don’t come back until you’re pretty and useful.” YOU THINK I’M KIDDING I AM NOT KIDDING

Chibs’ first action as queen? ABOLISH MOTHER’S DAY

She wonders if she’s okay to go home yet, but when she uses the Time Key, it rejects the shit out of her, so guess not. Mamoru and Usagi run up and Pegasus appears again for no particular reason that I can figure out. Then there’s a tiger attack (NO REALLY) and everyone runs off, except for Mamoru, who once again is taunting me with his imminent death that never comes.

Usagi and Chibs try to transform, but can’t, because they don’t have all the Senshi around to power them up. “God, what a stupid requirement anyway, like I ever see those guys,” says Usagi, and so she just makes a new transformation happen because that is a thing she can do.

The Quartet are behind this attack, and Usagi and Chibs try to fight them, but are apparently powerless without a new toy from Bandai, so it’s marketing to the rescue! Chibs calls for Pegasus and begs him for a new weapon. He complies!

AND I FUCKING SCREAMED. While Usagi and Chibs power up on their own -- which I actually thought was a better turn from the anime for a second -- all it functionally did was change their outfits. They don’t even try to fight or attack, I presume because they know they can’t, so while they look neat, they’re powerless and helpless until they beg Pegasus for help. Until Pegasus arrives to give them power.

Power that came to them BY WAY OF MAMORU ARE YOU FUCKING KIDDING ME RIGHT NOW

So one of my biggest sources of anger and frustration with SuperS? ACTUALLY IMPROVED ON THE MANGA.

Also the Moon Gorgeous Sex Toy is sentient and can talk so. Yeah.

Back at the Dead Moon Circus, Zircon is all “The people of the White Moon reincarnated, god I fucking hate that,” so the Quartet respond by turning their tiger, hawk, and fish into, you guessed it.

They also see Chibs and Usagi and wonder what their dreams are.

APPARENTLY THE ANSWER IS ONE OF THE WORST EPISODES OF THE WORST SEASON OF THE ANIME JESUS WEPT WHEN WILL I KNOW REST

[smokeybrandreviews]

Smokey brand Movie Reviews: Just a Girl

So i saw Captain Marvel opening day. I was part of that rush, yes. Cap was one of my most anticipated films of the year for me. She’s actually my fifth favorite Marvel character, second favorite female character. When i heard she was getting a film, i was apprehensive. No one knows who Cap is. They don’t know how powerful she is. Hell, how would that power-set translate to the MCU? When they announced Brie Larson was going to play Carol, i was concerned. Not because Brie is a feminist or man-hater as the less intelligent parts of the internet would like to focus on, but more she didn’t fit the bill for an MCU hero. Larson is an excellent actress, one of my favorite working today. What she ain’t, is charismatic. There’s a different type of energy you need to carry an MCU film and Marvel has done an excellent job of finding people who capture that spirit. Brie has never demonstrated, in any of her roles, an ability to do that. I was super on the fence about this entire situation. I want this film to succeed. I want it to be good. I want Captain Marvel to get he shine she deserves. My fingers were crossed this would be good. And then the less intelligent parts of the internet got to it.

I wrote about this at length in my Captain Controversy post. The thing about Captain Marvel, the thing that i love about her, is the small moments. When she interacts with other characters, she's super on point. In a team dynamic, Carol is amazing. On her own? Not so much. This stems from the fact that the origins of her character are from that whole women lib movement of the 70s. She's a rule 63 of the original Captain Marvel, Mar-Vell. She-Hulk kind of has the same issues but, given proper writing and development, they both shine. Carol, however, has not had the same luck in that department as Jessica and it shows. Throughout the years, as a comic entity, Carol's had, like, three stories that have been dope - all of them occurring in the late 00s until now. Bendis has done a great service in developing Carol into her own, independent, personality and the recent revelations in her new origin, The Life of Captain Marvel, have gone a long way to establishing a future where Captain Marvel can be great. She has a ton of potential to be excellent and I think, as a creator, I am drawn to that aspect of her. Plus, she has had some really dope costumes over the years. Now, I said three good stories because the bulk of Captain Marvel in modern Marvel comics, has, more or less, become a poster child for gender politics and THAT sh*t is whack! That sh*t is why none of the fanboys want to have anything to do with this character. And casting Brie Larson, a very vocal feminist, does not help in any capacity. All of that White Male Outrage has review bombed the f*ck out of this film and I don't think it deserves any of it. I think, removed from all of the butt-hurt Menisists and fragile male egos, there are very real issues with this film. Issues that hinder but never detract. This is why I took so much time before writing this review. I actually wanted to digest what I saw on the screen and try to distance myself from my admitted bias and this weird, sad, unwarranted hate, this flick has been getting. So, with a properly digested understanding of what I saw, here is what I thought about Captain Marvel.

The Good

They changed the opening Marvel title card from MCU events, to all of  Stan Lee's cameos and that sh*t hurt, man. They ended it with “Thank You, Stan.” The entire theater lost it. It's been a few months, but that loss still hurts, man. Marvel Comics means a lot to me and Stan is one of the principal architects. Say what you will about the quality of his character, the strength of his work will stand the test of time.

Speaking of Stan Lee cameos, this is easily his second best after the one he had in Spider-Verse. If you're a 90s kid, or someone who grew up during the 90s, you'll know why. It's f*cking brilliant and I loved it. I bet Kevin Smith did, too.

Sam Jackson knocks it out of the park as usual. His Nick Fury has been the linchpin of the MCU since way back in the Iron Man stinger. You see a lot of who he was before all of the responsibility and SHIELD clout, which was mad refreshing. If we loose RDJ, I think we'll be alright if we can keep Sam around for the occasional pop-in.

I think Brie Larson did fantastic in her first stint as Carol. I mean, with the exception of RDJ and Tom Holland, who f*cking knocked it out of the park as Pete, every other MCU hero needed time to grow and figure out HOW to be those characters. We had, what? Three different Hulks before they hit that sweet spot with Ruffalo? It took Hemsworth four movies before he cracked Thor? Hell, Cummerbund had to have two films and an end credits stinger to get Strange right. What I'm saying is, a lot of what cats are dinging Larson for, will work itself out over time. Especially when she gets into the think of it with everyone else in Endgame. Also, a better script and director would go a long way to helping that growth, as well.

The chemistry between Carol and Nick was wonderful. His movie is a buddy cop flick more so than any other in the MCU so far. I think Carol needs that to play off and, in the comics, she usually has Jessica Drew, Spider-Woman, to do a lot of that with. Considering it looks like the MCU is going in another direction with that, which is a shame because that dynamic would be awesome to see onscreen, what we got with Fury and Danvers was great.

This guy Ben Medelshon? How great of an actor is he? Dude is almost always the best part of any film he's in, even if they're trash. Like, he was the best thing but Ready Player One and that movie was a right clusterf*ck. Mendelsohn in this, is just as brilliant as he was in that, pulling off what no other villain in the MCU forced to wear such heavy face make-up has been able to do; Act. Mendelsohn's  Talos, even caked with an inch of green paint, was never not charismatic and human. Dude was amazing and it kind of paints the MCU into a corner as to how to make these cats terrorists later which is messed up. I was kind of looking forward to Veranke...

The soundtrack for this thing s probably the best since Black Panther. Personally, being of negro descent, I think THAT soundtrack is the best of the MCU. Kendrick created a goddamn masterpiece, man. But I would imagine the more accessible Awesome Mix vol 1 is more the masses speed and, I agree. That sh*t is awesome. I haven't heard all of Vol 2 so I can't comment on that one but, what we got in Captain Marvel, was absolutely wonderful. There's a scene where No Doubt's Just a girl starts playing and it made me smile. It's a little on the nose but still, a great time.

Goose was awesome. I kind of hate that they changed her name from Chewie to Goose, but I get why. Air Force. Top Gun. Danger Zone. Clever. Flerkens and Feminism, man.

Speaking of, the message this movie sends for little girls is amazing. Wonder Woman had kind of the same effect but I think Captain Marvel is the superior film, overall. That and Carol is literally the nuclear deterrent of the MCU. She is, by far, the most powerful hero on the Avengers roster. For it to be a woman? Fantastic! I've seen so many positive affirmations and uplifting testimonials from women about how this movie made them feel. That sh*t is important, man. I'm all about representation in media so to have such a monumental moment being taken in like it should, in spite of such... immature hostility, was great. When I was walking out of the theater, I saw a little girl absolutely gushing about how cool Captain Marvel was and that sh*t legit made me smile. She's a fan for life and might grow up to be the next great creator who makes some pretty cool stuff because she went to see a movie, about a girl who can do some pretty cool stuff. If that sh*t doesn't make you feel good, you're an asshole and need to get off my page, post-haste.

This movie is f*cking gorgeous. Cap's powers translated to the screen brilliantly and even her Binary mode was something to behold. Like, if we ever get a proper, live action, DBZ, they should take note because watching her go super saiyan was f*cking amazing. It kind of sucks she had no one to go super saiyan against. I'd loved to have seen her go up against Ronan and his hammer but nope. Maybe next time? Even more than that, the de-aging effect of Fury was kind of miraculous. Sam Jackson looked younger than his stint as Jules in Pulp Fiction, which is suppose to be out around that time in the film. I was shocked.

The Meh

The supporting cast in this was a little flaccid. They felt more like meat targets than viable characters in this flick. Everyone touted Gemma Chan's Min'Erva as someone to watch but, nope. She didn't do much but sit on a rock/platform and shoot things from distance. The return of Son of Coal? Nope. Like, 4 minutes of Clark Gregg, which sucked. Annette Bening? One of the greatest actresses to ever grace Hollywood? Pulling double duty as a gender swapped Mar-Vell and The Great Intelligence? Nope. She literally just stood or laid around in every one of her scenes. Lee Pace? Man, this didn't even bother giving Ronan the face makeup. Jude Law was Yon-Rogg was completely underused. I think, though, that everyone except Jackson and Brie were underused.

Kind of in that same vein, the overall character development In this was... underwhelming? You never get a feel for who Carol is. Even when she commits to one personae over another, you don't really care. She's dope, overall, but that's more because of her interactions with Fury than any semblance of self realization on her part. Essentially, the weakest part of this film stems from how the writing let the main character down. This thing doesn't look like there was a lot of Marvel Films edicts to bog it down so there should have be a wealth of free range to develop this character. We did not get any of that. Maybe in future films but this one? Nah.

This thing has no idea what it wants to be, where it wants to go, or how it wants to get there. The tonal whiplash in this movie is crazy jarring. The performances and effects do a great job of distracting  you from most of that but, if you're paying attention to the structure of this film, you can see it clearly. There was no path, no consensus, on how to introduce this character and her story. In that regard, this is one of the weakest of the MCU films, for sure.

There are hints of a grander scope in this flick. We saw a bit of Hala. We saw a bit of the Accusers. We learned a bit more about the Kree. The Starforce interactions were awesome. The second we get to earth? All of that out the window. That could be forgiven if what we witnessed on earth was more fleshed-out, more organic, but this was kind of a paint-by-numbers tale. I think that has a lot to do with the direction. Speaking of which...

The Bad

Anna Boden and Ryan Fleck were the wrong people to make this movie. You needed someone with the vision to deliver a massive space opera but focus in on the character struggle and inner conflict of Carol Danvers. You had a great actress to help pull of that vision but the ones trying to guide that performance were out of their depth I think. The pair do a lot of low budget, character driven, indie flicks, and that's fine. Those films have a very specific tone, a very specific line of execution. That type of storytelling does not lend itself to a tent pole MCU film. Sure, Marvel has been great as finding diamonds in the rough to make masterworks out of the mundane (The Russos, James Gunn, Ryan Coogler) but they have also had a lot of misses. Whoever did the first two Thor films, letting Edgar Wright go over creative differences, and now these two cats. I'm not saying they are bad directors but, for this type of film? Horrible choice, I think.

Kind of in that same discussion has to be the mediocrity of the overall writing. The dialogue in some of these interactions was outright awful. Like, anytime Ronan was on screen, I kind of groaned. Anytime Bening had airtime, I rolled my eyes. These excellent actors that I've seen give much better performances in other flicks, had next to nothing to work with in this flick. That can be said about everyone in this movie. I feel like there should have been much more care given to this script considering it's going to be Carol who carries the next Phase of Marvel films.

While I loves the Grrrl power message laced throughout this flick, the way it was delivered seems a little heavy handed at times. That scene where Just A Girl playing? I love that sh*t. But, at the same time, I can see how it could alienate a vast swath of fans. It's ill to me because why shouldn't we celebrate a powerful woman coming into her own? I, personally, don't see anything wrong with it but I'd be considered a cuck by men less than myself and that's who will have an issue with this. Unfortunately, they make up a massive portion of the fanbase who see capeflicks. That being said, even with all of the tirades, tantrums, and review bombs, Cap might break 100 mil, which is great for the franchise and the MCU overall.

There is a real lack of imagination in this movie and I think it goes back to the the choice in directors. I touched on it a little before, but, I mean, you have a galactic space opera, taking place on two planets, with a ludicrously OP, female, protagonist who has amnesia so is an absolute clean slate, and the best you can do is a sun-of-the-mill, fish out of water tale? F*cking really? There are little moments of brilliance here and there but overall, this was underwhelming for 9ne of the most powerful character in Marvel comics.

The Verdict

I really enjoyed Captain Marvel. I thought it was a decent introduction to a character that had, up until very recently, no direction in the lore of the Marvel mythos. This movie has it's issues, for sure, but I think these things can be fixed with a different director, a better script, and much, much, more imagination. I think the biggest issue with this thing is the utter lack of Marvel. It doesn't feel like a Marvel film. It feels like a Marvel film by way of Fox or Sony. This is, more or less, because the character of Captain Marvel is also so wayward. There are a lot of good ideas here and I am convinced Brie Larson can develop into something special, but it's going to take a while.  It's going to take someone with a clear vision for spectacle and respect for character. Thor took a while and Taika Waititi to be great. Strange took a while and the Russos to feel organic. Lang took a while but, I mean, Paul Rudd was awesome from the get. He just shines much. Much better when alongside others. I think going forward, if Feige can find that right balance of creativity and vision in the creatives behind the camera, Captain Marvel will be great. As she is now, just like this movie, she's fun but hollow. Marvel hasn't cracked Captain Marvel just yet but when they do, she'll be absolutely Marvelous. Ultimately, I'd say check it out. It's beautiful, entertaining, and Sam Jackson is always awesome. For a weekend distraction, you can do much worse.

[smokeybrand]

Smokey brand Movie Reviews: Just a Girl

So i saw Captain Marvel opening day. I was part of that rush, yes. Cap was one of my most anticipated films of the year for me. She’s actually my fifth favorite Marvel character, second favorite female character. When i heard she was getting a film, i was apprehensive. No one knows who Cap is. They don’t know how powerful she is. Hell, how would that power-set translate to the MCU? When they announced Brie Larson was going to play Carol, i was concerned. Not because Brie is a feminist or man-hater as the less intelligent parts of the internet would like to focus on, but more she didn’t fit the bill for an MCU hero. Larson is an excellent actress, one of my favorite working today. What she ain’t, is charismatic. There’s a different type of energy you need to carry an MCU film and Marvel has done an excellent job of finding people who capture that spirit. Brie has never demonstrated, in any of her roles, an ability to do that. I was super on the fence about this entire situation. I want this film to succeed. I want it to be good. I want Captain Marvel to get he shine she deserves. My fingers were crossed this would be good. And then the less intelligent parts of the internet got to it.

I wrote about this at length in my Captain Controversy post. The thing about Captain Marvel, the thing that i love about her, is the small moments. When she interacts with other characters, she's super on point. In a team dynamic, Carol is amazing. On her own? Not so much. This stems from the fact that the origins of her character are from that whole women lib movement of the 70s. She's a rule 63 of the original Captain Marvel, Mar-Vell. She-Hulk kind of has the same issues but, given proper writing and development, they both shine. Carol, however, has not had the same luck in that department as Jessica and it shows. Throughout the years, as a comic entity, Carol's had, like, three stories that have been dope - all of them occurring in the late 00s until now. Bendis has done a great service in developing Carol into her own, independent, personality and the recent revelations in her new origin, The Life of Captain Marvel, have gone a long way to establishing a future where Captain Marvel can be great. She has a ton of potential to be excellent and I think, as a creator, I am drawn to that aspect of her. Plus, she has had some really dope costumes over the years. Now, I said three good stories because the bulk of Captain Marvel in modern Marvel comics, has, more or less, become a poster child for gender politics and THAT sh*t is whack! That sh*t is why none of the fanboys want to have anything to do with this character. And casting Brie Larson, a very vocal feminist, does not help in any capacity. All of that White Male Outrage has review bombed the f*ck out of this film and I don't think it deserves any of it. I think, removed from all of the butt-hurt Menisists and fragile male egos, there are very real issues with this film. Issues that hinder but never detract. This is why I took so much time before writing this review. I actually wanted to digest what I saw on the screen and try to distance myself from my admitted bias and this weird, sad, unwarranted hate, this flick has been getting. So, with a properly digested understanding of what I saw, here is what I thought about Captain Marvel.

The Good

They changed the opening Marvel title card from MCU events, to all of  Stan Lee's cameos and that sh*t hurt, man. They ended it with “Thank You, Stan.” The entire theater lost it. It's been a few months, but that loss still hurts, man. Marvel Comics means a lot to me and Stan is one of the principal architects. Say what you will about the quality of his character, the strength of his work will stand the test of time.

Speaking of Stan Lee cameos, this is easily his second best after the one he had in Spider-Verse. If you're a 90s kid, or someone who grew up during the 90s, you'll know why. It's f*cking brilliant and I loved it. I bet Kevin Smith did, too.

Sam Jackson knocks it out of the park as usual. His Nick Fury has been the linchpin of the MCU since way back in the Iron Man stinger. You see a lot of who he was before all of the responsibility and SHIELD clout, which was mad refreshing. If we loose RDJ, I think we'll be alright if we can keep Sam around for the occasional pop-in.

I think Brie Larson did fantastic in her first stint as Carol. I mean, with the exception of RDJ and Tom Holland, who f*cking knocked it out of the park as Pete, every other MCU hero needed time to grow and figure out HOW to be those characters. We had, what? Three different Hulks before they hit that sweet spot with Ruffalo? It took Hemsworth four movies before he cracked Thor? Hell, Cummerbund had to have two films and an end credits stinger to get Strange right. What I'm saying is, a lot of what cats are dinging Larson for, will work itself out over time. Especially when she gets into the think of it with everyone else in Endgame. Also, a better script and director would go a long way to helping that growth, as well.

The chemistry between Carol and Nick was wonderful. His movie is a buddy cop flick more so than any other in the MCU so far. I think Carol needs that to play off and, in the comics, she usually has Jessica Drew, Spider-Woman, to do a lot of that with. Considering it looks like the MCU is going in another direction with that, which is a shame because that dynamic would be awesome to see onscreen, what we got with Fury and Danvers was great.

This guy Ben Medelshon? How great of an actor is he? Dude is almost always the best part of any film he's in, even if they're trash. Like, he was the best thing but Ready Player One and that movie was a right clusterf*ck. Mendelsohn in this, is just as brilliant as he was in that, pulling off what no other villain in the MCU forced to wear such heavy face make-up has been able to do; Act. Mendelsohn's  Talos, even caked with an inch of green paint, was never not charismatic and human. Dude was amazing and it kind of paints the MCU into a corner as to how to make these cats terrorists later which is messed up. I was kind of looking forward to Veranke...

The soundtrack for this thing s probably the best since Black Panther. Personally, being of negro descent, I think THAT soundtrack is the best of the MCU. Kendrick created a goddamn masterpiece, man. But I would imagine the more accessible Awesome Mix vol 1 is more the masses speed and, I agree. That sh*t is awesome. I haven't heard all of Vol 2 so I can't comment on that one but, what we got in Captain Marvel, was absolutely wonderful. There's a scene where No Doubt's Just a girl starts playing and it made me smile. It's a little on the nose but still, a great time.

Goose was awesome. I kind of hate that they changed her name from Chewie to Goose, but I get why. Air Force. Top Gun. Danger Zone. Clever. Flerkens and Feminism, man.

Speaking of, the message this movie sends for little girls is amazing. Wonder Woman had kind of the same effect but I think Captain Marvel is the superior film, overall. That and Carol is literally the nuclear deterrent of the MCU. She is, by far, the most powerful hero on the Avengers roster. For it to be a woman? Fantastic! I've seen so many positive affirmations and uplifting testimonials from women about how this movie made them feel. That sh*t is important, man. I'm all about representation in media so to have such a monumental moment being taken in like it should, in spite of such... immature hostility, was great. When I was walking out of the theater, I saw a little girl absolutely gushing about how cool Captain Marvel was and that sh*t legit made me smile. She's a fan for life and might grow up to be the next great creator who makes some pretty cool stuff because she went to see a movie, about a girl who can do some pretty cool stuff. If that sh*t doesn't make you feel good, you're an asshole and need to get off my page, post-haste.

This movie is f*cking gorgeous. Cap's powers translated to the screen brilliantly and even her Binary mode was something to behold. Like, if we ever get a proper, live action, DBZ, they should take note because watching her go super saiyan was f*cking amazing. It kind of sucks she had no one to go super saiyan against. I'd loved to have seen her go up against Ronan and his hammer but nope. Maybe next time? Even more than that, the de-aging effect of Fury was kind of miraculous. Sam Jackson looked younger than his stint as Jules in Pulp Fiction, which is suppose to be out around that time in the film. I was shocked.

The Meh

The supporting cast in this was a little flaccid. They felt more like meat targets than viable characters in this flick. Everyone touted Gemma Chan's Min'Erva as someone to watch but, nope. She didn't do much but sit on a rock/platform and shoot things from distance. The return of Son of Coal? Nope. Like, 4 minutes of Clark Gregg, which sucked. Annette Bening? One of the greatest actresses to ever grace Hollywood? Pulling double duty as a gender swapped Mar-Vell and The Great Intelligence? Nope. She literally just stood or laid around in every one of her scenes. Lee Pace? Man, this didn't even bother giving Ronan the face makeup. Jude Law was Yon-Rogg was completely underused. I think, though, that everyone except Jackson and Brie were underused.

Kind of in that same vein, the overall character development In this was... underwhelming? You never get a feel for who Carol is. Even when she commits to one personae over another, you don't really care. She's dope, overall, but that's more because of her interactions with Fury than any semblance of self realization on her part. Essentially, the weakest part of this film stems from how the writing let the main character down. This thing doesn't look like there was a lot of Marvel Films edicts to bog it down so there should have be a wealth of free range to develop this character. We did not get any of that. Maybe in future films but this one? Nah.

This thing has no idea what it wants to be, where it wants to go, or how it wants to get there. The tonal whiplash in this movie is crazy jarring. The performances and effects do a great job of distracting  you from most of that but, if you're paying attention to the structure of this film, you can see it clearly. There was no path, no consensus, on how to introduce this character and her story. In that regard, this is one of the weakest of the MCU films, for sure.

There are hints of a grander scope in this flick. We saw a bit of Hala. We saw a bit of the Accusers. We learned a bit more about the Kree. The Starforce interactions were awesome. The second we get to earth? All of that out the window. That could be forgiven if what we witnessed on earth was more fleshed-out, more organic, but this was kind of a paint-by-numbers tale. I think that has a lot to do with the direction. Speaking of which...

The Bad

Anna Boden and Ryan Fleck were the wrong people to make this movie. You needed someone with the vision to deliver a massive space opera but focus in on the character struggle and inner conflict of Carol Danvers. You had a great actress to help pull of that vision but the ones trying to guide that performance were out of their depth I think. The pair do a lot of low budget, character driven, indie flicks, and that's fine. Those films have a very specific tone, a very specific line of execution. That type of storytelling does not lend itself to a tent pole MCU film. Sure, Marvel has been great as finding diamonds in the rough to make masterworks out of the mundane (The Russos, James Gunn, Ryan Coogler) but they have also had a lot of misses. Whoever did the first two Thor films, letting Edgar Wright go over creative differences, and now these two cats. I'm not saying they are bad directors but, for this type of film? Horrible choice, I think.

Kind of in that same discussion has to be the mediocrity of the overall writing. The dialogue in some of these interactions was outright awful. Like, anytime Ronan was on screen, I kind of groaned. Anytime Bening had airtime, I rolled my eyes. These excellent actors that I've seen give much better performances in other flicks, had next to nothing to work with in this flick. That can be said about everyone in this movie. I feel like there should have been much more care given to this script considering it's going to be Carol who carries the next Phase of Marvel films.

While I loves the Grrrl power message laced throughout this flick, the way it was delivered seems a little heavy handed at times. That scene where Just A Girl playing? I love that sh*t. But, at the same time, I can see how it could alienate a vast swath of fans. It's ill to me because why shouldn't we celebrate a powerful woman coming into her own? I, personally, don't see anything wrong with it but I'd be considered a cuck by men less than myself and that's who will have an issue with this. Unfortunately, they make up a massive portion of the fanbase who see capeflicks. That being said, even with all of the tirades, tantrums, and review bombs, Cap might break 100 mil, which is great for the franchise and the MCU overall.

There is a real lack of imagination in this movie and I think it goes back to the the choice in directors. I touched on it a little before, but, I mean, you have a galactic space opera, taking place on two planets, with a ludicrously OP, female, protagonist who has amnesia so is an absolute clean slate, and the best you can do is a sun-of-the-mill, fish out of water tale? F*cking really? There are little moments of brilliance here and there but overall, this was underwhelming for 9ne of the most powerful character in Marvel comics.

The Verdict

I really enjoyed Captain Marvel. I thought it was a decent introduction to a character that had, up until very recently, no direction in the lore of the Marvel mythos. This movie has it's issues, for sure, but I think these things can be fixed with a different director, a better script, and much, much, more imagination. I think the biggest issue with this thing is the utter lack of Marvel. It doesn't feel like a Marvel film. It feels like a Marvel film by way of Fox or Sony. This is, more or less, because the character of Captain Marvel is also so wayward. There are a lot of good ideas here and I am convinced Brie Larson can develop into something special, but it's going to take a while.  It's going to take someone with a clear vision for spectacle and respect for character. Thor took a while and Taika Waititi to be great. Strange took a while and the Russos to feel organic. Lang took a while but, I mean, Paul Rudd was awesome from the get. He just shines much. Much better when alongside others. I think going forward, if Feige can find that right balance of creativity and vision in the creatives behind the camera, Captain Marvel will be great. As she is now, just like this movie, she's fun but hollow. Marvel hasn't cracked Captain Marvel just yet but when they do, she'll be absolutely Marvelous. Ultimately, I'd say check it out. It's beautiful, entertaining, and Sam Jackson is always awesome. For a weekend distraction, you can do much worse.