#also the writers’ strike played a HUGE part in a lot of the issues the show has

[realchemistry]

Everything that went right and wrong with 9-1-1 season 7 (according to me, duh!)

Let me start by saying that I enjoyed the season a lot, but that doesn't mean that it was flawless and I thought the finale didn't deliver. So, this is me pointing out what I did and didn't like and why, and how I wish it'd happened instead.

Also: it's a short and somewhat rushed season due to the writers' strike, this I know. You know who else knew? TPTB. So, nope, it’s not a valid excuse for any of its shortcomings. If they tried to bite off more than they could chew, that's on them.

Everyone knows that having a three-episode arc for the honeymoon was a bad choice, it was clear because the episodes dragged due to it and the Bathena drama made no sense. Let's say they had to keep up with the tradition and that it's a huge budget deal to build those sets so they had to milk them for all they were worth. Fine. It could've still been made more interesting, but wrong choices were made. I didn't appreciate the whole pirates taking over thing, and the season ended with the cartel, which... why do you want to have POCs being the bad guys so badly?

So, let's go by the assumption that having a three episode arc for Bathena's honeymoon was the only choice possible, fine... but didn't Madney deserve a lot of attention as well considering they got freaking married? Why was that not a two-parter? Why not have a first part with cases and some fun bachelor/bachelorette shenanigans, and have Chim disappearing be the cliffhanger? Why not dedicate a big chunk of the second part to that, like they did, and then actually give the wedding some breathing room? Sure, it mirrored their kiss after the whole Doug debacle but these are two main characters who got married. It's a drama show but the drama gets old if there are no bright moments in between.

The inclusion of Amir was interesting because of what it brought up in Bobby. Plus, the actor was clearly great and he was such a big deal that he, well, he was given A LOT of screentime. This made me mad because the show, as previously mentioned, was short on time as it was. Having a new character come in and have such a huge role would make sense if we were talking about a full season. As it was, his presence meant that some of our regulars were pushed to the background. Their storylines suffered for it, and while the show usually does this, it's sorta okay when screentime is divvied up between the regular cast. When it's an outsider... well, I have some issues with that. Like, we literally know more about Amir than we do about Ravi at this point. Also: Amir was clearly an amazing person and he was wronged time and time again. Athena got to play solo-cop as it's her thing, and we're supposed to think she was being heroic instead of downright wrong and abusing her power? If I were Amir, I'd sue her and I'd burn their house down for real (not really, but you know what I mean). They put this man through hell. Sure, Bobby saved him... which felt such a white savior redemption thing. And I know the show and the character said otherwise, but it still felt awful and then it just got worse. In any case, they could’ve made this story play out with more nuances instead of devoting so much of a short season to it to the detriment of our stable cast. 

Buck had an amazing start of the season, finding himself and his truth and sharing it with his family. The fact that they had him entering the dating scene with a character like T*mmy... I didn't like that. Any random person would've been better. But, also, I don't wanna be that person but this is my blog so I'm gonna be: Oliver clearly hasn't been enjoying the latest interactions between these characters to the point where their scenes, few as they are, are actually hard to watch. The last one was literally the most cringe inducing moment of TV I've ever witnessed. Instead of Buck exploring himself, we have him reacting to the odd, negative and out of place comments that T*mmy keeps throwing his way. It's just weird and not at all the happy story Oliver was hoping for, so I get him. I hope this gets better next season, with BT being bones and Buck being able to thrive instead of falling back into a revamped awful dating life.

On the other hand, this season was the Buddiest of them all. Well, I mean, it had the most hints of it actually happening at some point. When Buck talked about there being underlying sexual tension in the premiere, it was just ashslgjñhjsdñgjsñdg. They were comparing Chris's interactions with girl friends and boy friends but we all know that wasn't all that was. We had Eddie talking about how much growth Buck had done from being a playboy, which funnily enough he never got to meet, to the person he's today. Another great indicator were the whole 100th/101st episodes, with Buck clearly wanting to get Eddie's attention due to jealousy, which everybody could see, and the ~reveal that the episode was from Buck’s POV which was also incredible because that man is so in love it’s just insane. But, even most importantly maybe, was Maddie's scene with Buck... It was a mirror of her calling him out on his guy crush on Eddie from season 2, with the circled with a heart around it, but the next episode it got real. To me, her words and her face spoke volumes: first she couldn’t believe Buck was with Eddie’s friend, then she told him he might not be sure of his own feelings and finally that if there’s something he needs to tell Eddie, he will, just in his own time. That was NOT about Buck being bisexual, it was Maddie reading right what Buck was reading wrong: how Buck had been jealous because of the way he feels about Eddie and how he was putting his feelings for Eddie into somebody else. Someone safe for the time being, all things considered. That's a thread waiting to be pulled when the right time comes if I ever saw one! I've been giddy just thinking about it ever since, tbh. We also had a Buddie scene in pretty much every episode, and I absolutely adored them in the bachelor party because they were so in sync, as they were all season long actually. The parallel of Eddie asking for Buck’s help at the end was nice as just that, but the story... I’ll rant about it later. I love that Oliver has been pushing the Buddie agenda harder than ever, so I'm hoping he's talking Ryan's ear off about it and that they'll demand it from Tim soon enough.

Onto Eddie, the problem with the whole Kim thing actually starts because they killed Shannon in the first place. They should've never done that, I've always thought this way. She was a great character and seeing Eddie co-parent with his ex would've been great storytelling, he could've still had a breakdown due to divorcing her or even her dating again or whatever. Besides the insanity of Kim going back to his house after learning the truth, the fact that Eddie broke down and caved in was understandable. I actually thought that was pretty well done. The problem was all that followed. We don't care about Marisol because the show never made us care about her, so her part in all of this is completely irrelevant.

As for Chris, I honestly have SO many issues with his reaction. Him being confused would only be right, but being that mad with Eddie? I honestly feel like I'm missing something because the two of them have developed such a strong relationship that it feels like Chris's reaction was totally OOC. Why wouldn't Chris want to know Eddie's side of the story? Why would he want to leave his dad and his house? Why would he want to leave the state? Why would he want to go live with his grandparents? Sure, he has a good relationship with them at this point, but we can only gather that by... imagining it, for the most part. How long since they been around? Why not mention that they were visiting or that Chris was with them when he was away to set the stage? It honestly feels like it was all improvised and they wanted to leave Eddie without Chris and this was all they could come up with. There were other ways that could've actually made more sense to get to this place, but they chose to do it in a way that's both hurtful to the characters and to their progression throughout the seasons. Make it make sense!!! There's also the fact that the finale script was all written under the assumption that Eddie and Kim were kissing when Chris showed up. That didn't actually make the cut. This is clearly a consequence of rushed scripts and filming schedules, and while we can interpret every scene saying they kissed as an exaggeration or simply a wrong interpretation of the situation, it actually made me very mad. Having characters rehash what happened the episode before so the people who missed it can catch up is normal but I hate it with my whole heart. Those people can go to hell, but if they're gonna spend time of the finale doing that, the least they could do is make the facts fact. Sure, Eddie was going insane and he said it was hard to explain but everyone in-show very much believed that Eddie kissed Kim. This is upsetting because of the exact reason why that kiss was cut, as said by Ryan in an interview this week.

On top of this, Chris is 13 years old. Eddie letting him go is not it. Eddie has every right to tell him he's staying whether he likes it or not because he's his father and he gets to decide where he lives. The show tried to make the whole thing come out as noble but I thought it was bullshit. From what we know about Eddie, he wouldn't just let him go: he would either tell Chris to stay put or go with him. The fact that, again, they clearly wanted to have Eddie alone for whatever reason, and they couldn't find a better way to pull it off... that's just bad on TPTB's part.

Hen and Karen were put through hell once more for no reason. Why can't the big obstacle for them be simply getting through Mara? Why do they have to get to a good place only for it to be ripped away? Don't say it's drama tv, I don't care, people on screen deserve happiness, damn it! They most of all, tbh, and the fact that Denny was so upset just made it 5464641636469 worse. Then we had Madney helping out, which was lovely but completely unrealistic from a legal pov and also... why can't HenRen just get what they want without a het couple's intervention? So Ortiz has enough power to get Mara away from them but she didn't know that the people wanting to foster her were part of the 118 even though she had something to do with Gerrard being reinstated? I know this is what Tim implied on his socials to explain why someone as shitty as Gerrard would be taken back by the firehouse... which, I don't know if that even makes sense? Does she have the kind of power to do any of this?

A lot of questions now:

Why was a random woman given so many precious minutes of the finale just so Athena could have a car to go after an innocent man? Why does she keep getting away with asking for personal favors, recklessly involving Maddie too? Why wouldn't the editor of the episode give us a frame at least of Buddie by Bobbie's hospital bed? This made me particularly mad because it actually looked like Oliver and Ryan were not there filming (though we knew they were), and that's why they kept showing their backs. Maybe they had lines, maybe not, but a few seconds while Chim, Hen and Maddie talked would've been nice... since it clearly seemed like nobody was particularly perturbed by Bobbie's state. I'm sorry but I can't fear for his life when his wife is away trying to get revenge and his team are just... there. Also, why are him, Athena, the aforementioned neighbor and Amir allowed to just walk into a house that suffered that much fire damage? Wouldn't the structure be compromised? Plus, Athena and Bobbie kinda were awful to Amir, first killing his wife and then accusing him and all, so why would he want to talk about anything with Bobbie, nevermind say he's earned his family? He was wronged so badly, he didn't owe them a thing, it's honestly ridiculous. Then Bobby came back so fast... but he had quit before and forgot about it? The Gerrard reveal was actually not something I hated because I love a good shake up. I bet he'll last three episodes at most. We know this isn't gonna be good exactly, and it makes zero sense, but a change in dynamics is always refreshing and could put some things into perspective. I hated when Buddie weren't partnered, but I ADORED the way Hen was weirded the fuck out by the closeness she is not used to having with Chim while on the field, so I can't wait for some of it.

Things I wanna see:

More May, more Ravi, Eddie’s sisters. More Buddie. No dating people to fill up time for either of them. Eddie’s gay/demi awakening (I swear, if this is not where his story is going, it will all feel like such a waste, much like during his previous breakdown). Chris and Mara going back home soon. Gerrard and Ortiz getting what they deserve.

This is so long it's insane, if you've read it, I thank you. If I think of anything I forgot, I'll add it later. If you have anything to contribute, please do. I'm around and I'd love to discuss this show and all its intricacies.

[spockandawe]

You know what, I'm not happy about this either :T

Unless I'm t-boned by another reblog from someone huge, this likely won't reach as wide of an audience. And I regret that! Because either I presented myself badly or people are taking the wrong thing away from my words.

So, I strongly, STRONGLY believe in supporting writers. I also strongly believe in archival work and preservation of online media. I mentioned my own binding of the raksura patreon short stories earlier this year, hoping to manifest an official printing to buy, which.... folks, the implicit logical endpoint is that I went and expanded them all and saved them locally too.

It wasn't scraping, since I've seen that description being tossed around in the notes. My copy was manual copy and paste, because I don't respect my own time, and so was the other recent version. If you're going to rail against that, I guess you've successfully transported nft rage about right click + save as to a new medium.

Frankly, the patreon interface is a pain for this. Infinite scroll is part of the enshittification of the internet, this is a lot of text and posts, patreon isn't a powerful archival site, and it started choking horribly by the time I was halfway through. Now that I know people can still sign up (which i didn't, for years, that closed label is misleading), I still emphatically encourage them to do so and fight through the lag to read the stories.

I also quoted the thing where I said I owned all the books in three formats - physical, ebook, audiobook. Guess what copy I use for most rereads - that's right, none of them, because I was a dumb youth who didn't understand how awful kindle drm is and I can't word search in a paper book, so the secret fourth format is pirated ebooks, which I know amazon will never be able to yoink out of my grip. If I ever git gud at illumination and make a hand-illustrated compendium of the series, that's going to be my starting base, because there arent digital rights to lock me down to owning ACCESS to a copy of the book and not the copy of the book itself.

Now, the existence of pirated ebooks isn't all sunshine and roses. I've seen the talks about how new books IMMEDIATELY get pirated and shared and start cutting into an author's livelihood and future publishing prospects. I think it's incredibly important to support authors directly and in ways corporate marketing teams are able to observe. But especially in light of the Hollywood strikes, I'm sure many of us have seen posts about corporate entities playing shitty games with what they'll make available and withhold, and what they'll CHARGE versus what the customer has PURCHASED.

The only thing in the original post I take issue with is the reposting of something that was still available directly through the author. That has already been addressed. The originator is remorseful. I still understand if the patreon vanishes, to be clear. But i quietly made my own copy years ago BECAUSE i understand how easy it is for something like that to vanish, for much more arbitrary reasons. It could have been vanished because of site policy, patreon abruptly archiving all posts more than X years old. Online media is dangerously ephemeral.

I bind a lot of cnovel fan translations. So many amazing stories are getting licensed for translation - great! But it's also a massive extinction event for all the backbreaking translation work other fans have been sharing for years for free. And from that perspective it's a fucking TRAGEDY. I have... a Lot of files that I'm not sharing publicly. My goal is never to preempt or undermine the translators who did the actual work. But that hoard of files is still precious to me, because it takes about five seconds to delete a gdoc of translation, and there's not always warning to save a copy first.

Again, emphasis, my only issue here was the reposting. I'm not happy that it happened. I'm glad the files were quickly taken down, whether or not the patreon itself goes away. I'm glad op is remorseful for overstepping, and I can... mostly see how they didn't realize the problem, and mainly wanted to help more people experience a story they loved.

So it's also worth saying that I'm also not too stoked about the direction tags on that post were starting to go. 'Piracy is inexcusable, piracy is the death of--' STOP. I recognize that begging for nuance while tossing thoughts out onto social media is a losing game. But actually, I'm out of patience for black and white thinking happening on my post. Piracy is a valuable tool for archivists and a hazard to creators, which is why it should be practiced quietly and with deliberate care. It should be practiced in a way that attempts not to damage the creator's livelihood or take away control of their creations. That's where the misstep was here. OP understood they had misstepped and they were expressing remorse even before I got on my high horse, and it sure doesn't seem like the notes care about that, so! I'm done letting the outrage machine feed on it.

That's probably enough. I'm not saying anything I haven't said on here before. If you've ever grieved for a beloved fic missing from your ao3 bookmarks because it was deleted, you understand the basic archival urge. If you lost access to a favorite artist's extensive archives because the images were flagged in the 2018 boob ban, you should be able to understand. I manually saved 36,000 pictures in that brief grace period before I completely burned out. The fundamental impulse shouldn't be that hard to grasp. The rest is just responsible practices, and people fuck up sometimes. It sucks, but sometimes you don't recognize a boundary is there before you blunder right over it with the best of intentions. I think a lot of us have been there too.

Anyways, this is too much text, how boring to look at. Here's my remaining pictures of my own little anthology copy. Still manifesting an official release someday, or any books of the raksura material at all. Money will literally fly from my pocket to purchase it in every available format.

[majorprojectalex]

Forefront Worker Strikes

Recently there have been a lot of strikes in Hollywood, most notably the writers strike and the actor's strike, while it may not be as directly related to the concept art field, I still think there are some links between them and reasons to care about this as a concept artist.

First of all both writers and actors are part of the creative field and the entertainment industry, like concept artist. And the fact that they have poor working conditions, and unfair compensation shows how creatives are treated in the industry.

Furthermore, while it does not directly affect me, the fact that productions are being brought to a halt could affect concept artists that are working on those companies.

The main reasons for the writers strike is how streaming has changed the entertainment landscape. Show seasons now last half of the time they used to, creating a more unstable and unreliable job environment for writers. Furthermore instead of being paThe current streaming model results in writers being played less.

Furthermore, in the pursuit of cutting costs, studios cut corners by only keeping writers for short periods of time. Writers used to be able to work alongside actors during the productions and adapt lines to fit the story better. Changing this not only hurts the actors, but creates a significant decrease in the quality of the media that is created. Also, with network TV, writers used to get residuals for every episodes re-run, but now with streaming they only get a one time payment.

This lack of job security also means that less people are likely to succeed and creates a higher barrier to entry, especially with people who are already struggling financially and can't afford to take the risk.

The actor's strike is also focused on residuals, but one other thing that stood out to me was the AI issue. After it was proposed that AI could be used by studios to scan the likeness of background actors with one day's pay, and then be able to use it for as long as they like and however they like with no need for consent or compensation. Aside from being exploitative and unethical, since background roles are what usually gets newer actors into the industry, this would be a huge entry level barrier. (This seems to be a pattern, as there also is a a similar concern about AI becoming a barrier to entry level concept art jobs)

These strikes seem to be having a ripple effect as after writers started striking actors did too, and now VFX artists at Marvel Studios are unionizing as well. VFX artists have notoriously terrible working conditions, having to overwork themselves, and not getting paied overtime. This has also resulted in a decline in VFX quality. While it is only a small group of VFX artists that are unionizing, hopefully it will also have a ripple effect.

I think think following those events as a concept artist is really important, as it reveals the mentality of prioritizing profit over people that most companies in the industry have, and the poor working conditions of people within it. I think it is also important to keep in mind that as concept artists we are part of a collective and it's important to support each other.

Sources:

The hollywood actors’ strike: Everything you need to know (2023) The Guardian. Available at: https://www.theguardian.com/culture/2023/jul/14/the-hollywood-actors-strike-everything-you-need-to-know (Accessed: 23 August 2023).

How streaming caused the TV writers strike (2023). YouTube. 7 June. Available at: https://www.youtube.com/watch?v=ILaU78Oo7XM&ab_channel=Vox (Accessed: 23 August 2023).

Why Are Marvel’s VFX Workers Unionizing? (2023). YouTube. 9 August. Available at: https://www.youtube.com/watch?v=fddryUk3XxM&ab_channel=Nerdist (Accessed: 23 August 2023).

[mrsgreenworld]

Part 3 That adds to the problem. I don’t think either of them are completely right or wrong. Both have a lot of work to do to be better but both come with a lot of baggage. I think lack of communication is huge for them and I’m hoping this jealousy plot helps rather than further destroys their relationship. If done well it’ll be fun to watch. The one thing that strikes me is Kanat keeps accusing Ekim of playing a role and using him when that was his plan at the beginning, but he fell in love.

Hello, dear friend! Gonna put your Part 1 & 2 messages below before going into the discussion:

Wanted to play devil’s advocate with regards to Ekkan. Ekim’s purpose to enter the school was to catch Leyla’s culprit which had more to do than her friendship. She felt guilty for her part in the accident. She also has a beautiful heart: always wanting the best for everyone. That’s why regardless of her feelings for Kanat she made her choice. Kanat was wrong in the way he treated Ekim especially at the amusement park. That’s mental and emotional abuse, however he was heartbroken. Part 1

Part 2 I am not justifying his actions but kind of she where he is coming from. He loves her, has been vocal about it and has shown her through his actions. He made a request from her and said if she loved him. When she sent the audio clip to Leyla his trust was broken. Other than Hazal and his mom, Kanat hasn’t experienced real love from anyone and Ekim became his safe haven. Her betrayal hurt and he went back to the way he was before. When he questions her, Ekim doesn’t express her feelings.

I must say that I really sympathised with Kanat at the end of episode 10. I could see and feel how heartbroken, disappointed and betrayed he was. Caner deserves a round of applause for his acting in that scene. The look in Kanat's eyes at the beginning, how he allowed himself that one last touch, filled with reverence. You could see him saying goodbye. To Ekim he'd fallen in love with, perhaps, even to the version of himself he'd been becoming with her. Then all of that was replaced with fury and hatred which wasn't really out of character for Kanat. His reaction was true to his character. But THERE'S NO AND CANNOT EVER BE ANY EXCUSE for what he does to Ekim in lunapark. It's not only mental and emotional abuse as you so rightfully pointed out, it was physically abusive as well. Moreover, it goes against the storyline the writers tried to feed us - how love can heal and change a person, even the most troubled. In the end, Kanat is his father's son.

As for Kanat accusing Ekim of what was basically his plan for her, I'd say that while it's definitely hypocritical, it's not that much surprising for me. First of all, Kanat's still a teenager and a very troubled one. Expecting mature behaviour from him like owning his mistakes or self reflection is a bit too much 🙈😂 And given the family he's grown up in, I'd say his understanding and perception of many things is clearly distorted.

All in all, you're right about both of them having a lot of baggage. And I'm definitely not idolising Ekim or completely siding with her. The girl has got a lot of issues. Both Ekim and Kanat have to deal with their trauma and heal before they can move forward, either separately or together. Communication is definitely a problem with these two. For once I actually agree with what Kanat said about them never really having gotten to know each other. But that, I think, is a giant hole in writing. It's still a mystery to me how and why they fell in love 😂😂😂

[dangermousie]

The Rebel Princess rewatch - ep 2

This is a rare drama that really holds up on rewatch every bit as much as the original.

It strikes me all over again just so how utterly calm Xiao Qi is, how centered. Dramas’ MLs often are drowning in a sea of traumas, or if not they have a vengeance quest, burning ambition, or just generally other issues. Someone like XQ, sure of his place in the world and in himself, but without being neurotically arrogant, is a very rare protagonist. Of course he has sorrows and past traumas and goads but he is in control of them not the other way around. I think the reason that IS so rare in dramas is because it takes some serious writing ability on the part of the writer and acting chops on part of the character to make someone like that interesting. (Interestingly, Gu Tingye from Minglan is like that, also, and Su Mengzhen in Heroes. Both are huge faves; I have a type. Both are played by older, experienced actors. Hmmm.)

Anyway, here he is meeting the chancellor who’s trying his usual manipulation and even this early you see that confidence - when Song Huai En, the always easily led one, worries about what the chancellor is thinking, Xiao Qi replies “It doesn’t matter what he thinks, what matters is what I decide.” And he sounds competent not arrogant and that’s amazing.

The way he is always an oasis of calm in every scene (except for his rare breakdowns and even those are oddly quiet.)

Awu jokes during her outing with Zitan that only the best man in the world is worthy of her. So true and you are gonna get him tho it won’t be murder wet blanket Zitan. Also, the first meeting is hilarious and once again, Xiao Qi is amused by this rude random noblewoman, not angry - why would he be angry over childish nonsense?

His telling Song Huai En later how wonderful it would be if he did have 3 heads and 6 arms, heee. God, that relationship and where it ended up...

Even tho I know where they ended up, I still find early Awu and Zitan adorable. They were never going to be allowed to stay in their enchanted bubble but they were so happy while it lasted.

This said, even this early on, Zitan is useless. They’d have been dead without Xiao Qi. The fact that he didn’t think about the fact that if he doesn’t know how to fight or has a weapon, he should have a guard, is beyond me...

Zitan promises to thank him for saving his life. We all know how you thanked him, psycho!

Wanru’s face on being told she has to marry a non-aristo uneducated butcher (paraphrasing her terms.) One of the things I really liked about this drama is she never developed feelings for Xiao Qi. She resented and hated Awu for a lot of reasons but wanting Xiao Qi for herself was never among them. To the last, he remained a dirty jumped-up peasant to her. She envied Awu the status and the power and devotion of Awu’s husband but never the husband himself. She too wanted to be loved and cherished by a powerful, competent man. But only if that man was blue-blooded. To the last, it was clear that she was typical of the rest of the aristocracy and would have had to wash herself thoroughly every time she got touched by him; Awu with her ability to not care about Xiao Qi’s origins, only about his capabilities and talents, is unique. Xiao Qi could have become the emperor, and old aristocracy like Wanru would still look down on him. (I think Awu got this attitude from her father actually. He was a terrible person and a bad father, but his head was on a lot straighter than the rest of them.)

[mk-wizard]

Big Hero 6 The Series: It could have been better

Hello, friends. Today, I will be analyzing a TV series based on a movie that I fell in love with for its colourful themes, deep plot, compelling characters, great CGI and memorable messages. Before I get into it, I want to take a moment to say that I have quit doing videos. They are too big of a pain in the petunia to make and I write better than I speak, so I will stick to writing essays, reviews and more. Anyway, onto the analysis.

All I can say about Big Hero 6 the series is that it had a great concept, it presented some great ideas and tried hard to be a cartoon of the times, but it could have and should have been a lot better. The show’s downfall all centers around trying too hard to be kid friendly which makes the shame sting all the more because Big Hero 6 was already kid friendly even with its dark themes, sharp edges and intelligent writing. If anything, even the brightest kid friendly cartoons (Steven Universe, She-Ra, etc.) had those things and actually benefitted from them. By needlessly trying too hard, character development got scrapped, the edges were all smoothed out, storytelling was subpar, the humour was too silly and the executive meddling in the end produced a dismal final season. However, I don’t want this analysis to be one lengthy negative rant about how awful the series was because in its defense, awful is an unfair word. It did have potential and ideas which are worth carrying over to a reboot that I hope will be done someday in the future. Also, we should root for a reboot because Big Hero 6 would not be the first story that needs it before striking gold. Just look at how many times Spider-Man was rebooted in film before MCU found the version that worked. Anyway, I will list all the things in Big Hero 6 that could have been better in my opinion;

1- Go easy on the laughs and be more generous with the action. - I love adding comedy to my own writing because I think a good sense of humour makes everything better, but Big Hero 6 is not a stand up comedy routine. It is a superhero story where we expect action, suspense and life or death situations that are to be taken seriously first. The comedy should be for relief and with the right timing. Also, the chibi cutscenes and having characters act like fools aren’t funny. Ren and Stimpy are the exception not the standard and their way of making you laugh doesn’t fit an action series. In a show as big as Big Hero 6, real life physics and danger matters.

2- Make the villains menacing and gritty. - I admit that after having a movie villain like Yokai who was the stuff of nightmares, it is going to be a challenging act to follow, but it was obvious that the writers were trying especially with some villains who could have easily gone into some dark relatable territory. For example, Mr. Sparkles (the gentleman in the photo above) embodies social media and Internet personalities. Right off the bat, you have a long list of things which embody the dark side of that like scams, fraud, using social media to dox or harass, driving people to suicide, online predators, the Internet personalities being very depressed people in real life, and much more horrifying things. When you stop and look at it, Mr. Sparkles even looks like the Joker which hints how dark and scary he could have been if the stops were removed. The same goes for enemies like Hardlight who embodies online gaming, Liv with cloning, Obake an amoral and insane scientist, and Trina and Noodle Burger Boy (more on him later) being evil robots. Globby especially should have been painted and written in much darker colours rather being played off for laughs because he has many parallels with Clay Face. The only two villains who I can say were supposed to be campy, charming and comical were Baron Von Steamer and Supersonic Sue because they were a satire of the Adam West style villains.

The rest of them needed to be dark and threatening including Mr. Sparkles. In fact, I would love a rebooted version of Mr. Sparkles who gives me the heebie-jeebies. Going back to Noodle Burger Boy, I must confess that I was actually excited when I heard that he was going to be the main villain of the final season because I thought he was going to fulfill his master’s final wish and as a reminder, Noodle Burger Boy was based on a super robot for military purposes.

It would have been fantastic if Noodle Burger Boy was upgraded into a full military war machine with a new threatening look. For that, I think all of the villains deserve to be rebooted and have their full potential unlocked for better or for worse.

3- A show about geniuses merits genius level art quality. - I am usually forgiving towards art styles, but in the case of Big Hero 6, the oversimplified style with minimal details and lack of textures did not suit the show. The characters blend in with the background which makes them look flat and the special effects were extremely dulled down. I also know for a fact that Disney can do a lot better than this because I saw how superbly Tangled the Series was drawn.

You can see and almost feel the difference in quality, the number of layers and level of detail between the two styles. I think there was no excuse Big Hero 6 was not done in the same style and at the same level if not better as Tangled.

3- Don’t dumb down or flanderize amazing characters. - I absolutely detest it when characters are flanderized because it makes them one dimensional and grating. For example, Go Go is tough as nails and extremely calm, but she is not cold or hesitant towards helping her friends. She doesn’t require very special episodes for us to know that. If anything, the movie version of Go Go reminded me a lot of Garnet in how she deconstructed the broody character. She isn’t cold or emotionless. Just calm and mature. Another good example was how Honey Lemon was rewritten to be overly positive to the point of toxicity, naïve and oblivious with a juvenile obsession with stickers. Then you have poor Fred who was rewritten to be an incompetent fool. The spark that makes Big Hero 6 shine is that they are a team of geniuses meaning they are all intelligent. Even Fred is genius in his own way just not a scientific one. He has a vivid imagination, he is resourceful and can get himself out of tight spots. Please, don’t turn characters into dummies especially if their intelligence is a part of them. It doesn’t make them better or funnier. It ruins them.

4- Tadashi needs closure and honour. - I am all for Hiro making peace with the loss of his brother, but Tadashi is to the Big Hero 6 team what Uncle Ben was to Spider-Man. His loss was the catalyst if not the reason. He should never be forgotten. Moreover, there was never any true closure to him especially with the possibility that he may still be alive up in the air. After all, like Callaghan, his body was never found and it turned out that Callaghan was still alive.

With that said, who is to say that Tadashi was not secretly still alive and just hiding or being hidden? This is something that Disney really needed to clear up if not for the fans, then at least as a service to such an important character. Never just forget about them.

5- The format can only be episodic with a deep plots, continuity and character development. - Random episodes with a mere monster of the day is an outdated format which doesn’t fit Big Hero 6′s modern and bright setting. In seasons 1 and 2, when the episodes were plot heavy with character development, the series shined brightest. It also helped move the story along, but with the final season, plot was removed, closure was abandoned or poorly written if any was given, and characters were disallowed from growing. A good example at how plot and character development could have made this series and its characters better was the relationship between Hiro and Megan. Would it have truly survived or would they have broken up?

Would Richardson Mole have eventually lost interest in his obsession with besting and bullying Fred or would his obsession consume him compelling him to become a super villain? I do see quite a few similarities between Mole and Reverse Flash.

Then you have Karmi who is in my opinion, the biggest wild card of the bunch. She was intentionally introduced as an arrogant, prickly and unlikable yet complex character who rivaled Hiro bitterly.

Yet had a huge crush on his alter ego and as time went on, started to grow up and even form a friendship with Hiro. What would have happened further down the road with her? Would she have become a super hero herself? Or maybe even another love interest for Hiro kind of like how Black Cat is for Spider-Man?

Is Obake really gone?

What does the future hold Diana (Liv’s clone), Liv herself or the Sycorax the genetics company?

Is Alistair Krei going to become an ally to Big Hero 6 or an antagonist? There is also the issue at how little we know about the other Big Hero 6 characters other than Fred, Hiro and Baymax. What are Honey Lemon, Wasabi and Go Go’s backstories? These questions matter and while not every mystery can be solved, leaving none of them solved is lazy writing.

6- Executives, kindly stay out of the writing and any other part of the creative process. - I’m sorry, execs, but there is no nice way to say it. History itself proves that every time executives got involved in the creative process of any media, it got worse not better. Leave the writing to the creative team and the execs should only handle the legal stuff. Please. We understand that TV is a business, but writing itself is not. It is an art which you just don’t have a talent for. Let the creative people do their thing with the freedom necessary and you do your thing, deal? Deal.

7- Focus on Hiro and Baymax. - The are the main characters so keep them at the heart of the series no matter what happens around them. That is all I can say.

And that sums up all the things that could have made Big Hero 6 the series better, but this is all just my opinion. What is yours?

PS: I am well aware that the Big Hero 6 series is being retconned because a new series called Baymax is in the works as well as the long awaited sequel to the first movie. I am looking forward to both with an open mind. PPS: I also am aware that some people liked this show the way it was including the art style and I am cool with that. An analysis for art that includes cartoons is never right or wrong. It is solely based on opinion. I may have thought this series could have been better, but there are people who make arguments that it could have been worse.

[layercake]

Why Naoto is Heavily Trans Coded, and How The Discussion Surrounding Him Needs to Change

Hello, I’ve never written or posted anything like this before LOL so this is a bit daunting. But this subject is something that’s been bothering me for a long time, and I wanted to get it out somewhere. So let’s talk about how Naoto Shirogane is heavily trans coded, and how the fandom has a problematic culture surrounding the issue that really needs to change.

Tw // discussion of misogyny , transphobia , and mentions of harassment

Initial Shadow Confrontation 

Since the discussion is most often about what’s “canon” and what’s not, let’s first take a look at what the game actually does give us about Naoto’s character. During the confrontation with Naoto’s shadow, we learn that Naoto idolized detectives as a kid, and wanted to be one himself when he was older.

However, this posed a problem for him in multiple ways. One, he was (is) still a child, and the people in his field don’t take him seriously because of it. He tries desperately to escape this fact, to try and act as mature as possible, but ultimately he can’t change how others will perceive him at his age.

This is what the shadow confrontation focuses on most heavily. But then it switches to discussing the other part of the issue-- the fact that Naoto’s ideal image of a detective is a man, and he “isn’t.” 

At the end, Yukiko says “You must know already that what you yearn for isn’t to become an adult or to become a boy,” and Naoto accepts it. This is what most people point to when saying that Naoto can’t be trans, because he agrees that it wasn’t what he wished for. So, easy, right? If you take this as him telling the truth, then it looks like an open and shut case-- he isn’t trans. But Naoto’s actions don’t really fit what he says here. 

The issue starts with these next lines (below) in particular. To me, Naoto’s tone in the first line is regretful, and doesn’t strike me as a sentiment someone who is cisgender would necessarily hold. Why would he want to “change into a man?” To fit his ideal image of a detective? As he says here, yes.

(Real quick before I continue, it’s not clear in the dialogue screenshot but it’s important to note that Naoto does say “yes” to Yukiko’s question about him not liking being a girl. He nods his head)

The narrative that the game tries to go with after this is that the “ideal image” Naoto wanted to live up to, including the male aspect of it, was unattainable and formed primarily because he felt that was the only way he could be a detective. 

But, is this really that much of a problem? We all look up to certain types of people, people that we want to be like-- and for many, this can factor into gender identity as well. If Naoto really just wanted to be a cool, male detective, that doesn’t at all negate that being trans would be a part of that for him. 

Naoto’s other words and actions, as well as the framing of this scene as a whole, make the scenario feel a lot less believable to me for multiple reasons. Naoto never initiates the conversation that him wanting to be a boy is incorrect-- Yukiko does. Naoto isn’t even the one to trigger his shadow-- Kanji does that. Naoto had a lot less agency in a lot of these decisions than the other characters did with their shadows. 

Naoto’s Continued Actions

The fragility of the narrative Atlus put together for Naoto continues to grow throughout the rest of the game, due to the way he behaves after the initial shadow confrontation.

For starters, it’s implied that Naoto is not his birth name, something that i think a lot of people either miss or forget about-- and yet he continues to go by it throughout the course of the game. We never find out his deadname and he never expresses a desire to share it with anybody.

The day after the “reveal,” Naoto doesn’t change anything about his appearance, mannerisms, or how he presents himself. He honestly seems uncomfortable with the fact that everyone has found out, in a way that felt much like being outed to the whole school, as opposed to finally being seen and accepted for who you “really” are.

I understand that such a drastic shift in people’s perception of you would be overwhelming to anybody, no matter if you were cis or not. But if Atlus really wanted to hone in on the idea that Naoto was happy about this change, they could’ve at least made him…. Well, happy about it. Even if it was just a small smile, just a tiny indication of relief even despite how hard it will be to adjust, it would’ve made it at least a little more believable that this is what he really wanted.

But that’s not the case. Instead, he’s uncomfortable, he still binds, he still wears the school’s male uniform, and he still goes by Naoto. The only time any of this actually changes is if you as the protagonist push him to, which… is a whole other mess.

The fact that Naoto has even gotten to this point, though, speaks more volumes to me than anything else. Passing is not easy. Coming out is not easy. Naoto would have had to go through difficult lengths in order to get not only his school, but the country and media to see him as a man.  He’s a well-known "detective prince".. someone was bound to look up his records and find out about it. That's a huge risk to take.

In addition to this, he binds. He goes by masculine pronouns and a masculine name. He very audibly changes his voice to be more masculine. I don’t know how to tell you this, but this is just…. not something cis people do? At least not comfortably. 

In fact, doing all of this would have been incredibly uncomfortable for Naoto if he was cis. As someone who experiences dysphoria, looking like and being seen as a gender you are not can be really, really painful. If transitioning was something he really didn’t want, why would he put himself through all of that? Was it really to escape misogyny? Me asking this isn’t minimizing the issue at all, because I understand that it’s incredibly serious and hard for countless women. But I would generally think someone’s first reaction to facing misogyny isn’t to… completely change their identity and present as a different gender.

On top of being probably the hardest option of escaping misogyny available to him, and one of the most uncomfortable, presenting as a man doesn’t necessarily get rid of any prejudices Naoto may face. In fact, I would argue that it’s considerably more dangerous. Especially in a rural town like Inaba, where people seem to not really understand or approve of being LGBT. Naoto is smart, he would have thought of all of this. So why?

Inherent Transphobia of Naoto’s Arc 

There is something to be said about how much misogyny is present in Japan’s workforce, especially in fields like Naoto’s, and the importance there is in discussing that. The base idea behind his struggles and message isn’t inherently a bad one, but the way the game went about it was problematic because it put down transgender identities in the process.

The first time I watched Naoto’s shadow confrontation, it was really distressing to me. The game continuously repeats the idea that you can’t “cross the barrier of the sexes,” that Naoto “can never really be a man,” and  that “you can change your name, but you can never change who you “really” are.” I hope I don’t need to explain why this is a problem.

Naoto’s wish to be a man, regardless of what was driving it, is depicted as something temporary and childish. Something that Naoto “didn’t really want,”  something that was just an excuse to run away from the misogyny he was facing. Even if it was unintentional, this message is incredibly harmful to transgender people.

It would have been a better and much more coherent message about misogyny if the writers had steered clear of trans themes entirely. In fact, I think they did so well with Sae’s character in Persona 5-- she’s in the same field of work, facing very similar struggles, but she doesn’t react in the same way as Naoto at all. 

Kanji and Homophobia 

It’s even worse that Naoto’s “reveal,” on top of being problematic by itself, is used as a method to bury Kanji’s exploration of his own sexuality. The problems with Kanji’s own shadow are bad enough to warrant their own long rant, but the reveal that Naoto was “really a girl” this whole time allows the story to completely wave off his gayness for good.

This isn’t something unique to this game-- the trope of “two boys fall in love, but one of them turns out to be a girl so it’s fine” has been used numerous times in other media to explore the topic half-assedly. It plays with the “exoticness” or “drama” of a gay romance, but backs off at the end in order to uphold societal norms and prevent backlash. 

This doesn’t really give any kind of good commentary on gay relationships, nor does it depict them in a positive or helpful manner. It isn’t something that these games should be getting kudos for doing. 

Misogyny?

I think there’s also something to be said about how poignantly bad Atlus is at really tackling the problem of misogyny. It tries, especially with characters like Ann and Sae, and in certain aspects it can succeed. But then they have scenes like the pageant and Every Beach Scene Ever, where the women are forced to wear swimsuits or revealing clothing against their will, or their bodies are talked about without their consent. There is consistently a character in each persona game who is forced to do the whole misogynistic dipshit gimmick that’s supposed to be funny-- Junpei, Yosuke, Teddie, Morgana, Ryuji-- and while this is obviously not a Persona specific problem by a longshot, it’s still indicative of how unsuccessful these games often are in delivering the message that society’s systemic misogyny is an issue.

This is something I think about a lot when people try and argue that Naoto’s story can’t be about him being trans because it’s “an important message about misogyny.” Atlus often doesn’t deliver on such stories already, and they certainly didn’t with Naoto. As soon as Naoto returns to “living as a woman” he’s subjected to the same misogyny that the other girls are. His chest is commented on, he’s forced to be in the beauty pageant, he’s made uncomfortable in the bath scenes-- really, all Atlus did after the reveal was make the problem worse for him. 

On top of this, his story never actually meaningfully tackles the problem of misogyny in the detective force. It’s not a major part of his social link or the general plot of the game-- honestly, it’s barely even touched on at all after the initial confrontation. Thus, the idea that “Naoto can’t be trans because it erases a story about misogyny” is just plain untrue. There never was a coherent one in the first place.

Problems Within the Fandom

Despite all of this, there is such an intense backlash from the majority of the fandom if anybody dares to bring up these issues with Naoto’s story. Naoto being trans is generally seen as something ridiculous and stupid, or something to insult and mock people for.

I understand that there's always going to be people who say provocative stuff like this, no matter what anyone does, and that it’s not something exclusive to this particular fandom or character. But the problem is that this rhetoric isn't just from them anymore--the consensus among so much of the fandom seems to be either that Naoto absolutely cannot be trans, or that speaking about it at all is "annoying discourse" and taboo. Even from fans that are LGBT or allies themselves. 

This in and of itself is such a telling thing to me. if you find yourself getting angry about the subject, really ask yourself why. Is it such a problem for people to reclaim a transphobic story? Is it such a problem for a character to be trans in the first place?  There is room for discussion and nuance regarding this situation, but we have to make it for ourselves. We can accept that Atlus’s base game will never actually give us a coherent story about either misogyny nor being transgender with Naoto’s story. But petty arguments and insults thrown at people who bring up this topic isn’t any of that-- it’s just poorly masked transphobia. 

So at the end of the day, no, Naoto being is trans is not “canon.” Of course Naoto would not actually be allowed to be trans, he is a main character in a game series where the only explicitly LGBT characters have been consistently buried, stereotyped, or demonized with only a few rare exceptions.

Yes, you’re allowed to headcanon whatever you want about him. I can’t stop you from wanting a story about misogyny, or from seeing Naoto’s gender as something more fluid than I do. But you can’t ignore the fact that his story, as written in canon, is laden with transphobia despite its intentions. It’s not a ridiculous or harmful thing for trans people to want to reclaim that.

There are still a lot more issues with how Naoto is treated in the game-- especially in his romance route-- but that’s a whole other can of worms I’m not ready to unpack today lol

Hopefully all of this made sense though, and feel free to bring up anything else I may have missed or point out any issues you might have with it :-) Thanks for reading!

[sparxwrites]

Just wanted to say... I really really REALLY appreciate the way you write Quackity as a "bad victim" instead of either a helpless baby or a one-dimensional villain. It's very realistic to how he is in canon, and to how these things often play out

I think the most striking part of Snapshots for me was how he enabled Schlatt's addiction at first (which is... not a good move) because he was desperate for the affection, but even after he tried to undo that damage, the abuse continued, and it's clear from Schlatt's later behavior that it would have continued regardless of what Quackity said or did. He's not perfectly innocent, but he's still undeniably the victim. And it's sadly the kind of nuance that people don't often acknowledge in these situations

Thank you! i've been very interested with, in DSMP - along with the idea of "what makes people do things they know are bad" / "what makes us feel like we have or do not have control over our actions" - this idea of "bad" victims, or "sympathetic" abusers, and how difficult it is to apportion blame sometimes.

This is especially a thing in ""leftist"" spaces, where a lot of emphasis is placed on understanding why people do things, and looking at underlying systems and ways in which people get funnelled into certain situations/behaviours. How do we reconcile an understanding of why people behave the way they do, and the fact that truly free will is a bit of an illusion, with the undeniable fact that people behave in ways that deeply, cruelly hurt other people? What do we do when we understand part of what has driven someone to hurt us, but we've still been hurt? How do we balance understanding with acknowledgement of damage done, and with allowing ourselves to feel anger/hurt/hatred?

And so Snapshots was a bit of a working-through of this, especially with this idea that like... "abuser"/"victim" is a convenient binary, and I'm not saying it's not real, but it's often- complex. Victims are not always nice and polite and cowering; sometimes they lash out, provoke, taunt, are cruel. Abusers often have 'mitigating' circumstances: a history of abuse themselves, addiction issues, mental health problems (although abusers also often overstate their mitigating circumstances, or deliberately wield them as weapons of abuse, see also: Lundy Bancroft's Why Does He Do That).

It's a hard thing to talk about, because abuse apologism is such a huge issue. And because no one wants to look sympathetic to abusers. And because victims often have such a hard time acknowledging they were abused that then going on to pick at their own behaviour is the last thing they want to do. Who wants to, having escaped a situation that was stressful and damaging and abusive, to sit down and wonder how much they contributed to their abuser's actions, or how much their own reactions to their abuse hurt others? Absolutely no one, that's who (and there's a good argument that trying to do the former isn't particularly healthy).

But... this is why I like fiction, because it's easier to do those kinds of working-through that one step removed. And Quackity is so good to do this with! He's let down by everyone in his life, early on; he's clearly desperate for affection and approval; this is used by Schlatt, who uses him for his own ends and then verbally and physically abuses him. But Quackity is also complicit in a lot of the shit Schlatt does. And then, after Schlatt's gone, he does a lot of bad stuff himself - he hurts people, he's aggressive, he tortures, he's verbally abusive. Even with Schlatt, he seems to enjoy playing the villain at times. That's a hard thing to sit with, as an audience, in a piece of media not aimed at the kind of audience that's often asked to deal with that level of nuance; that's a really interesting thing to play with, as a writer with a compulsive desire to try and unpick How We Know Who The Villain Is in real life.

Because, weirdly, DSMP functions close to real life than most media does - it provides (mostly) everyone's perspectives, and very few of those people are interested in actively making themselves unsympathetic (and, notably, of the "true" villains - Dream, Schlatt - we don't have their povs, and therefore almost no access to their side of the story). It evolved from a bunch of friends interacting. In a lot of ways, it produces exactly what I was talking about above: circumstances where you can often pinpoint that one person is probably the aggressor/abuser, but also the "victim" objectively sucks and/or has hurt other people. And that's part of what makes fandom analysis and discourse so vicious, because there's that ambiguity there, but as a writer it's just such a rich sort of soil to play with. Especially with Quackity, who occupies such a grey space between protagonist and antagonist depending on POV and point in the narrative. It's so interesting.

(Also, one day Schlatt turned up in my brain and went "I hate myself, fuck you" and then refused to stop broadcasting weird sad self loathing and aggressive hatred until I'd poked at that for a bit. Thanks, buddy. Appreciate it. Please stop sitting somewhere at the back of my skull and staring at me with dark, angry eyes and constantly drinking, if you'd be so kind.)

[starcookiechu]

ROTT Review

SPOILERS FOR THE MOVIE. You have been warned.

FYI: I just finished the movie. So my opinions may change a bit but here I am writing a full review.

Before I talk about the movie, I have to say this movie has fantastic animation. The music is as good as usual.

Ok now the story. Let’s start with the our Trollhunters.

Fair Lady Claire. My girlie Claire really brought her all into this. I’m really proud of the young woman she has grown up into. However for the sake of the plot and story they make her run out of magic juice quite a bit. But my girl is still the best and gives it her all.

Wingman Domzalski. I will be perfectly honest. Toby is kind of the annoying best friend at times and bothers me as a plus size person. (They really push the over eating thing to the point that it’s his biggest factor.) Toby is a very eager kid who is ready to get in the action. Never being negative to his friend but the best emotional support who will always be at his side. Sure Toby was used a bit as comedic relief in the movie but when push comes to shove, Toby will always be there to do the right thing.

Blinky is amazing as always. One of the best father figures out there.

Aarrrgh was there. Was great for the scenes he was in, but all together didn’t do much that altered the story.

Our Trollhunter, Jim Lake Jr. Someone I admire and basically see as my little brother/child. Kiddo really did it. I know everyone is upset that Jim’s arc was redone when we had the “Unbecoming” episode. If I could come to a peaceful middle ground, I saw we all need to blame Merlin. He really rocked Jim’s world and self worth. When the creator of the object you need to save the world with tells you “You’re not enough”, it really can be a great setback. But once we past that, Jim really pulled through. Amulet or not, he is our Trollhunter.

Mommy Dr. Lake was there. Barbara was mostly there for our emotions.

Dilf Strickler. I felt that he was changed a bit since we last saw him, but he had a new purpose. He was more cautious and happy because he had a chance at a happy life with Barbara. Which makes what happens to him more upsetting. 

Nomura my sweet. This movie did not deserve you. At least she was with Draal.

And Not-Enrique (seriously why didn’t they ever give him an actual name) just wasn’t in the movie.

How about some CreepSlayers?

BABY ELI PEPPERJACK CAME BACK LOOKING SO CUTE. So proud.

Bumbling knight oaf Steve the Palchuckian was great as usual.

I will say though. The whole pregnancy plot was just a way to get Eli and Steve out of the way. I could feel that the writers maybe didn’t like Steve so much since Wizards. But Steve was once again someone to laugh at. Pregnant and out of the way.

How about some Akiridions?

Aja my darling girl, oh how you’ve grown. I understand some think she has changed. However I must say that her preparing a plan B on the side was smart. She isn’t just a princess on earth anymore. She is a queen on a distant planet. So if she thought evacuation was best, it would ensure that everyone would live. And avoid losing more valuable people from her life. So no, I can’t blame her.

DJ Kleb was there. He was kinda doin his own thing and messing with Steve. Brother-in-law stuff.

It was good to see Varvatos Vex.

Stu was the man in the background working on the busy important things like working on the amulet. Personally I feel like the series REALLY underutilizes Stu A LOT so I was so happy to see him being a part of something huge.

And finally some Wizards.

Douxie my love, you were amazing as usual. His powers have grown greatly and have contributed to the adventure. But god the writers really do love to take everything away from him don’t they. It’s unfair.

Archie was kinda just there and just... I understand leaving Douxie but that doesn’t mean I like it.

Nari the sweetest. I can only imagine the guilt she felt to end Nomura. Her self sacrifice was probably the one in the movie most called for.

Alright now I’ll talk about the movie.

I can whole heartedly say this movie was rushed. To be honest I feel like the original writers weren’t completely in this. At least it felt kind of not so much Trollhunters or 3Below vibes but more Wizards, if that makes sense whatsoever. Something is off.

I just want to blame Merlin for everything. To hell with that guy.

The beginning sequence was great. A car chase to a moving train. Which ends up with Toby of course screwing up and breaking the brakes. Of course. The train falling off the tracks which ultimately ends up with Nari gone. Oh yeah, and video recordings of Magic, trolls and being taken in by the police. Great.

WHY TF WAS TOBY TELLING THEIR STORY TO THE POLICE. YOU DON’T MIX THE POLICE IN STORIES UNLESS YOU KNOW THE COP PERSONALLY. CUZ IT’S A MESS AND THE POLICE GET IN THE WAY. GDI TOBY.

Our heroes go back to base on the new and improved Camelot. Where we discover that Barbara and Strickler are now engaged. Happy news and would secure that Jim has another Father figure in his life and his mother’s happiness. Which explains Strickler’s “stay behind” advice. Now he has a family to watch over. He must be careful and warns that Jim’s actions could cost so much that he might not be able to afford.

Enters our Majesty Aja and the new stud on the block, Eli. Dang I wish puberty hit me like that.Truck-kun strikes again. And also enters... the pregnancy thing. I will say, I didn’t mind it too much... at first. But there are complications. Steve is too young to be a father and dang 7 kisses?? I can’t help but feel like Aja should have mentioned that or it was a last minute plan to write out Steve and Eli. (Which it was.) It was funny sure cuz omegaverse and ALIENS but all together it’s really iffy.

They really had Douxie preform a body-swap spell only so it would be undone. And undoing the spell only hurt them both?? C’mon. C’mon.

And they mention the Krohnisfere. We’ll get back to it. Jim gets a brand new amulet infused with Akaridion tech. However theres an issue. It was created by Merlin right? Who is a wizard right? Who uses MAGIC. Shame Douxie wasn’t there to help make it. Ya know. 1/2 of the original creator of the AMULET. So it’s missing a huge part and for the sake of the plot, Jim doesn’t test the Amulet which is out of character personally.

Toby makes a silly big deal over a penny. I was actually hoping they would make it a silly Chekhov's gun later on. But no, it’s just Toby being loud and comedic relief.

The titans are released and we visit a very pregnant Steve. Ok so it’s a rushed kind of thing. ok.

Aja suggests evacuation. You can say it’s out of character but we need context. When Aja helped in the Doomsday Battle, she was ensured a way out but if she let the people of Arcadia perish. She decided to stay and help. But now the Trollhunter himself can’t help. So to ensure the survival of everyone, evacuation. A best chance for everyone to survive. Plus she is now a Queen. She rules over a whole planet which must change her thinking.

Now our characters are split into 3 teams:

Blinky, Archie, Archie’s dad and Claire for the Krohnisfere.

Jim, Aja, Toby, Strickler and Barbara for the Glacial Titan.

Nomura, Douxie and Aarrgh for the Earth Titan.

Now here is where I have problems. WHY. DID. THEY. SEND. TROLLS. TO. BRAZIL. IN. THE. DAY. Nomura dying was just so out of pocket. Unnecessary. I couldn’t even grieve properly I didn’t have a chance to process. The best thought I could think was “At least she’s with Draal now.” 10 seconds later, Strickler makes the choice to sacrifice himself. Because of Jim’s heroic’s, Strickler decided to try to save the most important people in his life. The person who was always dishonest finally had a chance to live a happy life with his family. The one who played it safe now had to make the final impulsive move. And unfortunately, his death was in vain. These deaths were just so forced. It wasn’t in any way good. And Strickler being one of the best written characters just going in such a way was just off. He died for nothing. He could have turned back and fought another battle but... no.

(BTW Barbara was just there... for Strickler’s death.)

We move to Babara and Jim having a heart to heart. I’m glad she didn’t blame Jim but a small moment of anger. Something a little more real for me but no I guess. Barbara will always just be Jim’s mom. She mention’s Jim’s father and it passed so quickly I missed it on my initial viewing. I’m happy that Jim’s father is never revealed or made a bigger part in his story. This is good representation for those of us who did have our fathers walk out on us. That we can grow despite our parents failing us.

And finally team Krohnisfere. Archie just leaves. He’s gone. Poor Douxie. A mentor and now his closest companion.

Our heroes meet up to go against the Volcanic Titan. In comes Varvatos Vex on a Gun Robot. Nice to see some good ol Gundam with a character mentioned throughout the entire trilogy. However it doesn’t last. BTW for the sake of survival, Aja leaves Jim and Toby. Iffy.

Douxie pulls a “Jason stop. This isn’t you.” thing with Nari and is reunited with his friend.(+ points for the shippers. It’s kinda winning me over?) Also, Claire now has the power to teleport a Titan. I know she’s much stronger than she was for the Trollhunters Sn 2 finale, but cmon. You can’t just say she’s out of magic juice and then pull this. C’mon.

(btw did the titan make a War of the Worlds tripod sound? No? Just me?)

Nari sacrifices herself and takes the other god with her. Which takes away Douxie’s other companion. Mr. Stark I don’t feel so good. Why does this movie hate Douxie so much. (I am so sorry shippers. Angst.)

BLINKY DIDN’T SEE A PAGE? ADDRESSING IT IN THE SHOW DOESN’T GIVE YOU A PASS. I forgot the word but this irony isn’t greatttt.

Jim now has to pull out the legendary sword Excalibur. But he can’t cuz he hasn’t harnessed the power of friendship.

And Steve is giving birth. At the worst time. What is this a zombie movie??? C’mon.

Jim says “Magic is friendship” And Stu is finally being used for one grand act. Seriously Stu is just so unappreciated. So he fixes the amulet with magic.

Basically everyone who went on top of the Volcanic titan falls off at some point. Except Jim cuz of course some 1v1. 

ONCE AGAIN Claire is out of magic juice. Because... reasons.

Toby makes the choice to race to Jim’s side with the technology to cancel out magic. (Wait how does science stop magic again)

BTW, For the Good of all doesn’t hit as well BUT it’s not mentioning any glory towards stinky Merlin so I am happy with the change.

JIM HAS A NEW TRANSFORMATION. MY BOY. MY SON. I’M SO PROUD.

Toby races to Jim and his helmet falls off the taco truck. That honestly should have been a huge warning sign. I was worried he didn’t have armor but we know how this goes.

Jim defeats the final titan and everyone is happy. The fight is finally over.

STEVE HAS 7 KIDS. OUCH. 

Seeing Jim run to Toby was heartbreaking. Now this is the one scene where the movie really let out actually process a character’s death. How on earth can you process your best friend, your most faithful companion dying. Jim goes through too much I swear to god.

Now let’s discuss the time travel plot. I honestly feel like they pulled some kind of Attack on Titan ending. The main character burdened with knowing the future and what could have been. And if everything is meant to be how it will be, destiny will reconnect them again. (Jlaire reincarnation AU???)

I’m actually ok with this ending. I understand people would want the time stone to return only a few minutes. But even then, the kiddos still have police records, so many people dead at the titan’s hands (or feet) and now the world knows about the existence of trolls thanks to the internet. In New York no less. And people are still dead.

We return the the beginning of everything, reflecting the “Unbecoming” episode.

(NGL I’m bothered that they didn’t do anything to stop Steve from bullying Eli, but Jim can’t do it. He’s saving it for Toby.)

And now finally, let’s discuss Toby becoming the Trollhunter. From the beginning, Toby never considered himself good enough to be the main star. Always the wingman, the 2nd best. Support. Now it was Toby’s turn to climb the ranks and be the Hero he’s always wanted to be. It’s Jim’s turn to live an easier high school life. I don’t doubt that he won’t follow Toby. But now he knows what to avoid and how to make the story process more smoothly.

I understand some are unsatisfied with this ending, which is kinda trademarked with Dreamwork’s shows. I get it. But honestly as of right now, I think I like the ending.

The amulet didn’t choose Jim because this Jim is not the same Jim as in Sn 1 Ep 1. He is a new man. And I think we all can agree that it’s his turn to be happy.

---

I still love this series so much. It is my favorite cartoon. Of course it has it’s flaws, but this ending is at least satisfactory and not heartbreaking. Now it’s up to us to either continue the story or contribute our ideas in fanfiction. I look forward to everyone’s creations.

Don’t think. Become.

[hopevalley]

Season 8, Episode 8: A Parade and a Charade

A lot happened in this last episode so there’s plenty to discuss! I’ll try to keep my thoughts...a manageable length. :)

Plotlines:

The Christopher Report

Triangle Tribulations

Bill’s Wounded Pride

Miscellaneous Stuff (FloYo, The Canfields, Dress Shop, Jesse, Infirmary)

This episode has been a little different from the others this season in that we had two pretty big plotlines going on, one medium-sized one, and a bunch of small flickers of plots. Things still managed to flow together pretty well over all, though, I think, but it was a shift I felt was noticeable.

For what it’s worth I mostly enjoyed this episode. There were a few little nitpicks (as usual) but I’ve really been feeling this season that we have a good batch of actors that work really well together and that’s been nice to see.

--

The Christopher Report

Mr. Christopher Hughes, resident Bad Boy™ and the object of Rachel’s immense and expansive Thirst™... 

I’m sure his character arc is going to match that of the average Adopted Child. That is to say, I feel that his arc will follow the same patterns that characters of his archetype usually do. He hates his biological parent who abandons him but becomes curious against his better judgment. He meets his biological father and feels anger/resentment at first, but there’s something there that feels Human and he can’t ignore it. Over time he starts to care, again against his better judgment. In Christopher’s case, it seems likely that the original reason for striking up a relationship will present itself later in the story (perhaps not this season, but next); it won’t be a wholesome attempt to connect, but rather an intent to bamboozle.

Remember Rosemary’s words from earlier: she knows a performance when she sees one. But we’ll get to that.

It’s a good idea for a storyline, and I have some faith in the payoff being worth it if we keep the same head writer for next season. This is the kind of thing best explored over a period of time and they’re doing well with the pacing. 

This episode, we first see Christopher when he surprises Rachel at the dress shop.

He mentions they haven’t taken in the sights in town yet, and Rosemary overhears from the back room. She asks him what sights and he switches his story to saying that he was thinking that Rosemary and Lee could take both he and Rachel around town and show them everything. Rosemary says it’s a great idea and of cOURSE they can do that! As soon as Christopher is gone, Rosemary starts lecturing Rachel on the type of freedom she’s trying to experience in Hope Valley. She pretty much says she and Lee don’t approve of Christopher while Rachel ignores her and sneaks out the back door.

The very next scene Christopher surprises Rachel again, but this time with a, uh...hands on approach.

He tells her he’s not afraid of her aunt or uncle, and she says she knows he’s not afraid of Lee because she saw him steal his pocketwatch when he arrived in town. He’s surprised that she didn’t say anything and he calls her “a little sneak.” She starts throwing things at him playfully and he asks, “You’re not afraid of me?” She says she isn’t and he tells her he’s as gentle as a lamb.

She says she doubts that, and he walks through the fire of her throwing hats (or whatever they are) at him and grabs her wrists. She takes the opportunity to kiss him and he laughs. They’re broken up by the sound of people coming closer so he tells her he’ll come to her house tonight and to listen for a sound at her window.

In the next scene, Henry walks into Nathan’s office where Bill seems to be...assisting Nathan? That’s my best guess as to what’s going on. Bill strikes up a conversation with Henry and Henry says they could have gotten drinks to chat if that’s what Bill wanted (it seems very Small Talky but Bill ain’t that kind of man). In fact, Bill destroys the peaceful atmosphere instantly and makes it clear that this is a business discussion, and his questions were business-related.

If I was a bettin’ man I’d wager that Bill will piece together some problems in Hamilton with Christopher, but eh, let’s not overextend my brain just yet.

Bill’s first and only real question is to ask when Christopher arrived in town but Henry gets upset and says Bill just wants to blame someone. I’m surprised Henry didn’t mention the bad blood between him and Bill leading to this, but I’m pretty sure that’ll be coming in the future. Nathan comes in and says nobody’s accusing anyone, they just turned up at the same time so they have to check everything. 

Later, Christopher runs out of Henry’s office and to the infirmary yelling for help. Henry was having trouble breathing and he got dizzy. There’s a big commotion about it and Faith tells Christopher that his father has very high blood pressure and they’ve been struggling to get it under control.

Christopher hones in on Lucas and goes after him for hiring Henry back even though he knew he shouldn’t be working. Bill intervenes and stops Christopher from getting too close to Lucas.

(Aside: I haven’t lost hope that they’ll do something with Bill and Christopher, at least from the angle of Bill having raised Christopher’s (dead) half-brother (which means Henry abandoned two women and two children straight-up), but I am starting to think it won’t happen this season.)

Around dinnertime, Henry talks with Carson and is in a good mood. When Carson asks why he’s had a sudden change of heart with wanting to get better (health-wise), he says Christopher called him “Dad” when he was worried about him, and it makes him want to do better because it means Christopher cares about him.

Y’all...that scene was so good. But. BUT. I feel like Henry has a big storm comin’ as it relates to Christopher. I just hope Henry’s self-improvements don’t backslide when he inevitably ends up disappointed in Christopher for one reason or another.

Outside, Christopher is sitting on the steps of Dottie’s Apparel across the way from the café and Rachel approaches him. She asks why he didn’t come to see her and he gets sassy about it, but she actually seems to understand exactly what he’s going through and calls him out excessively gently about it. I don’t like her instant attachment to Christopher but they’re young and dumb and at least she seems to Get Him.

She tells him that he’s not having dinner with his dad because he’s scared—scared of getting close to him, scared of feeling an attachment to him. The only way to protect himself from that attachment, and from the inevitable loss that you will one day experience in regards to them, is to not let it form in the first place.

He asks her what the solution is and she says he needs to take a chance. And then she ruins it by saying “Like when you stole Uncle Lee’s watch.” ?????? This is definitely some Into Bad Boys Teenage Girl Logic right there. There is literally no connection.

She gives him his handkerchief back and when he mentions it still has her lipstick on it, she says, “I know.” THIS GIRL IS TRYING TO GET HER A MAN AND SHE IS TRYING VERY HARD. I wouldn’t be surprised if these were things she read about in her tame bodice ripper novels though LMAO.

They then share a kiss and he promises to come and see her the next day at the store.

Rosemary and Lee mention to Elizabeth that Rachel’s mom wants her to come back home right away, and the next morning Rachel confides in Rosemary that she’s afraid that once she’s back in Bellingham she won’t ever be allowed to return to Hope Valley. Rosemary explains to her that she shouldn’t worry about that; leave it all up to her instead.

Christopher is busy working, digging a trench. He’s getting out some of his frustration and anger by doing this and Lucas seems a bit annoyed by him but otherwise accepting of his, uh, issues. At least...for now. Lucas seems to have come up to the worksite to suggest Christopher spend more time with Henry, as he feels bad that he didn’t realize Henry’s health was actually as bad as it was. 

But Christopher won’t go and just keeps angrily digging his ditch, and in fact he’s so consumed by this he doesn’t notice when Rachel leaves town. When he’s on break, he comes back into town only to find that the store is locked up for the day.

Seeing as how Rachel just found out the night before that she was leaving town, I think it’s plausible to imagine that...he doesn’t know she’s actually Gone. I almost feel bad for him.

Honestly, this young man is a whiz of an actor. He’s likable in that Fun Character kind of way where you never know if you should root for him or not. I’m not the type of person who generally likes characters like this, but color me intrigued. This show rarely has interesting characters in it that get to remain interesting. I hope Christopher gets to develop for the next couple of seasons if indeed they choose to keep him around. The guy can act! He plays funny, slimy, rude, arrogant, emotional, and even twitterpated really well, and he ain’t afraid to get dirty to sell the part. I respect that.

Can I just say how sorry for Henry I feel though, knowing—or at least feeling—that he will be blindsided in the near future with Christopher’s uh...faults? Woof.

--

Triangle Tribulations

There’s a huge part of me that doesn’t even want to discuss this. I just want to say, “That’s a yikes from me, Chief” and move on to the next point. It seems easier. And less awkward. And also...let’s be honest: I have no horse in this race.

I don’t care that much about Elizabeth as a character, and I care even less about what gentleman she might choose to set her sights on in the long run. 

But it’s become the central talking point of the show, so let’s discuss it!

Three years is a perfectly acceptable mourning period, but I think the show’s inability to hold its horses these last couple of years is just now catching up to it in the worst way. It puts Elizabeth in this awkward position where she has men interested in her and the show has framed her as being ready ish to move on, but then a new writer stepped in and was told to make sure the triangle lasted through most of the 8th season. How can he make it last when things have been set up for her to move on? Uhh, quick! Come up with something!

Oh, realism! She’s not actually ready to move on!

I mean, I don’t blame John Tinker for this. I blame the writer for S6 and S7 that rushed through the storytelling and gave us...whatever that was, where two men showed up out of nowhere and both set eyes on Elizabeth. I blame the marketing that made sure to sell S6 and S7 for the love triangle instead of the family-friendly or heartwarming elements of the story. It’s really sad that the triangle has come to...this. It didn’t have to. If they hadn’t tried making it a central point in S6 (literally months after Jack died when nobody was ready to really move on and nobody felt that Elizabeth would be ready, either) I don’t think things would be so awful, but it’s too late to go back, now.

Don’t get me wrong, the triangle feels pretty good this season. It’s tense. It’s interesting. Lucas really has shone in this season thus far (instead of coming across as creepy as he sometimes did for the first two seasons he was in), and Nathan is learning to be a little more...forthcoming with his feelings. I guess.

But it should have been S7. S7 should have had this level of care put into it for the triangle so that S8 was a chance for the choice to get some air.

Anyway, I’m not happy with it. I’m glad it’s almost over. I just want it to end. I do not care who the choice is, I just want her to choose.

In this episode, she confronted Nathan right out of the gate, and he wasn’t exactly pleased about it. She acts like he went into the adoption ceremony knowing damn well what Allie had done, but he insists he didn’t know and seems a bit hurt that Elizabeth would accuse him of being mean to her when he tells her that Allie’s list didn’t even have her on it.

Elizabeth later mentions this as a truth (the list, her name not being on it), so I don’t know what we’re supposed to think here. I’m gonna go with: her feelings were hurt and she lashed out.

Nathan’s temper is apparently done with Lucas, as he tells him to Save It at the end of the scene. I want to say I’m living for it but Lucas hasn’t really...done anything wrong, so...it feels misplaced.

(I want to say something about the fans being divided and this feeling more like fanservice/an attempt to stir the pot than anything that makes any sense.)

Elizabeth goes on to spend a little time with Lucas and it was very cool to see his office for the first time ever! Also, “pardon my French” was actually pretty funny here.

Nathan wants to talk to Allie about the adoption ceremony catastrophe but is called away before they can sit down and talk, which Allie is...sad about...for some reason? I guess even if it’s negative attention it’s better than no attention? That seems in line with her age. Elizabeth comments to Lucas about feeling sorry for Allie and wanting to comfort her, but in my opinion this is kind of misplaced and Lucas points out that he doesn’t mind her sharing a friendship with Nathan, but that...he doesn’t think Nathan will settle for it.

I’d probably be against Lucas on this matter but I already know that Lucas is right. Elizabeth seems to not to want to believe that but...I dunno. Part of the problem is that in a town this size, it’s really hard to have space. She wants to forget Nathan and focus on Lucas, but she’s constantly seeing both Allie and Nathan, and that makes it hard.

Around dinnertime she goes to Lucas’s office and he begs off dinner because he’s just not in a good state of mind after the whole thing with Henry, and he also seems like he’s had a few drinks. She offers to let him sit with her and it’s...uh...very cozy (probably the closest two bodies have ever been to one another on this show, hahaha).

He says he doesn’t want to be impatient and that she should leave. Which she does.

Fanning herself.

The next morning, Nathan approaches Lucas at the oil derricks to tell him that he hasn’t given up on Elizabeth just yet, to which...Lucas says he can do whatever he wants, but he needs to make sure he has the best interests of Allie and Elizabeth in mind, not his own. Nathan tries to say something else to him and Lucas says, “Save it.”

Which is fair and valid. I’d respect it more if Nathan’s “save it” had felt more believable earlier, though.

Either way, I’m at a point in this series where I’m starting to think Nathan’s just being selfish. His writing took an absolute beating in this episode and this isn’t even the worst part!

Allie invites Elizabeth to dinner. I hated this scene mostly because I think it will only make the hatred for Allie worse. Team Lucas fans tend to hate her because she acts so unreasonably and this scene was the worst example of it so far. She’s a young teenage girl (13/14 years old I’d guess) but this childish illustration card? Is something a 9 year old might pull (circumstances considered).

I’d find it more plausible if we just had more time with Allie, but we get so little and everything we’ve been getting hasn’t felt...quite right to me lately. I could understand the whole “inviting only Elizabeth and Nathan” because that’s actually quite clever of her, and even funny. She’s young and doesn’t understand the...bigger picture, or the Adult Feelings involved. I’m fine with it. But this? Oh please. They’re not doing Allie any favors.

I think she could have done something else that was more in line with her age. It could still be cringey, but not...like this. I’m certain it was meant to be a sassy response to being scolded because neither of them were aware they were the only ones invited (and Allie’s hand-drawn invitation makes it clear they’re the only two invited lol), but...eh.

The very next scene is Elizabeth confronting Nathan, though, which I do appreciate. This thing with Allie is so far out of hand by this point that he needs to absolutely sit her down and have a VERY serious heart-to-heart. She’s hurting and it feels like nobody is telling her the right thing.

Just before the adoption ceremony Nathan told her that Elizabeth was seeing Mr. Bouchard and Allie complained but Nathan did a great job of telling her that they should be happy that Elizabeth is happy and I LOVED THAT. So why does it feel like he didn’t mean any of it? Why didn’t he confront any of the other things Allie is probably feeling? 

Like, you know...that Elizabeth can still be her friend even if she’s seeing Mr. Bouchard?

Elizabeth asks Nathan for a word, and when she tells him that she wants to speak with Allie he tells her that Allie is home and is afraid to talk to Elizabeth without him being there. 

She asks why Allie is afraid but the fanfare starts for Bill, and Nathan doesn’t want to be rude but Elizabeth insists on continuing their conversation. 

Elizabeth tells him she was afraid it would happen if things didn’t work out between them.

Nathan says he doesn’t know what to tell her. He’s tried talking to Allie but nothing he says has convinced her that Elizabeth isn’t to blame. Elizabeth tells him that she thinks Allie should blame her because it’s Nathan she’s attached to/loves.

Their conversation is paused for a moment by Bill’s appearance but they pick right back up after Bill rides away on his horse. She says she tried to tell him at the parent/teacher conference that he is everything to Allie and he says he knows that, and that’s why he’s trying really hard not to show Elizabeth how he feels about her, and it’s why he turned down the promotion to inspector.

He wanted to leave but he couldn’t do it because Allie was so happy in Hope Valley. Elizabeth says that’s why they have to figure out how to make things okay again, because he said it himself, he stayed because Allie was happy!

He said, no, I said that was part of the reason.

And he looks away like he didn’t mean to say that, like in saying that, he’s said Too Much. And this isn’t about his feelings. This is...something else.

Elizabeth has suspected all along that he was hiding something and not telling her the whole truth about Fort Clay, but this behavior isn’t like him and she calls him out on it. She says she knows he’s hiding something and she wants to know what it is.

He tells her that at Fort Clay he was in charge of the training mission, not Jack. But he was disciplined for an earlier incident and they sent Jack instead. He says he’s sorry but there was never the right time to tell her.

The episode ends there.

I am...disappointed. I was hoping it would be something small that might have still weighed on his mind, like finding Jack’s body—having never met the man, having never known him, it would be so odd to know his wife and the home he loved but to have never known him. And to never really have a right to...ask about it either because it’s not your place.

But no, they really had to go there. They really had to make it like that. We’ve been guessing this since Nathan arrived in town as a possibility and I wish it had never happened.

I agree with all the people who think that there would be no point in the love triangle without Nathan being end-game, but ugh.

I’m fine with forgiveness and moving on, but back in S5 and S6 I made it very clear how I felt about the direction they were taking Abigail and Henry. For the purpose of clarification, Henry was actively awful (he was cruel to Abigail many times over and was part of the VERY DIRECT reason her husband and son died) and that was the biggest reason I opposed it. I think comparatively Nathan is harmless. But... I dunno.

It feels to me like they really want to tell that Type of story and...I’m not a fan. You can forgive someone without hooking up with them. In fact, that’s a way better moral to be dropping on this specific audience anyway.

I’m mostly disgusted at Nathan and have to now worry how they will write Lucas next to make sure he’s on equal ground. :(

Maybe Nathan’s posting in Hope Valley wasn’t out of guilt but the way he reacted to Elizabeth sure makes it seem like it was. Like he chose to come to Hope Valley to keep an eye on Jack’s family. And if it stayed at a friendship level I could respect it. I might even like it.

But... ugh. I mean, Nathan feels guilty. He knows his actions indirectly killed Jack. No, he is not to blame for it and I don’t think he blames himself—at least not in a traditional way. But the knowledge is there. He should have kept his feelings to himself. He should have NEVER decided he wasn’t going to give up on Elizabeth after she walked away from him. She didn’t say no but she shouldn’t have to. 

So he knew he was indirectly responsible for Jack’s death and he still let himself tell Lucas he wasn’t giving up on her. What the hell? 

I guess you can consider me #teamstaysingle now.

--

Bill’s Wounded Pride

This wasn’t a long or deep storyline but I wanted to dig into it a little bit since Bill’s my favorite character and all.

I really appreciate that they are giving Lee a chance to be a good listener. He got kind of overshadowed by Rosemary’s personality a bit in the past so it’s good to see a consistent show of it now. He’s so nice to Bill. I don’t feel like they’re great buds, but there’s a kind of...mutual respect there that has definitely been earned on both sides. Lee’s offer to listen to Bill vent was really nice.

After Bill goes off on Henry (sorta? barely?) Nathan calls Bill out for placing blame on Christopher by association of Henry, since he knows he and Henry have some bad blood between them.

But then Nathan kind of gets this self-righteous ramble about how maybe he’ll feel differently when he’s asked to hand in his serge, but it’s not helping Bill to prolong the process/put it off.

Which...while Nathan has a point, he’s just written throughout this entire episode like a selfish jerk. I get that he’s not that attached to his uniform (he’s younger, he’s willing to quit to settle down and marry), but you’d think he’d have a little sympathy for someone whose entire career was the Mounties and who is struggling to give up the last connection he has to that part of his life.

If Nathan was 18 or 19 I’d feel his reaction would be fully believable, but he’s probably in his 30s and should have a little more emotional maturity than this. 

Again, yes, Bill should just get rid of the uniform and be done with it. But it’s not as if Bill doesn’t know that. He’s struggling! A word of encouragement might help more than telling him to rip the bandaid off. If he talked this way to Allie it’s no wonder she’s so messed up.

Later that morning, Molly greets Lee about the lumber shipment Carson ordered for the infirmary and Jesse is grumpy. She jokes that she’s dealing with that, too, but with Carson and Faith. Lee adds that Bill is also in a bad mood, because he has to turn in his uniform. They briefly discuss that nobody has ever seen him in uniform.

Lee tells Molly that she’s in charge of fixing everyone else’s problems and leaves.

The next day, Bill walks into Nathan’s office to see Molly spying on his stuff...

She claims she’s there to wish him a good trip and he says he’s not looking forward to riding all the way to Hamiliton. She mentions his uniform and he’s surprised she knows about it, but says only that “word gets around.”

Bill says yeah, well, he should have told them that if they want it so bad they should come and get it. Molly tells him that “rules and regulations can strip a man of his pride.” Which is. A weird line of dialogue but okay. 

Bill tells her that it was a proud day when he put the uniform on—even though back then it didn’t have any of the decorations on it, of course. She says he must have felt ten feet tall he and replies with, “Ten years and three months.”

You know it meant a lot to him if he remembers the exact amount of years he wore the damn thing. Molly encourages him to try it on and he tries to excuse it by saying it doesn’t fit. She tells him he’s hard to read (probably because she thought he wanted the excuse to try it) but he’s “worth it, cover to cover.”

She goes on to say that “WE” know that turning it in means a great deal to him, so it means a great deal to his friends, too, and as he should know, the uniform doesn’t make the man.

She goes to leave and tells him it will definitely fit (HAHA maybe she was checking that while he was gone) and to do everyone a favor and put on a good show.

A short time later, Mike and a couple of others from town start playing some fanfare music outside the Mountie HQ and Bill emerges.

He’s touched by it, but also maybe a little confused lol, and asks them if they know that he’ll be right back.

And then...it’s off and away with Bill.

I’d have liked this storyline so much more if it felt...deeper? A little extra fanfare for him is nice, but it doesn’t really...deal with any of the emotions he feels. That said, I’m almost certain this is to get him to Hamilton where he might run into Christopher’s parents and/or hear more information about potential misdeeds of Christopher to move that plot along. 

--

Miscellaneous Short Plots

FloYo: Florence and Ned were cute but I wish they hadn’t tried to do anything with it in this episode. We didn’t really need to see Ned being grumpy about things as a like...Moment. It just didn’t feel very meaningful even though they had that cutesy “nobody can replace you” resolution. This episode was a bit of a miss for them for me because of that. And hey, don’t get me wrong; I generally like them, but trying to make everything wholesome all the time gets draining and there was so much other stuff that felt more rewarding to me comparatively.

The Canfields: Very cute, good. I need to know what Joseph’s plans are. And Angela learning braille and being so sweet... AHHHHHH I LOVED HER.

Dress Shop: I’m disappointed they had this plotline drag out for episode after episode and then die out. I guess it could be interesting if they blew it wide open by Dottie selling it at the end of the season to someone unexpected, but what bored me about this was that nobody was that stressed out about the situation and nobody seemed relieved that Dottie wasn’t selling. I’ll hold out hope that something comes of it anyway.

Jesse: FINALLY. I appreciated that he and Mike got to talk. It explains where Jesse was all that time...and Mike is a good friend. I love him. I hope he gets more screentime next season because he honestly deserves it. Also, I’m glad Jesse went to talk to Clara and asked if they could sit and talk. SIT AND TALK. YES PLEASE. Thank you. It was a simple step forward but I really appreciate it. Also, the Canfields and Bill hightailing it out of there as soon as Jesse shows up...haha.

Infirmary: GOODBYE HAM SANDWICH CARSON. I mean... I’m of two minds. Expanding the infirmary would be a good idea. It wouldn’t hurt to have a little more room for patients that might need to recover for longer, and to have a little bit more privacy for them. On the other hand, Carson’s sudden lashing out against the Hope Valley infirmary is...odd. I loved how he and Faith both got so excited but for different reasons that culminated in a completely different mindset. You can tell Carson really wants to go to Boston but feels weird about it. I love Faith’s dedication to the town.

--

My brain feels dry and crusty after typing all this up, and I didn’t proofread it at all, so sorry in advance if there are any errors in it. As always, I’m looking forward to the drama next episode, particularly with Carson and Faith (BREAK UP BREAK UP BREAK UP).

I’m still kind of stunned they went the route they did. I find it hard to imagine that Elizabeth is capable of a choice within the next four episodes, but I guess we’ll have to see what’s in store for us.

Also, for a little laugh, my husband watched the full episode with me for the first time in a few seasons. He was pleasantly surprised by Angela Canfield and said that he liked “the property brother.” I think he’s #TeamLucas but he told me later last night that actually they’re both fine and he’d take either one for himself if the opportunity arose LMAO.

What are your thoughts on this episode? Opinions?

[uservillanelle]

Killing Eve ― 3x04 (Review)

Last episode was... something else for me. Episode 3 will ALWAYS have a special place in my heart because of Villaneve’s kiss and all that, but this episode. It has to be my favorite this season and if they keep up like that... not only will we have a PERFECT season, but it will be impossible for me to pick a favorite episode. I’ve watched it probably close to 10 times already and I’m not going to wait any longer. We have bunch of stuff to discuss! So let’s start!! (This will be a LONG review, so I apologize in advance lol!)

The Titles

It’s so interesting that they chose this season to experiment with episodes. Back in episode 2 we had the very first additional credits sequence which I, personally, liked a lot. However, maybe they didn’t like it as much? Since they didn’t use it anymore. I wonder why they haven’t placed the credits sequence in the premiere instead? It would still be unpredictable gesture, so I’m still wondering about it.

ANYWAYS! By titles, I meant the NAME titles this episode. The past two seasons we were used to having titles that indicate the names of PLACES e.g. RUSSIA, LONDON, TUSCANY ect. They are still doing that, in different way, the letters are smaller now and they use this interesting “blinds” effect that the letters appear and move like blinds would if we opened/closed them? Really nice touch, I must say. It’s something different, something we haven’t really seen before in the show. 

Now the names. I’ve read a couple of people saying something like “why the name titles? we obviously know who the person is? so what’s the point of that?!” I found that quite funny lol! I mean, YES, we know exactly who they are but that’s not the reason why they’re using those name titles. Name titles, in this case, are to show us WHO the show is focusing on for the time being. That also means that the normal sequence of events will be disrupted since there won’t be any scenes switching between different characters. For some reason I felt like something like this happened before but then I remembered that something like this was used in another show called Dare Me! That’s why it felt so familliar and Killing Eve is exploring that type of narrative and honestly, I dig it. Yeah, it might get confusing for some people, having to bounce back and forth between the timeline and the events, but it’s perfect for those of us who has a sharp eye for details. It’s for the viewers who analyse and put pieces together. It’s exactly what Eve is doing at the end of the day with all the kills, isn’t it? So thinking about it, makes it all even more fascinating. Damn. I’m REALLY falling for the show... aren’t I?

The titles makes it SOO much easier for me to write these reviews as they basically tell which character they are focusing on right now and that’s what I did in my reviews lmao! I’ll just follow the characters in the episode so I’m sure you guys will be able to catch up with me with no problems!

Niko

So... THE MUSTACHE IS GONE. 

I didn’t see it coming. The way they released all those trailers/sneak peeks featuring Niko made it seem like he was finally getting his fresh start and like, I had a feeling we might even get an episode fully focused on him and maybe Eve or something? So, that’s how well they mix things up. My mind, yet again, has been BLOWN. 

Before we talk about the elephant in the room, I just want to say that Niko was a good person. I might not have been a huge fan of him, but I felt IT. Speaking of fans, I think it’s normal to NOT like him because he is playing the boring husband type and obviously he stands between Villaneve. But other than that, he IS a good, ordinary person. It’s a fact and Eve knows it. Niko keeps Eve grounded, safe, STABLE. He is all those things she found boring before in season 1 and didn’t appreciate enough I feel, because she was too used to them as all of us are. 

He gets to play the part of a normal, ordinary man who got scared when he found out that his wife is chasing an assassin, who soon enough possibly murdered Eve’s colleague and a dear friend. Yet, it didn’t seem to slow Eve down nor did she notice any of the red flags in front of her face that straight up screamed DANGER. I think most of us would’ve reacted to things like that the way Niko did. Yes, we would’ve been a boring man/woman who the viewers hate, because they crave for danger and psychotic obssession filled with hatred and lust and a LOT of craziness. It’s what we crave now, watching the show and WAITING for Villaneve to happen. 

This morning I’ve been watching a few of reactions of the episode and I got to explore different perspectives of people reacting to the same thing. I love that. I want to know what other people see in things, you know? And so... one of the people made a point about KE writers killing off whoever they want, probably to surprise the viewers as they probably don’t know how else to drive the story. Meaning that Kenny or Niko didn’t have to die. But that’s the whole point... one thing is to claim that they are doing whatever they want with the show, but another is to actually COME UP with ideas for a decent, I mean.. not even decent, AN AMAZING plot that people would be shocked and amazed by at the same time. You can only go this far without having to touch any of the main characters, you know? There comes a time when you have to make big, serious choices in terms of the story and this season Suzanne is GOING FOR IT. Like I mentioned in my previous post here, the first two seasons were amazing, but it only NOW feels like things are getting real. Suzanne took over and she’s getting shit done. She’s taking this responsibility and making huge important choices that will shift the main plot AND Villaneve in certain direction and so far it’s going sooo smoothly and brilliantly. 

I mean, yes, Niko deserves to start over and have a nice life but the moment Villanelle found out about Eve... Niko’s fate was decided for him whether he liked it or not. And having him simply disappear from Eve’s life AND from the show as if nothing... I’d see it as waste of character’s potential. So instead of not having Niko around but have HIM affect the story in such a profound way, I think killing him off was a great idea. This way... his character gains so much more meaning and it helps to drive the main story forward, but most importantly it will change and affect Eve in ways we have never seen before. So, I think I’ve read somewhere that Owen McDonnell (Niko) wanted his character to go out with a bang, and he truly did. Yes, it was a very brutal, shocking death but it was definitely a very strong one.

Now, the soundtracks STRIKE yet again. I’m talking about Niko’s soundtrack, Dear Diary by The Moody Blues is soo well fitting for his character while showing him trying to start over with his life. It carries this... sort of bittersweet feeling, but at the same time it’s so... freeing? And the lyrics speak his story without Niko having to say anything at all. 

“ Woke up too late. Wasn't where I should have been For goodness sake, what's happening to me?” 

Yeah, he WOKE UP a bit too late and realized that the life he had wasn’t really for him anymore.

“So many people by the score Rushing around as senselessly They don't notice there's people like me”

And we basically see him drive through the town and watch people going with their lives and not really notice him for who he is now, for what he had to go through. Probably none of them had to go through so much trauma and had their lives in danger the way Niko has.

“If they weren't so blind, then surely they'd see There's a much better way for them to be”

Perfect description for Niko the previous two seasons. Now that he’s “woken up” I wouldn’t be surprised if he thought that way. Again, this show picks the soundtracks for a reason and I’m not sure if in first two seasons the songs described and spoke instead of characters, but this season they are really going for it. 

Eve

Oh boy, where do we start?

So... from now on Eve spends her nights at Bitter Pill office. I mean, after being shot by a crazy assassin girlfriend, who, found out where Eve’s living now, it’s more than understandable for her to NOT want to stay in her apartment any longer. But staying in the office is not the best idea either. I mean, she still can go back to her apartment to clean up and all that? Guess not this day. Which happens to be her BIRTHDAY. I was convinced that Villanelle sent her the cake of a bus was only to remind her off their mindblowing kiss, because let’s remember back in 1x04 Villanelle had just murdered Bill and threw a birthday party to Konstantin. And it wasn’t his birthday. Yes, she tried to get on his good side, but I really thought this would be yet another example of Villanelle’s behavior. Turns out.. it IS Eve’s birthday... and my mind is blown yet again. I NEED to know what day is her birthday. Like, seriously?! And.. Niko hasn’t messaged her despite it being her birthday. Like.. you two have huge issues still, but hello? It’s your wife’s birthday... or maybe he forgot? But here is Villanelle not forgetting about Eve’s special day... and the fact that it’s a goddamn bus... WE GET IT, VILLANELLE, YOU’RE A HOPELESS ROMANTIC.

Before the cake arrives, we have a scene of Eve cleaning up in the bathroom, checking out her bruise and then the moment with Bear. Everything made total sense. Eve brushing her teeth, smelling herself, probably aware that she’s in desperate need for a shower, then again smelling her hair until Bear points it out for her. Yes, SMELL is the reoccuring theme in Killing Eve. So that was alright. Everything was going smoothly UNTIL Bear spotted the UNDERWEAR. Now, I did some digging to find a confirmation that it indeed was underwear and not some random piece of clothing or whatever... and in one of the recaps online they did say it was underwear. My question is... WHY? Why did they include THAT specific bit? The fact that Eve needs a shower was established more than ONCE, out loud and through a solo scene in the bathroom. So it got me thinking... and by thinking, I almost immediately got an idea... If it’s still not clear for you, let me remind you just how the last episode ended... with Eve sitting on her bed listening to Villanelle’s recording with her eyes closed. And now... the underwear being spotted and throwin in a bin and all the smell? Okay, I’m so going to say it now. Eve masterbated while listening to Villanelle’s voice. Okay. To me it happened and the underwear bit is a confirmation of that. And if that’s not the case... please let me know because I NEED to know what the hell did that bit mean. But until someone does that... I already know what happened and I’m happy with it. 

Now the cake moment. So not only does Villanelle know where Eve’s apartment is but where she works?! This gurl is putting some EFFORT for her girlfriend and on top of that buying a very expensive cake which Eve threw off the rooftop moments later. The reason for that is.. Villanelle. Duh. I was completely mesmerized by that scene. Again, THE SOUNDTRACK. I love, love, LOVE this score that was playing during the scene. It’s probably another new addition to Unloved album, but if anyone has seen it somewhere or has a link, please let me know!! The lyrics do all the work in this scene too...

“Set me free”

It all started in season 1 episode 7 when Villanelle told Agniya that she’s free to go and do whatever she wanted to. She replied with “I don’t want to be free” so she was killed off. Now, Being FREE has been mentioned SEVERAL times this episode. Including the lyrics in the soundtrack AND Sandra Oh talking about Eve trying to FREE herself from the Twelve and basically from the life she has been living before. Such a huge theme for Killing Eve. What does it mean for Eve to be free? Is it the same thing as it is for Villanelle? Again, in the scene with the accountant’s wife, Bertha, Villanelle tells her “You’re free now. You can be whoever you want.” and the other replies only with “But.. I don’t want to be free”. What an iconic parallel. So, for Villanelle, being free is being alone, as it seems. And in this case Eve is desperately clinging to Niko because she, like Bertha, doesn’t want to be free. Or more like.. she THINKS she doesn’t want to be free. So all those small gifts coming from Villanelle including the cake tells Eve that she CAN be set free. And.. as we can see from how the episode eneded.. Eve is now finally FREE. 

She opens the box soo carefully, not knowing what to expect from Villanelle and then sees the cake. Immediatelly gets flashbacks to their moment in the bus and how they fought and most importantly, KISSED. And next thing you know... we see how a gush of air blows in her face with the sound of someones BREATH. The sound of it is soo familiar. We know exactly who it is. Villanelle, breathing in Eve’s face. And for a second she closes her eyes. Gives into it... into Villanelle but then something shifts, the struggle within her continues to take over and she grabs the cake once she gets emotional and throws it off the roof. Only to instantly regret it afterwards. The complexity of this scene and of Eve’s character is just.. on one hand she hates feeling like this now that she knows she has feelings for Villanelle, but on the other hand she likes it... she admits it and a part of her just wants to give in. We saw the same thing, only reversed feelings, in previous episode. She finally gave in and kissed Villanelle only to headbutt her right after, once she realized what she did and how WRONG it’s supposed to be. Here, she gives in for a moment.. closes her eyes and then realizes how fucked up that is and what a terrible person and WIFE she must be so she throws it off and THEN the feelings for Villanelle comes back... I just have to say.. I’M LOVING THIS! I hope that at the end of the season Eve WILL fully accept her feelings for Villanelle and become new version of herself, new version of Eve who is FREE. And I can’t wait to see what kind of person will independent Eve be like.

Next. Eve and Jamie. I’ve seen pictures of them in Jamie’s house and I did NOT like that atll. I still have a feeling something might happen between them and god, do I hope I’m wrong. But that scene as they were just chilling in his living room was so great for Eve because she needed someone to have this frank conversation with. She has been focusing on herself lately so much that she didn’t think other people did mistakes or terrible things like she did until Jamie proved her wrong. FINALLY we are getting some information about the dude. Even if it’s not pretty. At least it’s the truth. Eve really needed to hear it and especailly the ‘choices’ part. Someone had to remind her that SHE is in control of her own life and it all depends on the choices she makes at the end of the day. 

Speaking of choices, as soon as Eve gets a reply from Niko, she gets hopeful and goes even as far as to meet him. I appreciate that she is putting so much effort in trying to fix things between her and Niko, but at the same time I feel she’s only doing this for herself... meaning, that she doesn’t want to lose the person that keeps her somewhat SANE still and used to ground her. And in the middle of this, she gets so distracted with this thing with Niko, she doesn’t even realize that it’s not actually Niko who’s messaging her and really, I don’t blame her for not realizing it, I, myself, the first time watching didn’t catch the sight of Dasha in the beginning and yeah I was also played like Eve. But this is where I noticed a nice similarity/parallel between Eve and Villanelle. Eve’s all distracted with Niko and desperate to patch things up, she’s not realizing how someone else might be manipulating/using her. DASHA is doing exactly that. And she does the same thing with Villanelle at the same time. Now, Villanelle is all about family this season, whenever she hears about family, suddenly she’s distracted and the same is with power. I mean.. is she really that naive to trust Dasha again? It looks like Villanelle believes everything Dasha tells her, or almost everything. And so Dasha gets to manipulate her into doing what she wants her to do.

Gotta mention the teddy bear Eve found in one of Jamie’s rooms she’s staying at. Literally the previous night Villanelle sent her a teddy bear with recording and even here... at some strangers house she finds a teddy bear. Seems like she can’t get away from Villanelle no matter how much she tries. “What do you want from me?” She’s asking Villanelle because she clearly isn’t leaving her alone. 

The last scene with Eve witnessing Niko’s death... all I can say is GIVE SANDRA OH A GODDAMN EMMY ALREADY!!! Her seeing Niko suddenly being stabbed with a fucking pitchfork in the neck forced her to freeze and stare in terror and that chuckle of disbelief that followed afterwards.. as if saying “am I dreaming? Is this really happening? It can’t be” because Kenny JUST died... what are the fucking odds someone just stabbed Niko in front of her eyes?! I would lose my SHIT... and Sandra expressed it so beautifully... her slowly approaching the scene but then has that massive lump in her throat and she can’t breath and next second she’s losing her balance and falling to her knees in complete defeat and just stares at his body... powerless to do anything about it. This scene and the scene where Konstantin tells Villanelle that Eve is alive.. these two scenes HAVE to bring Jodie and Sandra EMMY’S because thats ART of acting and pure talent and I can’t imagine them NOT getting the awards they deserve. And they deserve EVERY single one. 

So there is literally NO ONE left for Eve. Bill’s long gone, Kenny as well, now Niko. I think that will be the last straw for Eve. I really don’t know how she will be able to come back from this or.. keep going. She’ll have to do it to avenge the people she loved. But she really has no one except Villanelle now. And I think.. yeah, Villanelle will also only have Eve when she’s done with her “family” and realizes that Konstantin/Dasha were playing her and Eve all over again. 

Konstantin

You’re in some DEEP shit, mister.

Question time. Why Konstantin went to visit Irina? What was the point of doing so? Was it only so he could ask about the German car that his wife’s boyfriend owns? Or was it purely on Irina’s part? Because the conversation they had proved once more that Konstantin is NOT fooling anyone. Everybody knows he’s working for himself. Eve pointed it out during Kenny’s funeral, then Villanelle with “You’re full of shit” and now Irina, paralleling Villanelle by saying “you’re full of shit” and walking off. This girl has grown so much and she’s soo mature already and smart and a fucking badass! I missed her. And by putting her father in his place she mentioned ending up “dead” .. you know what that sounds like to me? FORESHADOWING. It is exactly that, isn’t it? For Irina to straight up tell him his future if he doesn’t stop whatever he’s doing. And I guess he won’t stop.. or will he?

So... was it him who stole those 6 millions? I thought it was Sergei... but it kind of seemed like someone set him up. Was it Konstantin? Because when he went to visit Bertha and she mentioned about how her husband worked out who took the money... and Konstantin’s face during that scene... he is literally shitting his pants lol! That makes me believe he had something to do with this and he defintitely has... but what exactly did he do? And now that Bertha knows about the email and some information about it, Konstantin doesnt hesitate to reach out to Villanelle to ask her to get rid of the accountants wife only to save his own arse. Once again.

Next up: Konstantin’s relationship with his DAUGHTERS. Am I the only one who sees that Konstantin is treating Irina AND Villanelle the same way?! They basically have the same dynamic. Both Irina and Villanelle curse at Konstantin, have their small tantrums with him and can put him in his place. And both of them have already done so. And let’s not forget... the producers ALSO call Villanelle and Irina his DAUGHTERS so it’s confirmed. Everybody knows it. And recently I saw a BTS video of this latest episode about Konstantin and hearing Jodie then say “then there’s Konstantin’s REAL daughter” and then there’s dramatic close up on Villanelle LMAO! The jealousy and the way they edited it... damn. Okay, let’s just agree Villanelle is Konstantin’s daughter. 

Now, did he visit Geraldine?! Because when we saw Carolyn drive back home, she saw Konstantin walking from the same direction her place is located. And her daughter was home at the time... so did Geraldine lie about Konstantin not visiting her and being there or she didn’t even know when Konstantin sneaked inside? I’m getting really suspicious now.

Villanelle

GO AWAY, HICCUPS

Villanelle? Listening to MUSIC? What did I miss? Back in season 1 she was interested only in national anthems. Now she’s listening to other kind of music?! Music to me is EVERYTHING, it’s a massive escape, it’s something that helps me get through every day and it evokes FEELINGS. It is associated with feelings so much and what does it say about Villanelle? That she has FEELINGS. The layers are slowly being peeled off her as Oksana is coming out and I can’t wait for the next episode. I’ll write another small analysis/discussion about Oksana and Villanell soon as I feel this deserves a separate discussion.Going back to the topic of music, at the end of the episode Villanelle arrives HOME and is wearing headphones indicating that she probably was listening to music on her way there. I’m sensing BIG changes. Villanelle is truly progressing and developing and we are getting to witness it!

Okay. the part we all have been waiting for. THE HICCUPS. The very first time they start is EXACTLY after Konstantin mentions “FAMILY” Villanelle is really invested in her family now and was in previous episode so now knowing that Konstantin found them probaly quickened her breathing and she got nervous/excited. The hiccups are involuntary contractions. You can’t control it. And at the same time they tend to be constant. We have never seen Villanelle have them before. And they only start after she hears “FAMILY”. This reminds me of a scene in 1x02 where Konstantin tells Villanelle Eve’s name for the first time and then suddenly the champagne’s bottle pops. It’s a sign. And the hiccups seemed to stop for a short period of time, right until Bertha approaches Villanelle and tells her that she wants to be a FAMILY and hugs her. Seconds later hiccups come back. The concept of FAMILY must be very foreign to Villanelle. It’s something she never really had and so now learning about her family, something so unknown to her, is affecting her body. And the way I see it... the hiccups are like a constant reminder to her, that yes, she never had family and that she’s finally interested to find that family again. So the hiccups symbolize the LOSS of something she never had. In this case, her family. Because we see her get off the train at the end of the episode and she reaches out to touch her neck. This scene for me has so many different meanings it’s sooo fascinating? And one of the meanings, probably the main one, is that she reaches out to her neck once she realizes that hiccups are finally gone. And that is exactly when she’s back at HOME. Back where her FAMILY is. So it’s like... she’s no longer alone, the void from before has been filled because she found her family now. 

Now, the very first time I watched the episode and that last scene.. I was like “shit, did she, by any chance, feel Niko’s pain?!” I mean that’s IMPOSSIBLE. Because Niko has just been stabbed in the neck with pitchfork and yeah it just occured to me. But then... I realized that maybe it’s not Niko’s pain she’s feeling but EVE’S. We see Eve freeze and struggle to breathe and have lump in her throat and that’s when Villanelle stops having her hiccups and she has this MOMENT. Almost the same moment as Eve had when she felt Villanelle’s BREATH on her face.The connection thesr two have... I mean.. VILLANEVE IS ENDGAME, OKAY?!

We got a tiny problem now. Dasha FRAMED Villanelle. It got me thinking.. this is basically a betrayal. And could that mean.. that maybe Dasha did something similar to Villanelle in the past? Like, framed her with some kill? Could it be that huge thing that happened between the two of them? I hope we will find out at some point this season. And I mean.. the way Dasha killed Niko is NOT Villanelle’s style at all. Villanelle had PLENTY of chances to kill Niko herself and she didn’t because she knew well enough that if she hurts Niko, Eve will never forgive her for that. So she didn’t. But Eve doesn’t know that. She wasn’t a part of that conversation Villanelle had with Niko and Gemma. What Eve does know... is Villanelle’s handwriting. The iconic “Sorry Baby” should be a perfect example. Let’s not forget the postcard Villanelle sent to Eve in Amsterdam. Yes, Carolyn took it, but maybe... she’ll give it to Eve once she knows what happened? I mean there is NO way Eve will believe that crappy note is Villanelle’s. Not even her handwriting. Plus... if Villanelle wanted to kill Niko, I don’t think she would’ve done it in front of her eyes. And even if she did... I think she would have wanted Eve to SEE her do it. At the end of the day, Villanelle wants Eve to know about each and every kill she does. And Niko wouldn’t be an exception. She’d leave a PERSONAL note/message for Eve. What did Dasha leave?! “Still Got It”? Really bitch? Is that a note to Eve or Villanelle? If it’s to Villanelle... you just prepared your grave, Dasha. I can only imagine Eve finding out it was Dasha and ending up killing her to avenge her husband. And Villanelle being there to gladly assist her with everything she needs.

Carolyn

Never thought frog sounds could be this relaxing

She’s still dealing with Kenny’s death. In her own way. I mean, I understand Geraldine completely when she confronts her mom and basically tells her that she wants them to talk about Kenny’s death. If I was in her place, I would want to talk about it too. But Carolyn doesn’t seem to operate in that way. Plus, she dropped the line “there are things you don’t tell me, that are for quite different reasons” and she means it about Konstantin. She saw him leave her house. Geraldine said nothing about it. So... is she working with Konstantin now? What’s happening?

The dynamic between Carolyn and Konstantin though. Both of them are double agents and ready to betray one another at any given time despite knowing each other for YEARS. One minute they are working together as they were in season 2, then now Konstantin is doing his own thing, and even maaybe going behind Carolyn’s back with her own DAUGHTER?! I don’t believe this. I don’t think Geraldine knows about him visiting the house.. or does she?!

She comes back home, lies down and turns on frog sounds to relax herself while grabbing a pillow to press against her own face. Makes me wonder if she did it because she kept on repeating that she MISSES Kenny’s smell, but why would that pillow smell like him? So maybe she only wants to run away from the world and shut off by grabbing the pillow? Though for a moment or two I really got worried she might be suffocating herself lol! Careful with grief, Carolyn!

Dasha

The old hag of the hour. 

You fucked up, Dasha. BIG TIME. But before we get into the killing, I have to mention the scene where she meets the Lady of the Twelve. That’s what I will call her from now on. So, she’s either a keeper, or someone higher. I don’t think she is one of the Twelve, but she might be very close to them. Probably an assistant or something? Because she obviously has the power to HANDLE the HANDLERS. In this case, Dasha. I mean, I only saw her once and I already have the hotts for this lady, but she’s one of the bad guys and... WHEN DID THAT STOP ME BEFORE? I’m literally in love with a psychotic assassin LOL! 

Can I just point out the fact that the Twelve KNOW about VILLANEVE??? Apparently they have spies EVERYWHERE, like Eve said back in season 1 episode 3. “They are completely invisible and they could be literally everywhere”. That explains someone spotted Villanelle going around London, buying expensive ass perfume only to visit and fight with her girlfriend. And the Twelve know it. That’s a HUGE thing. They are treating it like a huge thing and they do not like Villanelle chasing Eve. That makes me think... so why would Konstantin let Villanelle know that Eve is alive if he is also working for the Twelve?! The same is with Carolyn and Eve!! Like?? Who is working for who now and who is betraying who?! I need explanations and QUICK!

Now Dasha proposing she can kill Eve... is this yet another foreshadowing moment? I know, the lady told her NOT to do it, but I have a feeling Dasha will try to hurt Eve at some point... and I hope Eve will be ready for it. As much as I would LOVE for Villanelle to save Eve.. I want Eve to handle Dasha by herself and take her revenge. I want dark!Eve at the end of this season. Am I asking for too much?! She already killed once. Might as well do it twice lol!

 So Dasha is supposed to “drive a wedge” between Eve and Villanelle. And when I realized Dasha stole Niko’s phone and was texting Eve to come to him... my first thought was “Okay, so is Dasha really trying to bring Eve and Niko back together?!?” But that is complete NONSENSE! I mean, I don’t think even a professional therapist will be able to bring them back together OR let alone recommend them to try to fix their marriage so how in the HELL would Dasha do it? It didn’t make sense.. but how else can she really fuck up Villaneve? Apprently by getting rid of Niko!! Dasha, sweetie... you ONLY BROUGHT THEM CLOSER BY ELIMINATING THE ONLY OBVIOUS OBSTACLE IN THEIR WAY!!! The hell was she thinking?! Does she really believe Eve will fall for her bullshit? Or does she expect Eve to find out it was HER and that’s when Dasha gets to kill Eve?! I don’t think she’s that smart. Either way... Dasha is done. I can totally see her dying this season, or possibly somehow magically escaping but I doubt it. Eve and Villanelle will deal with this bitch and it will be SOO delicious to watch them get their revenge.  

Overall Thoughts

JESUS. This was a LONG ass review. I honestly apologize, but if you reached this point, THANK YOU SO MUCH!! You’re all amazing for spending your time reading my nonsense lol! It’s just that this episode had soo many great things worth discussing and so many symbols and meanings that make the show so complex and fascinating and god... I could talk about it for hours. I probably spend around 3-4 hours writing this so yeah, the proof that I have a serious fixation lol! 

But like I said.. this episode is my favorite this season. Perfect. I can only imagine how great the next 4 episodes will be. Also, can’t believe we are already halfway into the season. It’s crazy how quick the time flies!

And as always, if you have any thoughts/reactions/predictions you’d like to share don’t be afraid to message me or drop in my askbox!! I’m always up for discussing things like that!! 

[side-lizabeth]

ONE PIECE DRESSROSA-ZOU ARCS IMPRESSIONS

This part is the spoiler-free part of my impressions.

I don’t know what I was expecting from Dressrosa but it didn’t left me wanting for more... outside the animation part, probably. But I mean when you get spoiled on how OP’s being animated rn, no sh*t. Although I really did enjoy the new characters. Cavendish is accidentally becoming one of my favourite characters and this is because of the anime of Gintama... But that’s because I’m finding more and more seiyuus in One Piece that just so happened to be voicing recurrent characters (or straight up main characters) in Gintama, so I shouldn’t be suprised.

And then there’s Zou and I’d lie if I’d say I should have had expected an island with furries, and yet I didn’t. ...and once again the “holy sh*t I wasn’t expecting these seiyuus being in One Piece too” striked back. But at this point I don’t know if it’s really because of Gintama or just because I’m starting to go back to my old teen hobbies like when I was a hardcore Seiyuu fan, and recognizing a lot of seiyuus is giving me a huge bust of serotonin. (?)

Above all, I liked Dressrosa more than Zou, even if Dressrosa has... it’s own issues.

If you want to go straight up to the spoiler section, click down here:

Let’s start with Dressrosa:

I thought to just continue this lil update, where I started the non spoiler section by saying that I won’t feel any shame or make an apology for reblogging non stop posts of Roronoa Zoro, I’m still on that Idea, fight me if you want(maybe no); but I decided to explain more about my first impressions, and then maybe elaborate extra stuff from those bullet point-lighning round from that post.

Overall, I had fun. I geniuently enjoyed Doffy as a villain, and his motivations where pretty interesting too. NGL, this arc is basically new world Alabasta” and it pretty much shows... But the thing is that this time it was a little bit more interesting because of Doffy.

Doffy being the combo of Warlord and Celestial Dragon may sound like that moment of the Simpsons of “it’s just the same doll but with a new hat” in comparison to Alabasta, but even if I also enjoyed Crocodile as a villain in there, at least Doffy had a more interesting backstory and motivations to explore... while Crocodile was just an excuse to show off Nico Robin in all her glory. That’s it. I said it. (and probably made a fwend sad). Please, Crocodile, sir, next time you come back please do show us the secret Ivankov and you only know and then we talk.

Overall, I just had the time of my life hating Doffy, that’s it. I’m not going to try to explain anything else. I’m a basic b*tch whose favourite villains are the ones who are just so evil I just have the time of my life hating on. Like Tsurumi from Golden Kamuy, another despicable motherf*cker, for instance.

And now that I’m talking about Doffy... I KNOW UNDERSTAND WHY PEOPLE LIKE CORA-SAN AND I ALSO JOIN THE GANG. BEST FATHER EVER AND HE BARELY WAS ONE FOR 6 MONTHS. BUT GAVE BABY TORAO ENOUGH LOVE TO PREVENT HIM FROM BECOMING LIKE HIS BROTHER. KUDOS TO HIM.

...Btw, I just need to break this impressions one moment to openly say that, as a Spaniard, I feel weird now saying Doffy’s entire name. For a reason. And Cora-san’s too. Now I understand english speakers(americans to be more precisely) when they watch Bungou Stray Dogs and some characters from there just happened to be named after famous english literature writers... (the first comparison I just thought about, don’t attack me plz)

Also, kudos to the voice actors because they did an amazing job and I had even more fun, like for instance Koyama Rikiya. I absolutely loved Kyros thanks mainly to him... Although I wish I could entirely say the same about Rebecca and Baby 5 because they barelly had any screentime or, at least personally speaking, didn’t to bring something interesting tothe table... Well, maybe I can excuse Baby 5 because of the ending of Punk Hazard, but with Rebecca definetly not. FFS her seiyuu is the Queen Hayashibara Megumi, I was expecting more from Rebecca (although maybe the blame is really in me for expecting that much) than what we got. But don’t get me wrong, I did like her but.. I wanted just a little bit more of her.

Another thing I enjoyed a lot was the introduction of Fujitora. I knew he was popular for a reason, but I wasn’t expecting it to be... because of this. I was expecting him to be popular only because he was a blind old man who could fight harder than the dudebro’s gary stu fanfic-like idea they have of Zoro, but he’s definetly not that. Fujitora is a really interesting man who geniuently thinks about people’s safety (can’t say the same about Sakazuki and Borsalino, lol), and I respect that.

*LAST MOMENT EDIT BECAUSE I FORGOT ANOTHER VERY IMPORTANT THING* THE REUNION OF LUFFY AND SABO MADE ME CRY TOO. I DON’T KNOW, I’M CRYING TOO MUCH OVER ONE PIECE

Now I’m just going through some bullet points from the update post:

First bullet point I’m actually elaborating: The Colloseum part was hella boring.

I just couldn’t stand it. I barely gave any sh*t about the characters and there’s also times where I’m just thinking that the Colloseum part could had been handled differently, with more interesting characters but well, that’s my opinion. I mean the only tournament arcs that I genuenly enjoyed were the Galaxy Wars from Saint Seiya (the OG one from the 80′s if somebody’s wondering), and maybe the Heaven’s Arena arc from HxH, so even if I was interested on seeing the OP take on it.. It kinda went sour for me at the beggining of this tournament, honestly. The fight versus Diamante was probably one of the very few interesting things happening inside the tournament.

And don’t get me wrong, interesting things do happen inside, like the encounter of Luffy and Rebecca, the fate of the losers from the colloseum, etc. But the tournament arc itself... not the best thing, pretty boring tbh.

The second bullet point I’m actually elaborating, but this time I’m literally copy-pasting the bullet point... for a reason: I STARTED TO SWEAT IN F*CKING FEAR WHEN NAMI’S GROUP ENCOUNTERED BIG MAM’S SHIP, AND EVEN MORE WHEN SANJI SAID “I’M GETTING INTO THAT SHIP”. NO. PLEASE. DON’T. I’M NOT READY FOR WHOLE CAKE ISLAND YET.

Look, by the time I’m writing this I’m already in Whole Cake and let me just tell you one thing; I’m still not ready for this arc. I know it’s very important, specially for Sanji’s development as a character and it’s like a re-introduction of him, but I’d lie if I’d said that I “do feel sensitive” around the themes explored in this arc, and it’s personally tought to go throught it but... Since it’s just too long and too personal to share the entire reason on a public post, I’m just leaving it as the following: “I’m not ready to tackle those themes, but I feel like I need to tackle them if I want to be the best version of myself”. That’s all.

The third and last bullet point I’m actually elaborating, LET ME TELL YOU HOW GINTAMA F*CKED ME UP ENTIRELY

For the sake of being short, I’m a crazy Gintama fan. I’m almost like an encyclopedia of shorts for all(?) Gintama content. I’ve been like this since I was 14-15 y/o (when I’m writing this I’m currently 25), so of course, if there’s something that remotely resembles something from Gintama (mainly gintama jokes or references when it happens), I’ll react to it instantly (but in a healthy way, not like an obnoxious annoying elitist lil sh*t of a fan), and sadly, part of this curse I ended up with included reconizing every single seiyuu that appeared in Gintama (or at least the ones who voiced important/popular characters) in other anime. And of course, seiyuus from Gintama did already appear before Dressrosa; like kid Ace’s seiyuu Sakaguchi Daisuke (voice of Shinpachi), or... Akainu’s seiyuu Tachiki Fumihiko (voice of Hasegawa “Madao” Taizou)... But then there’s Dressrosa and... It just went all over the board (pun not intended... does it even count as one tho?).

And don’t get me wrong, this did also happened to me on reverse with One Piece Seiyuus, but.... coming back to “Gintama f*cked me up”, it hitted differently, because it almost looked like they were casted to play certain characters based on the characters they played in Gintama and... NGL, it made everything even more hilarious. Like the fact that Kugimiya Rie voices a bad mouthed “child” in One Piece(Sugar)... just like she does in Gintama(Kagura). And I know technically speaking Sugar “is an adult” BUT, if we follow the logic of her Hobby Hobby fruit, she’s doomed to be an eternal child for the rest of her life, as in “no more development like a normal adult human would”. I’m just saying what the canon says, don’t mind me.

...Or Cavendish. I can confirm you that Cavendish is pretty much Gintama’s Katsura Kotarou’s madness as an OP character. And now he’s one of my favourite background characters in One Piece... Mainly because of that. And yes, they do in fact share the seiyuu Ishida Akira. (Also, is it just me or is he inspired by Lady Oscar from The Rose of Versailles???)

...So yeah, TLDR: too much gintama made me shout “oh shit, gintama’s taking over one piece”

Now with the Zou impressions

I liked the idea of Zou being an “island”, that’s not an Island but a millennia old elephant, walking around and hard to track down. Brilliant. Also, I’m pretty sure it’s inspired by something mythological but I still can’t point out which one.

...also I wasn’t expecting Pedro to be voiced by Miki Shin’Ichiro, in the same way I wasn’t expecting Orikasa Fumiko as Wanda... although she already voiced someone previously in One Piece so...

Even if it was a short arc, it gave a lot of valuable information like the origin of the poneglyphs and the link between the Mink tribe and the Kozuki clan from Wano but...

What I wasn’t expecting was how we got introduced to the Whole Cake arc. I came to this arc, thinking the Whole Cake thing won’t be that mentioned and... I ended up crying because of the sacrifice Sanji was willing to partake in... I feel bad for that guy... And since by the time of writing this I’m already in Whole Cake... Without spoilers I’ll say: yeah, no sh*t I was feeling bad for him” (also because I got almost entirely spoiled over all Whole Cake arc).

...but look, ngl, I didn’t like very much the ending of this arc. Probably what happened to Momonosuke and the Millennia old elephant may be more interesting and better explained in the near future but... I was more confused than anything, and I’m hopping it to be better explained in the future. I’ll just leave it as such.

Over all, if I had to choose, I’d say that Dressrosa was more entertaining than Zou... Although Zou did deliver bigger stuff when it comes to plot development, while Dressrosa was more focused on the next step to overthrow a Yonkou than anything, I felt like I had more ”fun” watching Dressrosa... Probably because I also want to get to Wano already.

.

.

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Now I’m in Whole Cake arc, I’m more or less by the beggining of the arc and oh boy... This arc is going to be harder than expected and the only thing ready I have are the pocket tissues by my side because I already know I’m going to cry the hell out of this arc. And of course, have my soul utterly destroyed by the Reintroduction of Sanji and his past.

I hope he has a break after this because wow... He needs too many hugs to count. Probably more than Luffy in Marineford.

[e-vasong]

Can I ask about your writing process?

Huge fan of your TUA fics here - the way you just GET the characters is incredible - its almost like reading a novel written by the actual show writers!

How do you go about your characterisation and your drafting process? Any tips on nailing the complexities of the characters (specifically five)?

Thanks!!!

:') This is literally so nice I don't know how to respond, oh my goodness. I wish I had, like, life-altering writing wisdom for you here, but I honestly feel like my entire process is kind of a mess. I'll share it with you anyways, though, just in case you can glean anything helpful from it. I’ll tuck it below a cut, but here it is (ft. some of my specific characterization notes on Five, since you asked :D).

Pre-draft: Concept stage! This can be a variety of things -- sometimes it's a specific scene. For me it's usually a challenge of some sort. I like to take things that I think are unlikely for a character (under what circumstances would [x] character ever become a bad guy? How would [x] character’s secrets get revealed if they never talk willingly about their emotions?) Then I build out from there. I outline sometimes now, but I’ve been winging all my pieces for so long that it’s pretty tough for me. 

Draft one: Throw things at the wall. If I let myself, I will spend way too long agonizing on making every word perfect on the first go around, and I’ll never write anything. So draft one has permission to be as bad as it needs to be: sentence fragments, OOC dialogue/actions, clunky word choice, the whole nine yards. The most important thing is getting the words/scenes on the page.

Draft two: What sticks? Everyone is different -- I find it easier to edit than to write in the first place. So here’s where I look over my work from draft one. Is my sentence structure variable enough? How are their voices? Their actions? Does the narration work with the POV I’m using for the scene? 

Like, okay. I’m working on chapter two of the end of the war right now. Currently, it includes this line:

“How did you even—” Five starts, then shakes himself.  Absolutely not.  He isn’t entertaining this.  “Luther.”

In retrospect, I’m not wild about it. It doesn’t sound in character to me. I’m not pulling out receipts right now or anything, but the more I think about it, the more that I feel certain that Five rarely expresses surprise unless really shocked. Part of this is likely the contrast between him in his siblings (all the stuff about the Apocalypse and time travel is familiar to him and new to them, so the show has a lot of “Five explains [x] to his siblings while they look flabbergasted by him.”)

Anyways, it doesn’t sit right. So maybe, instead:

Five frowns, taken off guard. He could ask, but--quite frankly--he’s starting to think that he doesn’t want to know. He does, however, know what this is a preface to -- Luther is going to meddle. 

“Luther,” Five says it like a warning. Luther either doesn’t hear it or doesn’t care.

Anyways, rinse and repeat step two as much as necessary, and you basically have my entire drafting process.

Characterization, though, I have a more thorough process for!

Fanon and meta is super, super helpful, but I definitely prefer to look at canon first and foremost. I find it easiest to build characterization by asking myself questions about the character! I mean, don’t get me wrong. The first step is just to...get your own read on their personality? And there’s no trick to that. Everyone comes away from watching a show/reading a book with a slightly different interpretation of a character’s personality. But when building off of that to write them, I find questions helpful. They vary from fandom to fandom, but, like, here are some of the questions I’ve asked myself while writing Five.

What motivates them? For Five, this is a super easy one. He literally says it at multiple points throughout the show. He’s motivated by his family. To the point of wanting to save the world because they’re a part of it. Five troops through injury and pain and discomfort, but one reference from Handler about a deal to save his family is enough to coerce Five into 1 - working with her when he doesn’t want to and 2 - taking a job that he doesn’t seem like he wants to take.

How far are they willing to go to get it? For Five, he’s willing to do pretty much anything.

Are there any contradictions in their characterization? This is a weirdly specific question, but! People are inherently contradictory. Sometimes in TV or movies or books, it’s just bad writing. But sometimes it’s because people are complicated. So, in TUA, Five is consistently a big-picture thinker throughout the series. He seems to view his job at the Commission with apathy because he knows that it’s part of maintaining the timeline and necessary for him to get back home and stop the Apocalypse. He plans to kill an innocent person because he believes the butterfly effect of their death could stop the end of the world. He is, in many ways, a utilitarian -- the needs of the many outweigh the needs of the few. The greater good sometimes requires a lesser evil. Pull the lever in the trolley problem, and kill the one to save the five. Unless that one is one of Five’s siblings. 

For instance, his dialogue with the Handler in season one seems to imply that he is willing to give up fighting the Apocalypse if and only if she can guarantee his siblings’ safety (though this admittedly turns on how honest you think he was being with her -- I think he was honest, but smart enough to know she’d never follow through, but a fair argument can be made either way.) There are a million ways to read this, and the fun of playing with characterization is that you get to experiment with them! I read it as proof that Five is so driven by his desire to save his siblings that he actually places their wellbeing above his own moral compass (whether his moral compass is right or wrong is a whole other debate.)

What are they like at their best vs. at their worst? At his best, Five is strategic, driven, independent, determined, loyal, and protective. At his worst, he’s controlling, suspicious, bloodthirsty, temperamental, and obsessive. Of course, most people don’t just switch between these two extremes, and these traits frequently coexist, interact, and manifest in milder ways.  Five being suspicious usually manifests as him being cautious until he’s confronted with a character (in season two, Lila) that strikes him the wrong way. Him being obsessive is often just a side product of the fact that he is determined, loyal, and protective.  The fact that he can be controlling is connected to how independent he can be -- the same reason that Five tries to keep Diego in the mental hospital, never tells people that he’s injured, and hides things from them is the same reason he’s so quick and effective at getting things done. This is just a handy way of compiling a flaws/virtues list, and I like to look at it in terms of the potential extremes because I think it makes it easier to see how they interact to create the middle ground where the character actually exists.

How do they talk? Arguably the most important question for actually getting their voice, and the easiest way to nail this down is to just...look at the canon dialogue. Does the character use really big words? Do they talk in long gusts or in short, clipped sentences?  Do they use contractions more or do they not shorten things? This is the hardest part of writing Five for me, because my first impulse is to make him talk like an Intellectual (tm) and Very Erudite Adult. Like, I default to that when writing him, and it’s a horrible habit (in my opinion) because...while he does speak that way sometimes (usually when explaining things to his siblings) that’s not actually how he talks most of the time.  (Like, for instance, I tend to default away from Five using contractions in my first drafts of things. He actually uses contractions a lot, and frequently shortens words--”got to” is “gotta” for Five, “because” becomes “‘cause”, etc.) 

Other examples:

Five: Billions of people are about to die tonight. You can change that.

The Handler: Tonight, tomorrow. So little difference in the scheme of things. Don't you remember the Commission's raison d'etre? What's meant to be is meant to be, or, as I like to say, que será, será.

Five: It's bullshit in any language.

I love this exchange so much :D. And it establishes some great things about the way Five talks! He doesn’t dance around the issue or debate her or try and prove her wrong. He just tells her he thinks that that opinion is dumb, obviously.  He’s blunt, straightforward, and honest. (This seems to tie into the thing I was saying about Five and contractions -- he picks the most straightforward way of saying things unless he’s giving a technical explanation.)

Five: Okay, Luther, but be careful. I mean, I've... I've lived a long life, but you're still a young man. You got your whole life ahead of you. Don't waste it.

Five talks like an old man. Not all the time (though there’s a wonderful gif set out there somewhere of Five using old timer slang -- wait, I found it here.) He doesn’t use the old-timey slang all the time -- and I personally like the idea of mixing up Five’s slang habits and including slang from all sorts of eras because he’s a time traveler whose primary source of interaction after four decades alone was other time traveling assassins. But! He also talks in a way where he shows his age. 

Regardless of where you think Five’s psychological age falls (I have my own Opinions on this), he seems to unilaterally view himself as the Big Sibling, and by a very large margin at that. That’s reflected in how he talks. Not always, since not every line of dialogue is relevant to his age. But stuff like this, or related to it, crops up a fair amount. He counsels his siblings on their problems (as when he comforted Diego post-Eudora’s death), and there are little moments like the quote above, where the point is that Five has indeed seen many more years than his siblings and has the perspective to reflect that.

Well, this is way too long now, and it’s really late where I’m at. I feel like the comprehensibility of this post has been steadily declining the whole time, but if other writers have tips that they want to add onto this, please go ahead! 

[jackdawyt]

We’ve finally reached the moment my channel was created for, BioWare officially revealed a brand-new behind the scenes trailer that showcased many gameplay prototypes, concept artwork pieces and next-gen footage that each demonstrate Dragon Age 4’s current production stages, building an overall mood of the game’s vision and direction. And it’s just the best thing to come out of this year.  

Saria and myself have already broken down the trailer’s concept art, and gameplay shots in an incredible 45-minute video, that you need to check out if you’re remotely interested in the next Dragon Age game.

However, today I’m delving into every single piece of information that surrounds this new trailer, as we’ve got plenty of news, tweets and tidbits to delve into!  

First up though, before the trailer’s release we had a few related tweets from the team regarding the current production of the game.  

Production Updates:

In late July, Mark Darrah tweeted some updates about Dragon Age 4’s development. He said: “I realize that most of you are here for Dragon Age news and there hasn't been a lot of that lately...

Let me just run down some things I can say:

1. We are working on the next Dragon Age

2. Yes we are working from home

3. Working from home is harder  

4. We are making progress”

Continuing from that, John Epler retweeted Darrah’s post and said: “WFH is hard! But we're figuring it out, a little better every day. I miss lunches with my team, though.”

And, Patrick Weekes tweeted: “An exhausting but productive week, with a bunch of folks across the Narrative team coming together for Writer Voltron to look at some stuff and figure out how to make it better. Harder over Zoom, but worth it nevertheless.”

@stoner_gordon asked Patrick: “Writer Voltron? Maybe I’m slow today but what do you mean by that?”

Patrick Weekes replied: “There are things writers can work on for awhile by ourselves. Followers, or individual quests. But some stuff is owned by multiple writers, so we set aside time for all of us (plus non-writers involved with Narrative) to get together and hash things out. That’s Writer Voltron.

It is mostly a TON of meetings. We go over content and see what works and what doesn’t. It’s also the time where we make big narrative decisions as a team (or make big proposals we then bring to other affected departments).

Examples of stuff we decide at things like this:

- Hey, this big story element doesn’t work

- How should we do romances?

- Hey, this big huge thing is unclear

- Does it feel like we’re all making the same game?

We have a great team. It’s positive. We’re all exhausted by Friday.”

This was a very interesting look at how the writing team are pushing forward during the current world situation, ensuring that each writer can push on with individual work, while tasks that are assigned to many writers are slightly trickier, the team are working it out, while staying as safe as possible. And, I’m always eager to hear how certain things like individual quests, followers and romances are being developed.

Dragon Age Website Update:  

With the new trailer’s release, the Dragon Age website was updated. The trailer itself ended on the notion of visiting DragonAge.com.  

Upon impact to the site, there’s a red lyrium wallpaper with a slogan that says:

The world needs a new hero. Will you answer the call?

“Journey into the world of Thedas in Dragon Age™. Discover new adventures full of striking characters, powerful magic, and rich storytelling. Meet an incredible number of Humans, Elves, Dwarves, and Qunari in a realm where every decision you make echoes across history.”

New protagonist, new adventures, striking characters, powerful magic, rich storytelling, a roster of races with every decision having rippling effects in the world. Each quality that truly define a Dragon Age game. Very exciting to see this!  

Behind The Scenes Trailer:

Onwards to the trailer, we have many of the amazing developers sharing plenty of insights into the next Dragon Age game’s vision and development.

Casey Hudson stated their using next generation technology, which will be Anthem’s codebase and tools of the Frostbite engine, to bring the world and characters of Dragon Age to life. And the team are still in early production, I’ve estimated that they’ve been in production stages for around 15 months, since May 2019.  

Casey Hudson (General Manager): “We’ve been using next generation technology to bring the world and characters of Dragon Age to life. We’re still in early production.”  

Gameplay Designer Melissa Janowicz spoke about creating bosses and how she helps with many of the creature designs, mostly doing the big threats we’ll go up against. This trailer’s concept art certainly paints a picture of many dark, evil monsters to defeat.  

Melissa Janowicz (Gameplay Designer): “We’re very experimental here at BioWare, so we’re always coming up with new stuff.”  

“I actually design bosses; I help with the creature design team as well. So, I do all of the big threats you have to go up against.”  

The Creative Director, and previous Art Director, Matthew Goldman shared that Dragon Age is all about mystery, and hard-boiled detective stories, which is an egg-cellent pun. All wrapped up in a fantasy setting, with an original world.

Matthew Goldman (Creative Director): “The world of Dragon Age has really got it all, it’s got frontier stories, it’s got mystery, it’s got hard-boiled detective stories. And of course, it’s all wrapped up in kind of a fantasy setting.”

“This is an original world, original flora, original wildlife, original architecture, that makes it fun to explore and discover.”

Executive Producer, and proficient teaser, Mark Darrah shared that in the next Dragon Age, we get an opportunity to see new things, new places, and interact with people who lived and grew up in these spaces as well.  

There’s a huge emphasis on characters we haven’t met yet, because of course, the Inquisition declared it would look for new people to deal with Solas. We’re going to Northern Thedas, we should expect brand new characters to fall in love with.  

Mark Darrah (Executive Producer): “In the next Dragon Age, we get an opportunity to see new things, new places, and interact with people who lived and grew up in these spaces as well.”  

Mastermind, and Lead Writer Patrick Weekes shared about the game that currently working on, and how they want to tell a very different story about what happens when you don’t have power, what happens when the people in charge aren’t willing to address the issues.  

This time around, we’re playing as a new hero, with not nearly as enough power like the Inquisitor, but instead someone who most likely comes from humble tidings, at a guess, someone like a spy, Antivan Crow, or Lord of Fortune.  

No matter the role, our main character will have many conflicts with the predominate people in charge, as they aren’t willing to tackle the issues at stake. I can assume many ideas of course, perhaps the Tevinter Magisterium, The Qunari Invasion, or the Dread Wolf’s scheme.  

Whatever powerful force that may ignore the ongoing issues, there’s going to be a lot of conflict from what can assume is going forward thanks to Tevinter Nights. 

Patrick Weekes (Lead Writer): “For the game we’re working on now, we want to tell a story – what happens when you don’t have power, what happens when the people in charge aren’t willing to address the issues.”

Arby’s Enthusiast, and Narrative Director John Epler spoke on the things we can expect in the next instalment, there are going to be stories that focus on the people around you, and the friends and family you make.  

Every Dragon Age game is about the family we create along the way, expecting more of that, lightens my heart!  

John Epler (Narrative Director): “The things you can expect in the next instalment are going to be stories that focus on the people around you, and the friends and family you make.”

“I just love the possibilities that Dragon Age offers us, and I’m excited to explore a lot more of them.”

Associate Producer Jen Cheverie shared that something we’ll be able to look forward to in the next Dragon Age are really close relationships with game characters who really become real for you. I’m so excited to see how relationships and friendships develop in the next game.  

Jen Cheverie (Assoc. Producer): “Something we’ll be able to look forward to in Dragon Age is a really close relationship with game characters who really become real for you.”

Foundation Technical Director, Jon Renish, with an amazing beard, spoke on how BioWare want characters to either be loved or hated, the best examples of that is Solas. Half of the community wants to kill him, half the people want to marry him, then another part want to do both.

The fact that the devs can stir these reactions, proves that BioWare can and will create characters that move, and shape us.  

If they can make you love or hate a character, they’ve successfully made you care for this world, even if hate is that motivator. However, if you felt nothing for a character, then you wouldn’t have these strong reactions, and wouldn’t feel as connected to the world, or that character.  

Jon Renish (Foundation Technical Director): “We want characters to either be loved or hated, one of the best examples of that is Solas. Half of the community wants to kill him, half the people want to marry him, then another part want to do both.”

Lead Creature Animator, Esther Ko confirmed that Dragon Age 4 is being created using motion-matching technology, that will ensure characters will be as realistic as possible, from the way they walk, move and interact.  

We saw a sneak peak of Solas’s facial animations, and we can already see the improvement of graphical fidelity and animation quality.  

Esther Ko (Lead Creature Animator): “BioWare and EA have been one of the forerunners in using motion matching technology, and that makes it way more realistic for when you're looking at the characters, the way the walk and move, and interact in the world.”

Writer Slyvia Feketekuty spoke on how players want suspension of their disbelief, to believe that the bunch of pixels that make up these characters are actually a living, breathing soul.  

Slyvia Feketekuty (Writer): “Players want that suspension of disbelief that this wonderful collection of digital pixels is actually a living breathing soul.”

Gameplay Director Andre Garcia said that choice is a big part of what Dragon Age is as a franchise, the decisions you make can affect change in the world. Reiterating that the next Dragon Age will most certainly surround our choices, with consequences for each.

Andre Garcia (Gameplay Director): “Choice is a big part of what Dragon Age is as a franchise, the decisions you make can affect change in the world.”

Adding more fuel to the fire for choices and consequences, RPG Programmer Katrina Barkwell spoke on decision-making meaning that a party member lives, or a party member dies. Ultimately, choice making means owning your outcome and reactivity to the choices that you do make.

Katrina Barkwell (RPG Programmer): “Decision-making can mean that a party member lives, or a party member dies. And it means owning your outcome and reactivity to the choices that you do make.”

I said in my breakdown, and I’ll say it again here, it was very nice to see a few of the developers that we love and support in this trailer, sharing vital information on the next game. The story about Dragon Age 4’s development is all about the people creating it, and I am so glad that BioWare have an amazing, tremendously talented bunch of people who know what Dragon Age is.

Adding to that, it was so wholesome to see many of the other developers on a zoom call, showing how despite the current world situation, they’re doing all they can to push the development of the next Dragon Age.  

Key Trailer Features:

Moving on, throughout the trailer, we had many key features highlighted.  

The in-engine shots showcase the next-gen improved fidelity and quality of the Frostbite engine. The reveal of Solas’s facial animations indicate more realistic and life-like animations and scenes, just look at his pearly white teeth, and how his face folds.

And the Gameplay shots reveal a character playing as a warrior, with a sword and shield, wearing Grey Warden armour. Most certainly, the character is a champion specialization, indicated by the “Line in the Sand” ability.  

We see them evading, blocking, shield bashing, and preparing to strike. The camera placement is solid, I really like the angle it currently has, I’m hoping it stays like this.  

The spider with hands is incredibly frightening, however, beautifully animated. I just hope it’s not going to grab items like the barrel, and throw them at us, when approaching combat.  

Two brand-new voice actors were revealed: Jee Young Han & Ike Amadi

Jee Young Han previously appeared in Anthem, as the character Sentinel Dax. In Dragon Age 4, conceptually, she’s playing a character called “Bellara”, whom I’d suspect is a dwarf, given that Qunari and Dwarves generally have American voice actors. Not to mention her dialogue line of something being “the good kind of rumble.”

Ike Amadi, also appeared in a previous BioWare title, being Mass Effect 3, as he played Javik! It seems he’s playing a character by the name of Davrin. Who is most certainly a Grey Warden, indicated by his dialogue? Perhaps he’s the Grey Warden in Tevinter Nights’ cover, considering none of the characters on the book’s cover appeared in the actual book?

Concept Art:

Moving on, the majority of the trailer features amazing conceptual artwork that reflects the mood, tone, story threads and narrative beats that the developers would like the final game to take inspiration from.  

Equally, that means the concepts may or may not appear in the finished project, it’s too early to tell. However, that doesn’t mean we shouldn't pass on dissecting and inspecting the art pieces, because we get a sense of BioWare’s vision, scope and direction for Dragon Age 4.  

Adding to this, Patrick Weekes tweeted about how concept art is used to create a mood, not to outrightly confirm things, but for a framework. While some concepts may excite you, like “Harley Qun”, don’t get attached just yet because they may, and will change.  

To quote Weekes: “We can't answer questions right now about who is or isn't a follower or what story choices we're making. Beyond giving away too much too early, we could also give you the wrong impression and leave you disappointed later. Or we might need to change things between now and ship.  

What I can say is that I personally am proud and excited about the game we're making. I hope that came through in the video. I also hope you have fun speculating, even if we can't answer questions right now. You all made a lot of devs' days yesterday. Thanks.”

So, while it’s absolutely fun, and amazing to speculate about what these concepts may relate to, and the direction of the next game, don’t get too attached just in case certain plot threads or characters are cut or changed.  

Needless to say, me and Saria still have plenty of speculation videos coming up following the trailer, because we find enjoyment in speculation, and seeing how far off from the truth we were when the game actually does ship, I think that’s a good mindset to have.

Regarding the trailer as a whole, I think it’s fair to say it was created as a reaction to what was shown at EA Play. A lot of the fanbase, and people in general were upset with what was shown, however, BioWare listened to us, and delivered this behind the scenes trailer, two months after.  

We can tell it was recently filmed too, not to get too stalker-ry, but Patrick Weekes dyed their hair on the 19th, June, which was a day after EA Play.  

If they had done so before, Weekes’ would’ve had their natural hair-colour in the trailer.  

So, even with the current world situation, the developers took the time to film and create this amazing BTS trailer. Speaking on behalf of the entire DA fandom, thank you so much BioWare for giving us a trailer while in very early-production stages. It has been the saving grace of 2020.  

Romance Teases:

In other news, we have a few Weekes Tweets that regard romance in the future.

Patrick Weekes retweeted @nevarran-novice saying: “This is my formal request that BioWare give us at least one emotionally damaging romance for every Dragon Age game. Like, literally scoop my soul out and throw it at the wall with the angst. Please.”  

Patrick replied with: “I mean I like happy romances with fun positive endings, but the customer is always right!”

It really is true; we all love pain and tragedy in this fandom, as we play Lost Elf theme at 1 am, sobbing in the night. I’m not the only one, right?

Patrick Weekes tweeted: “Hi, sorry, stumbled across this while looking for something else. Just wanted to say:

- Disliking a character or ship is totally valid and does not hurt my feelings

- Coming into someone’s space to say that what they like or dislike is wrong is bad, sorry that happened to you.

And in games with romances, I believe that the same-sex romances should offer the same spectrum of sweet-to-spicy that the straight options do. If all our m/m romances feel dirty while our m/f romances range from romantic to raunchy, then we need to do better.

This clearly hints to BioWare making their future romances more tasteful for every type of romance, which is always good, more inclusivity for everyone! In my honest opinion, I don’t need sex scenes to drive romances, while I’m sure I’d love one for a potential Qunari female wife, I don’t need, or desire them for every single character. Sex and romance in moderation; while being tasteful, sounds perfect in my opinion.  

In the concept artwork, we saw a sexy, Qunari female, that many of us have dubbed the nickname “Harley Qun”, while it’s really hard not to get attached, it’s nice to see BioWare making this character idea more of a reality.  

In 2017, a fan asked Weekes about the idea of a strong female Qunari companion. Weekes replied: “definitely a chance. We like doing character types we haven’t down before, and that would be a biggie in hypothetical future game.”

 So, while Harley is still just a concept design, there’s much potential for her in the future. I wonder if Patrick is writing her too, not that I’m basing my news on retweets, but Patrick has been retweeting a lot of her fanart. But that could just be because we’re already obsessed with her.  

Final romance related tweet, because I didn’t know where else to put this one... Patrick Weekes tweeted: “Is "Dick in a Box" formally a Lonely Island song, or is it technically SNL? It's for work.”

So, erm. Yep, there’s that.  

Mark....:

Mark Darrah tweeted: “No release date to share at this time…” Obviously as a joke, for those who don’t know, the next Dragon Age is at least 2-3 years away, according to EA’s 2019 earnings call.  

Next Comic:

As a final, very exciting news update, Nunzio DeFillipis, the amazing Dragon Age comic writer, alongside with his wife, Christian Weir posted on Tumblr about the potential of a new comic mini-series:  

They replied to autopotion asking about the future of the comics, saying:

“We have another miniseries planned - and it would have come out this year if not for the current world situation shutting down the industry.  We don’t want to promise anything, because everything is so up in the air with the entire world right now.  But what we can say is that if and when there is another miniseries, it will wrap up the story we’ve been telling since Knight Errant.  We will then aim to tell more stories, but one thing at a time.”  

“Wish we could say more.  Because we have a LOT to say, we promise.  Hopefully we can talk about things soon.”

As an absolute fan of each of the Dragon Age comics, the fact that most certainly another one is on its way, and it will end the narrative since Knight Errant excites the crap out of me. Originally, it seems we would’ve had two comic launches this year, Blue Wratih to start year, and one following from that, ending 2020.  

I imagine we’ll see this project back on track soon. It sounds as if this one may be a conclusion to the current comic roster, and after that, we may get brand new stories explored in other comics. While that’s quite far off, I adore this team behind the comics, and eagerly await an update to their stories.  

With all that said, that’s a wrap for this most exciting news update, I’m honestly so excited to be creating Dragon Age content at the moment, making videos that I’ve dreamed about creating for so long. Check out my latest breakdown, and if you’re new, why not follow me, you’re in the best place to be informed on all things Dragon Age related. From the lore to speculation and news, I have it all here.  

[peachypartypalace]

Just finished the first half of season 5...

Some thoughts:

1) Can Dan just catch a damn break already? Seriously, give the man a minute to breathe...

2) Exactly how much time does Trixie spend with the babysitter/her grandmother? I mean, she doesn’t seem to be spending a whole lot of time with either Dan or Chloe anymore.

3) Maze, Maze, Maze... I’m hoping her character development will continue to move forward in the second half of the season because right now, I feel as though she’s a bit stunted...? Her facing her mommy/abandonment issues makes total sense (especially after everything that happened with Eve) but her teaming up with Michael just kind of feels like a rehash of her siding up to Cain in season 3. Maze is blaming Lucifer for Lilith’s actions and instead of being pissed at her mother, she’s once again, misdirecting her anger at him instead of taking two seconds to see the bigger picture. Don’t even get me started on her allowing herself to be so easily manipulated by Michael. I know it’s Maze we’re dealing with, strike first, ask questions later, but I feel like her character should be past that at this point (once again, flashing back to Cain doing the same thing to her in season 3). Come on, Maze, you’re smarter than that.

4) Tom is totally killin’ it at playing two different characters. He does so well with the subtle nuances that make Lucifer who he is and Michael who he is.

5) DECKERSTAR... The writing for those two is off the charts this season. They’re actually communicating with one another instead of internalizing all of their emotions and relationship fears. It has been really refreshing to see that side of them with each other. Chloe, while still having some hesitation in knowing where exactly she stands with Lucifer (feelings-wise), has really opened up more and seems to speak with a bit more ease in regards to what she’s feeling or thinking. I liked being able to really see her try and put those fears aside and just go for it with Lucifer. I’m also loving that the two of them are still able to maintain that classic Deckerstar aura during their cases, even though they are now officially romantically involved. Sometimes on TV shows when a couple finally gets together, the payoff changes the character dynamics a bit and it never feels the same. Thank Dad that these two were able to naturally transition into that new atmosphere without making it feel weird.

5) Finally, and this is more nitpicky on my part than anything, but... Was anyone else a little bit...underwhelmed by Deckerstar’s first sex scene? I just feel like the tension (along with the writers goading us on) has been building for 4 1/2 seasons, and we finally get to that point and, truth be told, that scene felt a little CW-ish to me. I just wanted a bit more. I’m not talking HBO, ‘Game of Thrones’ full blown nudity or anything like that. I just felt like it could have gone on a bit longer than it did, considering it was their first time. I wanted a bit more closeups on the faces just to really drive home the emotional catharsis of that moment between the two of them. I just felt it ended a bit abruptly. I know there’s ample opportunity for other scenes in the future so it’s not a huge deal or anything; just something I noticed. Overall, I have to say, I think this is going to be the best season to date. Just when you think there’s no way the writers can top the previous season, they do it even better. BRING ON THE SECOND HALF!

[morningsound15]

hi! i’m a major fan of yours across several fandoms (bechloe, fuffy, hermione/anyone 👀) and i’m always really impressed with your ability to jump around fandoms while telling these very complete stories with awesome characterizations. any chance you’d be willing to share what your process is like for preparing to write a story? thank you for sharing your work! really enjoy it.

asks like this are so so sweet! compliments AND writing process questions at the same time is just *chef’s kiss*

i got a similar question to this in a comment on one of my stories a few weeks back, i hope you don’t mind that i’ve lifted some of this from that answer!

when i’m starting a new fic, these are the 3 basic things i focus on (not always consciously, this is just how my brain works):

characterization (who is the story about/why is the story being told)

plot (what story is being told)

and form (how is the story being told)

(this is long! more under the cut)

CHARACTERIZATION: the first thing i do is try to get a feel for how the characters think and speak. so the first thing i’ll write is usually something light and banter-y between two main characters. i find that story beats, reactions, emotions, etc. (all important parts of scenes) flow from me much more easily if i have a good feel for the characters and how they interact with each other. for example, the first scene i record in a voice note on my phone or dump in a word document might be: character A and B are eating breakfast the morning after sleeping together for the first time. they haven’t talked about it yet. they are trying to hide what they did from the other people in the room while trying to subtly see how the other one is acting

writing a scene like this would help me figure out a few important things about my characters, like how they interact with each other when they need to be covert (are they embarrassed? flirty? ashamed? cold? nervous? blushing?), how their friends might or might not pick up on their dynamic, and most importantly it lets me practice the pace of how the characters speak and the basic nature of their conversation styles with each other (do they crack jokes, are they unnecessarily cruel, do they openly flirt, is there a competitive undertone, exasperated fondness, etc.?).

people should be able to understand everything important about your characters from the way they speak and hold themselves in a scene. having the characters’ voices, rhythms, and interpersonal banter down is really important in making sure that whatever is happening in your story is compelling. if the characters feel real, the plot will feel real, and you can hook people into reading stories for fandoms they otherwise wouldn’t.

PLOT: this is kind of cheating, since i GUESS technically ‘plot’ is the first step to preparing to write a story, but to me, the most fundamental thing you need to have down to write fic is an understanding of the characters. you can use whatever tried-and-true soulmate/fake dating/bed sharing/alternate universe tropes you want, but the thing that makes or breaks a story is its characters, so that’s why i put that part first.

but okay, talking about plot. for me what comes first is less ‘plot’ than ‘situation’. 

here’s an example: i decided a while back that i desperately want to write a sansa x margaery hogwarts au. has it been done before? yes. does it sound fun? yes, and also, i love writing hp universe, and i love sansa stark. but the idea’s been done before, so what am i hoping to write that contributes to the genre/trope? what’s my hook? what’s my angle? what’s my read of the characters and how do i want to get them together?

i settled on this: Sansa is the first Stark in five generations to not be sorted into Gryffindor.

suddenly bam, i’m off and running. i’ve got a story universe, i’ve got a couple of characters whose voices i’m starting to settle into, i’ve got a whole cast of characters i have to suddenly squash into this alternate universe, think about what roles they should play, how THEY should speak and interact. suddenly i’m drafting scene ideas to make sure that i highlight the sibling dynamics i want between the starks, the tension between sansa and arya, sansa’s alienation and the family’s pride.

the next step is thinking about story beats. what are good tropes in hp universe stories (spell casting scenes, hogsmede scenes, quidditch scenes) -- how can i write some of these with a new fun twist? similarly, what are good tropes in romantic stories (jealousy/pining, being forced to work together when you don’t want to, romantic rivals) and how can i use these characters to pull off these tropes in a way that feels natural and novel? and of course, hugely important — when should the characters kiss for the first time? (every story’s gotta have a good first-kiss scene.)

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i like my stories, generally, to have 2 main plots going: the romance plot between the two main characters, and the maintext plot/situational hijinx they’ve gotten themselves into. figuring out how to weave those storylines together (and ideally to have the Big Climax Scenes Converge Somehow) is tough. so i write in bursts, jumping around between chapters and paragraphs and scenes, cutting whole sections and shuffling them around constantly.

FORM: the first drafts of my chapters are mostly dialogue; i go back in and add actions and internal monologue as some of the last things that i do. scene transitions are also some of the last things i write, or beginnings/endings to scenes. that’s just a personal preference.

i don't tend to write linearly. i guess you could say i write in a vignette style; that’s why most of my fics are organized with individual scenes divided by a textual break, rather than long continuous stream of consciousness/linear time. this allows me a lot of freedom in my writing; if something isn’t working at the end of a scene, or if i can’t figure out a way to transition between moments/times of day, i can just add a text break in. easy as pie. it keeps my stories tighter (lol i know they’re so long who am i kidding) and lets me move things along.

while i jump around a lot, writing scenes that strike me when they strike me, filling in the gaps here and there as i go along, i do like to make some important decisions early on. i think about tracing the arc of the main relationship — are they interested in each other right away, what are the obstacles to them being together, is there going to be an issue with sexuality/queerness or is that a non-issue in this universe? — stuff like that. i think really important scene ideas to have early on (if i’m writing fic, obviously this applies strictly to writing fanfiction romance stories, which are already pretty trope-filled (that’s not a read i love tropes)) are the scenes that Change the direction of the story: the get-together scene and the plot climax. having an understanding of how those crucial scenes are going to play out means that i can make sure that all the writing before those scenes is building in the correct direction.

that doesn’t mean i stick to my outline, or that i’m afraid to change things up! on the contrary. i like to have an idea of where my story is going to end up as i'm writing, because then i can shape the characters and let them grow in a way that naturally arrives at the conclusion. but of course the conclusion is usually just an idea, a vague notion (‘they break out of the curse dimension’ or ‘they’re going off to college uncertain but hopeful’). i avoid writing the end of the story until the very end because the natural conclusion changes as my story goes through more drafts and i get a better feel for the characters. i also like to see how the readers are reacting to the story, what they're noticing, what questions they still have that i need to answer, if there are any scenes that aren't coming across the way i want them to, that sort of thing.

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and one last note for fic writers -- this is what i always think about as i’m writing/about to write a story: why am i writing this story? what am i trying to say, how am i trying to better understand the characters or deepen my understanding of canon with this? am i adding to canon or just repeating it? is this personal catharsis, meaningless smut, a bittersweet fix-it?

readers are smart, and most importantly, they’re fans! they’re coming to fic from consuming the original product! they don’t want what they’ve just seen regurgitated to them. take risks in your stories! know the characters, dig deep into their relationships and get inside their heads. if you’ve got the characters down you’ve got everything you need to write a good fic.

mostly i just hope people come away from my stories satisfied by what they've read.

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you all know me, i write for any fandom i want to with no rhyme or reason. i have a lot of ideas and varied interests. but i don’t speak a TON about my role as fanfic consumer, so i wanna do that.

fanfiction, for me, is a way of better understanding these things that i love. i come to fanfiction after i finish a show or video game, if i’m revisiting childhood movies or books. ao3 is one of the first places i go after i finish watching something, because i am enchanted by the way fans take characters that exist and with just a few twists of a word or a look, they change the meaning completely, elevate canon, or flesh out side characters that basically had nothing going for them. and because when i finish something i love i don’t want it to be over. sometimes that means i write, sometimes that means i read, but i always go to fic. i love it, it’s comforting and beautiful.

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phew! that was long-winded. thanks for the ask!! sorry for the word vomit

(also yes hermione/anyone aka hermione/happiness)