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#also trying go get her a better substrate
scorittanius · 2 months
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CREATURES IMAGES
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hello! you very kindly answered an ask of mine recently, and now that i’ve gone through your ball python tag i have a few burning questions!!
1) i’m having a very hard time keeping humidity up for our BP. she’s been doing fine, but she shed recently and it didn’t go as smoothly as it has before. after reading a few of your tips, i think i’m going to try helping her with the last little bits of skin with some reptile shedding spray and a short soak. do you have any other tips here? i know i should keep the water shallow and not try to force off any skin with my fingers.
2) this wasn’t the worst shed ever, but i’d really like to get ahead of it next time and just go ahead and figure out how to get her humidity right. i’m already using coconut substrate, but misting with a sprayer doesn’t seem to be cutting it. i was planning on buying a fancy reptile humidifier, but i haven’t seen that discussed much here. i saw you say somewhere to add water to the substrate itself, but what exactly does that entail/how much should i use? and about how much substrate should actually be down in the tank?
3) for her enclosure itself we’re using exo terra’s 40 gallon tank, which comes with a screen top. we covered a lot of it with a towel (also serving as a privacy curtain) to keep in humidity but i wasn’t sure if that was a good idea or not?
sorry to ask so many questions!! thank you so much for your time!!
(oh, last note! i know 40 gallons isn’t the right size for an adult BP, but she is currently about the same length as the long side. i haven’t had her long enough to know quite how fast they grow, should i be scrambling for a bigger enclosure now?)
Hello hello - these are all good questions, and I really love the care and love you're putting into giving your snake the best!
A soak sounds like a great idea. Make sure the water is lukewarm but not hot - it should feel the tiniest bit chilly on your fingers. Giving your snake a washcloth during their soak is a great idea because that gives them something to hold onto and they'll often be able to rub stuck shed off themselves with it.
I recommend no less than an inch of substrate. How much water you add to rehydrate depends on how big your enclosure is, but a good general rule for a 40 gal is about a cup of water poured into the corners will do nicely. Especially since you've got a screen-top enclosure (which are very difficult to keep humidity in), if you want to spring for a humidifier, it might be a good idea. I don't personally use them (because I'm old and I prefer to limit the number of devices that could malfunction in my snake enclosures), but it might work well for you in this situation. Another trick for raising humidity levels is to make sure you're keeping a deep water dish on the warm side so it'll evaporate into the air (though, again, with screen-top enclosures that'll only do so much).
A towel can help to retain humidity in screen-top enclosures, but there are a few other tricks that might work better. A sheet of plywood or PVC cut to cover most of the enclosure is what I've found to work best; failing that, covering the top with tinfoil you've taped down securely is another good option. Screen-top enclosures can be a bit of a nightmare with humidity-loving snakes like bps, but there are workarounds!
How fast a snake reaches thier adult size depends on how much they eat and individual variation, but in general you can expect most snakes to reach their adult size between 3 and 5 years old. Some will be faster and some slower. If your snake is comfortable in a 40 gallon now, that's fine! I prefer to get snakes in their adult enclosures at around 2 years old, but there's no need to scramble. Just keep in mind what she'll eventually need (I recommend no smaller than a 4x2x2 enclosure), plan for that eventuality, and prepare to have it when she outgrows her current setup.
All the best!!
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fbwzoo · 1 year
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And last, but not least...
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Charis ate a couple weeks ago, though she'd really like to eat again now please. I'm almost out of food for her and most of what's left is fairly small, sigh. I have an order in with Rodent Pro for a new food stash, so hopefully we'll get that soon.
Also planning to fix up her viv a bit soon. I've ordered Terra firma substrate from Biodude, plus some additives, and a bunch of leaf litter and moss from a fellow crab store. I'm going to replace her substrate, add some clean up crew, and I also got coconut mat to try putting on the walls & see if it'll help with humidity at all. It's always a struggle keeping her humidity up enough during the winter, sigh. I have a humidifier running in my room that at least helps keep it at the minimum. Plus she has her moss box, which helps.
Nova is still full of fire & loves to eat! She's gotten a bit better body condition too, though she currently has a bit of a pudge, either from gorging a bit yesterday, or maybe has eggs. Still only terrible cryptid pictures of her. 😂
Her snail buddy seems to be doing well too. I added some cuttlebone for them, which they very much appreciated. I got a short video of them eating leftover food today too! It's extremely weird! I'm glad they're doing good though, and so far I haven't seen any signs of an impending snail invasion, so I don't think they've decided to create clones yet.
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jean-kayak · 3 years
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A Little Reward
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Summary: You agree to help Keishin study with a way that might help the information stick (GOOD GOD I am bad at summaries pls just read it)
Pairing: Ukai Keishin x black!fem!reader
Warnings: smut (18+!!), unprotected sex, minor fingering, dirty talk, degradation, daddy kink, ass smacking, handjob, groping, reader is picked up, a lot of biology references, college!au
Word Count: 2,366
A/N: So, I finally understand what I’m doing in my bio 183 class, and when I tell y’all I am ECSTATIC, so that’s where this came from
Tags: @her-majesty-kiara​, @iwascrybaby​, @mxhriii​
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When Keishin came to you asking if you could help him out with biology, you'll admit that it took him more than a couple of times to convince you. He claimed that he was so bad at it and that he didn't know how well he was going to do on the test.
You also knew that he was so bad at hiding how much he wanted to fuck you.
You weren't stupid. You always caught the way he would stare at you, and you liked the attention, purposefully putting a little more swish in your hips, knowing his eyes were drilling into your ass.
He was always catching you before you could walk out of the science building, offering to walk you back to your dorm, and he would spend the whole walk trying to charm the pants off of you. You wondered how many girls fell for it, not saying that you weren't falling for it either, you just thought you could make him work a little harder.
And it's not like you didn't want to fuck him either. He told you he played volleyball in high school, but he's seemed to bulk up a little more over the course of you knowing each other, his clothes like a second skin, so it wasn't hard for you to imagine what was hiding underneath.
He sighs as he running a hand through his hair, effectively pulling his headband with it, so he takes it off, wrapping it around his wrist. "I'm never going to get this," he groans in frustration.
"You haven't even tried," you say lightly, moving to lean against his desk, resting your hands behind you.
"I've been trying for thirty minutes," he sighs again, resting his elbows on his knees.
"Maybe you need a little incentive," you offer with a shrug, and he leans back in his chair, his eyebrows raised.
"Yeah? Like what?" He smirks, and you tilt your head to look up at the ceiling like you're trying to think even though you already know what you have in mind.
"I'll ask you a question," you start. "And for every right answer, I'll take something off." His eyes widen a little, and you give him a sweet grin.
He scoffs. "You're serious?" You hum as you shrug again. "What's the catch?"
"Nothing. But I don't think you'll get very far," you taunt, and you can see the challenging shimmer in his eyes, a look he gets whenever you both try to be competitive with each other.
You give him about another thirty minutes to go over about a quarter of the notes before you get ready to start the questions. "Ready?"
He nods confidently, thinking that this will be a piece of cake when you know that it's going to be the complete opposite. "ATP. What is it?"
You start off easy, and he huffs as he leans back in the seat, resting his hands on his thighs. "Bottom line, it powers cellular processes," and you smile as you nod your head. "Come on, baby, you gotta do better than that."
You give him a bored look, but you chuckle at his obliviousness to your plan. You uncross your arms before slipping your shirt over your head, letting it slide off your fingers and onto the floor.
You see him take a deep breath as his eyes zero in on the white lacy garment adorning your chest, accentuating your brown skin, your nipples just shy of being seen. "How's it made?"
He doesn't hear you, or if he does, he's too focused on your boobs to answer, and you snap your fingers, and he blinks slowly. "From ADP," he answers, clearly distracted. "Substrate level whatever," he adds, and you roll your eyes.
"What's it called?" His gaze hasn't left your chest, and you walk up to him, leaning down to rest your hands on the arms of the chair. You know your boobs are falling over the edge of your bra, and he releases a breath before he brings his eyes up to yours.
You walk around to stand behind him, leaning back down as you slide your arms over his broad shoulders before you hover your head next to his ear. "Answer the question, Kei."
"Phos...phorylzation," he says slowly, and you smile widely. You walk back to stand in front of him, and you see his hands turn into fists when your hands reach under your skirt.
You thumb at the side of your panties before slowly pulling them down your legs, stepping out of them, holding them on the edge of your finger. "Good job," you quip, and he watches you throw them to the side, the article landing on your shirt.
You take a step closer to him, and you lightly push his hands off of his thighs before you replace them, straddling him, and he bites his lip to stop himself from making any sound. You can feel your slick soaking his sweats, not expecting to get so affected by how he was only looking at you.
"What's the role of oxygen?" you ask next, and he closes his eyes for a brief second before he opens them, feeling another wave of arousal rush out when you see how hazy his eyes are.
You brush a few blonde strands out of his face as you wait for an answer, and his hands are twitching from how bad he wants to touch you. "It, uh," he licks his lips, his head slightly falling back on his shoulders. "Carries out metabolism."
His voice is airy, and you hum softly as your hands run down his sides, staying at his waist. "You're starting to get it," you praise, and you grab the hem of his shirt. He looks at you, his brows jerking slightly at your actions. "Wouldn't be a lot of fun if I'm the only one stripping," you explain, and he slowly lifts his arms up, allowing you to pull the clothing over his head.
You bite your lip as you toss it to the side, your eyes landing on his lightly defined abs, and he tenses when you softly run your hands over his abdomen. His clothes did a bad job at telling you what they were hiding.
You internally shake your head, remembering what you're supposed to be doing, and you look up to meet his eyes as your fingers lightly press into his skin. "The four main stages, in order," you tell him next, and he sighs shakily as your nails drag down from his shoulders, making him shudder.
He gets halfway through the answer, and you roll your hips just a little, and his hands shoot up to your hips before stopping himself as his head falls back. Your arms wrap around his neck, your hands lightly pulling his head back up by his hair. "Finish it."
You can barely hear him, but he gives you the rest of the answer, and you grab his wrist and guide him to the clasp of your bra. He quick to undo it, and you slowly slide the straps off your shoulders, your tits falling onto your chest as you slip it off, throwing it on top of the rest of your clothes.
"Shit," he mumbles, his eyes focused on your nipples that are starting to harden from the exposure of the cold air.
You chuckle softly, starting to feel your body becoming warm under his heated gaze. You guide his head up by his chin to look at you. "Pyruvate. What happens to it?"
His eyes dip down to your lips as you speak before returning back to your eyes. "It's oxidized."
"Yes. And?" you press, and he's starting to have a hard time controlling himself. "You've been doing so good," you praise, grazing his sides with your nails, and he bites his lip again.
He can barely get the answer out, and you shift again, his breath hitching at the stimulation, and yours hitching when you feel how hard he is under you. You can practically see his arms shaking with the urge to touch you, so instead of stripping you allow him to touch.
You can barely get the words out before his hands are moving to your chest, cupping your tits in his large palm, and you moan softly. His fingers play with your nipples, and your hands grip his shoulders. He moves his hands to your thighs, barely covered by your skirt, and he runs his calloused hands over your skin before they make their way under.
His hands run over your ass before gripping the flesh in his hands and spreading you open before pushing you down onto him. You let out a louder moan in surprise, and he does it again, groaning just as loud as he bucks up into you.
You feel the air slip from your lungs for a split second before you stop him. "Slow down, tiger. We're not done yet," you chide even though you want to fuck him just as bad as he wants to fuck you, but you want to tease him just a little bit longer even though you're teasing yourself in the process.
He lets out a small whine in protest, not having enough friction, but he lets you keep going anyway. "Let's make this more interesting, yeah?" He barely lets you get off of him, but his hands grudgingly let you go, and you stand before getting rid of your skirt.
He shamelessly lets out another groan at the sight of your shiny folds, and when you pull at the waistband of his sweatpants, he's quickly lifting his hips so that you can pull them down. You go to scoff when you see that he's gone commando, but your mouth falls open when his dick springs up, hitting his taut abs, the tip a deep shade of red.
He watches you bring two fingers to your dripping hole, swirling them around at your entrance before sliding them in, and you both moan simultaneously. You thrust your fingers inside of you a few times before slipping them out, your fingers coated in your juices.
You rest your other hand on his thigh, moving the other one towards his straining erection, using your slick as lube as you stroke him. Your hand leaves him, and he feels like it's gone too soon, but then he sees that you're putting your legs on either side of him as you line yourself up.
He grips your hips tightly when he's fully inside you, sighing easily at the feeling of your warm walls around him. "Next question," you speak up suddenly, and he's looking at you like you have two heads, and you chuckle softly. "We have to make sure you grasp the concept."
You're asking him questions, and he can barely answer, the only thing he can focus on is how your walls are grasping him. He knows you're doing this on purpose, asking him the same questions but in a different way, rolling your hips every time he takes too long to answer.
And that's his breaking point.
You're about to ask another annoying question, and you cut yourself with a yelp when he picks you up, moving you to his desk. He brushes everything off in one sweep, setting you down, and pounding into you as soon as he sets you down.
You cry out, your arms wrapping around his neck. "Answer this question, sweetheart," he groans in your ear, grabbing your ass to further spear you with his dick. "You like it when I fuck you like this?"
The only thing you can do is make incoherent noises, the last thing on your mind is responding, and he smacks your ass, hard. "Answer the question."
"Yes, Kei! Fuck," you gasp, your eyes closing and your body going limp when he hits that sensitive spot inside of you.
"You like teasing me, huh? Wanted me to fuck you like a bitch in heat?" Granted, you didn't really expect this outcome, but you're nowhere near complaining.
The only way you can answer is by breathless, incoherent noises in his ear, and he's moving you, pushing you down flat on your back on his desk. He pushes your legs to your chest before resuming his punishing pace.
"You wanted to be fucked by Daddy's cock like a little slut, yeah?" he spits, leaning down to breathe against your mouth, and you don't know if he can see your nod, the only thing you can do to answer him. "Daddy's fucking you good, isn't he?" he asks, a shit-eating grin on his face knowing that he's rendering you speechless.
He reaches down to press down hard on your clit, making you jump as you dig your nails in his arm. "You gotta answer, or I'll stop," he threatens, thrusting his hips with a little more force to really nail your g-spot.
"Y-Yes, Daddy, s-so good," you moan, and he swears when you clamp around him, your climax nearing its peak.
He rests his elbows on the desk to give him more leverage, and that pushes your legs further into your chest, the air seeming to slip out of your chest. "Shit," he moans, savoring the feeling of you sucking him back in every time he pulls out.
"God, Kei, 'm close," you barely manage to say, and he closes the minimal distance between your lips, and you can barely kiss him back. He pulls your lip between his teeth when he pulls away.
"Then cum, sweetheart, cum," he breathes, and his body is tensing up as he spills inside you, but he keeps moving until you cum right after him, riding out both of your highs before slowing to a stop.
He moves his arms so that your legs fall, and you take in a huge gulp of air before your breathing quickly again. He puts his arms back beside your head before kissing you deeply, your hands brushing the hair plastered to his forehead.
"You know, I think I need some help with calc if you wouldn't mind?" he says, and you chuckle breathlessly.
"I wouldn't mind at all."
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sourwormsaresour · 3 years
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Headcanons on the type of pets La Squadra would own?
Holy shit this was too fun to make, especially with giving the pets names.
Sorbet and Gelato have their own Crusty-White-Dog™ that's a Maltese Terrier named Armani. The dog hates and barks nonstop at everything deemed threatening (aka, everyone and particularly the rest of La Squadra) and yet those two will claim she's the sweetest thing in the world. True to her name, they deck her with Armani branded clothes, either specially made dog fashion or they had a DIY done to make it look like an Armani outfit- down to the bright pink leash she wears dripping in the Armani logo. She eats the finest dry kibble and only drinks Ferrarelle Sparkling water; she will know the difference if you switch it up. She's the epitome of "I demand pets but only do so with your eyes" to everyone. Despite loving Sorbet and Gelato the most, she demands all their attention on her and she will cockblock those two if she catches them being affectionate to each other instead. Despite having a nice bed, she always sleeps between the two of them and will whimper if they kick her out of the bedroom so they can get intimate. Those tear-stained eyes always look like they've seen everything, despite being constantly babied by her owners. If Armani could, she would kill everyone.
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Risotto, the biggest man in Vento Aureo, has a little Syrian hamster he called Ace. He thought that a pet with a shorter lifespan would allow him the perfect balance of having a pet but not being very attached to it compared to pets that live longer- he was wrong. If you ever come into Risotto's office as he worked, either you are greeted with Ace running around in his green hamster ball, walking around Risotto's desk as he worked, or running in the hamster wheel behind the desk. Ace's tank is an old Aquarium tank Pesci gave to Risotto that is now full of soft bedding, toys, and Risotto frequently cleans it. There are days where Risotto just spends hours watching his hamster walk around the room, eating little treats, and staring at Risotto with its beady eyes. It's gotten to the point where you can't walk into Risotto's office without noticing a lone sunflower seed or piece of bedding on the ground that Risotto didn't notice until you pointed it out. Every time Ace passes from old age, Risotto buys a new Syrian hamster and calls that one Ace. He hasn't kept track of how many hamsters that came and went so far, but treated every one of them as if they were the first Ace. He takes pictures of Ace doing the most relatively boring things and will share them with his members.
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Illuso got a Sulphur-crested cockatoo named Scapino as a joke. He thought they didn’t require much attention but later felt bad when he found out that they need specific proper care. He proceeds to care for it as if it was his child. Illuso taught his bird how to speak and swear at people, specifically swearing at Formaggio and occasionally at Ghiaccio. This man will shower his bird with the best treats (expensive nuts, dried fruit, chicken bones) and has a special bar for it to perch on when they're in the shower together. This bird has free reign all over Illuso's place and wears a little anklet thing to verify that it has an owner should it escape. The two of them have spa days together and it’s one of the most wholesome things in the world to witness. Scapino will actually join Illuso on missions too, staying in the mirror world the whole time, and it provides him some comfort from his social anxiety. Sometimes Scapino sits on his shoulder as he walks. Illuso trained it to stay and hide in the mirror world so that it wouldn’t fly away or blow his cover when he’s working. But the bird will fly around in there and will watch anyone that’s getting murked in front of him with no remorse and commenting on it too. Imagine you’re dying in the mirror world and your last moment is this fucking bird looming over you going “night night, motherfucker”. JESUS CHRIST. 
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Prosciutto used to be on the whole “pets are unnecessary” train but he had considered looking at breeders for the best quality dog. And then one rainy day he found an abandoned Portuguese Water Dog puppy in an alleyway and at Pesci’s insistence took it in. Turns out the puppy was bought by a rich family for their kid but then abandoned when the kid wasn't interested in it anymore. Prosciutto insisted that the dog was going to stay for one night and then sent to the pound first thing in the morning. It's been years now and the little dog is now a big fluffy good boy named Pon Pon. The second biggest chunk of Prosciutto's paycheck is for this dog; I'm talking grooming services with paw-ticures, an all-organic raw diet, the nicest beds that even a human would wish they can sleep on. Pon Pon is properly trained with all the basics and tricks, because Prosciutto doesn't want to deal with a misbehaving dog, but it will use puppy eyes against the old man now and then. He give you the best smiles if you call him a good boy and if you glance at the right time you can see Prosciutto smile for a brief moment. Had he lived longer, he would have made Pon Pon famous on Facebook like Boo the Dog. Prosciutto will also not admit that this dog has helped him get laid a few times, because every person he did bring home always got a kick out of Pon Pon.
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Ghiaccio has a pet snake- an albino ball python named Bianco. Ghiaccio was also on the “pets are unnecessary” train too but mainly because he can't stand loud pets (i.e. Illuso and Sorbet and Gelato’s pets). When Risotto suggested he get a snake, Ghiaccio looked into it, researching and meticulously setting up the proper enclosure  and found himself going to a local reptile expo to find Bianco for sale. He’s fascinated by his snake to say the least, and would use leftover containers or Tupperware for Bianco to spend more money on proper equipment or food. Ghiaccio is really involved in online reptile forums and frequently debates with people on topics such as the best substrates to use, whether live rodents are better than frozen, ethics of breeding certain species, etc. He often gets worried when Bianco becomes picky and Ghiaccio would spend sleepless nights trying to get his baby to eat. Ghiaccio would walk around with his ball python wrapped around his neck or lets him slither around in his room under supervision but he mostly leaves him alone in the enclosure. There are times where he would claim he has the best, smartest pet and everyone just rolls their eyes like “yes the white fettuccine that got stuck in a toilet paper roll an hour ago is so smart”. But they let him rant about it. It’s kind of cute to say the least.
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Pesci is the definition of people whose entire LIVELIHOOD is making his room into an aquarium. His room is full of strictly maintained, cleaned, and decorated tanks full of various types of aquatic animals. I’m talking Dwarf Puffers (Antonio, Portia, Jessica, Bassiano, and Solanio), Albino Gold Axolotls (Moe, Larry, and Curly), Red Ear Sliders (Franco and Ciccio), Clown Fishes (Browser, Mario, Toadstool, and Koopa), Brazilian Sea Horses (Tom and Jerry), a Blue Betta Fish named Valentina in a 30+ gallon aquaponics tank that grows a variety of plants each season- to name a few. He rebuilt his entire room to keep everything running and even had Melone help him set up timers for lighting and temperature control. Pesci will cry if you somehow made the pH level off by 1 or did not care for his animals properly when he’s away. He’ll even lecture you about bad tank setup. He's a prominent member of the aquarium  community in Italy and will regularly redecorate each tank to suit the year and mood. This is where he’s spending his cut on the 20 million lira job: caring for his mini aquarium room. He occasionally gives away his pets’ offsprings for extra money (he doesn’t breed but sometimes he ends up having a ton of baby animals he can’t take care of) and would have been a YouTuber for his fish content. Now that I think about it, Pesci reminds me of my mutual @nexter2nd. Please go follow them.
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Melone has a Holland Lop bunny and you cannot change my mind. He actually had a pet bunny growing up, another Holland Lop named Echo and Grep, and his current one is named Sudo; all three are named after UNIX commands. He has a large dog crate he diy-ed to be a roomy enclosure in his room for her that he cleans frequently but also allows Sudo free reign of the room when she wants to go out. Because of his job, he makes sure all his wires are covered so his bunny isn't tempted to chew them and watches his bunny diligently whenever she roams around. Easter time is when the denim jacket, pastel bows, and flower crowns come out and Melone makes sure to take a lot of photos. He also housetrained his bunny and taught her a few tricks, similar to how he trained Echo and Grep years ago. Sudo is spoiled in terms of getting a lot of pets, new toys, and feasts on the finest veggies and delicious hay. Melone also makes sure the first thing he teaches his Juniors is to not harm the bunny. Surprisingly, he's against breeding Sudo and has her neutered. This is mainly because he doesn't have the time to breed and raise more bunnies but also he hates the idea of selling the grown bunnies off afterward. 
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You know that Formaggio has a cat: the little Russian Blue cat named Sweetie Baby. Sweetie Baby was a kitten that he found outside his home. The little thing was the sole survivor of its litter and nearly starving to death, so he took her in thinking he will bring her to the shelter when she recovers; that cat now lets him live in HER apartment rent-free. Despite feeding her cheap dry food and constantly shoving her into bottles, he treats her like a queen otherwise. He will dress her up in little outfits (much to her annoyance) and often would be too aggressively affectionate towards her. Still, there are moments where she would cuddle with him during the later nights and allow him to put on one iced-out bow he just spent a quarter of his paycheck on. Walking to his apartment and even the backdoor of La Squadra’s HQ means carefully walking through the stray cats mewling at your feet, because Formaggio will feed any cat he sees. Initially, Risotto wanted the cats gone, but then he finds out the cats doubled as security when he watched some robber attempting to break in but getting their eyes scratched off instead.
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looniecartooni · 3 years
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Alright- I’ve had my goldfish for nearly a year now and I want to change up somethings in their tank. (I’d show a picture but the fish tank is placed in a spot where you can see too much of my house.)   I have them in a 20 gallon tank with plastic decorations (most of which I have thrown away because it looked like the water was starting to expand them) and 2 logs (one ceramic beta fish log I got when I first bought them and one even bigger natural wood in resin log I got recently) as well as colorful gravel substrate and a ceramic decoration that says “No Fishing” on it.
Currently, the fishes’ favorite decoration (and now only plastic decoration) is this huge cloth/plastic plant I hate because the filter keeps pushing it over on the logs(they’re other favorite decorations. aka- they love to peck at them and swim through them). Ever since I’ve taken out the other decorations a couple days ago when I last cleaned the tank, they���ve been looking pretty bored/ trying to get my attention more often. They used to have a plastic grass decoration they’d swim through and a weird leaf decoration they’d sometimes peck And I’m thinking about maybe getting decorations like that again. They also love pecking at the rocks for any extra fallen food so if I were to change out the substrate, I’d definitely want a smooth gravel of sorts and not sand.
There are somethings I can’t do with the fish tank like get a 40 gallon (which would be better for 2 goldfish as 20 gallons is recommended for one goldfish) or get live plants because I currently don’t have time to take care of those things and my grandmother doesn’t want that much water in a still area with possible decaying matter inside of it. I also don’t want to change too much for the fish as I don’t want to shock them. I’d just like to hear some extra opinions before I go shopping like should I get a rock for the center of my tank, should I buy more plastic decorations, different substrate than colorful rocks like more natural rocks, what can best occupy my fish?
If you can help please let me know and no- I will not be selling my fish to someone else because I can’t upgrade the size of my tank currently (someone suggested that once back when I was more ignorant about fish care). I am however open to advice or approximate time duration on how long I should keep my fish in the current tank they are in or how I can improve conditions for it. If there’s anyway to fit or convince my grandma to allow a 40 gallon fish tank in her house I will try, but for now my fish are small enough and fairly happy in the size they have now (they’re growing a lot slower than I thought they would, but they are at least half an inch larger than when I first bought them).
Anyways- thank you to whatever you provide in terms of fish advice that does not include selling them. Thank you and I’ll try to get more stuff this weekend.
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MER Week 6 - Pets
Summary: Saren is the cutest little hamster in the world if you ask his owner. However, he is also territorial as fuck and he WILL bite. Grunt’s about to learn that one the hard way. Rule for the wise kid: don’t stick your finger in a hamster’s face.
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“Shepard.”
“Grunt… hello there.”
Ok… he’d bite. Who brought Grunt up?
Honestly, Alistair was more than a little confused right then. He had expected once they got back to the shuttle that he and the young krogan wouldn’t see much of each other. After all, he was pretty sure he bored Grunt – except for that first time with the gun. Yet there he was, standing in the entrance to his quarters, looking rather uncomfortable.
Was he being punked?
“Still in the elevator, Grunt.”
Bo’s voice called from over his shoulder. Much like a good son would, he shuffled to the side to allow her entrance. Even as large as she was, she was a little on the small side compared to the krogan. That didn’t matter of course – she was well versed in taking them down. It was why she had gone 25-0 in the ring back on Omega.
Well, at least that answered who let him up. Still didn’t answer anything else, mind you. Alistair was left watching as Bo sidled past her son and entered into his quarters. Luckily for him, his sister was direct: whatever was on her mind, he’d hear about it soon enough.
She looked around the room for a second. “Surprised Mandibles isn’t up here. Aren’t you two planning to- “
“He had calibrations to run.” Alistair’s cheeks flushed as he rushed to cut her off. Grunt snickered behind her – asshole. “Anyway, what’s brought you two up here? Everything alright after Tuchanka?”
Nothing like a krogan puberty ritual to get the blood pumping after all. Alistair was going to be having nightmares about that thresher maw for weeks, and that was if he was lucky. On the bright side, he was pretty sure it counted as exposure therapy. That was fine by him; he hadn’t done his therapy homework yet and with his workload he doubted it would happen at all. His therapist was understanding, but she was also a stickler. At least he had something to turn in the next time he saw her.
Much to his surprise, Grunt looked uncomfortable. He shifted from foot to foot, eyes darting around. Dare he say it, but to him he almost looked embarrassed. Apparently, krogan could do that as well as anyone else.
“I could have just looked on the extranet, Shepard…”
Bo shook her head, clearly amused by this. “What’s better than a real-world example? You asked about him anyway.”
She turned back to Alistair. “Grunt wanted to meet Saren after hearing you talk so much about him. Is the little guy awake or do we have to come back later?”
“You want to meet Saren?”
His gaze slid from the embarrassed krogan teenager to the wall on the far left. Even before he looked, Alistair had known. He knew the sound of bedding shifting anywhere, practically heard it in his sleep. That alone made him get up and take the trip to what at one time had been an aquarium.
Good thing for him he hated fish – it was perfect to make a hamster enclosure out of.
The theme that month was jungle. Among the scattered green bedding and wood chews, he found a little ball of white sitting next to his food dish, digging through the contents. At the sound of his footsteps, two red eyes focused straight on him, and some food went right into well-adapted cheek pouches.
Saren was a practical hamster like that.
“Hey, little guy.” Alistair smiled as he opened the enclosure and put his hands flat. A few moments later, the hamster was climbing up to rest between his palms, just like they had trained to do. Then he was out, held close as the Spectre returned to his desk. “Someone wants to meet you if that’s ok.”
Saren of course didn’t answer – much as breeding had improved, sentience wasn’t on the list of traits – but his eyes were bright and he seemed calm enough as he sat there, chewing at a seed from his pouch. These were good hamster introduction traits, especially considering who the interested party was.
Grunt didn’t look too impressed though. He gave the hamster a rather blunt look, then glanced over at Bo. When he didn’t get the reaction, he might have been hoping for, it went from pink to red Shepard.
Talk about being in the hot seat.
“Is it supposed to be so small?”
Alistair chuckled as he stroked Saren’s tiny head with his thumb. “Well, the European wild varieties back on earth are much bigger, but they max out at about a foot long. Saren’s a Syrian male, so he’s a fairly decent size all things considered.”
Grunt probably didn’t care about most of that – it wasn’t exactly new. However, his eyes never left the hamster. Saren either hadn’t noticed or didn’t care; he was too busy on chewing away at his seed to pay attention to the krogan. It was a feeling Alistair knew well.
He loved the little guy, but sometimes he ran hot and cold with affection.
“If you want to see him up close, come over slowly. Hamsters are prey animals, so he’s easily spooked.”
Much to his surprise, Grunt listened. He approached the desk slowly, eyes never leaving the small ball of fur in his commanding officer’s hands. He was interested, even if he wasn’t showing it on his face. No surprises there – kids loved hamsters, didn’t matter the species or the fact they were born fully grown and ready to kill. They just did.
“Why did you name it Saren?”
Now Alistair was chuckling again as he watched the hamster continue to chew. “You’re going to have to ask Bo about that, she’s the one who got him for me.”
Bo’s answer came quickly as she observed the introduction. “They said he was a biter and ate a cage mate. Made me think of the real Saren.”
Well, made sense he supposed…
“They eat each other?” Grunt’s tone was definitely more interested with that. Now they were getting somewhere. “That means they fight.”
Alistair nodded as he made sure Saren stayed in his hands. “Yep. They’re fiercely territorial. It’s why you have to house them separately. Hamsters kept together can fight, sometimes to the death even. This little guy had some healed scars when I got him, so he’s been through it. I guess Omega and the Citadel gift shop share husbandry tendencies…”
His voice trailed off. Grunt hadn’t taken his eyes off Saren the entire time he had been talking. There was curiosity there and a raw interest. That made the Spectre smile as he slowly brought his hands within range, eyeing his hamster’s body language the entire time.
“You can say hello if you want, he’s pretty calm right now.”
To his credit, the krogan didn’t retreat. However, there was some definite anxiety there. He briefly glanced back at Bo, and then he returned to keeping his eyes on Saren. Finally, he managed a brief nod and came a little closer.
“Do I just stick my hand out?” A finger got a little too close to Saren. Before Alistair could warn him, the hamster eyed it and did what he always did when someone got into his space without proper caused. Tiny teeth were soon chomped down hard in the classic signs of hamster bite.
It probably wouldn’t hurt a krogan, mind you. They were tough.
“Grunt, don’t pull your hand away. He’ll go with you and he’ll fall.”
The krogan shot Saren a dirty look as he watched the hamster bite down. “That does nothing to me, rodent.”
Saren, naturally, didn’t care. Alistair’s hands were part of his territory. More importantly, Grunt was big and round. Honestly, he wouldn’t have been surprised if the hamster thought he was an overgrown member of his species. Add a little fur, and he could honestly see it. He’d never say that of course – Wrex would hate it.
“He’s just defending what’s his. All he has is his teeth.” Alistair kept his voice level as he gently rubbed the hamster’s head with his thumb. “Come on, buddy, he’s not going to hurt you. You can let go now.”
After a few more moments, Saren let go. He went back to his abandoned seed, but his eyes never left the krogan. Grunt was in a similar mood, eyeing up the hamster with a rather brutal gaze. At least he had the good sense to take his hand back, the offended digit tucked away.
Bo’s voice carried over the chaos. “So… what did you learn, Grunt?”
“Don’t stick my finger in an animal’s face…”
There was a definite sulk to his tone. It was strangely cute, in a weird sort of way. Meanwhile, Alistair was just glad he hadn’t pulled back. Saren may have trusted him, but he would’ve gone for a ride. Then he would’ve had to eject Grunt out the airlock if anything happened.
Was he biased towards his hamster? Absolutely.
“It’s his way of making sure his space is safe. I used to get bit a lot when we were establishing ground rules.” He stood, crossing the room to return Saren to his enclosure in case he was overwhelmed. Much to his surprise, Saren didn’t burrow under the substrate as he often did to hide his food. Instead, he stayed on top, eyeing Grunt. “Huh… how about that.”
Grunt gave Saren the exact same look. “Your hamster’s hungry for battle.”
In another surprise, the krogan smirked. “Shepard was right, Saren is appropriate for a warship.”
Well… there was a stamp of approval he hadn’t seen coming. Maybe pigs would start flying…
Alistair at least managed a nod. “He’s territorial, it’s part of the breed.”
“Don’t sell the little guy short, he took a krogan on full force.” Bo was definitely amused as she surveyed Grunt’s finger. There was a definite scuff there – Saren had left his mark. “Damn, little guy bit down hard. The hell are you feeding him, concrete?”
Oh… just lab block, some seeds, extra protein if the mix didn’t come up right…
“He’s got a nasty bite; I’ll give him that.” And he was also done with the room – Saren was soon digging back under the substrate. “He’ll be out for a while; he has food to hide and some sleep to catch up on.”
His gaze found Grunt soon after. “Well, I hope he lived up to your expectations. If you want to come visit again, just let me know.”
“As long as you don’t try to convert him to the gospel of hamster.”
He made no promises there. Anyone who could be swayed, he would sway. That’s what it meant to have a hamster as cute as Saren.
Still, at least Grunt didn’t seem too upset about the bite as he nodded. Maybe it had taught him not to fuck with small animals -a win in his book. At any rate, it felt as though things were ending.
“I might.” And then he was heading to the door. Soon he was gone, leaving Bo and Alistair alone. As soon as he was out of hearing range, the larger of the two Shepards slumped down on his cough, doing her best not to laugh.
She did alright, but he failed miserably.
“God, that was fucking adorable.” Alistair wiped a tear from his eye as he chuckled. “I mean, apart from when I thought Grunt was going to toss my hamster.”
Bo nodded, snickering a little. “Yeah, he’s been wanting to come up for a while but he couldn’t figure out how to ask you. I agreed to be a buffer after it took him a half hour to spit it out. You might have just converted him to the dark side.”
Apparently, he was a sith now. Just because his face glowed red…
But still. Alistair nodded as he glanced back at the enclosure. He could see Saren’s tail from a gap in the bedding – he was pressed against the glass, no doubt making himself comfortable for a long nap. He’d had a long day after all – he’d just taken on a krogan.
“I think if he’s a little slower next time, they’ll get along just fine. Maybe I’ll give him a couple seeds to try.”
Baby steps, after all. Rome wasn’t built in a day and becoming friends with a hamster was just as detailed and complex. If Grunt put the effort in, he could see them getting along great. Hell, he might even get a new Saren sitter out of it.
He needed one of those. His normal ones went on missions went with him half the time.
“Thanks for letting him try. I knew Saren would be tough enough to handle him, little dude’s from Omega after all.”
Terminus system, born and bred – it was in his DNA. He’d never be as sweet as some hamsters, but that was part of his charm. It made their moments together even more special in his mind, honestly. He’d managed to get an Omega resident to let him pet him – that was a win in his book.
“Just let me know the next time he wants to come up.” Alistair returned to his desk – he still had work to do. “Now, unless you want to work on these reports…”
And just like that, he was alone as Bo beat a quick retreat out the door. He shook his head, chuckling once more as he went back to his reports. Still, he kept an eye on the glass enclosure across from him. Somewhere inside, the toughest hamster Omega ever bred was enjoying his rest. Maybe he was dreaming of fighting krogan, who knew?
One thing was for sure – they had definitely started on Grunt’s conversion to the dark side. Excellent. He had wanted an apprentice one day.
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kirindensetsu · 3 years
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The Making of Fubuki
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((Reposting from Den of Angels workshop thread because I wanted my friends to be able to see~))
After years of pining after dolls I couldn't afford as a broke teenager, my first BJD was a Bobobie Sprite I purchased for my 18th birthday. Unfortunately, she didn't live up to my expectations and I never really bonded with her. Her face was cute enough, but the Bobobie body lacked the grace and posing ability I imagined for the Unseelie faerie I'd been daydreaming of for years. Sueding and wiring didn't help, blushing and tattooing highlighted her blockiness, it was a mess. I packed her away and tried not to think about my disappointment for 12 years. In the meantime I learned to build and paint resin garage kits, inherited one of my sister's dolls, bought some others, took anatomy & physiology in college, and did a couple extensive restorations and full-body modifications. I was sure I had thrown her away at some point as a failed project, but last weekend I found her tucked away in a doll bag I thought was empty. Having just finished substantial mods on a Dollshe body, and awaiting an unfinished Unoa kit for my birthday in September, I decided that I owed it to her to try again. Doll nudity below the cut, looooong post--
My Sprite was originally going to be a pooka with golden eyes and extensive woad tattoos. The golden eyes are incredible, so those are staying, but she's now going to be a blue oni to fit in with the rest of my collection. My plan is to do extensive additive epoxy work, and then to use Krylon Fusion to give everything a unified finish. The goal of the project is to reduce the... idk, STRAIGHTNESS of the old Bobobie body. I was never going to be happy with it, the lines were all far too rigid.
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Head: Modified mouth for a wider, smirking smile. Magnets added to headcap (old Bobobie used an S-hook iirc; I did this part back in 2008). Forehead drilled for 3mm brass rod armature, and epoxy used to sculpt horns over rod. Bust: Substantial subtractive modifications to breasts, which involved removal and readdition of nipples. Addition of epoxy clay to back and shoulders to give a more curved body line in profile. Deepening of shoulder sockets with 18mm eye bevel, followed by sanding to make shoulders narrower. Waist: Reshaping of upper torso joint into sphere for smoother range of motion. Subtraction of resin in back and addition of epoxy in front to enhance lumbar curve. Hips: Substantial reshaping of lower waist seam to more naturally follow the pelvic girdle. It reminded me of granny panties before  Added epoxy to butt, again for lumbar curve. Thighs: Suwariko joint mod (cut the thigh and added a PVC insert to enable swivelling at the hip). Added epoxy to make her thighs look less straight. Calves: Removed 1cm of length at the ankles and rebevelled the socket. Removed resin at the ankles to bring them in, and added epoxy at the calves to make them curvier. Feet: Sculpted little claws, which were cute, and then decided the feet needed to be 5mm longer. Cut across, drilled and pinned with brass rod for structural strength, gap filled with epoxy clay. I also modded her feet to have defined arches and balls back when I first got her. Alas, spitting into the ocean. I added S-hooks, but did so by drilling the ankle and inserting brass rod to form the axle for the hook. Arms: The proportions on her upper arms BOTHERED me! they were so SHORT! and I only just figured out that's what I hated about them last week! I added 5mm to the upper arms by cutting them in the middle and using SteelStik to make a structural repair (plumber's epoxy putty has a shorter open time but far greater structural strength than artist's epoxy clay). Sanded the heck out of the wrists to give them a more delicate taper. Hands: Beyond salvage. The hands were my least-favorite part of this sculpt. I tried to bulk them up to look less spidery but it was just too difficult... I've ordered a different pair of MSD hands which will have claws added, and then when everything is painted it'll all match. Thanks for reading this far! Here's a preview of what her golden eyes look like next to Krylon Fusion in Antique Blue.
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((first progress post)) I think I'm mostly done adding epoxy clay (at least where it'll show; presumably the wrist sockets will require tweaks to fit the new hands), so now it's time for finish sanding. I start with 60 grit for shaping, then switch to a 120 grit sanding sponge. To check for scratches, pinholes, and inadequately feathered edges, I apply a wash of diluted acrylic paint. Once the paint has dried, I scrub the piece with a nylon scouring pad. Paint remains in the surface irregularities.
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All sanded with 220 grit. I don't think I'll be going higher than 400 because I want there to be some tooth for the paint.
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Any pitting in the epoxy clay that can't be sanded out is marked with a Sharpie and will be patched with Tamiya spot putty.
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I did a test spray of the Krylon Fusion on the headcap and it's fantastic! Holy cow is it *poisonous* tho, I'm used to working with volatile chemicals but this was something else. Get OUT OF THE AREA between coats and leave it outside until it stops outgassing, not just until it's ready to handle.
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This test piece is four light coats sprayed 1 minute apart, allowed to cure for 4 hours, and then wetsanded to remove the spray texture. It's pretty sturdy but I will wait several more days to see how it continues to cure before experimenting with matte sealants. ((progress update 2))
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Haven't done much but sand-and-fill-and-sand-and-fill, but my 14mm beveller came in today so I can start deepening her elbow and ankle sockets. Added some epoxy clay to the insides of the eyewells so 14mm eyes will fit with no gap. I need a needle file to clean up the corners of her mouth... Monster feets! Nails on the right came out better than the left, still need to feather-sand everything.
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Elbows progress. The early Bobobie elbows are I guess /technically/ double-jointed because the joint is a sphere with two slots, but I thought I could do better than that. You can see epoxy clay spliced in to make the sphere into a peanut: this isn't a structurally sound repair unless you pop it apart and drill/pin/glue-epoxy it back together.
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View from the back. By keeping the joint heads spherical with no elbow-shaped detailing, there's some rotation as well as flexion, which I like.
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Touching her face with one of her old hands. I hope the new ones come soon!
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((progress update 4))
In good news, these parts are all ready for paint! It's really hard to do prepwork with no filler primer, hope I didn't miss any spots...
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In less good news, her new hands arrived and they are... very smol ;u; I forgot that the new trend for slim minis means that everyone has TINY LITTLE HANDS.
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They are, however, beautifully sculpted and a good 3D reference for what needs fixing and how. Bobobie palm is very short relative to fingers: I made a transverse cut behind the knuckles and added epoxy to lengthen More curved volume across the back of the hand: Not necessarily realistic, but looks a little cuter, plus it makes the transition into the cylinder of the wrist look less stylistically jarring. More defined joint angles: Some of these I did via cut-and-thermoform repositioning, mostly I'm aiming to fake it by building up and carving away at the weird smooth curves. The fingers are just TOO SKINNY: But obviously I'm not going to squish rice-grain-sized blobs of epoxy to the fingers, right? It's too fiddly, it doesn't want to stick. What's the solution? Brace for a truly hideous WIP image--
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"AAAAAAGH WHAT IS THAT DARK GRAY MESS" it's JB Weld epoxy! It's like load-bearing, slow-curing modeller's putty! Slathering putty onto an armature and then carving it away to refine the shape is how anime figure artists make hands and detailed hair.  I was thinking about it from a polymer clay technique/perspective so I missed the obvious solution. Hand in the foreground has more layers than the hand in the background, every layer gets the shape a lil closer. ((progress post 5)) Parts set up on sticks so I can handle them without touching...
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... and after 4 light coats!
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Closeup of the head, lil' glossy because it's still drying. For the deeper areas like the joint slots, mouth, and the crannies of the ears, I'm going to have to decant some of the paint into a jar and apply it with a sacrificial brush.
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((progress post 6)) I return from Depression! I finally finished sanding-and-spraying the Krylon Fusion coats, gave her a last polish with microfine to even out the texture, and have started blushing her. I'm using a mixture of Tamiya X-series acrylics applied via airbrush for basic contouring, then I'll go back in with pastel to add warm tones and details.
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Fun discovery: in an attempt to cover some accidental overspray, I tried spraying the Fusion directly into the paint cup of the airbrush and using it to "erase" back to the base color. I'm NEVER using this product straight from the can again, it goes on so smooth and gorgeous from the airbrush! No orange peel or bubbles to sand away. I'm seriously tempted to get a can of pink and try blushing with it.
((progress post 7)) Doing a faceup over a spray-painted substrate is HARD I want to CRY. I talked about sanding out the spray texture to get an untextured surface, right? Welp, didn't/couldn't sand well enough in the corners of the mouth and the folds of the eyelids, so it's crusty-looking with pastels over it and now there's nothing I can do about it that doesn't involve stripping down to resin and starting again.
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((final post)) Sueded and strung!
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I didn't take pictures of the sueding process because I was using Barge Cement and it is messy and time-sensitive. I used masking tape to make templates of her joints, transferred to some thin gray lamb suede I found on eBay, and glued it fuzzy side out. The suede was thicker than real pliver, more like the thickness of silicone KIPS discs, but I think it worked out without too many fit issues. The trim store had 3.5mm elastic in a beautiful slate-blue color that I thought would look nicer in the joint slots, so she's strung throughout with thicker elastic. Some more poses to show off the functional mods~ Suwariko joints let her sit crosslegged, and more mobile wrists let her put her hands into the pose.
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A more ball-and-socked shaped contact surface at her waist lets her slouch at a full range of angles instead of being locked into two.
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With longer upper arms, she can reach the ground in this pose! You can also see how the modded waist joint lets her cock her hips.
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She could always stand with locked knees. I think she needs some wire in her legs to let the suwariko joints hold their rotation against gravity, but I'll see how the elastic tension settles in first.
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A parting shot out the snowy window. We've been having a hard time picking between a few names for her, but I think this settles it. Welcome back, Fubuki~
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beardycarrot · 3 years
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Hello, I've noticed you own an axolotl and would like to ask for some advice to taking care of it?
Sure, did you have any specific questions?
The important points are that they need cold, clean water, have a tank with a large footprint all to themselves (or another axolotl of the same size), and that you shouldn't put anything smaller than their head in the aquarium unless you're okay with them swallowing it.
So, let's go over what those things actually mean.
Axolotls are native to lakes in Mexico, which they prefer to live at the bottoms of. Because of this, they're adapted to cold water without much light... so you'll need a special setup for them. You can buy an aquarium cooling system, but it's a lot easier to just set up a small fan and point it at the surface of the water. This causes the water to evaporate, cooling it. You'll need to add new water more often than you would with other aquariums, but it's by far the simplest solution. When I decided to move my axolotl tank last week, I bought an old desk to serve as an aquarium stand, because it had a convenient place for attaching the fan.
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Being bottom-dwellers is also why you want a tank with a large footprint. While fish swim around a lot, axolotls spend most of their time lounging on the bottom, so don't get much use out of vertical space. A ten gallon aquarium is okay for a baby, but once they're bigger, a twenty gallon long is ideal. If you've got a forty or fifty-five, even better.
Axolotls are pretty sensitive to water quality, and poop A LOT, so you'll need to clean up after them in a way that's not really necessary with most aquatic pets. You will, of course, need to nitrogen cycle their tank before putting them in... but the problem with that is aquarium plants, which I'll get to in a minute. Once your tank is set up with the proper bacteria (which you can buy in bottles, actually), the best way to maintain it is to actually remove the axolotl poop as soon as you see it. Just keep an eye out for what looks like a brown Tic Tac, and suck it out with a turkey baster. If the water gets too dirty, either from poop being left in for too long or the nitrogen cycle not functioning as intended, axolotls can suffer ammonia burns to their skin and gills. They'll recover from it (that's kinda what axolotls do), but I mean... don't mistreat your pets, kids.
Planting an axolotl tank can be tricky, because being bottom-dwelling amphibians, they're not particularly bright or good at identifying things by sight. If they encounter something that can fit in their mouth, there's a good chance it WILL end up in their mouth, on the off-chance that it's edible. This is a problem because most aquarium plants are sold with the expectation that you'll root them in gravel, and an axolotl eating gravel is... well, it's not ideal. You really need those plants as part of the nitrogen cycle though, so you gotta put them in somehow.
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I don't know what the ideal solution is, but here are mine: I happened to have a couple small plant pots (two to three inches tall), so just made some miniature potted plants. These are some kind of anubias (anubias nana, I think?), which I chose because they don't need much light, planted in gravel within the pots. I also have another plant in an aquarium log, which you can find at most pet stores, though I'd advise putting it in its own tank for a week or so before introducing it to an aquarium: even if the store claims the logs don't have any snail eggs in them, they probably have snail eggs in them. Finally, on the right of the photo above, you can see my third type of plant, a marimo. These moss balls just kinda roll around underwater, so don't actually need to be planted in anything.
Tank mates of other species don't really work for axolotls. If it's a fish too big for an axolotl to eat, it'll try to eat the axolotl's external gills. If it's anything else, the axolotl will try to eat it. Axolotls will even eat the gills and limbs of smaller axolotls, so if you don't want your axolotl to be lonely, get another axolotl of about the same size. Axolotl axolotl axolotl axolotl.
Those were the main points I wanted to touch on. What else... well, substrate is important. You can't use gravel, and being bottom dwellers, axolotls like to crawl around just as much as swim, so will get kinda stressed out if the bottom of their habitat is smooth glass. Most people use sand, since if the axolotl swallows it, it should come out the other end no issue... just make sure that you get natural quartz sand and clean it well. If you want to get colored sand, do your research: a lot of black sand sold for aquariums is coated with plastic to give it that color, and you don't want your axolotl eating that.
You could also do what I did, and just buy a big piece of natural, untreated slate. It looks really cool, and gives your axolotl plenty of traction for crawling. I bought mine from BlankSlateCrafts on Etsy, who if asked nicely might even be willing to custom cut you a piece to fit the inner dimensions of your tank.
Hmm... I guess the last thing I should touch on is feeding. My axolotl, Woop, eats earthworms almost exclusively. Specifically, red wigglers and other small European nightcrawlers, which I feed her every other day. Ideally you'd have a composting setup that just continually breeds worms for you, but you can get them anywhere that sells bait. Just make sure to read the label: some, like the ones dyed weird colors to attract fish, will specifically say they're not intended as pet food. I also give her bloodworms, which you can find frozen into ice cubes at pet stores, though these aren't the kind of thing you should feed them every day. Think of them like french fries. I feed Woop earthworms with a pair of long aquarium tweezers, and have a dish in her aquarium for the bloodworms. It might be worth making a post going over all the equipment I use...
Alright, that's about it! If you (or anyone else) have any other questions about axolotl care, feel free to ask!
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whumpbby · 3 years
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Hi! So this is kind of a random ask, but I know you have beta fish, and I’m considering getting one. I’ve had beta fish in the past, and despite educating myself on how to take care of them they haven’t lived very long, so I’m hoping you’ll be able to help me. For my past beta fish, I keep them in a five gallon tank (for clarification, I never had more than one beta fish at a time. So I didn’t have multiple of them in the tank don’t worry—they just all lived at different times in the same tank) that had a filter with a pretty low flow on it. I never saw any of the fish have problems swimming with it on. I always used a highly rated water purifying product for the tank water (I forgot what it’s actually called) and I never had any sharp plants that would hurt their fins. I fed them a little every two days because I heard that feeding them everyday was bad for them. Do you happen to know what I was doing wrong? It was frustrating for me because I put a lot of effort into keeping them alive and healthy and then I would see people who kept them in small half gallon bowls have their fish outlive mine. It’s been a couple years, and I want to get another, but I don’t want to accident hurt/kill another one. How do you care for your beta fish? Do you have any advice? Sorry about the rant, but I follow you for your Jason content and happened to stumble upon some of you fish posts and need help. Thanks so much for reading this, and if you do end up offering any advice, I want to thank you for that too!
Hi dear, sorry if I took long to answer - tumblr notoriously does not inform me of messages>> 
I understand your pain - especially that the situation with bettas is very frustrating. They tend to suffer from quite a few genetic defects (they are prone to tumours, for example) and are a very abused fish in the aquatic industry.  Oftentimes by the time they will get to a caring and dedicated owner, they’ve already went through a lot:0 We just don’t know how healthy the fish is before we got it. 
I am by no means an expert, I have lost a few babies since I started the hobby a couple years ago and I can only assume what a few of them suffered from:( One thing that seems to work is leaving them and the tank alone for as long as you can once it’s all set up and cycled and running - apart form the regular maintenance. I am a chronic fiddler who needs to change and add plants, filters, etc, so I constantly have to hold myself back form doing things to the tank. My sister has the same betta for a second year now and the only thing she does with her tank is water changes once every couple weeks - and both him and a thousand of cherry shrimp that live there thriveXD 
Some things I nowadays pay attention to that may be useful, however, are:
- water temp has to be consistent, on the warmer side. I keep mine at 26-27C (I don’t know how much that is in F, sorry>>). To that effect the tank needs a lid - it will trap the warm air, protecting the betta form inhaling cold air then they come up for a breath. They labyrinth breathing organ is quite sensitive to that.
- I feed my boys twice a day, so I am not a part of the ‘feed them little’ club. I give them a little pinch of the good flake in the morning (Bug Bites is nice) and a 3-4 granules of a King Betta or a pinch of a protein-rich micro pellets in the evening. A betta breeder I talked to a couple times advised that it’s better to feed the boys a couple times a day in small quantities rather than once - keeps their digestive tracts working and they can avoid constipation. Constipation happens often with bettas and is a headache to solve. I leave frozen bloodworms for special occasions and just rotate the dry foods for variety.  
- I change water every week - and every other week make sure to vacuum gravel the substrate. In the planted tanks I vacuum only about 2-3cm of the top layer to not disturb planting substrate below and not to suck up any shrimp, so it’s a gentle operation. In the gravel where there is no growing substrate I go deep - the reason being that I want to free any possible air bubbles stuck underneath where bad bacteria may grow. 
- Pick a filter and stick to it. I was very bad at that, but I finally managed to hotwire a combo that seems to work so I will stick to it;) If you can stand the noise, I advise a sponge filter - it’s so easy to clean and manageTT If you can’t stand the hum of the air pump and the bubbles, I recommend a matten filter - or hotwiring an internal filter to a sponge filter - like so - instruction in German, but the visuals are very self-explanatory;] I used gel superglue to connect the filterhead to a sponge filter and now all I have to do once a month or rarer is to pull the sponge off and squeeze it few times in the used tank water! And sometimes clean the showerhead from algae;] It saves you so much money on the cartridges (corner sponge filters are a couple £/$ and last years) and provides extra filtration. My shrimps also eat off it;] 
- get a snail. Seriously, I have a snail in every tank - a single nerite will do best for a 5gal. They don’t breed in sweet water, don’t grow large and will keep your glass clean for you - I have not cleaned my tanks’ glass since... ever>> Joe I and Joe II do it for meXD They also provide company for the betta and something fun to look at. And he will scarf uneaten food form the gravel. 
- I assume you know about the nitrogen cycle, so I will not bore you here about bacteria and such. But a best chance of saving the betta form stress when you get him home is a cycled tank. You can get an ammonia testing set - or, if you find that a bit intimidating (I do for some reason) you can go to an aquarist shop and they will check your water for you. My local store in town does it for free. I am not sure about big box stores, tho. If you see something being wrong with the betta, check water and see if it needs to be changed asap. 
- water changes are mandatory and have to be regular. A 5gal is a convenient size - I am using a 5l bottle left over from mineral water as a measuring tool;) This way I know I am always changing roughly 1/4th of the tank’s water. It’s very easy to see how much water I removed and how much I have to put back in - I can control the water temp and add dechlotinator/vitamins etc before it goes into the tank, so I do not shock my critters with too hot or too cold water. The rule I practice is leaving the dechlorinator in the bottle for about 10 mins before pouring it all into the tank. 
- you don’t have to be intimidated by planted tanks:) A little bunch of anubias on a stick is often enough to start with and a good look for a tank, in my opinion. It also makes for a more natural space for the betta he will certainly appreciate. The less fancy stuff the better - I got my first natural rocks form the side of the road (ofc I boiled the life out of them before they got even close to the tank) and they are usually quite cheap on amazon. A stick with a plant and a rock and some small-size gravel is often enough to look good. The plants will also help with eating up nitrites and keeping the water healthy.
- goodness, what else. Medicaiton. Ok. I have tried many meds for my boys and once the fish is in a bad way not much will help, form my experience :( My med set consists of Melafix - I add it to water according to instructions whenever I see my betta without appetite or acting off. It’s a mild anti-bacterial mixture that does not affect snails/shrimp. If that does not help, I use eSHa 2000 or eSHa Exit - they are two very comprehensive meds that deal with a variety of problems. I have never used aquarium salt, but some people swear by it - there’s no specific reason I don’t use it, I just never got around to it.  
This is all the chaotic advice, but things to remember (I am not trying to be condescending, I just don't know how much you know;]) are: cycled tank, regular water changes&filter maintenance, consistent temperature and quality food. Bettas are hardy little suckers, but sometimes they are also frail in ways we can’t see until it’s too late. I am already seeing a tumour growing on one of my boys and there is nothing I can do about it except giving him the best life I can - he is still going strong, but I know he will probably not last to the end of the year. It’s a hobby that sometimes seems thankless, but if you do everything right, even if they leave early, at least you’ve given them a good and peaceful time before that:)
If I you have any more questions or just want to share woes, feel free to message, I will do my best to answer:)
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foxtophat · 3 years
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hello hello hello
i got thrown off my groove for a month there doing irl shit but i finally sat down and posted this piece of mercy fic that i’ve been sitting on for like a month. it’s all about john and kim hanging out and bonding so that’s fun!!!
i have a couple of ideas for stories but i’m not QUITE SURE how many of them are going to actually get posted. i might do like a yearly synopsis and put it in the series, writing out what happens between stories and stuff so when i reference shit it isn’t out of the blue, BUT ALSO i am lazy and it’s a miracle mercyverse has gotten this much from me, so lets not try to rock the boat huh???
anyway this is a story about john and kim falling into a cave. it’s like a bottle episode except the bottle is like a large intestine.  i hope you like it!!! if you do, consider reblogging this post, or sharing the link, or kudosing or commenting or liking or subscribing or SMASHING THAT BELL
as usual, the story is under the cut for those of you who want to stay on tumblr for some godforsaken reason
Kim had thought that she was doing Nick and John a favor when she first offered to go cache-hunting with them. After all, Grace and Carmina had their hands full working on the yard's shooting range, and there hadn't been anything better to do than dig a couple of holes out in the woods. She'd figured, why not? An extra set of hands could speed things up, and she could keep them focused on digging instead of bickering.
Of course, now that she's out here with them, she regrets ever having offered. As it turns out, their method of cache-hunting involves incessantly goading one another into a fight, trading places between aggressive pessimism and irritatingly fake optimism whenever it might serve to piss the other off more. She's given up on trying to stop it; after all, it's not too much worse than what they say while mending fences and hauling scrap. It's just that the distance between them means that they're arguing at a headache-inducing level.
At the very least, Kim had hoped for some kind of method they could fall back on, but at three hours in, they've all but given up. She supposes the first two caches had been pretty easy to find, being in areas where the terrain hasn't changed much — but this neck of the woods has definitely seen some shifting. Between the rock slides and massive knots of collapsed trees, the steep hillside looks more like a beaver dam than the picturesque hiking trail it probably used to be.
"I'm starting to think that Jacob was full of shit," Nick says, as if he hasn't been reiterating the sentiment for the last thirty minutes. "There's no way we're gonna find anything out here."
Nick might be right, but Kim isn't about to gang up on John right now. She's been mostly staying out of it as the two of them argue about Jacob's map coordinates; why get involved now?
She ignores them and instead picks her way up the hillside towards one of the many uprooted trees nearby. Just like the last dozen trees she's checked, this one doesn't hold a barrel in its roots, nor do any of them have any damn sign indicating where they should be looking. Whatever marker Jacob might've left, paranoid bastard that he was, it's definitely been destroyed by the apocalypse.
"I told you that this wasn't going to be easy," John says. "There's half a mile of trail to search, and there's only three of us. This isn't some pasture outside town —"
"When I asked you if we should bring Grace and Carmina along, you said they would just get in the way! Now here you are, telling me we need more people!"
"If they were here, who do you think Grace would blame if Carmina got a goddamn splinter or scraped her knee? How do you still not get that she is actively looking for a reason to shoot me?"
"At this point, I'm looking for a reason, so I don't know what you're expecting!"
Kim has to admit, they're both making pretty good points. She just wishes they wouldn't make it sound like the start of a fistfight.
John's sigh is especially theatrical, and Kim hears the leaves crunch underfoot as he begins to stalk up the hill after her. He's probably going to try passing her, just to get space from Nick, but he really shouldn't bother. They should at least stop for something to eat and some water, and then they can figure out whether or not expanding the search zone is a good idea. They should probably reconsider their current "poke around and hope" method, too.
Setting her sights on a stout, dead tree with its roots partially torn up, Kim decides to make that the last straw. If she's got any luck at all, the cache will be tangled up in the tree's roots, and she'll be able to gloat about finding it for the rest of forever.
"Don't get too excited," John says, catching up to her as he runs away from Nick.
"Too late for that," Kim teases. "My hopes are at an all-time high. I'm about to be crushed by the disappointment."
"Fantastic," John grunts, rolling his eyes.
He lets her take the first approach on the tree, which juts awkwardly out of the ground at an acute angle. Its scraggly branches are covered in dry needles, and the partially exposed root system seems to have rotted from rain. There are no other trees for a good couple of yards in any direction, so this tree must've gotten the brunt of the worst nuclear weather.
"We should take a break," Nick shouts from halfway down the hill. "I need a goddamn drink!"
"I told him this would be a waste of time," John grumbles. "We could have taken any other location, even the one at the goddamn compound, and had better luck than out here."
"Well, we're here now," Kim replies. "Come on, maybe the cache is tangled up in the roots or something."
John reluctantly follows Kim as she tests the spongier, damp soil around the rotting tree's base. It's clear he's already given up, but that only makes Kim more determined to find something worth the trip out here — at the very least, so that she can rub it in John's pessimistic face. He can't be a sour bastard forever.
No barrel in the root system, of course. All Kim finds is molding wood and the flash of exposed rock. It's just muddy enough that Kim's going to have to scrub her boots when they get back. From here, she can see the slope of the hillside, and the trees that slump with their tops pointed in her direction. It's like they're telling her, go back!
"Please talk Nick into giving this up," John insists, lingering right behind her and scowling at the roots that have betrayed both of them.
"I mean, we've only been out here for two hours. There's plenty of time to find something." Kim crouches down to check the rocky substrate for anything interesting. "Look on the bright side, at least we don't have to dig."
"I think you two are blinded by that bright side of yours." John sighs, leaning against the tree and glaring down in Nick's direction. "You know that the interstate is only a half-day hike from here, right? This is the exact sort of place Jacob would've stashed passports, money — bug-out kits to abandon the county, that kind of thing. It's not like he buried more coffee and rice out here."
"So is that your new theory? Jacob was planning escape routes for you guys?"
John frowns. "It's one of them."
Kim stands and comes around to join him by the trunk. She debates on invoking Jacob's memory any more than she already has; he seems to have a habit of upsetting John even from the grave. She gives the tree trunk a little kick as she considers pressing him, knocking some mud from her boot tread.
Her curiosity takes a backseat as the world lurches uncomfortably beneath them. She catches herself against the trunk and looks towards Nick, who's picking his way up towards them. Only now does she notice that the trees in this direction also lean inwards, towards the lone tree they're currently beside.
John catches on at the same time, hissing under his breath before hollering a warning. "It's a goddamn sinkhole, Nick, watch out!"
The inconvenience turns into real fear as Kim considers the terrain. With all the caves littering the mountains around here, there's no telling how deep the void beneath their feet might be — five feet, twenty? Or, God help them, more?
Kim struggles not to panic as Nick makes no effort to hide his own. "Come on, you guys," Nick calls from between two jutting evergreens, "Just cut across before the whole damn thing gives out!"
There's not a second to spare, but even as Kim starts to move she knows it's too late. She gets one last look at Nick's horrified expression before she, John, and the dead tree crash down into the empty space below.
Kim lands hard on her side, her arm taking the brunt of the blow and blossoming in radiant, white-hot pain. The world around her, suddenly dark and unfamiliar, tunnels alarmingly out of her vision, her blood rushing into her ears until she can only vaguely hear her own pained crying. Trying to move only causes daggers of pain to shoot right up her arm and into her brain, but she only finds that out as she rolls off of her definitely broken arm. At least, Kim's pretty sure it's broken. She's terrified of looking over and seeing her bone poking out, or something even worse — she knows that she won't be able to stand it, that she'll pass out, and she can't do that down here in this goddamn cavern!
Vague, warped voices vibrate through her as John appears abruptly by her side. The left side of his face is covered in a smear of blood from a deep wound scored over his brow. His mouth moves like he's trying to speak to her. God, her fucking arm!
"Take a deep breath," John commands once again, and this time Kim hears him and abides. The pain doesn't subside, but at least the panic that comes with it is softened as she struggles to calm down. As she does, the background noises begin to come into focus; the crumbling rubble settling, the sharp, birdless silence of the air, and most importantly, Nick hysterically shouting her name from above.
John puts a hand on the shoulder not currently delivering mountains of pain. "Another one," he says, and Kim obeys. It's while she's trying to catch her breath that John steps away, cupping his hands to his mouth and shouting up, "Kim's broken her arm!"
"God damn it, what happened — never mind, just —! Stay put! I'll go get help!" Nick's voice cracks as he realizes aloud, "Shit, there's nobody to get help from!"
Kim sucks in a deep breath. There's no way that John is going to be able to handle Nick's mounting panic by himself, and so she steels herself and tries to steady her voice. "It's gonna be okay!" she shouts. "I'm fine!"
"Bullshit you're fine, that looks like a two-story drop from here!"
John swears under his breath. "I don't have time for this."
"He's going to try and jump down if we don't talk him out of it," Kim hisses, closing her eyes as a wave of painful pins and needles washes up her arm. She keeps accidentally moving it, and the feeling of the bone scraping is enough to make her want to vomit.
John clearly decides she's right, changing tactics as Kim desperately tries not to start sobbing again. "It isn't bad, Nick!" he shouts, "But I need rope if I'm going to splint it! Get the cord from the glove box!"
Nick is quiet for a moment. "Y-Yeah," he calls down shakily, "I... I guess you got plenty to work with — hold on!"
Kim lets out a breath she hadn't meant to hold, then bites back the scream that threatens to rip from her throat. "Please tell me you can do this," she moans as John crouches down beside her broken arm. "I can't look — is there bone?"
"There's no bone," John replies. His voice is tight and unhappy, but at least he isn't lacking in confidence when he tells her, "I know what I'm doing. Try to stay conscious, and don't move. The last thing I need is to be stuck alone with Nick."
"Excuse him for worrying," she groans, staring up at the sky through the fifteen-foot-wide hole above her. She counts down the seconds until Nick gets back, if only to focus on something other than the pain.
John leaves her to it, making his way over to the tree that's joined them here in the cavern. There isn't much else down here besides them and the vegetation that came down with them; the sinkhole must have joined with a cavern somewhere along the way. The rock here probably hasn't seen daylight before — when she glances around, she spots a dark crack in the wall that implies there might be more, unlit caves to explore beyond.
Boy, she really does not want to go into that creepy tunnel, and she especially doesn't want to do it with a broken arm. Thankfully, Nick returns before that worry turns to panic.
"Everything okay? Actually, never mind — look, I got the rope, and the first-aid kit!"
Anything Nick decides to throw down is going to stay down here, and so Kim quickly stops him. "You keep that, Nick! If you get hurt up there, you'll need it!"
"We need it more," John points out, returning to her with a few branches that he clearly intends to use as a splint. He's not wrong about the medkit; the cut over his eye is a nasty one, and Kim could use all of those expired painkillers about now. Not to mention, there might be more injuries they've missed.
Still. "I'm not leaving Nick without supplies," she says.
John doesn't reply, but his scowl speaks volumes.
After a minute or so, Nick is ready to throw the cord down. They coordinate the hand-off just fine without her, which is great, because Kim needs to reserve all of her strength for what's to come.
Nick's bundled a few of the medical supplies into his worn-out flannel, along with the crank flashlight and one of the ultra-dry military rations, all tied off with the paracord. Kim is both touched at the thought and horrified at the idea that they might be here long enough to get hungry.
"This is good, Nick," John calls. "We're in a cave — there's got to be another way out nearby!"
"I'll go look for a way in!"
"No," Kim shouts, her voice cracking, "You might get hurt, Nick!"
"Well, what the hell am I supposed to do, Kim! I'm not gonna leave you down there!"
Kim has never in her life imagined that she would say her next words, but that doesn't mean she doesn't mean it. "I'm going to be okay! John's down here with me, I'll be fine!"
John doesn't seem to have expected her to say that, either, boggling at her with open confusion. But... well, come on! If John can trust her enough to gun down Peggies trying to kidnap him, then she can at least trust him to help her limp out of one of Hope County's many caves. Sure, it's not an ideal situation by any means, but Kim's just happy not to be stuck looking for a way out by herself.
"Are you sure you can even walk?" Nick calls uneasily.
"I can handle it, Nick," John replies for her. "We'll look for a way out — if we don't find anything in an hour, we'll come back here and try something else!"
"What the hell do you want me to do!"
John pauses long enough to look at Kim, but since he seems to have more ideas than she does, she defers to his judgment. "Circle west around the hill and look for any entrances to call from! There's going to be a cave opening somewhere nearby!"
"I don't like any of this, Kim!"
John pinches the bridge of his nose, leaving Kim to answer, "It's the only plan we've got!"
The silence from above stretches out. "We don't have time for this," John mutters, abandoning his attempts to reassure Nick. "There's no telling where a way out might be, and I'm not wasting more time because Nick can't trust me."
"It's not about trust," Kim snipes in return. "He's trying not to panic."
John only grunts in return, settling on his knees next to her as he prepares to do the hard part for her. That leaves it up to Kim to encourage Nick to get a move on; she really doesn't want him sticking around for the painful part. "Nick, be careful, I don't want you to fall in another sinkhole! We'll be okay!"
Nick is frustratingly silent for another moment, but eventually, he relents. "Okay, fine! Remember to mark your path! And don't trust any ropes or ladders you see! And stay outta any water you find, you don't know how deep it is!"
"Jesus Christ," John mutters.
"Oh, shut up," Kim tells him, lifting her strained voice to call back. "Alright, Nick! We'll be careful! We'll see you soon!"
Kim makes John wait another minute after Nick leaves before she lets him at her arm. Despite his sour expression, John manages to be nothing more than stern, and surprisingly gentle. "Careful," he tells her, as if she needs a warning as he adjusts her broken arm. She's unable to decide if the burning sensation or the stabbing sensation is worse, but they're both vying for the spot as John examines the fracture. God, she hopes he knows what he's doing. She hopes it heals clean. She doesn't know what she'll do if she loses the thing.
John jostles her a little too abruptly, and a gasp of pain tears her from her downward spiral of worst possible outcomes. If John notices, he doesn't comment.
"It's not so bad," he says, although Kim's still not sure if she trusts his judgment on the matter. "It seems like a single fracture. I'll splint it, and... Well, there's somebody in town with medical experience, isn't there?"
"I don't know," Kim gasps, head reeling, "Maybe?"
John sighs. "Well, at least you'll survive."
"You better hope so," Kim jokes, or tries to anyway.
John rolls his eyes, but thankfully he's not in a vindictive mood as he prepares to set her arm. "You'll want to scream," he tells her. "Try breathing through your nose instead."
He sure isn't wrong. Kim can't think straight for a minute after he's finished, her face wet as the pain forces her to tears, but John is utterly detached and methodical as he binds her arm to one of the branches. It's reassuring at first, but Kim can't help but wonder just how many people suffered broken bones and serious trauma at his hands, only to see the same dispassionate bedside manner afterward? God, assuming they even survived what he put them through.
"Catch your breath," John tells her once he's done, standing and turning back to further investigate the tree. "The cave systems go on for miles down here, but there are dozens of openings in the hills. As long as we stick to the larger tunnels, we should be able to find one of them."
Kim watches him pick through the tree, sizing out larger branches and dismissing them one by one.
"I'm surprised you're not more freaked out," she says as he picks out a four-foot branch. "You know, being underground and everything."
John furiously breaks the branch from the trunk, then roughly cleans it of dead sprigs and foliage. "Thank you for reminding me."
"Sorry, I just meant —"
"I know what you meant," he says. "It's fine. I'm not... Like I said, these tunnels are hardly inescapable." He strikes the branch against the ground and seems satisfied by the sound. "I spent a lot of time studying the cave systems out here. We considered using them for passage between the gates, but that plan never went anywhere. It left me with enough useless knowledge that I'm not prone to panic down here."
"Useless until now," Kim points out. "Now help me up and let's get the hell out of here."
John helps her to her feet with her good arm, careful not to jostle the splint as she tests her balance. The world heaves for an uncomfortable second or two before righting itself, although it's mostly shock and adrenaline keeping her moving. She's not sure how long that's going to last, but she sure hopes it's long enough to reunite with Nick.
"I should probably lead," John says, looking unhappy about her tentatively upright position.
"Yeah, I don't think I'm in the position to trail-blaze."
"You're barely in the position to walk," he replies. Casting one last look around the sunlit cavern, John turns towards the dark crack in the wall that leads further into the system. "Try not to pass out."
"No promises," she says, staggering her way to their only exit.
She can feel the cool, musty air from here, oddly relieving against her sweaty face. She wishes she hadn't watched The Descent so many times before the apocalypse, because that is really coloring her perception of this situation. Of course, they're more likely to run into a wolverine or bear den than they are to be hunted by a pack of cave-dwelling mutants, but that doesn't stop her from considering it.
John starts forward. Kim, anxious and trembling in pain, tries to joke. "Just avoid stepping on any weird symbols carved into the ground, okay?"
"Christ," John groans, the same way he does every time somebody tries to rope him in with a pop-culture reference. He winds the flashlight up and the beam of light cuts a sharp swath across the dark tunnel "Will you two please let that Hollywood bullshit die already?"
"Oh, relax," she replies. "Tropes are older than L.A. and you know it. They aren't going to disappear just because civilization got nuked."
"One can dream," John snipes dryly in return.
Of course, even with the attitude, John keeps close to Kim, sticking to her uninjured side. Kim imagines her slow pace must be irritating the crap out of him, but he impressively manages not to sigh or stomp like a passive-aggressive toddler. He's been getting a lot better about letting his exasperation get to him, although she bets it's got a lot to do with exhaustion and survival instinct right now.
The silence stretches for a time between them. Kim imagines John is lost in his thoughts, but she's been hyper-aware of every distant sound of rubble shifting or oddly-shaped rock formations that are easy to mistake for humanoid shapes in the dark. The tunnel is only about eight feet across and somewhat taller than that, but that's plenty of room for Kim's imagination to play tricks on her.
"I always thought your anti-Hollywood thing was some kind of shtick," she admits. "Maybe you got scorned on a screenplay or something, I dunno. But you really believe that all of the entertainment industry deserved to get firebombed out of existence?"
"It deserved a reckoning," John replies.
"You mean something like nuclear annihilation?"
John's frown deepens. "Maybe," he says stiffly.
Normally, Kim would try to dig into that more, but she's not in a position to make much sense of it right now. Honestly, the conversation is irrelevant — she just needs something to keep her from fantasizing about monsters in the dark. Or, you know, passing out. Whichever would be worse.
"So I guess you don't have a desert island five, then."
John huffs loudly at that. "I wouldn't be able to remember it."
That just tells Kim that he does have one. She bets American Psycho or Fight Club was on it. Maybe Fear and Loathing?
"Okay, well... say you had to pick a movie to watch as soon as we got home. What would it be?"
Even without looking, Kim knows he's rolling his eyes. "Seriously? Is this really the time?"
"Humor me."
He groans in annoyance, but Kim doesn't miss the short stretch of silence that follows as he thinks it over.
"I don't know," he finally grumbles.
"Come on, you've got to have something."
"I only ever saw a handful of movies growing up, and I lost interest in the medium in college."
"God, you must have been a pretentious bastard."
Despite himself, John chuckles at the jab. "Oh, you have no idea," he replies.
The conversation dies, just like John had probably hoped it would. Kim tries to find something else to distract her, but there's really not much to look at. They've only found one offshoot that John had been able to fit in, but it had ended only a few yards in. They've been exploring for maybe fifteen minutes, though; there's still time for a miracle. Until then, she's got moss to look at, and the distant trickle of water from somewhere far away. With the way the land's shifted, there may be a new river forming somewhere up on the surface. In a few decades, it could swallow these caverns entirely.
"How does your arm feel?" John asks, his voice bouncing off the walls and breaking the silence.
"Not... great," she admits, still trying not to focus on the numb agony of her arm. "I wouldn't mind lying down and sleeping for a few weeks right about now, but I think I can keep it together until we find a way out."
She hopes, anyway.
"Good." John takes a moment to crank the flashlight before it can go out, then picks up the conversation as though Kim weren't even there. "There's nobody in town that I know of that has serious medical experience. With the gates destroyed, there's no telling where the experts we'd vetted for the Project wound up. Dead, probably. Or worse, still involved with Joseph. Hell, even a vet would be better than nothing."
He's definitely more anxious than he wants to let on. Kim doesn't believe for a second that being in this endless, dark tunnel is any better than being trapped in a bunker, save for maybe the space. At least in a bunker, you know which way is out, and you know what's going to kill you.
Now Kim is the one who starts to ramble. "I mean, there's got to be an eagle scout out there somewhere. And there were a couple of doctors still working when I had Carmina — one of them might've survived, right? Somebody out there will know enough to check your handiwork. For the record, though, I think you did a pretty good job for a guy stuck in a pit."
John shakes his head. "I've set plenty of broken limbs." There's a weird sort of challenge in his voice as he says, "Of course, I was the one who broke most of them."
"And I think you feel pretty shitty about it, so I don't know why you sound so smug."
"I'm just reminding you of who you're trying to compliment."
Kim rolls her eyes, her exasperation carrying over in her voice. "I know exactly who you are, John. Quit trying to rile me up like you do with Nick, it isn't going to work."
He huffs. "Sure," he says, then promptly shuts up. Of course he does. No wonder he only ever wants to talk to Nick — it's like he doesn't know how to hold a conversation without trying to start a fight.
Well, Kim needs something to distract her, so she'll carry on with it herself. "I've sprained my ankle a couple of times, but the only time I've ever broken a bone was in soccer camp when I was... thirteen, I think? It was my big toe, and the humiliation was way worse than the pain."
"I can't imagine," John drawls, distinctly unenthusiastic.
Kim opens her mouth to ask the obvious question, then catches herself. Asking about John's past is essentially opening Pandora's box; every time Kim has gone digging, she comes away with something new she wishes she could forget about. The breadcrumbs of information he's given her over the past year or so have honestly kept her up some nights. She probably doesn't want to know anything about the number of broken bones John's had. She definitely doesn't want to know how.
John looks over at her, daring her to ask. It's only when Kim manages to contain her curiosity that he parts with a few terse details. "The first time was when I was eleven. It was a powerful learning experience. One I... try not to revisit."
"Sure," she says. It sounds reasonable enough, anyway.
The flashlight's beam cuts across the wall further ahead, revealing the first major fork that they've come across. They're forced to take an impromptu break as John tries to determine their best way forward. John scowls at the darkness in either direction, but it doesn't seem to help make a decision. Meanwhile, Kim takes the opportunity to rest against the cold stone, swallowing down the nausea that's starting to build. It's a miracle that she's made it this far without fainting, but she doesn't think John's in the mood to hear that.
Frowning, John turns the flashlight back the way they came, sweeping the light down the forking path. "Strange," he mutters.
"What?"
"It's nothing," he says, sweeping the light down the way they came. "Except... see this?"
He steps closer to highlight a uniformly rectangular notch in the wall, just about hip-level. Moving the light reveals more, equally spaced notches, continuing along the wall of the newest fork in their road.
"There were guide ropes installed at one point or another. It doesn't seem to be an active mine, though — it must've been for dumb tourists, just in case of lawsuits."
"I hate to tell you, John, but right now, we're the dumb tourists."
"Unfortunately so. I guess that means we should take the left."
It's smaller, and it looks just as untouched as the rest of the cave has so far, but John's made a compelling point about the seemingly man-made notches.
"You're the expert," Kim says, "I'll take your word for it."
"Alright," he says, not as enthusiastic as Kim would have hoped for. He eyes her somewhat critically, then asks, "How are you doing?"
It's probably the pain making her delirious, but she's surprised at John's concern for her wellbeing. She really shouldn't be. Of course he cares; even if he weren't actively trying to be less awful, he's too smart to leave Kim down here and risk Nick finding out. But still. She's pain-addled enough to be touched by the sentiment.
That doesn't mean she's in the mood to sugarcoat the truth. "I'm surprised I'm still standing," she says. "Let's just hope we find Nick before I pass out."
"I'm sure he'd enjoy seeing me carrying your limp body out of the abandoned mine."
Kim laughs, regretting it as it sends an ache jolting through her body. "Oh, I bet. Just don't be surprised if I tap out at some point."
"You're stronger than that," John remarks. "Follow me."
Now, following John Seed through a dark cave tunnel with a broken arm seems like it would be a bad time. If this were ten, eleven years ago, Kim's sure she would be hunting for a weapon or looking for her own escape route. That is, of course, assuming he hadn't left her to die down here. No doubt that her survival would've banked on how much he would have needed her.
She's glad that's not the case now. John is a reliable navigator, slow-going and cautious as he leads the way, testing suspect rock formations and ducking into narrow crags that don't go anywhere. Honestly, he's probably being more cautious than they need to be. It's already been a half-hour or so, and they're going to need to turn back before much longer.
John has other concerns to bother him, though. "I wonder what happened to the anchors," he says at one point. "You'd think we would have found one by now."
"Maybe they took the rope down before the Collapse," Kim points out. "Lots of tourist traps weren't exactly up to code. Earl probably got here way before we did, back when he was trying to crack down on these kinds of things."
John frowns thoughtfully. "Maybe."
"It's not like people are down here renovating for the next season."
"We don't know that," he points out grimly. "Survivors might've hidden from the radiation down here. Or maybe some angels got lost after Faith was killed."
"Come on, John," she groans.
"Nick's always wondering where the mutants are. Maybe we'll be the ones to find them."
Kim side-eyes John just in time to catch the remnants of a smirk on his face, and she can't help but elbow him with her good arm. She tries to admonish him, telling him, "Knock it off," but she can't help laughing as she does.
"You're probably right about the code violations," John chuckles at last, lifting the light to check the ceiling ahead as it dips low enough for them to need to duck. "Not a lot of these cave systems were what I'd call safe. It's one of the reasons we decided against using them as tunnels. The work involved was too expensive, and the chance of cave-ins was too high. And, as we've found out, they weren't guaranteed to stay underground."
"So, what was going to happen instead? Were you guys going to rely on radios, or what?"
"It doesn't matter what we decided," John points out, more weary of the conversation than irritated. "The gates were barely finished before the Deputy destroyed them, and we never got to find out what might've happened."
They follow the notches through two more forks, and Kim starts to worry that they're only going deeper into the old attraction. Well, at least they're taking the easy way. With a smooth floor and a ceiling that rarely drops lower than eight feet, Kim gets the impression that they're in a manufactured mine, and not an organic one. For all they know, some crazy prepper dug this tunnel out to make a quick buck for his bunker-building hobby. Of course, if that's the case, it's a miracle that nothing's caved in yet.
They pass underneath a lower segment of the ceiling, and the tunnel abruptly opens up into a massive cavern. Defunct light rigs are scattered amongst the stalagmites, with several hanging stalactites covered in chipped fluorescent paint. The rest of the rock outcroppings are covered in lichen, which disappointingly fails to glow in the dark. As John sweeps the flashlight across the large, empty space, Kim gets a good idea of the cheap edu-tainment that was offered on short hikes through the mines. Somewhere in here, there's probably a storage closet full of Halloween decor waiting to liven up the otherwise boring cavern.
"Well, this wasn't worth the twenty dollars it cost to get in," John grouses.
"Don't forget the thirty-dollar iron-on tee-shirts they print off at home," Kim reminds him with a laugh. It's enough to make her lightheaded, and she doesn't quite regain her balance, even after she braces herself against the wall.
"We can only rest a minute," he warns her, sweeping the light in the direction they need to go. Any more huffing and puffing on his part is diminished as the light glints off the rounded edge of something metallic. When John refocuses the light on the object, neither of them really know what to say.
Lying amongst the rocks, battered and dirty, is one of the dark green bliss containers they've been looking for. Kim looks up, but the ceiling is rooted in darkness, and she can't see any sign of another cave-in or sinkhole. The idea that Jacob might've come this far himself crosses her mind, but if that were the case, why is it sitting out in the open like that?
"John, wait," Kim calls as John steps off the path. Suddenly, all her jokes about booby traps seem tasteless, especially with John charging into the unknown like he is.
Of course, this isn't Indiana Jones, and there's no pit of spikes or tripwire to trigger. John doesn't wind up with a face-full of poison darts as he picks up the dented canister; the only thing he's forced to sacrifice is a good grip on the flashlight, which shines at an awkward angle and only illuminates a useless part of the floor. His slow pace and the bad lighting leave Kim to imagine what he's found inside — remnants of supplies, or a dead animal? Indications that something chewed through the rubber sealant, maybe?
John drops the barrel between them, the clanging metal causing Kim to jump. John doesn't notice as he reorients the light, leaning over to illuminate the barrel's contents. The interior is flaked with rust, and whatever sealant had been used is all but completely worn away. The only thing left inside is an empty, smashed bottle of liquor and a few wrapped, moldy packages of cigarettes.
"I don't know if I'm disappointed or not," Kim says.
"I know I am," John replies, grimly reaching into the empty barrel to check for a false bottom. The screech of metal rises up into the cavern, bouncing off the far ceiling and turning into an ugly birdsong. Kim leans back against the wall; if she keeps looking down, she's going to end up toppling over like a broken Weeble-Wobble. John glances her way after a moment, before lifting a clump of wet paper out from the depths of the barrel.
"Of course he buried documents here," John mutters. Kim can't quite pin down whether he's upset or resigned to the bad luck at this point.
"Anything salvageable?" she asks.
"Doubtful. I'll... bring these along, I guess." He checks again, digging out what he can. Other than the loose papers, there's a water-logged manila envelope and an equally soaked box of ammunition. John tucks the box away in his front pocket, holding the papers uncomfortably in his hand. "We'll worry about what these are once we're out of here."
Despite the pain in her arm giving her full-body tremors and John's dismal mood, Kim is nearly upbeat as they exit the cavern. They're still in civilization, after all, even if it's a defunct tourist trap, and the knowledge that they're clearly on their way out is the main thing keeping her moving. If they're lucky, they aren't too far from the truck — if they're really lucky, Nick will have found the entrance before them.
They eventually find a few anchors that are still moored to the walls, a knotted bit of rope still attached, and Kim breathes a sigh of relief. The sigh quickly turns to a groan of pain as she rattles her arm, but at least it isn't enough to knock her off her feet.
John hesitates in front of her, slowing just enough so that he can offer his arm to her. "We can't stop now," he tells her.
"I know," she pants, wiping sweat from her forehead that she hadn't realized was gathering. "Okay. We're nearly there."
She gives up on pretending entirely, leaning heavily against John as they continue forward. Lying down and resting for, oh, a hundred years or so sounds great right now, but first, she needs to make sure Nick hasn't had a heart attack waiting for them. He's probably convinced himself that they've gotten killed somehow, and John isn't going to be able to talk him down on his own.
They approach what will hopefully be the last fork in the tunnel, only to find that both directions have anchors. The newest offshoot seems to curve pretty severely downwards, though; it's clear even as they stop that they should stick to the path they've been on.
"I don't like this," John says, looking first behind them and then ahead, down the new path.
"Fine," Kim groans, "You can choose the next tourist trap we get stuck in."
"I'm serious, Kim." John turns the flashlight down the new path. The air coming from that direction is thick and stagnate — Kim's imagination unhelpfully supplies a few images of killer clowns and deformed mutants to lurk down in the dark that way. God, why did she have to like horror movies so much? Why couldn't she have enjoyed normal, safe entertainment that wouldn't have filled her imagination with monsters and a deep-rooted fear of the unexplored dark?
It certainly doesn't help as John says, "I keep getting the feeling that we're being watched."
"Okay, that's it," Kim snaps, desperately trying to bury the surge of fear the suggestion fills her with. "I'm done being creeped out."
"I'm not trying to scare you —"
"Well, you're naturally gifted, okay? Look, let's just — we know that's the way out," she says, nodding towards the safer route. "Let's just go that way. The sooner we get out of here, the better."
"Agreed," John grunts.
John adopts a brisk walk that Kim has some trouble keeping up with, but she's not interested in slowing down for anything. She feels vindicated by their choice of exit as they pass a faded safety sign lying on the ground, as well as the decidedly fresher air coming in from what Kim expects to be the exit. There are a few moments where John has to resist breaking out into a jog; Kim can't exactly blame him, but his jitters are amping up her own anxiety, and now she's trying desperately to listen for chasing footsteps behind them. It's hard to hear much of anything over the blood pounding in her ears.
It's a massive relief when John finally slows down. "It must have been an animal," he says at last, casting one last look behind them. "God, I fucking hate being underground."
"Well, let's hope we aren't leading the mutants to the surface world," Kim jokes. It probably would land better if she didn't sound completely wiped.
John frowns at her, but the dark makes it hard to pin down his expression. "We're almost there," he says, which sounds alarming like a reassurance.
Her spirits lift as they pass an overturned rail barricade, but the wind is immediately taken out of her sails as they find the path blocked by a chained and padlocked gate. The thick gauge chain-link fence has been welded to brackets on the wall; the bottom has been bent outwards, likely from some angry animal forcing its way through. Unfortunately, it's too small for either of them to get through.
"For fuck's sake," John hisses between gritted teeth.
They're not going anywhere, and Kim's nausea forces her to find something more solid than John for support. She manages to stagger to the nearest wall before falling against it, but it's enough to make her regret moving at all.
At least she manages a weak thumbs up when John anxiously asks, "Are you alright?"
"Just — giving you room to work," she gurgles, staggering a few feet back down the path before throwing up.
John swears under his breath as Kim tries to coax her headache back to something more manageable. She can hear him tearing at the gate behind her; if she weren't feeling so miserable, she'd probably be flipping out on it, too. As it is, she takes her sweet time to turn around and start back for the fence, watching as John tries to widen the gap left behind by some tenacious wolverine. It's going to wreck her arm to try and weasel through the hole, but Kim is willing to try anything at this point.
"How far are we from the truck?" Kim rasps. "Maybe Nick can hear us?"
"How the hell am I supposed to know?" John snaps, well past the end of his rope. Kim has to admit, she's surprised he made it this far. "God damn it, I don't know where we are any better than you!"
"Okay, point taken," Kim says — after all, she's in no position to argue with him. As it is, it's taking most of her focus to keep from sinking to the ground. As soon as she's sitting, she's going to pass out, and she's not in any position to be doing that yet.
Thankfully, Nick's voice reaches them before she can give up. A tidal wave of relief floods Kim at the sound of him calling her name; she staggers forward, gripping the chain-link with her good arm.
"Nick!" she shouts. The sound of her own voice bouncing off the walls only amplifies her pounding headache, but it doesn't stop her from shouting his name a few more times in desperation.
John grabs her good shoulder. "Careful," he says, "Take it easy."
"You take it easy," Kim snaps as Nick's voice bounces off the far-away cave entrance. Trying to glare at John is a mistake, as vertigo nearly sends her to the floor. The only thing that keeps her upright is John's grip on her arm, easing her back until she finds the wall for support.
"Let me handle it," he says.
Kim has no choice but to follow his orders, reeling against the wall as he picks up the impromptu game of Marco Polo. She's not sure how much time passes between her slow, long blinks, but all that matters is the moment that she sees Nick appear with the lantern held high. It's enough to bring her to tears — well, that and the dizzying pain — and from Nick's tearful shout, it's having the same effect on him.
"Oh, thank Christ," he gasps as he reaches the gate, rattling it with his free hand as if he could just pry it back. "Kim, you're alive! Are you okay?" He turns the full force of his relief on John, concern furrowing his brow. "Jesus, John, are you okay? We needa get that cut looked at."
"It's fine," John says. "You didn't see any keys anywhere, did you?"
"Let me go check the ticket booth," Nick replies. "Don't worry, you guys — I'm not about to let a goddamn padlock stop me."
Nick jogs back down the tunnel and Kim finally sags, sliding to the ground with a tired groan.
"Okay, John," she sighs, "Mission accomplished. Wake me up when we get home."
"Kim, hold on," John replies, but frankly there's no stopping her now. This was as far as she'd hoped to get on her own two feet, and honestly, she's surprised that she made it that far.
She does rouse briefly as Nick begins wailing on the padlock with a steel pipe, but that's something the boys can handle without her. Here and there, she registers hands on her, and dappled light flashes over her face as they finally escape the caves. The fresh air brings her back long enough to help Nick get her settled in the truck, but she's already dozing off by the time John and Nick start arguing again. The rest of the trip, for better or worse, is completely lost on her.
————
When Kim finally comes to, she's immediately met by the familiar sight of her room at home. She can't tell what time it is, only that it's late enough for the lamp to be lit. Judging by the voices downstairs, everyone is still awake — and going by the sling and bandages, they've had some company since she was last conscious. She allows herself to imagine the whole thing was all a horrible nightmare, just for a second, but the throbbing in her arm is already reminding her of the unfortunate truth. At least she can check "escape mutants in a tunnel" off of her bucket list.
She doesn't have long to focus on the slowly returning pain; it's not even a minute later that she hears boots on the stairs, and Nick pokes his head in not long after.
"Hey," is about all she can muster up before she has to clear her throat, but it's enough.
"Christ, Kim!" he exclaims, throwing open the door as he rushes to her side. The worry breaks on his face as he crouches beside her, careful not to jostle her broken arm. "Are you okay? How do you feel?"
"Uh... not awesome," she admits, shifting in an attempt to sit up. Nick hurries to help her, and she can't help but smile at him as he piles the pillows behind her. "Better now, though."
"That's what I'm here for," Nick laughs, "That and making everybody else uncomfortable. They kept tellin' me not to worry, but you know how hard that is."
"They?"
"Well, John mostly, until Jerome and Grace showed up. Then I had to keep it together for Carmina, so that helped. Uh. How much do you remember about gettin' back here?"
"Not much," Kim says. Now that she's more conscious, she's able to discern the late evening light for what it is; it's been hours since she was last aware of where she was. "I... remember getting into the truck, I think? And then... Nothing. Why? What did I miss?"
Nick shakes his head, smiling fondly at her. "Nothing much, honest. Most of the ride back was me and John arguing about what to do. He radioed Jerome for help while I got you up here and settled in, then I called up Grace so she could keep Carmina busy until Jerome showed up with some help. I guess Winona, y'know, down at the Eagle? She was getting her nursing degree, or license, or whatever, so Jerome brought her over here to help out. She said it looked like a clean enough break, and John did a good job setting it, so we just had to make sure you wouldn't be accidentally moving in your sleep." He chuckles. "You know, real exciting stuff."
"Oh, boy," Kim groans, "I bet I scared the crap out of Carmina. Is she okay?"
"Yeah, she's fine. Worried about you, obviously, but Grace gave her a pep talk and we kept her busy downstairs. Figured you oughta be awake before she came to see you."
"Good call." Kim briefly debates whether or not getting out of bed is worth it, but she quickly decides against it. Even if she weren't wiped out, Nick looks like he'd fall apart with worry if she tried to exert herself. "You might have to go get her, because I don't think I could move if I wanted to."
"Don't even think about it," Nick says, pointing at her as he gets back to his feet. "You're on bed rest until tomorrow at least. I'll be right back."
Kim dozes for the few minutes that stretch between Nick leaving and Carmina coming up the stairs. It's impossible to fall back asleep, but the rest is good enough on its own. She makes sure to perk up when she hears Carmina coming up the stairs, smiling wide as her daughter enters the doorway.
"Hey, honey," she says, her voice rougher than she'd expected it to be.
"Mom!" Carmina exclaims, careful to avoid jostling Kim as she climbs into the bed on her good side. "I was so worried!"
Kim folds her arm around Carmina's shoulders and gives her a squeeze. "I know, sweetheart. I didn't mean to spook you."
"What happened? Dad said you and John fell into a cave!"
"That's pretty much it," Kim laughs. "We fell through a sinkhole into an old cave system. It used to be a place people could visit, though, so it wasn't hard to find our way out."
Carmina frowns, picking at a loose thread in the comforter. "But it was probably really dark. And your arm was broken, and John busted his head open, and..."
"First of all, his head wasn't busted open," Kim says, reaching up to ruffle Carmina's hair. "He probably needed a few stitches, sure, but he knew what he was doing, and we both made it out okay. And your dad got the flashlight to us, so we had plenty of light to see by."
Obviously, Kim never wants to go back to that awful place, but she needs her daughter to learn not to panic now, in case she ever has to go into those tunnels herself. There's no summer camp to enroll her in that will teach her how to be mindful of caves, so Kim's going to have to do it herself... She just wishes she'd gotten to it before she'd had her own scary experience.
Carmina huffs, frowning briefly at the door. "You were lucky John was there," she says.
Kim bites back on her knee-jerk reaction to scoff at the idea. "You're right," she admits, a little more reluctant to do so than she really should be.
"Nobody else thinks so," Carmina grumbles. "Grace got mad dad left you two down there and then Jerome got mad at John for getting you hurt and Winona was really mad that she had to give John stitches. I wanted to say something but dad wouldn't let me."
"That's because they have good reasons not to trust him," Kim points out, although that excuse is starting to wear a little thin, even with her. "They just need time."
Carmina groans. "I guess. I'm... just really glad you're okay."
Kim squeezes Carmina's shoulder. "Me too."
Carmina sighs. "So... what was it like?" she asks, unable to resist her curiosity any longer.
That's okay by Kim — she could use the distraction. "Well... it was dark, and chilly. It was really quiet — the only thing we could hear was water dripping on the walls and our footsteps. The tunnel wasn't very interesting... but there was a big cavern in the middle where we found the cache, covered in stalactites and stalagmites. You could see where they used to have lights rigged up, and they'd painted some of the rocks to glow in the dark."
"You didn't see any animals?" Carmina frowns. "I always thought animals would hide in the caves."
Kim absolutely will not be telling her daughter about John's creepy sense of danger, thanks. "You know, we didn't. There isn't a lot of food for rabbits or cougars in there, though. I think they usually prefer little caves, not big ones."
There are plenty more questions for Carmina to ask that Kim only barely knows the answers to. Thankfully, geography and natural history are easy to teach hands-on; while she's not about to go back to the cave they just escaped, there are a couple of old attractions she remembers visiting that might do the trick. Places with good gift shops and little museums and educational plaques everywhere to help Kim explain how basic geology works.
"If you want, we can do some cave exploring of our own one day," Kim offers. "I'll need some time to get better, first. And I'll have to find the right place. But when we have some free time..."
"That sounds fun," Carmina says. "Just don't fall into another one first?"
"I'll do my best. We'll, uh, teach you what to look for so you don't make the same mistake."
They talk for a little while longer about the cave systems that litter Hope County, but it's not exactly Kim's favorite topic right now. It's a relief when Carmina declares that she needs water; even more so when she offers to bring some up to Kim. She considers asking Carmina to relay her thanks to John, but it can honestly wait until morning. Hopefully by then, she'll have adjusted to the makeshift cast, although she suspects she'll have plenty of time to get used to it. How long does it take a broken bone to heal, she wonders? Probably a few months, at least. She's really going to have to take it easy, and hope that nothing catastrophic happens while she's down one working arm.
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The Moral Peril of Meritocracy
Our individualistic culture inflames the ego and numbs the spirit. Failure teaches us who we are.
April 6, 2019
David Brooks
By David Brooks
Mr. Brooks is an Opinion columnist. This essay is adapted from his forthcoming book, “The Second Mountain: The Quest for a Moral Life.”
Many of the people I admire lead lives that have a two-mountain shape. They got out of school, began their career, started a family and identified the mountain they thought they were meant to climb — I’m going to be an entrepreneur, a doctor, a cop. They did the things society encourages us to do, like make a mark, become successful, buy a home, raise a family, pursue happiness.
People on the first mountain spend a lot of time on reputation management. They ask: What do people think of me? Where do I rank? They’re trying to win the victories the ego enjoys.
These hustling years are also powerfully shaped by our individualistic and meritocratic culture. People operate under this assumption: I can make myself happy. If I achieve excellence, lose more weight, follow this self-improvement technique, fulfillment will follow.
But in the lives of the people I’m talking about — the ones I really admire — something happened that interrupted the linear existence they had imagined for themselves. Something happened that exposed the problem with living according to individualistic, meritocratic values.
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Some of them achieved success and found it unsatisfying. They figured there must be more to life, some higher purpose. Others failed. They lost their job or endured some scandal. Suddenly they were falling, not climbing, and their whole identity was in peril. Yet another group of people got hit sideways by something that wasn’t part of the original plan. They had a cancer scare or suffered the loss of a child. These tragedies made the first-mountain victories seem, well, not so important.
Life had thrown them into the valley, as it throws most of us into the valley at one point or another. They were suffering and adrift.
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Some people are broken by this kind of pain and grief. They seem to get smaller and more afraid, and never recover. They get angry, resentful and tribal.
But other people are broken open. The theologian Paul Tillich wrote that suffering upends the normal patterns of life and reminds you that you are not who you thought you were. The basement of your soul is much deeper than you knew. Some people look into the hidden depths of themselves and they realize that success won’t fill those spaces. Only a spiritual life and unconditional love from family and friends will do. They realize how lucky they are. They are down in the valley, but their health is O.K.; they’re not financially destroyed; they’re about to be dragged on an adventure that will leave them transformed.
They realize that while our educational system generally prepares us for climbing this or that mountain, your life is actually defined by how you make use of your moment of greatest adversity.
So how does moral renewal happen? How do you move from a life based on bad values to a life based on better ones?
First, there has to be a period of solitude, in the wilderness, where self-reflection can occur.
“What happens when a ‘gifted child’ findshimself in a wilderness where he’s stripped away of any way of proving his worth?” Belden Lane asks in “Backpacking With the Saints.” What happens where there is no audience, nothing he can achieve? He crumbles. The ego dissolves. “Only then is he able to be loved.”
That’s the key point here. The self-centered voice of the ego has to be quieted before a person is capable of freely giving and receiving love.
Then there is contact with the heart and soul — through prayer, meditation, writing, whatever it is that puts you in contact with your deepest desires.
“In the deeps are the violence and terror of which psychology has warned us,” Annie Dillard writes in “Teaching a Stone to Talk.” “But if you ride these monsters deeper down, if you drop with them farther over the world’s rim, you find what our sciences cannot locate or name, the substrate, the ocean or matrix or ether which buoys the rest, which gives goodness its power for good, and evil its power for evil, the unified field: our complex and inexplicable caring for each other.”
In the wilderness the desire for esteem is stripped away and bigger desires are made visible: the desires of the heart (to live in loving connection with others) and the desires of the soul (the yearning to serve some transcendent ideal and to be sanctified by that service).
When people are broken open in this way, they are more sensitive to the pains and joys of the world. They realize: Oh, that first mountain wasn’t my mountain. I am ready for a larger journey.
Some people radically change their lives at this point. They quit corporate jobs and teach elementary school. They dedicate themselves to some social or political cause. I know a woman whose son committed suicide. She says that the scared, self-conscious woman she used to be died with him. She found her voice and helps families in crisis. I recently met a guy who used to be a banker. That failed to satisfy, and now he helps men coming out of prison. I once corresponded with a man from Australia who lost his wife, a tragedy that occasioned a period of reflection. He wrote, “I feel almost guilty about how significant my own growth has been as a result of my wife’s death.”
Perhaps most of the people who have emerged from a setback stay in their same jobs, with their same lives, but they are different. It’s not about self anymore; it’s about relation, it’s about the giving yourself away. Their joy is in seeing others shine.
In their book “Practical Wisdom,” Barry Schwartz and Kenneth Sharpe tell the story of a hospital janitor named Luke. In Luke’s hospital there was a young man who’d gotten into a fight and was now in a permanent coma. The young man’s father sat with him every day in silent vigil, and every day Luke cleaned the room. But one day the father was out for a smoke when Luke cleaned it.
Later that afternoon, the father found Luke and snapped at him for not cleaning the room. The first-mountain response is to see your job as cleaning rooms. Luke could have snapped back: I did clean the room. You were out smoking. The second-mountain response is to see your job as serving patients and their families. In that case you’d go back in the room and clean it again, so that the father could have the comfort of seeing you do it. And that’s what Luke did.
If the first mountain is about building up the ego and defining the self, the second is about shedding the ego and dissolving the self. If the first mountain is about acquisition, the second mountain is about contribution.
On the first mountain, personal freedom is celebrated — keeping your options open, absence of restraint. But the perfectly free life is the unattached and unremembered life. Freedom is not an ocean you want to swim in; it is a river you want to cross so that you can plant yourself on the other side.
So the person on the second mountain is making commitments. People who have made a commitment to a town, a person, an institution or a cause have cast their lot and burned the bridges behind them. They have made a promise without expecting a return. They are all in.
I can now usually recognize first- and second-mountain people. The former have an ultimate allegiance to self; the latter have an ultimate allegiance to some commitment. I can recognize first- and second-mountain organizations too. In some organizations, people are there to serve their individual self-interests — draw a salary. But other organizations demand that you surrender to a shared cause and so change your very identity. You become a Marine, a Morehouse Man.
I’ve been describing moral renewal in personal terms, but of course whole societies and cultures can swap bad values for better ones. I think we all realize that the hatred, fragmentation and disconnection in our society is not just a political problem. It stems from some moral and spiritual crisis.
We don’t treat one another well. And the truth is that 60 years of a hyper-individualistic first-mountain culture have weakened the bonds between people. They’ve dissolved the shared moral cultures that used to restrain capitalism and the meritocracy.
Over the past few decades the individual, the self, has been at the center. The second-mountain people are leading us toward a culture that puts relationships at the center. They ask us to measure our lives by the quality of our attachments, to see that life is a qualitative endeavor, not a quantitative one. They ask us to see others at their full depths, and not just as a stereotype, and to have the courage to lead with vulnerability. These second-mountain people are leading us into a new culture. Culture change happens when a small group of people find a better way to live and the rest of us copy them. These second-mountain people have found it.
Their moral revolution points us toward a different goal. On the first mountain we shoot for happiness, but on the second mountain we are rewarded with joy. What’s the difference? Happiness involves a victory for the self. It happens as we move toward our goals. You get a promotion. You have a delicious meal.
Joy involves the transcendence of self. When you’re on the second mountain, you realize we aim too low. We compete to get near a little sunlamp, but if we lived differently, we could feel the glow of real sunshine. On the second mountain you see that happiness is good, but joy is better.
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Hey, so, I got a juvenile MBK from an expo on Sunday, and I offered her a pinky Thursday afternoon and she wouldn't eat it until I brained it and left her alone for a few hours. I just came home from work and she definitely vomited (looked partially digested and smelly) ~30 hours after she ate, and now I'm just SO worried she's sick?? Her tank got very cold a couple nights earlier in the week since we had a cold snap, but I got a heater and thermostat and dialed things in much better before offering food. She's also very reclusive and I've never once seen her out exploring since taking her home, but she looked/acted perfectly healthy and friendly at the expo. Was it the cold temps earlier in the week? Is she sick? Idk if taking her to the vet would stress her out too much? I admit I made some mistakes earlier this week, and will continue to, but man I'm so so worried I badly hurt her on accident
".......okay, same anon with the vomiting MBK. I sent that in the heat of the moment, seems kinda unreasonable for me to ask so many questions when you don't know my situation well >>;; im still very very worried about her, but I took a hard look at my husbandry over the past week and honestly? it's been bad. my house has terrible insulation/heating and we're in the middle of a freeze, and I didn't have a thermostat or any heating element other than a basking bulb, so her temps were just way, WAY too cold at night. So, just 2 questions I'd like to ask: Is it worth changing her substrate to paper towels (from aspen) for now to monitor her health better for 2 weeks until I try to feed her again, or would the stress of that not be worth it? And, when I do try to feed her again, should I cut up the pinky?"
Alright - rough way to start with owning a snake, but we can fix this!
I'm 100% sure her regurgitation was caused by the cold temperatures. That's also most likely the reason for her reluctance to eat and her lethargic behavior. The first thing we have to do is make sure husbandry issues are corrected, as soon as possible. What I'd recommend doing is getting a ceramic heat emitter, they don't emit light and can be used for 24/7 heat. Your baby needs it warm right now. Set her hotspot to 88 degrees Fahrenheit.
The big rule with avoiding snake regurgitation is keeping the temperatures above 75 degrees at all times. Any lower, and the snake can't digest their food. Get a good thermometer with a probe (any big reptile name brand will be fine) and keep a close eye on those temps.
Right now, I wouldn't change anything in her enclosure. Regurgitation is extremely stressful for snakes and very hard on their bodies, so she needs time to rest and recuperate, and you need to avoid stressing her as much as you can.
Here's the standard procedure for regurgitations. Wait two weeks without offering any food. This is absolutely crucial; if you feed too soon, she'll regurgitate again. When you do feed her again, it's going to be a bit gruesome, but I want you to cut the head off a pinky and just give her the head. She won't be able to handle a full pinky right away. Feed her heads for two weeks, and then move back up to a full pinky if she takes them without issues. Once she's eating again, I recommend lightly dusting her food with probiotic powder (this is the brand I use) to help her replenish her gut flora. If she regurgitates again, that should be treated as a medical emergency and it's time to take her to the vet.
Good luck! Fix those husbandry issues and slowly get her eating for you, and you should have a healthy and happy little snake.
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apparitionism · 4 years
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Decalogue 2
This is a belated continuation of my Bering-and-Wells tenth-anniversary piece: a listing of “commandments,” one issued by each year of their association. I did the first five years in part 1. The ensuing years are of course both easier (I get to make up what happened!) and harder (oh lord, I have to make up what happened...). So this second five years’ worth of commandments—this second pentalogue?—will probably be both worse and better than the first. As always, I’m in it for the talking, but also for the idea that Myka and Helena would get things right, and wrong, and right again. I testify regularly that it’s hard work to sustain a long-term relationship. You have to want to do that work, and it isn’t always pleasant. But I’m absolutely certain that B&W would power through. Anyway I meant to do the ensuing five years as a single part, but I decided instead to fake myself into thinking I’m accomplishing things if I do them one or two at a time. I’m taking wins where I can find them right now.
Decalogue 2
Year six: Thou shalt not damage.
This commandment, which Myka would have been overjoyed to be able to keep in its absolute form, worked out in practice to something more like “You’re going to do some damage. Fix it as best you can.”
Distinguishing between where it was and was not safe to step was one of Myka’s most confounding challenges. So many years ago, at the start, the literal gunpointings had made the hazards very clear, but now, instead, Myka encountered metaphorical landmines, buried in places stranger than she had expected: she knew to step around guns and guilt; she knew not to mention Christina, unless Helena was in a mood to think about her. But how was Myka supposed to have anticipated that on any given day, a particular word would be a sensitive plate?
She had been complaining, expressing general resentment on the topic of her parents and Tracy and the grandchild. She concluded with, “And that’s my family for you.”
“They are your family,” Helena said, a flat statement that Myka could not parse. Then she stopped talking to Myka. Entirely.
Myka tried to ask, tried to find out what was the matter; then she tried just talking to Helena, pretending nothing was wrong, hoping it was some sort of circuit-breaker problem and that acting normal would throw the switch; then she offered a general apology for everything she might ever have done wrong; but in the end she had to give up. Helena with an idea in her head—whatever the idea was—couldn’t be reasoned with.
They slept in the same bed. No words. No contact either, but that was because Myka avoided it. She could deal, for a while, with being verbally ignored, but she didn’t think she could handle even one instance of Helena coldly refusing to escalate touch into intimacy.
Claudia couldn’t save them this time. Not that she didn’t try: “Talk to Myka!” she bellowed at Helena, but no talking ensued. “I guess you gotta keep trying,” she told Myka with a shrug. “Send her flowers?”
Well, flowers never hurt anything, did they? So Myka had an arrangement of peonies delivered to the B&B, because Helena had once been very “these belong in an English garden” about peonies, softer than Myka would ever have expected her to be.
Helena read the card—and Myka had to admit that the “I love you” message wasn’t very creatively written, even in terms of penmanship, but she was running on desperate fumes at that point—then very pointedly placed it and the peonies into the kitchen trash can.
So Myka’s best version of tenderness was in the garbage... clearly tenderness was not sufficient to fix anything. It was necessary, she was fairly sure, but not sufficient.
After much additional analytical thought, she developed a hypothesis. “I think I get it. Your family’s gone,” she offered to Helena, who barely twitched in response. But she did twitch, so maybe Myka had got it right? She continued, “And I’m being insufficiently grateful that mine isn’t.”
No response other than a very loud absence of anything resembling a twitch.
Back to the analytical drawing board... at which Myka now drew nothing but a blank.
It took an entire week for Helena to budge at all, but: prompted perhaps by Myka rescuing one of the peonies from the trash and putting it in a vase on the nightstand on Helena’s side of the bed, or maybe by Pete endlessly complaining “I hate when Mom and Mom fight,” or alternatively by Steve handing her cup after cup of tea and noting (just as endlessly) that it was “to soothe your laryngitis,” or possibly by the phase of the moon or a conspicuous mote of dust or something else that even Helena herself probably couldn’t or wouldn’t ever articulate, she interrupted Myka’s weeklong insomniac ceiling-staring session at two in the morning by pushing at her shoulder, hard, and saying, “I thought you might be moved to describe me as your family. But I see I have not been promoted to that exalted level.”
Helena was vocally doing “stoic” and “offhand,” insofar as anyone could really pull off either of those after a week of administering the silent treatment. Which meant that she wasn’t pulling them off at all, which in turn meant that Myka could hear the wound: a fault line sending a bleak rumble through the substrate of that voice in the dark.
“Exalted,” Myka said, herself trying to pull off “no, I never really thought you’d refuse to speak to me for the rest of our lives.” She was also trying to hide her embarrassment at being so analytically obtuse, as well as her shame at having inflicted pain in the first place. “Do you want me to not get along with you, too? Complain about you all the time?”
“You do complain about me all the time,” Helena pointed out, and Myka had to concede, at least internally, that that was probably more than a little bit true. She had to concede, too, that she had not in any way put Helena in her mental dictionary to illustrate the word “family.” The pictures of an endlessly troubling group of people from whom she could not really escape, about whom she complained all the time, had seemed to be a permanently closed set. Any additions, she had thought, would be similes: Pete was like a brother (and thank god that was once again true), Claudia like a sister (though a different sort than the one Myka actually had).
She should have known that Helena’s role in her life was literal, not figurative. And she should have known that Helena, in all her literal intensity, would have expected words to be applied.
Family. She complained about Helena all the time; Helena was endlessly troubling; and Myka certainly could not escape from her, as five-years-unto-six had shown. But the difference was that she didn’t want to escape Helena... apparently she’d mistaken that for a disqualifying factor, family-wise.
“You have sequestered me from those who are so exalted,” Helena said then. “Ideationally, but physically as well.”
“In my defense,” Myka began, but she faltered. “I know it isn’t much of one. But you haven’t been here for very long. I mean... you were, but then you weren’t. Physically. Since you brought that up. And we’ve been together for real for less than a year.”
Silence again, but this time it was an audible challenge.
“So I guess I’m taking you to Colorado Springs pretty soon to show you off.”
Myka realized, while she was searching for reasonably priced plane tickets for the trip, that this was the first time she’d hurt Helena in a way in which she might have been similarly likely to hurt anyone. She’d been so busy working on not making Helena-centric mistakes, those to do with guns and guilt and grief, that she hadn’t thought much at all about this relationship in a broader sense. It was singular, yes (obviously yes), but it was also two people in love with each other, trying to live with each other. Buying “meet the parents” plane tickets forced her to confront how pedestrian they were, as people in love with each other. It was both a minor disappointment and an enormous relief.
Arriving at her childhood home with Helena in tow was even more surreal than she’d imagined... despite the fact that she’d imagined it out, scenario after scenario.
It was also even more awkward than she’d imagined. “Mom, Dad,” she began, as her parents and Helena did nothing but look at each other, wary, as if a hostage exchange were about to occur, “I told you about Helena.” No one said anything. Yes, awkward. She had indeed told them, but that been... what it had been. Myka still wasn’t sure how to think about what it had been.
She’d called them, determined to tell it all—well, not all—but before she’d finished clearing her throat in preparation for launching into her prepared remarks, she was subjected to the usual enthusiastic recounting of grandchild activities. That was fine, though, for she did take a little schadenfreudic satisfaction in how quickly grandchild-centric material had replaced Tracy-centric information in these bulletins.
“I have a little news,” she said as the child-related hosannas began at last to run out of steam.
She took a breath. “I’minaseriousrelationship.”
One more breath. “WithsomeonefromworkhernameisHelena.”
After a pause, but not much of one, her father said, “How do you want us to respond?”
Myka had braced herself for questions, certainly, but not that one. “By being happy for me?” she offered, and she wished she had sounded decisive.
“Then we’re happy for you,” her mother said, and when had her mother ever sounded that decisive?
Myka could easily imagine them at the kitchen table, both leaning toward the phone that her father would have propped against the lazy Susan, for he’d always seemed to believe that placing a phone flat on its back rendered it helpless, like a turtle. That picture was very clear, very familiar. But she could not envision how those two people, addressing that upright phone, would look if they were happy for her. “Just like that?” she asked, because her inability to see it suggested that she shouldn’t believe it.
“If that’s what you want,” said her father.
Had he come up with that on his own? Had her mother kicked him under the table? Who were these people? Myka groped for words to address this strange moment in which she wanted to believe what her parents were saying. All she could come up with was a slow, “It... is.”
You were promised endless wonder, she reminded herself, and you do seem to be in the bonus lately. She’d heard Pete say “in the bonus” about something sports-related, and even though she hadn’t bothered to find out what the phrase really meant, it felt solidly descriptive of the way the past couple of years had been resolving.
Speaking of wonder, though, she did wonder, in the moment, whether what she had really wanted was to have to argue passionately for her reasons and right to be with Helena... to have to make that case. She probably wouldn’t have done it, not out loud to her parents; they were her parents, so she would have just resented them, adolescently, for not respecting her choices.
But now there was nothing big to resent. Was this adulthood?
Ignore it, she told herself, and she managed, mostly, to do what she was told. Her parents acted like she’d told the same thing to them; they didn’t bring up someonefromworkhernameisHelena when they spoke with Myka. Myka didn’t either.
But now here they all were, face to face in the doorway of her childhood home, her parents and Helena and her own instantly re-teenaged self, refracted by the bizarre temporal displacements that had worked together to stand them here, scaled strangely, like dolls from different playsets.
A few very formal words, such as “how do you do” and “pleased to meet you,” ensued, and Myka had genuinely never been so happy to see her sister when Tracy finally showed up. She did so sans grandchild, which Myka had requested; she tried to tell herself she’d asked for that because inflicting a child on Helena would be cruel, but in all honesty, she selfishly wanted her parents to focus not on that child, for once, but on Helena—no matter how contradictory it was of her to have tried for so long to avoid directing their attention to Helena at all.
“Myka talked about you like you weren’t even real,” Tracy greeted Helena.
“For some time I was not,” Helena greeted back.
As if Helena’s response had been the epitome of etiquette, Tracy nodded and said, “I’m going to pretend out loud that I understand that.”
Helena said, as a stage whisper to Myka, “I like your sister. She functions.”
“That may be the nicest thing anybody’s ever said about me,” said Tracy.
Myka said, “Helena can be very nice when she feels like it.”
Tracy made a face that reminded Myka she wasn’t the only one who reteenaged around their parents. “You probably can too, Myka, but I’ve never seen you feel like it.”
“I, on the other hand, have seen her feel like it,” Helena informed Tracy. “So you may have hope.”
Tracy said, as a stage whisper to Myka, “I like your girlfriend. She functions too.”
And Myka didn’t in the end care if it was Tracy’s imprimatur that made the difference: the fog of overpropriety lifted, leaving Myka free to sit back and witness Helena returning her father’s interrogative serves with H.G. Wells–related volleys—more of them than Myka had imagined could be worked into conversation. “Oh, I think my friend Edward Prendick expressed it best,” Helena began one anecdote, and she ended another, “...which brought home to me that we all feel invisible now and again.”
“You made a game of it,” Myka accused her later that night, when they had escaped to their hotel room.
Helena smiled an indulgent smile at her across the snowy-white acre of king-sized hotel bed that separated them. “Of course I did. How many points would you say I accrued?”
“I stopped keeping score,” Myka said, and she wasn’t sure if she herself was being indulgent or just grumpy.
“Quitter...” Helena began, a drag of amused accusation. But then she paused, got on hands and knees, and initiated a trek to Myka’s side of the bed. She could have done it catlike, teasing, but this was a common human crawl. “No, that’s wrong,” Helena said as she moved. She was taking her time, but it really was a very large bed. “You’re no quitter,” she announced, answering Myka’s unvoiced “huh?” with, “You feared that initial interaction.”
“That’s unfortunately true.”
“But you did in the end ensure that it occurred.”
“Because you wanted me to.”
“And here we are,” Helena said, reaching her destination. She leaned to kiss Myka, a slow melt in which Myka felt gratitude, and also softness, the sort that was always a surprise (see: peonies). Just as there were unexpected sensitive plates, there were surprisingly graceful bays of yield and give. This kiss was one of them. Gratitude, grace; and Myka felt too the future: this kiss was happening here, now, but this kind of kiss could (should) happen tomorrow, next week, years from now. Here, somewhere else, anywhere.
This is why we came here, Myka thought. Because we kiss like this. Someone you kissed like this was who you were supposed to bring home to meet your parents—and again Myka felt the sad slight press of disappointment at, but also the knee-buckling relief of, being exactly like everyone else. “Here we are,” Myka agreed. “In a hotel room in Colorado Springs. I have never in my life spent the night in a hotel room in this town.”
“Interesting.” Helena gave her a look that included a little aggressive chin-jut. “And how do you feel about that?”
“Don’t Abigail me,” Myka warned.
The chin retracted, minimally. “All right, I’ll rephrase: And what do you intend to do about that?”
But Myka felt not quite ready for what she intended to do about that. “Look, you aren’t them,” she said.
“Correct.”
“So you see my category error.”
“I do.” Helena said it soft, and Myka chose to hear it as an apology for, or at least an expression of some regret about, that wordless week. “You see my...” Helena stopped. She sighed. “My emotional error.”
A straightforward statement from Helena about having got something wrong.... Myka really was in the “endless wonder” bonus. “I do see,” Myka said. “We’re both pretty bad at this.”
“Also correct. How do you feel about that?”
Myka rolled her eyes, but other than that she didn’t bother.
Helena pursed her lips, which sometimes signaled frustration, but this time she coupled it with playful eyebrow movement. “What do you intend to do about that?”
They were bad at this so much of the time, but here they were in Colorado Springs, being better at it... good at it, even. “Ignore it for now and get back to kissing somebody. Something else that I have never done in a hotel room in this town.”
“I would think not, given that—”
“Listen, don’t make me explain what other kids did on prom night.”
Helena smiled a beautifully familiar smile. Lascivious, but only to the degree that Myka liked. So: respectful. Her tone was further along on the lascivious scale (and Myka was fine with that) as she said, “I don’t know what ‘prom night’ is, but perhaps you should explain. In detail. If I understand your implication correctly.” The word “implication” was accompanied by a placing of her body atop Myka’s that she also knew Myka liked. “Correctly” was accompanied by an application of pressure, one that she further knew Myka loved.
And that was how Myka came to enjoy what she would forever after remember as her very own personal—personalized—prom night.
During which she may have accidentally caused some bruising... but no damage.
Per the commandment. Which was difficult, but not impossible, to keep.
TBC
My non-tag essay on this one is very simple, and it is basically a version of the next “commandment,” which I had already formulated, but which the past few weeks have really made clear to me: “Thou shalt take nothing for granted.” In fact my original first ideated line of that seventh-commandment bit was going to be “Because if you take any given thing for granted, it will explode in your face. Guaranteed.” I am here to tell you that is true. Prize each and every minute of the life you consider “normal,” if that normal feels good to you. My wife was in a serious accident very recently. She’s going to be okay eventually, with luck and hard work, but change to your everyday, which you may undervalue as I did mine, comes as a whip-crack.
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full-coverage · 3 years
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(super)natural Bottle Blonde
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The weirder the natural remedy, the more mess it creates in your shared bathroom with your roommate, the better it works, right? Historically speaking, Cleopatra submerged her legendary bosoms in sour donkey milk before driving Julius Caesar, a man normally guided by flawless strategic instincts, crazy. Sylvester Stallone and my grandmother are both unafraid of cracking a raw egg over something that’s not a hot skillet, albeit for different reasons; my grandmother uses it as a hair mask. I won’t ask what the strangest “organic” topical fix you’ve ever used is, because I think I would rather not know. Instead, I would like to travel from the land of failed home experiments into the world of science, where researchers draw inspiration from nature in a methodical, reasoned way. 
Dr. Claudia Battistella and Prof. Nathan Gianneschi are two chemists who don’t reach for the vegetable crisper and a blender when they want to see what kind of tricks Mother Nature has in store for us. Actually, they’re more used to working with tidy synthetic molecules. Claudia joined Nathan’s lab at Northwestern University to study how polymers, or chains of molecules, can be used to deliver drugs in the body for cancer treatment applications. Only recently did she start working with a polymer naturally occurring in our body, which she describes as a “disaster” — elsewhere it is characterized as being “enigmatic” and “mysterious” by science journalists who evidently have a much more leisurely relationship with it. I myself am fascinated by the idea that molecules can have some kind of personality. Imagine, your second-grade best friend Jimmy’s rabbit didn’t have much in the way of vibes, and here is something which can be represented by several sticks and letters on paper, frustrating and fascinating people at the same time.
So can you guess which molecule I’m talking about? Fine, the dead giveaway would be that it is the pigment in our skin and eyes. But melanin doesn’t just sit on top of us like icing on a cookie: it’s swimming around inside us, where it has all kinds of important functions. Moreover, we aren’t the only organism that produces melanin — far from it. 
But before we get to the full spectrum of what melanin can do, let’s find out what use for it Claudia came up with. “What can I do to get closer to this material?” she pondered in Nathan’s lab after seeing her colleagues experiment with its myriad of applications. The answer came when she was discussing the problem of hair graying and losing melanin with age and sun exposure with a friend. In a stroke of optimism characteristic of only advanced scientists and toddlers who have just dislodged an expensive ceramic from a high place, she thought, “well, can we just put it back?”
It turns out that indeed we can. Pigments and dyes in nature “stick like crazy,” says Nathan. “That’s why your hair color is permanent.” The Gianneschi lab developed a series of hair dyes based on Claudia’s idea to use synthetic melanin, from blonde to black to red. In addition to being nifty, by being based on a building block already present in our body, the formula avoids use of a molecule called PPD widely present in permanent hair dyes which causes allergies in some people and is a known carcinogen. 
But having grown up spending more time in the manga section of my local bookstore than with YA books, I’m more interested in crazy hair colors than those with names like “Spiced Amber” and “Chestnut Brown.” If scientists are spending time in a lab formulating hair dye, the result better be something that only a Final Fantasy character designer could come up with. Luckily, the Gianneschi lab researchers had kind of the same idea. 
“Some of the most beautiful things, like throat feathers especially in certain types of hummingbirds, are super reflective. Materials that are that reflective are driven by melanin, which is a black particle… it doesn’t have any color like that, it’s a huge light sink,” Nathan explains. In other words, dark melanin granules, which look like poppy seeds under a microscope, also make some of the most fantastical colors in nature. How is this possible? To find out, physicists were put to the task, which spells trouble for everyone in terms of finding an easy answer to the question. They studied peacock feathers, which are made of basically the same materials that our hair is, and discovered that they were arranged in such precise and regular structures that they bend light to create basically a rave on a subatomic level that we see as the peacock’s pimped-out pattern. This phenomenon is known as structural coloration.
When I asked Nathan if this would be possible on human hair, he admitted that he thinks it would be theoretically possible, but difficult: “We don’t know enough about how to organize the particles in hair. I’m a bit concerned over whether or not we’d ever pull it off.” To set up the molecular light maze that results in a rainbow of shifting colors, they would need very stringent control over the underlying substrate. On top of that, melanin isn’t soluble in water, which means for chemists that studying it in the first place is like trying to recognize a friend without prescription glasses, making everything that much more difficult. “But that would be awesome, right? If you have a permanent hair color that could be iridescent. People would buy that, for sure. But I don’t know how to do that.”
Still, there’s hope for those of us who want to rock a look “inspired by nature” in the most outlandish way possible: Nathan said that he’s working on incorporating his and Claudia’s work with melanin into cosmetic production. Smooth surfaces like eyelids make for a much better canvas for playing with light than hair. During our conversation, he shows me a favorite Instagram account of his, the Gourmet Biologist, who gently pinches tiny tropical hummingbirds and holds them up to the camera to demonstrate how they make peacocks look “like some pedestrian thing.” So while geniuses like Prof. Gianneschi and Dr. Battistella do the hard work, I’m going to scroll through these amazing feats of coloration in nature and put together my next concert look in my head. 🦚
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perkwunos · 4 years
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I think the major difference between Whitehead’s philosophy and a Hegelian dialectical theory is that the latter reconciles the dualism of subject and object, fact and value, freedom and necessity, etc. through the subject-object that is one totality of all history—I am thinking especially, for instance, of Lukacs and his positing the proletariat as the subject of history by which these contradictory dual categories can be reconciled--whereas Whitehead theorizes a plurality of particular singularities that are each equally in their own right concrete totalities, with no greater whole underlying them: so each actual entity, as a process of experience, itself reconciles the poles that modern philosophy abstracted into dualist categories of existence, while constituting itself through its relations to its environment. This is of course a far more merely intellectual solution to the problem than what Lukacs wanted: for him it was a matter of emphasizing the reality of these contradictions in the material substrate of our thought, which must be overcome through action, and so by an active subject (and so, the proletariat). There is a strong point there, and yet I think Whitehead points to a level of further fertility in the construction of schemes of thought superseding what the moderns found inevitably contradictory (and those modern problems are real expressions of reifications actually performed by our society that lead to incoherent categories); and perhaps Lukacs undervalued this openness to continued inquiry and overestimated what could be recognized as the historical agent. As I’ve put it before, what Whitehead is primarily doing is attempting to get at what the concreteness really is, which Marx has shown was obscured by the abstractness of capital--and which therefore was never coherently approached by the bourgeois thinkers of modern philosophy as long as they remained incapable of criticizing their shared presuppositions. The rise of the American pragmatists and Whitehead does show, I would argue, that these presuppositions nevertheless became very thoroughly criticized (although, on the other hand, it was exactly in these ways that their thought was then cast into obscurity in the later 20th century).
This emphasis on the particularity of the actual entity is also possibly where Whitehead is closer to Deleuze. As Shaviro put it in Without Criteria: “Deleuze’s affinity with Whitehead lies, above all, in his focus on affect and singularity” (xiii). And while Whitehead does also embrace a kind of teleology unfolding in history akin to Hegel, for him it is ultimately aesthetic and particular, not capable of consisting of suprahistorical ends or norms, continually open to further aims. So in Adventures of Ideas he makes the claim that “the teleology of the Universe is directed to the production of Beauty” (265). (”Beauty” is a perhaps intentionally provocative term, for what can more technically be described as experiential intensity, to perhaps better express the extreme generality and variability of what he is describing). This is only an elaboration of his point in Process and Reality, that “in the real world it is more important that a proposition be interesting than that it be true. The importance of truth is, that it adds to interest” (259). And he elsewhere in Process and Reality argued: “the immensity of the world negatives the belief that any state of order can be so established that beyond it there can be no progress. This belief in a final order, popular in religious and philosophic thought, seems to be due to the prevalent fallacy that all types of seriality necessarily involve terminal instances” (111). And elsewhere: “There is not just one ideal 'order' which all actual entities should attain and fail to attain. In each case there is an ideal peculiar to each particular actual entity, and arising from the dominant components in its phase of 'givenness.' … The notion of one ideal arises from the disastrous overmoralization of thought under the influence of fanaticism, or pedantry” (84). So Shaviro describes Whitehead (and Deleuze) as “working toward a nondialectical and highly aestheticized mode of critique” (xiii).  I’m not sure it’s entirely fair to say Whitehead is outright nondialectical; Anne Fairchild Pomeroy at least has tried to argue his philosophy is dialectical in her book Marx and Whitehead, and Whitehead himself stated multiple times the affinity of his scheme of thought with Hegelian philosophies. (In fact, I find it conceivable Whitehead’s method and aims may nevertheless still be closer to Hegel’s than they are to Deleuze’s; and at any rate I find the question of who or what is or isn’t “dialectical” to often end up being the game of people who do not even have any solid grasp on the concepts they are referencing and can’t be bothered to discuss things more straightforwardly; not that this is what Shaviro is doing).
One could criticize Whitehead’s philosophy in these ways as an overly individual and idealistic approach--allowing for the response to reification to be a personal artistic spiritual quest, and I imagine there are many who attempt to use Whitehead for not much more than that—but, when looked at more closely, Whitehead’s theory of what constitutes experiential intensity radically dissolves such notions of the detached personal spectator and points to deeper underlying social constitutions as the primary means for greater intensity (a huge part of Whitehead’s mature thought is how the “appearances” of “presentational immediacy” require for depth of intensity some correspondence or relation to more bodily levels of order being enacted in the external environment and intimately appropriated via “perception in the mode of causal efficacy” by our experience), ultimately leading one to a more critical look at the social forms by which a society produces its material conditions (or at least I would argue so; the average Whiteheadian is going to tend to be left-liberal, with a clear social and ecological orientation and yet perhaps shy of embracing too radical an analysis of capital). And at any rate, the real value of Whitehead’s scheme of thought is in its inducement of continued discussion, criticism, and the elaboration of more coherent schemes (he after all did not intend his system to be accepted as some personal philosophy, but rather to be utilized for further thinking), so that he must really be placed in the context of a certain set of social relationships developing in the manner of a community of open minded and scientific inquirers--and perhaps one of the deeper insights is that the kind of social relationships this is enabling are themselves material expressions of a more radically democratic attentiveness and care; though those who control academia (and the weight of an elitist, dogmatic, and overly agonistic ancient philosophical tradition) will continue to try to obscure and destroy this fact as much as possible, even while it is the clear basis of our intelligence--an intelligence that I assert was always stunted and made unscientific by its detached elitism, only beginning to be raised to higher states of thought once capitalist conditions began to dissolve these old bonds (while at the same time clearly limiting the further growth of thought).
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