#american super sentai

[mondonguita]

[yo-yo-yoshiko]

He’s so ding dang American…!

[super-heroinecomparisons]

Houhou Ranger from Gosei Sentai Dairanger (1993).

Pink Squadron ranger from Power Rangers Universe (2021).

[t-u-i-t-c]

Back In Black

↳ Ninja Sentai Kakuranger - Jiraiya - NinjaBlack

[hellyeahheroes]

Inferno Girl Red Book Two Kickstarter is less than 40 hours from finishing and around 50k to fufill their goal. It would be a shame so if anyone finds it interesting, you still have time to pledge

-Admin

[r1ch1e-the-killer]

i love you american ninjas of sentai i love u both so much

[biomic]

do yall have a computer down here to read said disk??

[wolffistpictures]

The Fan Dub of Japanese Spider-Man is back! And it brings funky beats with it!

[spicymancer]

So just wanted you to know, "yellow" is a common slur against Asian Americans and so Huang Feng, being a Bruce Lee (whos an Asian man) clone and all could raise some eyebrows to your intentions. And before i get accused of white knighting, i am Asian

Thanks for reaching out! This is honestly something that might be important to discuss and I appreciate your attempt at broaching the subject delicately. More after the jump.

So to start. I am also Asian. Specifically Chinese American.

As an American born Chinese, I have a weird relationship with my Asian heritage. I have a bad accent when I speak Chinese and most of my upbringing and cultural understanding is very American and western-centric. So I have certain biases at play here that I fully acknowledge. My experience is not universal. But these characters are drawn from that experience.

Huang Feng is a reference to Bruce Lee's performance as Kato in the Green Hornet. Dà Huángfēng being a Chinese term for a hornet.

The character is also narratively implied to be a secret moonlighting identity for the Yellow Ranger in my made-up sentai team. (Who, due to my own decision to always refer to the characters by their Ranger color, is literally just called Yellow by the other members of the cast.)

This is also a reference. Specifically to one of my greatest inspirations, Thuy Trang (Rest in Peace), who played the original Mighty Morphin Yellow Ranger. She was one of the first "Cool Asian Characters" that I encountered in media targeted at me as a child, problematic color choice aside. I sincerely adored her and her giant robot Saber-Toothed Tiger.

To be honest I have a complicated relationship with "Asian Themed" characters in media. So often saddled with cliché stereotypes: Martial Arts, dumplings, nunchucks, etc etc.

But the thing is, even as I roll my eyes whenever I see the Fighting Game character that is The Chinese One who wears a rice hat and a qipao. Or when one is literally just Bruce Lee. I do also immediately main that character. It's a bit of a guilty pleasure. Taking what representation I can get with mixed feelings. Similar to my enjoyment of sexy anime girl art even though it's all rooted in pretty uncomfortable sexist and objectifying aesthetics. A lot of my work comes from a place of exploring my own sexuality/identity. These characters are, partly, my own attempt to explore Asian themes and ideas for myself.

I would love to say that I'm trying to "reclaim" the term or something but I'm just some internet artist drawing cute anime girls and monster smut. For me, playing with these clichés is just another way of being self-indulgent.

Not really defending these creative choices so much as explaining my perspective on them. I totally understand if all this turns folks off! I fully respect those who don't vibe with my work and wish them all the best. It's a big internet and I'm sure they can find something super great to enjoy elsewhere!

Anyway, sorry for the long rambly post. Despite the fact that I'm posting this on Tumblr, I am not super mentally equipped to engage in Discourse, so forgive me if I don't respond to the tags on this.

So I'll just leave y'all with a neat article by Kat Chow discussing the history and usage of the color Yellow in regards to Asian Identity.

[magicaldogtoto]

You can tell that Ultraman is unaffected by the same adaptation/translation roadblocks that plague Power Rangers/Super Sentai by the fact that Ultraman Rising, despite being directed and co-written by an American, still went ahead and made its main hero Japanese-American (the backstory that Ken grew up in America but was born in Japan and moved back there as an adult probably being an easy in for Tindle to write a character who's Japanese but has some cultural parallels to himself--the "write what you know" and all that). Like Ultraman USA is a thing, but it never went past the pilot stage and is a unique case in this franchise.

And you know, that's probably a good model to work off of going forward.

[emotionallychargedtowel]

Since you're familiar with tokusatsu actors and their journeys into BL, what kinds of careers historically have tokusatsu actors had as they start to get more credits and mature?

Thank you for the ask! This is a great question. It’s something I’ve been curious about for a while, as you know.

I never get tired of this gif of Seto Toshiki (a Kamen Rider alum with two BLs under his belt) eating cake. (It's from Kamen Rider Ex-Aid, which he starred in with Iijima Hiroki of Our Dining Table fame.)

Oh, I should probably say at the outset that I'm talking about the suit transformation type of tokusatsu shows here. Technically the category is broader and also includes kaiju movies, but I'm focusing here on the kind of tokusatsu series in which human characters (or human-like ones) transform into masked heroes. I think that's what you had in mind, Ben, and it's the type of tokusatsu that tends to overlap with the BL world.

Another thing you'll notice is that I'm mostly going to talk about men here. Tokusatsu has been making some progress as a genre when it comes to gender equity, but it still has a long way to go. And since most of the progress that has happened, like the increase in female Riders, has been in the last few years, the actors who played those characters haven't had much of a subsequent career yet.

Now, to your question.

Unfortunately, I haven’t figured out a way to really look at this systematically. So, definitely take my conclusions with a grain of salt. (If anyone reading this knows more about this or has thoughts about how to get more/better info, I'd love to hear them.) The main source of information I have--aside from just soaking stuff up from watching tokusatsu shows and reading toku fans' tumblrs, of course--is looking at toku actors’ entries on MDL and seeing how many roles they’ve gotten, if they’re “guest,” “support,” or “main” roles, and trying to find out about the type of shows and movies they’re in.

One of the biggest weaknesses to this approach as an American viewer is that it's usually hard for me to tell what constitutes a popular or prestigious series or film even if I go to the listings for specific shows/films. I should also note that one thing that biases my “data” (to use the term loosely) is the fact that I’m more likely to look up this information about actors I like. Well, occasionally I’ll also look at info on some sample of actors out of curiosity, like a bunch of lead Ultraman actors’ subsequent careers or something like that. But it's usually more random.

A little background. As you're aware, tokusatsu roles often go to younger actors who don't have much previous experience. They tend to function both as a way of getting a foothold in the industry (building a resume, starting a fanbase, etc.) and as a way of learning on the job. Part of the reason they work so well in this regard is that they have long seasons. Ultraman seasons are typically around 25 episodes long, which is pretty long compared to many shows in Japan, but Kamen Rider and Super Sentai seasons are usually around 50 episodes long. This means two things: a toku part gets you a lot more of the aforementioned work experience than you'd get in other genres, and it provides a solid year of consistent work with additional work to follow (particularly hard to come by in Japan's entertainment industry, from what I understand). The additional work is substantial, too. There are typically post-series TV movies and touring live shows and there are often guest spots on other series in your franchise.

When it comes to landing other roles, as in other types of media, it makes a big difference what type of role you had. This is stating the obvious, I know, but there are some specific ways this works with tokusatsu series, and it relates to who ends up in BLs and in what capacity. So, all of the big three tokusatsu franchises are pretty ensemble-based but they still have distinct leads and some degree of a hierarchy of roles. Ultraman has the strongest leads, Kamen Rider has lead/title Riders and secondary (and often tertiary) Riders, and Super Sentai shows are especially ensemble-y (the word sentai basically means "squad," after all) but they always have some kind of group leader.

When I look up subsequent work by tokusatsu actors who had sizable roles in their toku series--lead roles, or other parts that are what MDL would call "main" roles--what I see most often is a lot of supporting and guest roles in a variety of TV shows and some films. You can usually find a smattering of lead roles as well, but if you look closely they may turn out to be smaller productions (but not always). When it comes to the number/frequency of credits, there's a lot of variation but an average case would be 2-3 such credits per year. Like I mentioned above, it's hard for me to tell how desirable/prestigious/well-paying those guest and supporting roles are. But they don't usually seem to be scraping the bottom of the barrel or anything. So, yeah. Lots of these actors have different paths, but this is what I see most frequently.

Given how challenging it is to make a career out of acting in Japan, this is nothing to sneeze at. Despite its relative influence, the Japanese entertainment industry is still comparatively small, and there are only so many opportunities. In that context, regularly getting guest and supporting gigs constitutes a pretty uncommon level of success.

Could these folks support themselves on this amount of work? I often see just a few credits per year, so maybe not. But when I like a one of these actors enough to follow them on socials, it usually seems like they are supplementing those parts with other stuff like stage plays, toku fan appearances, modeling gigs, or other types of performance including music. Even with these different sources of income, some probably still can't live on their entertainment industry pay alone. But it appears that some can.

So that's the most common thing. One less common outcome is leaning really hard into being a tokusatsu actor for life. It's not typical to get significant roles in multiple toku shows, but it does happen. And some actors manage to play the same character in a lot of post-series movies, miniseries, etc. stretching out for years after their actual series. For example, Tsuruno Takeshi, who played Ultraman Dyna's human host Shin Asuka, has been in ten different Ultraman things including his main series, a short series, a lot of TV movies, and a special. Dyna aired in 1997, and his last appearance as Asuka was fairly recent, in 2016. That's almost a 20-year span. Yet Tsuruno has never had a non-Ultraman main character part. (Though this is partly because he seems to have focused more on his music career and related variety show type things post-Dyna.) There are even some actors who are tokusatsu superfans whose whole career plan is centered on the genre from the get-go.

For those who are looking to branch out, there are a lot of trajectories. So I'll try to talk about some of them through a few examples.

Takeda Kouhei

You probably knew I was going to bring him up. On Kamen Rider Kiva, Takeda's character was important but not the lead (he played the main character's father in the 1980s, in a timeline that ran parallel to the present day one). That was in 2008, when he was 22. Nine years later, in 2017, he was in Kamen Rider Build, in which he was the "tertiary" Rider. This character was a potato farmer-turned-antihero. As tertiary Riders go, he was pretty popular. But Takeda seemed to be mostly hovering at a certain level at that point. Then Old Fashion Cupcake happened. It's significant that he went from playing supporting characters (albeit important ones) to a lead character in OFC. It's also helpful that OFC came out at a point when the prestige of BLs was on the rise. It seems like Takeda has had more consistent and larger parts since then. The difference isn't night and day or anything, but it's observable.

If you look at Takeda's Build costars, Inukai Atsuhiro and Akaso Eiji, here’s what you'll find. Akaso has a similar trajectory to Takeda's only somewhat steeper. His role on Build (the secondary Rider) was a bit bigger, he seemed to get slightly bigger roles overall after Build, and Cherry Magic gave him a significant boost from there. Inukai had a bigger upswing early on followed by slower growth that still had him outstripping both Akaso and Takeda. From what I can tell, his “data” more closely resembles that of Yamada Yuki, who I’ll talk about in a second, though they have different niches.

Suda Masaki

Suda Masaki was only 16 when he played the main rider in Kamen Rider W in 2009, which is unusually young. (W has a unique premise where two different people inhabit the same Rider, so Suda played a lead rider but so did his costar Kiriyama Renn.) From what I can tell, he seems to have had a pretty organic path to larger and larger roles while varying genres and styles quite a bit. At this point he's definitely a very respected actor. (One interesting bit of trivia: Hagiwara Riku has said Suda is his biggest acting role model.) He's won two Japan Academy Film Prizes and been nominated three more times. I don't know of a more successful ex-tokusatsu lead. Actually, I looked him up for this post to fill in some details and found out for the first time that he also has a pretty successful career as a jpop musician. It's almost annoying that he's that talented in yet another area.

I don't see any indication that Suda has ever played a queer character, though he has definitely done some pretty bromantic stuff. He did kiss a man once in a drama series, but it was for plot reasons and was 100% played for laughs in a gross way. He also played a gender nonconforming character in the 2014 live action version of Princess Jellyfish. (Another bit of trivia: when another live action adaptation of Princess Jellyfish was released in 2018, the same character was played by another former lead Rider, Seto Koji from Kiva.) I wouldn't put it past Suda to play a queer character, if it was for a highbrow movie or something analogous to what Nishijima Hidetoshi has done in What Did You Eat Yesterday?, but I'm also not holding my breath.

Yamada Yuki

A less extreme case. Yamada was on Kaizoku Sentai Gokaiger. He was the blue member of the team, a soldier-turned-pirate. It may have helped Yamada along later on that Gokaiger is an especially popular Sentai series. Post-Gokaiger, Yamada didn't have any sort of big breakout role that I can find. It just seems like fairly soon after Gokaiger, he started having significant roles in TV dramas and has pretty much continued from there, with some upward momentum but no huge changes. When he was in a drama with Akaso Eiji recently, his part was first billed and a smidge bigger. Yamada's trend line seemed to have a biggish upward swing early and then just a slight slope from there. But I just saw him in something different: he plays the younger member of the minesweeper crew in Godzilla Minus One. I wonder if that will mark any sort of shift for him.

Yamada hasn't played any queer characters as far as I can tell. His Sentai role was shippy as hell, though. It's a tradition among Sentai shows that subtext-level queer ships happen between the red and blue team members, and that's exactly what happened in Gokaiger. Sometimes the subtext pretty much became text. If magazine images from that time are any indication, their relationship seems to have been a promotional angle for the show. There's even one where they seem to be in some kind of high school AU that looks like it's straight out of a BL.

what about women?

I tried looking up a few women I know from tokusatsu roles while I was looking up these and other dudes. Some of them were still in the business, at least. Some were getting the same trickle of guest and supporting parts a lot of men do after a tokusatsu show. A few had a slightly bigger trickle. But many of them seemed to have disappeared from the public eye entirely. Not only are women underrepresented in tokusatsu, and not only are their roles often relatively small and two-dimensional, but it doesn't seem like they get even a slight career boost after these roles.

It's possible this will change for some of the actors who got bigger, more interesting toku roles in recent years. Here's hoping!

The changing relationship between tokusatsu and BL

The relationship between tokusatsu and BL has been changing as BL gains more prestige, like I alluded to when I talked about Takeda Kouhei. There was a time when they seemed to be pretty analogous in terms of how hard it was to get a role and how effective they were as rungs on a career ladder. If you went from being a tokusatsu side character to a BL lead (like Takeda), that was a step up, but only because you were shifting from a supporting spot to a lead one. Tokusatsu leads usually didn't usually do BL or, when they did, only played straight supporting roles. I think it was seen as a lateral move. But now, BL is becoming a very established next step after tokusatsu. It's like BL has moved up in status so that the consensus is that it's above tokusatsu on the ladder, but just by a little bit. It's also kind of an organic transition since we're seeing more queer ships in tokusatsu that, while they mostly happen on a subtext level, are close to being canon (and in some cases, arguably already are). It occurred to me while I was writing this that there's also another type of role that is in a similar zone of accessibility and prestige to both tokusatsu and BL. It's a franchise, not a genre, but with so many movies and such huge casts it almost functions like a genre for the purpose of this discussion. I'm talking about the High&Low movies. If you're a fan of tokusatsu or BL, you'll see actors you know in every High&Low movie and if you're a fan of both, you'll see tons.

Case in point: Here's our ol’ pal Yamada Yuki. He's in quite a few High&Low installments. If only he’d do a BL and complete the trifecta! The only person I know of offhand who’s done a tokusatsu show, a BL, and a High&Low role is Takeda. I bet there are others, though.

the new (?) prestige tokusatsu

There's another piece to this I should probably point out as well. In recent years there have been some more high-budget, prestigious takes on existing tokusatsu properties. First, Anno Hideaki, who's best known for the Evangelion anime series/films, put out three live action features that are new, well-financed takes on three big tokusatsu properties: Shin Godzilla, Shin Ultraman, and Shin Kamen Rider.

Last year there was also a Kamen Rider series geared toward adults that had higher-than-usual production values called Kamen Rider Black Sun. It did that “you can tell our show is for adults because it's all gritty and grimdark" thing, which I'm not a fan of. But it definitely had its points.

Really distinguished actors starred in both the Shin movies and Black Sun, including Nishijima Hidetoshi, who's about as distinguished as it gets. Nishijima was in both Shin Ultraman (in an important supporting role) and Black Sun (as a co-protagonist--and he's the biggest highlight of the series). So these are examples of toku media that are too prestigious to be a springboard into the industry for most actors.

This seems to be a new phenomenon, though I could be wrong about that. I don’t expect the trend will continue at this pace (after all, so much of it is attributable to Anno alone and I don't think he'll continue down this path indefinitely), but I bet some other shows/movies in this vein will come out sooner or later.

Here’s Nishijima doing a henshin sequence. He does these moves with such commitment. Is there anything he can't do?

before tokusatsu

As I was writing this, it got me thinking about what actors do before their tokusatsu roles as well as after. It's not uncommon for toku roles to be someone's debut, but that's not really the norm. Even when it is, most of those actors were doing something in the realm of performing or modeling beforehand. I don't usually look at this sort of information as much as I do later roles when I'm investigating toku actors I like. So I looked up some people to try to get a sense of where the actors tend to have done before their toku parts.

There's one starting point that a whole bunch of tokusatsu leads share: winning the Junon Super Boy Contest. When I first saw references to it, I thought, OK, this is some kind of national talent contest. I guess there are probably lots of them. But when I looked for others, I didn't see anything come up. Maybe I'm just not looking in the right places or using the right search terms. But I think maybe this contest might be pretty unique in Japan.

It's run by a magazine called Junon and, well, if I describe how it works it's going to sound really familiar to you and anyone else who's seen Utsukushii Kare, because it's pretty much exactly the contest Kiyoi participates in. Like, if it's not what Nagira Yuu was thinking of when she wrote that part of the UK novel, I'll eat my shoe.

A ton of tokusatsu leads won, placed in, or made it to the finals of that contest. The Tokupedia fan wiki even has its own page dedicated to the contest with links to various winners' toku characters. The majority of Junon Super Boy contestants who ended up in a toku series went to Kamen Rider, but there are some Sentai dudes as well and at least one Ultraman lead.

So I guess if Kiyoi had won that contest, he probably would have ended up on Kamen Rider or something. Weird.

Inukai Atsuhiro and Iijima Hiroki both won that contest. Those are the only two Junon Boys (that's what people call the contest winners) who became tokusatsu actors and were on a BL that I know of right off the top of my head. But it seems likely that there are other toku-and-BL or just BL actors who won, placed, or made it to the finals of this contest.

Other dudes who ended up on tokusatsu shows started out in other ways. Some were simply signed to agencies as actors. There's a fair number of them who were in idol groups. (Though when an idol/ex-idol is looking for a gig as a transition into acting, BLs seem to be a more popular choice.) Some mostly did modeling prior to their toku series. Some already had quite a few acting credits, though usually not very big ones. Although he's a Junon Super Boy winner, Inukai had eight other acting credits before Kamen Rider. Takeda had the same number, and he started young--his first credit is for a TV show that came out when he was 10 (though it took another six years to get a second).

I also looked up some women who've had prominent roles in tokusatsu shows, including more recent ones. The most frequent things I found when I looked for information on their pre-toku careers were that they had been models or idols (or both). It's also not uncommon for women in toku roles to be former or present gravure models--basically models who pose in bikinis or comparably revealing outfits.

The coolest thing I found was that Imoto Ayaka, who played Igarashi Sakura/Kamen Rider Jeanne, was an award-winning ballet dancer. Which is not only incredibly cool but makes a lot of sense in terms of preparation for a tokusatsu hero role.

I mean, just check out this henshin.

Well, this has gotten ridiculously long. Sorry about that. I may have gotten a little carried away. But thanks again for the question.

And now, I have something to write for @wen-kexing-apologist...

[jesncin]

So it's all the rage right now to be "superheroes don't get along" for whatever reason, but what are your thoughts about Superman and his relationship to the Justice League? it only came to my mind because Hawkman/Katar Hol was the chairman of the JSA so many times in the early comics including after superman quit (the DC label had some IP issues) so it made me wonder about that

Hm! I don't have much of an opinion on this as someone who tends to read character solos more than team comics (because I like seeing how well characters stand on their own without relying on popular characters to bounce off of with the exception of a few team comics). Generally I notice within fandom it's popular to write Leaguers as friends with each other, while in canon the Leaguers have that "I work alone" and "co-workers don't get along" thing (again GENERALLY).

The way Super teams tend to be written in canon is a larger cultural American individualism reason for why they are that way. My former comics prof would compare the Justice League to say, Sailor Moon or Power Rangers/Super Sentai. One is more collectivist and team oriented compared to the other because collectivism is inherit in a lot of Asian cultures. I was taught that Marvel teams like the Avengers or Fantastic 4 do better abroad in collectivist cultures because they're purposefully written to be more friends/family oriented.

Again! This is painting with a huge generalizing brush. A lot of story telling trends have to do with evolving cultural mindsets. We are seeing an attempt by the west to imitate some of the collectivist ideals of the east (mostly Japanese media from anime and manga) but in my opinion it's very superficially imitated without understanding the cultural context of collectivist ideals (and how that affects writing cast systems like Super hero teams).

[t-u-i-t-c]

[fandomtrumpshate]

Unlisted Fandom Challenge

Two days ago, at our last Unlisted Fandom Challenge update, we had a 3-way tie for first. Today? One of those fandoms has taken the lead AND a new fandom that hadn't had even a single signup before has jumped all the way into a 4-way tie for second. Your fandom could do the same, in the hours still left before signups close!

At present, our leaderboard looks like this:

7 Danny Phantom

5 Carmen Sandiego (2019) 5 For All Mankind 5 Tortall 5 Yu Yu Hakusho

4 Ace Attorney 4 Alan Wake/Remedyverse 4 Formula 1 RPF 4 Ted Lasso 4 The Goblin Emperor Series - Katherine Addison 4 The Stanley Parable

3 Greek Mythology/Religion 3 Buffyverse 3 Bungo Stray Dogs 3 Call of Duty 3 Detective Conan 3 Dragon Ball 3 HBO War 3 Kingdom Hearts 3 Persona Series: 3-5 3 Professional Wrestling 3 Realm of the Elderlings - Robin Hobb 3 Shades of Magic - V. E. Schwab 3 The Mummy films 1999-2008 3 Undertale

Given the way Carmen Sandiego came from *nowhere* to tie for 2nd place, a single signup really can shake things up! And for the next few hours, signups are STILL OPEN! Do the thing!

The rest of our unlisted write-in fandoms under the cut for length -

2 Ghosts (TV) 2 Black Sails 2 Cosmere 2 CSI 2 Cyberpunk 2077 2 Dead Friend Forever 2 Death Stranding 2 Dice Punks (podcast) 2 Dimension 20 2 Donten ni Warau / Laughing Under the Clouds 2 Dracula 2 Dune 2 Firefly 2 Glee 2 Guardian/Zhen Hun 2 Hermitcraft/The Life Series SMP 2 Imperial Radch Series 2 Inception 2 JoJo's Bizarre Adventure 2 Mob Psycho 100 2 Mobile Suit Gundam: The Witch From Mercury 2 Omniscient Reader’s Viewpoint 2 Ordem Paranormal Quarentena 2 QSMP / Quackity SMP 2 Riverdale 2 Saw 2 Slow Horses (TV Show) 2 South Park 2 Stormlight Archive 2 The Bear (TV) 2 The Empyrean - Rebecca Yarros 2 The Folk of the Air (Holly Black) 2 The Radiant Emperor Series 2 Venture Bros 2 Voltron 2 Wolf Pack 1 1670 1 A Court of Fey & Flowers 1 a league of their own (TV series) 1 A Plague Tale (Videogame Series) 1 American Gods 1 Among Us 1 Bandom RPF (Bad Omens) 1 Bandom RPF (Lorna Shore) 1 Bandom RPF (Motionless In White) 1 Beastars 1 Bendy (and The Ink Machine/Dark Revival) 1 Horror 1 Bioshock 1&2 1 Blue Beetle 1 Blue Eye Samurai 1 Books of the Raksura 1 Boondock Saints 1 Breakfast With Scot 1 Bunny - Mona Awad 1 Buzzfeed Unsolved/Watcher Entertainment RPF 1 Cabin Pressure 1 Cats the musical 1 Charlie's Angels (2019) 1 Cherry Magic 1 Chronicles of Narnia 1 Cobra Kai 1 Coffee Talk (Video Game) 1 Criminal Minds 1 Death Note 1 Devil May Cry 1 Dexter 1 Digimon 1 Discworld - Terry Pratchett 1 Disney Theatrical Animated Universe 1 Divergent 1 DMBJ (Grave Robber's Chronicles) - Xu Lei 1 Dream SMP 1 Dungeons and Daddies (podcast) 1 Endeavour/Morseverse/Inspector Morse (ITV/Dexter) 1 Ensemble Stars!! 1 Fallout Video Game (Bethesda) 1 Falsettos 1 Fargo FX 1 Farscape 1 Fire Emblem (4-10, 13, 14, 16) 1 Five Nights at Freddy's 1 Friends at the Table 1 Game Changers Series - Rachel Reid 1 Grantchester 1 Green Creek 1 Grey's Anatomy 1 Grimm 1 Gundam (see below for details) 1 Hatchetfield 1 Hawaii 5.0 1 Hello From The Hallowoods 1 High School Musical 1 Higurashi no Naku Koro ni 1 Hollow Knight 1 Honkai Star Rail 1 Horizon Zero Dawn 1 Infinity Train 1 IT (Movies - Muschietti) 1 Jeff Satur - music videos 1 Julie and the Phantoms 1 Kushiel's Legacy 1 Law and Order 1 Legend of the Galactic Heroes 1 Live Free or Die Hard (Die Hard 4) 1 London Spy 1 Lovecraft Mythos 1 Magi: The Labyrinth of Magic 1 Magnificent Seven 1 Mary Grant Bruce's Billabong series 1 Mrs. Davis 1 My Little Pony 1 Nancy Drew (CW Series) 1 Narcos (TV) 1 Nine Worlds Series - Victoria Goddard 1 NU: Carnival 1 Omori 1 One Direction 1 Orphan Black 1 Outlast 1 Paranatural 1 Phantomarine 1 Re-Animator 1 Resident Evil/Biohazard 1 Sex Education (TV) 1 She-Ra and the Princesses of Power 1 Simon Snow Series 1 Skins (UK) 1 Slam Dunk 1 Starry Musical 1 Succession 1 Sunless Sea 1 Super Sentai 1 Sweeney Todd 1 Team Starkid 1 Teenage Mutant Ninja Turtles 1 The Adventure Zone: Balance 1 The Adventures of Buckaroo Banzai Across The 8th Dimension 1 The Adventures of Tintin 1 The Artful Dodger 1 The Good Place 1 The Greenhollow Series - Emily Tesh 1 The Hollows - Kim Harrison 1 The Last Kingdom 1 The Left-Handed Booksellers of London - Garth Nix 1 The Lunar Chronicles 1 The Mechanisms 1 The Pairing (Casey McQuiston) 1 The Saint of Steel 1 The Shadow Campaigns - Django Wexler 1 The Terror (TV 2018) 1 Three of Hearts 1 Tin Can Bros 1 Tower of God 1 True Detective 1 Twilight 1 Vorkosigan Saga - Lois McMaster Bujold 1 Wayfarers (Becky Chambers) 1 Weak Hero Class 1 1 Westworld (TV) 1 Yellowjackets 1 Yu-Gi-Oh! Duel Monsters

[peonypaint]

finally finished my designs for my toku suit ocs (: theyre siblings! I dont have much character info on them beyond that, but I really had fun designing these suits

full id under the cut!

[ ID: three digital drawings of original kamen rider and super sentai suit designs. the suits are themed based off of an american kestrel and an io moth.

the first drawing is a character sheet, which shows a front facing view of the suits mask and a side view of the mask near the top of the drawing and a full body front view of the suit and a partial body view of the back of the suit underneath. on the left of the drawing is a color pallette for reference. the suits mask is designed to look like the head of a kestrel, with its colors ranging from light browns to blue and golden. around the suits collar is a blue scarf, and its shoulderpads are stylized to look like brown wings. the breast plate is marked to look like the chest of a kestrel, and around the suits waist is a cape that splits into three parts meant to look like a kestrels tail feathers. both the suits boots and gloves are golden. on the top of the drawing there is text that reads "kamen rider kestrel" in all caps with a small drawing of a feather next to it. next to the full body drawings are text that read "front" and "back" corresponding with each front and back view.

the second drawing is a character sheet which shows two side by side versions of a front facing view of the io moth suit, and then two versions of the back view of the suit. the first front facing view of the suit does not have a cape, while the second does, and the first version of the back facing view has a cape while the second doesnt. the suit is colored in mainly warm hues, ranging from goldens to reds and browns. the suits helmet has large red eyes resembling a bugs and has two fluffy golden antennae. the top of the helmet and around the suits neck are both also covered in golden brown fluff. around the waist of the suit is a short golden cape, with markings similar to an io moths wings. the suits arm braces and boots are both golden. the suits cape is also stylized to look like an io moths wing with two brown circles near the top of the cape. the back of the cape has two layers with circle markings on the bottom layer and curved edges. without the cape the front and back of the chest plate have semi circle patterns near the top and bottom of the armor. there is a color pallette for reference on the bottom of the drawing, and the different full body and partial body poses are labeled with text that reads "front" and "back".

the third drawing shows a closeup of the io ranger suit helmet from the front and the side view. the side view shows that the helmet has similar markings as the suits capes, resembling an io moths wings with a circle and semi circles around it. below the drawings of the helmet is text that reads "moth sentai io ranger" in all caps. there is a small drawing of a moth done in white next to the text. /END ID]