#an option because it’s Literally The Narrative

[longing-for-rain]

Katara ain't even the last southern waterbender. The post-ATLA material shows that there were other waterbenders in the SWT all along but they were in hiding or couldn't be contacted because the South Pole is too big and communications broke down during the war.

It would be more revolutionary for Katara to end up with a SWT boy so they could rebuild their tribe together and help pass down customs, but Katara doesn't know ANY southern water tribe boys her age except for her brother. Bryke literally couldn't be bothered making any other SWT boys Katara's age, so she has no viable romantic options left apart from Aang. Katara herself was even SUPPORTIVE of settler colonialism if it meant the outcomes could benefit the future mixed kids she would have with Aang. Kataang being "revolutionary", my ass. 😭

I also think it's kindaaaa ironic that someone going on about how "revolutionary" a particular romance is supports Maiko and literally has the url of "Fire Lady Mai" when the Fire Nation monarchy should have been abolished because they gained their power through eugenics over the centuries by breeding the royal family with noble lineages to produce the world's strongest firebenders, and Mai was literally a colonizer who never learned that colonization was bad and becomes the queen of the nation she colonized in the name of. Lol um, okay.

That response was…something, for sure.

I agree, if we’re taking the “Katara has a duty to marry a specific kind of man to fulfill a duty to her people” angle, then yes, someone from the Southern Water Tribe would best fulfill that.

But what I have an issue with is the whole idea that who she marries should be dictated by a sense of duty. Or politicized in general. That’s just a classic misogynistic narrative (so unsurprising to hear from a kataang fan) that a woman’s relationships is not about what she wants, but rather, what would be for the greater good. That is not a healthy basis for a relationship. A relationship shouldn’t be political; it should be about you as a person and who you love. And ultimately I think that’s why Zutara is so hated, because ultimately it does represent placing love above the greater good. Some people view this as traitorous and selfish for a woman to do, but couldn’t be me. Katara, and all women, are not wrong for choosing love. We don’t live very long and love is one of the most beautiful things to experience. We have a right to experience it.

However, I disagree that Katara supported settler colonialism, assuming we’re talking about The Promise here. What she believed was that families shouldn’t be separated and lovers shouldn’t be kept from one another just because their ethnicities are different. She brought up the children to convince Aang to reconsider his stance on enforcing racial segregation (too bad certain fans didn’t get the memo). Also, Zuko wasn’t even trying to recolonize that province; he and Katara only supported their right to self-determination. That’s the opposite of colonialism.

[governmentmandatedryujinstan420]

releasing this from the hj discord dungeon because the public populace was in agreement also i'm chronically offline on tumblr and need to fix that for my chronically online ahh

[lupins-hehim-pussy]

I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears

I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!

The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.

More:

Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.

Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)

Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.

Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.

Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.

The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.

They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.

And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.

I could go on, but this is already so long. But yeah, I hope this gave you an idea.

[captainofthetidesbreath]

god, I really have to play Dishonored + Knife of Dunwall + Brigmore Witches again

[fatherramiro]

even though im firmly against bg3 ever being made into a tv show for so many reasons, if the showrunner understood that wyll needed to be the protagonist of the series i would give it a chance at least

[lloydfrontera]

NOVEL SPOILERS

i am so normal about lloyd coming to the conclusion that him being happy is the issue. that him wanting a life that wasn't full of struggles and suffering is the problem. that him wanting to be with his family and his friends is selfish and the reason everyone is suffering. i am very, very normal about it i swear

[arundolyn]

i just had like A Thought, as im making lambda gifs?

its weird to articulate and might not make complete sense, so bear with me

but like... comparing lambda and nu’s sword effects. there’s a cool distinction going on there, which is:

lambda, who is a predecessor but not necessarily a prototype, per se. her swords are more....... bulky and needlessly. clunky. jagged. comparatively. (despite it being called sword summoner EX in fight, ignoring that for the sake of simplicity, it to me just indicates nu existed first playably). i mostly noticed this from crescent saber ngl. 

but nu, on the other hand, the actual Proper murakumo unit wielder. everything is more streamlined and (they’re physically the same size but.. SEEMINGLY) compact and efficient. 

it just struck me as an interesting detail

[slow-button-off]

.

[dbssh]

its the beauregard liker to gideon liker pipeline its called weird maladjusted butches who fight good and make boob jokes. except gideon is like if beauregard was respected literally at all and if her relationship with the goth was like meaningful or interesting

[that-dumbass-rabbit]

Guys for my final in English I'm gonna write a divorce fanfic for the Dorsets

Gonna have me searching things like "divorce 1905" "1890s divorce proceedings"

[asharaks]

it is, i think, symptomatic of the way larian has built this brand: bg3 was always marketed as being mature (read: sexual), and that was one of the big draws for players - myself included! especially as media pulls more towards extremes, with mainstream video games starting to get increasingly graphically sexual, graphically violent, and the vogue for 'grey morality' becomes the norm, those boundaries get pushed, and it becomes more and more of a selling point.

larian obviously focused on this, along with the How Do You Do, Fellow Kids brand, the increased accessibility of game devs on twitter, and adopted it heavily into their marketing strategy, and are now pretty reliant on the horny gamer crowd for a lot of their audience, and more importantly, they're doing this on purpose.

which is how you end up in situations like this.

characters (white men) the players want to fuck get centred: they get updates, they get more content, they get favoured. halsin's gone from a side character in EA to a half-fledged romance option, to a full romance option: he shows up in the promotional material, is larian's poster boy for the sex scenes, he gets more content with every update.

now gortash gets more heavily implied situationship lines with the dark urge, because players are horny for him. nevermind that some people aren't playing that way, or that he was originally set up to be a lower-level antagonist; nevermind that if the durge's storyline needed expansion, it should've been with orin and sarevok and bhaal, or that it muddies the writing for the rest of gortash's arc + characterisation: people want to fuck him, so it gets put in the game. it's not even to do with karlach, whose quest so desperately needs expansion! it's specifically catering to the people who want their character to have a Relationship with the slaver, because they're either not interested in or not able to focus on strengthening the weak spots in the narrative: they're just doing things that will net the 'my favourite dating sim' people lmfao.

meanwhile, literal main character wyll gets his quest demoted to a subquest, doesn't get bugfixes, doesn't get a single unique romance greeting after 6 patches and months of requests. he's not a Horny character, so he doesn't get the focus: he's not a player favourite, so he gets nothing. it's just... so unbelievably, indisputably racist, and it's incredibly grim and disappointing to watch it happen in real-time.

[cassaloopa]

I love thinking about the fact that when you romance Astarion, like, actually start to romance him, you don’t have sex with him. At all. And it comes up in other interactions later on, like if you get propositioned by Halsin, Astarion checks if his lack of participation is a factor in your consideration? And if you mess with Mizora, similar thing. So it’s clear that since he confessed his true feelings, that part of your relationship pauses, as he requested. Because he’s got trauma and needs a gentle loving space to work through that to be intimate in a healthy way that doesn’t repulse him or taint your bond.

And I love that he gets that narrative because it’s such a rare option for a masculine character to experience sexual abuse and trauma and be allowed a chance to work through and heal from it. Especially if they’re young and gorgeous and virile like he is. He’s only 39 at his death/turning, he was so young, and Cazador treats him like a boy in so many ways while simultaneously using his adult sex appeal as a lure and a weapon to control him and destroy other lives through his body. It’s such an integral part of his abusive enslavement and I appreciate that choice for his story rather than a simple one of monstrous violence, murder, etc which is a more common trope for male characters.

So he’s coming from that place, and then he meets you and his default setting is to fuck you to secure his safety, his worth in your eyes. But if you show him true love and care, he starts to see a way to return that which is something he’s never been able to do before, but the sex complicates it suddenly. And you can just back off from it, give him the space he needs, make him feel safe to trust love and security isn’t bound to what he can offer you physically. It’s not bound to his body, his functions. It’s his personhood that you desire, his essence without strings attached, and he gets to learn that and trust it and grow it without pressure or judgement. Even the times after where you ask to kiss him feel so sweet, to check in with him on such a simple act of intimacy, where he gets his autonomy to consent.

And then, at the end of his storyline in the graveyard, when he’s reclaiming his life in symbolic and literal ways, that’s when he feels the most safe and in love with you, trusts you the most to care for him completely, and that’s when he initiates physicality again. And I just fucking love that for him. So much.

As a person who’s struggled with physical intimacy and learning I could have boundaries and need to take my time with stuff and my partner wouldn’t abandon me over it? Would stay even if I couldn’t promise to ever fulfill that part of our relationship again? The safety of that reassurance is everything, and it helps you find a way back to your body again, to loving it and wanting to share it with another. Because you get to choose when and how and anything offered is received with pure gratitude and admiration. And I love that Astarion gets that chance because he deserves to heal and feel whole again, to live fully without barriers. And you get to help him find that. It’s beautiful.

[aroaceleovaldez]

reminder that the only reason the "ADHD is actually demigod BATTLE STRATEGIES" and "dyslexia is DEMIGOD BRAINS HARDWIRED FOR ANCIENT GREEK" things exist in the PJO universe is because it's a very direct reference to early 2000s teaching/parenting techniques for neurodiverse and disabled children, which aimed to frame childrens' disabilities and hardships as a "superpower" or strength so that the children would feel more positively about their disabilities or situations. This technique has fallen out of favor since then for the most part since more often than not it just results in kids feeling as though their struggles are not being seen or taken seriously.

Yes, demigods are adhd/dyslexic (and sometimes autistic-coded) in the series. This is extremely important and trying to remove it or not acknowledge it makes the entire series fall apart because it is such a core concept. Yes, canon claims that their adhd/dyslexia is tied to some innate abilities, which is based on an outdated methodology. It's important to acknowledge that and understand where it comes from! But please stop trying to apply it to other pantheons in the series like "oh, the romans have dyscalculia because of roman numerals!" or "the norse demigods have dysgraphia for reasons!" - it's distasteful at best.

A better option is to acknowledge the meta inspiration for why that exists in the series, such as explaining potentially that Chiron was utilizing that same teaching methodology to try and help demigods feel more comfortable with their disabilities and they aren't literal powers. In fact, especially given Frank, there's implication that being adhd/dyslexic isn't a guaranteed demigod trait, which means it's more likely to be normally inherited from their godly parent/divine ancestor as a general trait, not a power, and further supports the whole "ADHD is battle strategy" thing being non-literal. It also implies the entire greco-roman pantheon in their universe is canonically adhd/dyslexic - and that actually fits very well with the themes of the first series. The entire central conflict of the first series fits perfectly as an allegory about neurodiverse/disabled children and their relationships with their undiagnosed neurodiverse/disabled parents and trying to find solutions together with their shared disability/disabilities that the kid inherited instead of becoming distant from each other (and this makes claiming equivalent to getting a diagnosis which is a fascinating allegory! not to mention the symbolism of demigods inheriting legacies and legends and powers from their parents and everything that comes with that being equivalent to inheriting traits, neurodiversity, and disabilities from your parents).

anyways neurodiversity and disability and the contexts in which the series utilizes representation of those experiences particularly during the 2000s symbolically within the narrative is incredibly important to the first series and the understanding of what themes it means to represent. also if i see one more "the romans have dyscalculia instead of dyslexia" post in 2023 i'm gonna walk into the ocean.

[infamous-if]

✮ CH. 2 PART I ✮ 92k (+86k) -> 178k ✮

PLAY CHAPTER 2: PART I

It's here! First, sorry for the long wait. Chapter 2 has proven to be a behemoth, and I'd gotten sick this past week, my computer broke, my documents went kaput and I had to do some Frankensteining for the last few pages of this part. I'm not too worried, as Part II update can help smooth out all the kinks. I will definitely be looking for beta testers once chapter 2 is complete ha

Anywho! Enough about my problems. This demo update adds 86k words (86, 818 to be exact) and is the first part of a two part chapter. Which means the narrative in this chapter is not complete, but I kind of closed it off at a pretty satisfying place. As with every Infamous chapter, this is very character driven. So have fun!

What to expect in Chapter Two PART I:

get on the bus & deal with the consequences of your actions lol

arrive to your first tour stop and do your first gig...which might get messy (both literally and figuratively)

hang with a familiar father and daughter duo

have some heart to hearts/ some cheeky little POV passages

meet more BOTB crew and learn exactly what's in store for you this season

get roped in some ValenReign mess !

Maintenance:

this chapter has a lot of flavor text, or at least, more than the demo did, so if there are any errors or if there are lines that don't correspond with your choices, please let me know so i can fix that!

you will no longer be forced to write your own lyrics and the update will offer you pre-written lyrics by yours truly. im not t swift so i would advise you not to expect professional level songwriting, but they work well enough lolol

lyrics page is up as well as stats, but i don't really like the system i used to balance it, mostly because new...stat things will be added as the story goes on, so that's still getting reworked. still, good enough for now, as there are some personality stat checks!

Prologue and Chapter 1 errors/typos/grammatical bits fixed. (Wouldn't be surprised if I missed some though...) + variables updated.

Scenes not showing up fixed. hopefully, that huge error in which it throws you back to the fight after returning to the house is fixed (It was a bit wonky for me, hopefully it works for everyone else)

Stat and relationship pages updated ( + lyric page to look back at all your lyrics).

Can choose to be asexual and any sexual scenes will be skipped or replaced with romantic scenes. Flavor text in which MC displays any sort of sexual desire will be skipped. (This option comes up during Dakota's party scene. If not, it will show up when it presents itself again.) (Nothing sexual has come up yet, but if there are any scenes or even lines/ internal thoughts that should be skipped or changed for Asexual MCs, please let me know!)

If there are errors or anything, im always open. I've play tested but you girl is always prone to errors. As always, thank you for your love and enthusiasm! It makes me really happy and motivates me to keep writing ! <3

(Also, if you're thinking "omg amy how did you go from 65k to 86k?!" i don't want to talk about it /j)

See you on tour!

[spectralreplica]

Uhhhhhhhh Sburb AU!! This was more of an excuse to classpect and make sprites, so don’t ask me questions about plot details because I put like zero thought into it. Tsumugi probably had something to do with setting up the session, and she’s hiding her real title and the fact it’s not her first session. Baby Kiibo is a robot baby because I thought that was the funniest option.

Drawing with anti-aliasing off really brings me back...

Classpect thoughts under the cut if you really want:

Immediate caveat: I mention speculative stuff here like unconfirmed active/passive class pairs and inversion theory. If you don’t like those things or otherwise disagree with the titles I gave people that’s fine but just know I’m not super interested in debating about it and won’t reply.

So, to start out with I wanted to make the 8 of them a session, so I needed no overlaps in class or aspect and one Time + one Space. I also wanted to have Kaito and Kokichi as opposing aspects. In general, I think of a Title as kind of the end of your assigned character arc, so depending on your level of maturity/introspection at the start, it can seem either really obvious or really unintuitive. I tried to base them off of the hypothetical chapter 6/survivor versions of characters, since those (plus maybe the chapter 5 deaths) of the ones that get a full arc in DR canon.

Immediately Tsumugi seemed like a deadringer for Space, not so much because of the literal physics-related stuff but because of its associations with creation/narratives and setting things up for other people to act. I made her Sylph of Space here, but that's a facade. She's actually a Muse of Space who participated in past session(s) and wants to watch how things play out.

Based on the Extended Zodiac description, Kaito or Kaede has to be time, but Kokichi CANNOT be Space by any stretch of the imagination. I made her Heir of Time with the interpretation of Heir as someone who invites change/influences of/through their aspect. Time is also associated with music and death, which is both fitting and a little mean. (I can also see Kaede as Breath outside of having to have someone be Time.)

So moving onto Kaito and Kokichi, I was considering Hope vs Rage (belief vs doubt, possibility vs restrictions), but 1) Rage is defined partially by hatred of lies despite otherwise sounding Kokichi-ish (that alone could be interesting, with the possibility of a negative/reverse title or else giving him Hope and Kaito Rage for the unexpected swerve........) 2) I really wanted to give Hope to Kiibo. So instead I went with Heart and Mind (emotion vs logic, intuition vs planning, identity/motivation vs action/decisiveness).

Kokichi is Thief of Mind for taking away other people's decisions for his own purposes but also for generally "stealing" things (e.g., the Mastermind Role, narrative importance in general, along with literal items) through his own cleverness. Vs Kaito, a Knight of Heart, who uses his constructed identity as a weapon to face challenges. I'm also a fan of inversion theory, so I think at low points they'd both trend towards Page of Heart (grows powerful late in the narrative based on his own ego/identity) and Rogue of Mind (taking choices/agency/logic away from people for their own good), respectively.

I always wanted Kiibo to be Hope since 1) Ult. Hope Robot 2) big on possibilities/faith but can be a little self-centered. I went with Bard at least partially to make a "guess we know whether he has a dick or not now!" joke, but I also think "inviting destruction through Hope, inviting destruction of (false) hope" is pretty spot on for chapter 6 Kiibo. Like, as the camera/audience surrogate, he's been forced into passively leading the others to despair, not to mention how the audience takes him over to destroy the hope of ending the show. But Kiibo ends up reversing this and helping destroy the audience's faith in Danganronpa, destroying the whole academy in accordance with the vote. (Sidenote: I wonder if Kiibo gets taken over by Horrorterrors and goes grimdark? Or if he's just really, really susceptible to orders from his Exile)

Shuichi, Page of Void, was another one that immediately came to mind. Like, "starts off weak but becomes really strong/important by the end" is Shuichi's thing! Also, counterpart to Kaito's Knight. And Void is all about secrets, mystery, etc. From the Extended Zodiac: "Where others might be compelled to go out and seek answers, the Void-bound lean more toward casting doubt on what is already considered understood. They don't take much on faith and would rather live in a state of confusion- than believe something that might be untrue or bow to intellectual authority... At their best, Void-bound are wise, intuitive, and vibrant. At their worst, they can be dismissive, indecisive and apathetic." 

I had considering Light, for seeking out knowledge/truth, but Shuichi's character arc ends on "fuck you, I refuse to play. You all get nothing more from us" and learning to live with ambiguity, so I think he's way more Void. But, again, inversion would be Thief of Light, so selfishly taking away knowledge/importance from others.

Speaking of Light, I made Miu Mage of Light. Mage is like, active Seer, seeking out knowledge for yourself (vs advising others) and Light is luck, knowledge, and also importance/plot relevance. As an inventor, Miu keeps innovating and figuring things out, plus she's very motivated by her own importance to the world. She wants to be seen more than anything else and loves being smarter than those around her. Also: "At their best, the Light-bound are resourceful and driven. At their worst they can be fussy, pedantic, and insensitive." Inversion is Heir of Void, so "inviting change via hiding things" or "changing what's kept secret", which suits Miu when plotting murder.

Finally, Maki is Prince of Blood. Blood is trust, bonds, relationships, stubbornness, duty, obligation (vs freedom, change, choices) so "someone who breaks bonds/destroys relationships" but also "someone who destroys using/motivated by duty/relationships". Like, Maki is inherently a fracture point in the group because of her talent and then directly breaks the group apart and sabotages her relationships with the others in chapter 5, but also she's deeply motivated by her bonds to others in all of her destructive actions (protectiveness for orphanage/friend, love for Kaito). This sound super negative, but I think this is also the Maki who commits to destroying the institution of Danganronpa in chapter 6. Sometimes you have to be decisive and cut bad relationships out of your life.

Inversion would be Sylph of Breath, so "healing via change" or "encouraging growth towards freedom", which you can argue is sort of the way Kaito wants her to go? But she just doesn't. Idk, for better or worse, I think Maki is very aware of who she is and how people related to her, so even at her worst she's true to herself, vs, say, Kaito or Kokichi, who act "ooc".

[spneveryseason]

In a way I think the fact that “Sam is a class traitor because he went to college” discourse remains is fascinating bc to me it’s a symptom of taking what Stanford represented in the narrative completely unchallenged. Like going with the Winchester Head Of Family bottom line that Leaving is Selfish and Staying Together is the Most Important Thing very much drives this kind of thinking to me. I can’t fathom “guy gets into college on a needs based full scholarship” as a sentence that says class traitor of all things otherwise? Like the idea that Sam wanted to go to college to improve his life because he’s a snob rather than he was literally raised a child soldier and wanted better options is wild right?