#and I'm not even a mario fan

[azural83]

Do you think that the conservatives are going to call movie amy "woke"...?

[the-indie-owl]

Everyone truly loves M/M as a BrOTP all the time.

Meanwhile, I'm sitting here wondering

When are we going to see Meggy and Luigi interact some more??

[illdothehotvoice]

The TTYD Remake is really just reminding me how tired I am of remakes that are just rereleases like holy shit yeah no this is like a new game. They're adding so much to it and fleshing it out so much I am so excited for this thing I really wish every remake got this treatment!

[front-facing-pokemon]

[federthenotsogreat]

Something that I like about the Mario and Luigi community is how some people take it more serious than others, and how both sides are always going to be correct in a way.

Mario games are child friendly and you would never find something harmful for younger players in them, but if you think about them for just a few seconds they turn dark quite easily.

Yes, Cackletta is a funny villain who is evil and in the end she loses to Mario and Luigi because that's just how those stories end. But then you start thinking and realize that in that world, Cackletta too, was an individual, and that she just lost her life. And if you take it even further you could say she got brutally torn to shreds and suffered horribly until her untimely demise.

Yes Fawful is funny villain who is evil and talks funny, and in the end he loses because that's just how it works. But he's also an individual who just lost his life. And he also just committed suicide.

And all of those takes are correct. It's... Amazing really! I love it!

[datchscursedblog]

I can't take this mod seriously after listening too many spanish parodies of it-

[drones-of-innocence]

Lyric Headcanon

I know I'm like a bazillion years late and I'm so sorry, @peaches2217 wrote this adorable story back in August and at the end included a cute callback to One Step Closer. The reference was a quote from the eponymous U2 song, where the lyric "a heart that hurts is a heart that beats," is mentioned as something the Bros mother used to say.

I think it was so sweet and it kind of gave me this sense that the Bros' mom quoting U2 was becoming fanon 😂 So what if their mom was just a huge U2 fan, and all her wise or uplifting quotes that the boys fondly remember are literally just lyrics from their songs? They have plenty of material and quotes I've adored my whole life. I'll make a list here, and I may incorporate this into my future fics. Any other Mario writers are welcome to do the same as long as you give me a little shoutout 😎

--In no particular order, here are some quotes alongside some context I believe they could fit in--

"A heart that hurts is a heart that beats." -One Step Closer (A gentle reminder that pain makes us human and can be appreciated.)

"Blessings are not just for the ones who kneel." -City of Blinding Lights. (On religion and judgement against others.)

"...Grace makes beauty out of ugly things." -Grace (A reminder to be kind even when it's hard, maybe something Peach does in her approach to politics reminds Mario of this line.)

"It's no secret ambition bites the nails of success." -The Fly (A warning that both ambition and success can be damaging.)

"I'm not broke, but you can see the cracks." -All Because of You (A quip about money or sense, maybe Mario and Luigi use this to tease each other?)

"The only pain is to feel nothing at all." -A Man and a Woman (A similar sentiment as One Step Closer.)

"Sweet the sin, bitter the taste in my mouth." -Running to Stand Still (Some things are just not worth it, especially when it comes to overindulgence.)

"There is no failure here, sweetheart, just when you quit." -Miracle Drug (Uplifting reminder to keep going. Maybe something Mario tells Luigi.)

"Stay a child somewhere in your heart." -Original of the Species (A plea to not become jaded by adulthood.)

"The right to be ridiculous is something I hold dear." -I'll Go Crazy if I Don't Go Crazy Tonight (Being silly for the sake of silliness is an underappreciated privilege in our lives.)

"It's hard to listen while you preach." Every Breaking Wave (Remember other people have valuable things to say that you'll only hear if you listen.)

"Love is bigger than anything in its way." -Love Is Bigger Than Anything in Its Way (I feel like this could be a quote Mario chooses to live by, and he tells Peach this and it kind of shifts her perspective too 💖)

[nevert-the-guy]

Problem 1: Despite Mario Kart having an entire folder in the Sound Test dedicated to it, Mario spinoffs with his name on them aren't represented in Smash much via characters.

Problem 2: Fans keep clamoring for Waluigi, some genuine, some joking, and things could easily get out of hand.

Solution: Add Waluigi - the spinoff-exclusive character - as a representative of the Mario spinoffs.

[dimiclaudeblaigan]

this is a very venty post don't mind me :D

that nintendo direct was so horrible.

it was literally like 80 percent remakes and remasters.

never in my life have i seen an announcement video exist just to say "every game you've ever known since the 90s is being remade/remastered, sorry, we ran out of originality".

literally like all the video game market is anymore is remakes and the movie industry is just as bad.

the nso releases are fine because they're not like, remakes taking up full game slots. they're old games that are being made accessible and that's great... but there's no need to remake this many games when they can do that. remakes used to be rare. remember stuff like the wii u shop and stuff? with all the games they had on those things? now it's a tiny selection and everything else is a remake :/

also I feel like a lot of new rpgs are just like... lowkey fe knockoffs now instead of original rpgs.

i'm happy for like... two existing remakes, but one of them is mario rpg which people wanted waaaaAAAAAYYYY before the remake and remaster era, and the other is baten kaitos which im not actually happy about remaster-wise (the updated ui is trash, they took out very specific charms of the original ui), just happy that it will get more recognition/notice from people since it was never popular.

they also completely removed the english voice acting which like okay yeah it wasn't always that great but the voices fit perfectly and it wasn't as bad as fans meme on it for! it just sounded like they were talking through a tube and that was actually the worst part of it lol.

someone suggested to me that they may have just lost the data for it, but idk. i wish they'd just admit that somehow if it was the case, because it bugs me that the english audio is just completely gone when ultimately i really liked it. i wanted the game to be accessible to newer players, sure, but i also wanted the english audio there. ig that's because i grew up with it and i liked it, but it's still such a bummer for me!

paper mario being put on the nso and tyd getting a whole remaster does make me sad tho bc it feels like they're leaving the original in the dust when it was so good. if you're gonna do tyd, at least do them both.

good for innersloth though, i'm sure they never imagined being on a nintendo direct. they're the real winners here.

[entamewitchlulu]

honestly i’m so fucking mad about the mario movie because like it looks SO FUCKING GOOD!! i can see how much love for mario is in it and it makes even me, a sort of not all that big on mario person, feel real excited for mario!

but crisp rat’s hugely uninspired mario take is just so bad that it feels like a slap in the face. It’s like getting a bouquet of your favorite flowers of all time all fresh and beautiful and you’re like wow thank you and then a hand comes out of the flowers and just straight up decks you. the flowers are still nice but my nose hurts now.

[jellyloveru]

my brother (11, the Most Important Mario fan for me) has watched the trailer and said that he didn't like Mario's face. movie's doomed everyone.

[janmisali]

Super Mario Bracket: FINAL ROUND

"You're about to have a really terrible experience!"

Vivian

SEED: 1 (215 nominations)

PREVIOUS OPPONENT: Daisy

SPECIES: Shadow

DEBUT: The Thousand-Year Door

BIO: Vivian is one of the main characters of Paper Mario: The Thousand-Year Door for the GameCube and its 2024 remake for the Switch. while she is introduced as an antagonist along with her sisters, she later joins Mario, at a time when all of Mario's friends have abandoned him.

Vivian's arc is one of the most memorable parts of one of the most critically acclaimed games in the greater Super Mario franchise. the 2024 remake of The Thousand-Year Door was specifically praised by critics and fans alike for making Vivian's transgender identity textually explicit in the English-language release, which had been censored in the original 2004 localization.

in the Super Mario Bracket, Vivian has consistently been one of the strongest competitors, from before the bracket even began. in the preliminaries, she received over twice as many nominations as the second most nominated character, Luigi. she has yet to finish a match with anything less than 70% of the vote, as can be seen in her previous matches against Dribble & Spitz, Goomba, Kamek, Count Bleck, Big Bertha, and Daisy.

[Super Mario Wiki article]

"I'm The Old Psychic Lady with the Evil Eye Who Reads Fortunes and Knows Everything Before It Happens."

The Old Psychic Lady with the Evil Eye Who Reads Fortunes and Knows Everything Before It Happens

SEED: 38 (17 nominations)

PREVIOUS OPPONENT: Luigi

SPECIES: Human

DEBUT: The Super Mario Bros. Super Show!

BIO: The Old Psychic Lady with the Evil Eye Who Reads Fortunes and Knows Everything Before It Happens is a character from the live-action segment "The Great Hereafter" from The Super Mario Bros. Super Show!. she is a spirit medium who brings Mario and Luigi into contact with the ghost of their deceased grandmother.

The Super Mario Bros. Super Show! is, among English-speaking Mario fans, one of the most well-known of the Super Mario franchise's non-video game works. its live action half-episodes were either paired with animated Super Show! episodes, or (as is the case for "The Great Hereafter") with episodes of the Legend of Zelda animated series.

The Old Psychic Lady with the Evil Eye Who Reads Fortunes and Knows Everything Before It Happens is introduced after Mario suggests to Luigi that they should talk to "the old lady with the evil eye that she could tell fortunes and she could tell things before they happen", just before the woman in question rings the doorbell and says her full title out loud.

in the Super Mario Bracket, The Old Psychic Lady with the Evil Eye Who Reads Fortunes and Knows Everything Before It Happens has gained a notable dedicated following, winning new fans over almost entirely from her name alone. her pure appeal has led her to win against Ms. Mowz, Funky Kong, Yoshi, Elvira, Rosalina, and Luigi: a remarkable achievement.

[Super Mario Wiki article]

[link to all polls]

[illdothehotvoice]

Anyways now that TTYD's remake is out if I see literally anyone get pissy with the next Paper Mario game for "Not being TTYD" and being overly critical of it because it's nothing like TTYD I'm going to be a LITTLE angry. You have your thing let Paper Mario fans have their thing snxbcbdbsbsf.

[theparadoxmachine]

Someone spray painted keyless Bob-OMB onto the side of one of the buildings if my apartment complex and I swear it wasn't me. Even though I think he's adorable and low key hope they don't clean him off the wall

[maxwellatoms]

Hello Mr. Atoms, I'm an animation student in college and fan of your work. I got this assignment in which I need to ask questions to a professional in the area. Could you pretty please answer them? It'd mean a lot to me.

1- Are you happy with your career? How it's going.

2- What are your opinions, expectations and hopes about the independent animation industry that's developing?

3- What do you think about the advent of artificial intelligence? Do you fear for the future of animators?

4- If money wasn't a problem, would you still do what you do?

5- Any animators you admire and would like to mention?

Okey dokey.

1- Are you happy with your career? How it's going.

Not really, in that there seems to be no career left.

The animation industry swelled its numbers greatly before 2020. Almost immediately after that, corporate greed synergized with a pandemic to reduce animated programs and the number of people working on them to almost zero. It takes almost a year from beginning to end to make a single episode of an animated show (by the modern standard). There was nothing being made in 2020 and four years later, we''re not in a much better spot. It's going to be a long drought for (especially) Kid's TV Animation.

Recently, many of my former co-workers have hit the financial wall and can't continue, moving away after (sometimes) 20 years in the industry. I begin to wonder if I'm very far behind.

A "bounce back" a year from now would need to start today. There are still some animated shows being made now, but those are almost universally "library" properties. That means it's an existing I.P. (Intellectual Properties like Garfield/Mario/Batman/Star Wars) so as an artist you're immediately in that box. Depending on the property and the studio, it can be an unpleasantly tight box. I grew used to holding and maintaining the vision for a show, but it's less fun when it's not my vision. It's even less fun when you can't inspire someone to follow your vision because they've been so ruthlessly abused.

I'm pretty sick of how big media corporations treat their employees. If I inherit one more burnt out crew due to mismanagement, I'm gonna lose it.

Over a decade ago I fought hard to get board artists story credit for the episodes they were actually writing, and felt like I'd won a big victory for everyone. The second my back was turned, it all reverted.

Mostly... what is the point now? My career is/was developing ideas, crafting those ideas into a workable show, then managing teams of thirty to seventy people to produce a couple of dozen episodes per year. Studios actively do not want new ideas right now, and are actively searching for ways to eliminate what artists from the process. I'm not sure what my job would be under this new system, but it feels like they decided to hang onto the anxiety-inducing deadlines while removing anything remotely pleasurable from the experience.

2- What are your opinions, expectations and hopes about the independent animation industry that's developing?

It's the only way to get anything done, currently.

The current state of the industry is not sustainable. I (along with a lot of other animators I know) are trying to decide what's next, and pretty much everyone agrees that "you just have to make something".

It is (in that very specific way) a great time to be a young animator. The system was never going to treat you well anyway. If you can get something like a Hazbin Hotel happening without studio help, you can currently write your own ticket. I'm super proud of Vivsie, because that's a LOT of stuff to handle. I never had to handle my own marketing or drum up money to make Billy & Mandy happen.

There are opportunities there, but it's definitely "Hard Mode". The best idea is probably to team up with a few other people you like and like to work with.

Hopes? I hope that the young animators take over and make something new on top of the bones of the old industry, rather than just allowing that industry to patch its rotting hide with their collected works.

3- What do you think about the advent of artificial intelligence? Do you fear for the future of animators?

I suspect true AI might just peace-out like ScarJo in "Her", but we're not there yet. What we have now isn't Artificial Intelligence at all (though I do believe it may be the underpinnings of the Artificial Suconscious of what may one day become an actual Artificial Intelligence.)

The LLMs and "Generative AI" are (so far) a big dumb waste. They consume tons of energy and aren't great for doing anything creative. If you've sat down with Chat GPT for a creative writing session, you've probably run into the "out of the box" limitations which prevent it from talking about sex or violence-- which happen to be a major component of most stories.

Still, the technology has come incredibly far in an incredibly short amount of time. I imagine we're going to hit the point where we're being hazed by artificially generated political ads way before Generative AI can produce a consistent and usable character turnaround, so that'll be the test. Whatever the legal fallout is from this stuff over the next few years will set the tone.

Still, studios have a vested interest in pleasing their shareholders. Generative AI potentially has the capability of not only replacing swaths of money-eating artists, but handing that control directly to the billionaire studio heads. Mark my words: We're headed straight for billionaire-generated content.

I don't think the public at large will want to watch Elon Musk's fever dreams, so there's that. So law and general distaste might stave it off for a while, but I think there's just too much impetus for studios to continue to try to please their investors. "AI Art" is here to stay.

Eventually that will lead to millions and millions of bots generating millions and millions of songs and paintings and movies all day every day. Most of it will be utter trash. Right now (so I'm told) viewers are already burnt out, and will generally only click on what they already know. On Netflix, where there are twenty things you've never heard of and one you have, you're more likely to pick the thing that gives you comfort and gives you a guarantee you're not wasting your time. With exponentially more A.I. trash, how would you even begin to filter it out?

You'd need absolute control of an already existing distribution system. We currently have a few of those, and all of the media companies are desperately trying to merge with them to insure their own survival.

To me, the post-Gen-AI landscape looks a lot like old-school Cable, but with endless I.P. and fewer masters.

4- If money wasn't a problem, would you still do what you do?

The real question is, maybe, "What am I even doing?" These days I try to do a lot of gardening. I'm trying to learn new art skills, because suddenly twenty five years of experience managing, drawing, and writing isn't worth much. I recently worked on Jellystone until Zaslav lost 2.5 billion in the wash and had to find justification for his new yacht. The show before that? Also culled midway through to save money. The days of multi-year gigs seem to be over, and if I'm going to scrape by doing freelance, maybe I can do that somewhere else.

I'll always make art. I can't seem to help it. Ideas aren't my problem-- it's executing those ideas without the help of a structured pre-existing system. I honestly don't know if I'll ever be able to pull that off. My strengths are great, but were always supported by friends I worked with.

Can I start an indie cartoon with all of these cool friends? Sure, maybe. Most of those people have gone on to have other careers of their own and got used to being paid. Now nobody is getting paid and no one can pay anyone else. My immediate circle are all now middle-aged people with families and no jobs. Convincing them to give up a large chunk of their day for an idea that's not guaranteed to pay off is going to take some real effort.

I technically have fifteen years until I can claim my "retirement", assuming that still exists by then. That's a pretty big hole to fill with... I don't know what.

The difficult "What comes next" discussions at home are really just starting.

5- Any animators you admire and would like to mention?

There are a lot of cool animation people out there. I already mentioned I was proud of Vivsie. I was also reminded recently just how great C.H. Greenblatt and Mr. Warburton are. I know they're my friends. They're both just really upstanding, creative people who take good care of their crews.

The treatment of animation industry professionals by the studio system has been one of the most demoralizing and heartbreaking parts of this demoralizing and heartbreaking time.

---

So there ya go. If you want to look for someone whose attitude is a little more upbeat, I won't blame you a bit.

Wherever you are, I wish you the best of luck. For me, just climb up there and crush it. I would very much like to add you to #5 someday.

[megamagimugi]

He's-a Gone

Luigi time! To suffer, that is.

(CW: character death)

This is obviously a sort of comlementary piece to I Was-a Too Late. But it's more than just that as it also illustrates a certain fun, dark what-if idea I had. Please keep reading if you're intrigued!

Lore:

Luigi's Mansion, the first game. Everything goes the same as in canon until the final boss fight, when Luigi defeats King Boo in his Bowser costume. After King Boo comes out and Luigi intends to suck him in, the villain laughs and reveals the truth: Mario's painting was an illusion, so was everything Madame Clairvoya saw. All just to mess with Luigi. Meanwhile the real Mario wasn't just captured by the Boos, he was immediately killed by them on their King's orders. The only physical thing that's left of him in this realm is the five items Luigi found - hidden by the Boos for Luigi to find, another part of King Boo's sick game.

Luigi is able to finish the fight despite his shock and grief, fueled by the anger King Boo never expected from him. After getting out of the painting the plumber discovers that it is indeed empty, no Mario or anyone else in the portrait.

Heartbroken and guit-ridden, Luigi goes back to Professor E. Gadd's lab and gives him back the Poltergust 3000. He doesn't even want to stay long enough to see what is going to happen to the ghosts. Of course the Professor tries to offer some semblance of comfort, but we all know it's not his forte.

So Luigi leaves, only taking Mario's five items with him. He notices that the mansion has disapeared without a trace. The reality of it all finally hits him, and he practically collapses onto a nearby tree's large root protruding from the ground, putting down the precious items around himself, only leaving the matching red hat and the letter in his hands. He should have known something was off. After all, the Mario he saw in the painting was wearing his hat and both gloves.

Looking at all these items, to his growing horror he can't help but imagine what exactly might have happened to his brother and what his last moments might have been like. He hugs the hat to his chest and rereads Mario's note several times, knowing that the brief warning was his brother's last words to him.

Luigi can do nothing but cry for the beloved brother he couldn't save, desperately wishing it was his warm, living and breathing body pressed to his chest rather than just a couple of his belongings.

But Mario is truly gone, apparently having met such a horrific fate that not even a single part of his body is left in the physical world.

[Good night]

…I'll leave the rest up to your imagination ;) Sorry if I got carried away with my description. Occasionally even I enjoy being a little dramatic, though I'm no writer whatsoever.

Yeah, I'm not apologizing for making this one - I was nicer to Luigi than to his bro, at least here the Mushroom Kingdom and everyone in it (except for Mario lol) is still okay!

But alas,

You can no longer play as Mario

Rest in spaghetti, funny wahoo man.

@federthenotsogreat I'm tagging you because you said you wanted more Mario art like I Was-a Too Late, thought you might like this one too!

@drones-of-innocence Also tagging you because you were interested in my idea.

Edit: Tagging a few more mutuals who might want to see this based on their reaction to my previous angsty work just in case, feel free to ignore. Or ask me to remove the tag if you want, no problem.

@silenzahra (remember, no rush) @c-lavanda @jell-o101 @stripetkattelalala54-gf

@luigixfanxayjay @itsavee4117

And you @giddlygoat just because you have a Luigi's Mansion AU and I thought you might appreciate this... Also because I'm a fan 👉👈