#and Zero is the perfect character to use as an example really - there's a reason these characters seem like a jerk (and kind of are)

[miqojak]

From the OC creation ask set: How do you want other people to view or react to your OC?

Little OC Creation Ask List

Gosh, I...really haven't thought about it in this light. I want people to enjoy reading about her, but I don't have in mind how I want them to feel about her - she's a controversial little person. Does her awful past in a concentration camp give her the right to be how she is? Does she have a mental illness that's causing her to act this way (undoubtedly) - does that excuse her behavior? A large part of her, to me, is the awful truth that... she became a lot like the Garleans she despises with every bone in her body, and every fiber of her being. The way they treated her molded her... a lot like Zenos was molded, in a way! She was barely a teen, really, when she ended up in Garlean hands, and the things they did and the ways they treated her (and the ways in which her aether was altered) permanently changed the genuinely kind, and loyal person she once was into... something else entirely.

I used to sympathize a lot with Zenos, but now that we have Zero, I'd ask people to look to how Zero acts, and think about Jak - Jak was socialized among her tribe for a time, and then ripped away and grew up in a concentration camp, as a victim to many war crimes. Her emotions simply do not function like a normal person's any longer - she was a lot like Zero, and is still on a similar journey as Zero... learning what emotions are, really! What's that feeling in her chest? It's confusing, and disturbing...and frightening. She's known fear and loathing most of her life, and she's had...maybe 5-8 years at most in the 'real world', and only one person has really had the patience to help socialize her, and be patient with her while she learns about emotions... both her own, and everyone else's... mostly against her will, lol! (Learning to trust has been a huge journey for her, and still is, so it's beautiful to see a character so like my own in the story - emotionally stunted, and focused on what she gets out of things - and has really dragged me back to the game.)

She thinks a lot like Zero, as well - in bargains. In deals that she takes very seriously. Equitable exchange, or else. (Unless, of course, you let her take advantage of you in said deal, because if you're not as clever as her, she will. xD) Her life has been one of constant mistrust and betrayal, and much like Zero... she's having to learn that there is a world beyond that, whether she likes it or not, and she has to learn how to operate in it. (Apparently, people like it when you say 'please' and 'thank you'?? Ugh, if she must.)

All this said - it's not up to me how people feel about her. Hate her! Love her! Sympathize with her! Hate to love her, love to hate her! Or all of the above, and then some! As long as people are feeling something, that's the goal! She's not perfect, and she's meant to evoke mixed feelings - no one person is any one thing. We are all a mixed bag of good and bad... some more than others. I tried to make her 'human' in that aspect; there's reasons for why she is how she is, but they're not excuses - even when she'd like to think they are.

[signanothername]

Hiiii! First, I just want to say I love your art so much, honestly, it's the best fanart of these characters I've seen!

But I have a question, because I was just looking at your art of Nightmare and Killer. And whenever you draw them together, they’re often really touchy with each other??.

I’m not sure how to phrase it right, but for example, Nightmare seems to touch Killer’s face a lot or wrap a tentacle around him. And Killer also sometimes just holds him or in that one piece of art, rests his head on Nightmare’s head. It just shocked me a little because I would think Nightmare doesn't like people touching him or vice versa.

Am I overthinking this or something? But yeah love you art bye!!

Hello!! Awww thank you smmm!!! <333333

And I’m glad you noticed >:))))

Cause you’re absolutely right, I draw them super touchy with each other

And I do that for different reasons depending on each of the two of them

Killer (especially in stage 2) tends to be a bit touchy and has zero regard for personal space, and that’s cause Stage 2 is usually completely disassociated from the world around him and from his own body, and with his inability to feel emotions there’s nothing to truly ground him and tell him that what’s happening around him is actually happening

So how does Killer deal with his inability to tell what’s real and happening in the present and what’s not? By either pain, or touching anything/anyone, he would touch whoever’s in his vicinity, regardless of who they are

Nightmare is literally his boss and master? Fuck it he needs to tell whether Nightmare’s really there or not, feeling Nightmare’s negative aura isn’t enough

That of course doesn’t mean Killer doesn’t have his own boundaries with touch, it differs from stage to stage, but regardless of which stage he’s in, and despite stage 2’s tendency to touch people, he still keeps his hands to himself most of the time actually

Nightmare on the other hand, is definitely the type of person who doesn’t want to be touched, in fact I mentioned before that Nightmare is autistic af and has an aversion to touch if he isn’t the one to initiate it, it makes his nonexistent skin crawl when he’s touched without permission, he’s fine with touching people if he was the one to do it, but if it’s vise versa and someone else touches him he’d probably be resisting the urge to kill them (he can be semi-fine if he knows it’s coming)

But the thing is with Nightmare is that he’s masking his autism like crazy, so whenever he’s touched by anyone he pretends it doesn’t bother him, there are times in which he tells whoever’s touching him to back off, but only if it reaches extremely uncomfortable levels for him, otherwise he’d just keep it to himself

The only one who Nightmare is ok with their touch most of the time, but he still prefers to at the very least know it’s coming is Dream

So whenever you see Killer touching Nightmare first, believe me when i say Nightmare is resisting the urge to kill him vhhchchvvh

But the thing is, Nightmare is definitely super touchy with Killer, as in, Nightmare initiates the touch most the time actually, why? Cause Nightmare’s a bitch and he uses touch as some sort of fucked up form of control cause he’s a possessive freak

You’d see him holding Killer’s face, having a tentacle around him, etc, as some sort of fucked up message not only to the people around him, but to Killer himself that he’s his little toy, his little perfect killing machine

Nightmare can be a bit dehumanizing towards Killer at times, not thinking of him as a person but rather a machine that’s supposed to do its job whenever he wanted, and he uses touch to condition Killer and sometimes even as a “reminder” of who’s in control in their fucked up relationship

Basically ignoring any boundaries Killer has and invading his space like Killer does, but instead of doing so out of necessity, he does it to send a very direct message that he can do whatever he wishes any time he pleases and Killer wouldn’t be able to stop it

That of course doesn’t mean he only does this fucked up shit with Killer, he also does it with Horror and Murder, just not to the same extent he does with Killer cause they aren’t as “interesting” to him as Killer is, Killer was always his favorite killing machine after all

(You have zero idea how thankful Horror and Murder are for not being as “interesting” chcchchhc)

[fulgurbugs]

Headcanon ask (I'm sorry the Pokemon SwSh thing made me think of this all of a sudden): Octopath / Pokemon -- gym leaders! Who would be a gym leader and what Pokemon type would they specialise in? (Alternatively if the main antagonist of each Octopath character's story was a gym leader what Pokemon type would each specialise in... you know for the characters who actually have a human antagonist for their story... I feel like Redeye would just be a corrupted legendary or something I don't know?)

alright, had another big brainstorm sesh with the bestie @snailcruncher for this one so here it goes

Here’s what we’re going with: everyone gets one type, 4 pokemon. we’re going to get everyone fully evolved versions of their team as if they’re like, the 8th gym leader, mostly so we had more to work with but also didn’t have to give a fuck about nfe mons

as for choosing the types, we basically went by choosing some who felt obvious first, then filling in with what we had left so nobody repeated a type. maybe some don’t fit perfect but yk. also shoutout to inherent class magic types for giving us some pokemon types to fall back on

also, i’m imagining in this scenario it’s probably like. the only example i can think of is cheren (i don’t watch the anime) where gym leaders clearly have gym teams that vary depending on challenge level, and personal teams for outside of the league, so that’s how we’re rationalizing this

anyways

Up first

Ophilia - Ice

Ace: Lapras

there’s not really a good equivalent to “light” in pokemon types, so we decided to go with the frostlands special on this one.

Abomasnow is here to set hail/snow. if any character has a team that benefits from a weather being set, we’ve usually included a setter in their team. so that’s what abomasnow does

ninetales is for aurora veil, which i think is a pretty good equivalent to the sheltering abilities of cleric

frosmoth was on her original team so decided to carry it over. same with lapras, which i think has a fun connection with guiding/carrying travelers on its back, which makes it a good ace for her.

Cyrus - Psychic

Ace: Alakazam

since scholar covers 3 types of magic, pigeonholing it into one is a little difficult. decided to go with psychic, since it is pretty magic-y and most of its mons are known for being very specially focused rather than physically

alakazam gets to be ace because, let’s face it, none of these other guys are sweeping. alakazam is known for being mega smart and also laser beam crater blasting everything, so i think it’s a pretty safe cyrus pick.

claydol is just something i think is pretty fun for vibes. what with its mysterious origins… feels very cyrus ch4 mural a la runerigus he has in his other team

Swoobat. with the ability. unaware.

Oranguru cuz it’s the instructor pokemon ^_^

Tressa - Water

Ace: Gyarados

Since tressa’s from a seaside town, she felt like the best pick for water types.

Gyarados is her ace because, well… magikarp starts out kind of wimpy but turns out it had the best potential of them all (tho tressa herself certainly has a less rocky start) anyways this thing is a dragon dance sweeper and will kill you.

Pelliper rain setter. plus, gulls feel on brand for her. Gastrodon (east) so that she has an electric immunity that this team sorely needs

Palafin for another zero to hero because tressa would not let you get off easy even if you get past one of her hard hitters. she’d have this thing in the back after flip turning it out of there.

Olberic - Steel

Ace: Aegislash

notable “unbending blade” of hornburg olberic gets steel types, clap if you are surprised. no one?

anyways, Aegislash for the ace. i’m sure it’s pretty self explanatory.

Aggron and steelix are pretty much in for the same reason. they’re big. they have high defense. and they’re steel types. escavalier just goes more in on the knight motif while bringing another dual type to the team

Primrose - Flying

Ace: Oricorio

there’s definitely a good argument to be made for something like dark primrose, but to be honest… i like flying for her, because i feel like it works with her kind of caged-bird motif. in addition, flying types cover a lot of dual types, which means i can pick pokemon that can use dance setups or support.

Oricorio is the picture perfect flying/dancer ace. obviously it gets top spot

Altaria as a dragon dance setup sweeper

Vivillion is a shitmon, admittedly, but it was that or butterfree for a quiver dancer, so i went with vivillion because honestly it doesn’t fucking matter they have the same shit basically. i guess this thing can also use sleep powder (and so can butterfree) but it comes in more pretty colorsssss

Swanna gets featherdance, just to cover one more dance. and you know. swans are like pretty and elegant or whatever. allegedly. anyways something something primrose is a beautiful swan.

Alfyn - Grass

Ace: Leavanny

Alfyn greengrass has grass types? this is shocking to nobody. anways, deciding between leavanny or meganium for the ace i eventually decided on leavanny because i say so. but they could both work

vileplume so that he has at least one grass/poison rep. i so rarely use the apothecary poisoning skills in OT but he can like. do that, so….

Sunflora is here because it would use sunny day and do fuck all except be a shitmon, because it is, but personally i think Alfyn wouldn’t gaf because it’s cute and he likes it, and it supports solarbeam/Clorophll for its team which is enough of a job to put it on here

Therion - Fire

Ace: Houndoom

the inherent fire magic of the thief class is here to bail me out in giving therion a gym type. thanks.

Anyways, i’m going with Houndoom as the Ace because he does have an image to uphold. it can’t all be fluffy arcanines or whatever.

ceruldege is here bc A) swords and B) it’s a little hater of a pokemon so it stays. centiskorch is here because it’s one of MY favs and i think it’s fun to put more interesting dual types into these teams, and as much as i love volcarona (my all time fave) it’s not really a therion mon… but i do think he’d be on board with a centiskorch.

then for a sun setter… it kind of had to be ninetales, tbh. i cannot really justify giving mr fastest speed stat in orsterra a turtle. so ninetales it is.

H’aanit - Electric

Ace: Luxray

another one where the inherent class magic gets to bail us out. if i’m being honestly, H’aanit is not much giving electric trainer, but we did our best.

Kilowatrells reasoning here is the same as it was in her original team. it’s a literal thunderbird. (also, no legends here but she deserves a zapdos)

Galvantula is a webs setter. holy shit guys, leghold trap reference.

and then Manectric and Linde are of course, dollar store Hägen and Linde. definitely an intimidate luxray, too.

next we can move onto the OT2 ones!

Ochette - Dragon

Ace: Noivern

ochette… she’s giving 8th gym dragon gym leader. i think her emphasis on finding legends basically tailors her to the dragon trainer for me. as for her mons, i’ve given her three dragons whose secondary types match up with Acta, Terra, and Glacis, while noivern is… honestly it’s just vibes i think noivern is cool and she would like it.

i didn’t really wanna make one of the three legends her ace over the other, so i’ll just say noivern is the ace.

Castti - Poison

Ace: Roserade

now, for Castti, we decided to bend the gym leader rules a bit, so she doesn’t have all poison types, though she does have an entirely poison-based team still. Breloom has poison heal, so we’ve elected to give it a spot, considering it also gets spore and is a fighting type that can throw THESE HANDS.

Zangoose is here for a similar reason, posssing the ability toxic boost, upping its damage when poisoned.

Glimmora of course has two poison based abilities in corrosion and toxic debris, though i’d say castti’d do toxic debris/venoshock shenanigans.

For the mandatory Apothecary Grass/Poison type, i’ve given her roserade. it’s like uh. the flower malaya gave her.

Throné - Dark

Ace: Bisharp

tho throné herself maybe wouldn’t like to be the dark type leader, or at least would wish she wouldn’t get a bad rap for using them, they still fit her (and OT2’s theif inherent magic), so that’s what we’re going with.

Absol: maybe this one is on loan from temenos lol.

liepard is a very evil team-grunt pokemon so i’m giving it to her also it’s purple.

weavile is a little less of a shitmon and also gets the ability pickpocket, plus brings some dual typing to this team. tho she would get her shit so rocked by a fighting type let’s be real

Bisharp: ok so… what if… the blacksnakes… are like a bunch of pawniards. and only the best ones can be bisharps. that’s throne. or something. also, it’s kind of referencing that she’s distantly related to notable kingambit haver hikari. bonus!

Osvald - Normal

Ace: Drampa

hear me out… Osvald normal type trainer. but he uses only dual types, and he also likes to play a lot less straightforward than your average trainer. Ursaluna (for the teddiursa in his original team) makes an appearance, while Farigaraf can set trick room and other fun psychic pokemon shenanigans. Hisui-Zoroark is here to throw another wrench in the mix, being able to throw off incoming fighting type attacks and hit back while making you readjust your strategy. the whole time, the threat of this thing makes you always have to consider if you know what you’re fighting first.

and drampa. this thing is just such an osvald pokemon to me. thank god it’s half normal. he should have it. make it the ace too.

Partitio - Rock

Ace: Coalossal

partitio was a bit of an odd one to pick a type for, but we settled on rock for a few reasons. honestly…. started with the ace and worked backwards, and therion’s already hogging the fire slot. besides, even though he’s looking towards the future, partitio’s definitely a little behind the times initially, so some good old fashioned rock types seem like a good fit.

anyways the coalossal is the ace because he’s ability is. steam engine. lol

lycanroc because. i think partitio would like a awesome doggy and then we went dusk form bc i don’t think he would have the evil one and dusk sucks less than the midday one lol.

gigalith sand setter

and then crustle is cuz we wanted to give him it as a shell smash sweeper. and i dunno they probably have dwebbles around oresrush.

Agnea - Fairy

Ace: Togekiss

Agnea feels like a pretty good fit for the fairy type, tho she does get less dancer-move user options than primrose does using flying types.

Togekiss i feel like is a shoe-in for her ace. it’s a pokemon associated with peace and kindness… i feel like agnea is definitely the kind of person to be able to actually acquire a togepi. also, it gets serene grace, which is a very agnea-ability title. i think she should get to paraflinch people too.

Ribombee is a much better quiver dance user than vivillion, and it’s half fairy, so agnea gets it. i love this thing. it can be so scary if it gets set up.

gardevoir: in our original teams, hikari had this due to its association with loyalty to its trainer/friends. so i think agnea also fits it very well too! since hikari (⬇️down there later ) has been swapped to a gallade to fit his type i’ve given it to her. awesome matching time.

whimsicott is here because she is fun and whimsical. this thing would set tailwinds probably.

Temenos - Ghost

Ace: Houndstone

i’m so sorry temenos but i think it’s really really funny to make you a ghost trainer. like really super funny.

anyways, yamask was on his original team, so we’ve upgraded to cofagrigus here. chandelure is vaguely sacred flame-esque while also being ghost type, tho it’s kind of. ominous but whatever. Sableye is a silly little guy who kind of vaguely references the mirror shard crossed paths. i guess if he mega evolved it i could do that even more with magic bounce but we didn’t really work w megas or regional gimmicks or whatever

and then houndstone comes out last to spam last respects after you’ve killed all this other pokemon just like all the EVERYONE HE KNEW IN REAL LIFE died too you monster.

like i said i think ghost trainer temenos is really funny

Hikari - Fighting

Ace: Gallade

Hikari nabbed fighting type right out of the gate. as compared to olberic who is very definsive brick wall of a guy, hikari feels more versatile in a way that fits fighting types to a T.

I’ve given him heracross because the heracross i caught in my nuzlocke is named after him so i think he should have one.

Lucario is here for a fun friendship evo, while scrafty is here to rep a more “dirty fighter” type of pokemon on the team being fighting/dark.

then gallade gets to be the ace because i feel like it’s the most ace material tbh.

as for your second part we did pick villian types (but not teams), here’s that much more briefly

Mattias: Dark (i feel like this is self explanatory. maybe malamar ace?)

Lucia: Psychic (this seems to must be the type we’re going with for most scholars)

Esmerelda: Poison (because the wound may prove fatal)

Werner: Fighting (idrgaf but i guess he used to run a merc company so i guess or whatever)

Simeon: Normal (hes the least normal guy you’ll ever meet but you’d never guess it from his pokemon team)

Ogre eagle: Iron valiant. 6 iron valiant.

Darius: Ground

i’m just. uh.

Redeye: Iron valiant. also entire team of 6 iron valiants (lore accurate)

Darkling: you never guess this but 6 Iron Valiants

Trousseau: Poison but for real this time

Claude: Dark (feel like that’s also self explanatory)

Harvey: Psychic (specifically, this guy has a hypno.)

Roque: Steel ⬇️

Dolcinea: Fairy mirror match/Tiernos Dancer only team she’s based like that. either or

Kaldena: Ghost (another mirror match)

Mugen: typeless but every one of his mons knows swords dance

ok that’s basically it hope that’s enough of an answer ok byeeee

[snowblack-charcoalwhite]

Remember that scene from episode 7, when Aemond tries to approach Jace on Driftmark, looking like he is about to offer his condolences but at the same time knows he shouldn't because even Jace can't acknowledge his real father? And Jace looks somewhat annoyed and Aemond leaves, then Jace glances at Aegon who is already in his cups and doesn't even notice him? There were no scenes like that in season 2. Short but meaningful, the scenes that reveal so much about the characters involved. We have Aemond who even after being mocked by his nephews still can sympathise with them in a way and the two (Aemond/Jace) can give us a 'what if' moment that creates the ultimate fallout more tragic. Then we have Jace who obviously is interested more in Aegon as a ringleader, an older boy he looks up to, and yet, it's Aemond, the boy he mocks for not having a dragon, the one who approaches him. These kind of scenes are important for the character building and also for making a stronger emotional impact on the audience when it comes to the fate of the mentioned characters. S2 had none of this and destroyed and undid whatever s1 built character and story-wise. Aemond's and Alicent's characters suffered the most, no doubt, but it was bad in general.

Also, in the balcony scene it's obvious how helaena and aemond have a great chemistry and it just made me even more mad because they had so little screentime together in both seasons. Same goes for Aegond. It's criminal they had zero good scenes , save for that one in e6 that is just used to not so subtly remind us that Aemond is a sadist. Also, why wouldn't Aemond just finish Aegon off because as long as he lives, Aemond is not safe? The answer: in the book he obviously didn't try to kill him at RR and therefore wouldn't want to kill him in the aftermath either, but these idiots just needed their shitty change to all of the sudden make Aemond a one dimensional villain, make Aegon as pitiful as possible and to show how terrible and dysfunctional the greens are as a family. However, they couldn't just kill Aegon off so early and that's why they attempted to fix their stupid plothole with that scene when Aemond threatens him. Like, what?? I'm supposed to believe that was enough for Aegon to shut up for weeks and then just leave? Nah. There were bunch of similar idiocies through the whole season and I'm sure that something seriously went wrong between s1 and 2 because the drop in quality is jarring. I'm not saying s1 was that great, but this one was abysmal. Probably Miguel leaving was one of the main reasons, but whatever it was, this season will remain a great example of what not to do when you make a TV show. I just feel sorry for the lost potential and also for the people who are planning to watch s3 because, unless you're a die hard tb stan with zero critical thinking skills, I can't see the appeal.

Ugh, I hope this rant makes sense 😅

Hello, and thank you for the ask!

You're making a very good point. Season 1 was by no means perfect; but there was at least some if not love then genuine investment in the story and the characters from the showrunners - one could feel that at least occasionally. I guess it really came from Sapochnik's end because Condal clearly couldn't care less. The show used to have a soul - and now it feels empty. And, as it has been proven time and time again through the entirety of cinematic history, it is virtually impossible to create a truly good film or TV show if you don't give a damn about its essence.

I saw some people calling season 2 "a trailer for season 3" - because of how underwhelming and lacking in substance it turned out to be, I assume. To me it feels like something in between a trailer for the things to come and a recap of an actual season that was filmed but not shown to us for some reason. Pretty much everything feels superficial - even the dragged out scenes supposedly added for symbolism purposes or whatnot. The relationships between the characters are underdeveloped at best, destroyed at most (for example, chemistry between Green siblings' actors is utterly wasted indeed); some plot points make no sense; quite a few characters seem to have got a personality transplant in between the seasons.

Actually, I can understand why people, even TG fans would still be willing to watch season 3 (some for Aegon and Larys storyline, some for Alysmond - whatever form it takes, some for other reasons which could be many). As for me though - at the risk of sounding too dramatic - I had too much heart poured into this show and got hurt too badly by what it has become to even think of continuing to watch it without feeling sick. At least, for now.

[bestworstcase]

As far as your willow example goes, it’s possible she didn’t want to run the company and give it to Jacques back before she learned what’s prick he was. We aren’t really given a lot of indicators as to whether or not she has any affinity for or interest in running the SDC.

gently: no.

And so entered Jacques Gelè. Having married into the family, Jacques decided to take the Schnee name over his own. He was... a lot of words I shouldn't repeat. But most importantly, he was a cunning businessman. Jacques managed to convince Nicholas that he was the perfect man to run the SDC in his place. 

i know its trendy these days to be like “unreliable narrators show! everything the characters say is meaningless!” but the text does actually matter and there are specific techniques the narrative uses to help the viewer sort out what’s reliable information and what isn’t. the most important of those techniques are 1. conflicting perspectives from different characters (eg: like ten answers to “what does salem want?”) and 2. statements contradicted by on-screen action (eg: “summer rose telling lies! first time for everything” vs summer’s well-practiced emotional masking).

neither of those techniques, nor any of the smaller ones, are used with regard to the SDC: everything weiss says about her father and the company adds up with the narrative presented in WOR. everything we know about jacques’ behavior and about willow lines up too. there’s no reason to be skeptical of the events described in the WOR episode, which is completely unambiguous about this discussion having been between nicholas and his (future/current depending on how long the persuasion lasted) son-in-law.

if willow had been meaningfully involved she would have been mentioned at all. you don’t even need to establish what her name is, if it’s too cumbersome to introduce her properly: you’ve just explained that jacques married in to the schnee family so you just say “jacques managed to convince his wife and nicholas that he was the perfect man to run the SDC” or leave nicholas out altogether if you want to suggest that willow is the one whom he tricked. there is no reason to exclude her from this narrative if she had a say in the decision to sign over her inheritance to jacques.

given that she’s also clearly had combat training but has never at any point been described as a retired huntress, and that we know nicholas was himself a warrior who personally escorted deliveries around the world? the implication there is that willow was training to follow in her father’s footsteps before her fiancé/husband convinced nicholas to leave the company to him instead.

add on that jacques does the exact same thing to both his daughters, in weiss’ case going as far as apparently spinning it like she chose to relinquish her claim to the company willingly? (with zero repercussions, implying that whatever he did was legal and there wasn’t anything weiss could do even with ironwood’s help—remember that jacques was running an election campaign in v7, if weiss could’ve returned to atlas and gone public about her father committing fraud to force her out of the company and imprisoning her at home, she undoubtedly would have had ironwood’s full support.)

like the most charitable reading of nicholas here is that jacques straight up lied to him, or forged nicholas’ signature, but that requires willow to have basically no agency (why wouldn’t she question this? why wouldn’t she kick up a fuss if jacques literally stole her inheritance against both her and her father’s will?—we know from weiss that willow didn’t shatter until weiss was ten, the way willow is in the present isn’t reflective of who she was 25+ years ago when all this happened)

it’s a lot simpler to take the text at face value that nicholas disinherited his own daughter because his son-in-law talked him into it.

[cooliogirl101]

Okay I realize absolutely no one asked for this but here are some of the changes I would make to Fourth Wing:

*Spoilers below and warning, this is gonna be a very long post with more or less coherent rambling*

To start with, Violet's mother's motivations for suddenly demanding Violet become a Rider 6 months prior to Conscription never made sense to me and that's something I'd definitely want to flesh out more. She fell in love with and married a Scribe, and was apparently fine with Violet training to become a Scribe up until then-- so what the hell changed, made her suddenly decide to throw her youngest daughter into a death college where she'll start off at a major disadvantage? I think it makes more sense if her decision coincided with the death of Violet's father or something. The pain of losing him, of wanting to avoid all reminders of him, led her to demand Violet become a Rider rather than a Scribe. It's also stated in the book that in the last few months of his life, Violet's father became more withdrawn and was likely looking into venin/wyvern-- she could've forbidden Violet from becoming a Scribe in order to get her away from all that and the possibility of discovering the truth (although granted, sending her away to the same College the Rebellion Kids-- who are very much aware of the truth-- are forced to attend may not be the best way of going about it).

For that matter, I'd stop giving Violet so many opportunities to leave. I know it's supposed to show off her determination or whatever, but it makes her motivations and characterization super inconsistent if she's constantly going on about how her dream in life is to become a scribe and she turns down literally every opportunity for her to go and do that. It's also a more compelling story for me if she literally had no choice but to become a Rider but managed to succeed anyway-- and it mirrors the rebellion kids' story as well.

The hair. There's no logical reason for Violet to have natural balayage, the fuck. It's stated in the book that even if she was to cut her hair, it would just turn silver again at the ends after it reaches a certain length, which...?? And there's zero explanation for this. Like, if you're gonna give the MC special hair, at least provide a good story behind it. For example: after Brennan's death 6 years ago, Violet shut down completely. She couldn't stand being around her mother's rage and her father's devastating grief and Mira's absence, so she just picked a direction and...kept going. It took them 3 days to find her and by that time, she was half-frozen and on the verge of death. Borrowing a trope from Chinese dramas, by the time they found her, her hair had turned completely white from stress. Her brown hair grew back in as she recovered but she keeps the white as a reminder to herself to never let herself get to that point again-- to never let herself shut down the same way again.

(To emphasize-- if she cuts it, it doesn't magically turn white again after growing out, that was just a one-time thing. She's not magically gifted with special hair "just because", that's stupid).

Violet's potential as a Scribe. The book continuously emphasizes how smart Violet is supposed to be, how she would've made the Perfect Scribe, and other than her tendency to conveniently regurgitate facts the author wants us to know about the world, we...don't really see much evidence of that. If anything, the book makes the argument that oh actually, deep down inside Violet had always been more suited to be a Rider rather than a Scribe, yadda yadda yadda. Which is just boring to me-- the most interesting thing about her character is the fact that she was never supposed to be a Rider, was never suited for it, and having her turn out to actually have "the soul of a Rider" all along or some bullshit takes away from that. I would much rather have her start off the book with a scribe's skill and mindset and gradually add the traits of a Rider as well for a merging of the two, rather than have her 'outgrow' being a Scribe.

Continuing on that theme, Violet is clearly a very emotion-driven character, which doesn't quite make sense to me given that she was trained to be the Quintessential Scribe. Scribes, after all, are taught to be logical, rational, to always control/hide their emotions: to fundamentally be a "blank slate", without biases or preconceptions, solely dedicated to the preservation of knowledge (emotions only get in the way of that). If anything, it'd make more sense to me if Violet was a little too good at hiding and compartmentalizing her emotions (especially after the deaths of her father and brother), to the point that she was nearly impossible to read and came across as a bit eerie to her peers. This is not to say that she wouldn't feel as strongly or have that same capacity for kindness-- just that she'd become very good at using intellectualization as a defense mechanism ("I'm not helping them because I care, it's because I'm already at a disadvantage and need all the allies I get. It's only logical." "It's only natural to feel a bit anxious watching them fight...they're giving me lessons and it'd be inconvenient if they died. I'd have to find another person to fill their place, which would be...well, it'd be better if they lived. I'm going to make sure they live.")

(The "woman is the openly emotional one and the man is the openly logical one" is also one of the tropes that annoys me the most, so...goodbye to that).

You also cannot convince me this girl was well-socialized growing up, which would cause her to value her relationship with Dain that much more. If he was her only friend growing up, the only person she was close to outside her family, it provides a huge opportunity for character growth as she struggles to learn how to trust, open up to, and rely on other people. It bothered me a little how in the book, several characters (Ridoc, Sawyer) were just suddenly on Violet's side without any actual scenes between them showing how they became friends.

(Ridoc is the first person to make Violet Sorrengail laugh at Basgiath. It wasn't even anything special, just a sarcastic-- but uncannily accurate-- impression of Professor Devera, and he glanced at her just in time to see her hastily turn away, covering her face. Her shaking shoulders gave her away, however.

Hah, he thought, smug satisfaction curling in his chest. So you can laugh. I knew you had a sense of humor hidden away somewhere deep down.

Deep, deep down.

The next second, Violet had managed to compose herself, face as blank and unreadable as ever, save for perhaps the slightly narrowed gaze she aimed at his direction, as if willing him to forget her momentary lapse in Not Being a Robot. He just winked at her, grin widening for the briefest moment before turning back to Sawyer.

Don't worry. Your secret is safe with me.)

Also why is this girl starting her training off making enemies left and right? First off, instead of futilely trying to avoid every rebellion kid out there, it'd be more practical for her to just try and distance herself from her mother as much as possible. That relationship is definitely doing her no favors. And with Xaden/the other rebellion kids-- she, of all people, knows what it's like to be judged for who her parents are. She knows they know what it's like too. It's an angle that she can use to at least try to keep a hundred targets off her back.

("You're Lilith Sorrengail's daughter," Xaden said, studying her through narrowed eyes. It was impossible to pinpoint the emotion in his voice-- but well, she could take a solid guess.

"Yes," Violet replied, just as evenly. "And you're Fen Riorson's son, if we're doing introductions based on our parents now." She gave him a polite nod. "Best of luck on the Parapet today, although from what I've heard about your skills, I don't imagine you'll need it."

When in doubt, there was never any harm in falling back on manners and flattery. That was what Dain had told her, and she tended to trust his advice when it came to dealing with people. He'd always been more likeable than her.

His jaw tightened.

"Your mother killed my father," he said, expression cracking open the slightest bit to reveal something raw and wounded underneath.

And your father killed my brother, she didn't say. It was something they both knew, after all, and she didn't see the point in reciting facts back and forth for no reason.

Violet resisted the urge to sigh. So much for manners and flattery-- it looked like she was going to have to address this now. Directness it was then.

"Yes," she admitted, voice going even more flat. "And I understand you have every reason to hate me for what my mother did. But if you're going to try and kill me, at least have it be for something that I did." She started walking forward-- either he was going to kill her, or he wasn't. Either way, there wasn't much she could do about it. "Everything in my life has been influenced by who my mother is. At the very least, do me the courtesy of allowing my death to occur independently of her."

A pause. She'd caught him off guard.

"So just to be clear, you're not asking me to spare you. Just for some agency in your own death," he said finally. Was that a trace of humor in his voice?

"What I'm asking is for you to stop seeing my mother when you look at me," Violet said, causing Xaden's face to go blank again. "But that's easier said than done. I'm sure you would know, wouldn't you?")

For that matter, I'm also putting Violet on the aro/ace spectrum here (probably demisexual). Not out of any plot-related reason. Just because it was incredibly annoying reading all those descriptions of how inhumanly beautiful Xaden was every 3 pages. 'Lust at first sight' is also one of my least favorite tropes, so. Goodbye to that. (Side note though, I think it would be really funny for Violet 'never-felt-sexual-attraction-to-any-significant-degree' Sorrengail to go find Xaden while their dragons are fucking, completely freaked out about what the fuck is happening, while Xaden (after registering that she genuinely has no idea that the emotion she's feeling is Dragon-Induced Horniness, she legit thinks their dragons might be dying) has a mini panic attack thinking 'fuck am I really going to have to give the dragon sex talk to the girl I'm Definitely Not Crushing On'

One of the things that frustrated me the most about the book was how convinced Violet was that Xaden was out to kill her, despite all of his actions showing he was very much not going to kill her. This from a girl whose defining trait is supposed to be her intelligence. Now I'm all for characters being very smart in one way and dumb in another. But the essence of intelligence is the ability to gather facts and put them together to form a logical conclusion. To have multiple occurrences of Xaden helping her out/saving her life/turning down the perfect opportunity to kill her, and still reaching the conclusion that he wants her dead is...not intelligent.

("What are you doing?" Dain hissed. "I told you to keep your head down and to do everything you could to avoid Riorson's notice!"

That was rather unfair of him, Violet thought to herself. She was keeping her head down, she was trying her best to avoid him, Xaden Riorson just seemed to be annoyingly adept at seeking her out. She couldn't understand why he kept doing so. Surely he wasn't still trying to make sure she wasn't going to spill his secrets?

She felt rather offended at that. Did Xaden really think that lowly of her intelligence? If she reported him, he'd find a way to kill her, simple as that, and she rather enjoyed living. Reporting him would be against her self-interest. At the very least, if he couldn't trust in her word, he should be able to trust in her self-preservation.

She ignored the tiny voice in her head saying that if she was to report him, Xaden Riorson and the other rebellion kids would be dead before they could so much as register the word 'betrayal', much less be in any state to exact vengeance against her.

"If it helps, I really don't think he's going to try and kill me," Violet said honestly. Not as long as she didn't give him a reason to.

"Oh? And why's that?" Dain asked sarcastically. She'd never seen him so discomfited. It was rather...sweet, actually.

"Because it wouldn't suit his interests," Violet stated. "He wouldn't gain anything from killing me, but he does stand to lose a whole lot. It's true that killing me wouldn't be against the Codex-- he wouldn't be formally punished-- but targeting me for nothing else but the crime of being General Sorrengail's daughter...well, it lets everyone know where his loyalties lie, doesn't it? It sends a clear signal to all the higher ups that he hasn't forgiven his father's execution, and he's already on thin enough ice as it is. It would be impractical for him to kill me, and Xaden Riorson may be a lot of things, but he's never struck me as stupid."

Dain stared at her for a while.

"What?" Violet blinked, feeling slightly uncomfortable. He was the one who'd told her that it was rude to stare too long, so why was he doing it now?

"Nothing," he chuckled, shaking his head. "You're just something special, Violet."

"'Special' isn't always a compliment," she said, narrowing her eyes slightly at him. He'd taught her that as well.

"It is when it comes to you," he said, smiling. "Now come on, you have class soon."

"I'll be there in a moment. I just need to head back to my room to grab something." The moment she turned the corner, she paused as she heard footsteps appear at her back.

"Xaden," she greeted, without turning around. "You were listening." It wasn't a question.

"You don't seem surprised," he commented, easily stepping in place next to her as if he'd always been there.

"I've come to the conclusion it's easier to just assume you're there anytime there are shadows present," Violet responded, voice a touch dry.

"It's flattering to know you think I'm so omnipresent," Xaden replied, a touch of smugness in his voice. "You gave a very convincing argument to Aetos about all the reasons why I shouldn't kill you. You had a lot of faith in my...practicality." He seemed amused, although his expression didn't change. "Has it ever occurred to you that not everyone is as rational about these things as you are?"

"Of course. That's why I figure it never hurts to provide a reminder that it costs you more to kill me than to keep me around." Violet glanced down at her planner. "I figure I'll schedule the next one in another two weeks or so."

"No need. You remind me every day." He grabbed her shoulder, forcing her to a halt. "Kairi Stevenson. You helped her before her match yesterday. Why?"

Violet looked down at his hand pointedly. He ignored her. "If you're asking how I learn about the match lineups beforehand, I'm not going to--"

"I don't care about that," Xaden interrupted. "You helped her, even though her father--"

"Even though her father participated in the rebellion, yes," Violet finished. "I've asked you-- all of you-- to judge me on my own merits, rather than my parentage. It would be rather hypocritical of me to not do the same for you."

His grip on her shoulder tightened.

"There's a difference between that and going out of your way to help us," he said, voice low.

"Is there? All I've done is treat her the same way I did the rest of my squad," Violet replied. "She's part of my squad, so I helped her. End of story."

It had been the first thing she'd done since arriving, work on establishing herself as an asset to her squad, rather than a liability. She'd known from the beginning that she would need to build allies in order to survive, given her physical limitations, and her squad, the only people bound by Codex to not kill her, seemed like a good place to start. It started with secret notes passed around in Battle Brief containing hastily scrawled answers. It continued with tutoring sessions and, after discovering Brennan's gift, hushed whispers regarding the next week's sparring lineup. Anything to establish herself as someone who was worth more alive than dead.

She'd spent her entire life under the disapproving eyes of her mother attempting to justify her existence, that she had a right to exist. This was no different.

Xaden's mouth curved up in a sardonic smile.

"So what, are you saying you helped her out of the goodness of your heart? How very...altruistic of you."

"Hardly," Violet said dismissively. Xaden blinked, sneer fading. "It's a mutually beneficial arrangement. She's been offering me help on improving my accuracy with my daggers, did you know? Like Sawyer helping me with weight training and Rhiannon with sparring. It's not like I don't get anything out of it."

"And Anderson?" Xaden questioned. "He's not even in our wing; yet I hear you helped bind his ankle after he twisted it last week. What benefit did you get out of helping him?" The corner of his lips twitched. "Or is he helping you with weight training too?"

"Well," Violet hesitated, unexpectedly flustered. Eli Anderson was a scrawny, hopelessly awkward boy who was quite possibly the clumsiest person she'd ever met. How he made it across the Parapet without tripping over the edge was beyond her. "It's always good to have allies outside of your own wing. It just means one less potential knife in the back some day."

Xaden hummed, studying her for a moment. "I'd worry about yourself first, Violet, before spending your time nursing other students back to health. Someone like Anderson won't make it in the long run anyway. It's better that someone take him out now before he gets someone else killed on the battlefield in the future."

Violet's eyes flashed, lips twisting into a scowl despite herself. Xaden's gaze sharpened and he leaned in, something almost hungry in his eyes. "Something the matter, Sorrengail?"

"I'm fine. I disagree with your argument, that's all," she said stiffly. "How do you know that Eli won't one day become an amazing dragon rider with the proper training? All this focus on 'weeding out the weak' and 'killing off the weaklings' with absolutely no emphasis on actually helping people become strong-- how does that make sense? We live in a world where the war is getting more dangerous by the day, where more people are dying by the day, and what are we doing here? Learning how to kill each other off," she scoffed. "What's the point in waging a war to keep our home safe, and then turning around and tearing ourselves apart inside it? The biggest threat here at Basgiath isn't the gryphons or Pomoriel-- it's each other. How sad is that?"

"All day, every day, encouraged to attack each other, to kill each other. I understand that killing is a necessity on the battlefield, but here?" she continued, tone scathing. "That's not training. That's not learning. That's just...that's just senseless cruelty and it serves no purpose. All you end up with then are people who won't think twice about stabbing a comrade in the back if it serves their own self-interest. It's meaningless, it's illogical, and it's...it's stupid."

Violet said the last word with a particular viciousness, as if it was the most scathing indictment she could imagine. Despite himself, Xaden found himself fighting a grin.

"It's better to get used to killing here, where you're in a relatively controlled environment, than it is on the battlefield," Xaden murmured. Violet shot him an unimpressed look and he had to press his lips together to keep the corners from twitching upwards.

"Are you volunteering yourself as a subject?" She asked, raising an eyebrow.

"As entertaining as it would be to see you try to murder me, I'll have to decline," Xaden replied, flicking her on the forehead just to see her scowl deepen. He coughed to hide a laugh as she reached up to swat his hand away. "Try not to die coddling some random stranger, Sorrengail. It would be a horribly anticlimatic end to your life."

"I'll try not to disappoint," Violet said, voice dry as the desert. She'd never coddled anyone in her life; at most it could be said she lent the occasional helping hand. And as she'd already established earlier, that was hardly altruistic in nature. The nature of things as they were was hardly conducive to her continued survival-- the current system was designed to swallow people like her whole. Obviously then, she needed to act differently from the established social order.

A favor given meant a favor received. Helping someone else now meant potentially being helped in the future.

That wasn't kindness. That was just common sense.

(Rhiannon, at some point in the future, after seeing Xaden and Violet interact:

"Oh my god," she said, mouth dropping open. "I thought he hated you because of your mother and that's why he wouldn't leave you alone, but...holy shit, he's just been pulling your pigtails this entire time, hasn't he?"

"I don't have pigtails," Violet frowned, even as Riorson shot her a warning glare. Rhiannon had to admit it was a fairly menacing one.

"Fine, tugging on your braid, whatever," Rhiannon waved her off, fighting a grin. Since discovering he was likely crushing on her best friend, the Wingleader suddenly seemed much less intimidating. "The point is, he li--"

"Matthias, I can and will give you double chore duty for attempting to spread untoward rumors about your Wingleader," Riorson growled.

He didn't say inaccurate, Rhiannon couldn't help but notice.

Violet tugged at Riorson's sleeve, brow furrowing slightly. Riorson's expression instantly softened a fraction and Rhiannon had to suppress a snort.

"What was that about?" Violet asked.

"Nothing you need to worry about," he replied. "Let's get back to practice, shall we?")

This post is getting wayyyy too long so I'll stop but one last point: not gonna lie, I was pretty disappointed by Violet's signet power in the book. It seemed to signify that deep down, she was the quintessential rider all along-- it's not a power that honors her intelligence or scribe background at all. Not to mention the whole her wielding lightning seemed to be a pretty deliberate counterpoint to Xaden wielding shadows, like come on, you couldn't come up with a less obvious metaphor to state they represent light and shadow? If I were to give her a power, it'd be something like probability manipulation or hyperintuition-- both abilities that compliment and highlight her intelligence.

[allgirlsareprincesses]

I'm so curious as to what your thoughts are on acomaf/Rhys. Personally, the reason the second book infuriated me was bc SJM completely shifted Tamlin's good traits onto Rhys, while erasing the fucked up things the latter did (like breaking Feyre's arm 😅), and thus clumsily erasing chances for interesting complex grey-morality characterizations for both characters. Also Feyre forgot about Tamlin so fast it almost made the first book seem useless lol. idk, I just liked Tamlin and feel he was done dirty with the weird lib-feminist makeover acomaf got. I did continue reading the series though. I'm not trying to make you uncomfortable speaking about this, so feel free to ignore this ask. Have a lovely day 💖

Phew! So my issues with the series are NUMEROUS and some day I will go into all the reasons I quit ACOMAF 3/4 of the way through, but for now, let me sum up my problem by comparing it to another modern phenomenon: Frozen.

Like ACOTAR, I have many specific dislikes about the Frozen series, but my main problem with it is the way it cynically uses fairy tale motifs against the audience, but then still wants to claim it is a fairy tale. Frozen's setup gives the audience absolutely zero reason to doubt or distrust Hans (other than the arrival of Kristoff). In fact, Hans and Anna have one of the best insta-love songs from the Disney collection, and it galls me TO NO END that it's a trick, a lie. And then the rest of the movie repeatedly mocks the audience for believing in fairy tale love ("You can't marry a man you just met!"), as if to say everyone who has enjoyed Disney fairy tales up to this point is a sucker. Yet then it expects us to invest in the Anna-Kristoff romance after punishing us for the Anna-Hans one. And meanwhile, Kristoff is about as interesting as stale bread (sorry not sorry, it's true. I love you Jonathan Groff, it's not your fault sweetie.).

So anyway, back to ACOTAR. Book 1 is a straightforward Search For The Lost Husband. Taken on its own, it honestly rules as an example of this Cupid & Psyche tale type. It has the hunter-huntress motif, the jealous sisters, passage into the otherworld, hidden/cursed prince, supernatural helpers, three trials in the underworld, and even resurrection from death. It's literally perfect, other than Rhys marking her and just generally being creepy.

And then the next book PUNISHES the reader for enjoying that. HAHA you fool, you sucker, you got taken in by an abuser! Actually that whole book was a f*cking waste of time and a lie, and what Feyre really needs is this dude who's secretly perfect and who has all the aesthetics of a tormented prince but none of the actual psychological damage (like, say, Tamlin had). And who pursued Feyre not because of any natural affinity but because he knew she was his predetermined MATE (ew ew ew and I repeat EW). And who dictates every f*cking plot point and then magnanimously gives Feyre the OPTION of participating and we're all supposed to cheer because he says "It's your choice" before repeatedly using her and endangering her.

And to the extent that this is another Search For The Lost Husband, why would I want the same story told again, especially when the narrative wasted my time and mocked me for investing in the last romance? I just... really resent the author using those motifs without signaling sooner that she's going to deliberately undermine them (which can be done, in fairness, but it takes more skill than SJM has displayed).

So yeah, that's my issue. It really seems to come from this faux feminism that has a lot of antipathy toward traditional fairy tales, but doesn't know how to critique them without mocking the protagonist and audience alike.

[dalekofchaos]

Fuck Neve Campbell, Melissa Barrera deserved better

All the Neve Campbell interviews are about her glowing about the fact that Scream is finally about her again and recently said it's "Going back to it's roots"

Yeah, okay Scab. I'm so glad this was worth stabbing Melissa in the back.

She was never this happy about Scream 4, oh you know WES CRAVEN'S FINAL FUCKING MOVIE! She was never this happy about Scream 5, to the point where she phoned her scenes in Scream 5. You could clearly tell she wasn't happy to be sharing the lead or "passing the torch" But she's happy after they fired their 4 POC leads and one who was supporting Palestine and got fired for it.

At this point, seeing Neve Campbell pop up and lie about it all like she can act her way out of being a complete loser sellout is tiring. Someone I respected so much turns out to be a greedy sellout. Never meet your heroes.

And fucking shame on Courtney Cox for even agreeing to this shit as well. This is the kind of thing that she would have fought a war over if this happened on Friends. The only reason she’s as successful as she is is because of worker solidarity being what got her and the rest of the Friends cast to band together and demand equal pay and screen time.

Imagine being this desperate and pathetic She was fucked over by Spyglass. She left The Lincoln Lawyer for her own show Avalon. Avalon got cancelled so she immediately did Twisted Metal which she was desperate for. Once Spyglass fucked Melissa & Jenna over, Neve ran back into open arms without hesitation and without a finished script. She ran back with just a “concept” Neve showed us who she really is, the scab who crossed the picket line.

Since Melissa was fired, Neve has never showed support for her, but she would always only talk about how she’s getting paid for Scream 7. while Melissa was always showing support for her during Scream 6. Neve’s also agreed to work for a company who supports genocide

I have absolutely zero respect for Neve, Kevin or even Courtney. They saw that Melissa was fucked over by the studio and chose greed than to fight for Melissa's right to protest and finishing Sam Carpenter's story.

Melissa was fired for advocating for something important, and Neve “advocated” for something & quickly forgot as soon as their new lead didn’t fold for them. Definition of white feminism

Neve Campbell’s return to Scream 7 is the perfect example as to why a lot of these franchises fall off. They can never EVOLVE. They successfully passed the torch in Scream (2022), fleshed out the newer characters in Scream VI, and now they’re back to focusing on Sidney for 7.

Anyways. fuck Neve the Scab, fuck Spyglass, fuck Kevin Williamson, fuck Courtney Cox, and Melissa, Jenna, Jasmin and Mason deserved better, Scream 7 needs to flop, Free Palestine!

[edwinspaynes]

I want to ask you about those characters you have liked less, and you have commented on the blog, if you could change some stuff on their writing and on events that involve them to make them more likeable what would they be? I think yours are Lucie, Jesse, Gabriel and Cecily right? Like for example "make Jesse be resurrected in the beginning of chain of iron and develop more Grace and his relationship" , or "make Lucie hold less secrets from Cordelia".

Sure, I hope I'm understanding what you want correctly.

PSA: When I gush about how perfect I think TLH is I don't mean Ghostwriter. I never mean Ghostwriter. Their story is terribly executed. However, TLH is still perfect because I give 0 fucks about Ghostwriter, so their poor development and terrible relationship doesn't impact my reading experience in the slightest <3

Lucie and Jesse

Lucie would basically just need to get her head out of the sand. I find her annoying primarily because all the other TLH characters act 25 and she acts like a spoiled 12 year old.

She starts the series with her head completely in the clouds, dreaming of silly fairy tales, and ends it in exactly the same place. Zero growth. And why would there be any? Everything that happens in her TLH plotline, what with getting a ramifications-free ghost boyfriend, reinforces that life is a fairy tale that she can twiddle her thumbs and dance through.

I think that this is what's disappointing about Lucie. She's fine at the beginning of ChoG because that's where her arc begins, but the problem is that she ends it as the same silly girl she started it while most other characters around her grow a lot.

I also think that Lucie would benefit from, like, just generally being less selfish. There was no reason for her to endanger Cordelia by not telling her about the Creepy Ghosts at their prospective parabatai ceremony. So, yeah.

As for Jesse, dude, I don't even know where to start. Get this man a personality, please, or at least a semblance of one. I genuinely believe that perhaps Cassie purposely made him a flavorless cardboard cutout so that teenagers reading could project their ghost-fairytale fantasy man onto him.

The main thing for Jesse, though, is that he needed to be less of a shithole to Grace. He was just so fucking godawful to her in Chain of Thorns that everything else about him (which isn't much to start with) pales in comparison. I hope she never talks to him again.

An aside --

I have a whole Ghostwriter plot idea that I think would have made Lucie's story really layered, but Jesse would actually die in it (thus forcing Lucie to show actual growth). Basically, everything would be the same until the end of ChoI, when Lucie would fail to bring Jesse back to life and realize then that her power was gone. She then would no longer be able to see his ghost. No more Jesse. Lucie would need to confront her happy-go-lucky-lalala-life-is-but-a-dream attitude and would therefore need to actually grow tf up. Lucie and Grace console each other and become close friends. They also both lost their love interests (I'm changing nothing else about TLH in this world, only Blackdale stuff), and both girls' happy ending lies in that friendship.

I loathe character death and I almost always hate tragedy, so you know shit's bad when I'm saying this. But Jesse's not an actual human; he's just a plot device! So maybe we should use that plot device in the best possible way if we're not going to make him a layered character :)

Gabriel and Cecily

I don't think about these two nearly as much as Ghostwriter, who I contemplate sometimes because I'm a TLH girlie.

I also don't find Gabriel or Cecily anywhere near as annoying as Lucie or Jesse. I don't care for them, but I also don't really hate them or even dislike them.

In Cecily's case, there's not really anything I'd change or even would want to change. I liked her a lot when I was 18 and the annoyance has built up steadily over time. Now I'm 27 and just view her as an annoying teenager. There's nothing wrong with her, but she reads young (I staunchly consider almost every TID character to read 20ish and every TLH character to read mid-20s. Cecily and Lucie are exceptions). I also don't want her gone, she contributes to the story and has her Moments.

Gabriel just is imo kind of off-putting to everyone besides Cecily and occasionally Gideon, and I just personally am not a big fan of him. But unlike Lucie or Jesse, he's a complex character with an interesting plotline and a tangible personality. He grows. He just didn't resonate with me. I will, however, say that there are a few moments where I want to give him a hug, because damn that kid got hit over the head with a ton of trauma baseball bats in a row.

Basically, in the end, Lucie and Jesse are characters I think are poorly-written and badly developed. Gabriel and Cecily are fine characters with good enough development, they just don't resonate with me through no fault of their own and that's okay.

[codgod]

OKAY. slightly more comprehensive and hopefully more useful tips for writing qmariana because the other post i made was kinda a mess. this one also is but hopefully less so. this is basically me expounding upon everything i already said + adding info from a lot of the tags i got on the original post pointing out stuff i didn’t mention

also going to mention again that a lot of this IS related to slimeriana because that’s the main flavour of qsmp fics i read BUT they should all work as general pointers. slimeriana are just gonna end up as my go-to examples for what i’m talking about. and second disclaimer that i barely speak even basic spanish so there are probs gonna be even more things i may have missed or messed up, i’m forging through with the power of youtube auto translate

all that said, here:

he’s not great at speaking english —

it is okay to write a character not being good at speaking a language! i don’t know why everyone seems to be fine with writing charlie speaking broken spanish but not the other way around. so many times i’ve seen him written as speaking perfect english and then just sometimes swearing or having a few lines of dialogue in spanish, if even that. that is simply just not how he talks

common things i personally have noticed mariana does: repeats words, says words that sound similar to the one he wants but not Quite [think words that rhyme or have a similar sound to them, like nipples and pimples lol], he’ll often get frustrated and switch back to spanish and just rely on the translator, especially for longer or more complex sentences/statements, there’ll sometimes be pauses between words or he talks slowly. he tries his best to speak english around the english speaking server members but again, will also just speak spanish and use the translator if he’s gonna be talking a lot

other small things: he swears quite a bit, and has a few favourites [namely mamahuevo (eng equivalent is cocksucker) is the one that comes to mind. and i don’t feel like i’m writing this out correctly but also chinga tu madre (fuck you/fuck your mother? i think?). in english the first one that comes to mind is motherfucker]. also calls kids mami/papi a lot, not even just juanaflippa

he’s almost always written as either too nice OR too mean —

he’s not a one-dimensional piece of paper just there to either dote on slime or make his life hell. he jokes and teases and he has a bit of a harsh sense of humour sometimes, but he’s very rarely malicious in his actions. if he’s really in the wrong about something he’ll get defensive, but will eventually end up apologising

that said, again, he’s not always nice! he gives as good as he gets when slime picks fights with him, he and bobby had a very playfully antagonistic relationship as far as i could tell. it’s like picking playful fights is part of his love language

he was always very sweet to juanaflippa though :D except a few teasing jokes here and there. he was a good dad, besides the murder JHVSJD

speaking of his sense of humour —

it can be very… blunt? for lack of a better word? he says some bizarre shit with a completely straight face. best example i can think of is him suggesting he and charlie could play a porn game together because they wouldn’t have to talk. obviously that’s cc not character, but it carries over. or, alternatively, the circumcision bit on day 1. basically if u watch charlie more, look at his sense of humour and translate it into spanish — there’s a reason they get along so well :D zero normal people in this relationship. the most you’ll get is them occasionally passing the “straight man” role back and forth, getting bewildered at each other but ultimately going along with whatever the bit is

he’s not a cheater! —

i know. i know ppl like the angst. but he never actually cheated on slime, not beyond being kinda flirty with other men but then pulling back and saying he was married whenever they returned that energy. he’s a bitch, but a loyal one /silly

but seriously, qmariana loves his family so much. he always wanted things to work out between him and slime. the only mc skin of his that actually shows his hands has him wearing his wedding ring, for christs sake. he’s not an absentee father, and he’s not a cheater, he just likes to joke flirt with his friends

he’s very open about his emotions! —

i have never once known this man to hide his feelings or be stoic in any situation. if he’s sad he cries, if he’s angry or frustrated he yells and swears, if he’s happy he laughs. if you are writing mariana as a person to keep his feelings hidden you are Doing It Wrong. the most he might do is hide one emotion behind another, but he’s almost always showing something

he LOVES music —

this man will sing at any given opportunity. he quotes song lyrics out of nowhere constantly. english, spanish, doesn’t matter, he loves music. it is literally always worth it to have him singing a lullaby to juanaflippa in a fic because it is both very in character and very cute

[accessibleaesthetics]

Remember when I talked about how how I wished there was some image-to-text AI instead just the text-to-image AI? Turns out there is!

This is a screenshot of an image-to-text AI called "clip_prefix_caption," specifically using the model "Coco." And while it's not 100% accurate, it still did a reasonably impressive job with this image. Of course, it kind of makes sense since this photograph is a free-to-use image I pulled off the web, which is almost certainly the kind of stuff this AI was trained on. If we get a type of image very different from what this AI was probably trained on, the results are not nearly as accurate.

But that's okay, Coco isn't designed for Optical Character Recognition (OCR). If you put this same image into An OCR-focused AI program like Image to Text Converter, you'd get:

Night Vale podcast (zioNightValeRadio A mafia guy who has really misunderstood "make it look like an accident" shouting WHOOPSIE every time he fires the gun. 1:06 PM • 2023-02-10 • 72.4K Views 3,487 Likes 776 Retweets 27 Quotes

Still not perfect, but defintely better than "a man is playing a game on the Nintendo Wii."

But what about art? How do these types of things fair with describing art? Since I'm not 100% clear on what (if any) information about the input images are put into a data set for AI to learn from, I did not want to put just any art in here. And if you play with any of these programs, I strongly encourage you not to put anything in there you don't have explicit permission to use for this.

I got specific permission from @animunerdery to use their drawing of Vinsmoke Sanji for some AI tests:

I decide to try a few different models too.

clip_prefix_caption (using coco model): A man wearing a tie and a shirt.

Blip: Caption: a black and white drawing of a man wearing a tie

CLIP Interrogator (using ViT-L model): a man in a shirt and tie smoking a cigarette, sanji, fanart ”, short silver hair, boring, lanky, zero - hour, coal, alp

I should note that the last one, while much more detailed, took a lot longer to generate than the other two.

This is by no means exhaustive. If you take a look at the post this image came from, you will find some even more detailed image-to-text AI outputs.

And this isn't even counting image-to-text AI in less open-source projects. Microsoft Word, for example, generates alt text for almost every image you put in a Word document, assuming you're using the current version. The Accessibility Checker will prompt you to check these though, because their accuracy is iffy at best, especially with images that are very far from what was probably in the data sets Microsoft trained its AI on. You can also contribute to that training data set if you want, because Microsoft gives you the option to "donate" any manually-created alt text you add to an image in your document to their database to improve accuracy. It's a case-by-case opt in though, don't worry.

Some screen readers have built-in image-to-text AI as well. For example, sometimes after reading the alt text on an image (be it properly written alt text or the default word "photo" on every image on a Tumblr post without user-added alt text), the VoiceOver (iOS) screen reader will read an additional description it makes using its text-to-image AI. I can't always get it to do this consistently, but after playing around a bit with a version of the Vinsmoke Sanji image that did not have anything but the default "photo" alt text, I got it to give me this:

Adult. Clothing. Illustrations. One.

Not the most helpful. But this technology is still pretty young, and I think it has a lot of potential if used correctly.

[mermaidsirennikita]

No but for real can we TALK about how there is some genuinely offensive shit re: the Romani in Kleypas's book that gets a pass, but the in-character stupid line stuff gets cut bc it's the 21st century or whatever. Like I generally like her books, but if there's something to update that should be it!

Yeeeeah dude it really bugs me, ESPECIALLY because I feel like there's really zero excuse. Beyond just "educate yourself Lisa" ... she's aware that her books have "race issues". Because the incident that I'm pretty sure helped kick this off was Hello Stranger getting called out for a racist passage. Her oldest books (which she's essentially let go out of print) have been critiqued re: race. While there are some complex intersections re: race and ethnicity at play with Cam and Kev, I still feel like the fact that she's aware that her books aren't perfect re: race means she has to know those aspects are problematic.

I knew Seduce Me at Sunrise had edits to the moment when Kev kidnaps Win.... and though that's honestly one of my favorite moments in the book, I though maybe the edits were meant to be downplay the kidnapping as Kev's Mystical Rom Dude Ritual moment. Which I don't remember being HUGE in the act itself, but in dialogue, etc. But no! I was just basically taking away the aspects of "ravishing". Which is fucking stupid, lmao. Because in no way could you read the line about "she was going to be ravished" and interpret it as "Kev is going to rape Win". Why? Because we are in Win's head when that happens, and she is literally like "FUCKING FINALLY".

(Personally, I think Lisa unintentionally wrote Win as having a bit of a rape fantasy/CNC fetish vibe, and like... that's fine. People don't like to talk about it, but rape fantasies are among the most common fantasies for women to have, and it is fine, and it is one reason why a lot of people like old school romances, dark romance etc.)

But all the weird shit wherein, for example, Cam will be all "YOU ENGLISH DON'T UNDERSTAND, WE ROM DO NOT VIEW A HOUSE AS HOME" when like, the a good chunk of series revolves around the Hathaways basically doing a massive home reno in which Cam and Kev are both quite invested lmao, stays. The weird asides about Kev's hot-blooded Rom nature stay. (And might I add, lol... Kev seemed a lot more disconnected from that stuff, and one thing I dislike a good bit is that him shedding his inhibitions with Win and letting loose is like, aligned with him letting this Rom aspect of his personality that he'd been denying... free. The shedding of Kev's sexual inhibitions are aligned with his heritage, because in these books Lisa basically uses Roma to suggest "wild, untamed sexuality". And after his own book, Kev is significantly more involved in Cam's "let us help these unknowing English people with our mystical ways" stuff than he was before. Because now that he's fucking Win nasty the way he always wanted, he's like... more... Rom....? I love Kev and Win, but I hate that.)

Lisa is by no means the only historical romance writer who's done this. I think there's a grand tradition in historical writers working around the aughts especially where you get the vibe that they're like "well, I want to acknowledge that poc existed back then, and I want to portray them positively" but they also don't want to invest in deep characterization or push their (let us be real, often racist) readership too far... So it'll be like "here's the hero's best friend, a former slave!" "here's the hero's half-brother, also a former slave because their dad owned a plantation!" (Read a Tessa Dare book that did this, and I can absolutely see what she was going for, but it didn't come off well.) I love Jennifer Ashley's Mackenzie books. I LOATHE The Seduction of Elliot McBride because she tried to incorporate India into the narrative by having the hero like, live there in the past as a colonizer, and be all "India is amazing, here are my friends because I like Indian people more than white people now" (which, woof, but very common at this time) but lmao his buddies were his employees? And also his illegitimate daughter whose Indian mother was DEAD? Like, come on dude.

(Still not quite as bad as the Kerrigan Byrne book wherein the hero is a literal former war criminal whose big kindness was taking the lone survivor of a village he massacred home and making him his valet. But still.)

And I mean, this does continue, which in some ways I view more harshly because there has been years for feedback and critique to accumulate so more recently working authors should know better. Like the Evie Dunmore "hero has a Plot Important Dancing Shiva tattoo except that isn't actually Shiva in any way, shape, or form and also let's throw in a predatory villainous gay man for good measure" book.

And I'm not saying that Lisa's work is as egregious as those examples. I'm not. But none of the above examples are going back and revising their work in minute detail, while missing the most problematic aspects of the work lol.

I'll also be real and add that another huge reason why these edits suck is that... Nobody is saying you can't edit your work. Authors can and should be able to do that. But... It sucks when people don't know that they're buying what is essentially an abridged version of your book, especially when the edits are heavy, as they are with certain books. Someone could've read your book 10 years ago and when they buy it on Kindle now because they finally have an e-reader, they should be able to know outright that they're buying a different version.

[yellowloid]

my experience at am's show (accor arena, paris, first night - 09/05/2023)

SOOOOOOO since a lot of people have done this and i want to write down as many things as i can about the concert so that i don't forget them i've decided to make this post and keep in mind i'm writing this running on four hours of sleep and a cappuccino BUT i'm currently sitting in a very pretty parisian café, chilling and waiting for my train and it's all very aesthetic i feel like the main character of a chick-flick movie. also drowning in post-concert depression but that's another story

so now that we've set the mood let's get to the actual writing bc this post isn't gonna make itself and i still have ~five hours of waiting to do and a whole lot of things to say so let's go

(also disclaimer: this is gonna be very rambly i'm so sorry i'm just emotional)

• so we got to the arena at around 6:30pm bc we had assigned seats, and entrance was a whole lot less chaotic than i'd expected (which was good) +  basically the place was almost empty bc it was so early, it really only started to fill up later and it was REALLY full only by the time inhaler was halfway through their set

• can't say anything about inhaler bc i know exactly zero (0) of their songs but i think they were nice and i actually feel like diving into their music a bit now bc some songs were pretty good

• and then once inhaler was done it was showtime!!!!!!!! i felt like i could DIE!!!!!!!!

• the moment they went up on stage i felt literal butterflies......... i just couldn't believe they were real, in the flesh, like they're ACTUALLY real they exist they're REAL!!!!! and we were breathing the same air and i was just so fucking mindblown by that concept i was fr having a moment

• setlist was the usual, i didn't get cornerstone NOR perfect sense (some of my all time am favourites.......) and tbh i still haven't forgiven them (HIM) for that like wtf boys. wtf. i get why they would decide not to play perfect sense but why wouldn't they play cornerstone LITERALLY a fan favourite and a classic smh (jk i forgive them but only bc they're cute 😔)

• also i got star treatment sooooo i mean i can't really complain can i. absolute magical experience, that song

• another thing about the setlist: they kept playing little melodies in between songs and i kept getting FOOLED bc every time it felt like they were going to debut a new song (hello you......jet skis........) but no i was just clowning real hard

• fo example at some point they played this random melody and i was like wtf and then they did nothing with it and just played high so yeah they were being sooo silly and goofy (i wanted to bite them)

• also the crowd was so ???? idek how to describe it bc during some songs they were so hyped (not only the most popular ones from am or 505; they even did a mosh pit during pretty visitors which was......okay i guess not really a song to mosh to but you do you paris keep speaking your truth). but then they were so dead during the car songs.... some girls next to us literally used mirrorball and big ideas to fucking sit down and have a break and that was so offensive tbvfh. meanwhile i was there vibing and singing along to the angsty car tunes and i genuinely was like "why am i the only one that's popping my fucking pussy rn". literally this

• diwk and sculptures are THE most powerful songs ever like hearing them live is a cathartic experience fr. diwk bc of how iconic it is, sculptures bc it's just so unique and they're so fucking powerful my ass was literally shaking. sculptures as an opener after the "countdown" intro they do is just The Right Choice TM like it just makes so much sense. it was born to be an absolutely epic opener and we love to see that. and well, diwk is a classic for a reason. the whole arena lost their shit when they hit the first notes, the floor was TREMBLING it was crazy

• the arabella fuckup moment was still so !!!!!!!! when he screamed FUCK bc he messed up the lyrics i honestly didn't even realise it was a mistake at first lmao considering just a couple of days earlier there was the "but it just doesn't fucking matter" moment or whatever he said during that part (i think it was one of the german shows? or amsterdam? idk i don't remember sjfhwhs). the point is, sometimes he's just silly and changes random lyrics and it all happened so fast one could have easily believed it was on purpose nsjcnennc but that just tells you how good they are. if you're able to make even a mistake sound so good and iconic then you're just so !!!!!!!!! yknow.

• also i heard people saying he was annoyed, a bit like during one of the amsterdam gigs, mostly bc of the arabella fuckup. but that's?? so not true?? like yeah he sounded super frustrated during that bit and his yelled FUCK is proof and rewatching that moment i feel so bad for him i wanna give him a hug </3, but for the rest of the night he was in a normal mood. pretty chill if you ask me

• apart from THE star treatment moment....... someone already mentioned it here but YEAH after the song ended he just went and whispered "it's the star treatment............" with the lowest saddest most heartbroken voice and i swear i heard my heart crack and crumble in a million pieces

• (btw yes he once again opened star treatment with "i just wanted a jet ski for the moat")

• he also sounded a bit sad and lost in his own thoughts during the closing part of iwby which reminded me of the same moment at lowlands 2022 and yes my heart broke once again

• but for the rest he was in a pretty standard mood!!! not overly chatty (when is he ever jskfke), didn't interact with the crowd that much but that's routine. just your regular banter: "what a night" "what a wonderful/splendid [can't remember???] night" and then before either pretty visitors or dancefloor he introduced the song like "it's [name of the song]... get down......GET DOWN" and that was just sooooo silly. in case it wasn't clear i was foaming at the mouth the whole time

• then during dancefloor he went "dirty dancefloors and dreams of naughtiness....AAAAAAAA"

• also he didn't really interact with the others members apart from asking the crowd to give it up for matt (cute bffs <3) and then at some point (i think during body paint) him and jamie were doing their thing. scissoring with their guitars

• after he was done scissoring with jamie he also went and hopped on matt's platform and then went towards nick too but didn't do anything lmao. i was hoping for the usual hand-around-shoulder action but no. okay you do you king

• at some point either nick or jamie fucked up a note and it was so audible and he gave them one of his Iconic Glares TM IT WAS SO FUCKING FUNNY

• btw he didn't speak that much french, i was expecting much more - i'd even say he spoke less french than he did at other french gigs over the years which ???? okay lmao. he just said basic stuff, yknow, the usual "bonsoir paris", "merci", and then at some point he said "incroyable" with, i must admit, a pretty good pronunciation. tbh it was so cute and yes my heart did a lil !!!!! yeah why do you ask

• also he sounded EXACTLY like he does in recordings and studio versions which is INSANE. he has such a wide vocal capacity and his voice is sososoSO powerful, at its best fr. he sounded so damn good and perfect and he's so fucking talented and i might sob bc who gave him the fucking right

• but at the same time i see why people were saying they thought his voice sounded a bit higher - he has moments when you can hear the "ghost" of his younger voice and it's honestly so cute

• but overall it's just crazy and remarkable how much he sounds like the studio versions. there's literally no difference. none at all. he's just THAT fucking good

• and the others too they were so !!!!! honorable mention to matt bc the way that man drums is absolutely mesmerising

• and then well..... can't really ignore the elephant in the room can we. they're all so insanely attractive it's not even funny they looked so good and alex was GLOWING. i was in awe. he has such a powerful aura - commanding and serious yet with a lightness and gentleness to him that you just can't help but stare at him the whole time. he's so charming and fascinating and ARGH literally breathtaking. hypnotising. never getting over him

• long story short when they finished he was sending big smiles and kisses at the whole crowd and the screaming and applause just kept going and going and and and. the whole concert went by so fast it was so intense and i couldn't believe it was already over

• i didn't want to go i didn't want to leave i never wanted to leave i wanted to stay there and do it all over again

• so now it's been two days since the show and hours since i started drafting this post.... and i'm already back home and i MISS THEM SO MUCH. i missed them from the very moment they disappeared backstage and the post-concert depression is so real i literally feel like i left a piece of my heart in paris. i miss them i miss HIM sososo much 💔

• i'm so sorry i'm being such a dramatic bitch but that's just who i am 😔✊️

• overall the whole experience felt like a fucking fever dream and i still can't believe it really happened. it was so magical and special and they were so perfect and ugh i just really fucking love them. i love them so much and i'm so grateful i got to see them and experience first-hand something so beautiful. i didn't sob during the show (tbh i thought i would) but i might do it now bc i'm feeling so nostalgic and emotional and </3 i'm a mess i love them so much there's nothing else i can say it's just That. simply that <3

i think i'll post some pics/videos but not many bc you can hear me screaming and singing my heart out + i was shaking + mostly it looks like i recorded using a potato so skckwjcej but yeah expect me to post something. idk what but definitely something

that's about it for now, but i'll try to add more things if i remember something else along the way!! 💖

[chirpsythismorning]

Today is Day 185: What This Line Means for El's Letter to Mike at the Start of Season 4

I know a lot of fans are convinced that the Duffers are careless since they 'forgot' Will's birthday. But I assure you… they’re not.

There's zero doubt in my mind that the writers have a calendar which they refer to religiously, especially when making decisions about the timeline for the story. 

Literally every season starts with a date to establish the setting. Do we think they just settle on a date, without referring to any sort of notes?

There’s a basic responsibility there, at the very least, to be aware of what the characters would be doing at that moment in time, based on what generally happens during that time of year. This would require research beyond just picking a date and slapping it on the first episode of the season. 

Is it Spring, Summer, Fall or Winter? What events are likely to take place during that time of year and how do they plan the expectations of the setting around the characters and the story itself? That's all intentional and well thought out. There’s a reason every season is surrounding some sort of holiday/event at some point, and it’s because time is very very important in the world of Stranger Things.

Think about the various times they’ve had characters literally countdown events?

Mike with El in s2? El with Mike in s4? Suzie when referring to Dustin’s birthday in s4? They wouldn’t throw out lines like that if they didn’t do the math at least once themselves.

The ‘353 days’ line is one perfect example of the Duffer’s proving to us that they have access to calendars, calculators or even simply, google.

Look at that! It appears when Mike used the walkie to call El on Halloween of 1984 (October 31st) in s2, it had indeed been 353 days!

What makes this detail so so so so so fucking important, is that this might hold the answer to the murkiness of the s3 ending going into s4.

Because as of now, we don't really know when s3 ended exactly.

But the similarities of s3's ending to previous seasons, might help us figure out that answer...

Every season ends with a vague timestamp for the literal ending; the epilogue. They only offer up the date at the start of the season, but when it comes to the ending, they never do. It's always months or days if we're lucky.

For s1-2 we got a vague 'one month later', for s3 we got an even more vague 'three months later' and for s4 we surprisingly got something more specific, with 'two days later'.

I think the reasoning for this seems complicated, but it's fairly simple.

While it is quite commonplace to give exact dates at the start of stories, to set the scene and everything, there's this agreed upon understanding in film and even books arguably, that also providing an exact date for the epilogue feels a little cheap? Or maybe a bit too 'handholdy' is a better word? I could see that being something an amateur would do without realizing it looks tacky.

I also think it allows the writers to be more vague in what exactly the date is for the end, according to the audience at least. Because they 100% know what the date is on their end, but that doesn't mean they have to reveal it to us.

We don't know when s3 ends exactly. We know that the battle at Starcourt ended on July 4th-5th (respectively). Though we also know that based on s1's timeline, Mike's countdown considered El's death to be the morning of November 13th, and so we can presume perhaps that s3 technically ended on July 5th.

And so the s3 epilogue being 'three months later' would bring us to October 5th, 1985 right?

Well, not exactly.

You see, when the Duffers give us their vague epilogue scenes, they're not saying that it's exactly one month or three months later, to the exact day. They're being intentionally vague.

Season 1 ending says one month later, but it's actually been 25 days.

Season 2 ending says one month later, but it's actually been 40 days.

Season 3 ending says three months later, but it's actually been... well we don't fucking know!!!

BUT I don't think it really matters, because if the Duffer's made an effort to do the math correctly for their 353 days line in s2, then it's probably safe to assume they'd do math for their 185 days line in s4 as well? And to also give us the answer to that question somewhere in the show already, as opposed to throwing out some random date seasons later?

Otherwise why have countdowns like that at all? It literally makes no sense for them to give us an exact number, like 353 or 185, without checking that the days match up with the exact countdown they're giving us.

I'm just one fan, and it only took me maybe 3 google searches to figure this out in a matter of seconds. They are however literal experts in their profession, and for that reason I do feel comfortable giving them some credit here.

So now, let's try to apply this logic then to s3.

Perhaps it's safe to assume that El's countdown didn't start when the Byers moved to Cali in the s3 epilogue, just like Mike's countdown didn't start at the end of the s1 epilogue either.

It's believed that the Byers, but El specifically, had to go into hiding after the battle at Starcourt. And so, could this mean that El's countdown started on July 5th?

The day that Hopper died? The day she lost her powers? The day she had to go into hiding and probably couldn't properly communicate with Mike for about three months?

Honestly, I think it would make a lot more sense to have their countdown's (Mike's 353 vs. El's 185) parallel in how they started.

And it would be weird to restart that countdown simply because they reunited for one afternoon to move, again because there was obviously so much significance to everything that happened on July 5th, that it does make sense to me that El's countdown would have started there.

Also, I want to be thorough by mentioning that, the main reason we can easily rule out the Byers move date being the start of El's countdown, is that it doesn't add up whatsoever.

El saying it has been 185 days since the Byers moved, would mean she was writing the letter on April 7th, 1986, which is impossible. (Also Mike's birthday, which is hilariously ironic).

Even if we spread out that three month window, we still have to take into account that if it was closer to two months or four months, they would've just said that instead. So either the Byers moved on October 4th, or sometime between September 5th at the earliest and November 5th at the latest.

And so where do we go from here? 

Basically, from what we understand in canon on the show, there isn’t much to go off of besides that. And I think that’s the intention.

Over the seasons, the obscurity of the time jump between the epilogues has allowed for them to say obscure comments between seasons, such as, Yeah for like a month (Jonathan in s2) and It’s been a year, Mike (Will in s4) and so they obviously like this appeal of the audience not knowing for certain. But that doesn’t mean they don’t know for certain.

I would argue they have to know for certain, and have very likely done the math at least once or twice or ten times, especially because as I mentioned, there would be no reason to have characters countdown to the exact day, on multiple occasions, if the creators/writers or literally anyone involved with the show wasn't checking to make sure those numbers added up correctly.

And so, based on all of that, I think that El started counting down from the day they separated, just like the previous season, which would’ve been July 4th-5th (respectfully).

And so 185 days after July 4th-5th, 1985, would be January 5th-6th, 1986. 

Just work with me here. Because while there are several things that could work against this theory, I think those things could have intentionally been there to trick the audience into thinking this letter was written very close to spring break, even though the math for that doesn't add up. And so lets look at some of the details that might be telling us this letter isn't as recent as we're being lead to believe.

The main detail I want to mention, is that major projects like the one El describes in her letter, requiring a visual aid, is more likely to be assigned at the start of the trimester.

If you don’t live in the United States, or are unfamiliar, basically how it tends to work for most high schools is the school year get’s split into 3 trimesters. The 1st trimester goes from September-December, the second goes from January-March, and the third goes from March-June. It varies depending on the city/county/state. Though it may not seem very equal, it goes like this to accommodate the major holidays with extensive breaks. The first trimester has Thanksgiving then a brief return to school, followed by Christmas/New years. The 2nd trimester starts right after New Years, and ends with Spring break. Then once you return afterward Spring break, that’s the start of the 3rd trimester. It evens out to each trimester being about 3 months.

I think El would've mentioned this assignment to Mike closer to when it was assigned and not right before she was turning it in. And the reasoning for this is kind of obvious but understandably overlooked.

While most kids would probably not think about working on a project like this until the last minute, because most of us are expert procrastinators after almost a decade in school, El however is completely new to this experience. And so I imagine the moment she heard about this assignment, she was just like 'best get to it!!'! We even see her still working on it after the project was already graded because the significance of it was clearly important to her. And so if her and Mike were writing somewhat consistently as it appears, then this would have been mentioned a lot sooner than her most recent letter to him.

And when it comes to the rest of the letter, there are several clues that could also support this theory that it wasn't written as close to spring break as we're being lead to assume.

Like the mention of Joyce's new telemarketer job. It wouldn't really make sense for her job to have been like super new, within the last week from March 22nd, especially if it's intended to be this sort of deterrent for Mike getting ahold of Will on the Byers phone presumably since the move.

Also Jonathan's car, is looked like it had been deserted there for a long time, not a matter of days or weeks, but possibly months (since early winter)... And so Argyle driving them to school wasn't something that happened within the last week worth mentioning to Mike right before their reunion in her most recent letter, but most likely another detail she mentioned as an update, since Jonathan's car is being referred to as still broken.

Even separate from the letter, I wondered if there was evidence somewhere else that they could sneakily be trying to hint to us that this is actually being written early in the Winter trimester and not the very end. Then it hit me.

The lyrics in the background...

Although, there are some things that contradict this theory, again I think those details were put there for the sake of tricking us.

Like just think about it, if this was El's most recent letter, wouldn't it make more sense for her to mention both the countdown for when they last saw each other, and how many days until they'd be seeing each other if it was really that close? Unless of course that number of days until their reunion was still too high at the time for her to hype it up, assuming she was writing this letter, perhaps 1-2 months out?...

I also do think that it's likely Mike and El are quite active in their writing back and forth. After all, Will said El had like a book of letters from Mike, so they want us to think that they wrote a decent amount.

I'm guessing the conversation was casual and broad for this letter specifically, because El is still new at writing/reading obviously and because this letter was also being used to update the audience about the characters whereabouts since we last saw them.

This might not seem that groundbreaking, but what this theory boils down to, is that s4 opened with an old letter, not a recent one. It means Mike was reading a letter, possibly from as early as January, 2 months previous to present. This would mean Mike presumably had other, more recent letters available to him to look at, with countdowns like 20 days and 10 days or 5 days, with El gushing even more intensely over the fact that they're closer and closer to finally reuniting.

And yet Mike was fixating on this letter specifically the morning before their reunion, AN OLD LETTER!!

But why?

Let's again look at the vibe of El's letter. If you look really close, it comes off like a response to a questionnaire.

I've always said that although El's lied a lot in her entire letter to Mike, there's a reason they never let us see a letter from Mike to El, and it's because he probably wouldn't have faired much better.

I don't even think it's actually that Mike would've lied necessarily, as much as I think it was mostly a lie of omission situation.

He showed up in Cali as his inauthentic self, and so it wouldn't make sense for him to have given El updates on Hellfire in his letters, which was pretty much all he focused on back in Hawkins from what it looked like.

And so I think the letter he wrote, which El was responding to in that specific letter, was Mike focusing on asking her questions about how she was doing and how the Byers were doing. It's also probably the last time he asked about the others because of one specific detail he got that time, which he's been fixating on ever since... (you know the one...)

Regardless, Mike was reading an old letter, which makes the implications of this (and this)... astounding.

[starlightandetherealshadows]

Hello! Feel free to ignore this, but I wanted to give my two cents about the MC's initial personality while playing. Now, this may be blunt, but at first, I was incredibly disappointed. Usually, I tend to play stoic/quiet MCs who don't lash or speak out, and it seemed to be quite the opposite to the distrusting and stoic mc in the game. However, I was thinking extremely hard about this, and I actually get why the MC was so outspoken, especially when V literally pointed a gun at them. Stoic and stubborn MC, from what I saw in the prologue, could easily be more nonchalant *before* the alien invasion, but that, obviously, changed. When C found them and brought them to the hideout, I didn't take into account that MC was in a vulnerable position, and I only focused on the part that MC hadn't interacted with another person in years. So, yeah, of course, MC may be overwhelmed, but their not gonna let people (V *cough*) walk all over them. I guess the thing was that I was so used to stoic MCs in IFs just standing on the sidelines and observing, but that is obviously not that kind of IF. The thing that had gotten to me the most, however, was the second-hand embarrassment of MC actually talking back to V after he blatantly insults them because I could never😭 I guess what I am trying to say is that even though I was seriously taken aback, none of the characters (including MC) are not gonna be 2-dimensional (as you have stated multiple times), and it has definitely grown on me, even if the MC was a little more of a fire-cracker than I expected. I am really looking forward to seeing where you take this story, and I will absolutely be eating it up because even if I might have to be tossing my phone across the room occasionally (bc my second-hand embarrassment is so easily triggered😭😭), I cannot get enough of your writing and characters!! I hope this made sense because I was just rambling about my take on if you are willing to make the MC a little more stoic or have some mute choices, which I am not against, but at the end of the day, I will still be reading the fuck out of Memento Mori! Have a good day/night!!! MWAH💋

Hi sunshine!

I appreciate your super-thorough analysis of both MC's personality and also your initial/developing reaction to it!

Just wanna offer some perspective on why I'm writing MC the way I am (you've already nailed a lot of the points but this is gonna be a succinct explanation from my head hehe)

MC is ultimately a fully fledged character in Memento Mori. While writing, I have about six different MC's in my head, each with distinct personalities, motives, and reactions to events. As I'm writing Ch. 2 in particular, I'm using these characters to influence the choices available and the stat checks necessary for certain actions. MC was never going to be a self insert. I love a good self insert sometimes, but it doesn't work with this if!

What makes characters feel realistic and multi-dimensional to me is their ability to break out of their different archetypes. We all know the ones like The Mean Girl or the Shy Kid or the Comic Relief. We can use your Stoic!MC example. Do we as humans act the same exact way every single day with every single event and interaction? No, we don't. Because we are complex, muli-faceted individuals that can have conflicting thought and actions, or opinions. What makes a character feel flat is when they are only given like 3 personality traits and stick to those regardless of what happens around them in the story.

So in Memento Mori, your Stoic!MC will have moments where they're outspoken and opinionated. The Charming!MC will lose their cool and lash out rather than smooth talk. The Friendly!MC will snap at someone without thinking. We aren't perfect, neither is MC, and I think that adds dimension to what can easily be a very blank slate kind of character. This isn't exclusive to MC, either! Veronica/Vincent will be nice to you sometimes for seemingly no reason. Zero will have moments where he is not okay and rejects your comfort when he reads it as pity. Cecelia/Chase will not always be the bouncy comic relief that uses humor to make everyone smile.

To add insult to MC's injury, like you mentioned in your ask, they are suffering from extreme amounts of PTSD and trauma. They have lost everyone and everything, they're a young adult living in complete isolation for two years. They're starving, they're injured, they hate themselves and being alive. It's going to take them a while to feel like themselves. In the span of one day, they've been nearly killed by a monster, then they're covered in blood guts and sweat when they meet C, then C brings them to meet 6 other people (including two aliens) and now they're going on this extensive journey with complete strangers, while that very morning they were contemplating ending it all. it's a lot.

By the time MC meets V, they are already at their limit of dealing with bullshit so V pointing a gun at them was never going to fly. V insulting them was a no-go either. Now, in the future, MC can ignore V more often because they'll be less on edge than when they were all first introduced. Once they have time to process, then they can react what is most familiar and comfortable for them. It will take time.

I laughed when you called MC a firecracker! I'd say they're more...unpredictable as a character when they're under high stress. As time goes on, they'll adjust and mellow out in some ways, but right now? MC has had ENOUGH with feeling like shit all the time.

I'm really glad you were a bit embarrassed by MC talking back to V because that was my goal AHDSEWLKMFRLK it's supposed to feel a bit uncomfortable. It's MC trying to clap back on someone when they have lost most of their social skills. It made ME cringe while writing it. Like oof MC, just ignore them???!!!

I'll definitely be adding some more options to be a bit more stoic or selectively mute in chapter 2, and as for chapter 1, I think more options to stay silent while talking to Cecelia/Chase or when they're speaking with Delphine/V could be good too. I'll see how it flows!

You'll see at the beginning of Ch.2 that MC already feels a tiny bit better. Nothing much but at least they aren't alone anymore, and they have a hot shower and some real food. So small wins for MC!

I think that's all I wanted to say for now!!! Thank you again for your message, my friend!!! I'm glad you're liking my writing and my characters, it does mean a lot to have your support!! <3

[stacotto]

*Inhale for four, exhale for four* Alright, let's get into it.

Guess we'll just start at the start, Asticassia is far more wrecked than we could see at the end of episode 20, death count is probably in the scores if not hundreds, and the survivors are basically in a refugee camp. Earth House and Suletta out here doing their best to make everyone comfortable, which automatically makes them the GOAT house. Petra's alive...ish! Mio's President now, for whatever that's worth, Quinharbor is a bombed-out crater, and those slimy Peil crones somehow managed to once again pull the "we didn't know this unethical thing was being done right beneath our noses" card (even if they really didn't know until someone else told them, I wouldn't put it past them to want a piece of that pie). More on them later.

The meeting between Earth House, Guston, and Belmeria is a perfect example of what I like to see in an infodump; nothing is said that characters in the room should already know, everything is news to someone. I really really dig now Suletta handled relaying her nature as a clone, and maybe feeling a little smug that my headcanon that those flashes of Eri's memories of the Vanadis Incident really were a full memory share between the two. And of course, Suletta understanding that there is probably no reasoning with Prospera, but no unnecessary angst beyond that. I like it, it's refreshing. Also hot damn, we've been theorizing about a "Caliban" Gundam for months and this is not what any of us expected but I'm not complaining; it really is thematically appropriate that Prospera's creation would be piloting the machine named after Prospero's servant.

Now to the real spectacle of the episode: The Space Assembly League charging headfirst into something they should know could not possibly end well. To paraphrase what I've been saying about Quiet Zero ever since episode 16; "You may have your guns, but I control all the triggers". You literally cannot fight against it with any conventional weapon. The only way to fight against the QZ Data Storm network is with a Gundam of your own, and Sophie Pulone showed us exactly why even that is a toss-up. The more I think about it, the more I feel we're building up to a reveal that Suletta may have actually inherited her sister's affinity to the Data Storm, it just might need a little push to fully manifest.

Miorine really cannot catch a break here. She may be President, but that pales in comparison to the world falling apart around her. Quinharbor is in ruins. Her father is still in a coma. The League has popular support to dismantle the Group by force. It's really telling that Sarius is the one telling her "Look, I'll take the L on this, you keep the Group together" but she completely refuses to sacrifice anyone else, one of my favorite tropes when done well. It'll be interesting to see what her next move is.

Ah, Elan Ceres Number 5. Curious as to how he went from Ur's cockpit to sneaking around Asticassia but that's neither here nor there; he's finally given up the act (and genuinely apologized to Suletta, that was good) and is joining up with the heroes for the final act, which I appreciate. He says "no Gundam" which does pique my curiosity as to how he's going to contribute - Enhanced Persons are no doubt chosen by the Peil AI for piloting skill, so I doubt that he won't be piloting period - but I do get the distinct feeling that he's going to pay the CEOs and Elan Prime a visit...with bullets.

Welp, guess we know who's piloting the Schwarzette whenever that comes up now; Lauda about to follow in the infamous footsteps of one "Graze" Ein Dalton. I do kinda hope that someone can snap him out of it before it's too late; most likely candidate is probably Petra if she can wake up soon, given that A) He's definitely going to try and kill Miorine, so that knocks her out, B) there's no way he's going to listen to Guel after learning he's the one who killed Vim (even if it was by accident in self-defense), and C) Suletta is still the "Mercurian Wench who ruined everything" in his eyes. If he can't be reasoned with, Guel's probably going to have to kill him, I'll put my chips on that.

We in the endgame now.