The true love story of season 3 was Colin and Penelope.
No, it wasn't.
The true love story was Eloise and Penelope.
No, it wasn't.
The true redemption was Cressida's.
No, it wasn't.
The true redemption was Penelope's.
No, it wasn't.
The true redemption and love story was the Featherington girls.
Watching Portia learn to believe in love just by watching Polin. Watching Phillipa being protective of Penelope. Watching Prudence being proud of Penelope. Their redemption and transformation from the careless mom and mean sisters to loving, supportive and proud family was the most perfect story this season has offered in all possible ways.
"Time for us to do better."
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Bessie MacNicol (Scottish, 1869–1904) - In the greenwood
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So, I was nosing around the gang's tents and I thought that it was honestly so sweet that so many of them have photographs of themselves or of family right?
Little baby Charles with his parents, a young Susan, young Hosea and Bessie, but then I found something interesting in that pile of junk down the cliff just behind Arthur's tent-
Dutch actually writes notes for his famous camp speeches.
And if you've seen the speech that these notes are referring to, Dutch seemed to simplify it a lot when he recited it, almost dumbing it down for the gang entirely?
Writing notes for an important speech isn't the strange part, but the fact he dumbs them down and that these notes are hidden/thrown away out of sight is really strange to me. It makes me think that this is possibly a rough draft or early version of what he wanted the speech to be, sort of implying that Dutch practices and revises his speeches.
Which, if he ultimately dumbs them down for the gang, then what is the point?
The likely answer is that he holds himself to a higher standard because he feels he's above the gang members, in a way. He's the visionary, the leader, the man in charge, the one who reads philosophy books almost exclusively, to say that Dutch didn't think highly of himself would be a lie. And because the gang is 'below' him, he simplifies his speeches for them - despite majority of the gang being well educated and understanding. He doesn't think that the gang is as intellectual as him.
I made a post previously talking about Dutch and his Evelyn Miller philosophies and how he argues with gang members that don't agree or understand. It's especially interesting how Lenny, also an avid reader, disagrees so strongly with Miller's writings when that's what most of Dutch's philosophies are based on.
It solidifies that Dutch was manipulative from the beginning, and probably long before too.
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The reason why we're suddenly seeing a bunch of indie video games – particularly American indie video games – using vintage music is because the US finally has a public domain in sound recordings.
For context, until 1972, there was no federal copyright regime in the US for sound recordings; intellectual property law for sound recordings was devolved to the individual states, meaning there were fifty different sets of rules that might apply to any given recording, and some states allowed sound recordings to be protected for an indefinite term – i.e., in essence, perpetual copyright without expiration.
What changed in 1972 was the Sound Recording Amendment, which established unified federal copyright on sound recordings for the first time, but which allowed any pre-existing state-level copyrights for sound recordings published prior to February 15th, 1972 to run for their full term. Since most state-level sound recording copyrights had no fixed term (see above), this was capped at the "publication plus 95 years" rule which applies to other federal copyrights – with the twist that the 95-year cap on previously perpetual sound recording copyrights would count from 1972, not from the date of publication.
This effectively meant that no sound recordings in the US would enter the public domain until February 15th, 2067 – which doesn't do anyone a whole lot of good right now!
Fast forward to 2018, when another piece of federal legislation, the Music Modernisation Act, was passed. Though this act was mainly concerned with streaming royalties and such, it also contained provisions to grandfather certain sound recordings into the public domain earlier than the Sound Recording Amendment's all-or-nothing 2067 deadline. Specifically:
On January 1st, 2022, all sound recordings published before 1923 would enter the public domain
Sound recording published from 1923 through 1946 will enter the public domain 100 years after the date of first publication
Sound recordings published from 1947 through 1956 will enter the public domain 110 years after the date of first publication
In practice, what this means is:
All sound recordings first published before 1923 entered the public domain last year, on January 1st, 2022;
This year, 2023, is a "gap year" in which no sound recordings enter the public domain (i.e., being the 100th and final year of protection for sound recordings first published in 1923); and
On January 1st of next year – that is, January 1st of 2024 – new batches of sound recordings will begin to enter the US public domain on a yearly basis for the first time in history, starting with sound recordings first published in 1923.
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Also I’ve been meaning to add more nonhuman guys to the nextgen world and draw some classmates in Mittens’s age range so…! This is Lily! Co created by my buddies @impulseimpact and @mmmrrreeeooowww !!!!
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It's National Lighthouse Day!
It's National Lighthouse Day, and who better to celebrate with than Barnacle Bessie? She can keep the Barnacle Boatyard lighthouse safe from any Cog threats!
...Right?
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