i really adore how the fandom agrees bi-han would be a good father. he'd still be a dick, make mistakes, is a little too harsh with his children, but he doesn't want to put his kids what he went through as a child at the hands of bis father. Idk, i just really love that. it would be so easy to write him as a horrible father who doesn't care for his children, but this man would die and murder and kill and smile for his children in a heartbeat. they'll be great martial artists, trained from birth to break anyone's hip flexor, but they will also have a father who loves and cares for them.
it definitely doesn't come naturally to him tho. he wants to do this but it's kinda a whole new way of thinking for the man. bi-han isn't exactly one to open up or show any other feelings other than anger and mild annoyance- but eventually, with his never ending want to not be his father, and with the help of his partner, it's easier for him to really be the father he wants to be.
to hug his children, read them bed time stories, praise them when they've done well, praise them when they haven't done so well. not view his childrens' s emotions as weak. it's a huge mental adjustment for the cryomancer, but he does it.
also, I don't think he'd be set on "only having a son to pass on his legacy" idk, call me a woke liberal feminist (or a partner who'd beat his ass) but I don't think he particularly cares, he just wants a child or children who can eventually be the next grandmaster and uphold lin kuei principles.
catch this bitch having five daughters and obliterating the very being of a lin kuei lackey who he overheard talking negatively about his daughters. they will all be killing machines who love tea parties and watching my little pony, and he'll be right there with them (he knows the theme song by heart)
bi-han is a girl dad through and through and you cannot convince me otherwise.
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taylor swift: i spent most of my life dissociating in a secret garden in my mind because i hate my fucking life. i used to play a game with friends where they'd be discussing what decade they wish they could live in and i told them i hate the 1830s for its racism and sexism but the dresses are pretty and now nobody is laughing anymore god i hate my fucking life it doesn't matter when i was born im always going to be fucking miserable im gunna spend my time in my own head cause none if you bitches can get there fuck this shit i hate living
yall: taylor omg why do u wanna live in the 1830s???? don't you know you wouldnt be able to vote back then??? im so Smart and Intelligent and Woke.
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thinking about loki’s 400 year long stare at mobius when he says, “it’s about who”
and then how he looks at sylvie and says, “i can rewrite the story” and how she has her own story - without romance. how she told him to “write his own story” and how he’s now canonically god of stories/storytelling.
thinking about how if they make lokius canon, marvel’s first major canonically queer character will have “rewritten” the cishet centred narrative that a major audience is expecting and just how powerful that would be.
because, as much as i like the bisexual “confirmation” scene - it was very easy to look over if you’re a homophobic viewer or don’t know what bisexuality is. because they never had either of them say the words, “i am bisexual”. that and how they “dealt” with loki’s genderfluidity.
but a major gay couple?? with the healthiest and most intimate relationship i’ve EVER seen marvel write?? that would not be so easy to ignore. especially when you go back and see that it’s been there the whole time. if you knew what to look for. which, is honestly probably the queer vision in a nutshell. because cishets will be blind to anything if they see a man + woman option. they need “undeniable” proof. marvel knows that & it’s why they’ve gotten away with this. why they’re still “safe” for most of their anti-queer audience.
but just imagine, if loki fixes all this, get his friends back, and shows mobius know how he really feels and basically says “this has been the love story the whole time” THAT will be his legacy. in all the glorious i’m a god and i’ve been bad and i’m good and i’m queer and i have inherent worth just like everybody else and i don’t give a fuck loki fashion. and i hope to gods we get to see that.
that’s the story i want to see.
because if they turn around and give us sylki — (and in doing so say here’s a perfect example of a healthy gay relationship but instead we’re gonna give you a toxic genderbent selfcest romance) regardless of the fact we know they are both queer — that is not what a homophobic audience is going to see. they’re going to be satisfied that they didn’t see two men kissing on their screen and call it another win. and marvel would be continuing to encourage the idea that us queer fans are delusional - despite the clearly intentional writing.
not to mention the exhausting, intrinsically homophobic harassment & clowning lokius shippers have endured would actually not be for nothing if lokius were canon and marvel were to decide btw queer people are real and so are their stories and so is their love.
if the show about the genderfluid bisexual god of stories can’t accomplish that after all this character development then. idk.
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okay at this point we're gonna have to accept that any attempts of a live action ATLA will always be cursed and will never be a good alternative to just watching (pirating cause fuck nickelodeon) the cartoon because what the fuck do you mean they're taking out gigantic chunks of Sokka, Katara and Aang's arcs/development/characteristics, showing the genocide at the Southern Air air temple and more of the Agni Kai between Zuko and Ozai while simultaneously having the gall to say "I mean, the characters, we had to dimensionalize them-"
The Big Netflix Avatar: The Last Airbender Producer Interview: 'This Is a Remix, Not a Cover'
There are certain scenes that you never saw in the original, whether it's the attack on the Southern Air Temple or the Agni Kai between Ozai and Zuko. And those are things that I knew we needed to see in order to make it feel much more grounded as a live-action show. So it was about feeling your way throughout the process. Where can we take the story into the new directions that still feels true to the spirit of the original? And that's what it all comes down to, making sure it feels like it was Avatar in spirit.
Bending the Rules
And going back to those narrative liberties, was there anything in particular where you were like, “no, this is set in stone. This can’t change”?
AK: There's a lot of things like that, starting with the characters. I mean, the characters, we had to dimensionalize them, but there are certain core ... I would say there's a core DNA to the characters that you don't want to mess with, whether it's Aang, like I said, his childlike goofiness, his sense of humor, the burden of his responsibility, Sokka and his humor and his pragmatic outlook on life, Katara's warmth and her optimism. Those things had to carry through into our version. So you start with the characters, and you say, "What's the essence of the characters that got a big change? And what's the room where we can expand it a little more?" The cartoon, for as great as it was, was 15 years ago. And so, things have changed. There are certain roles I think that Katara did in the cartoon that we didn't necessarily also do here. I mean, I don't want to really get into a lot of that, but some gender issues that didn't quite translate.
My friend just watched it for the first time, and she's like, "Sokka's an asshole." I was like, "Yeah, no, he kind of is."
JR: Yeah, especially in the first season.
AK: Yeah. So we had to guard against that kind of stuff. And so, those are things that aren't really changing a character as so much as updating them a little bit.
I think one of the big questions is, despite all the remixing, is the point A and the point B still the same as the original?
AK: Pretty much. Yeah, I mean, I think the state of the world and the stakes of the world are still the same. So we decided to make Aang's narrative drive a little clearer. In the first season of the animated series, he's kind of going from place to place looking for adventures. He even says, "First, we've got to go and ride the elephant koi." It's a little looser as befits a cartoon. We needed to make sure that he had that drive from the start. And so, that's a change that we made. We essentially give him this vision of what's going to happen and he says, "I have to get to the Northern Water Tribe to stop this from happening." That gives him much more narrative compulsion going forward, as opposed to, "Let's make a detour and go ride the elephant koi," that type of thing. So that's something, again, that's part of the process of going from a Nickelodeon cartoon to a Netflix serialized drama.
And they say in regards to the original creators leaving: "But sure, having them leave was a blow. And we had to think about whether or not the vision that we had set forward really reflects and honors the spirit of what they had created. And we felt like it did, so we went forward with it. " idk y'all should've taken the hint goddamn ...
AK: But sure, having them leave was a blow. And we had to think about whether or not the vision that we had set forward really reflects and honors the spirit of what they had created. And we felt like it did, so we went forward with it.
If you could send fans who are anxious about the live-action show any message, what would it be?
JR: I think, as a fan of the show, they're going to get the live-action version of the show they've always hoped they would get.
Albert, anything to add?
AK: This is the version of Avatar that I would want to see as a fan.
- Netflix ATLA Showrunner Albert Kim & Executive Producer/Director/VFX Supervisor Jabbar Raisani
Source
like this ain't coming across like a remix, this is just empty meaningless noise
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