#and it creates a lot of real-world strife as a result

[ndbookstudy]

i am that, nisargardatta maharaj, ch. 9.

Questioner: Some say the universe was created. Others say that it always existed and is for ever undergoing transformation. Some say it is subject to eternal laws. Others deny even causality. Some say the world is real. Others -- that it has no being whatsoever.

Maharaj: Which world are you enquiring about?

Q: The world of my perceptions, of course.

M: The world you can perceive is a very small world indeed. And it is entirely private. Take it to be a dream and be done with it.

Q: How can I take it to be a dream? A dream does not last.

M: How long will your own world last?

Q: After all, my little world is but a part of the total.

M: Is not the idea of a total world a part of your personal world? The universe does not come to tell you that you are a part of it. It is you who have invented a totality to contain you as a part. In fact all you know is your own private world, however well you have furnished it with your imaginations and expectations.

Q: Surely, perception is not imagination!

M: What else? Perception is recognition, is it not? Something entirely unfamiliar can be sensed, but cannot be perceived. Perception involves memory.

Q: Granted, but memory does not make it illusion.

M: Perception, imagination, expectation, anticipation, illusion -- all are based on memory. There are hardly any border lines between them. They just merge into each other. All are responses of memory

Q: Still, memory is there to prove the reality of my world.

M: How much do you remember? Try to write down from memory what you were thinking, saying and doing on the 30th of the last month.

Q: Yes, there is a blank.

M: It is not so bad. You do remember a lot -- unconscious memory makes the world in which you live so familiar.

Q: Admitted that the world in which I live is subjective and partial. What about you? In what kind of world do you live?

M: My world is just like yours. I see, I hear, I feel, I think, I speak and act in a world I perceive, just like you. But with you it is all, with me it is nothing. Knowing the world to be a part of myself, I pay it no more attention than you pay to the food you have eaten. While being prepared and eaten, the food is separate from you and your mind is on it; once swallowed, you become totally unconscious of it. I have eaten up the world and I need not think of it any more.

Q: Don’t you become completely irresponsible?

M: How could I? How can I hurt something which is one with me. On the contrary, without thinking of the world, whatever I do will be of benefit to it. Just as the body sets itself right unconsciously, so am I ceaselessly active in setting the world right.

Q: Nevertheless, you are aware of the immense suffering of the world?

M: Of course I am, much more than you are.

Q: Then what do you do?

M: I look at it through the eyes of God and find that all is well.

Q: How can you say that all is well? Look at the wars, the exploitation, the cruel strife between the citizen and the state.

M: All these sufferings are man-made and it is within man's power to put an end to them. God helps by facing man with the results of his actions and demanding that the balance should be restored. Karma is the law that works for righteousness; it is the healing hand of God.

[borgchip]

I feel like people misinterpret B'elanna's involvement in the Doctor's family program. I've seen a lot of people joke about how she "KILLED HIS DAUGHTER" or was like. Needlessly cruel which, as funny as that is I don't think it's accurate. From my understanding all she did was implement some "realism" algorythems into the program, which it seems like most holo programs have to a certain extent anyway. Any event or action by the characters would have happened "as a natural result of probabilities within the program", meaning whatever element the doctor already added would then just play out in a realistic way. And anything could happen with that. So while it would be understandable for her to feel some sort of guilt over what happened, to say she intentionally CREATED all his strife in that program bc she hates him or smth isn't really fair.

As much as the doctor irks her I highly doubt that B'elanna would intentionally write in a story plot to kill his holo-daughter in an accident to "teach him about the real world" lol

[xaracosmia]

ꕥ — WELCOME TO MARE COSMIA, RICARDO FELIPE JOSÉ GARCIA ORTEGA. 🌗

ꕥ  — OOC INFORMATION;

name / alias: Benito age: 24 pronouns: He/Him ooc contact: @finalgirlboy (Twitter) other characters in xc: Jason Todd

ꕥ  — IC INFORMATION;

name: Ricardo Felipe José Garcia Ortega a.k.a. “Charge” age: Late 30s pronouns: He/Him series: Fallen Hero

canon point: Beginning of Fallen Hero: Rebirth

app triggers: Body modification, depersonalization, mentions of mass casualty events

personality:

Ortega is the type of guy that hides behind a smile. A handsome face. A quip. He knows that his form, his figure, his demeanor all paint the figure of someone who got all the brawn and none of the brain. His life, modifications, and career have all surrounded what his body can withstand; what he can endure. It’s easier, maybe, for people to pretend that there’s no conflict behind those big eyes and long eyelashes. Easier if he pretends that everything rolls off his back. The soldier that doesn’t suffer in silence is a lot scarier.

The truth of the matter is that Ortega has a darker core. One that finds itself a bit more vengeful than he’d like to admit, sometimes. He can be sarcastic when he wants to be. He can be a real asshole when he wants to be. But he also, maybe, knows how to make himself come off as the big, dumb wall of muscle when he needs to be. His secret identity is basically nonexistent, as far as the world knows. Maybe people know “Charge.” Maybe they even think they know Ortega. But the truth of the matter is that someone like Ortega—someone who’s only ever existed under the microscope—knows how to play a crowd.

something your muse struggles with: Going easy on himself. He constantly ups the ante for what’s expected of him and what he should be capable of. So much of his life has surrounded the life of a hero; to admit weakness is to admit that, one day, he’ll have to return to a life of mundane realities.

your muse’s greatest strength: His loyalty. Once somebody has proven themselves to him, he will dedicate his life to them, heart and soul. His former mentor, his partner, his fellow heroes. Even beyond the deaths of some of them, his life became an extension of theirs.

history / background:

Ortega was born in southern Texas on May 26th, 1982. The details are unimportant, really; he’d tell you as much. The real story starts much later, when an accident launched him into an experimental program that brought him into the world of heroes. His body enhanced with cutting-edge electrical and spinal modifications, he soon found himself holding the title of “Charge”, a superhero contracted by a military contractor to test out his mods. The test, suffice to say, was a great success. More or less.

He rose in ranks through the world of heroes quickly. After the death of his father, he signed on with a friend he’d met during recovery to join the Rangers; a team of heroes created by the government to keep the population of Enhanced in line. Under the guide of Marshal Hood, he quickly found his calling in the life of a hero, and was promoted to marshal after the death of his mentor at the hands of Hollow Ground. It was then that he met Sidestep. There was an immediate connection between them. One that complicated things. A lot of things. But Ortega liked Sidestep. More than he liked most people, really, to a point of blind loyalty he’d only extended to a few people previously.

Then came Heartbreak. An incident that resulted in the brutal injury of a close friend, a body count far too high. Sidestep was among the fallen. Ortega retired, then. Tried to go back to the life of a civilian. The quiet life. Turns out that didn’t work too much for him. Who knew that a crafted for nothing but combat, conflict, and strife would find itself so restless in the face of monotony? So he came back. Charge returned to the line of duty, just as a strange, new villain has come on the scene. And with it, a ghost from his past, sitting at a booth in a diner.

powers / abilities:

ELECTRICAL CHARGE - As the name implies, he’s able to harness electricity and absorb it into his body. From here, he can redirect it in bursts, used both offensively and defensively.

inherent abilities:

EPILEPTIC - The constant storm of electricity firing throughout his body is echoed in that of his brain. This does, however, make him incapable of having his mind read by telepaths, as the excess electrical activity causes too much feedback.

OVERCHARGED - His body passively generates electricity, in a sense; because of this, he generally shies away from sensitive electrical equipment that’s not heavily insulated, as he can easily fry such devices by touch alone.

items / weapons:

CHARGE SUPERSUIT

starting ability: ELECTRICAL CHARGE starting item: CHARGE SUPERSUIT

would you like this character to be housed upon arrival?: No. Lol

extra:

6’

To My Enemies - Saint Motel

discord id: charge.xc

[emblemxeno]

Edelgard’s Weird Family History

It’s honestly exasperating talking about Edelgard’s Brady Bunch family but like... let me explain in detail why it irritates me with a comparison to a similar situation in FE Fates. Here’s a small thesis on Garon’s concubines in Fates.

Fates Concubines

“Garon had lots of concubines who were vying for power and his favor. There were many children sired by Garon who lost their lives in various ways, the most notable of which being involved in concubine feuds and murdering one another. Along with this, Xander’s mother Queen Katerina was well loved and respected. Because of this, the second queen, Arete, and her daughter Azura were treated badly by the other concubines and Nohrian aristocracy. All of this was relatively unknown among the Nohrian common folk. The Nohrian siblings’ dynamic and way of life was shaped by these experiences.”

Supporting the Thesis

How do we know the concubines existed? They are confirmed by all of the Nohr siblings. 

How do we know they were vying for power? Many of the Nohrian siblings’ supports confirm this, among which are Camilla/Niles and Leo/Elise. 

How do we know there were once more siblings and that they lost their lives in various ways? The JP version of Leo/Elise confirms the concubines had their children kill each other, while the Fates drama CDs confirm that other siblings were lost by execution, falling in battle or getting captured by Hoshido. 

How do we know that Arete and Azura were mistreated? Azura and the Nohr siblings confirm this, and Azura’s entire personality is a result of people treating her badly during her childhood. 

How is this unknown among the common folk? Both Niles (Niles/Camilla) and Laslow (Drama CDs) reveal they never knew that such a thing occurred and react with shock when they learn. Not only that, but the common people and the Nohrian nobility are basically cut off from each other, the former living in an underground city/shutting themselves away and just trying to survive, while the latter lives above ground. 

How do we know that these experiences shaped the dynamic of the Nohrian siblings? Many supports and story moments show this. Xander’s denial and inability to question things in fear of risking his family is because of his relationship with Garon and his regret of losing his other siblings. Camilla’s desire for love resulting in her unconditionally giving love to Corrin and her retainers is a result of her mom only loving her as a tool. Leo’s need for affection and validation from the family he has left (specifically from Camilla) is a result of being aware from a young age that he wasn’t loved by his mother. Elise’s pure and innocent outlook contrasts this because her mom was the least involved in the concubine feuds.

There are multiple sources and dialogue in Fates that you can use to support the initial analysis. Let’s try to do the same with Edelgard’s family.

Edelgard’s Family History

“Ionius had many consorts but had married for political reasons. He sired eleven children, his 9th child being Edelgard. Edelgard’s mother was Anselma, who Ionius had met at the officer’s academy on a romantic evening at the Goddess Tower. They fell in love, but Anselma was content with remaining a consort. Then Ionius tried to consolidate power to throne by taking power away from the Seven Noble Houses and consort kin such as Arundel. In the ensuing power struggle, House Hrym was destroyed, leading the other houses as well as Arundel to start an insurrection. During this time, Arundel took Anselma and Edelgard to Faerghus to escape political strife. Edelgard then returns to the Empire and is then experimented on by order of Those Who Slither in the Dark and the Nobles of Adrestia. All of Edelgard’s siblings were crippled by disease, went insane or died. Ionius could do nothing but watch in horror as all of this happened. As a result, Edelgard bore a second Crest and swore to create a world where such meaningless sacrifice is never again sanctioned, for the sake of her family.”

Supporting the Thesis.

Who exactly did Ionius marry for political reasons? Beats me. Why would he have to marry for political reasons as the emperor? Was Ionius unpopular and needed to do something to fix that? I don’t know. Nothing ever clarifies that.

Why does Edelgard say that her father and mother met at the officer’s academy, when it’s noted that Edelgard is the first Hresvelg in ages to attend? Is the word ages being exaggerated here? I don’t know.

Why is Ionius taking power away from consort kin including Arundel when it would no doubt negatively affect the one that he loves, Anselma? I don’t know. Maybe love wasn’t as big of a deal for him as political power was?

Why is only Edelgard noted to be taken away from the Empire’s political problems, and nothing is said of her siblings during this time, even by her? Who knows. Where does Ionius’ wife, the empress, go during all this? Who knows.

Why are the Adrestian nobles ordering experiments to make a stronger emperor when they just took away power from the throne? The best answer that I could give is that they want a powerful emperor they can control, but nothing really supports that part of the theory because Edelgard and the nobles mutually hate each other. Couldn’t the nobles just do what they want to do if the emperor was made that politically impotent? Probably! Then if what Edelgard said was true, why didn’t they do it already? I don’t know!

Why does no one but Edelgard and Hubert acknowledge the existence of the other imperial royal kids? Wouldn’t her noble classmates like Ferdinand at least be aware of them, especially if there were that many siblings older than Edelgard? No fucking clue.

If Edelgard swore she would change the world where such things wouldn’t happen again, why is she working with the perpetrators? Because she needs their power to topple the church. But why would she need to topple the church when the church preaches against abusing power blessed by the goddess i.e. Crests and tries its best to treat everyone equally? No fucking idea. 

Conclusion

See what I mean? Edelgard’s family history is so damn sloppy. Some important aspects go unexplained and other important aspects are contradicted. In contrast, with the Nohrian royal family’s internal politics and power feuds, where everything noted to be important is supported by the text with no major contradictions in sight.

But the worst part is, that even if you go with my approach and say “Edelgard is a known fucking liar and information that solely comes from her mouth shouldn’t be taken at face value” well... then you’re left with ‘well if Edelgard did lie then what’s the real truth’ and you don’t get answers because the game doesn’t care despite those things being integral to the main cast of two routes. 

Plus you have to suspend your disbelief that Edelgard is such a genius that she’s able to construct an entire false history regarding Adrestia’s hit sitcom “How I Met Your Consort Mother”. And Edelgard has her moments yes, but I don’t think she’s really that smart. Or maybe she is and I just can’t wrap my head around it.

So, yeah. Pick your poison. Suspend disbelief that Edelgard is such a fucking genius and/or liar or resign to the fact that the game’s writing can be really sloppy. Or pick both.

Or pick none, and believe that Edelgard is actually telling the truth about everything in regards to her family and what happened to them, with explanations that would make even a hardcore Watsonian like me dizzy with confusion.

[remnantoforario]

Remnant’s Top Ten Anime of 2020

2020 Was certainly a ride wasn’t it? To those that managed to make to make it through in one piece, or any piece, good job. Hopefully 2021 is better to us all. 

Despite the world mostly being on fire, I’d hazard to say that a lot of good shows came out in 2020 (despite a number of them being delayed to either later in the year or this year altogether). I meant to release this list much earlier, but I kept changing it around. 

Anyway, here are the ones I thought were the best. 

Honorable Mentions:

Dorohedoro

Synopsis: The plot centers on a man named Caiman and his search for his real identity after a transformation by a sorcerer left him with a reptile's head and no memory of his former life. 

Along with his friend Nikaido, he violently assaults sorcerers in the Hole, with the aim of taking their heads into his mouth, where a strange face will appear and confirm whether the sorcerer he has bitten onto was the one responsible for his transformation or not.

As the residents of the Hole, the En family and the Cross-Eyes gang, along with many others, collide with one another, the mystery of Caiman's identity begins to unravel, reigniting ancient grudges and threatening to forever change both the Hole and the sorcerers' world.

Thoughts: This is the only Netflix anime I watched this year (I missed out on Great Pretender before the year ended), and I can honestly say I had fun with this one. It’s animation was good, the story was engaging enough, and the characters were all unique (Noi best girl). The one problem I would say with the show is that it can come off as unfocused at times, meandering from one plaot point to another with no real connective tissue. 

Still a fun series though. 

ID: Invaded

Synopsis: The anime follows the investigations of Narihisago, a renowned detective now in prison, who is tasked with diving into the id wells of various serial killers. 

Two years prior to the current events, Narihisago's daughter Muku was brutally murdered by a serial killer, leading Narihisago's wife to commit suicide. These deaths prompted him to hunt down and murder the killer, earning him his prison sentence. He is still depressed and haunted by his wife and daughter's deaths, but also uses this as motivation to take his work seriously and help stop serial killers. 

Thoughts: One of a handful of original series that came out this year. This show gave me heavy Inception/Minority Report vibes from both its premise and presentation. It wobbles under the weight of its own concepts towards the end, but it still a fun ride nonetheless. 

Gleipnir 

Synopsis: The story centers on Shuichi Kagaya, a high school student with an unusual secret. He has the ability to transform into a monster resembling a giant dog mascot costume with a zipper down his back and a large cartoonish smile. After rescuing a strange girl, Claire Aoki, from a warehouse fire, they join each other to search for Claire's older sister, who is assumed to be responsible for the death of their parents.

Thoughts: When the initial rollout for this show began I admit I wasn’t really a fan. I thought it was just going to be a hyper violent, fanservice show. Now in some ways it is that, but if you really look Gleipnir tells a very interesting tale of identity and what it truly means to have a wish granted. The music was pretty good as well, and that’s really something from me as a person who doesn’t pay attention to soundtracks. 

Hope this show gets a season 2, but if not I’ll more than likely start the manga. 

Wandering Witch: The Journey of Elaina

Synopsis:  Fascinated by the stories of Niké, a witch who traveled around the world, Elaina aspires to take the same course. Her determination of studying books and magic leads to her becoming the youngest apprentice witch to pass the sorcery exam. 

However, when Elaina attempts to receive training in order to become a full-fledged witch, she is rejected due to her extraordinary talents until she finds Fran, the "Stardust Witch," whom accepts her. After earning her title, the "Ashen Witch," Elaina begins her exploration around the world, visiting and facing all kinds of people and places.

Thoughts: As a fan of the Light Novels, I was pretty excited when it was announced it was getting an anime. For the most part it didn’t disappoint. Though it skipped most of the stories in the novels, the show still told a few good stories that made for some amazingly animated tv. 

Talentless Nana

Synposis: In the near future, mysterious monsters known as the "Enemies of Humanity" begin to appear, and with it so do children with supernatural powers called the "Talented". To prepare them for the upcoming battle against these Enemies, all the Talented are sent to a school located on a deserted island, where they have all their daily needs provided for until they graduate and communication with the outside world is forbidden. 

One day, a new student named Nana Hiiragi arrives at the school. Her friendly and cheerful personality lets her quickly make friends with the class. However, with Nana comes a whole litany of mysterious occurrences on the island. 

Thoughts: I can’t say too much about Nana without spoiling it’s first episode twist, but I will say that its a pretty interesting show with a fairly compelling game of cat and mouse being played. 

Now on the the actual list:

10. The Misfit of Demon King Academy 

Synopsis: After 2,000 years of countless wars and strife, the demon king Anos Voldigoad made a deal with the human hero, Kanon, to sacrifice his own life to ensure peace could flourish. Reincarnating 2,000 years later, Anos finds that royal demons now harshly rule over lower class hybrid demons in a society that values Anos's pureblood descendants over the demons who interbred with other species, such as humans and spirits. 

Finding that magic as a whole has begun to decline and his descendants weaker as a result of the peace he created, Anos, now technically a hybrid himself, decides to reclaim his former title of Demon King, but first, he must graduate from the Demon King Academy where he is labeled a total misfit.

Thoughts: Originally I was going to put Nana in this spot, but its lack of a real ending pushed it out of the list. If only slightly. Misft at Demon Academy is just a fun ride from start to finish. There’s always something about shows with ridiculous OP protagonists (Overlord, One Punch Man, etc.) that gets the blood pumping. 

It’s like junk food. Great for the right moment, but not needed all the time. 

9. Ikebukuro West Gate Park

Synopsis:  A charismatic troubleshooter tries to keep the peace between warring factions while protecting his loved ones in Ikebukuro West Gate Park.

Thoughts: I honestly had no idea what to make of this show when I first saw the synopsis, but I gave it a try on a whim. I’m glad I did because this was easily the dark horse of the Fall season. I really liked the mostly self contained story format the series had, and there were a few very good episodes here. Check it out. 

8.  My Next Life as a Villainess: All Routes Lead to Doom!

Synopsis: Catarina Claes, the young daughter of a noble family, one day bumps her head and regains memories of her past life as an otaku. It is then that she realizes she has been reborn into the world of the otome game Fortune Lover, reincarnated as the game's villainess who, regardless of what route the player took in the original game, is doomed to be either killed or exiled. 

In order to avoid these routes that lead to doom, Catarina begins taking countermeasures to try and avoid things going the same way as the game. This, however, ends up having unexpected consequences on her relations with the other characters of the game's world.

Thoughts: Normally I’m not a fan of Reverse/Otome harem series, but somehow Bakarina managed to pull me in, to a good result. This show was easily one of the best comedies I watched this year with a good cast and a likable protagonist. 

7.  Deca-Dence 

Synopsis: In the fortress city of Deca-dence, the lowly Tanker girl, Natsume, dreams of becoming a Gear warrior following her father's death during a Gadoll attack. She is assigned to a maintenance team led by Kaburagi whom she discovers is more than he appears. Kaburagi has a secret role in eliminating "bugs", humans who threaten Solid Quake's operations. 

When Kaburagi discovers that Natsume is listed as dead in the company database, he decides to keep her under observation and offers to train her to fight.

Thoughts: Giant monsters and giant robots. What more do you need? Watch it. 

6. A Certain Scientific Railgun T

Synposis: The Daihasei Festival has begun, and that of course means that Tokiwadai Middle School—a prestigious all-girls' middle school—is competing too. Despite the participation of the "Ace of Tokiwadai," Mikoto Misaka, the other students who are participating are still putting their utmost effort into winning, no matter how impossible the feat may seem against her might. However, not all is fun and games. Due to the the festival, Academy City opens to the outside world, and various factions have begun plotting ways to infiltrate the city. Misaka appears to be on their radar, and as the festival proceeds, people lurking from the shadows begin to emerge...

Thoughts: Not really much to say here. It’s the third season of Railgun, but good thing here is that each season of Railgun is better than the last. Truly the best of the To Aru universe. 

5. BOFURI: I Don't Want to Get Hurt, so I'll Max Out My Defense.

Synposis: Urged on by her friend, Kaede Honjō begins playing the VRMMORPG NewWorld Online under the name Maple. Not wanting to get hurt, Maple opts to be a shield user with maxed out defense stats, and continues putting every status point she earns in the game into increasing only her defense level. 

As a result, she is left with slow foot speed and no magic, but her high defense allows her to endure most hits without taking any damage. This, along with her basic-level creative thinking, allows for her to make unexpected accomplishments in the game, its quests and events. By doing this, she ends up earning all kinds of equally unexpected skills and becomes one of the strongest players in the game. Thoughts: Bofuri is another OP power fantasy like Demon King Academy, but with the twist of being fused with CGDCT. The cast is extremely likable (especially Maple) and when Silver Link wants to they can make the battles REALLY dynamic. A nice comfortable watch, which was sorely needed in 2020. 

4. Sleepy Princess in the Demon Castle

Synposis: The story follows Princess Syalis, a young princess who was kidnapped by the demon king, and her quest to sleep well while imprisoned.

Thoughts: A simple premise for a not so simple story. Sleepy Princess for me was easily the best comedy of the year, with plenty of heart and action thrown in as well. I was wary of the series at first, thinking that the premise wouldnt be entertaining for more than a few episodes, but boy was I wrong. Each episode was funnier than the last and Doga Kobo pulled out all the stops to make it look as gorgeous as possible.  

3. Jujutsu Kaisen

Synopsis: Idly indulging in baseless paranormal activities with the Occult Club, high schooler Yuuji Itadori spends his days at either the clubroom or the hospital, where he visits his bedridden grandfather. However, this leisurely lifestyle soon takes a turn for the strange when he unknowingly encounters a cursed item. Triggering a chain of supernatural occurrences, Yuuji finds himself suddenly thrust into the world of Curses—dreadful beings formed from human malice and negativity—after swallowing the said item, revealed to be a finger belonging to the demon Sukuna Ryoumen, the "King of Curses." Yuuji experiences first-hand the threat these Curses pose to society as he discovers his own newfound powers. Introduced to the Tokyo Metropolitan Jujutsu Technical High School, he begins to walk down a path from which he cannot return—the path of a Jujutsu sorcerer.

Thoughts: Originally I wasn’t going to put this on the list, because the season doesnt conclude this year, but I decided to make an exception since the show started so strong. Many people were hyping this up as the next big shonen, and they were right. Mappa really went balls to the wall with this show and I’m pretty hype for what happens this cour. 

2. Akudama Drive

Synopsis: The bustling metropolis of Kansai, where cybernetic screens litter the neon landscape, may seem like a technological utopia at first glance. But in the dark alleys around the brightly-lit buildings, an unforgiving criminal underbelly still exists in the form of fugitives known as "Akudama." No stranger to these individuals, Kansai police begin the countdown to the public execution of an infamous Akudama "Cutthroat," guilty of killing 999 people. However, a mysterious message is sent to several elite Akudama, enlisting them to free Cutthroat for a substantial amount of money. An invisible hand seeks to gather these dangerous personas in one place, ensuring that the execution is well underway to becoming a full-blown bloodbath.  

Thoughts: Want to know what it would be like if Quentin Tarantino made an anime? Well here you go. An adrenaline filled rollercoaster ride from start to finish with a crazy cast of characters and even crazier visuals. There’s even a bit of social commentary in there if you squint. 

1. Oregairu Climax

Synopsis: Resolved to become a more independent person, Yukino Yukinoshita decides to smoothen things out with her parents, and the first step toward achieving that goal is to prove herself. As graduation draws closer for the third-year students, Iroha Isshiki—the president of the student council—requests a graduation prom in collaboration with the Volunteer Service Club. Yukino accepts this request of her own volition, hoping to use it as a chance to demonstrate her self-reliance, but what lies ahead of her may prove to be a hard hurdle to cross.

At the same time, a chance for the Volunteer Service Club members to better understand each other presents itself. And thus, Hachiman Hikigaya's hectic and bittersweet high school life begins to draw to a close.

Thoughts: The gif says it all really. I could just leave that there and end this list on a somewhat high note, but I’ll explain it. 

Now objectively, there were better shows than this one (off the top of my head JJK comes to mind) but when you combine all three seasons there is no contest in my mind that Oregairu had one of the most perfect endings to a series I have ever seen. 

It was an ending 7 years in the making. The first season in 2013 was good, the second season two years later was even better, but Climax was Oregairu at is absolute best and that goes beyond the story and characters. A lot of praise also has to go to Studio feel., who took over animation duties from Brain’s Base in season 2. While BB’s animation was much more accurate to the LN, feel’s more realistic designs fit the more mature direction the story was starting to go, giving the anime some of its best moments. 

Watching Hachiman, Yukino, and Yui grow and change from naive teenagers to somewhat understood young adults was amazing and sometimes heartbreaking to watch. Hachiman’s search to find something “genuine”, Yukino’s desire to be independent, and Yui struggling with her feelings of love and friendship all clash and compliment in very interesting ways that makes these three characters even more relatable than they were before. 

Lots of long running series don’t stick to landing, but in my eyes Oregairu stuck it perfectly. That’s why its my favorite anime of 2020.

Here’s to 2021. 

[renegadewangs]

Van Zieks - the Examination, Part 1

Warnings: SPOILERS for The Great Ace Attorney: Chronicles. Additional warning for racist sentiments uttered by fictional characters (and screencaps to show these sentiments).

Disclaimer: These posts are not meant to be taken as fact. Everything I'm outlining stems from my own views and experiences. I am a 30-something European woman, and therefore may not view the matter from certain angles. That said, I'm always open to more input from others. If you believe that I've missed or misinterpreted something, please let me know so I can edit the post accordingly. If we can make this a team effort, I would love that.

The purpose of these posts is an analysis, nothing more. Please do not come into these posts expecting me to either defend Barok van Zieks from haters, nor expecting me to encourage the hatred. I am of the firm belief that characters are no more than a tool created to serve a narrative purpose, therefore the question I'm posing is whether or not Barok van Zieks serves this purpose. That's all I'm doing here.

I'm using the Western release of The Great Ace Attorney Chronicles for these posts, but may refer to the original Japanese dialogue of Dai Gyakuten Saiban if needed to compare what's said. This also means I’m using the localized names and localized romanization of the names to stay consistent.

It doesn't matter one bit to me whether you like Barok van Zieks or dislike him. He's not real anyway, so he can't suffer from it. However, I will ask that everyone who comments refrains from attacking real, actual people. If you know you're morally in the right, there should be no need for insults to begin with. Let's keep this conversation civil and constructive! As the first post in a series, let’s first start by examining the expectations we would have for a character like this. The purpose he was meant to serve.

1: Expectations

As I said in a different Barok-related essay, the main prosecutor of any Ace Attorney game has been, and always will be, an antagonistic force. Not a villain, not even necessarily someone who exhibits immoral traits. (Hi Klavier!) Just someone who impedes the protag’s goal of getting a not-guilty verdict. In order to have an effective antagonist, they need to mirror the protag's weaknesses back at them. Ace Attorney does this quite well, as the prosecutors represent the obstacle/turmoil that the defense needs to overcome. Often times, the prosecutor is also tied to a pivotal moment in the attorney's past, making sure the strife is quite personal.

Considering the game's plot and settings, it would've been difficult for Barok to be tied to Ryunosuke's past. (He is tied to Asogi's past, funnily enough, but that's a matter I also addressed in that other Barok essay.) So instead, Barok represents Ryunosuke's struggle in more of a figurehead capacity. I've seen people dub him the 'CEO of Racism', and I'm not gonna lie, in a way that's correct. Barok was designed to be the mouthpiece of the harmful sentiments Japanese exchange students would have encountered in the 1900s. By extension, since Ryunosuke is an exchange student unfamiliar with the British courts (or even courts in general), the prosecutor would target the fact that Ryunosuke 'does not understand how things are done here'. Which he does- a lot. This makes it all the more satisfying when Ryunosuke proves him wrong by outsmarting him and using Britain's own laws (such as the closing argument) against him. So yes, you may hate Barok for uttering racist sentiments and dismissing Ryunosuke's abilities, but the ultimate goal here is that Barok's defeat is made sweeter as a result. The narrative end-game is Ryunosuke's triumph and validation in the courtroom.

Was there a different personal struggle Barok could have represented? Yes, but also no. Sure, his vendetta could have been strictly with the Asogi family and Ryunosuke could have admitted to carrying Asogi's resolve, not knowing what it meant. Though that would’ve implied very early that Asogi had a history of sorts in Britain and would’ve destroyed some of the surprise we experience in game 2. Alternatively, there was also the 'parallel' antagonist angle. The sort of villain who says the line “we're not so different, you and I.” The antagonist who shows what happens when someone with the same skills or motivations follows the wrong path, which emphasizes the right path for the protagonist. However, I can't see that working in the plot of this game.

A purposeful decision was made by the writers to have prejudice be a central theme of the plot. This is the matter that hits the hardest in an emotional sense. Therefore, having Barok be the centerpiece of this prejudice ensures he leaves the biggest narrative impact.

---

However, another long-running aspect of the AA prosecutor is the redemption arc, so let's turn our attention to that!

I'm not going to put too much effort into explaining this, I just want to talk about the requirements of a redemption arc. We all know these types of arcs, a lot of Ace Attorney prosecutors have them. We see them in fiction all over. Noteworthy examples of redemption arcs done well include Zuko from The Last Airbender, Michael from The Good Place... For argument's sake, let's toss Edgeworth in there too. I'm not saying Edgeworth's arc is done well, but at the very least it is accepted by most as something that served its intended purpose. I've never seen anyone question Edgeworth's transformation.

See, what we have here is a bit of a misnomer when it comes to what people expect to get out of these types of arcs. Redemption in itself is only 'deliverance from sin' or 'being saved from evil'. It's the thought that a horrible person can still see the error of their ways before it's 'too late'. However, when it comes to absorbing media, often a character gaining knowledge that they were in the wrong isn't enough to satisfy the audience. Would Edgeworth have had a satisfying redemption arc if he'd acknowledged his arrogance and dirty tactics, only to retire as a prosecutor? No way. We needed him to return in the following games to give us an update on his status. Standing in court as a defense attorney, at the risk of damaging his reputation, was the moment we knew he'd grown for the better.

What we require for the arc to come to a good conclusion is atonement. The character in question must not only apologize for their actions, but repent in a more active manner to show that they've changed their ways. Following that, the atonement must be acknowledged by others. So for example, Zuko joins the ATLA gang to help them in any way that he can until even the most skeptical of the group, Katara, acknowledges his transformation into a better person. Now add to this the notion that the character's atonement must be virtuous and sincere. The Good Place is a fascinating look into the debate of 'is it ever too late for a person to change?' and the moral complications of changing in the first place. If you're only doing good things because you want to be saved from damnation, are you being a good person or are you being selfish? There's such a thing as corrupt motivation; only doing good because it is expected. For example, does sponsoring a library make Magnus McGilded a good person? It does not, since he's only doing it to boost his own reputation and have people believe he's selfless.

As a final note, I want to ask: Does a redemption arc require a backstory to justify the character's immoral ways? Personally, I don't think that it does. It's good to have, since it allows an audience to empathize with the character and give them more of a reason to root for them. It turns the redemption arc into a tale about overcoming past trauma. However, it can backfire when done badly and lead to frustration. (I'm looking at you, live action Disney movies!) Some characters are evil just for the sake of being evil and even then, they can turn over a new leaf because they realize it is just so much more rewarding to be good. Just look at Michael from The Good Place.

What's more effective than a backstory, in my opinion, is smaller details to humanize a character. Humanization can also lead to empathy, perhaps even relatability, and helps us believe that they're capable of change. We need to be told that a character has their own fears, their own flaws, their own odd little habits which deviate from the norm... Again, I'll point to Michael from The Good Place for this. Another humanization tactic, which we see employed often in Ace Attorney, is to display a prosecutor's likes and hobbies outside the courtroom. Edgeworth's fanboying over the Steel Samurai, Blackquill's love for birds, Nahyuta's willingness to stand in line for hours to get his hands on a delicious burger... I've feel ya, Nahyuta. This tactic is more readily employed in Ace Attorney because it's difficult to place a prosecutor in a position of weakness before the final showdown. You can show them tending to hobbies during Investigation segments, but you can't show them waking up from a nightmare or wondering whether their father loves them. Well, not until case 5 of that game, anyway. By then, it's too late to serve as the sole humanization factor. Did Van Zieks need to be redeemed at all? The way I see it, the only correct answer is yes. What do we want to see in our world? Do we want people who hold racist prejudice to acknowledge their faults and become better, or do we want them to die clinging to their shitty moral compass? Do we want a world where everyone learns to get along, or do we want a world where people continue to be in the wrong and act like assholes until they inevitably get punished by law for something or another? Van Zieks needed to be redeemed in order to teach that valuable lesson that it’s never too late to be a good person and that it pays to be a good person.

So to summarize, what we needed from Barok van Zieks was the following:

1) Present an antagonistic (possibly immoral) force who personifies Ryunosuke's biggest personal obstacle/weakness, in this case racial prejudice. 2) Humanizing traits begin to show. OPTIONAL: A backstory to justify any immorality he has. 3) Over time, Barok has his realization and sees the error of his ways. 4) Barok atones for his immorality, not simply through apology but by taking decisive steps. 5) The cast around him acknowledges his efforts and forgives him.

This leaves us with the question: Does the game deliver on these points? Well, let's boot it up and find out! Stay tuned for The Adventure of the Runaway Room! (as a warning, it’s gonna be LONG)

[stevensavage]

Creative Lessons From He-Man (2021)

(This column is posted at www.StevenSavage.com and Steve's Tumblr.  Find out more at my newsletter.)

The original He-Man of the 80's was meant to sell toys, with occasional social messages shoved in to mollify parents. The latest reboot in 2021, the CGI He-Man and the Masters of the Universe, has its own lesson - how to do a reboot and create a good show.

Episode one opens with underclass magic-user Teela stealing a sword for failed coup-potters, the witch Evelyn and the engineer Kronis. When the sword talks to her, Teela flees to a village of refugees allied with a race of talking tigers. When her employers decide to murder everyone to take the sword, Teela and Kronis' apprentice Duncan turn on them. Fortunately, the sword turns an amnesiac young man named Adam into a powerful hero. With this new "He-Man" and Adam's headbutt-inclined friend Krass, they take on the attackers.

That's episode one. Within twenty-two packed minutes, it establishes two forms of magic, previous and current political problems, economic strife, and more. The rest of the series follows suit - while still having time for anime-style transformations and hijinks.

The show's first lesson is one of precision. There's not a wasted scene nor a wasted opportunity to tell a story or have a bit of characterization. The show isn't mechanical but is more akin to a musical composition that uses each instrument or beat to its fullest.

This precise composition allows for density. When the show moves at a good clip and dialogue is well chosen, a lot happens. Revelations and worldbuilding details come thick and fast. Characters have ups and downs, grand quests mix with tiny moments. The world feels alive.

Finally, this precision and density give room. There's time for glorious attack sequences and silly jokes. There's space for creating moods with the graphics. These additions bring the characters and world to life.

The show is a masterful example of how to do good storytelling.

However, a show is nothing without a world and characters. How do you work with an old property that was largely a marketing effort? How do you acknowledge the real emotional attachment developed that took He-Man farther? Also how do you make it something new and alive?

Simple. Treat the original as raw material.

The show's world is a complete rethinking of the original property, taking past creations and reorganizing, re-using, and re-creating. Characters may be re-envisioned, two concepts merged to form a third, and so on. The result is a deep world, but also one an old fan will recognize as sure as a rebuilt house reflects the old dwelling.

For example, let's talk Prince Adam, aka "He-Man" (though he's not thrilled with the given nickname). Gone is the Clark Kent take of a supposedly wimpy prince who becomes a hero. This Adam is an amnesiac in a tribe of refugees who has destiny dropped into his hands. He has to learn to use power, discover who he is, and find out why he becomes He-Man. The result is an exciting character journey that goes to not always pleasant places, but is also about good person trying to do good.

This is one character. Plenty of familiar characters appear (sometimes merged into one character) with their own stories and takes. Unbound by trying to keep it "the same," the show can create something rich and alive.

Here lies the next lesson of the show: don't be bound by the past, use it. Freed of trying to "do the 80's thing but not" the show soars on its own, unbounded by expectations. All its inspirations are obvious, but they're wings, not weights.

Finally, the show has the right voice talent - it's clear everyone is into their role. The ever-reliable Yuri Lowenthall is a great He-Man/Adam. Grey Griffin's Evelyn/Evil-Lynn is a joyfully villainous schemer. Last but in no way least, Benjamin Diskin's Keldor - later Skeletor - has a wonderful arc, descending from coup-plotting brother to complete maniac and madman.  

The final lesson is get the right people to bring about your vision.

There's a lot to learn from He-Man and the Masters of the Universe (the 2011 show). It's actually worth the time for authors and writers to pay attention to.

And that's before you get into the fact the show has lots of good things to say on friendship, power, and more . . . 

Steven Savage

www.StevenSavage.com

www.InformoTron.com

[unmaskedagain]

Rather be Me (than with You)

Hey everyone. This is a kind of angsty ONE-SHOT; not the usual humor and fun I usual go for. I decided to do something a bit different. I experimented with the idea of a story where Lila doesn’t get exposed. Marinette just moves on. Decides she deserves better.  This ISN’T a QUEEN MARI but Marinette does realize she’s a queen. 

This is Anti-Class but not Lila bashing. I didn’t not to got the normal LILA BASHING everyone usually does. Don’t get me wrong, Lila Bashing is my favorite tag in this fandom. But I wanted to do something different. Tell me what you think and if you like it.

It had been a long time since Marinette had cared about their snickering; cared that sometimes she ate alone. Marinette hadn’t given a rat’s ass about what anyone in her damn class thought. She had been done for a long time.

A year had passed since Lila created the hurricane that pretty much turned Marinette’s life upside. A year since Alya had been her best friend, since Adrien was her crush. Since Ladybug’s partner was Chat Noir, a year since she was anyone’s everyday Ladybug.

These days the other students in class ignored her, and she was fine with it. The minute Marinette stepped back and decide to say, “Fuck Them.” Lila had left her alone. The Italian girl still side-eyed her every now and then but was content to let Marinette be. One thing Lila did right was that she saw Marinette exactly as she should be seen; an unbeatable threat, and one hell of pain in the neck if she tried hard enough. For a while, Lila was sure the Marinette would expose her, that every lie she spun would come undone.

But then one day, just a few months after Lila had returned, Marinette came to school with a big grin on her face. Lila said one tall tales, and the other girl didn’t even blink. Lila still remembered that their eyes met and saw: nothing. No longer did righteous fury reside there. No hurt expression. Or tears. Just apathy, sheer indifference to everyone in class.

Lila didn’t smile that day. In fact, she found it hard to really smile for the rest of the week. Because though technically she had won, it didn’t feel like a victory. It was like the game the two girls played had resulted in a stalemate and Marinette decided the battle was over. Marinette lost all her friends. Lila had no choice but to keep up the lies, particularly, after her mother announced they wouldn’t be moving like they usually would after a few months. It took a lot of work. Lila could admit that if she had know Paris was permanent, she’d have been a little more honest.

So, in the end, neither girl won but neither girl lost.

Nevertheless, Lila was smart. She knew when to back off. And so she did. She learned quickly that if she kept Marinette’s name out of her mouth, she was golden. Lila also learned that Marinette wasn’t made at Lila. It was everyone else the Asian girl had a problem with.

Everyone else in class who quickly realized just what life was like without their everyday ladybug.

Gone was the random sweets from her parents’ bakery. Gone was the well planned birthday parties and class trips. Gone was the comforting shoulder. Gone was the friend who they could call no matter time of day or night if they needed someone to talk to. Gone was their biggest supporter. Gone was the always friendly face that promised to brighten the darkest day.

           The kids learned quickly, that if they were in trouble, they were on their own. Apart from Akuma attacks, that Ladybug still showed up for. Though Ladybug had taken to ignoring the students, particularly Alya. Even going as far as to say to the teen reporter, in front of other journalists, that she doesn’t talk to tabloids; too many rumors and lies.

           This had slowly but surly caused the downfall of the Ladyblog. Alya could no longer get the best scoop; no that went to Aurore who created an entire website with tips and advice and videos about and straight from Ladybug. The website fully endorsed by the hero. Alya had quickly decided that she just needed to talk to Ladybug to clear up whatever was caught the strife. It was then that Alya remembered that Marinette had gotten her that first interview, the interview that had launched the Ladyblog’s success. Marinette who she was no longer friends with.

           Marinette who had it clear that she didn’t care. She didn’t are that Alya’s beloved blog had spiraled into nothing. That Nino’s music career seemed to be at an all-time standstill. That Marc and Nathaniel’s comic and partnership had gone down in flames. (Mostly because Nathaniel had taken too much of Lila’s advice and changed too much of the comic to be recognizable.) Or that Ivan and Mylene had broken up. Juleka had gone back to never showing up in pictures. Rose was in tears that Prince Ali no longer wished to speak to her. Kitty Section had broken up. Chloe was a bigger bully than ever, though she too was smart enough to stay clear of Marinette. The list went on and on, getting worse and worse.

           Even the teachers realized just how much of a control presence that Marinette had. And just how lost their classrooms were without her.

           But still, Marinette didn’t care.

Marinette had been screwed over. Once. Twice. A dozen times. Her best friend, her sworn bestie, hadn’t been the loyal friend she promised she was; acted nice when was so not nice. Chat Noir, Adrien, had left her to fight alone so many times that Master Fu took back his Miraculous. Screwed over by her best friend. Twice. And then by all the other kids.

Still, no one could understand how the sweetest girl could go full Ice Queen.

They had been smart enough to get Luka and Kagami to ask Marinette at the school’s end of the year party. Adrien got Kagami to ask as Marinette had taken to ignoring him for a long time by then Juleka got Luka to promise to find out. Kagami and Luka had become her closest friends. And the fact that her classmates would use them to get information on her, just reminded Marinette just how done she was.

She was so done.

So after the two had asked. Instead of answering, Marinette texted Colton, her friend, and DJ of the party. Marinette needed to make something clear.

When the song, ended Marinette got on stage.

“Hey,” She said into the mic. Her hair was only a bit longer but the blue had been dyed out of it. Her skinny jeans were black and ripped and she had on a red halter top was lacy and elegant. “Someone of you might not know me. But I’ve done enough for this school and a lot the students, to know majority of you do.” Her tone was dry and her stare blank. “Over last year, I took a step back you could say from, well, bullshit.” There were laughs. Most of the students who knew of Marinette and had been affected by her kindness had reached out almost immediately when they realized something was wrong, something had changed.

           Marinette looked at the students, “I got screwed over by too many times to count.” She sighed. “Turns out, a lot there’s a lot of assholes in my class.” She said bluntly. “So how do I deal with it all. In fact, how do you deal with all the drama and bullies and liars and two-faced bitches in your life? I got some advice for you. Pay close attention because it worked great for me.” The music started and Marinette started to sing.

“Here's my secret strategy

It always works because

The world doesn't end

It just feels like it does”

           Marinette wasn’t the best singer but she was decent. The song wasn’t about high notes or theatrics. It was sung with grace and humor. A strong daria morgendorffer vibe.

So raise your right finger      Marinette raised her right hand flicked off the entire school and looked right at her classmates. There faces turned red and their eyes were wide.

And solemnly swear

"Whatever they say about me

I don't care!"

           The first few months had been hard. And full of mean looks were way and nasty remarks. Until they realized they needed her. They needed her charm. Her can-do attitude. Her to come back as class president. Her ideas. The free handmade clothes she designed.

I won't twist in knots to join your game

           Rose, surprising, had been the first to try to tempt her back. The other having enlisted the second sweetest girl in class to talk to Marinette. Rose had told Marinette that if she just admitted she was wrong Lila and apologize, they’d take her back. Marinette had told her to fuck off.

I will say, "you make me mad."

And if you treat me bad

I'll say "you're bad"

And if I eat alone from this moment on

That's just what I'll do

'Cause I'd rather be me, I'd rather be me

I'd rather be me than be with you

           Marinette had eaten alone for weeks until she made she found real friends in other classes, both upper and lower grades. That was when Marinette found out that she was well-liked by the majority of the school. And the majority of the school didn’t buy Lila’s lies.

We're supposed to all be ladies

And be nurturing and care

Is that really fair?

Boys get to fight, we have to share

           Marinette found new friends, made new plans, her schedule filled up again, and she was happy. That was when the rumors started. Alya and Alix, leading the charge, had taken upon themselves to tell Marinette new friends what a bully she was and the rest of the school as well. They got upset when no one believed them.

           They got even more upset when they realized Marinette didn’t care. At all. However, when Alix had taken it too far, he had decided to get physical and trip Marinette in the lunchroom….

Here's the way that turns out

We always understand

How to slap someone down

With our underhand

           Marinette got up, pulled her arm back, and knocked Alix’s lights out. “Don’t try that shit again,” Marinette had warned her ex-friends. “I have no problem kicking each and everyone one of your asses.”

She got a week’s detention but she smiled all the way through.

So here's my right finger Marinette flicked off the school again; waved it around so everyone could see it.

To how girls should behave

'Cause sometimes what's meant to break you

Makes you brave

So I will not act all innocent

I won't fake apologize

           From then on, it was everyone understood that a new Marinette walked the halls. One that didn’t care about being nice. How ladies should behave. She refused to apologize after a fight. And she never backed down from an agreement.

           Turns out losing all her friends didn’t break her. It made her braver. In a way Ladybug never managed to before then.

Let's just fight and then make up

Not tell these lies

Let's call our damage even

Clean the slate till it's like new

           Marinette never gave in; even when the ice out happened. All the kids in her class ignored her, they didn’t say a single word to her. Refused to pair with her. Didn’t even acknowledge her existence.

It's a new life for me

Where I'd rather be me

I'd rather be me

Than be with you

The once bluenette just laughed at their childish antics. She didn’t bat an eye as they wanted her too. She didn’t understand why they couldn’t fight like normal people. Or the very at least call the war done, the damage even on both sides, and then move on with clean slates.

I'll say, "NO!"

NO!

I'll say, "knock it off,

with your notes and your rules and your games."

           Marinette had just gone: NO. No. She wasn’t going to play their little games. Do anything to make it even remotely look like she card. It was over. She was done. It was all just a waiting game.

           Waiting for them to grow up and realize, it was game over. There was no magical way their friendship would ever be restored. They should move, let go. Find something better. Accept the loss and learned to live with it.

           Like she’d done with Lila. Marinette hadn’t been happy with the results of their chess game but she could live with it. Move on. Got a new life.

And those sycophants who follow you, Marinette turned her attention to the pretty Italian girl. If Lila ever came after her again… Or when her kingdom of lies fell, and there was no doubt it would. Marinette would be there to watch it burn.

I'll remember all their names, She sang to Lila who nodded having understood. Even she knew her time was running out. Though Lila wouldn’t just hand over her power willingly. No, Lila knew it would have to dragged away from her bloody hands before she let it go. Lila would fight. It was just the way she was.

           The one thing Marinette liked about the girl.

           Alya was getting desperately. Eventually, she’ll realize the answer to all her problems lay in the comments on her blog. All questioning why she was promoting such an obvious liar. And when she did… There would be hell to pay.

And when they drag you down

Like they inevitably do

I will not laugh along with them and

approve their palace coup, 'cause that's not me. She promised her once the greatest enemy. (Hawkmoth’s was Ladybug’s.) That caused Lila to smile.

           Because when the faux-faced kids turned their ire onto Lila. When they dragged her through the same torment they put Marinette though. At least the wannabe Volpina wouldn’t have to worry about the once Every Day ladybug.

           In fact, if Lila played her cards right, and she nearly always did. She’d find an alley to teach her. Teach her not to care. Teach her to be stronger. Teach her out to say “Fuck you” to the world.

           Because Marinette no longer cared enough to have any reason not to. Granted she could just say, “I. Don’t. Want. To.” Like she did frequently these days.

Janis. Janis. Janis. Janis

I don't need their good opinions

I have plenty of opinions

Everybody has opinions but it doesn't make them true

           Marinette didn’t care what her old friends thought. Or that they didn’t like her. Who cared? So what if they thought she was a bully? Or a jealous liar. Or a bad friend. Or the new Ice queen.

           She shrugged. She had a lot to say about them to.  And sure she bitched with Luka, Aurore, and Kagami but it wasn’t serious. It was just to vent. Because who cared?

What's true is being me

And I'd rather be me

I'd rather be me than be with you.

So raise them high 'cause playing nice and shy is insulting my IQ

           Marinette had no problem being a bitch if they pushed. She was no longer shy and sweet and far too nice for her own good. Because she had learned her lesson.

           And, Marinette thought, she learned it was so well that life rewarded. She was making clothes for Clara and Jagged. Worked with Chloe’s mom. She had an internship with Teen Vogue, in New York, that summer. Won several design contests. Got to see one of her designs on the red carpet worn by an up and coming actress that Jagged recommended her to.

           The actress said the brand was MDC, created by a kickass teenager name Marinette. That dress got the actress on the best-dressed list, and Marinette twenty more commissions by other almost, or kind of famous celebrities.

Yeah. Yeah. Yeah

I'd Rather Be Me

I'd Rather Be Me

So maybe I should thank you. Marinette adlibbed the line but sang it directly to Lila who smirked as she knew exactly what the other girl was referring to.

           While Marinette would never say it, Lila knew, she had done the girl a favor. Showed her who her real friends were. Or weren’t. And without them, without the niceness and overly caring nature she once had, Marinette had thrived; gone further than Lila ever imagined.

           Lila had only wanted them because she liked the attention. However, she knew they weren’t real friends. No matter what Alya said, they weren’t besties. Lila didn’t trust the glasses-wearing girl as far she could throw her.

Because now I know…

I'd Rather Be Me than be with you!

           Most of her classmates looked sad. A few looked angry. Lila just looked up at her used to be nemesis with admiration and a small smile.

           A brief look of wonder and hope flashed over her face and for a moment she of just saying “To hell with it.” Screaming her sins and go binge watch Grey’s anatomy. Take up dance class when summer was over and the new school year began. She always loved dancing.

           It was the only thing Lila knew was honestly good at; great at even.

           But that moment passed. Lila liked her power. Besides, there was a good chance she could make everyone think Alya was crazy or lying to convince to save her blog; that Lila wasn’t the liar.

           Lila smirked. She had all summer to slowly leave breadcrumbs that Alya was reading too much into the situation, was too desperate, didn’t know what she was talking about. By the time the summer ended, Lila could have all other students convinced the once future great journalist had just lost her edge. So much so that it was reason Ladybug dissed the Ladyblog.

           Alya wouldn’t be a challenge like Marinette had been. Not even close. Marinette had been the Sherlock to Lila’s Moriarty. (If Marinette had kept the game going, Lila would’ve too. Until it was a full-scale war. No prisoners. Just blood; both metaphorical blood and the real red stuff.)

Alya would be too easy. But it would still be fun. Even if Alya managed to pull a fast one, there was no way their little friendships would survive what they did to Marinette. Not all the blame could be put on Lila, no matter how much they tried.

And when Marinette didn’t come back after the truth was revealed and they begged and apologized for never believing her; for not trusting her. Blame would shift. Especially if Lila changed classes like she knew Marinette had to be at least considering.

I'd Rather Be Me

           Because, Marinette would never be their friend again. They were just pawns in the game of life. And Marinette realized that while pawns could become queens. They never went back to being pawns again.

I'd Rather Be Me

I'd Rather Be Me than be with you!

Marinette was doing just fine. She wasn’t their friend. She didn’t like them.

And most importantly, Marinette didn’t care.

[holyguardian]

sends in reiivusu's url, they're such a nerrrrrdddd-- ôwô

MEME → Send me a url and I'll answer the following;;

Opinion on;

Character in general: [adjusts glasses] Whomst? I mean... I blinked and I think I missed him, was he the one dancing around in FFVII Remake??? I don't think he got a lot of screen time so I'm not certain why people would want to roleplay someone like that because clearly he's gotten all the development he needs and his character and motivations make complete sense and aren't easily confused because the story doesn't force the player to pick up every piece of information.

How they play them: Skit picked up this beast back in 2016 when he was still in his mullet phase and I think she deserves an award for picking him up at his most questionable time. For real though, I have enjoyed every scrap that she has shared with me about Ravus and the deep-dives of what makes him who he is. She worded it perfectly for me, actually, 'Aerith has a fierce and pretty husband'.

The writer: FERAL. Moving on.

Do I:

RP with them: Um. [quietly nudges my years of roleplaying with Skit across multiple platforms that were Tumblr, Skype, Kik, Line and Discord under a fucking rug]. What?

Want to RP with them: YES. Sobs into my hands nodding. So fucking bad, like you wouldn't believe. This girl has my IRL for real mobile number and everything, she could send me a text message telling me we're roleplaying this way now and I'd 'oh damn looks like we're roleplaying this way now'.

What is my;

Overall Opinion: Cut to me ugly crying and snotting everywhere with my arms opened to Skit for a hug. But Skit is on the ceiling fan like a goblin demanding that the ride is cranked to max. I wouldn't know where to GOD DAMNED START. Alright, I first stepped onto Tumblr testing out Cloud Strife specifically for Crisis Core because I had an interest in those characters. Though I only chose him because I thought he was the popular choice and clearly you choose characters that way. I made connections and decided I wasn't entirely happy and created a Genesis Rhapsodos sideblog because HE was the character I really wanted to roleplay. Then some serious butterfly effect shit led to this 5+ year friendship because a mutual of ours suggested let's all get on Skype together. Through that Skit and I discovered we lived in the same country, in the same state, yet lived so far apart we never would have met in any other way. I'm AWKWARD meeting new people and this was highly stressful for me until Skit was introduced and ever since we have stuck like glue and talked to one another every. single. day. So. Skit is the reason @firxga exists on his own blog. Skit is the reason I trialed Aerith sometime back in 2016, kept her between just us, and wrote an amazing journey between her and Ravus that spanned over Line for so long that my finger breaks a bit trying to read back through the sheer amount of content on my phone, then shifted over to Discord where honestly it isn't much better because the search results don't go all the way back anymore. Then it was all Skit who convinced me to move my girl from our private roleplays onto this blog here. Now look. All of you get this gremlin because of her and if I hadn't made that shitty sideblog way back when and been brave enough to take someone up on their offer to meet an Angeal writer on Skype NONE OF THIS WOULD HAVE HAPPENED. I would have been long gone from this website. That's strictly talking about writing too, Skit is hands down my best friend in the world and I don't know what I'd do without her. I have traveled overseas and lost contact for long periods and it genuinely stressed me out not being able to reach her because not having access to talking with my bestie feels unnatural. So uh. Skit's alright I guess. <3

[flowerslightning]

(Part 2) Cloud Strife and his Mental Illness

a.k.a Psychiatric Disorder

| 1. Memory | ⇦ Click if u havent read it yet

2. Hallucinations, Illusions and Delusions

Since these three things relate well with Cloud's troubled memories, I'll be talking about them first before jumping to his Confused Personality

This post will bore u a bit or maybe a lot 😂 it depends. If ure interested with psychiatric stuff, u'll find this enjoyable as much as i do

Disclaimer : I'm 21 and still a tiny meany student. During my intern at Psychiatric Department, I learned and witnessed psychiatric problems from real life patients. And since Cloud (my fav FF character) has psychiatric issues, I'll be sharing some of my knowledge and interpretation of Cloud's character. Im not diagnosing him, rather i'm giving my own opinion about his status

@nibelheiim created a post about dissociation, she explained about hallucination, PTSD and more. Come and check her out! Her words were more direct and easier to understand. She explained about Psychological matter and she's a real psychology student too!

While my explanation will be more focusing on Psychiatric Topic and words used will be more complicated (with grammar errors). My facts will be based on ICD 10 and DSM-IV

A lot of people were confused with these three terms - Hallucination Illusion Delusion - These terms associated with abnormalities of perception. It is important to understand that this abnormality holds two keys; ● 1. Perception is the process of becoming aware of what is presented through the sense organs. ● 2. Imagery is an experience originating within the mind that usually lacks the sense of reality that is part of perception.

Abnormalities of perceptions have 4 theme, but I'll be focusing on two major types that relate with Cloud: (i) Hallucinations ; (ii) Illusions. Some cases, perception can be normal in intensity and quality but has a changed meaning for the person who experiences it - it is called as Delusional Perception. It is not an abnormal of perceptions, rather it is a disorder of a person's thinking.

Try guessing, how many from these terms does Cloud has?

1. Hallucinations

- A perception experienced in the absence of external stimulus to the corresponding sense organ. Eg - patient hears a voice when no one is speaking within a hearing distance or patient sees something approaching him when visually no one is there. There are 2 qualities to determine a hallucination: ●it is experienced as a true perception●it seems to come from outside of the head●

The above gif, where Sephiroth suddenly appear again before Cloud's eyes even able to touch Aerith's shoulder, it illustrate perfectly the 'Visual Hallucination'. No one can see Sephiroth, other than Cloud himself.

Cloud [Remake] kinda had anxiety when he stared at the fire and later he saw Sephiroth surrounded with flames, then poof, that silver guy disappeared along with the images of fire. He said he was hallucinating stuff after the first bombing mission. Idk how Sephiroth could create fake images of fire around him, either Cloud was really hallucinating or it was really Sephiroth that came to see him. But, this is what we call as 'Visual and Auditory Hallucinations'. Cloud SAW Sephiroth and HEARD him talking when no one else did. I can also add in 'Tactile Hallucination' because he probably felt the burning sensation on his skin from the flame around him that caused him to feel hot and sweating, or probably it was his anxiety that caused him sweating upon meeting Sephiroth with the flashback of his burning hometown

Hallucinations can occur in all sensory modalities; visual, olfactory, auditory etc. In the Remake, the Whispers could only be seen by certain people. To those who couldnt see it, they would be puzzled what was happening to u, and would've thought that u were hallucinating something, like in the case of Aerith.

In Cloud's case, perhaps Cloud [In OG] had auditory hallucination due to his severe case of Mako Addiction. But then, that wasnt exactly a hallucination though, cuz the thing he said "'Coming.. They're coming" was actually true. A monster fell from the sky.

Other 'hallucinations' that Cloud had was the images of Sephiroth that appeared in certain headache. Cloud may claimed it was his hallucinations, but i've read it somewhere that says it was really Sephiroth appeared before his eyes. Sephiroth was messing with Cloud's mind, trying to break his mental in order to control him. However, IF IT WASNT SEPHIROTH that came, Cloud's 'hallucination' would be known as a mental disorder that may lead to severe case - eg Schizophrenia.

2. Illusions

An illusion is a misperception of an external stimulus. It often occur in several circumstances: (i)level of sensory stimulation reduced (ii)attention is not focused on the sensory modality (iii)level of consciousness reduced (iv)being in a state of intense emotion- fear.

Does Cloud has it? Urm, maybe? Well, it can be proven when he saw his 'noisy neighbour next door' as Sephiroth. As stated above, illusions occur in 4 conditions, and Cloud was in number (i) and (iv). When Tifa yelled him to stop, Cloud came back to reality and got really confused when the 'Sephiroth' that attacked him was actually a sick guy. We can also add in 'Hallucinations of Deep sensation' in this scenario bcause Cloud experienced the feelings of being pushed down by 'Sephiroth'.

However, we all know that 'Sephiroth' was real at that moment. For Cloud, he thought it was an illusion, but for us the audience, it was a real thing.

If u want a better explanation and example, try watching Joker the movie. The main theme of the movie was 'mental illness'. There are lots of scenes that shows different type of hallucinations, illusions and also personality disorder.

3. Delusions

a.k.a fixed false belief. A belief that is held firmly despite evidence contrary. A delusion is nearly always a false belief but not always so. There are around 11 types of delusions according to the book. Half of it may suggest Shcizophrenia. Schizophrenia is certainly not in Cloud's case. I've studied one by one the type of delusions and none of them match with Cloud FF7.

I will surely give anyone a good punch in the face if they dare to say Cloud suffers from Schizophrenia. I've met with bunch of patients having it, and the way they see this world is totally different from us.

In some other cases, eg a spiritualist convince a person to believe in his spiritualism and he present with contrary evidence to the non-believer. This non-delusional belief is called 'overvalued ideas'

Overvalued ideas is an isolated , preoccupying and strongly held belief that dominates a person's life and may affect his action. One of the easiest example i can come up with; a friend who had skin cancer may be convinced to her roomate that cancer is contagious, and her roomate suspects any abnormal skin conditions she has is an evidence to show she too, may have developed the same cancer, when the truth is, she's just completely fine.

It is very hard to distinguish between a delusion and overvalued ideas.

I had a patient, he was diagnosed with Schizophrenia. He looked like an ordinary man, but when he talked, it sounded so unreal. He said he had jumped off from 10th floor several times and didnt get a scratch from it. He believed he wont die bcause he had gained super power. He even convinced me to try his 'so-called-secret technique- on how to survive a jump. By doing that often, I will have a superpower like him - a strong physical body. Up until now, I still dont know if he was being deluded with his thought or he was overvalued his idea, bcause from his psychiatric record, he did try to jump off from the second floor of his apartment's balcony a few times.

So, Im not really sure of myself did Cloud [FF7] really had delusion or not. Well, he believed he made it to SOLDIER bcause he had mako eyes. But was it something we called as delusion or was he just overvaluing his idea? He didnt know the truth and his memory messed up. No one could explain to him why he had Mako eyes, except Prof Hojo and Zack who knew the truth

Besides, after Tifa helped with his memory, Cloud accepted the fact he wasnt in SOLDIER. For patient who deluded with their own thoughts, they hardly could believe what people told him.

However, surely Cloud [in AC] had delusions of guilt and worthlessness due to the fact that he believed he had done something shameful and sinful - the main trigger of this theme was, he got infected with Geostigma while he was searching a cure for Denzel. Cloud got depressed with the loss of Aerith and the memory of Zack death had returned, but I think he was recovering very well in that two years time skip. The moment he got Geostigma, he became deluded he was worthless and his depression kicked in again.

Hallucinations and Illusions are normal to be experienced by healthy people, but it wont be if u encounter too many hallucinations & illusions in 2 weeks time. Believe it or not, a lot of people around us are actually mentally ill bcause some of them may have excessive certain delusions, such as delusions of jealousy, grandiose delusions, nihilistic, paranoid etc. Although 'it is consider as normal' in a few circumstance, a few cases need to refer to psychologist and in severer cases, must refer to psychiatrist. If u follow Dr Phil's show, u'll see a bunch of patients have different kind of crazy delusions.

Overall from my statement above, I would conclude that since Sephiroth always appear before Cloud's eyes, this resulting Cloud to think he has both Hallucination and Illusion, when in fact, he's just a normal guy with amnesia and personality confusion. Cloud doesnt have Delusion like how many fans said, neither he has an overvalued idea, even with the evidence of Mako eyes supporting his reasoning + he's a great fighter. I will have to say that perhaps it is his brain defence mechanism that tricks his mind to believe he is a Soldier.

If only Sephiroth stop disturbing Cloud's life, it will be a lot faster to fix Cloud. Tifa alone will be the main strength to get Cloud back to normal. Ah, but this is the beauty of the game. Life wont be exciting without the presence of a beautiful villain and a love triangle (Tifa-Cloud-Sephiroth). Lol Technically I see them trying to fight for Cloud's mental health. Tifa wants to help Cloud with his mental status while Sephiroth is trying to destroy it. Lolololol

My crack theory : Sephiroth says he's going to take Cloud's most precious thing, and he ends up choosing to kill Aerith, but ofc there's another reason why Aerith got killed. But if Sephiroth kills Tifa first, I think he can take over Cloud's mind faster, because then, no one will be holding Cloud back. Honestly no one can ever will, not even Aerith. So does that mean Sephiroth doesnt know about Cloud's deepest secret or is Cloud just good at hiding his weakness?

I WILL UPDATE THE NEXT POST LATER because I've reached tumblr limit images agaiiin. The next part will be focusing about his personality - Personality Disorder

If there is any part that I've mistaken, pls correct me. I'm sorry for my english. English is not my native language, so there are plenty of grammar errors.

[alastanor]

To start, I would like to thank @cis-het-angel-kinnie for bringing this video to my attention, even if it was to praise the video rather than to point out it's flawed arguments against Charlie for main character.

If you have not seen the video yet, I recommend giving it a watch prior to reading this or you may be confused.

Click to read more...

What Is A Protagonist?

I am not bringing up this question because I think the source used was incorrect. However, the statement that "protagonists ask questions and antagonists make arguments" is an oversimplification of both roles. And I am going to explain why.

The trope of protagonist vs antagonist is an age old theme which has been used countless times throughout storytelling's history in books, plays, films, and story-driven video games. As such, the definition of both roles has continued to flourish and evolve over time. It is no longer good vs evil.

While @diregentleman used books written by, I assume, published writers for his argument, I am going to use Creative Writing and Literary Experts from a Masterclass article.

In the article, a protagonist is described as this:

"In storytelling, a protagonist is the main character or principal character or group of characters in a story."

More than one character is capable of being an antagonist in this story. Given that demons are meant to be redeemed, fitting the theme of the story, it is fair to surmise that all (or the majority of) the demons surrounding Charlie are protagonists in some form.

The article goes on to state that the protagonist's goals reflect the overall story goals and the plot moves forward based on their decisions.

This being said, Charlie's overall goal reflects the premise of the story, that being that Hazbin Hotel is a story about redemption. This is a goal that Angel Dust does not have.

In DireGentleman's video, he claims Angel Dust joined the Happy Hotel with the intention of being redeemed, albeit skeptical whether it could actually be done. This is actually inaccurate, and we see this in both the pilot and the comic.

Angel does display skepticism straight from the gate, but when they explain their reason for approaching him (that no one else has agreed), he makes this face:

Does that really look like someone who believes redemption may be possible? But for further establishment of just how little Angel believes redemption is possible, Angel also laughs them off and calls their goal "lame."

The only reason Angel agrees to Charlie and Vaggie's proposition is because it is a rent free place to stay. He admits as much just a bit further into the comic. By the end, Angel says "Redemption, it's silly. Huh, Nuggs."

The tone we are led to believe he uses is one of contemplation and relief. Relief due likely to the fact that there is some light at the end of the tunnel to the shit situation he was in.

This is just comic evidence, of course. If we go to the pilot, when Angel is engaging in the turf war with Cherri Bomb, he explains that he is using Charlie and Vaggie for free rent. Further exemplified when he later asks if participating in the turf war meant he didn't have a free room anymore. But also in his conversation with Cherri, he also admits that he is still taking some drugs behind Charlie and Vaggie's back. Something that we see immediately toward the opening of the pilot when Angel buys a bag of Angel Dust.

Character Dynamic

I cannot emphasize this enough, the Hunicast is NOT a good exemplifier for character dynamics. Every single "character interaction" is based on fanon, not canon, and they are prompted by the fans themselves. Only Viv really knows exactly how Angel and Alastor would canonically interact. It is no better a source for character dynamic than the wiki is for accurate information. IE, some things may hold true, but the majority of it is not and it is better just to wait until it is confirmed canon.

Moving on...

There is a lot of focus on Valentino as a main antagonist, based entirely too much on the hope that Angel will be the main protagonist. And this is really just disingenuous when you consider there are two other implied Overlords, as well as several other sources of strife within the world of Hazbin Hotel.

An Antagonist is someone working against the protagonist to prevent them from achieving their goal. Alastor would not meet this criteria, as he is a self-professed observer and conflict creator. But he is not a main antagonist. Someone working against the goal of redemption could be anyone from the Overlords (which, far as we know, would include Valentino), Lucifer, or even Heaven itself.

Where antagonists come into play, quoting Masterlist once again, I think these two types of antagonists were overlooked:

A conflict-creator. An antagonist doesn’t have to be a “bad guy.” Sometimes, they’re just a character whose goals are in direct conflict with the protagonist’s, like Mr. Darcy in Jane Austen’s Pride and Prejudice or Javert working to arrest Valjean in Victor Hugo’s Les Miserables.

The protagonist themselves. The main source of conflict in a story can be from within the protagonist themselves—their shortcomings or insecurities are keeping them from reaching their goal. A prime example of this is Holden Caulfield in J.D. Salinger’s The Catcher in the Rye. While Holden comes into conflict with many characters in the novel, the ever-present antagonizing conflict comes from his own obsessions and insecurities.

Now, why did I bring up these two types? Well! I'm glad you asked! You see, where conflict-creator comes into play would line up more with Alastor. He isn't really the bad guy, but he does create some friction where his goals meet with Charlie's. He is a professed observer, but it is strongly believed that there is something else, another goal, that he has omitted.

As for the Protagonist themselves, this lines up pretty strongly where Charlie is concerned. You could argue that it does for Angel too, but Angel's goal, as mentioned before, is not Redemption. That goal is Charlie's, and hers alone. Yet it is her naivety, inexperience, and insecurities surrounding her failures as a princess that are holding her back from achieving her goal. Going by this, not only do we have multiple protagonists, but we also have multiple antagonists.

"So far, no one else's past is wrought with tension like Angel Dust's."

Even if this wasn't a sweeping, dismissive statement made with limited information, it would still be incorrect. Why? Because each and every character in Hazbin Hotel is going to have their own story to tell. Stories that will each be as relatable and wrought with tension, the only reason we know Angel so extensively is because Viv put the most work into him. She has admitted that Alastor and Angel were characters she wrote based on past dealings and experiences she had. Let those implications sink in a bit.

Now, to further this, people don't need to empathize with a character to like them. They can sympathize as well, even if they personally cannot relate to the emotions the character is feeling.

And where Angel is concerned, he is not addicted to drugs. Angel has used drugs to escape the pain of his trauma. His response in the pilot to having his drugs stolen from him is not one of a typical addict. Which leads us to believe the drugs are simply a coping mechanism more than they are an addiction.

Real Audience for Hazbin is 12 to 16

I would really fucking hope you are joking. I'm gonna go out on a limb here and guess that this was said by someone who isn't a parent. While yes, kids will be sneaky and watch or play things they're not supposed to, a show with drug use/abuse, rape, sex, physical/mental/emotional abuse, and suicide is as much for them as Rick and Morty.

Further, it is not just these themes that make the show for adults. It is the format of the storytelling. Yes, you can complain about what you consider issues with the pilot. But at the end of the day, it did it's job. It established the story premise, introduced important characters (Fat Nuggets does not fall in that category, calm down), gave a basic understanding of their relationships to each other, and get the audience interested in continuing the series. Considering the views for the pilot and the resulting disproportionate growth of the fandom, I would say it did that in spades.

Hazbin Hotel is not Steven Universe. I cannot say this enough times, and the reason I cannot is because I cannot tell you how many times I have come into contact with the underage side of the fandom griping about lack of lore, griping about lack of production information, and overall being exceedingly impatient. At the risk of sounding like an old miser, the underage side of the fandom has never had to wait for additions to a series. Like waiting for Homestuck updates, or the new release of a Harry Potter novel. They have had a steady schedule of content, along with shows that give exposition dumps "in the first 3 minutes."

So don't look at Hazbin Hotel through the lens of kids' show fandoms. It has so much more to offer than that.

Alastor vs Valentino

No, this is not about whether Alastor could beat up Valentino. In the video, DireGentleman pulled a huge pet peeve of mine and lumped Valentino and Alastor together, labeling them both "monsters." Which is opening a huge can of worms for me. So, I will give a brief summary of why that is wrong, and provide a link to one of my other posts for deeper diving.

So, there is a reason why Valentino is more hated than Alastor is. Lumping them together is a mistake.

Valentino is a pimp that abuses and manipulates his victims through intimidation and (implied through) some kind of addiction to the red smoke (whether that is real or symbolism is yet unknown). He takes who and what he wants, be damned the consequences or who gets hurt. He is incredibly self-serving, with no consideration for anyone else. He uses people like pawns, and when those pawns refuse to do what he wants, what does he do? He forces them to do it anyway.

By comparison, while Alastor may use his people like pawns, he also has more consideration for them and doesn't abuse them (far as we can tell). The evidence to support this is the attitude of those serving under Valentino vs those under Alastor. Niffty and Husk both seem to not have a problem with Alastor, and where Husk is concerned it seems that his attitude toward Alastor is their typical banter. But definitely nothing that displays abuse. In fact, when Husker is hesitant or even refusing to do as Alastor asks, Alastor doesn't force Husker. He offers payment in the form of something Husker genuinely likes.

Now, while some might argue this is also manipulating through addiction, one could look at it this way. However, Alastor didn't make Husker an alcoholic. That was Husker's vice to begin with, Alastor simply has no intention of fixing it. After all, Alastor has said he doesn't think anything can change a sinner.

For further explanation and delving into Alastor, click here.

Parents don't 'get' Charlie = Disney Princess

Once again, we fall upon the slippery slope of disinformed statements. While the joke was made that the princess of hell expresses herself best through song, parent issues do not equate to being something that is relatable primarily or only to kids and teens. It's kind of offensive that there is a sort or implication in this statement that adults don't have issues like insecurities surrounding their own failures, or parent issues like what Charlie has or worse. And once again, we fall into the empathize vs sympathize realm and I once again will say that the audience does not need to empathize with the protagonist to make them a good protagonist.

Charlie is a failed princess, her people don't respect her and didn't even prior to her hotel announcement. Yes, she is sheltered and naive. Likely due to how little she was able or allowed to interact with sinners. After all, her ex-boyfriend was from another hellborn family. One that, from what we can surmise, interacts rather frequently with the Magne family.

And it is because of this naivety and inexperience that her method to redeem sinners will not work.

In the video, DireGentleman states that we can pretty much assume that Charlie's redemption methods will work. But her methods, as we see in her song, is to inject demons with meds and take away/burn their vices. She is seeking immediate resolutions to problems that require therapy and a long process that should be making sinners want to change. All Charlie is currently accomplishing is earning the ire and scrutiny of her people. This is why I previously mentioned that Charlie is both protagonist and antagonist, as she is getting in her own way to accomplishing the goal of redemption. And this is where we find that Charlie meets the "starts out being wrong" requirement mentioned in the video as well as "admiring a character for trying."

Charlie is also in a perfect position to be the tour guide for us, the audience, as we observe the metamorphosis of every demon who needs to be redeemed. She is, once again, surrounded by those who need to be redeemed which means we will witness every character arc. This includes Angel, who does not need to be the central focus for us to witness his story.

Finally...

It was stated, or at least implied, that Hazbin Hotel's pilot is no longer relevant. This is a statement that pretty much leaves me puzzled. The only way it would be irrelevant is if Hazbin went in a completely different direction, and we have no reason to believe it will. Vivziepop is still creative director for Hazbin Hotel, and A24 is notorious for giving creators their creative freedom. What A24 is doing is animating, making VA regulations, and ensuring there is an air tight lid kept on the project. Especially given it's popularity in such a short amount of time.

Contrary to what DireGentleman said, Hazbin Hotel will definitely live up to it's hype. Being picked up by A24 will not compromise the show simply because it's not in the same realm of indie production that Helluva Boss is. And it's a bit unfair to Vivziepop to imply as much.

In Conclusion...

Please do a bit more digging in regards to not only the show, but everything surrounding it. Don't lump fanon and canon together and expect them to be equal sources, and please do not claim an obviously adult-audience show is more fit for children and teens.

And lastly, please do more digging to better understand media and storytelling. Reading books is great, but what you were using as the foundation for your arguments were far too simplified and vague,, given the complexity of the protagonist and antagonist roles. Overall, the video just came across as one huge helping of Angel Dust bias with a side of strong dislike for Charlie.

[homestuck-kinstuff]

hi!! if its not too much trouble could i have a tarot reading for my roxy lalonde timeline?? tysm >.

Hello Roxy,

It's always lovely to see your name in our inbox. Thank you for reaching out to us, I'd be more than happy to do a reading for you. I have your full reading below the cut:

Beginning

The Hierophant, Reversed:

The Hierophant is all about the tried and true. Rules, structure, tradition, that is what is important, what is valued. Reversed as he is, he encourages the opposite.

Early in your life, you likely felt very restricted, very tied down. You may have felt bound by other people's expectations of you. Feeling suffocated in this way, you likely acted out, felt empowered to diverge from what was considered the norm.

At such a young age, this restriction, this wall of smothering tradition very likely came from a parental figure in your life. In the absence of an oppressive parental figure, an oppressive government is another likely outcome.

Middle

5 of Wands, Upright:

This card speaks of a great battle or conflict between rivals, and there is a struggle for dominance on all sides. However, this card also implies that no real harm is meant, and that this is more a show of power than a true threat.

It's likely you dealt with a lot of unnecessary conflict. It's likely you were an equal participant in this unnecessary conflict.

It's possible there was a series of semi-serious, semi-joking plays in a long game of "one-upmanship."

It's also possible there was just a lot of hot-headed debate or strife that often almost got out of hand: where neither party ever intends to hurt the other, but just show off an aspect of themselves.

This was likely a very chaotic or perhaps frustrating part of your life.

Towards the End

7 of Wands, Upright:

This card represents the ways a battle can continue even after it has seemingly been won. After securing victory and a higher position, there are still those who wish to wrench away your laurels.

You had just celebrated a great victory. But, whether you knew it or not, there were people who were upset by this, perhaps by you, who wanted nothing more than to take this victory for you.

Whether you knew it or not, these were uncertain times.

Challenges

Knight of Cups, Upright:

The Knight of Cups is very in touch with their emotions and intuition, but, moreso, know how to use those feelings as a vehicle for action, for change. They also tend to be romantic people. 💜

It's possible you had a hard time managing your emotions. You were in tune with them, certainly. But you couldn't quite grasp how to use them to your advantage. You may have found yourself often overwhelmed in them, or making impulsive decisions driven by a strong emotion.

It's also possible this card represents a person in your life, with those initial qualities. They would have generally made things difficult for you, or challenged you at every turn.

How You Faced Them

The World, Upright:

Absolute unity, perfection and accomplishment, drawing from inner and outer sources. You've found harmony in your inner and outer worlds. After completing an era of your life, and reaching a level of enlightenment, it is a time for celebration.

For a personal challenge, this card indicates you were able to strike a balance. You were able to find peace with yourself and your emotions. You were able to learn how to harness them, how to hear them and make them useful, without smothering or destroying them.

For a challenging person, this card would indicate you were able to find harmony with them. Whether they remained in your life or had found reason to leave, the era of struggle with them had most certainly ended.

You

The Devil, Upright:

Representative of all the fears, insecurities, and obsessions that hold us back from our true potential, The Devil is hardly ever a welcome sight.

It's possible you had an overly anxious personality. The littlest things would eat at you, keep you up at night, gnawing at your fingertips.

It's possible you had an addictive personality, that it was easy for you to become overly dependent on people, things, substances.

Intuition implies that it's likely you had an obsessive personality. You couldn't love or hate in parts, you let each beast consume you. Every waking thought would shake and feel and swing from one extreme to the other, and you'd agonize over the tiniest details of the object of your obsessions. Things that did not relate often fell by the wayside.

The End

5 of Cups, Reversed:

The 5 of Cups speaks of the sadness of loss, of grief. Reversed as it is, it describes the process of healing, moving on, of finding hope in the future.

It's likely you died feeling that rare sense of completion that eludes so many on their death bed. You had healed, or at least met with and understood your traumas and your pain. The future looked promising, even if you wouldn't be there to do the work, to see it. You likely found yourself feeling strangely okay with that.

Advice

4 of Pentacles, Upright:

The 4 of Pentacles speaks of a vast wealth you've accumulated, but also implies that you are likely being overprotective of it. It warns against developing a miserly attitude.

It's easy to get overprotective, especially after witnessing great conflict and hardship, but it is no good for you to focus on all the pain and possibilities of the thing leaving. You should be enjoying the thing itself. Otherwise, what use is it to you?

It's okay to let down your guard, Roxy. Relax.

3 of Pentacles, Upright:

The 3 of Pentacles depicts a vastly varying group of people with a myriad of skills joining together to work towards a greater cause. This teamwork is creating something new, and progress is swift.

You might be wary to try to reach out, to meet and work with new people. Especially after a tumultuous past with your own friends. You might be wary of the effort of making new friends.

But this card is a sign that it would be a good thing for you. You can reach out. You can throw your lot into new spaces. It may feel risky, but your thoughts will be heard, and great things will be born as a result.

3 of Cups, Reversed:

The 3 of Cups usually depicts a lively gathering of friends. Reversed as it is, it implies that you've been without a support group and thusly, the benefits that comes with one.

Whether they wouldn't let you in, or you wouldn't reach out, the people in your life lately have not been involved in and supportive of you.

It's okay to ask for help, Roxy. The world will not punish you for it.

Thank you for taking the time to read through all that with me. I know I'm quite wordy. 👾

As always, you would know your timeline better than I. These are your memories, not mine. If something doesn't feel right, it likely isn't.

If any part of this reading doesn't strike a chord with you, I'd heartily recommend looking into the meaning of the card in question yourself. Tarot cards have many meanings, and another interpretation may make more sense to you. 💜

Kind Regards,

🌹Mod Rose🌹

[midoriyasbones]

so i drew for the first time in a while, just a head, but it turned out pretty well considering i’m not an artist. 

she’s a rwby oc, her name is vibrancy, and did i choose her name just so her nickname could be vibes? p e r h a p s. anyways, her character is inspired by akali from the k/da popstars video. i just really enjoy her color scheme, so i kind of stole that. another character that i used as a reference was ashnikko, the rapper. her stage personality that’s just bright colors and electro vibes. that’s kind of what i wanted to go for. vibrancy is also inspired by graffiti too. in fact, her abilities are focused around paint and colors. 

i’ll spare y’all who don’t care and put the rest under the cut. if you do read, please drop some feedback!

she’s really colorful in my head, i wish i could do her justice. she’s got silvery hair that glows in uv light. it’s constantly flecked with paint and the tips are just stained with neon colors at this point. in a casual setting she wears a dark jacket/hoodie over a white shirt with a neon sort of graphic design. then, pain splattered jean shorts, and similarly stained sneakers. i think she’d probably wear overalls at home maybe, but always long sleeved shirts/a jacket that she can roll up and down. the mask is really only used in battle and when doing art so she doesn’t breathe in fumes, and i might add goggles too, like the laboratory goggles. 

god i wish i could actually draw because i have so many more ideas for her outfit and design over all. 

her semblance is called ‘life drawing’ and basically what she draws comes to life. she can manipulate these drawings in various ways. they can take may forms, but are most commonly animals. her favorite thing to draw is a dragon as she can get really creative with them. her drawings can’t exactly replicate the forms they take. though they can move and deal damage (through directly attacking the aura), they can’t speak and if anyone but vibes tries to communicate with them, they won’t understand. they can’t impact the surrounding environment or do anything supernatural even if vibrancy draws them with that power. so no breathing fire or anything like that. 

the drawings’ durability, strength, and other properties are tied to how they are drawn. to maximize her ability, she uses a special kind of ink that fuses with her aura. this also means she has limits to how much she can use. if she knows she’ll be needing something big, she can draw it before heading out on the mission and activate it later. she keeps them on scrolls. she also has stampers of her most commonly used designs. the downside of stamping is that they can’t be as large and they aren’t as durable or powerful. usually, her drawings can take up to 4 blows if well put together (though if slashed they ‘bleed out’ quickly’), but stamps can only take one hit, two tops. 

vibrancy can also use her blood to create her drawings. her blood actually creates the most powerful results, but she can’t just use her blood all the time. it’s a sort of emergency thing. she can get quite a lot out of just a few drops, but it’s not sustainable. likewise, she can also draw with her saliva and tears, but they are not nearly as reliable. 

when she doesn’t use her semblance, she fights in various paint themed ways. she has spray ‘paint’ infused with dust. she just sprays it on and just has to activate it like anyone else. great for explosions. she also has smoke bombs that create thick, dense clouds she conceal herself in. they can also be filled with dust if they need to be. her arsenal includes a paint gun too. it’s not technically a paint gun, though it can be used as one (and often is). the bullets, real or pigment, are always colorful. 

paint is a pretty versatile medium, so i feel like this gives me a lot of options to play with when it comes to what she can do. i kind of want to incorporate painter’s tape into it? but i don’t know how yet. also, i imagine that staying undercover can be a challenge for her as she probably leaves every fight scene an absolute disaster. god same though. 

for her personality, she’s pretty spunky and high energy, but i wouldn’t call her a hot head. she can stay pretty level headed in stressful situations. when insulted, she tries to just let it bounce off her even if she can’t come up with a good comeback to counter the remark. by acting unaffected she hopes to make the other guy look foolish. overall, she just tries to keep her cool.

that’s not to say she can’t get passionate. she’s pretty strong headed and defiant at times. she doesn’t mind following people’s directions if there is a clear goal and a solid reason to do so, but she won’t just blindly listen to anyone. if she doesn’t see a reason to go along with someone, she won’t. she can be a firebrand in that way. a rebel with a cause. when she is causing mayhem and uproar though, she causes a LOT of it. she gets loud, and nothing is off limits.

vibrancy is a control freak, plain and simple. she’s fine with creating physical mess with paint and being disorganized in general, but the minute something in her life falls out of place, she’s prone to anxiety and depression. in desperation to fix things, she often makes it worse. these moments are when her mask of calm slip to reveal a girl who’s actually terrified of how the world sees her. she feels doomed to be unsuccessful because she isn’t like the long line of traditional artists in her family. it manifests most prominently in her interpersonal relationships causing a lot of strife. 

songs for vibrancy: 

pop/stars (k/da), 

trantrum (ashnikko)

flutter (virtual riot)

we came to smash (martin solveig)

i won’t let you walk away (mako)

firebird (galantis)

beat of my drum (POWERS)

don’t worry (madcon)

[wickedsrest-rp-archive]

Name: Norma Lee (Xmucane) Species: Fury (Valkyrie) Occupation: Waitress at Bottomless Booty  Age: 1095 Years Old Played By: Liz Face Claim: Tessa Thompson

“Hello, I’m Norma Lee. Your very human server. Please hold all questions until I finish my prompt.”

There wasn't much that Xmucane remembered of her human life. It had been so long ago. But she would never forget the first time she saw the priest rip the still beating heart from a man's chest. Or the time she was there to assist. It turned out that the head priest was more than just a mere man appointed by the gods. He was much closer to a god than any mortal. And he offered Xmucane a piece of that immortality. He told her that he'd seen her out in the crowd during rituals and knew how she reveled in the chaos and turmoil, knew that she'd be perfect as an agent of the gods, bringing that same chaos to the masses and using it as fuel to show her true devotion. 

For decades, she dedicated herself to honoring the gods with her gifts. She brought unrest and strife wherever she went, just as she was sure they wanted. Time went by, centuries passed and her belief in the gods of old faded along with the world's memory of them, but her penchant for devastation never waned. She traveled all around the world, inspiring beautiful chaos with her wherever she went. Feeding off of wars and conflict was easy. It was a nice break from the hard work of making unrest all by herself. 

Small towns, though, that was the real treat. Turning neighbors against one another, whispering in their ears and watching them turn on one another and the beautiful mess that resulted, there was nothing like it. Creating witch hunts was one of her specialties. And it was centuries before she even encountered a real witch, too. 

It wasn't until very late in her immortality that she properly spent time with other supernatural creatures that weren't just her mentor. And once her world was widened, it changed everything. She made plenty of friends and colleagues along the way. Unfortunately, she also made some enemies. One day she found a new town and before she could start one nasty rumor, there were bounty hunters chasing her down. That was fine, she moved on to another, there was no shortage of small towns in midwestern America. But it happened again. And again. Sometimes it really was a burden being so skilled at her job. It was hard to say which greater demon she dated that was the problem, but if she had to guess, she'd say it was the big snake one. He was always so clingy. 

It became harder and harder for Xmucane to find a place to hide. She thought her small towns would be perfectly safe, who wanted to be in those poor sad places, anyway? She was wrong. Every place she went, as soon as she used an ounce of power, bounty hunters followed. And they seemed very dedicated to their cause. Shaking them off was hard, but she’d been at this a long time. It would take a lot more than that to kill her.

Xmucane was desperate. How could she protect herself and still feed off chaos and strife? Then it hit her. Hide in plain sight. She moved herself to the single most supernaturally rich town she could find and become a completely normal human. No one would ever suspect that Norma Lee was once a servant to the Maya gods of old, agent of chaos and devastation. She was just a normal girl in a normal town, after all. 

Character Facts:

Personality: Hard-working, literal, determined, short-tempered, eager, intense, blunt, selfish

Norma was born in Ancient Mexico in the Maya civilization as Xmucane

She is very newly "human." Her past century or so was spent mostly with other supernaturals and demons. Her idea of current pop culture is mostly from the 50's and 60's. That's recent, right?

She tries very hard not to use her powers actively and just feeds off of incidental chaos. She fears that if she does use her powers, whatever tracking her ex has on her will bring him straight to her. She has no proof this is true but better safe than sorry.

Norma is VERY enthusiastic about her job at Bottomless Booty. If she's not the best waitress you've ever had, she will ask you why you didn't tip more and what she could do to improve next time. No, you cannot leave until you answer her survey.

She is very eager to prove that she can befriend humans. That is the sure sign of not being at all supernatural even a little bit. 

Norma is a big fan of sports but thinks there’s not nearly enough blood sacrifice involved anymore.

[beautyandthewarcanons]

New Theory: What is the truth about Virgo Island's history? Are the four main characters from the Vi clan metaphors of the Four Horsemen of the Apocalypse?

Hello everyone! I have been doing a lot of brainstorming, so be prepared for a lot of reading. Are you ready? Let's begin! To do this, I'm going to look into the story's origins a bit more. Remember, all of these characters and Beauty and the War belong to @poisonappletales !

In the game, while in prison, Ambrosia gives X a history lesson of the island. Here, we learn that primary conflicts began with two things… the Phoenix being attacked by the Trold, as well as the center territory of the island being in pursuit by the Hulder, the Trold, and the Valkyrie in an effort for conquest. Now, let me interject for just a moment. Another theory I have is that before the war, the Phoenix were the ruling clan. Why do I think this? The Phoenix follow a set of principles in favor of peace and harmony. They are healers, not warriors. They do not condone violence and conquest. In the midst of the struggle between the three clans I mentioned vying for the central territory, perhaps the Trold began attacking and killing the Phoenix out of retaliation, or in an effort to advance their conquest to become the ruling clan. Now, notice that we only have the Hulder, the Trold and the Valkyrie fighting for that land. I already stated why the Phoenix would not pursue this course of action- but what about the other clans? The Cucuy clan also does not seem the type to fight for rule, as their primary concern is the well-being of the animals and nature of the island. The Imugi, though a vicious clan, doesn’t seem to be the type to be power-hungry either. Finally, we have the Vi. Why did they not seek rule before the war?

Because the Vi clan is not native to the island. Um, WHAT?

As the Phoenix are being attacked, it’s possible that they attempted to appeal to the other clans for help, and for one reason or another, the Phoenix did not receive the help they needed. Desperate to save their people, without breaking their condemnation of violence most likely, they were forced to seek aid from beyond the borders of the island. In my theory, this is where the Vi come in.

This is very important. We have a foreign clan coming to the aid of the Phoenix, the ruling clan of the island. It is here that the Vi make a deal that will change the island forever. In exchange for their aid, and making an oath to always serve and protect the Phoenix, they are given co-leadership of the island- being the Vi clan, perhaps they rename the island to what we know as Virgo Island. (It makes me wonder if this has anything to do with the typical tradition surrounding names on the island.) Before they can ascend however, they had a war to win first. Now, the manner in which the Vi triumphed can’t exactly be determined because there is still so little known about the clan as a whole- this fact alone could support that they are non-natives. The player knows very little about them because the natives know very little about them. However, based on certain factors, we can prove a few things that gave the Vi more of an advantage in the battles.

First, for whatever reason, it seems to have been established that the Vi first pursued the Cucuy clan to help them. They may have refused because again, the Cucuy don’t seem the type to engage in destructive activity. This may be what causes a major problem for the Vi down the line, another theory that I will expand upon later.

Now, the Hulder, Trold, and Valkyrie put up a good fight- but a problem which may have further contributed to the Vi’s victory is that, because of the animosity lingering between one another, these clans did not fight as a united front, but separately. This could be a metaphor to the division among peoples and countries in the real world vying for power. Had they fought as a collective, it’s possible that they could have vanquished against the Vi. Again, because we know very little about them, we can’t determine this for sure.

Let’s discuss the scene where Ambrosia is hunted by “wolves.” Now, it is theorized, that these wolves are from the Hulder clan- it is the scene where Arsenik slays them in disguise, and waits with Ambrosia in hiding until the break of morning when it is safe. So, let’s break this down. Why would the Hulder break into the Phoenix village in the middle of the war? My theory is that they blame the Phoenix for calling the Vi to the island and engaging them in war. Attacking Ambrosia was an act of retaliation. If this is so, then why did Arsenik not only refuse to participate, but possibly slayed members of his own clan to save her? Perhaps it’s because he loved her, or he had an ulterior motive. Maybe, he simply did not condone what his clan was doing and decided to be the hero. He could have known beforehand what they were planning, and made his own to thwart them. In addition, how did Arsenik get away with killing his own clan members? Wouldn’t he be executed, or at least excommunicated from his clan? Remember- Ambrosia specifically states that Arsenik was a “Huntsman in disguise.” All his witnesses were most likely slaughtered, and then he was most likely unseen by anyone else as he was in hiding for the remainder of the night. If Arsenik truly did kill members of his own clan to save Ambrosia, then this makes him all the more heroic here. After all, the motto of the game is “men have gone to war for a woman.”

Another event I wanted to speak of briefly is the moment in the game where Ambrosia remembers Chase saying “I’m sorry” to her. In context, perhaps he was “sorry” for being a Trold. Although he could also be alluding to the fact that he is often regarded as less attractive or desirable than other suitors in the game, or it could relate to the fact that it was his clan that began the attacks against the Phoenix, resulting in the chain of events which followed.

It’s possible that Chase feels torn between his feelings for Ambrosia and loyalty to his clan. Depending on how he feels he is treated by Ambrosia, he may lean one way or the other. The second to last scene of act one, which depicts Onyx’s official introduction as he slays several high ranking members of the Trold, could be a pivotal moment for Chase. He already feels resentment for what has happened to his clan- if his relationship with Ambrosia is on the rocks at this point, some unfavorable results may present themselves in later acts.

Now, let’s move on to the last scene of act one- it is here that the confrontation with Thunder plays out. There are a lot of questions surrounding this clan, as well as what is implied will happen to them in the epilogue. If the Imugi weren’t interested in conquest as theorized earlier, and weren’t involved with the main battles of the war, then why did they presumably engage in battle after the fact? If you notice, the wave of Imugi patients come after the Phoenix have already been healing patients from the Hulder, Trold, and Valkyrie clans. This was something that made me think for a long time… and now, I may have an answer. Let’s take the Imugi and the Cucuy clans in perspective to start. The Imugi possess “animal blood in their veins.” The Cucuy can communicate with and have deep respect for animals and nature. With that said, it may be possible that these clans have quietly established an alliance over time. With the events that transpired during the war playing out, it’s possible that the Imugi planned a retaliation effort against the Vi for their slaughter of the Cucuy. This could be the reason why they waited for the dust to settle from the battle with the other clans, to attack the Vi as they are recovering from their victory. However, the Imugi were also defeated, and survivors are then brought to the Phoenix to be treated. This could be why Thunder attempts to attack Ambrosia- same as the wolf attack, they feel the Phoenix are to blame for all the death and defeat the clans have faced. Though Ambrosia knew Thunder personally, it’s possible he didn’t even remember her. All he saw… was red.

If you watch closely in the epilogue, it also may be implied that the Imugi suffer a worse punishment than the Hulder, Trold and Valkyrie clans. From the Vi’s perspective, the Imugi’s motives may seem more malicious than their prior adversaries. In the epilogue, it is implied that the Imugi are forced to become slaves for the Vi, a possible punishment for their attack.

With all this said... I have laid the foundation for the Horsemen theory.

First, what are the Four Horsemen of the Apocalypse? They are Biblical figures recorded in the Bible said to be punishments from God. Now, most consider an apocalypse to be the end of the world, but that's not necessarily the case. One of the official definitions state that an apocalypse could be a disastrous event- not necessarily a be all, end all event, or a "prophetic revelation." So, how does this tie into the Vi clan, or the world of Beauty and the War?

In the passage Revelation 6, it is said that God possesses a book containing seven seals. How many clans do we know of so far on Virgo Island? Seven. Of these, four of these seals are summomed to create the Horsemen to "patrol the Earth."

Think about it- in the Bible, the Horsemen were summoned to smite the evil and strife of Earth, to bring things to order. I believe the Phoenix, the "divine," summoned the Vi to do just that. This indeed leads to a "disastrous event-" the war that destroys members of all clans. Though Wildfire's testimonies in War: 13th Day are always to be taken with a grain of salt, she describes the Vi as a mysteriously powerful clan. She witnessed one, for example, with "six arms." This makes this clan even more terrifying, as they are not consistent or carbon copies in their powers and abilities. The strength of one could be the weakness of another. This could be one of the reasons they are so difficult to defeat.

Honing back in on the four Horsemen specifically, however, I can see some strong correlations to some of the main characters hailing from the Vi clan- from what little we know of them, at least.

Let's look at the first one. "And I saw when the Lamb opened one of the seals, and I heard, as it were the noise of thunder, one of the four beasts saying, 'Come and see.'

And I saw, and behold a white horse: and he that sat on him had a bow; and a crown was given unto him: and he went forth conquering, and to conquer."

At first, this sounds much like Barium. After all, he is the King of Virgo Island, right? However, there is another who possesses a "crown-" his brother Alexandrite, the Prince.

Why do I say this? The White horse, in some interpretations, represents pestilence. We know very little of the Prince's nature- is he a vampire, which could be why he never goes out or reveals himself? The one picture we have record of does show him having "white skin." This could attribute to why all his wives seem to die mysteriously- another unpleasant fact we know of him. Most testimony of him by other characters seem to express that he is ruthless, cunning, and "ice cold-" like snow, perhaps? I'll let you think on that a bit.

For the second seal, the Bible says this; "When He broke the second seal, I heard the second living creature saying, 'Come.' And another, a red horse, went out; and to him who sat on it, it was granted to take peace from Earth, and that men would slay one another; and a great sword was given to him."

With this, I thought of Barium, and not just because of his undeniably crimson complexion. The Red Horse is often interpreted to represent war, one of the central concepts of the game and that which Barium leads his clan head first into. Because of the decisions he ultimately made, Barium could say he has blood on his hands, literally and figuratively. In his case specifically, his "great sword" could also denote a sexual connotation in reference to his harem.

For the time being, I'm going to skip the third seal and talk about the fourth first. This is what the passage says about this seal; "When the Lamb broke the fourth seal, I heard the voice of the fourth living creature saying, 'Come.' I looked, and behold, an ashen horse; and he who sat on it had the name Death; and Hades was following with him. Authority was given to them over a fourth of the earth, to kill with sword and with famine and with pestilence and by the wild beasts of the earth."

I think it's pretty obvious who this passage relates most to.

Onyx is the executioner of Virgo Island, responsible for carrying out the death sentences either deemed by the Crown or for those who dare threaten them. For this reason, he is also not well-liked among Virgo Islanders, often feared. The reason I covered this seal first was because of the obvious connection to this character- we don't know much about him either, except that if there was a version of the Bible of Virgo Island and we flipped to the page of this passage, Onyx's signature helmeted head would surely be there.

Now, let's discuss the least obvious conmection of the four characters. The passage for the third seal reads as follows; "When He broke the third seal, I heard the third living creature saying, 'Come.' I looked, and behold, a black horse; and he who sat on it had a pair of scales in his hand. And I heard something like a voice in the center of the four living creatures saying, "A quart of wheat for a denarius, and three quarts of barley for a denarius; but do not damage the oil and the wine."

Okay. This is pretty confusing. Obviously, by process of elimination, the only main character of the Vi left is Night. Again, we don't know a whole lot about him, except that he seems to be a bad boy heartbreaker who thinks everything is interesting. However, I have reason to believe there is more to him than what meets the eye, and I will discuss my reasons for believing so in a bit.

Let's break this passage down. The Black horse is typically interpreted to represent famine. The "scales" are referring to the kind that were weighted, like the scales held by Justice. A denarius is a type of currency used in ancient Rome. This seal is the only one to have accompanied narration, referring to the fact that the proposed famine would affect the price of grain crops, but not olive and grape vines used to make oil and wine; this was because grain crops were more susceptible to the effects of famine.

So, what does any of this have to do with Night?

Again, we don't know the fine details about what transpired during the war- specifically, the distinct role each character played. What we do know, is that for some reason, Ambrosia not only doesn't like Night, she seems to downright hate him. Yes, Ambrosia, the sweet little Phoenix that doesn't seem like she has a drop of bad blood in her body. She doesn't even hate Unknown, who practically considers sexual assault as a typical social interaction, and Onyx, who kills people for a living- something that goes against the deepest rooted principles of her clan.

Perhaps, because in some respects, there are some sins worse than murder. At least, in Ambrosia's eyes.

When interpreting this passage further, it has been interpreted that the narration of the grained crops versus the oil and wine could lead to potential financial manipulation of certain crops over others, raising prices, causing economic toil over the simple folk and funnelling wealth to those in higher positions.

For Night, it is implied that he oversees the captured Imugi working for the Vi as slaves in later acts. The deterioration of the Imugi's quality of life could align with a famine in a philisophical sense- until we know more about Night's true role, I can only speculate his relation to the Black horse.

So, what do you think? Do you agree with my theories? Let me know! If you read to this point, kudos to you! This was a pretty long one.

[homespork-review]

Homespork Act 3: Insane Mindscrew Haymakers (Part 3)

FAILURE ARTIST: We cut to PM, WV, and AR in the far but not that far future. WV is trying to obey the letter’s direction to give the package to PM but AR keeps shooting. Yet WV and PM take cover behind a rock and WV is able to complete the task. The letter calls PM “Miss Mail Lady” so we now have a gender.

Back to Dream Jade. She flies to another golden tower and peers in on John sleeping. This bedroom is also defaced like his one in the waking world, plus there’s a creepy harlequin doll next to him. She isn’t sure if he got her present or if she even sent it, so she decides she’ll ask later.

CHEL: Dream John is fitfully asleep, but Jade intends to let him wake up on his own. Here, it’s established that Dream Jade does not know everything waking Jade does, as she decides she needs a system to remind her of things, which in the waking world she has (remember the COLORFUL REMINDERS).

The moon on which the city is now revealed to be placed is moving close to Skaia, the gargantuan sphere of cloudy blue sky mentioned by Nannasprite as the crucible of creation. Apparently it’s not safe to be outside during the “eclipse”, so Jade heads back to her tower.

FAILURE ARTIST: We cut to John alchemizing a bunch of stuff, some useful and some never to appear again. One of these things is a Cosbytop computer and that hasn’t aged well. John feels like it’s both his birthday and Christmas and though he thinks that’s impossible these pages came out a few days before Christmas. This fourth wall wink and nod comes up during another alchemizing frenzy.

CHEL: He contemplates a “1980s time-lapse montage” but instead we have to sit through him alchemising everything item by item.

GET ON WITH IT!: 12

Though he does come up with some useful stuff, including a rather snappy suit. By combining his glasses with the PDA he gets hands-free internet, and the sledgehammer, telescope, and Sassacre book together create the TELESCOPIC SASSACRUSHER, an extremely powerful weapon which unfortunately he can’t lift. Nannasprite’s ectoplasm and the gushers make healing candies, and ectoplasm, the fake arms, and the PDA solve the giant hammer problem by making REMOTE GHOST GAUNTLETS. One of the funnier items is a steam-iron-hammer he calls the WRINKLEFUCKER.

Dave, meanwhile, is STILL strifing with Bro, who apparently doesn’t notice or doesn’t care about the fact that the city is being flattened by meteors around them. Not doing a good job of showing “yes, this fight should be taken seriously”.

TIER: Neither does Dave for that matter, fucks given remains at a cool absolute zero on this roof.

GET ON WITH IT!: 13 HURRY UP AND DO NOTHING: 6

CHEL: At least it’s captioned FINAL ROUND now. Surrounded by watching crows, Dave hurls himself at Bro, and their collision results in the snapping of Dave’s sword, the bisection of Lil Cal (hooray!) and, somehow, the splitting of the picture of the record on Dave’s T-shirt; not cutting the cloth, turning the picture of a whole record into one of a broken record, which it will remain for the rest of its time in the story. Lots of analysis has been done by fans about how this represents Bro’s abuse shattering Dave’s true inner self, but in the context, it just looks like even sillier cartoon physics than we already had, if one even notices it (in the rush of visuals it’s easy to miss the first time round). It probably doesn’t help that Bro never actually says anything (nor do either of the other living adults), so we don’t really know what his thoughts on the matter are.

ARE YOU TRYING TO BE FUNNY?: 12

Dave goes flying, rolling and skidding across the roof, landing in a rather battered-looking heap but with no serious harm done, and Bro chucks the game discs at him and… flies off on a hoverboard which I guess he has? Yet again, not adding to a serious tone here. Are hoverboards normal in this universe? Like the sylladexes, it was never established. Dave messages John, matter-of-factly telling him “bro just kicked my ass”. It’s still unclear how literal John thinks this ass-kicking is.

BRIGHT: This is apparently a universe in which some form of combat with one’s guardian is apparently routine, so John might well be thinking of Dave’s strifes with Bro as just a more intense version of a normal practice. On the other hand, by that same token, there’s nothing at this stage to say it isn’t just a more intense version of a normal practice. In fact, both John’s and Dave’s reactions suggest this is the case.

The problem really comes later on. If Dave’s situation is going to be taken seriously, then so should everyone else’s. Right now, although there are suggestions that all is not well, the tone of the text takes none of these situations seriously. It keeps everyone on a more even footing.

CHEL: Back on the golden moon, the eclipse is happening; during same, the moon and Jade’s tower thereupon, which are chained to the planet, swing right inside Skaia, surrounding it with clouds. On the surface of the clouds, we see images of events which happened earlier, including John’s house in the Medium, Rose’s house aflame, the tree in the desert, and the meteors falling on Dave’s city. This, we gather, is from where Jade obtains her mysterious information!

Dream Jade types messages to John, while the Dreambot types them out on a keyboard in the real world so he can actually get them. We proceed to see the same conversation about the package and SBurb we saw when Jade was first introduced, but this time I think a recap of it is actually pretty useful, especially the reference to the explosion. What happens is a little hard to parse, but as far as I can make out, a cloud shows a vision of a meteor emerging from a space portal, and the meteor actually emerges from the vision, becoming a cloud in the process. Said cloud-meteor then passes into a vision of Jade’s island when the volcano was still active and strikes down as the real meteor did in that time period. Jade, in her tower, hears it; I guess this is why it’s not safe to go outside during the eclipse?

In the volcano vision, we pull into a close-up shot of the lava-filled crater beneath the volcano, and a very familiar featureless canine head starts to emerge from it. Creepy.

Jade leaves the tower to check, and finds a vision of the lava with a blossom-like lit-up spirograph emerging from it, but when she tries to look, vision-Bec blocks her view of it, as the real Bec flies back and forth in front of the Dreambot. She messages John again, saying Bec doesn’t want her to go near the meteor crash site.

In John’s dream tower, the bed is empty; Dream John is now hovering outside it, eyes firmly shut. Jade sees him and drifts toward him, while John’s eyes slowly open. (This bit fuelled a fair amount of shipping at the time.) We see again the shaped clouds and the slowly approaching silhouette of Jade, revealing this to be the time when John fell asleep earlier, and at the exact same moment, real Jade and real John awake.

Again, we have a repeated conversation, this one being the one where Jade implores John to wake up. Now we know what she meant! Again, I think recapping this is reasonable, but maybe it could have been trimmed down so we just got the important points? That should have been done with all the repeat convos, really.

TIER: Personally speaking the little blurbs of repeated conversation shown during the flash would've gotten the point across without having to completely rehash the conversations.

With Jade awake properly, we get another convo rehash (now with proper context from both sides). Jade then consults her COLORFUL REMINDERS, as the visions of past and future events visible in the clouds as she sleeps can get very confusing very fast and the things help her put everything into usable info! With is fitting because dreams are trippy and easily forgotten. Jade notes two things: that this time there wasn't that much of future being shown, and that this is the first time that her dog guardian Bec has shown up a dream.

Bec has apparently never let Jade wander into the weird temple that is such a strange landmark of her island, but with the overpowered pooch taking a nap at the feet of his master's corpse, this is a good a time as any to try and pull one over him!

As Jade zip lines towards the temple and Rose continues construction on John's house, we cut back to Dave in the aftermath of the strife.

Dave is slightly saddened by poor Cal's “unfortunate” bisection (personally I was hollering because fuck that thing Jesus). His strife kind has also been turned into a ½ bladekind, courtesy of Bro fucking up his shit blade. Fucking rude man.

BRIGHT: Fighting with half a sword never seems to hinder Dave, but it still seems a silly thing to do when Bro quite possibly knew Dave was headed into heavy combat. It’s funny at the time though!

FAILURE ARTIST: When I first read Homestuck, I was sad Bro didn’t seem to care about Lil Cal, but with later revelations...would be better if that puppet never existed.

TIER: Dave attempts to grab the beta that he worked so hard for, but wouldn't ya know it his dang inventory is all filled up. Mostly with useless crap, as Dave admits as well. After a quick setup change for his modus, Dave finally has the beta! Congrats!!

CHEL: *looks pointedly at GET ON WITH IT count*

TIER: While Dave attempts to pester her, Rose has finished building up John's house, which marks the end of how much more she can help John as his server player. There's not much else to do for her till Dave shows up. She's also nearly done with John's gift, that'll show him that Rose is the God King of, and I am quoting right now “facetious sentimental gestures”. That's a peculiar and slightly worrying sentiment to have. What an adorably wordy yet cheeky little goth.

With that, we jump back a few months into the past, when it was Rose's 13th birthday. She's opening a package from John (signed under his old handle ghostyTrickster) containing the gift of knitting stuff (yarn and knitting needles) and a very dorky yet endearing letter from the blue boy. What a goof.

Rose is then pestered by one of the trollslum inhabitants, this one by the name of grimAuxiliatrix! They type Like This, And I Think It's Very Neat. Also quite verbose this one. Like personally I kinda need to carefully read and reread their words to get what the fuck they're trying to get to. In this case, it's politely bitching about humans while weird time related fuckery gets explicitly name dropped. Mainly the weird situation that is the trolls being/not being from the future. It's as confusing as it sounds.

CHEL: I think here’s the first indication that the trolls aren’t just other humans. Meanwhile, notice that one of the names in the Trollslum is “centaursTesticle”. Lovely. That character will, as the handle suggests, be the source of a LOT of CALL CPA PLEASE points. But anyway.

GA: No We Arent From "The Future" GA: But We Are All Already In Agreement That You Dont Get It And Never Will TT: I thought you said we spoke in the future. GA: We Did GA: Your Future GA: For Me It Was Only A Couple Minutes Ago TT: I understand. TT: You exist in some temporal stratum through which you have communication access to various points of my timeline. TT: It's not that complicated.

TIER: While that confusing thing keeps happening, we jump on over to a younger Dave, whole record shirt and dumb not-Kamina anime glasses wearing. He too is opening a birthday gift, which consists of his iconic aviators and a letter as well. The letter is just as endearing as the one John sent to Rose. Might just be my bias talking concerning how much John is undoubtedly and unchallenged my favorite character overall.

CHEL: I think so too, but I’m still giving him a point for him telling Dave his “gay butt stinks”, even though he is a twelve-year-old boy - it never gets called out or presented as bad that the kids say -ism-based insults until near the end, and that part has its own problems which we’ll get to then. The rest of it’s cute though.

CLOCKWORK PROBLEMATYKKS: 11

I’d like to bring up another webcomic which is known for its incredibly offensive humour; R. K. Milholland’s Something Positive. Specifically, I’d like to contrast the offensive humour of it with the offensive humour of Homestuck. In S*P, the point of the offensive humour is that the characters saying or doing the offensive thing are horrible people who should not be emulated, and even they disapprove strongly of homophobic/racist insults. Here is one of the tamer examples, from 2003 (so later comics have no excuse). Please note the character saying all this is both very drunk and very frustrated by having read a lot of terrible writing at the time, and his decision to do this comes back to bite him later.

In contrast, the point of Homestuck’s offensive jokes seems to be that either offensive things are inherently funny or the writer doesn’t realise why they’re offensive.

John tells Dave he thinks he needs to get out of his brother’s shadow, showing no concern for Dave’s actual wellbeing; more evidence that either they don’t know about the strifes or don’t care. The gift John has given is the glasses worn by Ben Stiller, which John suggests could replace Dave’s current anime shades. John worries that they’re “sort of a shitty present”, which again makes me wonder about the Egberts’ financial status - we weren’t able to find an actual figure for them but those things would cost thousands, so what the hell makes him call them “shitty”? How much did Hussie think movie memorabilia cost? Name of the count aside, we’re using it for when their economic statuses are weird in general, so here we go again:

WHITE SBURB POSTMODERNISM: 8

TIER: Dave too is dealing with a trollslum inhabitant, this one by the name of adiosToreador. It's around here that the trolls typing starts to get head tilt worthy. As Dave so eloquently puts it, toreador types like a tool. I mean, lOOK AT THIS, lOOK ME IN THE EYES, aND TELL ME THIS AIN'T RIDICULOUS.

CHEL: AT opens by telling Dave he’s awful, and Dave responds with frustration at having to deal with the trolls yet again. He complains that he’s “wasting good material on you guys” and that there’s no substance to their trolling; he also mentions one of them thinking he was a girl, which I think is the original source of the fandom’s popular female-to-male transgender Dave headcanon.

FAILURE ARTIST: I think it’s just that Dave is a popular character.

CHEL: I don’t know, it started well before the fandom started getting really enthusiastic about assigning identities to everyone, from what I saw, but maybe.

TIER: My two cents concerning this matter is that it's probably a combination of the two. Dave seems to resonate quite well with a great majority of the fans, so from what I've seen they more readily project onto him.

AT: i KNOW WHAT YOU'VE DONE, AT: oR WILL DO, aCTUALLY, AT: iT'S THE MOST AWFUL THING, tHE WORST YOU CAN EVER DO,

CHEL: The readers immediately start wondering what this thing is, but Dave is unconcerned, and immediately accuses AT of perving on him. Here is where the CALL CPA PLEASE count really starts to ramp up, because on one hand, yes it’s hilarious to watch the tables being turned, but on the other, this coming out of a boy who literally just turned thirteen that day is… uncomfortable for a lot of adult readers, especially since we know his home has obscene material lying around all over it and as mentioned before that can really mess up a kid, even if Bro was not in fact putting him in his movies directly.

TG: and i want to know exactly when i got to clear some space in my calendar for when some fuckwit blunders out of a magical phone booth and makes a ballad-inspiring play for my throbbing beef truncheon AT: sHOULD i BE PERTURBED BY THESE ALLUSIONS, TG: no man TG: look TG: i just need to know when to be there TG: when the stars come into alignment and your flux capacitor lets you finally sate your meteoric greed for crotch-dachshund TG: i wouldnt want to miss it and cause a paradox or something TG: itd suck if the universe blew up on account of you missing your window of opportunity to help yourself to a pubescent boy's naked spam porpoise AT: uHHH, AT: oK, THIS IS SORT OF STARTING TO UPSET ME, CALL CPA PLEASE: 5

TIER: How many words does a 13 year old need for his private parts? Asking for a friend. I get that Dave is a little gremlin but holy shit y'all.

CHEL: To quote Hiveswap, “SOUNDS LIKE SETUP TO ‘RIDDLE’ OR PERHAPS ‘JOKE’.” Or maybe a really weird rewrite of “Blowin’ in the Wind” and I just realised the (in)appropriateness of that song title. Anyway, I’m giving one CPA point for each of those elaborate descriptions. AT, perturbed, announces his intention to leave, but Dave continues.

TG: we're motherfuckin entrenched in this bitch TG: you and me TG: welcome to nam TG: now grab my hand and shimmy your soggy ass off that muddy bank before charlie gets the fuckin drop AT: uHHH, wHO, AT: wHO'S CHARLIE, TG: hes the guy whos gonna read our vows TG: im feeling pretty friggin MATRIMONIAL all a sudden TG: take a look down by your foot see that little bottle TG: stomp on that shit like its on fire TG: noisy ethnic dudes are flipping the fuck out and waving us around on chairs til someone gets hurt TG: im your 300 pound matronly freight-train TG: and my gaping furnace is hungry for coal so get goddamn shoveling AT: oH MY GOD, CLOCKWORK PROBLEMATYKKS: 14 WHITE SBURB POSTMODERNISM: 9

Hey, our first double point assignment! Two points for using the same racist joke again, as if it wasn’t offensive enough the first time. And another one for the fat joke.

FAILURE ARTIST: Lifting the newlyweds on chairs is a Jewish tradition so I guess Hussie’s antisemitism didn’t start this year.

CHEL: Isn’t stepping on a bottle a Jewish thing too? Does that count as more than one anti-Semitic joke or is it all part of the same one?

FAILURE ARTIST: Yeah, that’s also a thing. But I’d say it counts as one big joke.

CHEL: Does the Vietnam joke count as a separate one? I’m not sure what the general attitude to those is since about half of 20th-century British comedy revolves around WW2 jokes and no one minds those.

TG: thats what you see TG: a kaleidoscopic supernova of all your hopes and dreams all swishin together TG: radially effevescing arms of more little boy peckers than you can imagine TG: turning out insane corkscrew haymakers of a billion dancing vienna sausages strong CALL CPA PLEASE: 7

CHEL: All the counts aside, I can see what Hussie was going for and the general idea’s still amusing, culminating in one of the funniest bits in the comic when all this leads up to adiosToreador [AT] blocked turntechGodhead [TG] - I think we’ve all wanted to be Dave here. I’m fully aware that this sequence was meant to be somewhat uncomfortable, but given that Hussie later tries to tell us that Dave’s home life scarred him for real, yet he presented this as funny, it adds to the general feeling of Hussie berating the reader for laughing at the comedy. I think he was just trying to pander to the woke side of the fanbase with that, but we’ll get to it when we get there.

ARE YOU TRYING TO BE FUNNY?: 13

FAILURE ARTIST: We go to AIMLESS RENEGADE, who has finally run out on his clip without hitting anyone. Apparently, some nitpicker on the forum (not me) pointed out the AR’s gun is magazine-fed, not clip-fed, but AR doesn’t give a shit about that.

CHEL: “A clip is not a magazine, a mag is not a clip; neither is a grip a stock, and "stock" does not mean grip.”

FAILURE ARTIST: AR examines the murals and declares the amphibian and reptilian images illegal pictography. AR arms themselves with a rocket launcher but wonders if they should befriend WV and PM - particularly PM. However, AR decides the two have committed too many crimes that make AR’s carapace steam. AR dresses as a judge (to complement WV as a mayor and PM as a mail carrier) and declares order in the court. AR wants to go down the moving platform to catch WV and PM but it isn’t operating right.

Closer to present time, Jade puts her gift to John on top of the monument. The gift disappears, just as Jade planned. Back in the future, PM looks at her drawing showing where she’s supposed to go. The drawing seems to be inaccurate until the tower is shot down. It turns out AR accidentally launched a rocket at it. AR tries again to hit the criminals but is distracted by PM’s beauty. Instead, AR shoots the mobile station. WV throws a can of Tab and PM grabs the package in a clever callback to SBaHJ’s sock ruse comic.

PM gets the package to the Appearifier and Sendifies it into Jade’s toddlerhood, back when Grandpa was alive and shooting butterflies. Inside the package is a letter from John, a too-big t-shirt with a blue ghost on it, and pumpkin seeds. So we have the root of Jade’s friendship with John and the others and her interest in gardening. That’s a very elaborate time loop.

CHEL: Get used to elaborate time loops. Anyway, the letter’s painfully adorable again. John thanks Jade for her years of friendship and for being the reason he met Rose and Dave. He gave Jade pumpkin seeds because future Jade had been upset that her pumpkins kept disappearing so he wanted to help her grow more. Unfortunately his declaration that three people is “almost like, TOO MUCH FRIENDSHIP” was cute at first glance, but given how he has no contact with anyone but them that we see, it becomes a tad creepy. Did he not expect to ever have any friends, or more than one friend? The implication that Dadbert kept him locked in his room all the time is looking more and more likely!

We cut to a cartoon sound effect, WHOP, and You bear the vicious brunt of this story transition directly in the face, “you” now being Archagent Jack Noir. The sound effect is the result of Dad Egbert punching Jack in the face. Jack pulls a switchblade, but Dad retaliates by lighting Jack’s hated jester hat on fire, throwing it to the ground, spraying shaving cream on it, and stomping on it. Jack immediately sets Dad free.

Jade is instructed by the prompt to “Play guitar to summon giant lily pads”, which she does, and it works… somehow? I’m not sure how that happens. Anyway, she uses the lily pads to hop over to the frog temple, finding in it a wall covered in tiny lime green glowing symbols.

Cut back to Dave, who has finally succeeded in installing the beta, and not a moment too soon as Rose’s room is now full of red light, soon to be aflame. Rose is calm enough to join Dave in a SBaHJ joke, and we go into the act-ending animation, [S] Enter.

Dave dramatically sips his fortunately-really-apple-juice and draws cartoons as the game loads, while Rose plays with Vodka Mutini and Jade scurries through the temple. For clarity’s sake, I’ll describe each character’s actions in a separate paragraph.

"Homestuck - [S] Enter [End of act 3]" (Watch on YouTube)

In Rose’s burning house Dave quickly deploys the necessary machinery. There’s so little safe room left to use that he has to throw Rose’s bed into the burning forest for one, put one in the observatory, and put the third on the nearby roof; fortunately Rose is able to get to them all. Dave uses the wizard statue to knock open the Cruxtruder, then drops it outside, breaking its hand off and sending the hand flying. He moves the cruxite to the lathe, where Rose produces a totem for her entry item, a bottle. Rose flings the dead Jaspers into the Kernelsprite and Dave grabs the Eldritch Princess doll to put in too, but the flying wizard statue hand knocks the entry item into the nearby waterfall. Rose leaps out over the drop, successfully catches it, and is in turn caught by a long purple tentacle....

Flaming whirlwinds approach the house; Rose swings the bottle to shatter it, and the meteor lands.

In the temple, we see an enormous flower atop another countdown device, noting four-and-a-half minutes till disaster, but Jade suddenly falls asleep again, waking up with only nineteen seconds to go. Unlike John randomly falling asleep mid-battle, this has been happening often enough to seem to be a legitimate problem with a story-based cause. Keep an eye on that.

Dave, meanwhile, is still in his room, which is now filled with crows. He seems flustered at first, but in a later shot he’s back at his computer with a crow perched on his head, seemingly fine.

Back at John’s house, Nannasprite opens up his newer copy of Sassacre’s book and starts to inscribe the very message we read earlier, so she didn’t in fact know about it during her life. Seems odd that she’d bother doing this rather than just saying it, though, especially since when she finishes, she drops the book into the chasm, where it plummets through grey clouds, emerging over a dark-blue land scattered with tiny lights and black rivers. John, covered in oil, runs up the many stairs of his remodelled house, smashing imps left and right with single blows from the WRINKLEFUCKER and directing the SASSACRUSHER with the GHOST GAUNTLETS to take on the ogres. When he reaches the top, he slams his hammer down one last time and bounces upwards to the spirograph portal, entering whatever’s on the other side. Fade to white.

Generally, a very good flash! Exciting but doesn’t sacrifice useful information for drama, and now two characters have reached their current goals but more is still going on. Lovely music too. I think the Flash animations are one of Hussie’s greater strengths here.

FAILURE ARTIST: The animation was what drew me into Homestuck and this is a particularly good one.

CHEL: A couple of static pages wrap up the Act; we pan out from John’s house to see it and the pinnacle it’s perched on are now looming above the same dark-blue land covered with thick clouds that the book fell onto, which we now see is in fact an entire very small planet. Curtains close.

So that’s the end of Act 3! What does everyone think?

FAILURE ARTIST: It was fun seeing Jade and the Exiles but sad thinking about how underutilized they ended up. Especially poor AR.

BRIGHT: This is where the elaborate time loops really started to kick in, and I’ve gotta say, I’m not a fan. I recognise that they’re a key feature of Homestuck, but I found some of them too confusing on my first read through. (Though they do make more sense on subsequent reads.)

I think on the whole this Act is quite well paced. I really loved the bits with Jade, and a lot of nifty background info gets introduced without being infodumped.

TIER: I wasn't even aware that webcomics on the internet were a thing at this point, but I do believe that it's around here that Homestuck's popularity was starting to pick up, no? This chapter went a lot deeper into the strangeness of the game to!

FAILURE ARTIST:

Homestuck was popular but I don’t think it became a phenomenon until Act 5 when the trolls were fully introduced. Lots of people even skipped Acts 1-4 and the Intermission to get to them. I think a lot of the pre-Act 5 fans were my age (20s) while after that many were teens or tweens. Admittedly, I didn’t do much in the fandom except check the SA thread until Act 5 came around.

CHEL: I don’t think I got into it until Act 6 - I remember the first time I got further than a few pages in I gave up when the Alpha kids got introduced because it was way too complicated.

As for my thoughts on the act, well… Before, I was able to more or less chalk up the racist/sexist/fatphobic/homophobic remarks as being from the characters’ mouths (they are, after all, twelve to thirteen years old) and not the author’s, but they don’t really get called out by the narrative and Hussie has sufficiently drained my goodwill that I have to complain, and I suspect after recent events that it actually was him speaking there, if you get my meaning. Most of the dialogue is still as sweet and funny as I remember it being but those bits really taint it. Hypothetical rewrite would definitely remove those.

I’m in two minds about keeping Dave’s hurricane of euphemisms to AT for said hypothetical rewrite; on one hand, considering his home situation, it’s worrying, but on the other the whole point of the joke is to make AT uncomfortable and it’s hard to do that without making comments that would also make the reader uncomfortable. Maybe if Dave’s home life was adjusted a bit the reader would be more easily able to assume he just picked them up from Urban Dictionary.

Speaking of Dave, his storyline here is where we really start to see a thing which is a recurring problem with the comic. Namely, reliance on theme and symbolism over what is actually happening. If Hussie was indeed trying from the beginning to portray Dave’s situation as serious abuse, then he shouldn’t have chosen to represent said abuse with ridiculous cartoon physics while literally portraying Dave as unharmed onscreen. Dave’s behaviour does hint at some issues, but they’re easy to pass off as related to other things, and swords so sharp they cause printed pictures to change are not most readers’ first assumption for the cause.

Other than those, though, I think we’re still mostly fine; none of the problems are problems with the underlying structure of the story, so it wouldn’t require a huge retooling. That state of affairs will continue on for another couple of acts, but when it fails, it fails.

COUNTS ALL THE LUCK: 0 ARE YOU TRYING TO BE FUNNY?: 13 CALL CPA PLEASE: 7 CLOCKWORK PROBLEMATYKKS: 14 GET ON WITH IT!: 13 GORE GALORE: 0 HOW NOT TO WRITE A WEBCOMIC: 14 HURRY UP AND DO NOTHING: 6 IN HATE WITH MY CREATION: 0 RELATIONSHIP GOALS?: 1 SEND THEM TO THE SLAMMER: 0 SOME OF MY BEST FRIENDS: 0 WHAT IS HAPPENING??: 2 WHITE SBURB POSTMODERNISM: 9 TOTAL: 79