i think margaery tyrell's hyperfeminine performance (which is clearly crafted carefully to use the prejudices of the hypersexist feudal system they're in) is equally as interesting a gender performance as hypermasculine performances like brienne and daecy but is overlooked because for "some reason" hyperfemininity isn't seen as a gender performance, just as "gender."
okay but you see sam has ALSO fallen for dean's act. sam also believes dean to be the macho, daddy's soldier, beer boobs cars guy he presents himself as. this is why sam makes fun of dean whenever he even lightly steps out of that mold and thinks it's harmless banter instead of attacking an insecurity. it's why he laughs when john talks down to dean in the early seasons and it's why he seems surprised when dean is more comfortable with himself in the later seasons. it's why he just scoffs but doesn't push it when dean puts up a front and refuses to talk about his emotions and just accepts whatever excuse he makes at face value. it's why he offers dean a strip club to make him feel better when cas dies. and this isn't his fault!! dean has spent a very long time perfecting this image in front of everyone and ESPECIALLY to sam because along with it comes safety and security and stability and the only person. who has consistently been able to see through it. is castiel
The origins of the New Squidbeak Splatoon are so fucking funny when you stop to imagine it.
I’m just picturing Callie and Marie’s respective parents being like “It’s so nice of Craig to watch the kids for the weekend so we get a little break, he’s such a good grandfather :)”
Meanwhile, Cuttlefish is like “Listen up my darling girls, Grandpa is gonna teach you how to kill a man today.”
Here’s a bit of a departure from my usual art posting but I’d like to get the word out about my dear friend Edrian and his friend Angeles’s endurance performance and hunger strike for a free Palestine in Los Angeles starting today, June 17th. (More info on Edrian’s Instagram and at venerations.cargo.site)
Edrian will begin cutting out paper dolls and ribbons to reach 35,647 of each, reflecting the reported death toll of Palestinians killed by Israel’s genocide in Gaza since Oct. 7th. He will not move from the venue until he is done and do nothing aside from cutting with few exceptions made for his own physical and economic survival. In addition to that and to represent a microcosm of the suffering in Gaza and Palestine, he will be on HUNGER STRIKE until he finishes. It’s an impossible task to do alone before starving so audience participation is essential. I’m spreading the word to ask for support through participation!
You can participate in a number of ways (more detailed instructions here):
Spread the word. Word of mouth and social media sharing are crucial as this performance is being promoted pretty exclusively via word of mouth.
Donate money to Palestinian aid funds! Certain high donation amounts can help Edrian continue his endurance performance by allowing him to engage in life-giving activities like showering or socializing with a loved one, and reaching the 100k total goal allows him to end his hunger strike.
If you live in and around Los Angeles, visit the venue (800 Date Ave, Alhambra, CA 91803) There you can help him cut and show your support. ***The performance is on the second floor of the venue and there is no elevator so it is not accessible except by stairs :(
If you don’t live near LA, you can cut paper dolls and mail them to the venue address to count towards the total. (printable templates here) This is what I will be doing. It’s easy to do with any spare time you’re not using your hands. I recommend mailing them in small batches if possible to get them in on time and reduce the risk of losing mail. I also recommend including info about the count of paper dolls in each parcel (for example include a note telling the total number of paper dolls) Every small amount counts!
If you are an Art Center College of Design student or alumni, sign the petition to pressure Art Center to divest from Israel! Art Center has refused to host Edrian and Angeles for their performance, torn down their posters promoting it, and in general refused to take a stance against Israel’s genocide. As artists and human beings we must resist genocide and refuse to support institutions that side against the people.
He is also live-streaming his performance and documenting progress if you would like to show support just by being present.
If you’ve never participated in a political performance before now’s a great chance, any little bit counts! I appreciate any time or effort you take to read this, support my friends, and work towards a free Palestine! ♥️🇵🇸
Page 13 of my Miraculous Mentor AU comic A Matter of Trust! In which Felix crawls home from what he thinks is a one-time magical assignment - but he's about to learn exactly what Plagg signed him up for! 😈
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I think a lot about Leo’s tendency to push his way into the spotlight despite clearly being a natural in the shadows. Hell, you could argue that his worst moments are when he’s forcing himself onstage, and his best are when he does things no one notices until it’s already been done.
A comparison of neck strength, F2 driver vs. F1 driver:
Charles Leclerc (bottom panel) is able to hold his neck steady as he navigates through S1; his head follows the direction of his travel - i.e. as he makes a left turn, he looks to the left. Meanwhile, fatigue has set in for Ollie Bearman (top panel), and his neck is unable to hold his head up; therefore, as he makes a left turn, the lateral G forces push his head to the opposite side.
An impressive example of how physically demanding F1 is as a sport! Don't ever let anyone tell you that these guys are not true athletes.
🎥: F1TV on-boards, 2024 Saudi Arabian Grand Prix (Lap 41)
Trying not to end up in a psychiatric ward when you have bpd should be considered an oscar worthy performance. You're all witnessing a mental breakdown in real time, and not one person will have a clue