Look at me having OCs again.
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And I saw another beast come up out of the earth...and he spake as a dragon. (Revelation 13:11)
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The Coronation of His Majesty King Bastian I - The Hour of Wolves
When he was born he was a small thing. A screaming infant, a second son, destined perhaps for military greatness, but never dukedom. Never inheritance. Never conquest.
But at the inception of the light, the birth of the world, the moment between silence and splendor when The Glory breathed across the scope of creation: he was no small thing then.
Even then, he was coming.
His rise runs with blood: knives in the back, poison, betrayal, kidnapping and vengeance.
His rise burns with greatness: glory, family, rescue, love and ferocity.
The secret world recognized him before he knew himself. A fairy witch marked his passing and offered her slender wrist for his talons. A dead sun opens its mouth for him, a vanished Christ is his counterpart, a death knight worships before him, a raven-haired little girl holds the hand of her doting and beloved father.
The world we know calls him king of France, the monarch of a seized throne, a general who has promised the great lords England on its knees.
The Devil, in his own tongue, may call him son. The Glory has said nothing.
Would you know him if you saw him? Would you recognize what he is?
Bow, while you consider, and kiss his ring. There is a crown of flame upon his brow.
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I haven’t fallen in love with fictional characters and the world that they inhabit the way I have with Victoriocity in YEARS. It genuinely makes me feel like a kid again, the way I got when I was reading Harry Potter for the first time and the universe just was slowly unfolding and I wanted to know everything about it outside of the main storyline. And then you have the pitch perfect humor and characters I AM VERY DEEPLY INVESTED IN that are in the most perfect Victorian slow burn of all time where I KNOW SOMETHING IS GOING TO HAPPEN EVENTUALLY BUT ITS GOING TO TAKE YEARS AND ILL BE HANGING ON TO A DARCY HAND FLEX MOMENT FOR DEAR LIFE UNTIL IT DOES, and you got me hook, line and sinker.
But seriously, it’s well written. It engages in some trope but does so in a way that only good writing can where expectation is subverted and then not that that is surprising and delightful, The pacing is excellent. The world they’ve created is completely original but totally familiar which grounds the characters and the plot.
Anyway, I bought three copies of High Vaultage (audio, ebook and special edition hard copy of course), finished it, binged season three and now I need the link to the kickstarter for the next project because I NEED MORE. This is just going to be a fan account until then.
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another observation from A Study in Scarlet: after the case has concluded, Watson reads in a newspaper (the Echo)...
"If the case has had no other effect, it, at least, brings out in the most striking manner the efficiency of our detective police force, and will serve as a lesson to all foreigners that they will do wisely to settle their feuds at home, and not to carry them on to British soil."
RICH STATEMENT from a country who brought countless """feuds""" to any foreign soil they could reach!!! bold declarations from the colonizers i'd say!!!!!
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could-be-nothing realization of the day that i came to while listening to 99% Invisible: kane and feels is sound designed like a documentary
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Last Airbender fun fact told through a Pulp Fiction parody
VINCENT: You know what the funniest thing about the UK is?
JULES: What?
VINCENT: It’s the little differences. A lotta the same shit we got here, they got there, but there they’re a little different.
JULES: Examples?
VINCENT: Well, in London, you can get fish and chips at a pub. And I don’t mean just any pub, either. They give you mushy peas with it, like it's a side dish. In the UK, you can take a double-decker bus tour of the city. Also, you know what they call Avatar The Last Airbender in the UK?
JULES: They don’t call it Avatar The Last Airbender in the UK?
VINCENT: No, because 'bender' is derogatory slang for homosexuals over there, they can't say that in a kids show.
JULES: What’d they call it?
VINCENT: Avatar: The Legend of Aang.
JULES: Avatar: The Legend of Aang. What'd they call Legend Of Korra?
VINCENT: Legend Of Korra is Legend Of Korra, but they say it like "Laygund O Korrah".
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not to be about opera again but to be about opera again. as an art form it has the reputation of being super stuffy and something for snobs who don't know how to have fun only but honestly this was one of, perhaps even THE main theatrical entertainment for centuries. i wish people knew how hard these things can go and how engaging they can be. like characters kill and die and fight wars and (almost) commit human sacrifice left and right. characters fall in love they mourn they're ecstatic they cry they're furious it's an extremely dramatic and emotional art form! and i understand that opera does not appear approachable bc of the general conventions of the art form but i promise old works can be fun and engaging if you go watch them with some preparation beforehand (reading the libretto helps) - not to mention not all operas are old bc there are so many modern operas which engage with topical events! also the music slaps.
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anyway! body diversity is important, especially in an ongoing media that has been praised for representation in other areas. it matters a lot to me for personal reasons as well. and I can criticize a thing and still love it.
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Day 2 of writing a better Harry Potter series than JK Rowling
Introduction. Page 1 [here]
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Reading an old beloved fanfic and realising that this person has no idea how Europe works
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No need to worry, the screams of fury emanating from her room are just because she made the terrible decision to read someone else’s list of the ‘100 Best Classic Fiction Works in English’
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Ok I was so invested in the setting up of the beginning of the movie with the narration and the shots of the riots and police and capulets vs montagues framing and the introductory shots of characters reminiscent of how the plays are published with a list of characters before you start reading and getting thrown into the guys rapping in the car that my brain shortcircuited and actually now I've decided I need to read the play (technically reread but I was 12 the first time so it barely counts) so I can really let this seep into my brain and give me brain worms because I'm already buzzing going into overdrive wanting to analyse everything
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Hazel Locomotive Shops presents the LNER A2/1 Pacific. In 1944, Edward Thompson ordered the last four ordered Gresley V2 2-6-2s to be built to his own modified 4-6-2 design. Built in 1944-45, The four engines were meant to be the successor to the V2, part of Thompson's standardization plan. In reality, all four would be scrapped before V2 withdrawls began. In my Au, No.508 Duke of Rothesay would be saved by private buyer Gywneth Amari for an undisclosed sum. In 1966 Amari would purchase the recently closed Great Central line from British Rails, and 508 was overhauled at Doncaster, pulling the reopening train for the new London New Eastern Railway. She has since become the symbol of the railway's heritage operations. She completed her most recent overhaul in 2016, and recently doubled-headed a heritage special with fellow LNER Pacific 60103 Flying Scotsman to celebrate the latter’s 100th birthday.
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Just finished tma. I have to go to fucking school tomorrow. How do I FUCKING BE A PERSON AFTER THAT?!?!
I'll probably reblog with more tags later (cuz 30 just isn't enough) but !!!
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thinking about how simon probably started to read with baz whatever he was reading, and baz is a big classic lit nerd so they probably wind up reading Frankenstein.
And they both become DEEPLY connected to the book in EXTREMELY different ways.
Baz is struck by the novel because of the inherent way Creature longs for belonging but is shunned by society for factors out of his control, features he had no say in. Baz is struck by the inherent loss in autonomy in the Creature’s existence, the loneliness of it all.
Simon is struck by the bitterness of being rejected and cast aside by the one who made you. By the way society scolds the Creature for acting the exact ways they conditioned him to behave. He’s fixated on the way that The Creature is shamed for acting humane, and shamed for acting monstrous, and shamed for acting at all. Completely reviled by his creator, despite trying at all costs to be desired. How in the Creature’s own words, Frankenstein is God and he is forced to be both Adam and Satan at once.
i think they always debrief on the novels and what they thought the most about. And they sit and argue about Frankenstein for HOURS. On Victor, on Creature, on the family, on if any character can be redeemed or forgiven.
And after they talk in circles for weeks, Baz picks up two copies the Great Gatsby and they do it all over again, because it’s their funny little bonding thing.
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