#and now my watch begins

[ser-zoras]

Addam Velaryon you people’s princess. Clinton Liberty is so perfect for him, I’m obsessed

[evax3]

I’m joining the jonerys ff world and I stumbled into your art work for the last chapter of “And Now My Watch Begins” and I read the whole thing and I’m absolutely obsessed with your story!!!!! It’s soooo good!!!

Thank you, that's so sweet and I'm very happy you enjoy the story!! ❤️

I'm definitely looking forward to keep working on it in the future :)

[thepariahcontinuum]

@12december2017 is new to the FNDM, joining the rest of us waiting for Vol.10 to get Greenlit like

[thelxiepia]

[minhosblr]

The only singer ever!

[faethfigueroth]

this is making me so insane im gonna thhrow up

[cptnbeefheart]

this old world may never change and sometimes i wonder: do you ever think of me?

[fluffs-n-stuffs]

ain't no way they did this to Arven on the first episode y'all I'm 😭😭😭💀💀💀

[thisisnotkitty]

securitywaiter headcanons bc i found out about this ship an hour ago and i'm already too deep into it

-generally agreed upon but ness is DEFINITELY a conspiracy theorist. i think he was into conspiracys since he was younger, starting off with more silly ones like birds aren't real and the moon landing is fake and then getting into deeper ones with maybe a bit of a lean towards true crime. then when the local pizzeria had missing children well...

-mike takes abby to the diner for her birthday bc what can u do in a small town! they give a free slice of cake for birthdays and have the workers come around your table to sing except ness is the only one to genuinely enjoy singing it and he's also arguably got the best voice out of all the workers (or at least he does in mike's opinion)

-abby ships it. yknow how little kids are almost too observant and then proceed to say the most cryptid things?? yeah, she notices mike smiling and making more small talk with ness than with any other waiter they get and suddenly shes playing matchmaker

i'll probably have more once i let them microwave in my head a bit

[ser-zoras]

Okay dragging meleyss head through kings landing was such a bad political move by the greenies but it’s really doing the themes

[evax3]

ASK GAME

Provide at least four spoiler pictures and/or gifs for a current wip without any context

For: And Now My Watch Begins

Thanks for the tag @arielchelby ❤️

Tagging @st-clements-steps @rainhalydia @salty-wench @libradoodle1 @fineosaur @moondancer71 @leesielex @magalidragon @muttpeeta @jupiterix @jellybeanficwriter @the-last-targaryens and @adecila if you guys feel like it!!

And Happy 2023! :)

[veronicaneptunes]

A long time ago, we used to be friends... The Veronica Mars pilot aired 20 years ago today- on the 22nd of September, 2004.

[satans-knitwear]

Blue Valentine 💙😘

Treat me ~ Tip Me ~ More of me

[royalarchivist]

I love re-watching VODs from the early days of QSMP because I'll stumble across moments or interactions I've never noticed before, like Tilin giving Bobby a flower after they fought.

...And Tilin immediately trying to punch Bobby off a ledge after he throws away her flower. 😅

[lyinginthesnow]

something about childhood in succession.. the way it casts its shadow over the entire narrative, the rotten root of the roy siblings’s pain, all wrapped up in Logan’s power and abuse and love. The opening credits are filled with images of them as kids, beginning every. single. episode. by emphasizing the importance of their childhood: the siblings posing for a photo, playing sports, standing on a manicured lawn, riding an elephant, etc. and then the shots of logan, in which he is always shown from behind, or far away. It is a childhood the viewer never gets to see in any other context, since there are no flashbacks in the show, and therefore as integral as it seems, we know almost nothing about it. What exactly happened? What are the details? We feel its presence, we can tell how it informs their relationships, we can put together the pieces of incomplete and contradictory memories expressed through dialogue, and if we trace their struggles and dysfunction back far enough we know it leads there, to when they were kids. But there is so much empty space we can’t fill in. It’s almost like their childhood is presented in that horror technique where you never get to see the monster clearly straight on. It’s always in darkness, and chopped up into close-ups so that the viewer’s imagination is forced to invent something, however vague, and that is far scarier than it would be if we could actually see it — a monster that is terrifying BECAUSE it’s unknown. The roy siblings’s childhood is a major force behind so much that happens on screen, but what specifically occurred is out of the reach of our understanding. We are shown the monster’s shadow but not the monster, we are shown the frightened faces of the characters as they look at something behind the camera we never get to see, we are shown the running or the fighting or the blood but never the true, bigger-picture, clear details of the horror itself

[pokimoko]

The fact that Main-verse Ooo is as good and as kind as it is (relative to the other universes shown so far, at least, it's obviously not perfect) all because of the same character that starts off as the OG series' antagonist, the person we were made to see as the bad guy (albeit an often ineffectual one) for several seasons, is making me lose my mind.

Imagine finding out the guy you spent your childhood beating up and saving princesses from is in fact a driving catalyst behind you being able to exist, and not only exist but also live in a world that knows what kindness is. All because that man, the same man who you've witnessed do terrible things, once met a little girl and taught her how to be good.

Simon's story really shows us that even if you lose your way and forget how it is to be good yourself, the world keeps the memory for you. That act of love Simon showed Marcy by protecting her and seeing her as more than the monster she thought herself to be created ripples upon ripples, small at first but eventually enough to help give their wreckage of a world—a world that easily could have been forsaken, its goodness overlooked because of its inhospitable remains—a chance to grow into something beautiful. Because of those very same ripples Simon created, the people of Ooo grew up in a world where they know enough about kindness that they were able and willing to spare the 'bad guy' some, to see beyond the wreckage and allow him to grow too.

In saving Marceline, Simon helped to not only to save the world, but also himself.