#and people need to appreciate her

[bookalicent]

yeah so this was insane

[tricoufamily]

just some ivy league kids trying to figure out necromancy

[oifaaa]

No joke I honestly think Mei Chang is one of the best characters in fma like this girl at the age of 11 with nothing but a small panda and the clothes on her back crossed a deadly desert that's stated alot of grown adults find difficult to cross, found a serial killer and his weird weasly little sidekick and went yep these are the guys I want to travel with from now on I will also defend this serial killer like im his professional bodyguard despite me being a tenth of his size, finds a sentient suit of armour and proceeds to fall deeply in love with him and later when he asks her to help sacrifice him to get his brothers arm back she does not hesitate and all that's on top of her being an outstanding fighter, alkahester and a princess

[kvtnisseverdeen]

countdown to bridgerton season 3: 7 days ↳ [1/5] ladies: lady agatha danbury

[somewhereincairparavel]

[TW: grooming] Gentle reminder that Luke castellan was a 19 year old adult going after a 14 year old Silena, emotionally manipulating her and basically grooming her into giving him information. (Luke was said to have recruited Silena sometime after he left chb, which is basically the ending of TLT and Silena was 14 in TLT while Luke was 19) and continued to do so for 4 YEARS (the time between TLT and TLO is 4 years, and Silena only stopped falling into the trap after Charlie died, which was in TLO)

I hope the pjo timeline is an eye opener for the naive as fuck fans defending and justifying Luke's behaviour and having the audacity to deny that Silena was indeed groomed.

There's a difference between appreciating well written complex characters vs actually glossing and meat riding their problematic and questionable behaviour. A huge fucking difference. I think Luke is a good written character, but seeing the amount of fans justifying him being a creep scares me.

"Grooming" (I took the definition straight out of the internet for the detectives that will probably scrutinize and chew on my post lmao) is when someone builds a relationship, trust and emotional connection with a child or young person so they can manipulate, exploit and abuse them.

Luke took advantage of Silena to BOTH manipulate AND exploit her for information.

Don't even get me started on the "he had a terrible home life, he was traumatized as a kid, what else can you expect?" yeah he was, but how was that Silena's fault? She shouldn't have to be taken advantage of , suffer without even realizing it, and pay the price to Luke's insanity, just because Luke had internalized issues like other demigods did?? How is that a fucking excuse??

Look me in the eye and tell me that Luke was "so hot because of how crazy, messed up and unhinged he is"

I dare you.

[fictionadventurer]

I think I have accidentally become very protective of the story of Snow White.

[governmentmandatedryujinstan420]

I FORGOT TO THROW OUT AFTER THE EPISODE RELEASED NOOOOOOOOOOOOOOOOO

[happyk44]

Jason who immediately loses respect for people who don't own up to their mistakes vs Annabeth who would rather die than admit she made a mistake

[anonymocha]

Bluepoch gave us the gift of barely-subtext tragic sapphic-centric media do NOT throw that away.

Context regarding PJSK and Undertale under cut.

Project Sekai cast is dominated by female characters but mlm is more popular, meanwhile Undertale has canon wlw rep and oh my god they’re at the bottom. I have nothing against these fandoms or media (I’m literally currently/was in them) but yeah. I just HOPE r99 doesn’t end up in a similar state.

[princessdarth-vader]

i can't stop thinkng about kristen this episode. her kindness. her honesty. she sees a grieving man; a man she hates, a man who has wronged her and hurt her, a man who she would be well within her right to vow to destroy, to laugh at his pain. and she says "it's too sad not to tell him". she tells him the truth about what she knows. a hard truth, but a necessary truth. he doesn't believe her, but she tells him anyway, because she cares. because this is a world barely a step from hers.

she talks to her brother, and she doesn't try to make a grand gesture. she doesn't try to heroically convince him to turn away. she empathises, she's been there. she tells him she understands. and she meets his doubt with courage, with a hand to hold, with a lantern to light up the overwhelming darkness. she offers him the hand he needs when he's too afraid to ask for it.

she talk to jawbone. she sees how hard a time he's having, and she reaches out. she helps, and she tells him that her plan was to take advantage of him, but she couldn't go through with it. she's honest and kind and giving at every fucking turn, and she tries again and again and again.

it's in the way she would still reach out and try to reconnect with her parents, who let her down and betrayed her trust and innocence. The way she insisted that buddy be revived, and was hopeless when she could do nothing to help. for all her chaos and bits, kristen is one of the most heartfelt and genuine characters in dimension 20 and i fully fully believe that.

[mixelation]

one thing ninja true crime fans don't like about tori is that she is "rude" to itachi (and her various other costars) because he'll say something and she'll demand he defends why he thinks that or give evidence for a fact. however fans also cannot look away because this strategy also gets itachi to say wild shit like "yeah i know how crime scene investigation works because my family is entirely police detectives. these are basic facts. anyway, this one was bungled because--"

[shiraishi--kanade]

I have Words to Say about disabled characters in Proseka but I'm especially kind of... Eeh about Saki, because of how perfect she is.

I've talked about this before but Saki is just not allowed, by the narrative, to be flawed. We have some very, very brief moments of anger or lashing out from her (NSNF, Doll Festival in particular), but aside from that Saki is just... So cliché and surface-level regarding her disability. That especially reflects in how the writers handled her relationship with Leo/need.

Yes, she is not angry at her friends for, let's call it what it was, abandoning her (besides Ichika). She is not upset with them or feels betrayed by them. She just forgives them for doing that because she's a good friend and that kind of person, to not dwell on the past and just look forward. She's only really upset at her illness, rate, and herself.

Do you know how shitty of a story that is to sell to disabled people? Oh look, this character suffered a lot and then their friends just stopped visiting them at some point! But no big deal though, they're all good! She doesn't hold a grudge against them so it's actually totally understandable and fine and you should look up to that attitude.

Sure, Saki isn't upset with Honami and Shiho. My point is that she fucking should be. I know their reasons and I don't care about them; what they did is shitty and I hate how the story just moved on from that and we never confront that again and probably won't. Why the hell not? It would make for an interesting conflict and story. It would make Saki an absolutely stunning character, and reflect many of our struggles with loving and caring for people that don't understand us and don't stand with us. Why do we have a story we do now, where Shiho and Honami's fuck up only bothers them but not the person they hurt?

Oh wait, I know the answer: because god forbid disabled characters be anything than inspiration porn.

[b1cr1ptic]

plus : have a mercymorn looking disapprovingly  at the camera 

[undead-moth]

I know I've been on about this for a while now and I'm being a hater but you're telling me SydCarmy was "always meant to be platonic" even though there are two seasons of writing making use of tried-and-true explicitly romantic tropes, themes and writing signals, and SydLuca is going to be romantic because...he was nice to her on screen for a few minutes?

I don't even care if people ship SydLuca, or if they just prefer it, but you can't honestly tell me that you believe Carmy was always meant to be a friend but Luca is an obvious love interest.

Just because Syd and Carmy haven't kissed or confessed their love to each other doesn't mean that isn't very obviously the direction this show is going. The Bear has already shown you who is endgame. It has shown you every episode of the show so far.

Honestly I really don't think The Bear fanbase understands this show or cares about these characters or the story being told here, which is unfortunate because this show is shockingly well-written in comparison to most shows right now, and we should be so grateful for it but all we're doing is complaining that the writers led us on by not making a ship canon fast enough. It's just. Sad.

[looking4thatqueersubtext]

im so fucking sick of seeing jude depicted as a thin ass woman like NO.

it's stated multiple times through out the books that not only is she muscular because of all her swordfighting training but she also doesn't have that thin frame and that is exactly what sets her apart from the fae (and part of what makes her beautiful to cardan like hellooooo?). she has curves and muscle and scars. all of that is so so so important to her character.

[reachexceedinggrasp]

Danny 'I don't do weird' Pink frustrates me as a character, because I'm honestly not sure whether he was supposed to have an arc or not.

His primary role is as a foil for Clara's arc and, in aid of that, as a mirror to the Doctor. A solider with survivor's guilt and a man of action who can't stand by when people need help etc., in some ways he and the Doctor have a lot in common, but he's also a very grounded and circumspect personality versus the Doctor's being fantastical and adventurous. Danny isn't curious and doesn't want to pursue new things or experiences, instead he wants to be fully present with and grateful for what he already has. The Doctor is incorrigibly curious and always interested in new things.

Danny is someone who desires nothing more than an ordinary life, and looks for beauty and satisfaction in the normal things and people around him. He wants his world to be small and quiet, he values the mundane things others might take for granted. He's normal, patient, dependable, simple, honest, etc. His reaction to trauma hasn't been to disavow the things which lead him to that event, or to seek out stimulation to avoid thinking about it, it's to be thoughtful and cautious and somewhat rigid so he can always apply the mindset and skills he retained from before he was traumatised.

He's very firm and unbending in his worldview and in his self-image. He doesn't seem to ever reassess people once he's decided what he thinks of them. He's not unreasonable or unwilling to compromise, he is in fact maybe too reasonable, but he is implastic. He's extremely even-tempered except for around his identity as a soldier, which he's prickly about, but still pretty quick to let it go as long as he's not being deliberately antagonised.

So anyway Danny represents this other path, and this opposite response to the horror of war and making a catastrophic mistake, but he never learns, he never grows and he and Clara are never much on the same wavelength about anything. He's supposed to be stability, the things she 'should' want, the 'person she's supposed to like', the safe choice, the presentable life which Clara feels like she has to have. He's orderly and ordinary and that's what she wants from him. She has to control her image, her future, and her options.

And their simple relationship, once it exists, functions well as the contrast to her complicated and tumultuous relationship with the Doctor while the companion power dynamic is being dismantled and rebuilt so they can be emotional equals. But like, the set up is confusingly executed.

Listen- they have zero chemistry, they have nothing to talk about and have to resort to talking about work, every conversation goes instantly off the rails, they rub each other the wrong way, there is never any reason for them to keep reconciling and trying again to connect. Like. You are not hitting it off! and keep offending each other bc you're not compatible! Quit!!

Clara is forcing it, that makes complete sense with what she's going through, she's trying to take control of her life and her emotions, trying to prove to herself she's not pining for the Doctor and at the mercy of his whims for her life to be full and complete. She doesn't want to need him or to be dependant on him. She doesn't want to be the heartbroken sadsack whom he abandoned at Christmas or who will take whatever scraps he'll throw her. She wants to control his position in her life and control how she feels about him. Hence her assigning him a specific day and confining their adventures on her own terms. She's trying to keep the Doctor compartmentalised. Having an Appropriate Human Relationship means she's successfully put the Doctor in his box (lol) and neutralised the chaotic power of her feelings for him. I mean, obviously not, but that's what she tells herself.

But what is Danny doing? Why does he keep pursuing this when it's so clearly not a good match?

Again in Listen, and much more so The Caretaker, Danny illustrates that he does not know who Clara is, he's wildly wrong about her and what she's like, and he's very high handed about it as well. He's convinced that the Doctor is taking advantage of her, that the Doctor is domineering in their relationship, that she is not a person who wants to be put into challenging or dangerous positions, that the Doctor is pushing her to takes risks and become a leader where that's not her nature. None of this is true. Clara was always a decisive, assertive, strongly driven person who seeks out new experiences and naturally assumes a leadership role any time that's necessary; she relishes being challenged and facing the unknown. Her blow up with the Doctor wasn't about him 'pushing her too far', it was about him failing to support her when she needed him and condescending to her as a human rather than treating her with the intimacy and equity their bond and history together demands. It's personal and it's about their emotional relationship. It's not about making hard choices, it's about having to make hard choices without her partner being honest with and emotionally available to her.

Clara was always an adventurous person, willing to be spontaneous as long as it's on her terms, and excited by the prospect of authority and responsibility. The danger and challenge isn't an unfortunate side effect or a risk she has to take to see amazing sights, it's part of the appeal. She lied to Danny by omission when she said she went off in the box to 'see wonders', not just because the real reason is that she's in love with Doctor, but also because she doesn't just want to be a tourist. She wants to get involved and save people, she wants things to sometimes go pear shaped. She enjoys and craves that part of it too.

Danny is also wildly wrong about the Doctor, but this is understandable and would be fine except that he's never corrected? He never learns better? What's the point?

In Death in Heaven Danny goes out still wrong about the Doctor, still condemning him cruelly and unfairly while knowing nothing about him. He had a point with some of his original rant, there was actual insight there, but it's buried in assumptions and bitterness and then Danny keeps tripling down on the assumption. The one which doesn't understand that the very thing he's shitting on the Doctor for (being willing to lead and make hard choices that must be made in order to save people) is something the Doctor has in common with Clara. And always has. The Doctor didn't change her or push her into that, that's who she's always been.

What is the point of Danny calling him a blood-soaked general and mocking him, calling him an officer as a pejorative again, and again because the Doctor is trying to save the planet. Like, memory check, that's what Danny is mad about. The Doctor doing everything in his power to save literal billions of lives. Doing it for no reason, out of altruism. Doing it while always trying very hard not to fight or kill anyone. Doing it even at enormous spiritual cost to himself.

I don't understand how we're meant to find Danny sympathetic in that moment, because he comes off like a complete dickhead. And it's all the more frustrating because in the intervening episodes Danny has been eminently reasonable. As I've discussed before, we're exhaustively shown that Danny is 100% okay with what Clara claims is going on, that he doesn't want to get in the way of her friendship with the Doctor, that if it really were only the relationship she's pretending it is, there would be no conflict. He's the one who encourages her to make up with him after Kill the Moon! He tells her to go on travelling and it's fine!

Even when he discovers she's been lying to him and cavorting with the Doctor behind his back (again despite him telling her it was fine with him!), he's calm about it and repeats for the millionth time that all he wants from her is honesty. The truth. Which is the one thing she can't give him because Clara knows their entire relationship is built on the lie, they're only together because of the lie. The truth is, as Moffatt said, that Danny never stood a chance. There is a conflict between the two relationships and she's always going to choose the Doctor.

And that does come out, she gives the whole speech to Danny, not knowing it's him, finally being honest. And he seems unsurprised by it, which makes sense because on some level he definitely always knew ('do you love him?' 'no' 'really had enough of the lies'), but then nothing comes of that. Clara just soldiers on, going right back to pretending this relationship wasn't a façade doomed from the start, and Danny allows her to pretend. He goes off on the Doctor, but not in a way the Doctor actually deserves at all, and just sweeps her confession under the carpet. Letting her get away with it again. True to form, I guess! he always did. But shouldn't we make progress?

And it's like... I hate that he dies on that note. It feels like he dies in denial. I guess you could argue it contributes to his decision to not come back, but that feels like a disservice to the character. Saving the kid is important to Danny, it allows him to atone for his greatest mistake, but he didn't need to change or grow to accomplish that and it doesn't provide any closure to his actual role in the narrative, which was as Clara's foil. Clara is off the hook, free to go on lying to herself about their relationship. It's not addressed in Last Christmas, either, it's only barely hinted at.