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yumeka-sxf · 1 year

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My thoughts on Spy x Family: EYES ONLY Guidebook (English ver) - part 3

Continuing from my previous two posts, this will be my last post discussing the English version of the SxF manga guidebook "EYES ONLY." I'll discuss some of Endo's and Lin's comments on specific chapters, some of the included concept art for the series, all the Twiyor tidbits the book has to offer, and conclude with a couple things the English version of the book omits.

Endo's and Lin's comments on specific chapters

There's at least one comment from Endo and/or Lin on every chapter of the manga from when the book was originally published (up to chapter 61). Unfortunately I can't cover every single comment, but I did want to highlight a few (more will be covered in the Twiyor tidbits later on).

So Bond wouldn't have actually died from Yor's cooking then? Good to know her cooking isn't that bad, lol. Also that's a good question, Lin, maybe you should ask Endo? 😅

Lots of great info about the cruise arc. Makes sense that they had to plan it out many months in advance and keep revising it to patch up plot holes. All that work definitely paid off! Interesting that they almost considered not having Loid on the ship at all. Glad they didn't because otherwise we wouldn't have gotten one of his best outfits! 🤣 (can't wait to see this piece of work in color in the anime!)

Incidentally, the scene Endo mentions where he "managed to make Yor look pretty cute" is this one (she does look pretty cute here).

My favorite comment of Endo's about any chapter has to be this one for chapter 56. Never change, Endo 😂

And lastly, some good comments about chapter 59 (Becky visits the Forgers).

This is one of my favorite stand-alone chapters so I'm glad it was well received. Funny how they kept going with the joke instead of ending it "normally"...but when you have such great characters and setups, good comedy writes itself!

Below is Endo's commentary about Henderson, not a specific chapter, but thought I'd point it out since he mentions Henderson is the only character he's done a shower scene for...not anymore!

Also, while not related to a specific chapter, I do like what Endo says below about Loid and Yor's "dark sides."

He enjoys drawing them this way, which is cool, but he's also cautious about not overdoing it and saving those expressions for important situations.

Concept art

Most of the pre-serialization character designs included in this book were also in the exhibition pamphlet, which I already discussed thoroughly here (wish I had remembered these were in the fanbook so I wouldn't have put so much effort into trying to read Endo's scribble notes). So I'll just mention a few of the most notable things.

As I discussed in my post about the pamphlet, Franky was at some point intended to be the uncle of the family. Though I do think it would have been fitting to make him the uncle, I also like the main focus being on just the "nuclear" family, with the uncle and other characters having supportive roles.

An interesting note about the beta version of Yor is that she seemed to be more like Fiona - she was in love with Loid right from the start, to the point of trying to eliminate Anya! I doubt this is something she would be doing all the time as it would have been difficult to make her a likable main character if she was always trying to kill her daughter...in all likelihood, she would have tried to kill Anya at first before eventually learning to love her as a daughter. While I see how this could work for an intriguing character arc, I'm glad Endo decided to make Yor a loving mother to Anya right away, and not make her feelings for Loid an obsessive "love at first sight" kind of thing.

Twiyor tidbits

Being the shipper that I am, I tried to see if I could pinpoint any Twiyor subtleties throughout the book, as vague as they may be! 😂

Below are excerpts from Loid and Yor's character pages where we're given info on their current stance about each other.

Love the emphasis on their bond of trust ❤️

Below are excerpts from chapters 14 and 35, probably the most Twiyor-heavy chapter pages in the book.

This confirms that Loid did indeed interpret Yor's kick as her not having any romantic feelings for him.

Below are comments by Endo and Lin for chapter 30, where Fiona is introduced.

Endo's line is a little ambiguous here, but I think he's saying how people sympathize with Fiona because she's "doomed to lose," which is...telling 😅 (does Fiona's loss automatically mean a Twiyor win?)

Endo says he likes the "You're strong, Yor" conversation, one of the most Twiyor-ish scenes in the series so far! 😊 Lin also mentioned how they got to use that theme again during the Becky chapter.

Weird that he chose to highlight this line of all things as Loid's "Family Comment" for chapter 10. Could this and chapter 79 be more foreshadowing for an eventual "Twilight vs Thorn Princess" showdown? 👀 Or maybe he just likes teasing fans because he knows it's something they fantasize about.

English version omissions

There's an additional Endo interview that's missing from the English version of the book: an interview with him and Kazumi Takayama, a former idol of the group Nogizaka46.

At first it seemed very odd that they would leave out just this interview, but after discussing it with others on Discord, I realized it's because it has to do with an idol. Apparently getting licensing rights for anything that has to do with a Japanese idol group is very difficult, which is further hindered by the fact that Takayama isn't even part of that idol group anymore, which makes getting the content green lit for official release overseas even more taxing. So probably Viz decided it wasn't worth the trouble and just left out that interview. But thankfully u/Nemshi on Reddit posted a fan translation of it, which you can read here. They talk a bit about SxF, but most of it is just general questions they ask each other.

And the other thing missing from the English version that I really can't understand is the inside cover! Another great 4th-wall breaking joke from Endo (I added a quick translation of the Japanese version below).

Unlike the Takayama interview, I have no idea why they didn't include this. They include the inside cover as an extra page in all the English volumes, so why not here? Very weird.

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And that's all I'm going to share for the "EYES ONLY" fanbook! Honestly, there's so much great content in the book that I didn't touch on, like info about East/West relations, about Eden Academy, Endo's comments on all the designer chairs for the volume covers...and lots more. So definitely get a copy yourself if you can! It's a must-have for any SxF fan 😁 Books like this aren't officially released in English very often, so the fact that Viz thought it was worthwhile to make this proves how much of a hit SxF is!

<- Return to Part 2

#spy x family #spy family #sxf #spyxfamily #twiyor #loid forger #yor forger #anya forger #bond forger #sxf manga #sxf manga spoilers #sxf spoilers #tatsuya endo

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ruija · 2 months

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HOKAY, I'm done with work, time to gush about turtle comics.

Putting it under read more so I don't spoil anyone.

Wowie! The future turtles are from the GOOD TIMELINE. That's interesting!! I wouldn't put too much weight on the designs, tbh. The whole comic is clearly drawn pretty hastily, and seems like Andy mostly just took the designs from the movie. They look way too old for being barely in their 40s, especially if they didn't have to live in an apocalypse for 20 years.

But ofc other stressful things can happen in two decades. Raph's lost an eye and arm huh. The present Raph has the rips on his mask, but no eyepatch, so maybe his sight got worse over time? (most likely Andy was just drawing whatever, and there's no deeper thought behind it lol. But we can have fun)

LMAO the truth comes out! Future Donnie's bad fashion sense was not a product of the Kraang Apocalypse. Man just decided to wear that.

Ah, Leo-angsters are getting fed again. Your own mystics betray and strand you in unknown universes, away from family for months, and once you come back your dad has died? Whooof! And relatively soon after the Kraang invasion? Whooof x2!

Mikey can just willy-nilly create time portals now? Huh. And they're friends with Renet!!!! Guess she taught him to do this stuff less costly.

FRIDA!!!! A design for her! A reunion! that's fun! <3

The Leos interacting is pretty cute.

I CAN'T BELIEVE SPLINTER IS FUCKING DEAD

Honestly, I'm cracking up, what the hell.

"Ohh, my dear family, thank you for everything. Farewell... Oh, and you have some long lost siblings lol" *dies*

Rip Splints, trolling until the end o7

Sweet to see Piebald, both Caseys and Draxum all present. And Draxum became their stay-at-home-dad in the future? That's cute :D I like the "Draxum steps up as a dad, after Splinter passes" trope in fics. (I guess Todd also lives with them....? lol)

"See you in a few years." "Hard pause" instead of The end.

HELLO??? HELLO??!?! !!!!!!!!!!!!

Gosh, the Rise comic was such a treat. It's pretty chaotic and idk how canon you can consider it as, but Andy crammed so many interesting plotty things into just 8 pages! Really fun and delicious tidbits for us to play with heehee!

Not to mention the very hopeful ending, possibly hinting for a come-back ;;;____;;;; OOOOHHHHH I am on my knees, begging.

I was also very excited for the 2003 comic, but that ended up being mostly eye candy and vibing. Not to say, I wasn't incredibly fond and happy to see the 2k3 turtles again <3 They look so good, oh my babygirls, all of them!! (brb I'm also low-key crying at how Splinter describes his sons)

#ruija rambles #tmnt #tmnt 2003 #rottmnt #tmnt 40th anniversary comic #rottmnt spoilers #tmnt spoilers

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tired-teacher-blog · 10 months

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Characters : Tattoo artist Aizawa/ Florist fem reader

Featuring : Eri/ Hizashi Yamada/ Nemuri Kayama/ Oboro Shirakumo/ Emi Fukukado

Warnings and Genre : Fluff/ Romance/ Smut and Angst in future chapters/ Multi Chaptered Story

Summary : In a desperate attempt to get closer to the tattoo artist dominating every speck of your brain, you decide to pay him a visit one evening as a client seeking his service. This encounter will prove to be the beginning of something much bigger between you two, but will this new found passion be enough to stand against the difficulties your future holds?

Notes : Loosely inspired by this/ Art below is by the wonderful @/ael-draw who gifted me this gorgeous piece.

Masterlist|Second Masterlist|Third Masterlist

Chapter Count : Part 1 • Part 2 • Part 3 • Part 4 • Part 5 • Part 6 • Part 7 • Part 8 • Part 9 • Part 10 • Part 11

_ "Nothing looks good damnit!" you whine frustratedly at your reflection in the mirror after trying out the nth outfit and hating everything that has touched your skin.

It's Saturday, the day you and Aizawa agreed upon for your dinner date, but the butterflies in your stomach are clouding your judgement and making you doubt yourself.

You look up the wall clock hanging opposite of your bed and bite down on your lip as you only have twenty minutes left until he's on your doorstep, definitely not enough time for you to dress up, fix your hair and makeup but you have to hurry, and you have to look beautiful, for him..

You glance at yourself one last time before taking a deep breath while many questions race through your mind, will he like this dress on you? Should you have kept it a bit more casual instead? Are you wearing too much makeup? Or maybe too little of it?

You jump up suddenly as the piercing sound of the doorbell reaches you, it must be him..

_ "Good evening, Mr Aizawa," it is him, in all his glory, clad in a pair of expensive looking black pants that hugged his slender legs marvelously, and an elegant white dress shirt with the top two buttons undone, giving you a glimpse of his lean chest. He looks breathtaking, "I hope it wasn't too hard finding my apartment."

_ "It wasn't, you described it perfectly," he replies with a smile before adding, "you look beautiful."

_ "Thank you, that's so sweet of you," you look down at your feet, striving to conceal the deep blush warming up your cheeks, "and you look.. really handsome."

_ "Thanks," he chuckles softly while extending his hand to you, "shall we go?"

You did not expect yourself to be comfortable enough while sharing your life stories with someone you wished to impress, but something about him is making you put your guard down and speak freely even about the silliest and most embarrassing of tidbits.

He is charming, gentle, and an amazing listener, and between the delicious food in front of you and his pleasant company, you're feeling like you've known him for years, and you wish the night would never end.

You're learning a lot about him already, things you have never known before, or expected, things which are making you feel much closer to him.

Your eyes are fixed on the alluring man before you, listening to him eagerly while he tells you about once being a high school teacher for a few years along with his profession of a tattooist and owner of the studio facing your shop.

You now also know that Mr Yamada, Mr Shirakumo and Ms Kayama are his best friends since high school, they've been working with him since day one and made it easier for him to juggle two jobs.

_ "I never expected you to have had such an ordinary job before, and with kids no less!" you're trying your best to control your excitement at this new discovery, "somehow, this makes you sound even cooler than I thought."

He clears his throat and looks away from your blinding smile with evident bashfulness in his demeanor, "it does? Well, thanks."

He's cute, extremely so, and you've never thought the day would come when you would be describing him as such, but here you are, and it's making you fall for him harder each second that passes.

_ "Was there a reason why you had to quit your teaching job? I mean, I can imagine how tiresome it must've been for you to work day and night."

_ "You're right, but that's not the reason why I left school, it was because.." he smiles again, a bit differently than before, as if recalling a sweet memory, "I haven't told you this yet, but I have a daughter from a previous relationship, her name is Eri and she's seven.

A daughter? He's a father? You would have never expected this, it's even more surprising than learning about him being a teacher in the past, but it's adding to his charm and making you eager to know more.

He takes a sip of his drink before carrying on, "I didn't even know I had her until a few years ago, her mom kept the whole thing from me."

_ "Eri.. that's a cute name," you giggle softly while imagining him with his little girl, he is full of surprises, "was it serious between you and your ex?"

_ "It wasn't, we were young and stupid, and broke up after a few weeks of dating, and I didn't see her after that until she knocked on my door one day with Eri in her arms, she told me she was getting married and that I had to take care of our daughter because her to be husband didn't want kids."

_ "It must've been a lot to take huh? Was this the reason why you quit school?" you've been too invested in his story that you failed to notice your face inching closer to his.

_ "I was given a chance to make up for all the time I couldn't be there for her, so I had to make a choice, I owed her at least that much." he traces a finger along the back of your hand, and you almost shiver at the electrifying sensation of his touch.

_ "Is she home now? Who's keeping her company?"

_ "Her babysitter is, a wonderful woman with years of experience and kids of her own who are in their twenties now, so she knows exactly how to take care of Eri when I'm not home or working."

_ "you're an amazing person Mr Aizawa, and Eri will grow up to be a wonderful woman because she has a father like you." the warmth spreading throughout your veins is reaching your fingertips, this man sitting across from you is beautiful, inside and out, he is simply perfect.

_ "You're the one who's amazing," he finally holds your hand in his, squeezing it lightly for emphasis, "you know, I've never really cared about having a partner, and none of my previous encounters were serious because I was afraid of somehow hurting Eri or making her feel neglected, so I was fine just being a father, and promised myself that I will only expose her to people I can trust," he brings your hand to his lips, planting a soft peck there, and lingering for a moment, before meeting your eyes again, "and then you moved in across from me, and I haven't been able to take you out of my mind since."

You bite down on your lip to keep from squealing, as the feeling of his words and his kiss is driving you insane.

His words take you back to that day, when you opened the doors of your shop for the first time ever, almost seven months ago, you were both excited and anxious at the same time, you have put every last penny you owned into it and you were determined to succeed.

It was then when you met this handsome man, the one who has since made your days more exciting as you counted the seconds each day until seeing him for those mere moments that made up for hours of waiting, and here he says that he has noticed you? How come you have been so oblivious to that?

_ "How?" you have to know.

_ "Well, I found it cute when you froze in place the first time you saw me but tried your hardest to look nonchalant as you greeted me, it was obvious you were pretending and I found it endearing." your hand is still in his, and your eyes are following the invisible pattern he's drawing on your skin, because you're not confident enough to look him in the eye just yet.

_ "Tha.. that's not true." and you're pouting now, not for being upset, but rather for being embarrassed to be found out.

_ "I love that your reactions are always too honest," he chuckles heartily, "it shows how pure you are, and makes being with you very comforting."

The heat in your face is raising remarkably as you pull your hand from his so you could lace your fingers together in a rare moment of boldness.

_ "I was right about you all along," you start after a minute of silence, "you are too kind hearted Mr Aizawa."

Your time with him has been magical, the best night of your life, and the bright smile is refusing to leave your face as he drives you home.

_ "I had a wonderful time Mr Aizawa, thank you for asking me out." and your eyes are fixed on the ground as he walks you to your doorstep.

_ "Thank you for saying yes," he doesn't miss a beat as he replies, smiling softly while you both come to a halt facing each other and surrounded by the night's fresh air that's casting a pleasant atmosphere around you, "I wanted to ask you out for a while now actually, but didn't want to make things awkward in case you said no."

_ "Yo.. you really mean that? Then, what made you change your mind?"

_ "It was the moment you barged in and asked for a tattoo, you were nervous, but also quite brave, I was blown away and.." he breathes in deeply, "somehow I thought that maybe a part of the reason why you showed up that day, was because you wanted to see me."

_ "It was, it actually was.." you look into his eyes as you speak, suddenly all bashfulness and hesitation are leaving you, "I nearly gave up on all hope, but I'm glad I didn't."

His shoulders visibly relax as he gets even closer to you that your breaths are now mingling, his hand comes up to cradle your cheek and the cool feeling of it against your heated skin coaxes you into nuzzling it, "can I kiss you?" he requests cautiously, and you nod fervently.

He leans in slowly, pecking your parted lips once and pulling back to gaze into your longing eyes before connecting your lips again.

It's slow and gentle, and the feeling of his surprisingly soft lips is weakening your knees.

You are kissing him, truly, unlike the countless days and nights you spent imagining it, this is actually happening and it's so much better than all your fantasies.

His arms are on your waist, holding you securely and pulling you flush against his toned chest, as you reach yours around his neck to bring him closer and deepen the kiss.

Your lips are moving together in rhyme, and you fight the urge to whimper against him, he's stealing your breath away but you don't mind, you don't have to breathe, you don't want to pull away, you just need to feel him a bit longer.. just a little bit more..

Sadly though, a gush of air slaps your face as he parts from you, and your lips are suddenly feeling lonely without him.

_ "Sweet," he breathes out, half lidded eyes studying your flushed face, "tonight was perfect."

_ "It was." your arms slide down his neck to rest against his chest, and you can feel his thundering heartbeat under your touch.

_ "I'll see you Monday." and he finally releases you from his warm embrace.

_ "Oh, yeah.. right, Monday." it's impossible for you to hide your gloom, Monday seems far away, and that little moment you're used to share every evening as you close your shop and he opens his, doesn't seem enough anymore.

_ "Unless.." he interrupts your thoughts and your ears prick up as you listen eagerly, "I'm taking Eri to the park tomorrow afternoon, do you want to join us?"

_ "Can I really come?" you are overwhelmed with emotions, looking up at him with shine in your eyes and a wide smile on your lips.

You haven't forgotten what he said earlier, about being careful whom he allows near his daughter, and hearing his invitation to share the day with them is more than you can dream of happening.

He takes your hand in his, planting a soft kiss on your skin before speaking, "I'd love that."

_ "Then I won't miss it for the world!"

To be continued..

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salempie · 1 month

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Soooooo I was talking with @tumbleinthenet about Elka and all my HCs for her and the future AU and they wrote a little tidbit for it! So of course I decided then to draw it <3

Elka has a child with Nils in the future AU, one which neither of them really wanted. Despite this, Elka is determined to give the child a good, normal upbringing; a childhood they can actually enjoy and one Elka herself felt cheated out of. She wants this baby to be happy regardless of its Doomed heritage.

“I think…Dustin, if it��s a boy. And Courtney if it’s a girl.”

#psychonauts #elka doom #eating crayons #tumbleinthenet #wahoo! yippee! yay!! some day I’ll join everyone in making a full fankid reference #not today though

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cashmoneyyysstuff · 1 month

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Please tell me about your ocs!! IM HUNGRY GRRR

helloow omg ! im so honored you want to know more about my ocs aaahhh!! :D my moot @kovu-bunnbunn also wanted to know more so i figured i could do it now !!

i have a bunch of ocs but I’ll just talk about my main oc ryoko right now !!

her full name is ryoko ‘007’ aizawa. I’ll explain the 007 in a minute !! she’s aizawa’s adoptive daughter.

her parents (her dad more specifically, her mom was more of a bystander) are both from very wealthy families and merged. Her parents had an arranged marriage and after some chatter to get to know each other they’re conversations take a little bit of a turn..and inbetween bonding about their favorite movies oop! A lil comment about how the world would he better off without heroes..oh you think so too ? Well look at that, we have so much in common!! long story short they both decide that the want to create something that will be able to take down all might and the entirety of hero society and it’s restrictions,,and I’m pretty sure you can guess what that something was ! nine months later ryoko is born yipeee…!

during her entire pregnancy ryokos mom went through some quirk experiments (sponsored by doctor garaki 👍) because they knew that with both their quirks alone they wouldn’t be able to create a super weapon. (ryokos dad has an overhaul type quirk, and her mom has a healing sort of quirk) so they did some experiments hoping something would change in the womb, and when she was born the kept on doing experiments until she started manifesting a quirk w no attributes from her either of her parents and manifested a fully different quirk than she was originally meant to have,

since she had those experiments done ryokos body adapted to be able to handle her quirk, but it’s not perfect unfortunately.

heres a simple little chart of how it works ! (BTW I DO NOT DRAW LIKE THIS ANYMORE THIS IS OOOOLLLLDD😭😭😭😭)

her quirk is a lot like neijires as in she uses her own energy and converts it into power ! The amount she uses shows in her hair :3 ryoko tho, unlike neijire can do multiple things from sending blasts, to powering herself up to make parts of her body stronger, to making it hard objects like stepping stones she uses to navigate and weapons like dual swords or chains to restrain ppl !! she can also drain other peoples energy (and from her surroundings, but thats only in 100% mode ! ) because of the fact that her body had been modified, ryoko can carry more energy into herself than regular people which is why she can drain energy without any major drawback to a certain extent ! However, her drawbacks are way more severe, overusing her quirks makes her sleepy and drowsy, it gives her nosebleeds and very worse case scenario if she were to have too little or too much energy she could die :0 !!

(ALSO !! I lil extra tidbit: ryoko is capable of sensing peoples energy’s if she concentrates hard enough, it works better if shes seen them before, but she can sense all the energy in humans in her surroundings or if she has a picture, tho it’s slightly weaker and is limited to one person at a time. This is a form of remote viewing that i gave her bc of my obsession w stranger things i had !!😭)

its a pretty powerful quirk that her parents and other scientists knew they could use well, but unfortunately for them ryoko ended up liking heroes (she was barely educated, so she had no idea that she felt admiration for heroes and especially all might, she was alsovaguely aware that she was taught to do the wrong things, because she’d be forced to use her quirk on robots/ small animals in some cases.)

her parents weren’t supposed to feel any affection towards her so they decide to just give her a code name 007 :D which i realized a little too late was the same as james bond..woops😭

anyways fast forward to the biggg “earthquake” incident, shes rescued by a group of heroes, eraser head included :D unfortunately shes detained in tartarus since her being in a constant state of panick set her quirk off and she couldn’t stay in a regular hospital so ryoko has canonically been to tartarus as a inmate at the age of 4 😭! Oh forgot to mention this, but ryoko got her quirk veryy early due to the experiments done before her birth and after.

since ryoko cant control her quirk an aizawa can cancel them, they’re a pretty good matchup !! Fast forward some more and shes living with him ! he adopts her and lets her go to school, where she meets izu n katsuki and they quickly become friends because. Of COURSE. My main ocxcanon ship is a CHILDHOOD FRIENDS TO LOVERS ONEEE😭😭😭😭will i ever stop. raise your hand if you’ve ever seen that one comin

lmk if you want to know more about her or other ocs ! I didn’t wanna ramble TOOO much so this is all the basic info!! plus some drawing of her

two of them r completely credited to horikoshi cus i used ochaco n hagakure as a base !! I accidentally have two in normal mode and two in 100% or overdrive mode as she calls it (tho one of them is a soul eater au :3) ! Both made by me :3

Much luvvv xxxx!!! And thank you Sooo much for your ask again💗💗💗💗

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notfreetoday · 1 year

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MPW Ep 3 Subtitle Corrections

EP 1 || EP 2 Cultural/Language Tidbits: EP 2

Same translation disclaimer applies. Thanks again for indulging my crazy long t/n, please keep geeking out with me in the notes!

We've got a change of director this episode - to Funabiki Shinju (twitter linked here) who was the scriptwriter for Jack Frost. This date is also a drama-only episode and does not appear in the manga. So, we have quite a few ad-libs here! I'll point out these out, as well as any interesting comments by the director and the producer from the Ep 3 twitter space as we go on. (Due to tumblr's image space limitations, some of these scenes will have no pics, just a description)

Ep 3, let's go! (If you read nothing in this post, please just read Yoh's monologue)

Since this is the theme of this episode, and Yoh's favourite word, let's talk a little more about it. I've mentioned it previously, but both "嫌い (kirai)" and "大嫌い (dai kirai)" are often translated as "hate/really hate", when they really function more as the opposite of "(suki)", ie "to like". That said, the amount of emotional weight this word carries depends on the context. It can accurately convey the pain/anger of hating someone, but it can also be used very mildly. For eg, it's often used by kids in the "I hate homework/vegetables/the rain/etc" form, or by teens/young adults in the "I don't want everyone to hate me" form, as opposed to other synonyms. When introducing yourself/getting to know someone, it's not uncommon to be asked "what are your suki/kirai?"

In other words, overuse of this word can actually come off as slightly childish, because kids/young people are usually the ones using this word to reject small things/express themselves. Yoh's constant insistence that he hates Segasaki pretty much sounds like this - which is why Man-san expresses doubt about it, and why when Segasaki repeats this line back to Yoh, Yoh understands that Segasaki is teasing him. (The word "love" is considered too heavy and precious of a concept to be thrown around easily, so "suki" is the default go to even in committed relationships.)

Y: 相変わらずすごいよ、この人の外面モード。 Y: As always, this person's "public mode" is amazing.

"外面 (soto zura)" literally refers to the "outside face", and when used to describe a person means someone who puts up a certain personality/attitude depending on who they're speaking to/the situation.

The reason Yoh's saying this is because Segasaki is speaking to him in a much nicer way than he usually does at home 🤣He's using plain forms yes, but he's also praising him and smiling at him and actually saying a whole, proper sentence as opposed to the one-word sickness he has at home🤣 This is most obvious right before Segasaki leaves, when he warns Yoh to be careful when drawing other people - he says "気をつけてね~ (ki o tsukete ne~)", ending with a ne~ which is sweet and cute and which he almost never does with Yoh at home 🤣🤣

Twitter Space Note (TSN): They decided that since they finally got to shoot an "outdoor scene" for Yoh, they'd try to make him look a little more fashionable with a shirt instead of a hoodie 🤣

Y: いってらっしゃい Y: Itterasshai - this is a standard greeting that you say when someone is leaving the house (or the office, if they're going out on a business errand). Basically, the one leaving says "ittekimasu" and the one staying behind says "itterasshai". They mean "(I'll) go and come back/Go safely and return well" When returning, you say "tadaima" and the one welcoming you back says "okaerinasai" meaning: "(I have) just now (returned)/ (you have) returned safely". Unlike Yoh, Segasaki does none of these standard greetings (which Yoh complained about in Ep 1 whilst chopping onions).

Y: だからね、気持ちが通じ合った*っていう描写が必要だと思うんだよおれは Y: だからこそ、体が盛り上がる**、的な？ M: はーん。中高生処女みたいなこといってろ Original: Y: That's why I think it's necessary to depict the feeling of "mutual understanding" Y: That's how the physical aspect also gets exciting... or something like that? M: Hmm.. talking about it like a high school virgin, huh? Mine: Y: So that's why, I think it's important - showing that (the characters') have this unspoken understanding* of each other's feelings. Y: It's precisely because of that, that you get physically excited** - something like that? M: Mm.... you're saying things a high-school virgin would say **体が盛り上がる - literally, "the body gets excited/heated up/lively etc" - given that they are talking about erotica, he probably means physically aroused here, but this term also works to explain the feeling of excitement or emotion just swelling in your chest for eg *通じ合った - is not just "mutual understanding" - it specifically refers to a situation in which both parties understand each other without having to say a word - like when you look at someone and just get them, or like in sports, you just look at your team mate and you know.

This is an important distinction because in this line, Yoh again emphasizes "I" - at the end of the sentence he ends off with the pronoun "俺 (ore)" marked by the subject particle "は (wa)" - which means that in this sentence Yoh is emphasizing that this is his opinion - that he himself thinks it's important to show that 2 people simply get each other, because that's exactly what translates to that sensation you feel in your body. This is what Yoh wants - he wants to understand Segasaki, and he wants Segasaki to understand him, without them having to actually say anything. Which at the moment, only Segasaki is achieving, ironically.

[ Man-san's dialogue, where she says "a sex scene follows]

TSN: Man-san actually only says “se-“ here, and then mutes herself (because they’re in public). In the script, it was supposed to be the full “sex” word, but they weren't sure whether it would be ok (it's not clear whether they mean ok for the actress to say this or ok for the show in general) so in the end it became "se-". Yes it's an odd place to be concerned about given the whole Ep2 but #Japan

Again, the word here used is “kirai” but translated as “dislike” instead of hate 😉

TSN: Between this scene and the start of the next scene, they praised how Acchan uses his eyes to convey Yoh's dejection and how he expresses Yoh's emotions very sensitively through his gaze (and I agree!)

TSN: The director mentioned that she had thought it would look good if Segasaki to put his hand up like this on the ceiling partition, but the moment Kouhei walked in, he just did it naturally without her having to say anything, and so she was really amazed.

S: じゃ、出かけるぞ (Jya, dekakeru zo) S: Then, we’re going out.

“Let’s go out” would be more of "じゃ、でかけましょう (Jya, dekakemashou)" – by using the ending form “(-ma)shou”, the listener is included in the action of going out as an equal to the speaker, the same way “let’s” is used in English. It is by far the most common way Japanese people make a statement without trying to sound too overbearing. But here, Segasaki once again demonstrates his habit of simply stating what they’re going to do, and speaking for Yoh. The sentence-final particle “zo” at the end of his sentence is an assertive one that doesn’t leave much room for argument.

TSN: Again they talked about how they emphasised to Acchan to do the housework improperly, since Yoh isn't supposed to be good at it. Also, when Yoh thinks, "what's with this, all of a sudden?", the director asked that he move his hands "more" as he folded the clothes, like he was still happy to be asked out.

Y: デート自体ないんだよ Y: I’ve never even been on a date.

Y: 俺、いま一体何してんだろう Y: What am I even doing right now?

Yoh’s not wondering what they’re doing, he’s questioning his own actions, like "why am I even here, doing this, what am I supposed to do" etc, because you know, he's never even been on a date before and he has no clue whether this actually is one.

[The scene with the 2 of them on the bench, and Segasaki asks Yoh what he'd like to eat]

TSN: The script only went up to Yoh answering that he wanted to eat “Chinese food”, and this whole bit afterward just happened naturally when they let the camera run.

Yoh says “たっか(taka)!” which is short for “高い(takai)” aka “expensive!” but his voice is so cute here I’m dying. (It really is bloody expensive, these things are usually anywhere between 180 yen – 300 yen pre-pandemic. Even with the big one they have here, I don’t think anyone would sell this above 500 yen)

TSN: They said they searched for a 1200 yen steamed pork bun but couldn’t find one, and in actuality the store sells them at a really reasonable price, so to please go give it a try 🤣🤣

[The scene of them walking and sharing the chicken cutlet]

TSN: This scene, as well as them walking along they alley way looking at the shops, was mostly ad-libbed (which is probably why we see Acchan smiling so much here hahaha I’m guessing the question about which he liked better was probably an adlib, which surprised Acchan). For the alleyway, they were told that their conversation was not going to be used, so they were quite relaxed (and that explains the audio fade out lol)

[The scene of them drinking Boba/Bubble Tea]

About Gyaru - when Boba/Bubble Tea first came to Japan, it became pretty popular amongst Gyaru, and quickly became associated with Gyaru culture - hence why they both felt it was something only Gyaru drank. It's similar to the idea that only ladies eat sweets/desserts that was briefly mentioned in OFC (which makes Nozue feel awkward about 2 men eating cake in a dessert cafe) - here they mean they both felt too embarrassed to try Boba out before due to the idea that it's a "Gyaru" drink (and I love how Yoh looks at Segasaki then, like he only just realises that even Segasaki might get embarrassed/feel awkward sometimes).

S: 乗るぞ (noru zo)

Again, this is “we’re riding it” instead of “let’s”.

Y: 思ったよりすごく透明で Y: (The cabin) is more transparent than I thought

The floor of the cabin is actually clear, so you can see right down through to the bottom, which is why Yoh is a little freaked out here. Not because he thought glass wasn’t transparent.

TSN: Acchan is also afraid of heights, so the stiffness you see here is real, he really didn’t like it, but they went 4 rounds in total to finish this scene. (Kouhei apparently was fine and enjoyed looking right through the glass, though I can’t remember which interview this was mentioned in, sorry!)

S: ほら S: See?

ほら (hora) is commonly used to draw the listener’s attention to something, so here Segasaki really just means “look (I was right)”

TSN: They apparently redid the scene where Segasaki dismisses the store attendant many times so they could make sure it was done in a way that looked natural and wouldn’t be off-putting.

We’re back to one of Segasaki’s humming sounds – the “hmm…?” here again conveys the “oh, really/is that so?” sort of lazy drawl that can easily be mistaken as Segasaki being bored – which is why Yoh immediately suggests they go do their own thing.

Y: そっちも、好きなところいっていいから Y: You too, it’s okay (if you go) to the places you like so…

Yoh uses “そっち” here to refer to Segasaki - which literally means “your/that side” and is another way in which Yoh avoids addressing Segasaki directly (remember, in Japan we don’t like being direct, and “you” is sometimes too direct).

Fun fact: Depending on which part of Japan you’re in, this can either be seen as a totally normal way of speaking, or it might annoy you a little to be referred to as if you were an object/place, or you might feel like the speaker was treating you a little like an “outsider”. The divide in opinion seems to be somewhere between the northeast regions, and the western regions. Tokyo and the rest of the Kantou region (where the show is based, judging by the lack of an obvious accent) are sort of 50-50.

Y: もしあれ*だったら、あ、あの、こっちはこっちで、好きにやってるし Original: Y: Ah, if you want to. Well… we’re both doing our own things… Mine: Y: If (you feel) that way*, then, ah, umm, I can… do as I like, by myself too...

*that way - this refers to that sort of awkward, uncomfortable feeling you get that is hard to describe when you’ve been put on the spot. So, this makes it clear that Yoh is offering Segasaki an “out” from this uncomfortable, weird position he thinks Segasaki is in.

Similar to his earlier sentence, Yoh refers to himself as “こっち (this side)”, and the phrase he uses pretty much means “I can entertain myself”. This is an example of kizukai – or at least, what Yoh thinks is kizukai - which is a concept where you do your best to think of the other person’s needs and wants, so you can anticipate what help they might need and so you don’t inadvertently inconvenience them. Ok, now get ready for some mental gymnastics:

From Yoh's POV, Segasaki wants to buy clothes, and has brought Yoh along to carry the bags. Therefore, Segasaki’s offer to buy him a shirt, and asking him if he is having fun, is Segasaki’s kizukai – Segasaki is going out of his way to make sure Yoh is taken care of. But! Yoh doesn’t want Segasaki to feel inconvenienced (similar to how in EP 2, Yoh said he doesn’t want Segasaki to dislike him), so he instead almost reflexively rejects Segasaki’s offer, then encourages Segasaki to go enjoy himself, and in response to Segasaki’s “Ha!?”, doubles down and says he’s totally ok by himself - This is Yoh’s kizukai.

Tired yet? This is a normal consideration in daily interactions! You can see why the phrase “yokei na kizukai (excessive/unwanted kizukai)” also exists in Japanese lolol 🤣

S: ああ。せっかくの休日に、大嫌いな俺*と一緒にいてのはたのしくない？ Original: S: Ah. So spending a day with someone you hate on your precious day off isn’t enjoyable? Mine: S: Ah. On your precious day off, being together with me – who you hate* – isn’t fun?

*“大嫌いな俺 (dai kirai na ore)” is literally “the ‘me’ that you hate”, or “me who is hated by you” - emphasis on "me", the person standing right in front of you.

Y: いや、それは…違。。。あ、その。。。 Y: No, that’s…not-…- ah.. um…

“A, so” again.

S: 五時にここ集合*な (goji ni koko shuugou *na) S: We’ll meet here at 5, *yea?

*Ending with “na” is softer than “zo” – this statement is still pretty much an order, as with his other statements that ended with “zo”, but it’s gentler, and softens the fact that he’s walking away from Yoh here.

TSN: Pretty much everyone was just going on and on about “oh, poor thing!” in response to Segasaki getting rejected and chased away, and how even though he’s sad here he’s still sweet and gentle with Yoh. Yes, that’s right, everyone loves Segasaki.

[The scene of Yoh spilling water on his shirt]

TSN: This was apparently pretty difficult to shoot in a way the camera could see the water spilling, but the wardrobe team came to the rescue with hairdryers so they could keep reshooting 🤣🤣

S: じゃ、帰んぞ (Jya, kaen zo) S: Then, we’re going back

“zo” is back! Sorry for being so pedantic about tiny things like this, but I do think it gives us insight into Segasaki's character and how he may be feeling.

This line is the most important correction in this post.

Y: 本当はさ、ずっと、ささいな表情とか、しぐさとか、俺が言うこと聞くとちょっと嬉しそうにするのとか、晴れの予報を告げる優しい声とか、全部バカみたいに俺ばっかり。毎日俺ばっかり心臓大暴れさせてるみたいで　嫌だった Y: むかつくとこ拾い集めて　大嫌いだって思ってないと　その気持ちの不釣り合いに　息ができなくなってしまいそうで嫌だった Y: 嫌いじゃない　嫌いじゃないよ Original: Y: Actually, all these times, your expressions, gestures, the way you look kind of happy when you listen to me, and your gentle voice forecasting good weather. All of them, make my heart beat as if it’s coming out. I don’t like it. Y: I gathered everything that annoyed me, thinking that if I didn’t, the imbalance of my feelings would suffocate me. I don’t like it. Y: I don’t hate you. I really don’t. Mine: Y: In truth, all this while, the little expressions you make, the gestures you do, the way you seem just that little bit happier when I listen to you, and the gentle voice with which you announce the sunny weather… All of that - like an idiot, it's just me who… It feels like it's just me whose heart has been made to pound and race wildly and - I didn't like that. Y: If I didn't gather up all the things that frustrated me and told myself "I hate this" then, the disparity (between us) in those feelings would suffocate me, making me feel like I could hardly breathe and - I didn't like that. Y: I don't hate you. I really don't hate you.

TSN: This was ad-libbed too. It just happened that the metal post was coming up in between them as they walked, and Acchan saw it and planned to go around it, because he felt that emotionally there was a gap forming between Yoh and Segasaki at this point. But right as he was about to do that, Kouhei grabbed him by the sleeve and pulled him over, which Acchan was really surprised by, because they both had the same thought to ad-lib something about that post, and they both did it as their characters would do it, but it was the exact opposite action. The director said that when the 2 were walking back towards the start point they were both smiling a little, and then asked the director “how was that?” to which she replied “It’s really great!”, and then Acchan looked a little frustrated (in a sorta arrgh I got it wrong sort of way) whereas Kouhei was all “I was definitely right” (Acchan mentioned he was abit worried about the ad-lib, so I’m guessing they both were discussing as they walked back and finally decided to settle it by asking the director hahaha)

Y: すいません S: なにが Y: その。。。いろいろ S: だからなにが Original: Y: I’m sorry S: For what? Y: Well, for everything S: What do you mean? Mine: Y: I’m sorry S: About what? Y: That… for many things S: And (I said,), about what?

Yoh uses the formal "すいません (suimasen)" here, as opposed to his usual and more casual "gomen" or "gomen nasai", because this line is important to him, and he means it. "Sorry" in Japanese does not always carry the meaning of regret/remorse - it can be used to express gratitude as well. You''ll often here people say "Sorry that you had to (go through the trouble)" after they've accepted a gift, or "Sorry, I've caused you much trouble" as a way of thanking someone for their care. So, Yoh says "sorry" here after accepting Segasaki's gift, which could be seen as a thank you, but he also means he's sorry that he's like this, that he can't be honest/straightforward about his feelings (a theme that is brought up in Ep 4), that Segasaki has to care for him like this etc. "For many things" is a common way to encompass all of these mixed feelings, and yet not say them out directly.

Y: どうせ口じゃ、うまく言えないから Original: No matter what, I don’t dare say it Mine: Since I can't get the words out of my mouth properly anyway

S: よくできました (yoku dekimashita)

This is a formal way of saying “well done”, and if you did well in your work/test in elementary school you’d get a stamp that says just this, or your teacher would draw you a flower. The more elaborate the flower, the better you did. This is the only time thus far that Segasaki has said anything formal to Yoh at all. The sudden shift, and the imagery this phrase evokes – a literal stamp of approval – emphasises not just Segasaki’s approval, but also his role in Yoh’s life (ie, his role as Yoh’s provider, or well, maybe keeper is more accurate. Honestly Dom makes the most sense, but I’m not qualified to talk about that so see @lutawolf posts for more!). We’ll talk more about how both Segasaki and Yoh acknowledge the power dynamic between them in the way the speak in the language analysis post (that will come after this, before Ep 4's).

Y: この人、もしかして本当はめっちゃ俺のこと。。。？ Y: This person… could it be that he actually…really is… …me?

Y: 信じていい？ Y: Is it ok if I believe? sue me, I think believe and trust carry different nuances.

S: よかったな* (yokatta *na) S: シーツ買ったからいっぱいできんじゃん、大好きなセックス S: まあ　残念ながら　相手は大嫌いな俺**ですけど Original: S: Great, S: with more sheets, we can do it more often. Your beloved sex S: Well, unfortunately the other person is someone you hate Mine: S: Isn't this nice* S: Since you bought more sheets, we can do it a lot - the sex that you love so much S: Well, unfortunately, your partner is me - who you hate **so much

*The use of "na" here is slightly different from the one earlier - here it is used more for emphasis, and the downward tone carries a hint of mockery.

Again, Segasaki uses the same "the me who you hate" phrasing as he did earlier, emphasizing to Yoh once again that Segasaki is the one Yoh hates. Except here, he also ends off the sentence with "ですけど (desukedo)", and the whole phrasing of this line too, from the word "unfortunately" onwards, just feels business-like. As before, the shift in style gives the statement more weight- Segasaki is really not letting Yoh get away with this line here, and Yoh feels this acutely. The sharpness of the line makes him turn away abruptly in shock and even some anger.

S: お前が好きにしていいって言うんだから S: 好きにさせてもらうけど　*な (na)？ S: お前　本当バーカ Original: S: You told me to do as I like, S: then I’ll do what I want. Okay? S: You really are… an idiot Mine: S: You said I could do as I wish so, S: I'll gratefully do as I please... *yea? S: You're...really an idiot

*The "na" used here is similar to the one Segasaki used when telling Yoh to meet back at 5, in that it assumes the listener will agree with the speaker. This time it's not so much used to soften an imperative, but rather, to soften the teasing of the preceeding line - "I'll gratefully do as I please".

The phrase used here is "~させてもらう (~sasete morau)". "Sasete" means "to do" something, with the permission of the other person, and "morau" means "to receive (with thanks/gratefulness)" so together this phrase means that you're going to "do something (with the permission of the other person)", and you are thankful to have received that permission. It's usually used for things like asking your boss "May I please go home early with your kind permission" sorta thing, or telling someone that you "ate a meal someone provided for you that you are grateful for".

So here, Segasaki is pretty much saying "I'll do as I please since you so kindly told me I could, didn't you?" which is why he smirks as he says it.

/////

And we're finally done with EP 3!! Finally! Now I can finally talk about their general speech styles and what it means when they choose to switch between them. Thanks for joining me! Also, shout out to @eralkfang for tagging me in their meta post - I'm really glad these posts are helpful that way!!

#my personal weatherman #taikan yohou #体感予報 #MPW subtitle corrections #mytranslations #this was the episode that made me start this series #some of the subs are wrong in crucial places #and that hurts me #sorry it's late #we'll catch up during this 2wk break before Ep 6 #HOW IS THERE A 30 IMAGE LIMIT PER POST

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spy-from-canada · 1 month

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TNMN FANDOM, I COME BEARING AN OC!!!!!!

i decided to draw him as close to the tnmn style as possible because i could!! it’s also a bit of a change from my usual more toony style, so it’s good for me!

anyways…

meet ezekiel “eze” natacha, the permanently anxious cashier!!

the (game-wise) important tidbits about him:

lives in 04-01 alone (not canon of course, there is no 4th floor in the game)

ALWAYS has a nervous/anxious expression

slightly messy hair

scars on his nose and neck

thin eyebrows

pointed nose

apartment number is 8831

works as a cashier at the local general store

ID number: 861503591827

ID expiry date: 09/1965

UNIQUE DOPPELS!!

no scars - no scars on his nose or neck, can be caught redhanded when asked about appearance

TRYPOPHOBIA WARNING BELOW THE CUT!!!!

trypophobia - holes covering the left side of his face, cannot be caught redhanded

stoneface - the doppel who doesn’t have an anxious or nervous expression, is cold and blunt towards the doorman, can be caught redhanded if lied to about being on the list

QUOTES!!

these screenshots below are the possible quotes you can get when interacting with eze and his doppels!

if you wanna see the original pic of him (in my usual artstyle), here it is!!

n e ways that’s about it, i shall go back to my hideyhole now :3

#that’s not my neighbor #tnmn #tnmn oc #that’s not my neighbor oc #duncan’s art

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daydreaming-ace · 17 days

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Nephlia <3

Before you continue: please reblog this if you like this, I worked really hard on it!

Anyway...

Here's some interesting little tidbits about the drawings:

I wanted the six initial drawings to looks like they'd be from a fun little book. I hope I did that concept justice :D

In the fourth's one's image description, it notes that she's singing a song from Epic the Musical. She is specifically singing "No Longer You", with the notes corresponding to the first line of the song: "I am the prophet with the answers you seek".

Trying to design Dahlia (Dark Nephlia) was difficult, but the worst part was trying to find a color for her. I still adore her, though <3

I have a version of the first "lore" drawing in the same style of the illustrations. I decided to color it, instead, as I really wanted to get Nephlia's actual colors down.

* Trying to figure out the color of her lashes was awful. I went through at least three different colors before settling on yellow.

If I did a story with her with art, I think the best format would be an ask blog. I don't know if I can do that, so I'll just do random funnies with her here.

#nephlia #nephlia kirby oc #kirby oc #feat.: taranza. kirby. marx. dark nephlia (dahlia)#kirby #kirby series #kirby games #kirby franchise #kirby fanart #kirby fandom #maxxie talks #maxxie's doodles #maxxie writes #oc crap #i really wanted to make a long post about her

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canadachildvol2 · 2 months

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Wish rewrite ✨ Extra details

As I mentioned in the final part of my "Wish" rewrite, I was toying with the idea of creating a separate post that covers additional details and character descriptions that I couldn't organically include in the summaries. After spending some time away (my brain was pretty fried after all the planning and plotting of that rewrite lol), I eventually decided to go forward with that idea. So here it is :)

Below the cut are details concerning the key characters and the plot itself, including a few worldbuilding tidbits. I have also added some of my concept art (one of which I already showed in the rewrite, but I wanted to share again). <3

And because they asked me to, I'm tagging @signed-sapphire

CHARACTER DETAILS

Asha: The main protagonist of the story. Levelheaded, composed, a touch cynical; a realist. She is prone to being very blunt and not considering how this harsh honesty can hurt others before speaking. Despite this, at her core, she's a trustworthy and compassionate individual who cares a lot about her family, friends, and Rosas as a whole.

After being let down again and again throughout her life (her father's death when she was 12, no one in her family having their wishes granted, seeing the kingdom figuratively crumble bit by bit because of how exhausted and troublingly passive many citizens are, etc.), she eventually stopped being hopeful and always focuses on realistic outcomes and worst-case scenarios.

"[Papa] always said that hope gives you strength, but for me it brought so much pain. So by expecting and accepting the worst, it hurts less when the inevitable happens."

When it comes to Star, she is at first exasperated by his energetic and overly curious personality. However, during their time helping people with their wishes, she softens up to him and sees his good heart. Moreover, his ambitiousness and optimism rubs off on her and she gradually starts to feel bright and - more importantly - hopeful for the first time in years.

She works as a tour guide for visitors and potential new residents. While not a fan of the job, it "pays well" as she says to Dahlia at one point. In her spare time, she likes to read and draw. She is also a talented dancer, but she often keeps this skill under wraps (courtesy of her reserved nature).

~ I took some inspiration from Jane's character and arc in "Return to Neverland," but there are shades of Tiana and Raya present as well. Regardless, I really wanted this version of Asha to stand out from past Disney heroines. ~

Star: The deuteragonist of the story. Energetic, inquisitive, peppy, and (at first) doesn��t have much sense of personal space. He can be very easily distracted, but when things get serious, he knows to focus on what's important. He is an overall affable person who is eager to experience new things and make friends.

He is a young star who has reached the point where he is ready to advance into a proper wishing star. By helping Asha make her wish come true, he will accomplish that, so he is very much determined to make it happen. However, he finds himself conflicted when he grows fond of humans and their way of life, as well as falling in love with Asha. He wants more than anything to help her save Rosas and become a wishing star, but that will mean he'll have to leave her when the job is done.

He is mute and only communicates through body language and images created with his star dust. The sole exception to this is in the "At All Costs" scene when he used his magic to allow Asha to essentially hear his thoughts via human speech. This is temporary and only lasts a few minutes. Afterwards, he goes back to being mute.

"His fingers touch her lips, then his, then he runs them along her ears leaving a trail of star dust. Before she can question what he did, she hears a deep, soft voice: “Asha.” It’s him! It’s Star! “You can…?” “Not for long."

His powers include levitation, shape-shifting, making things grow, and changing the colours of flowers and other objects he sees. While he cannot actually grant wishes with his magic, he can inspire others and spread hope with it. In this sense, he is indirectly granting them by providing the tools others need to make them come true on their own. Animals are also drawn to him.

Magnifico: The current king of Rosas and the main villain of the story. A cunning and charismatic sorcerer whose knowledge of wish granting magic was passed down from the royals before him. When 18-year-olds and new residents approach him to give their wishes, he presents himself as a kind man. In reality, he is apathetic to his subjects' well-being and only cares about maintaining absolute control.

While this need to preserve his authority stems from having a bit of a God complex, it is also because he does not want to be the king responsible for a great empire's destruction.

The only person he genuinely cares about is Amaya, with whom he is madly in love. He is the more emotional of the two, in that he is quick to succumb to frustration in moments of stress and/or anger. However, he can just as easily be calmed down by his wife, be it through words of encouragement or simply a gentle hand on his shoulder.

Amaya: The current queen of Rosas and the other villain of the story. Even-tempered, regal, and equally as cunning as Magnifico. While not a magic-user like him, she is just as powerful due to her intelligence and tactful nature. She is just as in love with her husband as he is with her.

She is the calm to his storm. The left brain to his right brain. She can pull him back from his stressful outbursts and stop him from potentially ruining his "benevolent king" facade by keeping him grounded and focused on the present. Truth be told, Magnifico wouldn't be nearly as mighty or as beloved without her there to help him and provide new ideas to carry out his plans.

Dahlia: Asha's best friend and a young baker. Cheerful, idealistic, and tends to stumble over her words when excited or stressed (a nod to Doc from “Snow White” along with her character design). She works in her family's bakery, but dreams of one day becoming the castle baker. As such, she thinks her work needs to be perfect to get that position, so she has a tendency to slip into a perfectionist mindset when it comes to her baking. Despite others' insistence that her work is already amazing, she is determined to be even better.

Like the rest of Rosas, she thinks highly of the king and queen. While this adoration makes her initially distrustful of Asha's innocence when she was accused of destroying the wishes, she ultimately sides with her.

~ Design note: in this version, her ruby dress leans more towards a reddish-violet shade; basically something that contains a bit of purple. This ensures that the warm colour palette of Asha's outfit - mainly the orange part - makes her stand out from the rest of Rosas, as well as foreshadows Dahlia's future internal conflict of not knowing whether to side with Asha (red/warm) or the king and queen she adores (the purple colour that dominates Rosas, along with blue and grey). ~

Sakina: Asha's mother. She is a farmer who mainly grows fruit and also does a bit of weaving on the side. She is a kind and hardworking woman, but can also be stern when necessary. She and her husband used to work together as farmers, but since his death, she's been doing most of it herself (Asha often helps whenever she can). As such, she has become visibly exhausted, but refuses to admit it and doesn't let it get in the way of raising her daughter.

Her wish was to be fearless. She made this come true on her own in a roundabout way by being the first to stand up for Asha to the king when she was accused of destroying the wishes. While more "brave" than "fearless," such an act still took serious guts.

Sabino: Asha's grandfather and the father of Asha's late dad. He is a devoted family man with a creative mind and optimistic attitude. Like the rest of Rosas, he thinks highly of the king and queen and continues to hold out hope that his wish will be granted one day despite being repeatedly let down. In spite of this adoration of the royals, he loves his family first and foremost.

He worked for many years as a blacksmith, but eventually retired once it was clear that he was too old for the job. While skillful in this occupation, his lifelong passion has been painting, which he spent a lot of time doing following his retirement. He also assists Sakina in her farming any way he can, though his old age has taken a toll on how often he does this.

His wish was to be able to bring his paintings to life.

~ Design note: like Dahlia, the colour scheme of his outfit needs to be tweaked a little to match the purple/blue/grey palette of Rosas, showing his loyalty to the royals and to once again ensure that Asha's palette stands out. ~

Simon: An acquaintance of Asha's. Three years older than her. He works multiple jobs in the hope that his hard work will be noticed by the king and queen and they will grant his wish. As such, he is usually very tired; more than most older adults in Rosas even. While a decent man at his core, he is also prone to skepticism and his devotion to the royals often clouds his judgement.

It's not uncommon for his insecurities to take control and drive him to do some questionable things. This is what caused him to rat out Asha to Magnifico and Amaya. However, he feels genuine remorse afterwards and does what he can to make up for his mistakes.

His wish was to be a brave and honourable knight. Also, like in the movie, his tiredness and general design is a nod to Sleepy from "Snow White."

Asha’s father: I just found out his name is Tomás, so... Tomás was Asha's father and Sakina's husband. He died from an illness when Asha was 12 years old. He used to work as a blacksmith with Sabino, but after marrying Sakina, he decided to become a farmer like her.

He was a good man; very funny and an extrovert. He was also a doting father and used to tell Asha to look to the stars whenever she feels lost. His last birthday gift to her before his death was a silver bracelet with star designs engraved on it. Asha cherishes it very much and wears it every day.

Dario: A good friend of Asha's. He is five years older than her. Friendly, a little absentminded, and a bit of a goofball (a nod to Dopey from “Snow White” along with his character design). He and Asha have a sibling-like relationship, with her being a down-to-Earth force that keeps his head out of the clouds. In fact, you can sum-up their rapport with this bit of dialogue from 'The Wizard of Oz': "But someday they're going to erect a statue to me in this town, and-" "Well, don't start posing for it now."

His wish was to be super intelligent. The main reason why he wants this is so that he can become a great inventor. Through Star’s influence shortly after his arrival at Rosas, and with additional encouragement from Asha, Dario realizes that he just needs to apply himself and his preexisting strengths; those being his creativity and perseverance.

Bazeema: Another good friend of Asha's. She is one year older than her and gave her wish to Magnifico very recently. A sweet-natured young lady who doesn't have a mean bone in her body. Very shy and is rarely seen without blushing cheeks (a nod to Bashful from “Snow White” along with her character design). She works as a seamstress and shows a lot of promise as a dressmaker.

Her wish was to have a brilliant and boundless imagination. She already had great talent in sewing and could create beautiful outfits, but only in accordance with what other people want. She finds it hard to come up with her own ideas. However, with Asha and Star's help, she learns that she can find inspiration for new designs from those around her. She gradually comes out of her shell and this leads to her conceiving more original ideas.

~ Design note: the yellow portions of her outfit will need to either be made less warm or be changed altogether so that Asha's outfit (i.e. the orange part of her dress) can stand out. ~

STORY DETAILS

- Hal, Gabo, and Safi are present in this version, but they have smaller roles. That said, they each have a part in the “Montage” song and they are among the townsfolk that side with Asha after she was accused of destroying the wishes. Like their movie counterparts, they are based on Happy, Grumpy, and Sneezy respectively. Additionally, they are all either 18 or over 18, like Simon, Dario, and Bazeema.

- Asha has a total of three outfits throughout the story; technically five if you count two other variations of her main outfit. 1) Her main dress. 2) Main dress with a blanket wrapped around her, which she wears at one point during the “Montage” song sequence where she and Star are bonding while sitting outside at night. 3) Main dress decorated with star dust during “At All Costs.” 4) The dress she wears after the time-skip near the end. 5) The dress she wears when she and Star reunite (the one Bazeema made for her).

- Celestial star beings age similarly to humans, but they live much longer. Furthermore, there are three stages in their life cycle: baby star (akin to Star in the movie), young star (where this version of Star is at most of the story), then full wishing star (where Star ends up).

- There are some references to Disney's past movies sprinkled throughout this version, but they would be much more subtle than how they are in the movie. Some would be blink-and-you'll-miss-it, others are more visual, whether it be a character's design or a shot composition (ex. when an awestruck Asha is wandering through the palace for the first time, I envision a moment where she looks at her reflection in the mirrors adorning the walls in such a way that's akin to Belle looking at her reflection in the cracked mirror in the West Wing).

- Much like how Star's personality and actions have an influence on Asha, her personality and actions have an influence on him. Not only does he learn to slow down and think things through, but as the story goes on, his movements become less erratic. He's still a ball of energy and demonstrates this when he's happy or excited, but he's a lot more composed by the end than he was when he first entered the story.

- Not sure if it would be mentioned at all during the story, but Tomás' wish was for his future child (he made this wish at age 18 before he and Sakina had Asha) to shine bright. He may not have lived to see it, but it did end up coming true.

- The wish granting era has been ongoing for over 200 years. Evidently there is no one left alive who truly remembers what Rosas was like before the wish system was established.

- Star's subsequent once-a-month visits are seven days long.

- Asha experiences two types of guilt: 1) the fact that despite her dad repeatedly reminding her of how important hope is, she wound up becoming someone who doesn't have any hope, and 2) her job as a tour guide means that she was responsible for luring several people into living in Rosas, thus trapping them in this exhaustive and cult-like lifestyle.

- Star's magic comes naturally. The magic Magnifico and the royals before him used basically comes from alchemy (potions, various tools and apparatuses, etc.). And for the record, this does not imply that alchemy-based magic is bad (except for the destroying wishes part). Magnifico and the royals before him simply used it for malicious purposes.

- The rules of Star's magic are more in-line with those of the three fairies from "Sleeping Beauty." Specifically, how his magic is mainly used to bring joy to people rather than cause pain. That said, when he's pissed off (like when Magnifico hurts Asha or even tries to hurt her), he can use his magic to attack, but it's not as strong in that department as Magnifico's magic is.

- After the time-skip, Rosas' colour palette is much more vibrant. It is no longer confined to primarily blues, purples, and greys.

Rewrite / "At All Costs" sequence / Asha & Star Character Tropes

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