#and sometimes that means watching 8 billion episodes of anime

[im-still-watching-anime]

i’ve held the line for YEARS refusing to watch one piece after so many people suggested it to me with my main reasons against it being Too Long™️ and Do Not Have Time To Be Mentally Ill Over It™️ anyway my best friend told me i should watch it one (1) time so i’m about to start the first episode—

[sailordiavolo]

suicide prevention month 2021 - things that helped me stay alive

i heard that this month is suicide prevention month in the united states. as someone who’s struggled for many years with suicide myself, and is currently in the mystical “better place”, i feel it’s my duty to open this can of worms. i am unafraid of the stigma that comes with discussing such things.

i’ll go over things that helped me to cope during dark times. these may also apply to being depressed in general (?) because no offense but “drinking water” doesn’t help as much as google seems to think it does. note that these aren’t be all end all solutions, more like techniques that helped me to stay sane on some of my worst days.

1. get rid of everything that’s an immediate danger to your health.

if you’re actively a danger to yourself, safety-proof your home. don’t keep sharp objects lying around, or anything dangerous of the like. get rid of anything toxic or chemical, and don’t keep medicines in excess.

2. if you can’t make yourself happy, try to mildly amuse yourself instead

thinking “happy thoughts” doesn’t really work for me, especially if i’m in the throes of a depressive episode. i do have many things that make me happy, but i seem to forget about all of them in dark times. that being said, really dumb jokes get me every time. if i can make myself laugh, smile or chuckle, i’ve already made it 10 times easier for myself. and if i can do that, usually it’s easy to make myself forget about the original reason i was upset in the first place.

dear reader, i don’t know what would count as “mildly amusing” to you, but here’s some things that work for me.

i have a self care playlist on youtube. mine’s pretty dumb, but making a playlist like that of things that you find entertaining or amusing might help. another amazing one is distantcry’s worst beat ever collection.

very specific songs that really get me going include metrostation’s shake it, botdf’s bewitched, rm’s expensive girl, and she past away’s ruh.

3. do some self care activities

self care is very very important. when you feel like you’re absolute worst, that’s a free pass to be as selfish as you need to be until you feel better. no job, no person, no drama is worth dying over. all of that can wait until after you’re finished what you’re doing. if you’re not really sure what to do as self care activities, i’ll list some suggestions.

take a hot bath, if possible. if you have the resources, add bubbles, flower petals, bathe salts or candles. i did this the other day and sat in the bath and ate crumpets. it was amazing. if not, have a steaming hot shower. (i know it’s hard to find the energy, but it’ll help, i promise)

watch your favourite childhood show, or your favourite show at the moment, or play a video game.

sleep all day, or take the day off.

eat your favourite food, or the best food available to you right now.

spend some money if you have it. personally, i never spend all my money in a week, i save some in case i have a panic attack or something so then i can spend money on something totally random to make myself feel better.

change up your appearance. i usually end up cutting my hair short or randomly dying it, but this can also mean dressing in a way that makes you feel good, painting your nails, or doing your makeup.

4. know how to comfort yourself

this is related to the last one but knowing what brings you comfort is very important. it took me a very long time to figure out what things i find comforting. list the things that you find comforting, and you can use those to help yourself feel better. it might be music, interests, even something abstract.

if you can’t think of anything, then make sure to pay attention to things that make you feel nice/comforted, and list them down. it’s also important to know what will send you over the edge, so you can avoid it.

5. distraction topics

this may help with anxiety as well, but having distraction topics can help you to calm down and forget about what you were worried about. it’s good to have a few distraction topics up your sleeve in case of emergency. i’ll list a few of my favourites, but if you ever need one don’t be afraid to ask me directly, or send me an ask on my blog! i have a ridiculous amount of misc knowledge just floating around.

dinosaur fossils of mothers protecting their nest have been found, meaning that dinosaurs probably felt some form of motherly love. love on earth is billions and billions of years old. creatures have loved each other on this planet since before the dawn of history. imagine being the first organism to love on this planet and what that must’ve been like

some cave paintings were animated. they had different frames painted over each other, and the flickering of a flame in the cave would cause the images to appear as if they were moving. isn’t that extremely profound?

i saw somewhere, that scientists attempted to see what an electron was made out of, or something to that effect. it’s made of a pool of energy, which is essentially nothing. no form, no matter. everything is made out of nothing.

6. romanticise your future

a lot of us probably don’t have a concept of the future, or if we do, it’s something that sounds absolutely horrible. well, forget about that! think instead about how hot n sexy you’ll be in your 30’s, 40’s, etc. don’t worry about how you’ll get there for now, your future self can take care of that. think about your ideal life, and get excited like it’s absolutely going to happen. the more you think about it, the more it will become true.

7. romanticise your current self

nobody in your life understands you? that’s because you’re the hot brooding mysterious one. struggle with very dark thoughts? omg you’d be so powerful as a jujutsu sorcerer. people are staring? it’s because they’re in love with you. people whispering as you go by? also in love with you. no friends? the universe had to keep you humble because otherwise you’d be too perfect. hate the way you look today? you’re just a littel troll babie. the more amusing these thoughts are, the better. and if you think these things for long enough, eventually it will trick your brain into thinking it’s true. who’s gonna check you? the telepaths?

8. put things into perspective

i am prone to delusional thoughts when i’m panicked, and i have to remind myself to reel it in. think about it, you’re more afraid of answering the phone than you are of death? doesn’t sound very cash money of you, bro.

think about how many years you’ve really lived, especially if you think you’ve failed in life. take 12 years off your age, because childhood doesn’t count. also take off any other years which you were forced to live the way someone else wanted you to live, rather than for myself.

for example, i’m currently 23. my household was pretty strict, so i couldn’t really do anything before age 18. which gives me a grand total of 5 years of me trying to figure out life by myself. it helps me to remember how young i actually am in the grand scheme of things, and that i have plenty of time to still figure things out.

9. find a safe outlet for dark urges

for me, art and journaling really helped. music too, especially when i felt like i could relate to either the lyrics, or just the tone/mood/feel of the song. it might be exercise, or you may like to do creative writing or make oc’s. sometimes you may just need a friend or someone to listen.

if you don’t have anyone to talk to, you can message me or shoot me an anon

10. sleep it off

sleep is not going to cure anything, but if i’m pushed over the edge and am struggling with dark thoughts, going to sleep almost always helps. most of the time i still feel like shit in the morning, but no longer in the mood to try anything hasty.

lastly: suicide is not the easy way out

note: i’m gonna be discussing my own experiences with suicide in this part, so if you don’t want to see that, then don’t read past this point

suicide is not the easy way out. it’s messy and it’s ugly and it’s painful and it’s gonna bring out the worst in people. i’ve been struggling with it since age 19.

one particular attempt landed me in the hospital after i swallowed a bunch of painkillers. i couldn’t think or speak properly, i was slurring my words and tripping over myself. my doctor brushed me off and said that it “would probably get better” with time, but it never did. it improved, but my mind has never been the same as it once was, and one of my biggest insecurities to this day is when i struggle to learn new things or get things mixed up that i shouldn’t. i struggle to learn the simplest of things, and my reaction times tend to be very slow.

the point is, sometimes you don’t die, sometimes you just end up hurting yourself in a way that won’t get better. nobody needs that. if had’ve known how to calm myself down back then, i might not’ve tried.

i don’t mind talking about it now, since i’ve dedicated so much time in learning how to uplift myself. i may be in the “better place” now, but you don’t need to rush yourself to be better immediately. sometimes you need to be patient, use baby steps, or learn to accomodate yourself where you are. these things take time. that’s okay.

and remember, you are loved and very much needed to be here on the planet with us.

[mycreativereach]

The Birth of Oron

Colossus’ raw power, wolverines’ adamantine claws, Captain America's unbreakable shield, the powers of the Greek gods, and the hierarchy of the archangels. These are but a few to name of the heroes I would watch growing up.

I was always a fanboy for superheroes, especially marvel. I had my time with DC, but I was always more drawn to the stories of the X-men or other superheroes within the realm of the marvel universe. Other means of fantasy such as Lord of The Rings and anime such as one-punch man and Dragonball Z played a part as well, but it was a few that stemmed from my childhood that allowed me to develop Oron the character you read today.

Colossus

To say that fantasy and heroes have had a slight impact on my novel is an understatement. I remember getting up early Saturday mornings, roughly around 8 am, to catch a list of cartoon shows that would appear on Fox. Over a few years, the shows had moved around and switched but I always remember waiting to watch the 90’s nostalgic marvel show x-men. The always progressive stories of wolverine’s trust issues and macho feud with cyclops, gambit’s Casanova chivalrous tendencies towards rogue, and Professor X’s forever dilemma of accepting the very humans who hate him while teaching mutants to be at peace with civilization was what I loved about the show. I couldn’t wait to rush to the carpet in front of my tv and sit for two half-hour episodes. At the time wolverine had been my favorite mutant and marvel character for that matter and still is. But the character that helped shape Oron was colossus. I remember seeing him for the first time, his mutant power of being able to enwrap himself in metal which tremendously increased his raw strength and power reeled me in. His character traits of being a humble Russian farmer with roots of loyalty and fighting for good is also what attached me to him even further. From that point on until this very day, colossus is still one of my top favorite marvel characters and has also helped pave the way for me to creating my character Oron. I knew I wanted Orons characteristics to be someone who came across as hard and cold on the outside because of the lore I had built around him, but I wasn’t exactly sure how I wanted him to look. Eventually between coming across colossus combined with my love for bodybuilding and the aesthetics that bodybuilders bring is ultimately the reason why I created Oron to have more of a menacing appeal to my readers. But as for the color of Orons skin, it’s funny that Oron turned to be blue. I have gotten feedback both negative and even some positive saying Dr. Manhattan has played a role in this decision I made. They are similar in some respects but in all honesty, it had nothing to do with that character. The sole reason is that I like the color blue and decided to go with a lighter or sky blue. Navy blue is my favorite to be exact, but I Liked a light shade of blue that looked on Oron and then decided to keep it. I had gone through several other stages of Oron with different colors and patterns and other anatomical appearances, but I felt none of them looked well enough as the color that he ultimately ended up with.

Sarevok

Another character that played a role in the creation of Oron was the main antagonist of the well-known RPG-pc game from the 1990s Sarevok Anchev from Baldur’s Gate. Still one of my favorite villains ever, Sarevok had the menacing appeal of height, increased strength, and malice that caused him to be feared. But it was his assured intelligence and allured determination that made me enjoy his character. Although I like the version of Sarevok from Baldur’s gate, it is the expansion to Shadows of Amn in Throne of Bhaal that was the version that piqued my interest for Oron. Sarevok at this point comes forward to help his brother, the main protagonist in the entire storyline. The evil aura still emanated from Sarevok but as you play out the game, or read the books, you, in turn, find out that even though this once archrival of yours had been your most bitter enemy was nowhere to help you even with the ominous characteristics he still had. This helped give me an idea to develop Orons past as being one of sorrow and negativity while helping Aurelia and although being a stern teacher, Oron meant the best for Aurelia. There were certain differences between the characters but also some similarities as well in the ways of how they displayed their care for the person they trying to help and the determination and confidence they expressed through their cold hard demeanors with Orons being more serious and Sarevoks attitude animating more of a serious but sinister malevolence.

Marvels Cosmic Hierarchy

Getting older I started to really dive into the cosmic hierarchies of Marvel. The vast powers in the universe always intrigued me as to how powerful they could become and how different beings would clash against one another. Being limited to the capabilities we have as humans always made these stronger beings look much more appealing because I knew it was physically impossible to achieve their prominence of power. Characters like Galactus or the In-Betweener from the marvel cosmic hierarchy would always possess jaw-dropping crazy abilities and crash with other beings of good or evil in the universe. I wanted to adapt powers such as this into my storyline, but I wanted to also make sure the readers knew that no matter how powerful one could seem, everything in my universe can be defeated. We might look at Oron and think that he’s a God of some sort, an undefeatable being with extraordinary abilities. But the truth is Oron could be matched by other relevant powers as well. In Marvels Hierarchy, the order of power is laid out for you to see who is the strongest and weakest of that order, although it's subject to change at times since some beings get stronger and others weaker. But what I enjoy is that even though there is an order of strength of power that doesn’t mean someone of weaker status can’t defeat another being of higher ranking. Because there are so many factors that help accumulate the ranking status of powers you are never fully solidified in that position and can be destroyed. As Marvel fans would know, we saw this when master order and lord chaos put aside their differences and joined together to destroy the living tribunal who was considered the second to the one-above-all who is the strongest entity in the marvel universe. Another example was how the Knull, the divine leader of the symbiotes, such as the one called venom from Spider-Man appeared from the multi-verse and decapitated a celestial, who were known to be some of the strongest beings in the multi-verse at the time. As much as there are hierarchies sometimes there are powers that seem to have been forgotten or hidden away to avoid detection. And even though there is a list of hierarchical power such as the one Oron is a part of you maybe never be truly undefeatable with other powerful beings that roam the universe.

 Greek Gods of Old

Another form of lore that helped shaped my character Oron was the tales of the Greek Gods from Mount Olympus. The many stories and fiery battles between themselves and also the titans intrigued me the most out of the many legends they were a part of. Their supremacy and dominance over Earth and its inhabitants were similar to what I wanted to implement in how Oron was perceived. Each Greek god had a role to play in part to help civilization keep structured. They each had an array of followers, some more than others, and had cities dedicated to their names. They were worshipped and in term bestowed their blessings upon the strongest of their followers and warriors. But Out of all the gods I always gravitated towards Poseidon and Hercules the most. Poseidon’s because of the wisdom yet commanding presence the god held and Hercules because of the demi-gods valiant heart and brute strength. So, you can say these didn’t exactly correctly tie with Oron but there are similar traits from these characters and the motions of the Greek Gods that inspired some of the character traits in Oron.  Although Oron is a hard-pressed individual he still flows with wisdom from the amount of experience he has gained from his years of life as Poseidon expressed through his many gatherings with other Gods and mainly Zeus. Oron’s strength seems to be unmatched and comes off as an omnipotent figure, similar to Hercules, to the people of Earth. As you read along in the novel you come to see Orons shortcomings and also weaknesses which were important for me to show. But whatever Greek God it was, even though they were far beyond mortals, they could have weaknesses emotionally and physically. You could be strong-willed and mentally equipped but even the Gods can be shaken just like when they had to battle the titans for their freedom.

Christian Biblical Hierarchy and its Powers

Growing up I was brought into a family with moderate practice of the Catholic Christian religion. Every Sunday for several years we would go to church and celebrate the name of God like a lot of other Christian families and live our lives as close to those religious morals. Needless to say, as I got older I drifted farther away from the specific ideological catholic beliefs when it came to how we were created. I still did and currently have a belief that there is some sort of greater being in the universe, but I have concluded that I have no idea what it is. For all I know it could be some greater intelligence that has no shape or form. It could be some superior alien race that decided to use humans as a test subject for their own means of biological experimentation. Or maybe we collided with other forms of substances and we weren’t the direct creation from any being at all, just a number of substances colliding together which then took billions of years to create our bacterial organisms that finally evolved into what we are today. Personally, I don’t believe in the latter of the possibilities, I think there is some sort of greater being or spirit, intelligence, or energy, whatever you want to call it, but have no idea what it is. But as I started to sway away from Catholicism the stories of the archangels and powers within the bible didn’t leave my mind so easily. Reading upon how God created the Earth and then the archangels and other stories such as Able and Kane piqued my interest. This was the foundation for the background lore of Illithesium and also my wanting to add Oron to a hierarchy of characters that belonged to the Christian religion but with my own twist. God's love with the strength of Michael and Lucifer's fallen grace would play a role in Illithesium and Oron but differently from how the bible displays it. Oron and these characters were beings of great power, yes, but they could be destroyed and were not immortal as we learned growing up in religion class. They had physical forms and could be spoken to although through a language far beyond our capabilities. Their legendary powers displayed in the bible also are showcased but in a way that it could be explained and understood in a more somewhat scientific down-to-earth method. Adding Oron to the lore of characters that I grew up reading about and knowing with adding many different featured twists was creatively fun. And the lore thickens as I’m currently writing the second book which you’ll get to see hopefully sooner rather than later.

 My Love for Bodybuilding

As I mentioned up above, bodybuilding has been a part of my life since I was 18 and has allowed me to view life in a specific way. If you want results, then you need to go out and earn them by taking necessary calculated actions in order to have success. By doing this over years I build a physique I had once admired and still admire, for myself through hard work and dedication. Involving myself in bodybuilding and reading upon bodybuilders and strength lifters is what really caused me to adopt a specific look to my character Oron. Now not all my characters look as big as Oron as I want physiological diversity in my novels, but the results one can get from weightlifting and the many ways you can build your body are shown through all my characters. But the reason why I chose Oron to not only be tall and broad but heavily muscular was to give an idea of what a superior being far beyond human capabilities can look like at physical peak performance. But an even bigger and more lasting impression I wanted to leave on my readers was that even the mightiest and biggest beings have demons they have nestled inside them. The strongest of us also have skeletons in their closet they’d like to forget that always come back to eventually haunt us. It was to show that it's normal to have to face your fears and to overcome them. It was a combination of respecting the hard work and ethic that goes into building a body as bodybuilders do, whether they be natural or not, and the strength that has to be applied to overcome the adversity of everyday life obstacles, injuries, and more. And to know that a being that may be tall and strong with power none the likes have seen before can still be shattered as nothing in the universe was made to be perfect and will eventually break under certain pressure.  

Last Thoughts

Oron became a staple in the Illithesium novel and to find out more you’d of course have to read up on the book to see what happens. I hope you enjoyed the character of Oron as much as I did create him and giving him life while watching him grow throughout the novel.

If you liked what you read here or have any questions, comment below or send me an email and I’d be happy to chat with you!

[leakinghate]

Chasing the Ghosts of Season 8

Let’s skip the flowery intros and get to the point, because this is important.

Lotor’s vindication and reunion with Allura were originally part of VLD s8 and I can prove it. Most animation relating to this plot was excised, while other clips were re-purposed to make it look like he was dead all along: but some are still in there.

The removal of this plot line was one of the major factors in completely messing up season 8, and it was a change that was made very recently; no earlier than August in fact. There is a significant, non-zero chance that an unedited version of Season 8 exists in its entirety; completely finished.

The evidence is below the cut.

Trigger Warnings: Gore - that image and discussion of it, body horror, sexism, and major character death.

There’s something rotten in the house of Voltron, and by that I mean Dreamworks animation, because for reasons yet unknown the season 8 we got was not the one the writers had planned to give us.

The people involved likely can't talk about it due to NDAs, but I follow *most* of the cast and crew on social media, and from the way many of them were talking prior to the drop it’s obvious that whatever they'd recorded had led them to expect a very different season.

The almost total radio silence afterward is also telling.

So far as I can tell, AJ (Lotor’s VA) is the only one actively posting about it, and his posts have been expressing his distress over what happened to Lotor - a stark contrast to his excitement about the season prior to its airing. It’s very apparent that he thought Lotor would have a very different fate than he appears to. At the moment of the season drop he tweeted out “Lotor was framed”, and later didn’t seem to realize that ‘Allura’ was trending because she’d died.

Some of the other VA’s scarce posts lead me to believe that they’re having similar reactions: a now deleted post from Bex (Pidge’s VA) about having watched up to episode 6 consisted of an image of DOTU Lance captioned with “[internal screaming]”. Bex has since removed all references to VLD from her bio.

I’m certain that the VLD s8 we got was NOT the s8 that was originally planned. Or the one the writers and VAs had been alluding to in various interviews up until recently.

We know there were some very last minute changes to season 8. I guarantee you that Ezor was actually dead before the backlash over Adam in August, and you're kidding yourselves if you think that epilogue existed before then either.

Kihyun Ryu's 'last Shiro' tweet - that we now know to be from the wedding epilogue - was posted on September 13th, 2018. Less than two months ago these changes were still in progress. Less than a month before the first trailer premiered at NYCC these changes were still being made.

And those was absolutely not the only things which were changed. It was hinted we should pay attention to the s7 episode "the Feud" to spot some foreshadowing. Well? I've seen both that episode and s8 and I sure as heck can't find it.

This was beyond last minute.

JDS and LM were still talking in ways that would lead us to expect Lotor’s redemption roughly up to s7 in August; so whatever happened, it went down between August and November. Which is probably why s8 is so shitty; with such a terribly compressed timeline to make edits.

And edits they were, because with those time frames season 8 was either completely finished or very near to it when someone decided that things had to change.

I can prove it.

Do you know how?

Because the animation was recycled and altered to fit the new story, with only small parts made new for it. And because it was something else first, it’s still possible to partially reconstruct the original Season 8 from it.

Lets start with the big one, the one I’m sure you’re here to read: Lotor’s redemption and reunion with Allura.

One of the most frustrating things about season 8 is that it leaves the colony unexplained. The big question, the thing that results in Lotor’s murder at the hands of people he calls friends, and leads to a power vacuum that causes the deaths of untold billions of people. What was Lotor doing at the colony?

It’s never addressed or given an answer.

At least in the version of season 8 that we got.

Or is it?

Because they might have removed the conclusion to that plot thread, but they couldn’t get rid of it entirely.

In e8 ‘Clear Day’. Allura's suffers from several nightmares/dream sequences. They don't make any sense in context, and it’s never explained what caused them. Except, they make perfect sense, if you watch them as the first step towards understanding The Colony. 

Allura sees herself standing in a Juniberry field on Altea. Her mother greets her and proclaims that Allura has arrived just in time, and that only she can save them, “Only you can protect us.”

A Galra fleet passes over head, raining down laser fire.

Allura suddenly finds herself the pilot of one of the white mechs. She plunges her spear into the ground, draining the quintessence, and then fires on the fleet; obliterating it.

But as she grins in victory she realizes that the quintessence she siphoned from the planet has turned her immediate landscape to ash, including her mother. Allura is horrified, but as her mother crumbles away her voice echoes, telling Allura she is so proud of her.

In case me describing it wasn’t clear enough: what just happened to her was that Allura was literally put in Lotor’s position, operating one of his mechs. The places and the people were those that Allura cherished deeply, so that she could understand how terrible Lotor felt about what he had to do. It literally puts Allura in Lotor's place: having to take the responsibility of destroying parts of something she loves in order to protect the whole. 

And her mother? The Altean who was ‘sacrificed’ in this scenario? Praised her for taking the actions she did, because Allura was the only one able to do it. And the only choice was to save most of Altea, or none of it.

When Allura eventually does take the entity into herself we see the lights of Honerva’s mech’s faceplate lighting, then flash to a scene of Lotor in Sincline. He’s laughing, grinning as he did during s6′s finale, and as the camera zooms in on his face he shouts “Follow me!”

Briefly we see Voltron in front of the planets of Earth’s solar system, which is drowned out by a peculiar scene transition: an intense white light that appears to obliterate everything as though in an explosion.

None of these scenes are ever explained, but it’s reasonably comparable to the flash of images that Haggar sees in season 3 when she is first confronted with Zarkon’s memories. We’re left with the impression that we’re about to be enlightened, and the end of the episode reveals that Allura has passed out on the floor unconscious.

In this version of season 8, we never are told what exactly caused Allura to experience those visions. We can guess: was it perhaps the entity tempting her with its dark magic? Honerva attempting to place her under a spell?

But is the entity really dark magic? It’s different from the types of magic we’re used to, and the colors of it are certainly dark, but it in itself never actually causes Allura harm. Any harm she suffers after taking it into herself is caused by Honerva exploiting it.

Could it be a spell by Honerva? Unlikely. It took her almost two whole episodes of the paladins fooling around inside her mind for her to notice they were even there. If Allura had never taken the entity none of Honerva’s plans would have ever been found out. Yes, she did steal all the energy from the Atlas’ crystal, but she did that primarily to combat the Atlas and disable it. She didn’t need to get it from there, the energy her Komars were able to provide was all she needed.

So what caused those visions?

Lotor did.

Once he was free of the rift he was able to connect with Allura somehow and reach out to her. That was really him. Where he is now, trapped under Haggar’s control, he has no means to combat the witch. But Allura does. Everything he says to her? Is true.

The next episode, s8e9 “Knights of Light: Part 1″ begins with Allura awaking, Coran and Lance by her bedside. She’s been asleep for two quintants (days). She has apparently come up with a plan to infiltrate Honerva’s mind, but from whence she gets this plan is never explained. That’s because we’re missing an entire episode between these two. This is where Lotor’s redemption happens, where he and Allura finally reunite. God knows what else was in that episode, what else was happening while the paladins were waiting for Allura to wake. Lotor bids Allura to follow him, to finally allow him to tell his side of the story, and for some reason we weren’t allowed to hear it.

But from what we did get to see? It all but confirms @crystal-rebellion‘s Colony Theory. Albeit, the white mechs were built by Honerva, but Lotor was attempting to keep the colony safe in the only way he knew how. The Alteans who died did so willingly; to preserve the lives of all the others.

There’s a repeated narrative that the only person who encourages Allura to take action, to strive and push forward, is Lotor. Sometimes others accept it, but they never encourage her. Everyone else seems to consider her too fragile, or not capable of making her own decisions. They want to protect her and coddle her, don’t believe she should be taking any risks. They are supportive emotionally, but want to limit her physically. They care about her, but don’t truly trust her judgement or want her to be making her own choices.

With Lotor though, it’s different. He truly sees her as an equal, respects her judgement in her areas of expertise. This plot line revolving around the entity is a prime example. Lotor provides Allura with the information, that she has everything she needs to take down Honerva right in front of her; she just needs to utilize it. But from the moment Allura wakes the people closest to her doubt her decisions and choices.

And yes, those choices lead to painful consequences, but in the end they are proven to be the right ones, to have been necessary. Allura took a calculated risk, and it pays off - if she hadn’t they’d have never caught Honerva in time to stop her from destroying everything. They wouldn’t even have discovered her plan in the first place.

If Allura hadn’t made the choice to listen to and trust Lotor, by her own judgement, reality itself would have ceased to exist.

Both Coran and Alfor are given specific scenes this season where they judge and approve of Lance in his pursuit of Allura. But key, neither of them ever ask - or even mention - Allura’s feelings on the matter. The s8 we got, rather disgustingly, portrays this as the right thing. I believe the original s8 was meant to subvert this. Because Lance is everyone else’s choice for Allura, but when Allura was allowed to make her own choice? She chose Lotor.

Allura once again ends s8e10 ‘Knights of Light: Part 2′ unconscious. I firmly believe we are missing more moments  - if not an entire episode - with Lotor here, in s8e11 ‘Uncharted Regions’ - probably explaining somewhere along the way how exactly he is able to contact her in this manner.

Which, uh... as to my personal theory on how that is, well... what did Lotor and Allura do together that might have crafted a unique spiritual bond between them?

What did you two experience in the quintessence field Lotor?

But, those were happier times...

I also think this is the episode, this missing one, that that particular image properly belongs to. We now see it in the previous episode, as one of Honerva’s memories. But the reason we see it is that the paladins apparently see it too. The only problem is, they don’t react to it at all. They literally have a stronger reaction to finding out they can see Honerva’s memories in the first place. There’s no possible way that Allura saw the melted corpse of the man she loved and had no discernible reaction. We see her reactions to Lotor’s presence multiple times over the course of s7 and s8, and they’re always intensely emotional ones.

But speaking of that image, since we’re on the topic. That’s a very detailed image.

There’s details there you don’t immediately spot, because you’re too distracted by the horrific imagery of the corpse of a main character. A character who’s tragic, abusive childhood was the focus of almost an entire episode earlier in the season.

Details such as the motes of light floating up from his body.

Motes of light we’ve seen in exactly two instances before: from Zarkon and Honerva’s eyes immediately after they were restored back to life by the rift.

And from Zarkon’s body: vanishing after he died.

Yeah guys, I’m about to make that image much worse.

That’s not Lotor’s corpse, because he’s not dead.

He’s still in there, in that state, and he’s been in there for over three years.

Melded, physically and mentally, with Sincline by his time spent in the quintessence field.

What. The. Fuck.

As the season progresses it becomes much more difficult to tell what was supposed to be happening because of how badly it’s been chopped up, re-arranged, and edited.

But there is a very distinct difference between Sincline’s two appearances in action - that is, it’s only in the first one that it actually is in action.

The last time we see Sincline move of it’s own accord is e6 ‘Genesis’. From the moment he reappears Lotor is on the attack; he is stopped only two times, once of his own accord and once by Haggar’s mind control.

And that one time he stops himself? Is when he takes aim at Allura. She’s running across the ground, about to strike Honerva with her bayard, when he raises his right arm and takes aim. We see her in his sights, through his eyes. And the view zooms in on Allura’s face.

Lance sees what’s happening and dives in Red to stop him, but is blocked by one of the white mechs.

Yet. He lowers his arm and doesn’t take the shot.

Lotor never fires.

But immediately afterwards the white mech lingers too close and Sincline impales it with it’s tail. It’s not an aversion to killing that stayed his hand.

It’s that it was Allura.

This scene unambiguously shows that Lotor is both alive inside that mech and somewhat aware of himself. He’s become a robeast.

Yet after that episode the mech never moves again. It hangs lifeless in space during the battle at the pyramid; the white mechs having to do the fighting. The lights on it’s chest have gone out, only relighting when it is charged with quintessence from the Komar. For all intents and purposes, Sincline is empty.

Oh, and speaking of Sincline, up until s8e9 it’s only ever referred to as “Lotor’s mech,” but suddenly, in e11 ‘Uncharted Regions’ they’ve learned its name and Allura calls it “Lotor’s Sincline”.

I think that at some point between ‘Knights of Light’ and the second half of e11 ‘Uncharted Regions’ Lotor was to have been rescued. 'Uncharted Regions’ is one of the worst episodes this season for flow: it’s extremely choppy and hard to follow - flicking back and forth between scenes without anything really happening in them.

But the most telling thing?

‘Uncharted Regions’ begins with Honerva in her haloed mech searching Alternate realities for her ‘perfect’ one. We see several clips of her doing this, the mech floating in front of the pyramid, alone, with the spinning disk of its wings as a viewport.

Suddenly, almost exactly halfway through the episode, we get an image of Honerva kneeling inside the pyramid, in her Altean commander uniform, one uniformed Altean to either side. She says “The princess has awakened,” and then the scene changes.

When next we see Honerva she’s floating above the pyramid, the silent and immobile Sincline by her side.

The entire time this is happening there is combat going on around the pyramid, first with the coalition fighters and then with the Atlas itself. This sequence appears in episode as though it all happens successively in a very short period of time. But it doesn’t make sense like that. Why should Honerva stop what she’s doing, and exit her mech just to check if Allura is awake?

In this scenario why does Honerva even care if Allura is awake? By this point she’s apparently found her perfect reality and is prepared to move on to it? She doesn’t need Allura for anything, none of her plans require Allura. Why should she even bother to announce that Allura is awake, as though this is something she’s been waiting for?

This entire episode, including the fight scenes, has been chopped into little pieces and rearranged. Other scenes have had edits to their animation, or were re-done entirely. What we have in ‘Uncharted Regions’ is a frankenstein’s monster of an episode constructed of the tiny remnants of of at least two, possibly three, original episodes.

If you watch this episode carefully you’ll notice that there’s a clip out of order. The lights on Sincline’s chest are dark until it’s charged with the quintessence from the Alteans on the Atlas. But. The close up shot of Sincline the paladins see immediately upon exiting the wormhole in front of the pyramid has the lights lit up. This clip clearly is part of the sequence we see later in the episode just before the mechs combine. So when the crew on the bridge of the Atlas is shown reacting in horror, whatever they’re actually reacting to has been cut out.

These original missing episodes would have contained what I’m fairly certain was our big Alchemist vs Alchemist reprisal fight between Honerva and Allura; something we’ve been waiting for since season 2′s finale.

Why was such an anticipated fight removed?

I think it’s because the fight was over Lotor, and ultimately Allura would have rescued him.

Every time Allura uses the powers she obtained in Oriande it’s mentioned where she got them, and often that she has them because of Lotor.

She’s shown again and again restoring life and health.

What happened, what we’re missing, is her using the abilities she has thanks to Lotor, to save him.

Allura is supposed to storm that pyramid, infiltrate it, and rescue Lotor from the evil witch holding him captive. She’s supposed to find him in that horrible state we saw him in, and she’s going to heal him. She’s going to fight for him, to protect him, when no one else in his life ever has.

There’s also a clear switch. When Sincline is active and alight Honerva several times refers to it as ‘my son’ but afterwards, she stops and uses Sincline as a tool for her to reach an Alternate Reality and obtain a ‘new’ version of Lotor. With the exception of one shot, where, since we can’t actually see her speaking it seems that the audio and animation are sourced from different original scenes, Honerva ceases treating Sincline as Lotor after the lights go out.

The line that causes Honerva to snap s8e12 ‘The Zenith’ is when the little alt Lotor says “My mother is dead”. It’s framed like a deliberate callback, like it should be echoing something. But it’s a line we’ve never heard. I’d hazard that this final rejection, this line was spoken by *our* Lotor as Allura is rescuing him.

Lotor was not dead in there, he was alive, and he was saved.

There is a really good theory going around, my friend @tsunemori told me about it. I don't know who first came up with it, but I fully support it, because I noticed the scene in question was really off too.

But the theory is that that hospital bed scene? Was originally Lotor in the bed after they rescued him, and Allura was in Lance's place. Which makes total sense, because after that scene, when Lance takes Allura to the bridge? His height is all wrong, and he is hanging onto her for support instead of the other way around: it should be Lotor there.

Do I have any concrete proof of this one? No. But there is something off about that scene. It just doesn’t feel right.

So yeah, if I ask myself, “Is this a scene that might have been re-animated, the characters traced over and re-drawn as different ones?” I can absolutely see that. When looking for places where actual edits to the animation have been made you have to factor in several things: the complexity of the animation - how many characters, how many settings, how much movement, who is the focus/moving/talking.

This is both a pivotal scene, and an incredibly easy one to alter, comparatively. Two characters, one laying still in a bed and only getting a single one-syllable line - the other character’s name, which might have been taken from anywhere. Lance has a long string of dialogue, but he’s sitting beside the bed the entire time, and he moves very little.

I strongly believe this scene was either altered significantly or created whole-cloth for this edited version of s8.

Things that are much harder to alter, because they’d be much more expensive, are the fight scenes. It’s where I started looking once I suspected what had happened with season 8, and it’s where I started finding things.

S8e12 ‘The Zenith’ is one of the best episodes in terms of flow, and I believe that’s because it suffers some of the least editing.

We are however missing at least two scenes: a farewell between Allura and Coran - presumably as Allura boards the Blue Lion - and an explanation as to how Voltron followed Honerva into her destination reality after the rift closed on them. I believe both of these scenes were edited out because Lotor was key in them; several scenes in the following episode s8e13 ‘The End is the Beginning’ lead me to believe that he spent the final battle in the Blue Lion with Allura.

Two scenes during the fight stand out to me: the first, a split screen where Keith is mysteriously given a double width section as compared to the others. It’s especially noticeable, because he’s not even centrally placed and he’s scaled to a different size than his fellow paladins. In the entirety of the series we have never before seen a split screen cut among an even number of characters where one of them is given odd prominence like this. The screen is arranged so the characters appear in a color gradient, Keith is red-black and immediately to his left is Allura who is blue. If there was a missing section here, the color space would correspond to indigo/purple - and those are Lotor’s colors.

The second is a moment when Allura is speaking facing forwards and very clearly looks to the side and makes eye contact with someone. Now, VLD does have moments when the paladins will react in their own lions as though they can see each other, but this isn’t like that. It’s the way her eyes move, and look, she’s talking to someone who’s point of view we’re seeing her from. And that person is Lotor.

There’s also a peculiar moment in this episode where the same split screen is used twice; another thing which has never before happened in the series. It appears first about a quarter of the way through the episode as the paladins enter the stage for the final showdown and then again as they push Honerva into the glowing whiteness at its center. I believe that the second one of these is its proper place, and that the one that originally went in the first instance had Lotor included in it.

Finally, and this is going to take several images, so be warned. When the paladins appear before Honerva in the heart of it all, fading into view, they’re spaced very strangely.

There’s six of them, so you’d expect they’d be spaced something like this:

But they’re actually spaced like this:

(yes, I know Honerva would be blocking someone there. She moves. I just picked this cap so you could see all the shadows; there’s no point showing you the empty space)

It rather looks like there’s someone missing.

The last half of the final episode is so heavily manipulated that it’s difficult to say what actually happened. But we have two very strong clues from which we can reconstruct it.

Remember the leaks?

Now that we know the leaks were real, it begs the question, why was this scene one of them. Unlike the others, which were all from the epilogue, this scene is from roughly halfway through the episode.

Well, I believe we have the answer now: whoever leaked them chose those because they were the scenes they had on hand. These were the scenes that were not originally part of VLD s8, and were added only in the last minute edit.

This one in particular is another where I think it’s taken an actual scene and traced over it to make it into something else. Lance is far too tall here, and doesn’t look like himself hardly at all.

It’s also very clear from the framing of the shot where Allura is going down the line of paladins and hugging them that Lance should be getting a send off in sequence to the others, not apart like this.

No, I think Lance was animated over Lotor here, and the audio was spliced in parts from Lance’s actual goodbye scene and Allura’s “I will always love you” comes from somewhere else. That portion of the line is said in a distinctly different tone of voice than Lance’s name beforehand. There’s different emotions to it than the rest of their conversation, and I’d guarantee we’re hearing it out of it’s original context.

I don’t know what else changes in the ending, but I’m very certain that it was not supposed to be read as Allura dying.

The reason we now read it that way is that Allura and Honerva are seen greeting the spirits of people we know that are dead. I’m fairly certain this scene is either new, or it was only Honerva going to meet them, and of course, that Lotor wasn’t among them.

And I think it was Allura and Lotor who stayed behind to do the work of restoring all realities. My proof of this is one of the very best and strongest among my evidence: the very last closing shot of Voltron: Legendary Defender, after the credits.

The lions of Voltron take off to rejoin their new Cosmic Entities; Allura and Lotor. Whoever was responsible for editing Lotor out of this picture only actually slightly blurred him.

Thanks to @articianne for the outline!

If you play around with the image contrast and brightness it’s even more obvious that the both of them are there, back to back.

It only looks like Allura dies because the spirits but without them there? It looks like they ascended to a higher plane of existence or something.

They haven’t died at all. They’ve become, of all things, like Bob, the gameshow host from s7e4 ‘The Feud’. An ‘all-powerful, all-knowing interdimensional being’.

And y’know? Bob was perfectly able to interact with the paladins no problem.

I don’t understand why these changes were made. To me? This looks like a perfectly happy ending.

What else was cut I don’t know. But I found all this evidence by looking for the things that weren’t there, that a competently structured plot would lead me to expect would be. Chasing ghosts, as it were.

A short list of additional things I strongly suspect were cut?

Several scenes between Keith and Shiro.

A pivotal scene between Allura and Coran.

A follow up event with Pidge referencing her sacrificing her videogame to get Allura a dress.

A scene between Lance and Pidge, possibly referencing said videogame.

A resolution to Lance and Pidge competing to get Allura the best present.

A conclusion to Axca’s sub plot.

A Hunk and Shay scene, to explain how and why the Balmeras all show up in s8e12 ‘The Zenith’.

An additional scene with the blade for the same reasons.

Actually, y’know what? I’m not just going to leave this, because I have a strong suspicion what one of the other cut subplots was about.

You see, the other half of ‘Clear Day’ isn’t entirely filler - it’s specifically a callback to the season 2 episode ‘Space Mall’, and it’s not the only one in this season. The little shopping trip from s8e1 ‘Launch Date’ is also one. Specifically they’re part of a plot for Pidge about her feelings for Lance.

In ‘Space Mall’ Pidge and Lance spend their time scrounging up change to buy a videogame console. The game that they purchase is part of a series that Pidge later trades the only copy of the latest version of to get Allura a dress. During ‘Clear Day’ Pidge and Lance both spend their time trying to get the best present for Allura (hint hint, Pidge is the one who actually got the ‘”something sparkly”).

Now, as I’ve already covered, there’s missing content between ‘Clear Day’ and the next episode. Part of that content should have been what the other paladins were doing while Allura was unconscious. And in series, we never actually see Allura receive either of those presents that were bought for her. So where did they go?

I think Pidge and Lance spent the time waiting for Allura to wake up together, and they got to talking about how Lance has once again failed to acquire the sparkly thing Allura would like. Perhaps Pidge trades her mining helmet for Lance’s signed Blue Lion, and then it comes up how both times Lance went to get a present for Allura he ended up getting one for Pidge.

And that first time was the video game wasn’t it? A perfect place for Lance to find out what happened with the video game in s8e1.

So why did Pidge trade that game? To make Allura happy, yes, but also to make Lance happy. Because Lance likes Allura and Pidge wants them to have a good time, because Pidge likes Lance. Like, check e1 when Allura tells her she's going on a date with Lance, Pidge's reaction... isn't really a happy one.

I think this should have been the turning point for Lance, where he learns the difference between infatuation and sincere affection. I think very soon after this his relationship with Allura would end, and he would naturally progress into a different sort of relationship with Pidge.

As much as I love s8e7 ‘Day Forty-Seven’ I don’t think it was originally part of season 8. I also get the feeling that s7e2 ‘Shadows’ may be composed of scenes we were supposed to have gotten throughout the later half of season seven - though I expect that this change was made in a much earlier spate of edits, likely when s7 was re-done. It’s been confirmed that this happened, and that s7e4 ‘The Feud’ was made to ease the pressure on the exhausted animators who’d been working overtime to get the other episodes done in time. It’s never been confirmed what exactly was changed about season 7 or why, but I highly suspect it was to include more content with the MFE fighters, who the higher ups at Dreamworks might have been hoping to spin off into a sequel.

I suspect that the episodes were shifted forwards, because the first half of the season has no 'event' episode. s8e6 ‘Genesis’ should have been that, and what we're missing is the mid-season event. Which was where they would have saved Lotor. They excised an entire climactic fight between Allura and Honerva, reprising their battle from season 2. The alchemist vs alchemist fight that was repeatedly alluded to being inevitable, yet we never got.

It was animated and voiced to be Lotura and Lotor's vindication.

But someone wanted that changed.

We know when and why ‘The Feud’ was created, and because we were teased in several interviews to pay attention to it so that we might spot some foreshadowing, we can definitively say that the mucking around that was done to season 8 happened at a much later date.

In fact, the animation portion was likely completed all the way back in June. These are two bumper images that were used to advertise Season 6, which released on June 15th.

We haven’t yet seen this image of Lotor appear in the show (for what it matters, the full color one is the correct way around; Lotor’s hair always curls up over his right shoulder, the left can go either way), we have scoured every frame of him to find it, but it’s just not there (yes I know it looks like it should be from s5e4 ‘Kral Zera’, but trust me it’s not). Every other image that’s ever been used in these promotional bumpers has been from somewhere in the show, but this one is so far absent. Therefore it’s from a piece of animation yet to appear, and one which was made by the time these images showed up in June.

Now that we know what the truth is, I am sure we will get the full story eventually. It's only a matter of time before it filters out.

But right now is the key time if we want to convince Dreamworks to release the original season 8. Tweet at them, email them, snail mail if you have the time! Sign that petition!

The fandom response now will determine if we find out what really happened sooner rather than later - and later could mean years.

We are the only people who can make this happen. The cast and crew are all bound by NDAs, and publicly reacting negatively towards a show you worked on is practically career suicide.

It has historically been fans who’ve made a difference when companies interfere with their favorite shows. Fans have been able to effect change in the past, and they will again in the future; lets make sure this is one of those times. We need to fight to get the VLD we should have gotten in the first place.

Just remember to apply your energies in the right places. JDS and LM aren’t perfect people (no one is!), but this isn’t their doing. This is someone above them responsible for the mess that was s8. Dreamworks Animation is the culprit. There is a very real chance that the original season 8 is completely finished and able to be released, and we just might get it if we’re persistent enough. 

Be polite, be reasonable, but be firm. Take this proof and use it. Show them that we know they changed things and that they can give us the original if they so choose.

The messages they inadvertently pushed with this slap-dash edit are vile and toxic, and people far more knowledgeable than I in those areas are speaking out about them. This needs to be fixed.

They need to say something. They need to tell us why they changed it. They need to give us the original Season 8.

Click here for Part 2: Seek Truth in Darkness

I, and any of you who enjoyed this meta, owe @nomadicism a huge thank you. She reminded me of that strange "Follow me!" scene, which prompted me to crack open 'Clear Day' for another watch... and I realized that Allura's dreams weren't nonsensical at all.

As always, thank you to my many friends in the Lotura Discord. You give me the strength and encouragement to keep going. I couldn’t have done this without you.

[courage-a-word-of-justice]

Fate/Zero 1 - 25 (FINAL)

Most of these notes stayed intact during Fate/Stay Winter posts, but I’m releasing them in an unedited version here (aside from the dotpoints and read more, of course).

Fate/Zero 1

For some reason, I have it recorded that I’ve watched F/Z ep. 1, but I don’t remember it!  I only remember Saber fighting someone…that’s why I have notes for this ep too.

Ewwwwwww…what’s that in the Macedonian box…?

Oh! Heaven’s Feel is the name of one of the movies that came out this year or last.

LOL, the grandparents of Waver literally refer to him as “Waver”. I thought it was a title. Is it really his name???

I’m very good at making connections between seemingly disconnected things using only the things I know. I predict Kariya’s in for a verrrrrrrry bad time and will probably die in this Grail War, if not go bananas. I already know Rin, Ilya (the Einzbern child) and Sakura are already part of the Fate/ canon, so they’re probably going to fight in a Grail War as well.

Ahhhhhhh! B*stard Archer (that is, Gilgamesh)! He’s hereeeeeeeee!

What’s that counter on the ep title card…? Is it the time until the Grail War…?

Fate/Zero 2

I’ve seen enough spoilers being bandied about that I already know Rider is Alexander the Great.

Like, seriously, why do we call the dude “Waver Velvet”? What’s his real name?

Kiritsugu acts as Ilya’s dad, but…I’m pretty sure he isn’t her dad. Kiritsugu’s surname is Emiya, right? He’s Shirou’s dad, as far as I know. Then again, I only know what I know from being around Fate/ fans for so long.

LOL, there are far too many dragons in this name – Ryuunosuke Uryuu.

Ohhhhhhhhhhhh! Is this Giant B*stard Archer???? Is this Giant B*stard Archer??? (i.e. Gilgamesh) Oooooooooh! No wonder people like Gilgamesh, even though they call him a giant loveable b*stard.

Fate/Zero 3

Thy don’t call Rider that for nothin’, eh?

I wonder how Saber managed to get a passport…? She’d need one, eh?

Oh…CGI car…it’s burning my eyesssssssss! (although I do believe Troyca didn’t do any better with El-Melloi’s Case Files)

“Hotel in Fuyuki” – They couldn’t be any more explicit with this stuff, could they…?

“…Highness.” – I can see why Saber is so popular with the Fate/ fans now.

Huh? I seem to remember the battle that comes next! Damn *bleep* <- (censored name of anime club manager responsible for the anime marathon that caused me to go from the beginning of F/Z in the first place)! I definitely remember Saber fighting Lancer.

Fate/Zero 4

(sorry, seen this one! That’s where the confusion was! So no notes here!)

Fate/Zero 5

Berserker looks like Goblin Slayer covered in smoke…LOL.

…Well, they don’t call that guy Berserker for nothin’ either.

Rider would make a great Santa Claus, LOL.

Fate/Zero 6

Isn’t there a Joan of Arc in the Netflix Fate/ (Apocrypha)?

Dang, that Kayneth is an evil b*stard, alright!

Kirei is basically Wolverine…?

No wonder you never hear about Caster when people talk about Fate/…he’s neither hot nor a waifu…so nobody gives a s*** about him.

Fate/Zero 7

Is that a Gantz?

Wait, y’mean Rider is motivated…by pants? *spits* Hahahaha…

You can see Ufotable’s much-praised CGI at work here, too.

I can definitely see why Ufotable was chosen for Katsugeki and why they chose Izuminokami for their protag.

Had to google Jeanne to remember what she looks like in this universe, but yeah…she does look like Saber.

For some reason, I had a fleeting thought that Lancer would be the one to be on the mountain alongside Saber…I was right.

So basically, the entire Fate/ series is this: who would win? A mage or an assassin? (Or something like this.)

Fate/Zero 8

I still think Kirei is basically Wolverine.

Kiritsugu = “to cut and tie”.Update: It’s “to tie” and “to inherit”, apparently.

F/Z 9

I wonder…just what is Lancer’s motivation for the Grail? Surely, Servants have their own motives…

I literally covered my eyes when Sola-Ui bent Kayneth’s finger back…it was almost as bad as seeing Nozomi get tortured (Magical Girl Spec-Ops Asuka)…*gulp*

“Not well” is an understatement, Sola-Ui.

I had to google how old Waver was in this Grail War…he’s 19, apparently, so right in my strike zone right here, so to speak~.

Beleaguered Waver is what you cool kids would call the 2020 Mood…and yes, I’m watching this on the 1st of January, 2020 (but you’re reading this after I put it up later in the month), so I’m keeping the comment.

“What kind of moron would go busting in?” – *facepalm* It seems Rider would.

What the heck is Rider riding his chariot over on the floor, anyway? What’s up with these sewer creatures ? They’ve got tentacles…!

F/Z 10

Rin reminds me of Asuka (NGE)…*gulp* That can only mean bad things for her.

Zenjo? I’ll make a note of that name.

That one glowing sign says “Fuyuki Station”.

Rin no Bouken = Rin’s Adventure. I don’t see why the subbers included “Big” in there, tbh.

F/Z 11

Uh-oh. Why do I get the feeling Saber’s going to get very, very drunk…?

Gee whiz, the great b*stard is a narcissist…

Well, sometimes I forget I had “Archer = Gilgamesh” spoilt for me ages ago…probably because he’s all over Babylonia, not to mention he seems to be one of the more popular characters precisely because he is the great b*stard.

“I wish for my homeland’s salvation.” – An interesting thing to say, considering Brexit.

What the f*** is a Gordius…oh, okay. So that’s Rider’s chariot.

How many Assassins are there??? I thought there was just the one, but there were 4 last time.

This discussion is interesting…no wonder Saber got mistaken for Joan of Arc back in the day.

Welp, Assassins gotta assassinate…*shrugs*

Eyyyyyy…there’s this one guy who looks basically like an older Waver Velvet! That explains a few things, I think.

F/Z 12

“Ramasonic” (sic).

I still think Gil-I mean, Archer’s snakeskin pants are hilarious.

I feel like last episode was a lot better in regards to how good Fate/ could be. This episode is just Ufotable animating talking Gilgamesh and Kirei heads.

Why do I get a bad feeling something bad’s going to happen to Maiya…again?

Kirei trying to look bada*s while leaning against a wall…it looks sort of funny, to be honest with you…because he bends his neck at a funny angle.

F/Z 13

This is the end of the 1st cour, apparently…according to AniList, at least.

“…5 billion people.” – I think the number is 7 billion now, but okay.

Never leave your Servant unsupervised, amirite?

I saw one of the bookstore’s shelves has science fiction on it…hmm, in a show with magic, that seems ironic…or was that non-fiction? Also somewhat ironic.

Oh, this “Don’t you want to do anything fun?” from Rider to Waver is an interesting parallel to Kirei’s episode (the previous one).

Dragon guy’s off his rocker…seriously.

Paraphrasing here, but “…if you want to use the Grail to make yourself taller…” – then stick to milk and other calcium products, Waver…LOL. I mean, other anime characters do.

Even Saber Naruto runs! There are no aliens here…but that car does have gull-wing doors (<-had to google what the doors were called), so…is it a DeLorean or something? Then someone could time travel instead.

I thought one of the previous commands from the overseers was to defeat Caster…?

Fate/Zero has become a kaiju movie, LOL.

Scared Waver is also a 2020 Mood…LOL.

F/Z 14

What’s this “Giant of Light” business…?

Geesh…If Ufotable did a Godzilla movie, I would watch that…(now that this monster makes me think of that possibility.)

This is a small quibble, but is it “Diabolo” or “Diablo”?

Somehow it didn’t even hit me until the fight was halfway over…but does Gilgamesh control a flying airship as part of his Noble Phantasm?!

Pretty scenery or not, talking people standing still are just that…not very entertaining, for sure. It’s basically the only flaw of this series, aside from the fact it hasn’t plumbed the depths of its themes yet.

Ufotable’s clouds look kind of like Gainax’s in Houkago no Pleiades, huh?

Tokiomi seems to blame Kariya for the whole sister vs. sister thing. Hmm, it really just shows how demented the guy is.

F/Z 15

Berserker is only ever in CGI, huh? No wonder Ufotable was given the job.

“That’s…from King Arthur’s legend…” – Can I please interrupt with the Excalibur song? (I’m annoying like that and want to ruin your level of immersion, that’s why.)

Hey, who knew? We get to see Joan in this anime, too. Thank you, Ufotable and Type Moon for saving me a Netflix subscription.

F/Z 16

“Things have been rather hectic this evening.” – Well, you don’t say…

*Saber and Lancer start their fight * - I detect signs there may have been people shipping Saber and Lancer at this point in time, what with their mutual ideas of honour and such.

Kayneth is kind childish, LOL – he’s like a kid peeping at his parents while they complain to each other about a hard day’s work or something.

Uh, this curse from Lancer here is definitely gonna be relevant later, right…?

I was muttering, “Oh goodness” (<- I’m self-censoring here, but you get the point) a few times over when Kiritsugu and Maiya finally got around to killing Kayneth, Lancer and Kayneth’s fiancee. By the way, were those two ever married…? Also, this makes me wonder…what would happen if you got a completely useless Servant? Like “King of Fools” or something. It would sound like the Familiar of Zero, sure, but it would be an interesting exercise in making a compelling narrative.

F/Z 17

Dangit, B*stard Archer. Disappearing just after you provoked Kirei…

Oh! I found the Avalon scene confusing at first, but now that they explain it, it makes a lot more sense.

���As I live and breathe, Kirei!” – Sounds mighty ironic for a meant-to-be-dead historical figure to say that.

F/Z 18

We jump to someone else’s story…or do we?

For some reason, I think this beach place is based on Okinawa. (It seems like the best match.)

“This isn’t a game.” – Seems highly ironic, given his current situation.

I know Kiritsugu is probably looking into Shirley’s eyes, but all they show is the boobs downwards, so I imagine it to be fanservice.

That shaking was just to disguise the bad animation, wasn’t it…?

…and suddenly, zombies!

Well, that’s great, Kiritsugu. You ended up burning down a village by association. Good job…

“Vampires.” – Well, that wasn’t the word I was expecting…

For some reason, I think this new arrival is a woman, but now that I get a proper look at their face, they kinda look like the Great B*stard (Gilgamesh). Update: It looks like they have cleavage, but then they also kinda resemble Samatoki (Hyp Mic)…so, uh…I dunno. Update 2: Okay, she’s a woman…Natalia, to be precise.

The houses on fire look a lot like the ones in Katsugeki, come to think of it.

F/Z 19

Wait, what’s a Mystic Code again…?

Oh, I didn’t think this show would do it, but there’s a good few seconds of recap. I know, because I had to skip it.

Oh, the reason Kiritsugu doesn’t seem to ally with the Association or the Church is because Natalia wasn’t part of either. Right…I’m so dumb.

Am I just reading into Kiritsugu’s pose here too much, or does he look like Christ the Redeemer a bit…?

There’s something oddly pretty about Vorzak. Then again…it’s too bad he’s designated to be dead.

I could tell Kiritsugu was CGI for a second…but he was in fog. Dangit, Ufotable. You know how to disguise your CGI well.

…Okay, those bees were very CGI. Scrap what I just said.

Bees on a plane. What a way to die.

I’ve noticed Kiritsugu’s eyes don’t have any pupils in them. They’re always kind of dead, but not in th same way En’s (<- from Boueibu) are.

What happened to Kiritsugu’s mother…?

The extended flashback seems to be the best way to my heart, assuming you can pull it off properly.

What’s with that “sometime, somewhere”?

F/Z 20

There hasn’t been a proper OP since 3 episodes ago.

Was Maiya ever interested in Kiritsugu as a woman? This vague pseudo-harem sorta annoys me, which is why I need answers.

The crows in this show aren’t very fluffy. Not that I have a problem with that…it’s just a bit random (and I’m saying that as I operate without much sleep and will have a huge period of getting up early in my near future, so you’re probably going to see even more randomness coming from my brain).

Modanyaki. Never thought I’d be googling a Japanese concept for this anime.

This sleeping bag Waver reminds me of Aizawa, but this is at least 4 years too early for that.

That cloud in the top left is shaped funny…like a knight, maybe? (There’s a triangular bit that looks lik a helmet.)

I believe the bird is a bush warbler (uguisu), based on the colour.

So this is where you learn what the f*** a Gordius Wheel is…right.(sounds a bit pissed)

Seeing Kariya squirm…it makes me thank my lucky stars I had the sound off. My imagination makes the scene worse, though.

So fakers beget fakers and killers beget killers, huh? Not surprising.

“I’ve always told him he was doing the right thing.” – Because you didn’t know any better, huh, Iri?

F/Z 21

“Knight on Two Wheels” – What would that knight be riding, a bike…? (somewhat sarcastic)

…A motorbike. Close enough. (not sarcastic anymore)

The motorbike’s plate says “Fuyuki - Te” – instead of a licence plate combo, Japan has a single hiragana.

Well, at least now I know why you never hear of Kariya outside Fate/Zero much…those worms don’t give him long to live.

Isn’t Tokiomi dead though…?

Holy s***, Kariya, you just got framed! *yells in the tone of voice as if Kariya got owned…which he did, in a sense*

*brow furrowed* What’s up with the framing of Aoi’s killing that makes this seem like attempted rape…?

Kirei looks all dead inside. (LOL) I know it’s the animators’ fault that they didn’t bother with him in that scene, but…he has the eyes of a dead fish there, y’know? I can’t help but laugh.

F/Z 22

Never in my life have I seen a grandpa want to talk on the roof.

The grandpa reminds me of Rider…that’s probably where part of their relationship comes from.

You can see the lack of sleep is getting to Kiritsugu right now…his face looks a little sunken…

…Fate/ is apparently pretty infamous for treating its women badly from a feminist persepctive and I think I get why now…(referring to the death of Aoi and now Kirei’s treatment of Iri)

I think the scariest part of F/Z is watching th emotionless guy learn how to feel…kinda like Equilibrium, y’know?

Hmm? I wonder how this show will choose to end, since it’s signalling its end from 3 episodes out?

I predicted Rider would say something along the lines of “…befitting of the Rider class” and lo and behold! He did!

So Rider can summon a single horse as well as the entire chariot? *Saitama face* Okay then.

Number of Times Waver Appears: 1, Number of Times Waver Cries: 1, Number of Times Waver Blushes: 2

Come to think of it, even though I had that weird “Ohhhhhh! Great B*stard Archer!” reaction at first, Gilgamesh has shown up in most of the worst scenes of this show so far (basically, most of the “talking heads” scenes where he talks shop with Kirei). Then again, my change in feelings probably because I’ve had to keep a special eye out for Waver and knew Saber was the poster girl for the entire series.

The counter appears to be “time until the Holy Grail War”…well, that or its final conflict.

F/Z 23

I like how Waver’s joining in with Rider’s yelling.

I have the sound off, so now I’m just mentally narrating Sakura with this creepy child voice and it’s spooking me out…the Urobutcher could really go toe-to-toe with Stephen King if it weren’t my imagination…(LOL…?)

I feel sorry for that car’s owner…the car wasn’t meant to be wrecked…

I fully expect Berserker to be Lancelot or some other guy in King Arthur’s canon, judging by Saber’s reactio-hey, who’s Arondight…? Update: Oh, f***. It really is Lancelot. Turns out Arondight is the name of Lancelot’s sword. How did I know? There’s that upcoming Camelot adaption, isn’t there? Connect the dots.

Oh, f*** me – I feel conflicted. On the one hand, Lancelot’s hella handsome (and his dark hair is exactly my kinda thing), on the other hand…doesn’t he look like he came out of Castlevania or Vampire Hunter D or something??? F***in’ vampires!

Oh, f*** again, I stand corrected. Lancelot was handsome, before he became a Caster-looking…thing.

*bursts into spontaneous laughter* The new Lancelot looks kinda like Tsukasa from Dr Stone, LOL.

Number of Times Waver Cries: 2

Wait, isn’t Bucephalus Greek??? Update: No, he wasn’t. He was Alexander the Great’s horse. That explains why he’s Rider.

I was wondering how Waver managed to live long enough to be El-Melloi II when he was stuck in a battle to the death. Welp, that’s how he did it, folks! *points at screen*

Number of Times Waver Cries: 3…but…anti-climax, much, f***in’ Gilgamesh???

Uh, what’s up with Psalm 23:4? (I had to google that snippet of the Bible to find out its citation.)

LOL, Kirei and Kiritsugu have very similar faces. Didn’t realise that until now.

F/Z 24

It’s weird seeing Kirei full of fighting spirit…He’s still frickin’ Wolverine, though.

Is this taking cues from the Matrix? I bought it from the charity store the other day because I haven’t seen it yet, but I know Bullet Time from TV Tropes.

Now Kirei is channeling Bruce Lee, LOL.

Ouch…the bullet to the hand reminds me of the nail gun scene in The Island (which still freaks me out to this day). (…and now I’ve gone and done it – every time I think of that movie, I get the song The Island – part 1, at least - in my head as well.)

I can almost see Sakaido (from ID: Invaded) in some of these scenes instead of Kiritsugu…trust Ei Aoki and associates to do that.

I went to dump a screenshot in Paint and one of my Fate/ backgrounds from one of the previous posts was set to my background! (I have my backgrounds set to rotate every 12 hours and I have over 600 pictures for that purpose.) *sighs happily and incredulously* Well, whaddaya know…sometimes the stars do align.

I almost expected Shirley to appear, but it turns out it was Iri instead.

Kiritsugu still has his Command Seals so he’s still connected to the Grail War somehow…hmm…

C’mon, I predicted Gilgamesh would compliment Saber when she was down and bleeding.

F/Z 25 (FINAL)

Who’s Lord Justeaze?

Sakura has the same eyes as Kiritsugu. Dead, lifeless eyes.

Did Kariya just throw himself to the worms???

The Great Naked B*stard Gilgamesh.

A priest is a zombie, huh? How ironic.

Isn’t Gilgamesh annoyed by his lack of clothes…? Update: Never mind. He gets a cloth soon enough.

Wait, if Saber destroyed the Grail, who won…?

Huh? The timer ran out.

Aw, even Waver’s growing up.

One of the books says 零戦 (reisen) which apparently means “Zero Fighter [Plane]”. One of the sets of books says “William Shakespeare”, who I know is a Servant somewhere in the Fateverse.

The Bible verse is Job 19:25.

Lancelot’s head doesn’t disappear when the rest of him fades away…It’s pretty poignant.

Jubstacheit is the head of the Einzberns. Update: Think I had to google that.

“Becoming a hero has an expiration date.” – As much as I know that in my creative heart to not be true, my adult heart says yes, it’s true.

Welp, that’s the end of one series. Time for another.

[bushybeardedbear]

Season 8 of Saltron: Laughable Disappointment

What follows is a stream of consciousness as I watched the series.

The TLDR? I am glad it's finally over and will always miss what it should have been.

It's another long one. But, I think it's the last one on this topic...

Maybe I can finally get back to writing fics. Who knows...?

I use the word mess a lot.

So, episode one. Months have passed as usual. And somehow the population of Earth, all crammed into a single base on the planet have somehow been able to produce an animated series. Earth is devastated, but there's still the ability to make cartoons. Somehow. It's as though the writers needed to tick off a “reference to the old series” and have only just been able to cram it in. Global devastation, billions dead. But hey. Cartoons. Yet another example of Voltron not knowing what the hell it's own tone is. Are we a happy silly space adventure, or are we supposed to be a bleak look at the horrors of war? Are we selling kids books and toys or are we forcing our characters to deal with global devastation and the loss of their lovers? Let's be both and excel as neither.

And for a show that isn't about shipping? Gosh they've already dedicated a lot of time to it, haven't they? Allura, Lance and Lotor, all major focuses of the plot. Oh and it's nice to see Romelle doing what Romelle does. Info dumping about the colony. “Before the Galra can reorganize.” Well, sorry Keith but it's been Five Years. Remember that time skip? If at least one group of Galra hasn't reorganized in five years, that would be absurd. If only there was some hint that the Galra HAD reorganized. Like a giant robot. Using the same magitech as the druids and Honerva. I know that as the viewer we're privy to more information, but sometimes they make the characters painfully stupid as to what's going on in their own reality.

Oh boy. An entire episode devoted to finding Allura a date outfit. For Lance. The boy with a lifespan of 80-100 years max. Whilst she could live to be 800+. We going to cover that? I mean, we had time to emphasize Pidge's age. We going to touch Allura's age? No? Ok, fine. We'll ignore it shall we? Do the writers assume people are too stupid to remember the show's own lore...? And look. More references to the old show. Remember the old show? Nostalgia points. Hey Pidge, having some fun being yourself? Well, make sure you give up something you love to make the popular girl happy. Arguably again but, doesn't seem like anything previously established or hinted matters. Nice. And I guess we know the names of Lance's family. Along with a nice bit of tell don't show. Lance is all talk and bravado. It's good of you to tell us that. Can't expect people to figure it out organically through storytelling.

And the only way they could figure out Honerva was behind a robeast...was via a cheesy death scene. Well, at least they didn't make the cast even more bloated and unwieldy. As for all the issues I've mentioned with Allurance before? Doubled down on here. Allura's not the strong capable leader we were shown, she was weak and in need of man to complete her. What a great 180 from powerful character to prize for toxic masculinity. And if you don't like the idea that pursuing a woman aggressively and jealously, even swooping in after a break up is toxic...? I don't know what to tell you. If you think this relationship happened organically and wasn't rushed? I don't know what to tell you. I don't think we were watching the same show.

However. I know me foreshadowing. Allura gives life. Allura and Lance photo. The flowers at her bedside last season that symbolize death. Let's see if they pull another “oh look, their relationship failed.” Because on screen romance is the kiss of death in this series. Also, the fact that so far nothing has even been hinted at Pidge's obvious crush on Lance... Yeah, can't say I'm surprised. I think maybe the writers forgot their own lore...

Oh, and off they go to space. What a great first episode. I'm so pumped to see the train wreck continue...

Is it just me... Or have they now made Honerva nothing more than defined by the men in her life...? So far her entire episode has been about how she serves no purpose without Lotor. Months she spent without purpose. This despite having knowledge of both Oriande and The Altean Colony via her mind link with Kuron... But suddenly, this fiercely intelligent multi-millenia old right hand of the empire...falls into a depression because her son is missing...? The most driven character in the whole series is just wandering aimlessly without the son that, let us not forget... She forgot even was her child for the majority of the show... I appreciate that they're attempting yet again to give the bad guys a little more humanity, but...There's a difference between a nuanced and rounded character and simply writing them to act differently at the drop of a hat. So, I get that they're pushing for her regretting that she had no connection with Lotor, that the act of coming back from the dead robbed her of motherhood...but in so doing, they're yet again doubling down on the fact that Lotor was always a victim of his upbringing. Or lack thereof. It feels almost like these sequences were written at a point before they realised they were going to make Lotor into Space Hitler. This screams redemption arc for a lost little boy being set up. Not the genesis of a heartless monster. Even their own backstory doesn't seem to gel with the show...

Well, I guess they answer the question of how the hell did a single nanny exist across multiple millennia. Dayak is a title, it seems. Not a name. That was a useful retcon I suppose. Maybe they should have thought more about their own continuity  And yes, it seems everything Honerva is now doing she's doing for the sake of Lotor. Not out of her own capacity or desire. And Lotor, somehow bathing in pure life energy, is dead. And now, we have further proof that Lotor's story about being an essentially good person who had to watch a planet of his friends and allies burn. Again, this whole thing screams redemption arc. Where and how, after this entire process of being exiled due to his pragmatism, in being in reverence of Altea...did he suddenly turn Space Vampire feeding upon the very people he revered...? This episode gave the opportunity to make the Altean colony and Lotor using them as a vampire make sense. Instead it just raises more questions. It makes it seem even more likely that at one point Honerva was the one harvesting to make druids. That at one point Lotor was supposed to be redeemed. Then changes were forced. Or maybe a half baked redemption is still coming? Willing suspension of disbelief is utterly gone. The story is plainly a patchwork of mistakes piled upon mistakes.

A beautifully animated, beautifully scored and beautifully voice acted incoherent mess.

Still got time for that transformation sequence in the middle of an inconsequential battle that doesn't further the main plot and further doubles down on the problems caused by the five year gap. Do we really have time to rebuild the Voltron coalition and bring stability in seven episodes...? And what part of this actually benefits from the five year gap? “The Galra Empire is at war with itself” this scenario could have played out perfectly well during a civil war cause by Lotor's 'death' and Sendak creating a splinter faction. The five year gap was in no way necessary, as I mentioned in previous posts. And...do we really have time for an episode that's one long reference to Alien...? Even now at the half way point of the episode, it seems clear they're either going to find something that mildly advances the plot or else is utterly pointless. Do we have the time to waste on this when there are so many other plot threads that need tying up? Pidge and Lance's lion moments for one. Lance needs to use his sword. Ever again. Probably to save Allura, just to really hammer home that she's weak and incapable without him now. Whatever's going on with Keith is another. Maybe Axca will just info-dump an explanation. Or not. Are we just going to get a bunch of things unsolved? A bunch of things forgotten? Are they going to make this a to be continued in a new season...?

Well, there we go. The secret weapon made with distilled Altean quintessence. Now we know where it went. So it devours quintessence, slaughters Galra but just...pushes aside Paladins of Voltron...? Ok, so it's probably engineered to hunt Galra. Which makes sense, right? A Galra super weapon. That only hunts Galra. Ok, so now comes the info-dump retcon. Whereas previously it was created by the Galra base they were infiltrating using the Distilled quintessence... It was now found in the Quantum Abyss... And trained and engineered by Lotor to hunt Galra...? Sure. Whatever. It makes no sense and feels shoehorned into the plot. But sure. Rather than being pragmatically working toward an empire that didn't rely on using other races for Quintessence, Lotor was actually secretly making monsters to kill only Galra for the sake of genocide...? Nonsense.

“How do you know so much about it?” Good question Lance. And guess what? It's not actually answered in the show. Go back and watch the episode where Keith and Krolia found this thing. Any hint of it being a weapon Lotor created...? Any hint of it being anything except built or engineered on that base? I think you'll find not because they just forced this into the plot now. Who knows what purpose the creature was supposed to originally serve, if any, but this is obviously nonsense. And Lance is quite rightly asking, “How does Keith know so much about it...?” And it's because the writers needed to info-dump another retcon.

And just a small aside... Lance not knowing the difference between an Altean Hour and an Altean Minute literally contradicts what was established about his grasp of the time system seasons ago. He wasn't born yester-quintant. But now he's too dumb to remember time units. Because who gives a damn about continuity or character progression when you can just have characters regress...?

And why are they acting surprised that Honerva can build more than one robeast...? I'm so tired of seeing them all written as complete idiots. If Honerva has access to Altean Alchemy, and they know she does and access to the infrastructure and resources to build one robeast then it stands to reason she can build more than one... That doesn't even need a genius like Pidge to figure out. That's just common sense. That they've all now written to be bereft of.

And split up? Ok, so with so few episodes to go that likely means splitting focus from the Paladins and the Atlas on an episode by episode basis, most likely. Plus the obligatory “comedy” episode to waste yet more time that could be spent telling the actual story. Then everything needs at least an episode to wrap up...? Guess we're not getting the endings and tied up threads we were expecting. Or if we do it will be brushed aside. Like Keith's explanation of how he knew so much about the Not-A-Xenomorph.

Still, on the bright side? Only a few more episodes to go...

Oh wow. If the ongoing saga of the girl that used to be Allura who will live for millennia and the boy who will live for decades that used to be a character developing wasn't cringeworthy enough, now we have the characters just arbitrarily deciding to go to the one place in the entire Voltron coalition that the Robeast arrived at. Such a lazy plot contrivance. Lance is right. Why couldn't there have been some means of tracking a quintessence signature or some kind of magical anomaly intrinsic to the Robeasts that Honerva is creating? A magical element would have given Allura something to do other than pout. What they needed was something to give them a CLUE as to where they next need to go. Seconds, literally seconds after Pidge has pointed out the vastness of the universe and how unlikely it would be to find the robeast with not a single clue... They just arbitrarily decide to go to the planet it landed on!? What the actual hell, writers? Can I have a crate or two of whatever you were high on when you wrote this, please?

Transformation sequence. Because we need that eating up the run time don't we...? Yeah, it's a nitpick, so what?

Oh boy. Another planet massacred. Another group of allies lost. Cheap emotional tugging at the last hurdle when it's largely irrelevant. Not that I suppose it really matters. After a few months they'll be back on their feet and making cartoons again, just like Earth. After all, they probably all escapedor mostly did. It seems absurd that they couldn't have. They're one of the most technologically advanced species in the universe. Escape pods wouldn't be beyond them. Makes a damn sight more sense than last season where we're supposed to believe the entire multi billion population of Earth fit into those prisons. Billions are dead on Earth, remember? So, 'dead' Olkarion yet another example of the Paladins being given almost no hope of a happy ending short of a deus ex machina that will somehow undo all the damage. Or it just gets ignored. Because who cares about Billions dead on Earth? Or across the rest of the coalition...? Which raises another point... Why did nothing happen to Olkarion during the five year gap...? Did they even try to contact Olkarion when they emerged from the quintessence field...? Because it sure didn't look like it was devastated in their absence. It looked, until the robeast, pristine.

Continuity? What's that? At this point it wouldn't even shock me if they had Pidge wake up and say “wow, what a wild dream...” As the last second of the series.

How can Hunk still not be good under pressure, after he's shown multiple times...to be good under pressure...? To have developed as a character...? You know what, never mind... So wait, this whole episode was just to establish... That Honerva has access to a Teludav...? Is that really information that couldn't have already been inferred? An energy detected on the Robeast for example? Or just, I dunno, putting two and two together? What thematically was gained by Pidge's vision quest that couldn't have been delivered by some survivors? I know they're going for a noble sacrifice on a planetary scale, but... When the noble sacrifice is to deliver information that realistically could have been gathered in countless other ways... It just feels, like a lot of the plot now, forced.

Well, escape pods. Who could have guessed that? And the episode ends with them gaining a tracker. Something that was probably necessary at least on some level to make the episode make sense. Would it have been so hard to say that between Pidge and Allura they made a magi-tech tracker that just about detects the Robeasts and then the Olkari data makes it work perfectly? Nah. Let's just have them find the aftermath of a robeast attack randomly a split second after saying how absurd that would be...

Unique Energy Signatures Interesting. An energy signature that's unique.

And the robeasts have them. Huh.

You know what's really easy to spot in a set of data...?

S O M E T H I N G    U N I Q U E

See, if you take the text so far as an example of background cosmic radiation and all the other stuff one might detect around Earth, the above two words would be a unique energy signature. Something not usually found in nature. Something outside the norm. Make's one wonder why there was no way to track these unique energy signatures before now. Say, with the Atlas or the established satellite networks around Earth. Makes one wonder why over months this data wasn't analysed. Of course, I'm assuming that anyone even turned on a scanner. Or remembered they had hands. Why would anyone think to scan space when a new an unknown enemy showed up. From Space. Don't be silly. That would require the application of logic.

And, I really don't care for the continued loss of time fixating on the MFEs and their wacky lunchtime with Axca... Or indeed all Axca's angst. Considering how much we still have to happen for The Paladins I'm not really feeling the need to develop a last second former general to be a half formed love interest for Keith. Basically following the same plot of learning to be more human and less angst ridden that Keith did. Well, this episode sure feels like filler. Random trap, with a bunch of old enemies. I mean, at least they remembered Alteans can change skin tone, I guess...? Just about the only thing that impressed me about this episode so far.

Well, that fight scene happened. Wait...left you...? The last we saw the two of them had blown up. And half of Zethrid's face is burned. Indicating surviving the explosion. Her entire crusade of gathering mercenaries, hunting Keith, the name of the episode being The Grudge... It all adds up to dead partner. But now Axca's saying... Ezor left Zethrid...? What the hell kind of absurdity is that...? She'll never take me back...? That has to be the biggest dumbest cop out... What could have been a really emotionally compelling look at a “bad guy” having more nuanced motivations... Made Zethrid look like she was having a tantrum.

And still, nothing of the wider plot advances. More filler.

Gosh, this mostly static series of shots of Allura telling us what's happening at Oriande sure is engaging. Thank goodness this isn't in a visual medium or we might have been shown this rather than told... And another big rousing speech about end the war. That will result in the war not ending, if any of the previous times were anything to go by. Except this is the last season, so... This time doing the same thing has to work.

Well, I'm surprised we didn't get two transformation sequences in a row. I would have thought that would be the best use of their time. Also, whilst I see the thematic necessity of Allura in charge, I'm not sure how the plot really justified it. And is it just me, or did Ezor always seem a bit...pasted in place and static...? Not even sure the voice was the same, maybe it's just me... Still no Lance and Pidge Lion connection. Just an aside really. Not sure if we'll ever see it at this stage.

And again, maybe this is just me... But surely we can only feel like every reality is under threat is a big deal once in the same show, right? One also has to wonder that given access to the same alchemical ability and greater knowledge, that Honerva could have retrieved the Sincline with... Another similar mech...? Seems like an unnecessarily massive ritual just to bring probably not Lotor back. Or was bringing him back just part of it and the majority was to collapse the white hole...? She's just controlling him...? Because why not. All this guilt and need to save her son, this massive magical ritual was just... To get a puppet Lotor and to kill the White Lion...? And damage reality in the process? Or is this just the classic trope of screw you all I'm destroying everything?

I mean, I know that these episodes want to keep you guessing, but... Maybe just a touch of explaining what all the bright beams of light and particle effects are would be good...? And preferably not sat at a conference table telling us but through the story showing us. At least the plot has advanced. I guess it's now time for the comedy episode to destroy the flow...? 

Well, seems like another filler episode. I really wanted an entire episode dedicated to a secondary character when there's already plenty of Paladin's stories left to tell. And the interview format is still more excuses for tell don't show as people talk at the screen to deliver information without it seeming artificial. The absurd necessities to make the found footage format work always bugs me. There's no difference here. I'm just not feeling Cloverfield but Voltron. I can't deny that it's been animated well, but, I'm tired of filler. And this season so far has been the vast majority filler.

If you want to do dramatic framing and filming, keeping one character in shot and then another, then swapping back... Then clearly your camera has a dramatically appropriate setting that works in micro gravity. If you're going to do found footage, don't also drop the ball and include impossible camera movements.

Honestly, Coran retelling the whole series would have been more entertaining than what it has been so far. But for what it's worth, the world building, finding out Colleen Holt is a biologist / geneticist of some considerable skill? Yeah. Interesting. But...how late in the game are we to be finding all this out...? Doesn't world building usually happen throughout, dotted about organically? This all just feels like... Here's some stuff we never got to mention before now. All delivered in a really artificial seeming way...

Adjusting for long range parameters...?

You're in orbit. Your ship can communicate over light years with no signal delay. Orbit is not long range for The Atlas. Just say you're adjusting for interference...

Also, they are finding new and creative ways to have meetings around a big table. The most riveting part of this show. Watch in wonder as three static characters hover over an action scene interspersed with static. Wonder if next time we'll get to see someone make coffee for the meeting. Puzzle over the filler to plot ratio. Thank characters talking directly to the screen telling us the status of questioning prisoners of war that could have been delivered in countless other ways. Wouldn't that conversation with the Altean have been more interesting if delivered in the interrogation room rather than through two cameras...?

Still not going to touch the lifespan gap? Ok.

And holy crap use Hunk more. That desert part? Brilliant. An actual stand out moment that shows his compassion and his intellect. Not just being a big worrying goof who eats. Finally, something I can genuinely praise in this whole mess. They haven't ignored Hunk. That was a wonderful moment, breaking barriers with cookies. And so far, in terms of writing, 100% the best part of the whole series. One diamond in all the rough... Or maybe something of more value than a diamond. Like a good writer on the Voltron team...

“Winning prizes is my speciality.” Uhuh. Once someone has been rendered a prize I guess.

And now it's time for yet another filler episode interspersed with a little plot. Sorry, by plot I mean an info dump. This time from “Lotor” or a vision of him at least. Lecturing us about the void creatures. It's about time they got brought up again. But thanks writers for yet again delivering that information and story in the least engaging possible way.

It's nice seeing the characters have a little fun. I won't deny it. I personally don't buy how eager Pidge is to help Lance out on his shiny thing for Allura quest... But, at this stage I think I should just cast aside anything that might have previously been established about the characters and just assume stuff will happen at the writer's whims. If I'm lucky, it will be entertaining. Maybe the inconsistency comes from writing? Or animators not being given clear direction by writers? Or executive meddling. Maybe I also think it's cheating to use a robot arm that has no resistance in an arm wrestling contest. Shiro's body provides no leverage. It's all down to the hand unit, but nobody brings that up in the show. Even though they should.

Also not digging the using both the men in her life to tempt Allura. It kinda draws even more attention to how flighty they made her. How sudden and how jarring her reciprocating Lance's feelings was when they first seeded it at the Omega Shield. One big gesture to win his prize. It's all so skin crawling. So diminishing for both her and for Lance. Honerva, through the void creature, can presumably see this in her mind. Why else would she shift between the two men? It's almost as though the show itself is acknowledging they made Allura indecisive, flighty, weak to temptation and easily manipulated. And then she puts her hand to the glass. Then takes what is effectively a demon into her, that she knows allows Honerva to kill a host at will. I mean, at least they included her Mother, rather than Alfor. That's something I suppose, to indicate that her entire character isn't solely defined by the men in her life now. Though, it's small comfort. I mean, I get that she's being manipulated. I get that she's being tempted. But she's not Allura any longer. Allura was the incredibly strong willed last daughter of a dead world. A genocide survivor who came out fighting. The princess who gave up her last vestiges of her royal office for her friend to have an arm. The woman who killed the last remnants of her own Father's uploaded mind. Allura is strong willed. Stronger willed than any of us could dream of being. Or at least she was. Much as they now try to devalue her in the show... She united two thirds of the Universe under the Voltron coalition. Now what is she...? A damsel in distress who's going to need to be saved from her own weakness and a prize to the nice boy. And I'd put money on Lance using his Altean Broadsword to save her, just to hammer that home.

Of all the awful choices the writers have made, destroying Allura is probably the worst. You'd think I'd say Plance, but you'd be wrong. As I've always said, I'd rather not have it be canon at all than have it be badly written crap. So even if somehow Plance is super late end game, it will be just a shoddily written piece of crap on top of a giant shitty cake. So I wanted to take my victories where I could. I wanted to hope that maybe Allura could be Allura again at the last hurdle. Nope. Destroyed.

And credit where it's due? That overly bombastic anime-as-fuck arm wrestle, complete with foe with a heart of gold trope played for laughs? Yeah. That was fun. It's not like they can't do moments. I will admit that. They have some among the writing staff who make wonderful moments. It's just a shame those moments are mired in so much dross...

That touch of self awareness about the robot arm from Iverson I appreciated. Again. Moments. The entire concept of using a void creature combined with Voltron's joining of minds seems like the worst idea ever. It puts them all in jeopardy. Lance is being the only sensible one there. Which is rare to say. It also doesn't feel like he's doing it purely out of his feelings for her. Just common sense. Also, I feel like the Astral Lions moment would have carried a little more oomph if... Lance and Pidge had had their Lion Bond moment. I'm going to keep coming back to that. Because it feels very present in it's absence. It feels as if it has been either removed or else forgotten.

The battle with their alternate selves was fascinating. One of the few fight scenes that acutally wasn't boring this season. Though, Allura inevitably giving in to and using the darkness... What did I say before...? They've made her so weak. It took her lion intervening to stay her hand. And was it just me or was Lance using his broadsword...? With no fanfare...? No dramatically appropriate moment for it to materialise in a meaningful way...? It's just... There...? They establish he can summon it only under intense need, then never use it and now suddenly it's just... There...? Wow. I was giving them far too much credit when I assumed it was foreshadowing some dramatically appropriate moment. Sorry to anyone out there I said as much to. They just forgot about it.

This may be bad of me, but there's something distinctly Freudian about Lance wielding Allura's Father's Broad Sword... That just me?

So... They're continuing together on life's journey now...? And we're still not going to even touch on relative human to Altean life spans...? Really...? Ok...

And this is just another aside...

Their minds are all connected. So, Pidge doesn't need to explain anything except for the sake of the audience. That's fine and dandy. I'm used to Voltron relying on prodigious amounts of exposition. But why is Alfor surprised at the knowledge of Allura being possessed...? Angry? Sure. Concerned? Sure. Trying to convince her it's a bad idea? Sure. But...surprised...? How...? The plot would have you believe they're all profoundly connected on a far deeper level than ever before... And yet, somehow he's surprised at this knowledge...? Whatever. Plot right? Who cares. It's not like a team of writers have been paid a large sum for this to be a coherent story...

Should I just rename myself Bitter Bitching Bear?

Probably... I guess palaces in the mind would make a Voltron and Persona 5 crossover possible. Not that I would want to lessen Persona 5 in that way. Just an idle observation. And again, despite the mind connection, Allura is revealing things to Alfor that surprise him. I know it'd make conversations pointless and thus the whole show would be a hard watch... But still, why even pretend there is a mind connection if they don't even pay it lip service?

If I was taking a shot every time there was an unnecessary transformation sequence... In fairness I'd probably just be a little merry. But still, for a show that's being so rushed, they seem to have all the time in the world for transformation sequences and filler episodes. And really lousy looking CGI corridors. That was jarring. Also, Lance and Alfor being one and the same in the cockpit. Freudian symbolism intensifies.

Now, I'm just going to spitball for a moment. Allura is filled with an evil tennis ball from the void. She needs the evil ball to find Honerva. Yet we've seen she can remove the entities from Alteans. Admittedly, a dead one but, what's to say it's not possible on a living Altean? It's not like anyone tried.

Take the entity. Sever their connection. Ask the Alteans where Honerva is. Literally no need to put her sanity at risk. No need to have her willingly being possessed by a spooky space demon. Would it be as visually impressive? No. But it was an alternative that wasn't even discussed. Or considered.  And it makes a great deal more sense. It also allows Allura to remain at least partially her incredibly strong willed self and not give in to the easy dark path. Yes, at this stage she's resisting. But let's be real. She's going to fall to the darkness. At least for a time. You don't foreshadow this hard about how bad the spooky space demon is unless you're going somewhere with it. Mind you, I've been wrong before about the writers doing something they're obviously building toward...

And now Lotor has gone from compelling conflicted character, to vampire space Hitler to a pile of gloop in a chair. Just one screw you after the next... Guess there's no redemption arc for him that doesn't involve a spatula...

Also, it suddenly strikes me that there's a whole lot of lazy asset reuse thanks to this episode's memory stuff going on. I'm also pretty sure I saw Lance's crazy gunning face against Alfor used elsewhere. Have the animators also given up? Well, with what they've been given to write, I wouldn't blame them. And...why is Zarkon's colour palette off...? His skin is literally the wrong colour... Come on guys, this isn't even funny... Why would Honerva remember her own Husband as the wrong colour...? Why would, what I assume is Zarkon's soul, be the wrong colour...?

Honerva's plan... So... Let me get this straight...

Honerva has Zarkon's soul in her mind. Possibly Lotor's somewhere as well, but that's just a guess.

She's made cloned bodies before. You see where I'm going with this?

Why destroy every single other reality, just to find the right one when she could just... Replace their souls in cloned bodies...? Or at the very least bring Zarkon back to aid her...? If Allura could do it it would be child's play to Honerva. Her motivation makes sense, but her method is utterly stupid. It makes her look stupid when she can't even use the tools at her own disposal.

What even is this daft speech and argument from Keith...?

Voltron is gone? Voltron is within us...?

Bollocks to your pseudo-deep emotional prattle. Just be sensible for once. The lions were never there to begin with. They were astral constructs. The lions aren't literally there so they aren't literally gone. You don't need a rousing speech about reaching for the lion inside you, because it's all in your heads as much as it's in hers... So stupid.

Also, pretty sure the entire blazing sword sequence was reused...

And something bad happened to Allura because she used the bad thing that was bad. Did we mention it was bad enough?

Well, here it is. The Big Robot they have to beat this season. Complete with seraphic imagery and form. That sure as hell hasn't been done to death, has it? And it's the board room of exposition again. Woohoo. And yet more Lance angst. And another Lance and Keith bonding moment. We get it, they're friends now. Ok, apparently removing the entity didn't kill the Altean...? So she could literally have just used their help...? Or even traced Honerva using one of the other's entity. And again, nothing was even suggested to do that.

I'm honestly not sure what would have been worse right now. The fact that Allura has been rendered bed bound and unable to do anything or if she'd been made a damsel in distress to be literally saved. Then again, I suppose there's still time for that. And in a sense, she is still in distress. Waiting to be saved by the plot. Oh, here it is. Lance going to awaken her with his love. Hooray. The damsel in distress is saved by the Nice Guy.

And the whole first part of the episode was literally just padding and wasting time. Are we any closer to finding out why Keith can do what he does...? Will we ever find out? Nah, I'll scratch that off along with Lance and Pidge ever getting their lion moments that everyone else got last season. But thank goodness we had time for all the pointless filler.

Ok... So, to be clear... At no point before going into the Astral Plane, did Allura think to remove the entities from the Alteans they have onboard...? I mean, yeah, sure, Allura getting controlled is one thing, she's just a plot device to be used these days and lacks any agency of her own any longer. But to have the irrelevant side characters not have their spooky space ghost taken out... When they know it directly connects them to Honerva... Even if they couldn't predict Honerva could control them, leaving them bonded with the entities was a stupid risk... Everyone is written like an idiot.

And, I'm not even sure how you can classify these void creatures as entities. They don't seem to have any will or agency of their own. They just seem to serve as brain bluetooth for Honerva and nothing else. Feels like they were supposed to be more than they ended up being. You can pretty much sum up the whole series as such. It was supposed to be so much more than it ended up being.

Now, I'm sure someone will point out that the Balmera we know is near Earth, so it shouldn't be here. Which is why they found a random new Balmera and new Balmerans. But, wouldn't it be more satisfying to have Shay and her formerly enslaved people being part of this final battle...? Wouldn't it be more compelling than watching New Balmera and the New Balmerans to see Shay and her long downtrodden people fighting back...? To just introduce a new Balmera with no previous stakes in the conflict is...mind boggling...

Mother and Son combined huh...? Freudian Symbology 3 – The Freudianing

Two episodes and then it's all over. Thankfully over.

And still time for another transformation sequence. We get it. Lions go click. I never thought I'd get bored watching a giant robot form... And at this stage, repetition seems to be a good topic. They're battling to save all realities. Again. There's a big space wobbly hole. Again. Only Coran with the power of breaking stuff can stop it. Again. I mean, I get this is based on a formulaic Japanese super robot show from the 80's, but it's current year argument... Can we maybe have something new in the season arc formula that isn't beat the big bad robot...? Right up until season 6 this show had so much potential and we've watched it all get squandered.

So...suddenly Balmera... That can travel at speeds at least as quick as Teludav...? Ok, sure. Whatever. And calling the other Balmera here...? Wow, wouldn't that have been more compelling if Shay, on her own Balmera previously wounded by Honerva, called out to the others? Wouldn't that have made this suddenly Balmera moment make more sense...? Nah. Screw sense. New Balmera and the New Balmerans happened. Then a whole bunch happened... It's like, they're missing all these obvious ways to tie things together using all they have in place... How can one writer never mind a whole damn team of writers miss something so elementary so repeatedly...?

At this stage, I genuinely think they stopped caring.

Deus Ex Balmera made Voltron and The Atlas fuse into a derpy generic looking Gundam.

You've got the rights to Voltron one of the most iconic combiner robots in history. Why the hell would you, for the final battle, turn it into yet another generic looking super robot in high heels!? Why!? Even that daft looking toy covered in blue bits was better than this...

Again, I can't understand how seeing two robots form a bigger robot is somehow boring... But they managed it... Makes me worry that the Voltron writers are apparently going on to do Spider Verse films... Somehow they might make multiple reality spider people boring...

And a big silly looking sword as well. Why not just cover it in belt buckles while you're at it?

And given this Alt-Reality Lotor and Alt-Reality Allura, they had the perfect chance to have them both be adorable little munchkins together. Couldn't even do that... And can we just stop with this? We get it, even if she wins she loses cause it's not really her world and not really her Zarkon and her plan was always doomed to fail... Yes, we get it. Hubris. Can we please just hurry up and end the series before I start listing all of the many plot threads you've overlooked...?

Ok, now the over-designed purple mess can fight the over-designed mess with a vaguely Voltron head. Then some shoddy deus ex machina will happen, probably.

Yup. Voltron just turns into a giant set of wings before ending up in the nexus of all realities. And Allura makes it all better with her magic. And predictably Allura makes the ultimate sacrifice because of course she does. Who didn't see this coming? And did she just magically make Lance Altean...? Man, I preferred Allura when she wasn't just a walking plot device. Though, now I think back, was she ever anything else...? How bad it's gotten makes me re-evaluate what it was... And finally we get everything tied up with a few sentences under some still images with the exception of Shiro's kiss, which was fine, but hardly the soul surging uplifting thing it wanted to be.

And that's that.

Previously, I was angry, I will admit that. And it was shameful. Now though...? I'm obviously bitter and sarcastic about it, but mostly a combination of relief and disappointment. Glad it's over. Disappointed at what it ultimately devolved into. Ironic as this may be, coming from a writer of shitty Voltron fanfiction... From season six onwards, this show has felt like shitty Voltron fanfiction. In essence, that's what it was. There are so many of you here on tumblr. who could have done a better job. A much better job. Maybe some of you will in future.

At least now, I can move on from the mess that the canon became. I won't waste my time hoping they'll make it better or wondering if they'll resolve every plot thread. Because I know they don't. I know they forget whole swathes of things they set up. And I'm sure people will point out more. I won't be writing fics trying to make them fit into the canon. If anything, I'll want to rewrite everything that went wrong from season six onwards. I will probably at least finish off some Plance pieces that I think The Garden needs now more than ever. Set in some of the alternate realities that didn't turn into this...utter mess... See you later, Space Cowboys. Sorry about the space dysentery.

Also, as one comment points out? That's not a gundam in my gif. But just a robot that looks silly dancing. pretty sure it's from a gundam series...but I only really know wing and beargguys. ...Here's a jolly thought. Altean Lance? He will live for centuries. Allura's last "gift" condemns him to spend nearly 1000 years watching his friends, his family over several generations, probably his entire lineage die and rot. All the while mourning her and never moving on. Fuck. This. Season.

[zzapzzaptasers-a]

Random Mun Facts! Repost not Reblog

Name: Ben Nicknames: uhhhh one of my friends calls me Benthony when he’s trying to get my attention Height: 5’2.5′’ Nationality: American Favorite Fruits:  Apples, strawberries, watermelon Favorite Season: Fall Favorite Scents: Pomegranate, the heavy lumber smell of a Home Depot/Lowes, Ed Hardy’s Villain perfume which is the only one I use and own fight me, there’s a pumpkin apple candle at my job I’m constantly buying. Favorite Colors: Deep purple, emerald green, light pale blue, black Favorite Animals: octopus, peccary, cows Tea/Coffee/Hot Cocoa: hot black tea with honey Average Hours of Sleep: about 4-6 hours. sometimes less. When My Blog Was Created:  idk when I restarted the blog (I’ve done it like 4 times?), but the original Zapzaptasers was May 2012 Random Fact: My mother left me when I was 7 to move back to Germany and its why I always ask everyone to tag their mothers day content. I mean, it’s part of it. Favorite Food: Cucumbers, pasta, garlic bread Favorite TV Shows:  Bojack Horseman, How I Met Your Mother (Minus the last episode because it’s the fucking worse), The Office. I don’t really watch a lot of tv because it’s hard for me? IDK how to explain it but I’m always like “I have 8 billion things I need to be doing” and often can’t turn my brain off to enjoy it.  Favorite Movie: Beetlejuice, Coppola’s Bram Stoker’s Dracula, Inglorious Bastards, tiMer, Labyrinth, Star Wars Favorite Vine: GIMME YOUR FUCKIN’ MONEY SVU, It is Wednesday My Dudes, FRE SHA VACADO Sexuality: bi graysexual (possibly lithromantic idfk) Pronouns: he/him/his or they/them/their Favorite Book Series: The Paper Magician, Anita Blake up until like book 7 Favorite Video Games: Final Fantasy VIII,  Favorite Subject: I haven’t been in school in like 11 years my dudes. Guys or Girls:  ¯\_(ツ)_/¯ Last Time I Cried: At the Fleetwood Mac concert Wednesday, when they did Landslide. What I Should Be Doing: probably getting ready for bed but fuck it. Favorite Fandoms: Fandoms as in the community? Because none. But if you mean like...things that I am a fan of? Professional wrestling, Stephen King, Marvel, Star Wars, DC Tagged By: I stole this shit from @battlesthatmatter Tagging: u all can steal this shit from me, too

[somanydifferentthings]

11 questions game

So, I got tagged by @slytherinvalues a couple days ago and for some reason the mail that I was tagged didn’t come through and I only just saw it. Anyways, thanks for tagging me, love!

1. if you can travel to and live in a fictional world, which one would you go to?

I think I would like to live in Wakanda (disregarding Infinity War). There are so many other places I would love to live in that would be way too dangerous and Wakanda just seems like the perfect place to do science-y stuff and learn so much and I love to learn new things.

2. do you think unconditional love exists? do you think it would happen on you?

I so think unconditional love exists. However, I don’t think love between romantic partners is unconditional. I think the only real unconditional love exists between parents and their children. And sure, it doesn’t exist for all children and their parents but I think that the only truly unconditional love is between parents and their child. Like, I know that my mum wants me to do shit and achieve things and do good in life and live my very best life and she will give me shit for not doing my best but she will always love me and that love really isn’t conditional to doing well or being successful or being good or straight or normal or whatever. The only thing I have to do/be for her to love me is to be her daughter and that will never change. And the same thing also counts for my father. I would also like to think that when I have children that I will be able to present them with the same unconditional love I got from my parents.

3. talk about your fav show/movie/anime/musical/book and why everyone who just go watch/read that already

it is really really hard for me to pick one. there are just so many good shows/movies/musicals/books that I would like to share but I’ll pick one book and two movies. The movie: The Perks of being a Wallflower I think everyone should see this movie. I think it’s beautifully made, it gives you pretty much the full spectrum of emotions over the course of the movies, it deals with mental health issues in a way that is (pretty) far from ideal but (at least that’s what I feel) is pretty realistic instead. It also has to of my top (gorgeous) actors: Emma Watson and Ezra Miller and everyone should appreciate them as well as all the other amazing actors that are part of this movie. It is literally one of my all time-favorite movies. (this movie is based on a book but I have not read that book and can therefore not comment on whether it’s good or maybe even better than the film) The book (and also the movie to it, really): Call Me By Your Name This book is so beautifully written, it makes you want to be in Italy and spend your own beautiful and exciting and emotional summer there. This also has happy and sad and exciting and sexy parts and when I read the fourth (and final part) of this book I cried so much that I couldn’t even see the pages anymore and I am not a big crier. The book, the audio book and the movie are all three amazing and pull you in, they make you want to be part of this story and they make you want to have a story like Elio (and Oliver)’s. The second movie: Honig im Kopf / Head Full Of Honey. I don’t think there is an English translation for it, but there are versions with subtitles out there. It’s a beautiful story that shows the adventures of a family where the grandfather has Alzheimers. It deals with it beautifully and, once again, makes you want to be there and have just as much fun and adventure and excitement as the characters in the movie. (here is a trailer)

4. what is one thing you’ve learned as truth as a kid that you know now is a wrong thing

I can’t really think of anything other than the Easter Bunny being real. 

5. what question would you ask a person you’ve just met to know about them more deeply?

Maybe something along the lines of “tell me about something you’re passionate about” but I’m not really sure

6. do you like talking to a stranger? why or why not?

I do sometimes enjoy a good talk with a stranger. It just gives you an outsider who doesn’t really know anything other than what you tell them and even if they were to judge you for something, it doesn’t matter as much because you’ll never see them again anyways. That makes it easier to open up about certain things that would be hard to talk about to friends or people who you’ve known for a while. It really does depend on my mood whether I am actually up for it now though. Sometimes I have severe bouts of social anxiety or mad depressive episodes and then I definitely don’t want to talk to a stranger.

7. what is one activity that you could do forever without being bored of it?

I’d say it’s a tie between reading, singing and travelling. I mean, sure, I wouldn’t want to be travelling all the time, I’d want to be home as well, but I don’t think I could ever get sick of taking time for travelling. Same with singing and reading as well. I wouldn’t want to have to do it at all times, but I don’t think I will ever get sick of singing or reading.

8. pineapple belongs on pizza. agree? fight me on this

I really don’t like pineapple on pizza and I used to feel very strongly about this but I had to find that pasta bolognese tastes good on pizza and french fries taste good on pizza and steak, asparagus and sauce hollandaise taste good on pizza and these are all things that I would have been convinced that they should never ever be on a pizza and yet, I found that I kind like them. I don’t really like most sweet things in salty food though, which is probably where my aversion of pineapple on pizza comes from but it is getting better as my taste evolves and I grow older. I am mostly a ‘never say never’ person. I have changed my mind too much over to years to properly say never for most things.

9. what is your humour like?

dark, punny, sarcastic, meme-y, bad, stupid, whatever. It is pretty much all over the place

10. is there one person whom you would never forgive?

At the moment, I really can’t think of anyone that I would NEVER forgive. There are a couple people that I will not forgive for a very long time though.

11. tell me your best birthday memory

Well, I’ve planned most of my birthdays myself which made most of them turn out pretty much exactly the way I wanted them to, but the first memory that comes to mind is actually from back when I turned 4 (I think, could be 5 though). I actually sprained my ankle (I had to go to the emergency room and get an actual thin cast on my foot) the evening before and could therefore not walk which really screwed with the party plans my mother had and with getting to kindergarten via scooter so my dad took me by car and carried me in on his shoulders which was already glorious and then (because it was by birthday) I got to sit on the big birthday throne with my foot up on another chair and everyone was singing to me and some kids drew on my cast and it was all proper exciting and then my actual birthday party was still happening in the afternoon but instead of all the activities we only did the ones I could do and then watched a movie and then we had a second, smaller one a week or two later when I got my cast off.

So, I tag @slytherinvalues @im-a-slut-for-an-accent @emilyevanston @teckmonky @teamcap4bucky to answer the following eleven questions:

1. What is something you are really passionate about?

2. (kinda copying Jimmy Kimmel here) If you could have dinner with anyone in the world, dead or alive, where would you take them and what would you eat (and, if you want who would you take)?

3. What is something you are really proud of achieving? Maybe something nobody thought you could do?

4. What do you think is something like the perfect number (and genders) of children for them to get along perfectly?

5. What is a food that totally surprised you when you first had it? Bad or good.

6. If you could speak only one language from now on (that is not English) which would you choose and why?

7. You are an amazing human. What is one things that makes you outstanding?

8. Is there one thing that you’ve always wanted to learn? What is holding you back from doing so?

9. Would you rather have one billion dollars or always have the right amount of money in your pocket for what you need to be happy in that moment?

10. If your future self were to visit you from thirty years from now were to visit you right now, what is something that you’d want them to feel like they want to tell you. 

11. Are you a dog or a cat person?

[recentanimenews]

FEATURE: A Serious Investigation Of The Pizza Crust Metaphor From Digimon Adventure

  This article written by Daniel Dockery was originally published on April 20, 2020

  I love the choices of dub actors for the villain roles in the first Digimon Adventure. For example, Richard Epcar pulls double duty as both Etemon and Myotismon, giving the former a wonderful Elvis impression and imbuing the latter with a sense of immense theatricality. He turns the words "CRIMSON LIIIIIIIIIGHTNING" into something borderline Shakespearean. David Lodge actually manages to make Puppetmon a pitiable and threatening presence. Dave Guerrie's Machinedramon is perfect boss battle material. And then you have Paul St. Peter's Apocalymon, the final foe faced in the series who is equal parts Destroyer of Worlds and lonely edgelord.

  However, upon being reminded of Apocalymon's dub voice, your mind probably goes to that one line in which Apocalymon, expressing just how miserable he is, like, all the time, yells:

  "Why do you get to taste the best that life has to offer, while all I can do is choke on its leftovers? Answer me this: Why do all of you get the pizza, WHILE I GET THE CRUST?"

    This line sounds crazy, but there's actually a bit of explanation for it. 

  So, first of all, he kind of has a point. I don't mean for this to sound like a bad opinion essay ("Why We Should Actually Listen To Apocalymon"), but Apocalymon's life sucks. He's literally made of negative feelings, ones that were created when Digimon died during Digivolution. So, he's not coming out of nowhere when he wants to turn the Real World and the Digital World into places of pure misery. That said, he's not in the right either, and he should probably place his energy into something like hobbies or Digi-therapy.

  But how did he arrive at the pizza metaphor?

  It's well-known that Apocalymon basically watches worlds experience happiness while all he can do is shriek into the void. Obviously, he'd likely catch someone eating pizza in one of those worlds and eventually he'd see the parts that some people tend to throw away. Over 5 billion pizzas are sold worldwide each year. In the United States, we eat 100 acres of it a day. So, if he's keeping any kind of eye on the real world, watching someone dump the crust is inevitable. Sadly, he didn't manage to catch anyone chowing down on cheesy stuffed crust pizza, something I personally eat like a T. Rex in Jurassic Park.

    Using the different areas of a pizza slice's geography in order to illustrate just how depressed he is isn't out of the question. But what if you're not convinced? What if you still think the line comes out of nowhere and is just some silly dubbing? Well, you're partially right. It is silly (and also great.) But there's a part earlier in the series that gives the pizza line some precedence. 

  In Episode 8, "Evil Shows His Face," the Digi-destined find a mansion on top of a mountain. There, they discover an immense feast in the dining room. This is a huge relief since the kids haven't eaten much of anything since being forced to munch on the massive piles of seeds the Yokomon were enjoying back in Episode 4. While devouring this well-timed meal, T.K. exclaims, "Mmm. Peanut butter and pickles! This is the best pizza ever!" 

  Matt and Sora's apprehension about the food turns out to be correct as soon Devimon shows up to reveal it was all one of his illusions and scatters the Digi-destined on different pieces of File Island. And who created Devimon? Apocalymon. Apocalymon is so of how much people like that pizza that one of the evil Digimon he created would use it as a trap. Why peanut butter and pickles instead, of, say, the best pizza topping combo available, sausage and mushroom? Well that, my friends, is the biggest mystery of all.

  In short, this Digimon dub line that has been mocked ceaselessly for the past twenty years actually has some kind of reasoning behind it. Thank you for joining me in this totally necessary investigation.

  In your opinion, which Digimon character has the best dub voice? Do you sometimes feel like everyone else gets the pizza, while you get the crust? Let me know in the comments!

    ------------------

  Daniel Dockery is a Senior Staff Writer for Crunchyroll. Follow him on Twitter!

  Do you love writing? Do you love anime? If you have an idea for a features story, pitch it to Crunchyroll Features!

      By: Guest Author

[swipestream]

SUPERVERISVE: “Trigun” is indeed probably the most Christian anime ever

I really didn’t know what to expect with “Trigun”.

Everybody had been recommending it to me for awhile, but I had tried the first couple of episodes already. They weren’t bad, but the show never really clicked for me. I was left there scratching my head wondering what was supposedly so special about it. I got why somebody might enjoy it in a “It’s not that great but it’s amusing” sort of way, but no more than that.

And then to be told that at its heart it was a Catholic story philosophically, thematically, and morally?

It should have been right up my alley, but I didn’t see the path from point A to point B. Still, so many people were praising it, and it had been recommended to me so many times, that I felt obligated to finish the series out. It’s not as if it was painfully bad or anything, and there must be SOMETHING to all the talk, right?

So I kept watching.

And man am I glad I did.

“Trigun” is an excellent show.

“Trigun” is the story of Vash the Stampede as told by insurance girls Meryl and Millie. Vash is a mysterious yet highly destructive drifter from the western-style planet of Gunsmoke, and Meryl and Millie have been tasked with following him around because every time he shows his face it costs their company enormous amounts of money. Vash has a 60 billion double dollar bounty on his head, but there’s something strange about him:

He’s a really, really great guy. Funny, fun, great with children, defender of the weak and helpless, and abhorrent of all killing of any kind.

So what’s with the bounty? And what’s with Vash?

And there’s your story.

“Trigun” starts off as light as a feather, even goofy, and then gets…dark. Really, really dark. Bloody deaths of beloved characters type dark.

“Trigun” is a show that is great at little, bad at some (the animation is rather weak, though I find much criticism of the dub to be unwarranted), but good at almost everything, and by the time it all ends the whole feels much greater than the sum of its parts. One thing the show is particularly good at is making you empathize with everyone, even the bit characters – nobody is acting like a jerk just to act like a jerk. If you have a giant wall up guarded by gunmen to keep out outsiders, you probably have a good reason for it and don’t just hate orphans. And if you want to kill Vash the Stampede, well, join the club.

“Trigun” is also uncompromisingly brutal when it comes to exploring its themes. Vash has taken the philosophy of “Thou shalt not kill” to the extreme, refusing to do so even in self-defense or defense of others, at least at the point of the series’ start. And we love Vash for it!

But it’s not so black and white. How many lives would Vash have saved if he’d just killed Knives? Hundreds? Thousands? And what if it really does come to protecting innocents, in that moment? Should you STILL not kill? Why not? And what does it mean for you if you do?

“Trigun” asks these questions without flinching, putting the matter before you as starkly as possible. And we never really get straight answers.

“Trigun’s” characters are rather unmemorable as a whole, with a few notable exceptions. Legato is one of the most chillingly horrifying villains I’ve ever seen, Vash himself gets a lot of rich character development, and, of course, preacher man Nicholas D. Wolfwood, the man with the most badass Cross on the planet, is the most awesome character in the whole damn show.

The man. The myth. The legend. Nicholas D. Wolfwood

Let’s talk a little more about Wolfwood, who is a fascinating character. It is interesting that Vash, “The humanoid typhoon” who doesn’t really talk about God or religion all that much, is the absolute pacifist of the group, while Wolfwood, the Priest, provides the counterargument. Wolfwood believes in a rougher world than Vash and in some ways comes from a rougher world than Vash, so he finds Vash’s no-kill policy naive, frustrating, and insulting, implying that men like him who kill to protect themselves or others are just as bad as cold-blooded murderers. It’s a legitimate grief, and the show portrays it that way. Like the best fiction neither side is shown as being exactly “right” or “wrong”. Instead, the idea is explored and examined in an intelligent and even-handed way.

There’s so much more to say about Wolfwood, who is truly a fantastic and fantastically written character, but to go deeply into what makes him so great would be to get into some really annoying spoilers, so instead I’ll leave this fantastic article out there for all of you to read when you finish the series.

The final episode – at least the second half, when the useless clip section of the episode is over – features one of the most outstanding gunfights I’ve ever seen on screen, almost completely dialogue free and brilliantly filmed. And the ending?

Well…

When I first saw it I’ll just say I was REALLY, REALLY ANGRY, though my brother pointed out some small details about the scene that helped me look at it in a new light. Still, it’s fair to say that it makes you think and stays with you a long time after it’s over.

Worth noting: “Trigun” features one of the most beautifully shot and filmed death scenes I have ever seen, and one of the saddest. I won’t say who it is who dies, but the scene is so well-done I feel that it is worth calling out specifically as being perhaps the best scene of the entire show. I don’t think I’ll need to link it – you’ll all know what I mean.

“Trigun” isn’t a masterpiece on the level of “Fullmetal Alchemist: Brotherhood”, “Cowboy Bebop”, or the first half of “Death Note”. It never reaches the insanely high heights of any of those shows. Yet it’s never truly bad, even during its slow start, and it evolves into something that feels unique despite the fact that the sci-fi western is essentially its own sub-genre, with shows as brilliant as “Cowboy Bebop”, “Firefly”, and “Outlaw Star” (so I’ve been told, anyway) all fitting into that niche. Its uncompromising and unflinching nature gives it a fresh perspective on a lot of well-worn themes, and its take on Christianity feels both sympathetic yet somehow alien – like it’s being investigated by an outsider and all of its potential weaknesses are being shaken out and examined. When everything in the show’s DNA all clicks together the result is excellent comedy and compelling, and sometimes devastating, drama. While I don’t think it’s up with the top tier of shows, if somebody were to tell me it was their favorite I could definitely understand that.

Is it superversive?: Yes, fascinatingly so

Overall score: 8 of 10. Well worth your time.

(A note – after googling around while writing this article I’ve found that there is a TON of excellent “Trigun” analysis out there to read – it really is a much deeper series than you might give it credit for at first glance. Many of these essays are fascinating, and it might be worth your time just to google something like “Trigun Christianity” and look at some of them if you’re that type of guy!)

SUPERVERISVE: “Trigun” is indeed probably the most Christian anime ever published first on https://medium.com/@ReloadedPCGames

[junker-town]

Every animal face-off in BBC’s ‘Seven Worlds, One Planet,’ rated

Universal Images Group via Getty

The BBC’s Natural History unit is the stuff of legends. They have been producing beautifully-shot, innovative nature documentaries since before most of us were born, and with the weight of the BBC behind them their productions are only getting better. David Attenborough is a natural treasure in his own right, a brilliant presenter blessed with a voice that is now the gold standard for documentary narration.

All of this you know and don’t need to get from a sports website. But while Attenborough’s new show, Seven Worlds, One Planet, is being reviewed elsewhere, nobody else is willing to ask the most important question about it. Is this sports? And, if so, how sports?

SB Nation has you covered. We’ll grade each scene of each episode for aesthetics, competitiveness and difficulty, and give the definitive answer on what the world desperately wants to know: whether or not what we’ve just seen is sports.

Episode 1: Antarctica

Scene 1: Weddell Seals

You just can’t beat a good cuddle #SevenWorldsOnePlanet pic.twitter.com/2mwzbLN2UG

— BBC Earth (@BBCEarth) October 27, 2019

The Weddell seal is one of the most ridiculous, depressing creatures on the planet. It is, as far as I know, the most southerly-living mammal, staying close to the Antarctic landmass even in deep winter. Since it’s a seal, it needs to breathe air, and so it spends all winter gnawing away at the ice to prevent its breathing holes from freezing over. Chewing ice all your life is a good way of wearing your teeth down quickly, and when that happens, no more breathing. Weddell seals, as Attenborough says, die young.

Why do they live like this? It’s simple: spending winter on the Antarctic ice shelves means that there are no predators able to interfere with the breeding season (which technically takes place in ‘spring’, but if any spring deserves scare quotes ...). Of course, that also means their pups are born into the most brutal environment in the world, and until they learn to swim, they’re left exposed to storms.

Seal pups have their mothers for protection against the worst of the blizzards, but when a storm gets bad enough, the adults are forced to seek shelter underwater. The babies then have to fend for themselves against the howling fury of an Antarctic storm. This seems unpleasant.

Aesthetics: 5/10

Seals are cute, but not very sporty, especially if we see them mostly out of the water, where they’re at their worst. And Weddell Seals, while philosophically impressive, are not the most visually appealing pinniped.

Also they spend most of the time in a blizzard, which dampens the appeal. And there’s video of a seal birth. There has never, in the entire history of the world, been an aesthetically appealing birth.

Difficulty: 10/10

If you tried to do what those newborn seals did, you would die 100 percent of the time. I don’t care how tough you think you are: you’d be dead. Maximum difficulty points.

Competitiveness: 0/10

‘Baby seal vs. blizzard’ isn’t really a competition, and it’s not like they’re fighting each other. NB: Would watch baby seals fight each other. Think of the floof.

Overall: 15/30

Not sports. Incredible, but not sports.

Scene 2: King Penguins

Ahhh that relatable feeling of a giant ball of fluff stuck in your mouth. #SevenWorldsOnePlanet pic.twitter.com/kI7nLTsyHM

— BBC Earth (@BBCEarth) October 27, 2019

Half a million penguins jam themselves onto one beach on the island of South Georgia to raise their chicks. When the parents go off to fish, the chicks are meant to stay where they’ve been left. But sometimes they don’t! Naughty penguins!

Honestly, it’s hard to know what to make of king penguins. They’re beautiful, graceful animals (well, the adults are), despite what Herman Melville might have to say about general penguinkind in his Encantadas:

What outlandish beings are these? … Their bodies are grotesquely misshapen; their bills short; their feet seemingly legless; while the members at their sides are neither fin, wing, nor arm. And truly neither fish, flesh, nor fowl is the penguin … without exception the most ambiguous and least lovely creature yet discovered by man. As if ashamed of her failure, Nature keeps this ungainly child hidden away at the ends of the earth.

But kings suffer when there are emperors about, and there’s no exception here. King penguins are like emperor penguins except smaller and shittier, and as a result it’s hard to take them seriously. Naughty penguins.

Aesthetics: 8/10

More floof balls! Except this time there are more of them and they’re not being absolutely battered by a blizzard, which improves things. Also, they sometimes chase smaller floof balls, and that’s fun.

Difficulty: 5/10

The penguin chicks’ jobs involve standing still and waiting for their parents to come back. This sounds easy, but y’all can’t even sit there for like 10 minutes without checking your phones, so ...

Also, a bonus point for one of the penguins being enough of a badass to peck an elephant seal. Incredible.

Competitiveness: 2/10

Getting lost is annoying, but not competitive. I guess at one point they have a mild battle over a small ball of fluff?

Overall: 15/30

Not sports either.

Scene 3: Elephant Seals

Just two giant roly sea doggos having a disagreement, nothing to see here. #SevenWorldsOnePlanet pic.twitter.com/dtt7bub88A

— BBC Earth (@BBCEarth) October 27, 2019

Find me a nature documentary about the Antarctic without footage of male elephant seals FUCKING EACH OTHER UP. That’s right. There are none. Elephant seals can weigh up 8,000 pounds and get to 20 feet long. They are angry, hefty and horny, and they hate each other. They express this hatred through squaring up to one another and engaging in teeth-bared body-slamming, and it gets extremely bloody. Even though they’re protected by a layer of blubber almost 10 inches thick, elephant seals frequently hurt each other very badly.

This all leads to some good television and you’d be a fool not to take advantage of it. The BBC are not fools.

Aesthetics: 7/10

If you’re into big hefty boys going at it, go ahead and give this scene an extra point. But heft alone does not a perfect scene make, and the sheer gracelessness of an elephant seal battle means we’re going to have to ding it some points.

Difficulty: 10/10

Imagine being fallen on by a four-ton seal. Now imagine that seal has huge teeth and is simultaneously trying to tear your neck open with them. Another scene which would definitely kill you, me, and everyone else who might ever read this.

Competitiveness: 9/10

An all-out fight over breeding rights between two monster seals? Yes. Yes, this is the good stuff. It’s not the best or longest elephant seal battle ever recorded, but there has never been a bad one.

Overall: 26/30

Definitely sports.

Scene 4: Humpback banquet

Ahhh yes the ye olde spiral, bubble, snatchy-grab fishing method. #SevenWorldsOnePlanet pic.twitter.com/XUfF3GfJQ1

— BBC Earth (@BBCEarth) October 27, 2019

Humpback whales might not be the biggest whales in the ocean, but they’re probably the most interesting. Their social behaviour is (or seems) more interesting than the rorquals, and their hunting behaviour is also extremely cool. Here a shoal of humpbacks is concentrating a swarm of krill by using ‘bubble netting’. Since krill won’t swim through the bubbles they breathe out, the whales can control their movement, which makes them easier to eat.

This is a short scene, but it’s worth including.

Aesthetics: 9/10

I’ll be the first to admit it: I’m a whale person. Not, like, physically: the flippers would make typing difficult. But I’ve always loved whales. They’re huge, beautiful, and they do cool shit like make bubble spirals in the ocean. And these are particularly good bubble spirals.

Difficulty: 8/10

I can also blow bubbles underwater, but I imagine I’d be practicing for Gladwellian hours before I got good enough to herd krill. Also, imagine trying to fit that many in your mouth at once. Challenging.

Competitiveness: 2/10

I have to admit that a half-inch shrimp thing vs. a whale is not much of a fight, even if there are billions of the little fuckers.

Overall: 21/30

Probably sports? In my ideal world, synchronised bubble-netting would have a place at the Olympics.

Scene 5: Grey-Headed Albatross

All by myself...don’t wanna be, all by myself #SevenWorldsOnePlanet pic.twitter.com/sBQqSu2ojk

— BBC Earth (@BBCEarth) October 27, 2019

Albatross? Albatrosses? Pluralising these things is annoying. Anyway, the scene. As it turns out, climate change is messing with, well, the climate, and that has had the effect of increasing wind speed on storms in the Southern Ocean, and making those storms more frequent.

Grey-headed albatross(es) breed right in the path of these storms, and that means that when chicks are left alone they have to hunker down in their nests against the fury of 70 mph winds. Unsurprisingly, many fail. And if they’re blown out of their nests, thanks to a twist of evolution, their parents don’t recognise them until they get back in. And that means they’re on their own until they can climb back. Are baby birds good at climbing? Reader, baby birds are not good at climbing.

Attenborough tells us that this particular grey-headed albatross colony is going through a massive decline. I believe it.

Aesthetics: 5/10

I’ve seen cuter fluffballs. In this very show, even! A bonus point for the adults being so beautiful, though. Seagulls may be ugly as sin, but make them large enough to glide and suddenly you have yourself some majesty.

Difficulty: 6/10

Ok, the windchill would be unpleasant, but I could climb into those nests.

Competitiveness: 8/10

The chicks are struggling against their own tiredness and lack of climbing ability. Is transcending yourself the core of all competition? Probably.

Overall: 19/30

Possibly sports? Mostly sad, to be honest. Here we have the Ottawa Senators of the natural world.

Scene 6: Gentoo Penguin vs. Orcas

A desperate dash, this penguin must use all its acrobatics in an attempt to evade the orca. #SevenWorldsOnePlanet pic.twitter.com/WhNEFuhRtJ

— BBC Earth (@BBCEarth) October 27, 2019

Oh, my God. This is possibly the coolest thing I have ever seen. Penguins are incredible underwater. They’re agile, smart and fast. Killer whales, however, are faster and smarter, which means the only possible hope a penguin chased by a whale has is to use its advantage in maneuvering to somehow find an escape route.

The cinematography in this scene is exquisite. As the chase is right up at the surface, with the penguin frequently jumping out of the water and right over the whales, drone footage lets us see the whole thing play out from above, giving us a full-field perspective on a dogfight which would make a WW2 fighter ace whistle in appreciation. This is unbelievable.

Unfortunately it’s also four orcas against one penguin. So, uh, you know how it ends.

Aesthetics: 10/10

I would hang this scene on my living room wall, and then stare at it for several hours a day. The sheer power of the orcas combined with the dazzling agility of the penguin and the overhead view makes this scene extraordinary even for a BBC nature production.

Difficulty: 10/10

Those underwater cuts! The repeated jumpings-over of whales. This is nature at its most difficult. That poor, heroic little penguin.

Competitiveness: 5/10

All right, so four big whales against one penguin is not much of a fight.

Overall: 25/30

Definitely sports. And although it’s tempting to ding it because of the lack of competitiveness, some of y’all will sit through the Patriots playing the Dolphins.

Scene 7: Gentoo Penguin vs. Leopard Seals

Me attempting to make friends #SevenWorldsOnePlanet pic.twitter.com/UixNpVVJkg

— BBC Earth (@BBCEarth) October 27, 2019

Melville would enjoy the role mid-sized penguins serve in the Antarctic food chain. They sit in the middle, eating small fish and krill and in turn being eaten in large amounts by the continent’s coolest predators. We’ve already seen orcas, so now it’s time for leopard seals to get in on the action.

Leopard seals are vicious things. They’re 10 feet long and their jaws are almost crocodilian, evoking thoroughly un-seal-like feelings when you look at the rows of big, interlocking and very lethal teeth. They like eating penguins. And, like the albatross chicks, climate change isn’t helping the gentoos — the region’s glaciers are falling apart, leaving acres of ‘brash’ ice between the penguin colonies and the open ocean. This ice is hard for the penguins to navigate, and perfect for an ambush predator.

The penguins have to scrabble over blocks of ice that could crush and kill them while being stalked from below by a hungry monster seal. That sounds like a bad day to me!

Aesthetics: 6/10

We’ve seen Weddell seals and elephant seals, but leopard seals are very different and altogether nastier critters. They’re not without their charms, though, and watching a top predator at work is sort of fun. Even if they’re extremely brutal.

One mark off for the bit where both penguin and seal end up on an iceberg. Neither is anything but ridiculous-looking out of the water.

Difficulty: 9/10

Depending on your point of view, this is either very easy — the penguins are sitting ducks — or very hard. Trying to scrabble through the floating ice to get to open water looks utterly miserable.

Competitiveness: 6/10

Some of these penguins put up a pretty impressive, and pretty surprising fight. Good work, little critters.

Overall: 21/30

Probably sports? Swimming is a sport. Climbing is a sport. Ice-scrabbling ... not a sport, yet, but we’re open-minded here.

Scene 8: Under the ice

Sorry, can’t right now, bit tied down. #SevenWorldsOnePlanet pic.twitter.com/HqHlcVnv6B

— BBC Earth (@BBCEarth) October 27, 2019

Below the Antarctic ice, conditions are surprisingly friendly, and inveterate drama plays out in slow motion. Starfish and urchins are chased by huge predatory worms. Blind nudibranchs search for mates in miniature forests of sponges and anemones. Those anemones are hunted by jellyfish — or so the jellyfish thinks, anyway.

Aesthetics: 4/10

Cool, in a creepy, slow-motion way.

Difficulty: 2/10

Looking for food and mates must be quite hard when you can’t move very quickly and you can’t see very well.

Competitiveness: 2/10

Jellyfish vs. anemone is an interesting but quite one-sided battle.

Overall: 8/30

Not sports at all. Getting a look under the Antarctic ice is neat anyway.

Scene 9: Right whales

“They were so trusting and inquisitive that they swam right up to the whaler’s boats. And the whalers called them ‘right whales’ because they were the right whales to hunt.” #SevenWorldsOnePlanet pic.twitter.com/KU8bBA7BF0

— BBC Earth (@BBCEarth) October 27, 2019

20th Century whaling, which happened on an industrial scale, nearly wiped out every species of great whale. And southern right whales, the easiest, slowest, most-inquisitive targets, were hit the hardest. 99.9 percent of the population was killed — but frankly it’s a wonder any of them survived at all.

In the years since the whaling moratorium, however, the tiny fraction of survivors has proved robust enough to begin a small, fragile recovery. It’s grim times on the planet, and hope is nice to have.

I assume you were expecting a Melville quote here, and a rather gloomy southern right whale (still gloomier after it has its head removed) does indeed make an appearance in Moby-Dick. But, friends, I refuse to be that predictable.

Aesthetics: 2/10

Right whales are ugly, ponderous things, devoid of the grandeur of rorquals and humpbacks. And the bay in which this scene is shot is also too murky for good filming.

Difficulty: 0/10

Nothing happens!

Competitiveness: 0/10

Nothing happens!

Overall: 2/30

Pretty much the least sports possible. But a) it’s good to hear that the whale population is starting to recover and b) there was still more action than in that San Francisco-Washington game a few weeks back.

Overall sports tally: Some of this is sports

Two are definitely sports, three probablies, and four nos. That’s not a bad rate, and to be honest it’s a fantastic nature show and you should watch it, even if you’re mostly in it for the sports. Also, and I don’t want this to sound like a throwaway note at the end of an article, even though it is: CLIMATE CHANGE IS TERRIBLE AND WE NEED TO DO SOMETHING ABOUT IT. AS A COLLECTIVE, NOT JUST INDIVIDUALS. ME COMPOSTING DOESN’T SEEM TO BE DOING SHIT. Thanks.

[trendingnewsb]

How Someone Who Doesn't Live a Fairy Tale Creates a Place Full of Fairy Tales

“All our dreams can come true, if we have the courage to pursue them” – Walt Disney.

Whenever you think about great individuals who started from very humble beginnings and achieved extraordinary success, who comes to your mind? For me, Walt Disney springs to my mind first.

Walt Disney was a remarkable creative entrepreneur, animator, voice actor and film producer. He was the recipient of 22 Academy Awards and was nominated 59 times for producing iconic cartoons and animated films that we all love and enjoy even today, including Mickey Mouse.

A pioneer of the American animation industry, Disney founded the multi-billion-dollar Walt Disney Company that consists of various associated film production and distribution companies, cable channels, and television stations and networks. He even founded amusement parks for families to enjoy.

Disney’s journey to the top wasn’t as smooth sailing as many people imagine, though. Like many of us, he experienced many challenges along the way and he had to overcome big obstacles to succeed. Here are some facts about Walt Disney that most people don’t know but should.

1. He wasn’t born rich at all.

You might be tempted to think that Walt Disney achieved all he did because he came from a well-off family. He didn’t. For most of his childhood, Disney’s parents had to move the family across different states looking for work and economic security.

At the age of 19, Disney started drawing cartoons of the creatures from his childhood for sale. But, he got so little money to pay the rent, often being forced to live with friends and go without food.

That Disney rose from this humble background to become a household name is quite inspiring. It demonstrates that you don’t have to be born rich to make your own success.

2. He was told that he “lacked creativity”.

Hard to believe, but Walt Disney – the creative genius behind the Mickey Mouse, Donald Duck, Pluto and many other classic cartoon characters – was written off as lacking in creativity and artistry. When Disney pitched newspaper companies to get his cartoons published, they shut him down saying he “lacked artistic integrity,” But, though rejected, he kept going. He did not stop pitching his ideas.

People will criticize and even write you off for pursuing your dreams, but keep going. No one knows you better than you know yourself. No one knows your innermost dreams better than you. Listen to your heart and pursue your dreams relentlessly like Disney. It might not be easy, but it will be worth it in the end.

3. He failed many times (apparently more than 300 times).

Most people won’t even put 100 attempts toward their dream let alone fail 300 times. But Walt Disney failed over 300, including the heartbreaking period when his first studio that focused on animation called Laugh-O-Gram went bankrupt and shut down. Each time he failed, he learnt his lesson and tried again. When you believe in your dream as much as Disney did, even repeat failure cannot keep you from ultimate success.

Rather than focusing on the past, focus instead on the future achievements you want. “When you believe a thing, believe it all the way, implicitly and unquestionably,” Disney said.

4. He spent his Saturdays with his two daughters.

Although Walt Disney was an incredibly busy man, he always put family first. And he adored his two daughters, Diane and Sharon Disney. On Saturdays he would always take the girls out for the day, sit and eat peanuts, while watching his girls on the carousel. It was on one such trip that the idea occurred to him that there should be an amusement park for families to enjoy together.

In July 1955, Disney hosted the world premiere of his new amusement park in California, the legendary Disneyland. Disney said on Disneyland’s opening day that he hoped the park will be “a joy and inspiration to all the world.” It did.

5. He labored for seven years just to plan out Disneyland.

Disneyland didn’t just happen overnight. Walt Disney labored long and hard for seven years just to plan out the project. Whereas most people would simply give up after a year or so of trying, Disney was determined to create what he envisioned would be the “happiest place on earth.” Always keep the bigger picture in mind. And be inspired by the greater good for all. As Disney said, “If you can dream it, you can do it.”

6. He dropped out of high school to pursue his dream—animation.

Although education was extremely important to Walt Disney, which explains why he helped create the California Institute of the Arts, he dropped out of high school to pursue his true passion, animation. Disney decided to only pursue work he loved.

Sometimes we have to weigh our options, circumstances carefully and make bold decisions that will better align us with our truest passion and goals. “A person should set his goals as early as he can and devote all his energy and talent to getting there. With enough effort, he may achieve it. Or he may find something that is even more rewarding,” Disney said. And just because you don’t have a formal education, doesn’t mean you cannot reach your dreams. You can.

7. He worked other jobs to fund his passion.

Disney went through a series of odd jobs, including working a summer job selling snacks and newspapers to travelers at a Kansas City railroad that his uncle worked, becoming an ambulance driver in the army during World War I, and taking up a comic artist job in a local newspaper. Whatever money he made, he directed it back to his main love–animation.

“The way to get started is to quit talking and begin doing,” he said. Don’t be afraid of humble beginnings. You have to start from somewhere. Remember, great oaks grow from tiny seeds.

8. He was “scared to death” to introduce Disneyland on television.

Walt Disney admitted to being “scared to death” when he had to face the camera to introduce episodes of the “Disneyland” television series. But, he went through with it anyway. He never quit in the face of fear; he pushed forward despite of it.

Achievers give it a go even when it scares them. They muster courage to introduce their work to the world and do whatever else it takes to succeed–even if it means going against conformity. Don’t let fear stop you from doing what you have to do to make your dreams come true. Just do your best work and keep improving on what your best is every day. You’ll be fine.

9. He almost didn’t finish the studio production of Snow White.

When Walt Disney first started to work on the legendary “Snow White and the Seven Dwarves” film, his wife and brother tried to convince him to give it up because of the daunting task it involved. The idea of a technicolor, fully–animated, feature–length film had never been done before. The Snow White project was even dubbed “Disney’s Folly” by industry professionals. And halfway through production Disney ran out of money to continue the work.

Most people in this situation would just quit and get whatever they can out of what’s left. Disney persevered. He traveled around and showed clips of the raw film to producers in hopes of them funding his project. He even mortgaged his own house to raise additional funds to create the film. In the end this hustle was what enabled him to finish the classic Snow White film and save his studio.

Never let challenges and naysayers stop you. Be willing to work hard; to stretch yourself; to experiment with new things and produce the very best you can. The results will be worth it in the end.

10. He reaped the rewards of all his hard work, perseverance and dedication.

Apart from winning worldwide acclaim throughout his career, when the Snow White film finally hit the silver screen in December 21, 1937, it brought in a then unimaginable $8 million in spite of the Depression. That’s approximately $134 million today. The film was hailed as an “authentic masterpiece” by Time magazine. And By the time Walt Disney died in December 15, 1966, at the age of 65, he had epitomized the truth of his own words that, “All our dreams can come true, if we have the courage to pursue them.”

The post How Someone Who Doesn’t Live a Fairy Tale Creates a Place Full of Fairy Tales appeared first on Lifehack.

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A Serious Investigation Of The Pizza Crust Metaphor From Digimon Adventure

  I love the choices of dub actors for the villain roles in the first Digimon Adventure. For example, Richard Epcar pulls double duty as both Etemon and Myotismon, giving the former a wonderful Elvis impression and imbuing the latter with a sense of immense theatricality. He turns the words "CRIMSON LIIIIIIIIIGHTNING" into something borderline Shakespearean. David Lodge actually manages to make Puppetmon a pitiable and threatening presence. Dave Guerrie's Machinedramon is perfect boss battle material. And then you have Paul St. Peter's Apocalymon, the final foe faced in the series who is equal parts Destroyer of Worlds and lonely edgelord.

  However, upon being reminded of Apocalymon's dub voice, your mind probably goes to that one line in which Apocalymon, expressing just how miserable he is, like, all the time, yells:

  "Why do you get to taste the best that life has to offer, while all I can do is choke on its leftovers? Answer me this: Why do all of you get the pizza, WHILE I GET THE CRUST?"

  This line sounds crazy, but there's actually a bit of explanation for it. 

  So, first of all, he kind of has a point. I don't mean for this to sound like a bad opinion essay ("Why We Should Actually Listen To Apocalymon"), but Apocalymon's life sucks. He's literally made of negative feelings, ones that were created when Digimon died during Digivolution. So, he's not coming out of nowhere when he wants to turn the Real World and the Digital World into places of pure misery. That said, he's not in the right either, and he should probably place his energy into something like hobbies or Digi-therapy.

  But how did he arrive at the pizza metaphor?

  It's well-known that Apocalymon basically watches worlds experience happiness while all he can do is shriek into the void. Obviously, he'd likely catch someone eating pizza in one of those worlds and eventually he'd see the parts that some people tend to throw away. Over 5 billion pizzas are sold worldwide each year. In the United States, we eat 100 acres of it a day. So, if he's keeping any kind of eye on the real world, watching someone dump the crust is inevitable. Sadly, he didn't manage to catch anyone chowing down on cheesy stuffed crust pizza, something I personally eat like a T. Rex in Jurassic Park.

    Using the different areas of a pizza slice's geography in order to illustrate just how depressed he is isn't out of the question. But what if you're not convinced? What if you still think the line comes out of nowhere and is just some silly dubbing? Well, you're partially right. It is silly (and also great.) But there's a part earlier in the series that gives the pizza line some precedence. 

  In Episode 8, "Evil Shows His Face," the Digi-destined find a mansion on top of a mountain. There, they discover an immense feast in the dining room. This is a huge relief since the kids haven't eaten much of anything since being forced to munch on the massive piles of seeds the Yokomon were enjoying back in Episode 4. While devouring this well-timed meal, T.K. exclaims, "Mmm. Peanut butter and pickles! This is the best pizza ever!" 

  Matt and Sora's apprehension about the food turns out to be correct as soon Devimon shows up to reveal it was all one of his illusions and scatters the Digi-destined on different pieces of File Island. And who created Devimon? Apocalymon. Apocalymon is so of how much people like that pizza that one of the evil Digimon he created would use it as a trap. Why peanut butter and pickles instead, of, say, the best pizza topping combo available, sausage and mushroom? Well that, my friends, is the biggest mystery of all.

  In short, this Digimon dub line that has been mocked ceaselessly for the past twenty years actually has some kind of reasoning behind it. Thank you for joining me in this totally necessary investigation.

  In your opinion, which Digimon character has the best dub voice? Do you sometimes feel like everyone else gets the pizza, while you get the crust? Let me know in the comments!

  ------------------

  Daniel Dockery is a Senior Staff Writer for Crunchyroll. Follow him on Twitter!

  Do you love writing? Do you love anime? If you have an idea for a features story, pitch it to Crunchyroll Features!

      By: news+feed@crunchyroll.com

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How Someone Who Doesn't Live a Fairy Tale Creates a Place Full of Fairy Tales

“All our dreams can come true, if we have the courage to pursue them” – Walt Disney.

Whenever you think about great individuals who started from very humble beginnings and achieved extraordinary success, who comes to your mind? For me, Walt Disney springs to my mind first.

Walt Disney was a remarkable creative entrepreneur, animator, voice actor and film producer. He was the recipient of 22 Academy Awards and was nominated 59 times for producing iconic cartoons and animated films that we all love and enjoy even today, including Mickey Mouse.

A pioneer of the American animation industry, Disney founded the multi-billion-dollar Walt Disney Company that consists of various associated film production and distribution companies, cable channels, and television stations and networks. He even founded amusement parks for families to enjoy.

Disney’s journey to the top wasn’t as smooth sailing as many people imagine, though. Like many of us, he experienced many challenges along the way and he had to overcome big obstacles to succeed. Here are some facts about Walt Disney that most people don’t know but should.

1. He wasn’t born rich at all.

You might be tempted to think that Walt Disney achieved all he did because he came from a well-off family. He didn’t. For most of his childhood, Disney’s parents had to move the family across different states looking for work and economic security.

At the age of 19, Disney started drawing cartoons of the creatures from his childhood for sale. But, he got so little money to pay the rent, often being forced to live with friends and go without food.

That Disney rose from this humble background to become a household name is quite inspiring. It demonstrates that you don’t have to be born rich to make your own success.

2. He was told that he “lacked creativity”.

Hard to believe, but Walt Disney – the creative genius behind the Mickey Mouse, Donald Duck, Pluto and many other classic cartoon characters – was written off as lacking in creativity and artistry. When Disney pitched newspaper companies to get his cartoons published, they shut him down saying he “lacked artistic integrity,” But, though rejected, he kept going. He did not stop pitching his ideas.

People will criticize and even write you off for pursuing your dreams, but keep going. No one knows you better than you know yourself. No one knows your innermost dreams better than you. Listen to your heart and pursue your dreams relentlessly like Disney. It might not be easy, but it will be worth it in the end.

3. He failed many times (apparently more than 300 times).

Most people won’t even put 100 attempts toward their dream let alone fail 300 times. But Walt Disney failed over 300, including the heartbreaking period when his first studio that focused on animation called Laugh-O-Gram went bankrupt and shut down. Each time he failed, he learnt his lesson and tried again. When you believe in your dream as much as Disney did, even repeat failure cannot keep you from ultimate success.

Rather than focusing on the past, focus instead on the future achievements you want. “When you believe a thing, believe it all the way, implicitly and unquestionably,” Disney said.

4. He spent his Saturdays with his two daughters.

Although Walt Disney was an incredibly busy man, he always put family first. And he adored his two daughters, Diane and Sharon Disney. On Saturdays he would always take the girls out for the day, sit and eat peanuts, while watching his girls on the carousel. It was on one such trip that the idea occurred to him that there should be an amusement park for families to enjoy together.

In July 1955, Disney hosted the world premiere of his new amusement park in California, the legendary Disneyland. Disney said on Disneyland’s opening day that he hoped the park will be “a joy and inspiration to all the world.” It did.

5. He labored for seven years just to plan out Disneyland.

Disneyland didn’t just happen overnight. Walt Disney labored long and hard for seven years just to plan out the project. Whereas most people would simply give up after a year or so of trying, Disney was determined to create what he envisioned would be the “happiest place on earth.” Always keep the bigger picture in mind. And be inspired by the greater good for all. As Disney said, “If you can dream it, you can do it.”

6. He dropped out of high school to pursue his dream—animation.

Although education was extremely important to Walt Disney, which explains why he helped create the California Institute of the Arts, he dropped out of high school to pursue his true passion, animation. Disney decided to only pursue work he loved.

Sometimes we have to weigh our options, circumstances carefully and make bold decisions that will better align us with our truest passion and goals. “A person should set his goals as early as he can and devote all his energy and talent to getting there. With enough effort, he may achieve it. Or he may find something that is even more rewarding,” Disney said. And just because you don’t have a formal education, doesn’t mean you cannot reach your dreams. You can.

7. He worked other jobs to fund his passion.

Disney went through a series of odd jobs, including working a summer job selling snacks and newspapers to travelers at a Kansas City railroad that his uncle worked, becoming an ambulance driver in the army during World War I, and taking up a comic artist job in a local newspaper. Whatever money he made, he directed it back to his main love–animation.

“The way to get started is to quit talking and begin doing,” he said. Don’t be afraid of humble beginnings. You have to start from somewhere. Remember, great oaks grow from tiny seeds.

8. He was “scared to death” to introduce Disneyland on television.

Walt Disney admitted to being “scared to death” when he had to face the camera to introduce episodes of the “Disneyland” television series. But, he went through with it anyway. He never quit in the face of fear; he pushed forward despite of it.

Achievers give it a go even when it scares them. They muster courage to introduce their work to the world and do whatever else it takes to succeed–even if it means going against conformity. Don’t let fear stop you from doing what you have to do to make your dreams come true. Just do your best work and keep improving on what your best is every day. You’ll be fine.

9. He almost didn’t finish the studio production of Snow White.

When Walt Disney first started to work on the legendary “Snow White and the Seven Dwarves” film, his wife and brother tried to convince him to give it up because of the daunting task it involved. The idea of a technicolor, fully–animated, feature–length film had never been done before. The Snow White project was even dubbed “Disney’s Folly” by industry professionals. And halfway through production Disney ran out of money to continue the work.

Most people in this situation would just quit and get whatever they can out of what’s left. Disney persevered. He traveled around and showed clips of the raw film to producers in hopes of them funding his project. He even mortgaged his own house to raise additional funds to create the film. In the end this hustle was what enabled him to finish the classic Snow White film and save his studio.

Never let challenges and naysayers stop you. Be willing to work hard; to stretch yourself; to experiment with new things and produce the very best you can. The results will be worth it in the end.

10. He reaped the rewards of all his hard work, perseverance and dedication.

Apart from winning worldwide acclaim throughout his career, when the Snow White film finally hit the silver screen in December 21, 1937, it brought in a then unimaginable $8 million in spite of the Depression. That’s approximately $134 million today. The film was hailed as an “authentic masterpiece” by Time magazine. And By the time Walt Disney died in December 15, 1966, at the age of 65, he had epitomized the truth of his own words that, “All our dreams can come true, if we have the courage to pursue them.”

The post How Someone Who Doesn’t Live a Fairy Tale Creates a Place Full of Fairy Tales appeared first on Lifehack.

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