#and that its nighttime

[biblically-accurate-dca]

rainbow moon :]

[unworthythors]

WHAT WE DO IN THE SHADOWS (2014)

dir. Taika Waititi, Jemaine Clement

[fluffyselfships]

paralells or whatever

this is the most self indulgent thing ive ever done i'm sorry (im not)

[jaybleeps]

Imagine after every bad adventure, evil morty goes upstairs to his room, works on his device, thinks about his plan but never goes through with it and cries to himself in the middle of the night on his desk.

Imagine how many times he has to repeat the cycle of abuse before snapping, before finishing it, before doing it.

[whaliiwatching]

tfw ur spider boyfriend is actually a cat

also a fluffy version bc im incapable of drawing anything that doesn’t induce cavities

[preseriesdean]

8.01 “We Need to Talk About Kevin”

[carnivalcarriondiscarded]

they should invent a waking up that isn't excruciating

[jestroer]

Joel Smallishbeans: Nighttime's pretty good to eh- get people in inappropriate situations

[scarperseus]

I was reading some research about split brain patients, or people who have had the connection of the brain hemispheres (or corpus callosum) severed, leaving the two halves unable to communicate. And of course I immediately thought of Jekyll and Hyde.

Now I am one to know very well that J&H are not split personalities nor "brain sides", but the similarities are so neat I don't see why I couldn't dive in a little deeper into representation. I know this has most likely been looked into before as them being the two brain sides, but I wonder if ever in a much more real life situation like in split brain patients, (their experiments are trippy, I recommend watching them), not just in a hypothetical sense.

As Hyde representing the right brain, it definitely works as a really good "villain origin story". Since that hemisphere does not have the ability to speak, when working and connected with the left brain it is forced to submit to the more "analytical and reasoning" side. When Hyde is set free, he now has a voice and a freedom in what to do, where now the left brain has to submit (hence Jekyll not being able to change back since reasoning isn't priority, only want). That feeling is intoxicating for one who's never known it.

The right brain is primarily used for senses, identification, etc., so Hyde only cares about chasing his desires. Now able to figure out things for himself, without having to do whatever the left brain says, anything is possible. That feeling of unexplainable actions is very obvious in split brain patients (the left hand, controlled by the right brain, draws something that the left brain doesn't know the reason for) where the horror of this story being a possibility is much more conceivable.

So, who really are you? Or was Stevenson right and you.. were always really two?

[snackugaki]

... welcome to “snackugaki openly plots murder” weekend

[casdeans-pie]

Dean, whispering to the Angel in bed beside him who literally cannot sleep: Cas. You awake?

[cheerfullycatholic]

Who's gonna get whacked by the snowstorm? It's supposed to get me the next two days and I'm kinda excited tbh 👀

ARE Y'ALL PREPARED?!

[drawnbinary]

Good morning~

[theproblemcallednight]

GUYS I LUV THIS BOOP THING SM YOU DONT UNDERSTAND IM SO UNREASONABLY HAPPY ABOUT THIS IM GONNA BOOP ALL YALL

[moongirldreamer]

I want to send a appreciation letter to everyone who worked on cabinet of curiosities for making the audience aware it is night time while still seeing everything that's happening in the scenes

[carnivalcarriondiscarded]

weee another fantasy au snippet <3 a little shorter than usual cause that's what the scene is <3 shorter <3

~

Something is wrong with Wally. 

It’s not serious, or at least Barnaby doesn’t think it is. If he didn’t pay such close attention to his buddy, he’d never know that anything was amiss at all - Wally has an excellent straight face. But not so excellent that Barnaby can’t read him.

There’s a different curve to his smile these days. It’s sort of pinched, sort of sad. It matches a look in his eyes that puts Barnaby on edge, if only because that deep, dark pensiveness is so wildly out of place on Wally’s soft face. 

It scares him. Something is off.

What is it?

Barnaby taps his claws on his middle as he stares at the tent roof, thin enough that firelight from outside bleeds through. Despite the late hour, his eyelids feel magicked open. The other side of the tent yawns empty, and that is precisely the source of Barnaby’s insomnia. 

Everyone is asleep except for two - and Barnaby is only awake because of one.

With a deep sigh through the nose, Barnaby sits up and clambers out of the tent. He shivers as he stands up and crosses his arms, rubbing at his fur. The night sky is clear, but the breeze cuts him through to the bone. It isn’t even winter yet, sheesh…

The campfire casts a fuzzy outline of red-orange around Wally. He doesn’t turn away from the embers as Barnaby shuffles behind him, and Barnaby doesn’t have to look to know that he’s staring directly into the low flames. He tweaks Wally’s raised hood as he passes, just to make sure Wally knows he isn’t alone anymore. He spaces out, sometimes. 

“Can’t sleep?” Barnaby asks as he takes the log next to Wally’s rock of choice. Wally just hums, and Barnaby frowns.

There’s that look again.

With how Wally is perched, his legs drawn up and arms folded on his knees, his smile is hidden. It’s unsettling. Barnaby scans Wally from the corner of his eye, taking in the tension in his shoulders and the nearly invisible pinch of his nonexistent brows. 

“Yeah, me neither,” Barnaby says. Another breeze, another shudder, and a quick glare at the stars. 

Should he press? The obvious answer is absolutely not, but… Barnaby isn’t sure how much of this - thisness he can take. He has no idea what to call it. A mood? It’s too serious to be considered a mood. All Barnaby knows is that when Wally is like this, something itches under his skin. 

Tonight would be a perfect opportunity to ask. Everyone else is fast asleep. Wally isn’t putting up the fronts he usually does. The knowledge that this Wally, the Wally all covered up and curled in on himself, is as vulnerable as anyone will never see - it makes Barnaby want to reach.

“Hey,” he murmurs, nudging his knee against Wally’s boot, “I’m starting to worry for the fire with how you’re glarin’ at the thing. What, did it emberass ya? Give ya the coal shoulder?”

Wally doesn't laugh, but his gaze softens. Barnaby curses himself.

“Not that there’s anything wrong with glarin' - I’m sure the fire deserves it,” Barnaby is quick to add. “But really… is everything alright, kid?”

“Yes,” Wally says, but it rings like an untruth. It's just something he’s saying because it’s what he always says. Everything is always fine with Wally. 

“You know you don’t gotta pretend with me. There’s somethin’ bothering you, I can tell.” Too far, too much, Barnaby is sure. He shouldn’t be so pushy.

But instead of clamming up, Wally’s eyes flicker down and away, guilty. The bloodhound in Barnaby perks up its ears. It’s all he can do not to point and shout AHA!, because that would assure that Wally would put up the same masks around him that he does with everything else. Vindication wars with his concern, as if he thought he might have been imagining the funks Wally has been slipping into.

Those too-long periods of silence that no one notices because Wally isn’t much of a talker. Moments of utter stillness that no one notices because Wally is always so stationary. The way he doesn’t drink in every new thing with a hunger like he usually does, as if Wally has been starving his whole life.

Those passing glances where his pupils seem too big, the blackness of them infinitely deep as if someone could fall into them. Maybe Wally is. Barnaby doesn’t want him to.

“You don’t gotta say a word,” Barnaby says, wishing the campfire log was just a smidge closer to the rock. “I just want ya to know that I see you, and I’m here. Whatever’s goin’ on in that pretty head ‘a yours, I’ll be right there for whatever you need. I got your back, Walls.”

Wally’s smile peeks over his arms for a moment - he always has liked being called pretty, or handsome, you name it. Barnaby preens over being able to coax him even the slightest bit out of the pit he’s slowly spiraling into. He’s winning big at the whole ‘best friend’ thing, Barnaby thinks - a complete natural.

For a long while, Barnaby doesn’t care to keep track, they sit in companionable silence. The fire cracks and pops when Barnaby adds a chunk of wood to it, coaxing it into a flame that actually takes the bite out of the breeze. Crickets chirp in the forest around them - something howls far away. 

The tension doesn’t leave Wally. In fact the longer they sit, the worse it gets. Barnaby keeps his mouth shut and eyes on the fire, the woods, the stars - anywhere except Wally. It’s the kind of tension that makes him suspect that Wally is gearing up to speak. Sometimes it feels like there’s a sinkhole of silence that opens up whenever Wally has something of his own to say. 

Reviving the fire was either a smart move, or a dumb one. It depends on how quickly Wally thinks of how to share. Without the brisk chill of night keeping Barnaby fresh-faced, sleep is finally starting to sink into him with the fire’s warmth. He briefly considers sneaking into Howdy and Sally’s tent to sneak an energy potion from Howdy’s pack. Pros, he’ll certainly be awake for Wally. Cons, he’ll be awake long past Wally’s spiel, Howdy will have a fit over missing an item, and Sally will have a bigger fit over Barnaby sneaking into her tent when he inevitably comes clean. Also, the potions don’t taste great. Or maybe he should fetch his pipe-

“I think. I don’t…”

For a second, Barnaby misses that Wally spoke at all. He double-takes when the half sentence registers, casting a quick look to Wally. Okay, no, don’t do that. Focus on the fire. Be casual - give him space. Barnaby nonchalantly pokes the coals with the fire stick.

Wally sighs - such a small sound that the crickets almost drown it out. But Barnaby has big ears, and they perk up. When does Wally ever sound frustrated? Curse him, but Barnaby finds it novel. Wally shifts on the rock, curling up impossibly tighter and turning his head away. Barnaby watches the back of his hood. 

“I don’t think I’m a good person,” Wally admits in the smallest, deadest voice Barnaby has ever heard. 

“What?” Barnaby says, or he means to. The air in his throat doesn’t quite form sound. He turns to Wally and clenches his paws on his knees to keep from reaching, floundering for words. 

How could he - why would he - who told him that he - 

“What do you mean?” Barnaby says, a disbelieving chuckle slipping out. “Wally, kid - you’re the best guy I know. You’re my best guy. Out of all the ways I could describe you, a bad person isn’t one of ‘em.”

Wally whips his head around, his eyes flashing - Barnaby tenses his entire body to keep from recoiling, though he can’t keep his eyes from widening.

For a second there he thought… he thought he saw… it must have been the firelight reflecting in Wally’s dark eyes.

Wally’s intense gaze pierces straight into Barnaby’s soul. He feels flayed raw and seen in a way that makes him want to run. But there’s something else. Something scared. Wally is searching for something, and Barnaby doesn’t know what or how to give it to him. His claws splinter bark.

As soon as it appeared, the look fades. Barnaby can take deep breaths again, and he lets go of the log. Wally blinks slowly and lets his sleepy gaze slide back to the fire. “I don’t know… maybe.”

Barnaby carefully lays a paw on Wally’s back. “You’re a good person, Wally. I don’t know who told you otherwise, but don’t listen to ‘em. You’re a fantastic friend, an even better best friend, and I gotta say - you make a pretty bang-up wizard. You’re the most.”

“I’m the most?” Wally murmurs, sounding surprised. He makes a sound that might be a laugh, might be a scoff. “No… you’re the most.”

“Tell ya what- we’re both the most.”

Wally casts him a sideways look, but doesn’t protest further. He hums.

“C’mon, lil’ wizard,” Barnaby says with a pat to his back, “let’s give the fire a break and turn in for the night.”

Just as he was starting to relax, Wally shies away from his touch, curling up like one of those shelled bugs Frank likes so much. “I think I’ll stay up a little longer.”

Barnaby swallows down the hurt and pulls away. “Alrighty. Don’t stay up too late - we got a day tomorrow.” 

“Ha. I know.”

With that, Barnaby stands. He gently squeezes Wally’s nape through the hood as he passes, and breathes a silent sigh of relief at how Wally leans into the touch.

All’s forgiven. Though he isn’t sure what for… whatever Barnaby said or did wrong, he’s just glad Wally doesn't mind.

Barnaby clambers into the tent and another shiver ripples through his fur. All the darn heat leeched out of it... He wraps himself in his thin, too-small blanket and shivers as hard as he can manage to generate some kind of warmth. It’ll heat up soon, he just has to wait. Wally usually casts a little sun spell on cold nights, but Barnaby can do without. Even if the tent gets comfortably warm, Barnaby isn’t sure if he’ll sleep.

Wally didn’t believe him. 

And Barnaby doesn’t know how to make him believe.

How could he think that he isn’t a good person? Barnaby meant what he said - Wally is the best person he knows. Wally is kind, patient, and just - just - him. There isn’t a single bad thing about him. Barnaby is so proud to call him his best friend. 

There has to be something that started this. A moment that made Wally doubt himself. Did someone say something? Not anyone in the Neighborhood, they all love Wally to pieces. He’s their wizard! He’s saved their lives and countless others, and their group simply wouldn’t be complete without him. He rounds them off with an artsy flourish.

So. There’s no reason that Wally should be feeling like this. But that look in his eyes… the guilt… there’s something else going on. Something deeper than just ‘I’m scared I’m a bad person.’ 

Something is wrong. 

Firelight flickers outside the tent, and Barnaby watches it until it goes dark.