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monzabee · 1 year

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this is a relationship, that i don’t think anyone saw coming – cl16

masterlist

Summary: The one where you and Charles think you are successfully fooling everyone on the grid, when in reality you are the ones being fooled.

Pairing: charles leclerc x merc!driver!reader

Word Count: 5.2k

Warnings: cursing, kissing, hiding a relationship (and doing it very badly), smut elements! (in one of the scenes, nothing penetrative), idiots to lovers, sexism and racism in motorsports, pop culture references (bad and many of them).

Request: “Hello! Can I request a charles leclerc imagine where the reader is a f1 driver and they try to hide their relationship from the paddock, but everyone knows and in the end they just reveal it. Thanks xx” + “this is not a request, but, can you use a dialogue from one of your favourite tv shows/series?”

Author’s Note: hi, hey, hello!! the title comes from an episode of the kardashians, but it was very popular on tiktok for a while so here you go! the request for this one was so good, and i had so much fun writing this, so i hope you guys enjoy reading it as much as i do. the dialogue i used for the second request/promt is from season 1 episode 9 of suits, which is one of my absolute favourite tv series of all time (even though it has too many legal inaccuracies), and you can watch the scene from here. ALSO, because i can never choose one, i decided to use another dialogue from season 1 episode 18 of gilmore girls, and i think it is the best piece of television ever written, and you can watch it from here. there are a bunch of pop culture references in there, so if you can spot them, you are a star! thank you anons for your requests, and i hope you guys enjoy this one! good morning, noon or night wherever you are, xoxobee

Please also note that all of my works are protected under copyright, and not available for reposting on other platforms.

Charles is not stupid, in fact, he prides himself in being smart. However, as one of his best friends are looking at him with an unamused glare, he suddenly fears that he might have been stupid when he was getting ready before arriving at the venue for the party tonight.

“You are not dressed,” Pierre drawls, “What are you wearing?”

“A suit?” Charles asks, confused as he looks at his friend’s attire. “What are you wearing?”

Pierre points to the outfit he’s wearing, which consists of brown pants with a linen shirt and a brown vest thrown over it, an annoyed look washes over his face as he explains, “I’m Indiana Jones, this is a costume party, Charles.”

“Why would you have a costume party when you’re turning 27?” Charles’ face scrunches up in even more confusion.

“Because it’s fun, and it’s my birthday.” Pierre rolls his eyes, “We have to do something about it; Kika, I need help!” He calls out to her girlfriend, who rushes into the room in a white dress and a very voluminous blonde wig.

“What’s wrong?” Kika asks, her eyes falling on Charles’ outfits as she groans disappointedly, “Who are you supposed to be?”

“I didn’t know!” Charles argues.

“Mate,” Pierre objects, “it was on the invitation; ‘Hollywood Icons’?”

“We can fix this,” Kika tries to offer Charles a supportive smile. “You could be… Patrick Bateman?”

Charles’ eyes widen with shock, “From ‘American Psycho’?”

“Morbid, Kiks,” Pierre shakes his head.

Kika shrugs, “He’s hot. What about Brad Pitt in ‘Mr. and Mrs. Smith’?”

“Does he even wear a suit in that one?” Pierre asks, still shaking his head in thought.

Kika lets out a loud groan, “James Bond!”

“That could work–” Charles start saying at the same time Pierre objects, “The suit is not sharp enough.”

“Then give him a tie, Pierre.” Kika frowns. “God, the two of you are like children, not even the girls had this much trouble, and the two of us almost matched.”

You’re shivering when you finally arrive at the venue thanks to the thin trench coat thrown over your costume. You link your arm with Lily, who is holding Alex’s hand and the two of them are dressed up as Jack and Rose. “Why are we doing this, again?”

“Because we like Pierre, he is nice.” Lily turns to Alex to let him fix her ginger wig for her as she replies to you.

“I don’t know, I think I want to go back to the hotel.” You mumble, your hands nervously playing with the belt of your coat.

“Just give it a try, Y/N,” Alex smiles at you. “We’ll take you back if you’re still feeling nervous.”

You nod your head with a sigh as you let Lily pull you in towards the entrance of the apartment building. You’re too busy admiring the Italian architecture when you hear a squeal. “You guys made it!” Alex excuses himself to go greet some of the other drivers and you smile at Kika as she pulls you and Lily in for a hug at the same time as she chants, “I’m dying to see your guys’ costumes, show me, show me!”

You laugh softly as you take of your coat, pulling gasps from both of the girls looking over your outfit. “You both knew what my costume was going to be!” You whine, holding your coat close to your body.

“I didn’t know it was going to be –” Lily starts, looking at Kika for help.

“Tight,” Kika clears her throat, “it’s very tight, and your body looks amazing!”

“You’re literally a model, Kiks,” you mumble, “can we please focus on Lily and how historically accurate her costume is? Not to mention yours, I mean, Marilyn?”

“You look amazing, Lily.” Kika agrees, giving her a warm smile. “And thank you, Y/N.”

“Thank you, Kika,” she turns to you, “thank you, Y/N. I’m going to find Alex, meet you at the bar?”

“Sure, see you.” You tell her, smiling as she starts to walk towards the crowd.

“Let me take your coat,” Kika leans over you. “You should grab a drink before more people arrive, Pierre made sure to invite half of the city, it seems like.”

You thank her before she leaves to hang your coat, taking a deep breath as you start moving between dancing people, some of whom greet you as you make your way towards the bar. You give the bar tender a tight smile as you order yourself a gin and tonic, strawberry, of course. The first thing Charles notices about you is your hair, having memorised all the different tones mixed between your locks. His eyes travels down your body, his eyes linger particularly on your dress; the white bodice is connected to the tie dye skirt by a metal circle, and it is oh so tight, accentuating all your curves in the best way possible. His legs start to move towards you in their own volition when his eyes reach the leather thigh-high boots, his voice is thick as he approach you from your right. “Y/N.”

You look at him with your lips parted in shock, your voice coming out in a low breath. “Charles, you’re here.” You let him take one of your hands into his as you lock eyes with him. “I thought you were going to be in Monaco.”

“I was already in Italy for the car testing.” He explains, his fingers gently caress your inner wrist. “I’ve missed you. Were you back at home?”

“I’ve missed you too,” a smile takes over your face, “yes, I’m trying to get used to changing cities.”

“I’ll give you a private tour when we go back.” He offers, eliciting a giggle from you as you reach for your drink and take a sip from the straw. His breath hitches for a moment when he focuses too much on the way your red-painted lips close around the plastic, but he’s quick to shake it off. “Did you see the pictures on Twitter?”

“The ones with Fr��déric?” You ask him and he nods in return. The pictures he is referring to being his new team principle giving your four-year-old niece some daisies. There is a teasing smile on your lips as you say, “Don’t worry, Charles, I’m not coming for a Ferrari seat. He was just giving Cecily some flowers when we were passing by.”

“I wish you would’ve brought her into the garage, I’ve missed her.” The pout he’s sporting lets you know that he is being genuine and not putting on a show for your attention.

“You know I couldn’t, I had to get back to my own garage before the race.” The emphasis you use makes him roll his eyes as his fingers occupy themselves with the stacked bracelets on your wrist. “Who are you supposed to be, anyway?”

“James Bond.” He replies in an unattached voice, exhaling a deep breath. “I didn’t realise it was a costume party.”

“Charles,” you laugh, head tilted to the side as you keep holding his gaze, “it was on the invitation, darling.”

He groans, “I know that, now. Pierre was not impressed when I first showed up.”

“I can imagine.” You agree in a sympathetic voice. “Maybe we should’ve thought of something before you left last week.”

“Oh, yeah, like what? Vivian?” He smirks, his eyes going over your body once more, but without any shame this time. “Do you have any idea how great you look?”

“It was the last movie we watched.” You shrug, a coy smile on your lips. “Maybe you could’ve been a ballerina, like Natalie Portman, in ‘Black Swan’.”

He lets out a hearty laugh. “Oh please, you know how good my legs would look in tights compared to yours.”

“Oh, chéri,” You tut, stepping closer to him as you rake your fingers down on his tie. “You couldn’t if you tried.”

“I would crush you.” He challenges as he lifts an eyebrow.

You shake your head. “You wouldn’t touch me.”

“Why not?” He asks, amused.

You shrug in a nonchalant manner. “Because you'd be too busy staring at me in tights.”

“No I wouldn’t,” Charles argues, shaking his head slightly.

“You’re doing it right now.” You sing in a light voice.

“You’re not wearing any.” He points out, his hands moving to rest on the bare skin of your waist, curtesy of the cut-outs your dress provides.

You tug on his tie to draw him closer to you, his lips lingering near his ear as you whisper, “I’m not wearing any underwear.”

He is left speechless when you let him go, grab your drink and start walking towards your teammate, making sure to add an extra sway to your hips because you know Charles is watching you to confirm what you’ve just told him.

You have a secret, and it’s big – big, huge. And it has something to do with the Monegasque laying beneath you. Charles talks about the last few days he spent at the Ferrari factory as you listen to him, your eyes focused on the way his face moves through various expressions when he talks about the car. Your chin is placed on your hands which are placed together on his chest, giving you the perfect view of his face. His fingers are moving on the bare skin on your back, the white bed sheet pulled up only enough to cover the globe of your ass. Although you try your best to keep up with his stream of consciousness, humming where accurate and asking him questions here and there, but Charles can see the sleepy look in your eyes through your hooded eyes.

“Are you okay, mon soleil?” He asks, his chest rumbling with his voice underneath your hands.

“Sleepy,” you mumble, leaning up against him to bury your face against the side of his neck, “you’re warm, though.”

He pulls the sheet up your body; interpreting the way you shiver as you being cold, when the actual reason is the pleasure the skin to skin contact brings. “You can go back to sleep; we still have some time.” The incoherent mumbles leaving your lips makes him chuckle, which in return makes you smile against him. Your fingers trace over the edge of his five o’clock shadow, and you suddenly find yourself thanking whatever deity is up there that he forgot to shave because of all the commotion of travelling over the past few days. “What did you just say?”

“It’s just funny that you tell me I should sleep after you’ve kept me up the entire night, darling.” Your breathy chuckle hits the side of his neck as he lets out a chuckle of his own.

“I didn’t hear you complaining at any point,” he raises one of his brows, earning him a pat against his chest and you making yourself rise enough to glare at him.

You try your best to frown at him, locking your gaze with his, as you can feel the heat starting to rise up to your face at the mention of your not so innocent activities of last night. “You’re incorrigible, Charles.”

“Oh, chérie,” he coos, brushing the pad of his thumb over the swell of your cupids-bow. You’re about to give in and give him a kiss when he rises up, himself, with a frown and you in his arms.

“What’s wrong?” You ask in a worried voice, following his line of vision to your closed bedroom door.

“Does anyone else have your keys?” Charles asks, “I heard the front door open–”

Your eyes widen as you scramble to get off him, pulling the sheet up to cover your nakedness. “Charles, hide!” You hiss, while trying to force him to move.

“Y/N?” You hear your assistant, Margo, yell through the house. “I got those thermal things you wanted!”

“One second, please!” You call back to her, looking at Charles with pleading eyes. Thankfully, he manages to hide underneath the sheets just before Margo barges into the room. Even more luckily, the duvet over the sheets ends up hiding his body seamlessly. “Hi, Margo.” You give her the best smile you can muster up under the situation, your hand still clutching the bedsheet on your chest with enough force to make your hand hurt.

“Oh my god, are you naked under there?” Margo babbles, a light blush covering her cheeks. “Since when do you sleep naked?”

“Um… I heard it’s good for your circulation?” You answer her in an unsure voice, causing Charles to tighten his hands on your thighs in warning, you have no idea how he managed to squeeze between them in the first place. “Thank you for the thermals, you’re an angel.”

“N-no problem.” She smiles at you nervously, obviously stressed because of the lack of clothes on your body for the sake of professionalism. “Toto wanted me to tell you that he is meeting up with Lewis for lunch later and asked me to ask you to join them if you were free.”

“Sure, do you know wh-when?” You stutter during the last word, feeling Charles’ fingers and breath coming closer to your center.

Margo checks her watch, then looks back up at you. “Around three, at that Italian place the team went out for dinner the last time.”

You nod in acknowledgement as you try the remember the exact location of the restaurant she mentioned, gasping because Charles decides to give your clit a little lick before taking it between his lips to gently suck on it. “I’ll be there!” You rush out, hands gripping the white sheet even tighter.

“Are you sure you’re okay?” Margo asks while eyeing you up with worry, “Should I take you to a doctor, or something?”

“Oh no, I’m fine, honey.” You wave her off with a nervous chuckle. “I think it’s all in your – head!”

“Um.. okay. I’ll see you later, then.” Margo mumbles as she leaves your room with red cheeks.

You throw your head back in a groan over the awkward encounter, waiting until hearing the front door open and close before pulling the sheets back and glaring at the man between your thighs, who still has his mouth on you, by the way. “You are evil, Charles, pure evil! What were you thinking?”

He draws back slightly to raise a questioning brow. “Do you want me to stop?” However, he resumes his torture when you don’t answer him, looking up at you while grinning like the devil himself as he murmurs into your skin, “That’s what I thought.”

It’s hard, being a woman in the motorsport world, and especially in F1. While some may say it’s unprecedented, and you’d agree, you also think there’s going to be misogynistic pigs in any sector you might end up working in, so why not have some fun? The article comes out the day before the race, right before the qualifying session. You’re not the one to check your phone before going on track, but an urge to do so pokes at you when you realise people are giving you worried looks in the Mercedes garage. Your jaw tightens as you read through the article, fingers tightening around your phone as you read every single sexist comment being made about the way you dress, talk, and your entire F1 career and accomplishments being discredited just because of your gender. You’re absolutely fuming as you throw your phone onto the couch in your driver’s room and grab your helmet and balaclava as you walk briskly towards the garage.

Both Toto and Lewis look at you with surprised, but worried, looks as you announce, “Make me go out first.”

“Are you sure, Y/N?” Toto asks, sharing a worried glance with Lewis. “You usually wait for a while for other people to–.”

“No, I’m sure.” You tug on your balaclava as you add, “Make sure I’m on softs, please.”

The two men watch you walk off towards your car, Lewis mumbling, “Hell hath no fury like the woman scorned.” The Austrian turns to him, eyebrows raised, which causes him to roll his eyes. “Yes, Toto, I read.”

You’re a force to be reckoned with on track during qualifying. Although having not the best start to the season, you push your Mercedes to its absolute limits, managing to outpace even the Red Bulls, and constantly asking your engineer for another lap until Toto has to ask you to retire for the day – in long story short, you are the pole sitter for the Sunday’s race. There are four people waiting for you when you get out of your car, those four people being: Toto, Susie, Lewis and Mick – though you’re pretty sure the latter was dragged into this intervention because you’re usually unable to get angry next to the reserve driver.

“You were reckless out there, Y/N.” Toto frowns, crossing his arms over his chest (Mick copies his actions, nodding, as he does his best to give you a stern look).

“I drove the best I have in over a year,” you argue, “we are starting on P1 tomorrow because of my driving today.”

“I don’t care if we start P20, you know you shouldn’t have gone out there that angry!” Susie places a pacifying hand on your team principle’s arm when his voice gets higher.

“We know you were angry about the article,” Lewis starts, but you cut him off as you grumble,

“A very astute conversation, Lewis.” You snap, not allowing him to continue as you begin ranting, “He called me a ‘Malibu Barbie’, and suggested that I should find another career, do you know how disheartening that is?”

“They called me Ken once,” Mick mumbles with a small pout on his lips, quickly mumbling “sorry,” when you give him a scathing look.

“There will always be journalists who are against you and me,” Lewis goes on to remind you, “I told that before you signed, and before your first race.”

“I know, but–” You stop to swallow down a sob, tilting your head back to delay the tears which are threatening to come out. “They implied that I’ve slept my way up to where I am today,” you inhale a deep breath as your voice wavers, “I’m so tired of my accomplishments being reduced to this.”

“Men will always be afraid of women who have the ability to be better at their jobs than they are,” Susie smiles softly at you – soft, but not pitiful, you realise. “It doesn’t mean that we should give up, it means that we do our best to make sure they are proved wrong.”

“You could’ve hurt yourself and others today,” Toto shakes his head, “you almost collided with both of the Ferraris.”

Your entire break pauses at the mention of the red cars, mind quickly drifting to the owner of the eyes you love looking into, but you’re quick to snap yourself out, “Are they okay?”

“Both Carlos and Charles are fine,” Susie assures you.

“No more reckless driving,” Toto points a finger at you and then to Lewis, who raises his arms in surrender. “I mean it.” He pats you on the back before leaving, whispering a quick, “Good job today, kiddo.”

“Why do I get in trouble because of you?” Lewis wonders aloud, his hands on his hips.

“We haven’t been teammates for that long, Lewis.” You squint your eyes.

“Are you okay, Y/N?” Mick asks with a concerned look on his face.

You nod in thought, pointed to both of them. “I will be, but I need both of your help.”

Mick gulps, voice tentative as he asks, “We’re not doing anything illegal, are we?”

After you’re done explaining your plan to your teammates, you say goodbye to both of them and make your way towards your driver’s room. Charles gets up, quickly, from the couch as you enter, shocked expressions on both of your faces. “H-how did you get in here?”

“I had to sneak in through the back,” he explains as he gets closer to you, hands quickly cup your cheek for his thumbs to swipe under your eyes. “Chérie, did you cry?”

“I- no!” You shake your head as you try to get him off. “I’m just- ugh, I’m just so angry!”

He lets you rant in his arms, eventually giving in and shedding a few tears of frustration, but he doesn’t comment until you’re done with your thoughts, and when he does comment, it is not to undermine your feelings. He takes you back to the hotel, and before the two of you leave your garage, he sneaks a soft kiss on your lips which has you melting in his arms. Unbeknown to you, Susie, Toto and Lewis watch the interaction from the other end of the corridor, with the latter murmuring, “Love is just a word until someone comes along and gives it meaning.” Lewis gives Toto a side-eye as the team principle looks at him with the same surprised look from before, “For the last time, man, I read!”

All the eyes in the car are on you, the next morning when you, Mick and Lewis arrive to the track in the same car. “You ready to leave?” Lewis asks you, looking at you from the rear-view mirror from the passenger seat; Mick drove to the track instead of you because you told them both there was no way you were driving with the heels you wore today.

“It’s now or never,” you mutter, subconsciously fixing your hair.

“Give them hell.” Mick turns back to smile at you, and you give him a nervous smile as you exit the car.

A few people around the entrance turn to give you funny looks, you reply to some of them by offering a thin-lipped smile. The real show starts when you finally enter the racing grounds, photographers turning to snap a picture of you when they realise it’s actually you. You plaster on a plastic smile, waving at them as you do your absolute best to walk in the 6-inch heels which were definitely not the brightest idea you’ve ever had.

“Hi, Barbie!” A similar voice calls out to you, and you smile genuinely for the first time as you call back. ,

“Hi, Ken!” You turn towards Pierre, pushing your sunglasses up towards your hair as you watch the Frenchman walk towards you with Carlos and Charles behind him.

“Please tell me it’s a wig,” Carlos frowns, his eyes lingering on your suddenly platinum hair.

“I’m having fun as a blonde, Carlos.” You shrug innocently, your arms crossing over your chest, and the pink dress you’ve decided to wear for the occasion.

Pierre nods in support, “Blondes do have more fun, Carlos.”

“I- Why?” Carlos asks, not getting the joke shared between you and Pierre. “I don’t understand.”

“Fine, no soup for you, then.” You mumble rolling your eyes. However, your eyes widen when you realise he genuinely doesn’t get the reference. “Seriously- Carlos, it’s from Seinfeld.”

“I’ve never watched it.” He admits, his frown still prominent on his face.

“It’s okay, mate,” Pierre assures him taking him away to explain the joke to him, which leaves you and Charles alone.

You turn to Charles with a coy smile on your face. “You like the new look?”

“I- but, when?” He asks you, more confused then ever. “You were not blonde when I left last night.”

“Mick bought the dye for me.” You explain, trying to supress a grin. “We stayed up all night trying to bleach my hair.”

“You stayed up all night?” Charles asks, more concerned now that he learns that you didn’t have a good night’s sleep. “That’s so wrong, mon soleil, why did you do it? Is it about the article? Of course, it is.”

“Charles, calm down, darling.” You place a hand on his chest, even though you’re hyperaware of the fact that both of you are out in the open. “I’m just going to prove something, alright? I feel fine.”

“You should’ve slept.” Charles frowns, taking a deep breath. “Are you sure you feel good enough to be in a car?”

You nod excitedly. “Positive, I have a race to win. And wait until you see what Lewis and I are going to wear.”

“I can’t wait, chérie.”

Just as you promised Charles, you win the race. Your pace is even better than the previous day, but instead of being fuelled by anger, you are fuelled by determination to win. Your engineers play Aqua’s Barbie Girl as a surprise, and to make things even better, Lewis and you stand on the podium in a Mercedes 1-2 in your matching pink helmets and shoes – even Toto donned pink glasses for the occasion. Charles lets out a hearty laugh alongside you on the podium when he sees your outfits. Yeah, you decide in that moment, this one is for the girls.

You and Charles’ relationship happened so unexpectedly, but that doesn’t mean that you regret a secret moment of it. It all started when you were moving to Monte Carlo at the end of last year’s season, and Charles was the only one available to help you in the process – not that you asked him of course, he offered you to help because he is a gentleman like that. It didn’t take the both of you long enough to go on dates as you spent more and more time together, and it was a natural transition to both of you dating each other exclusively. Despite what you expected, the first time Charles actually kissed you was on a cliff overlooking the entirety of Monte Carlo, the view was beautiful, but you were still apprehensive because of your location on the cliff. So, being the gentleman he is, Charles offered to hold you, and that’s when he decided to kiss you.

Lewis comes back to the table after taking a phone call as he apologises, “Sorry, I was on the phone; long distance.”

“God?” You ask him, mockingly nodding, which makes George and Carmen laugh.

“London,” Lewis clarifies as he gives you a questioning look.

You gasp as you ask. “God lives in London?”

“No, my mother in lives in London.” Lewis replies in the calmest voice he can muster.

“You mother is God?” You ask right back, without the appearance of joking. Your small discussion grabs the attention of other drivers and couples as the two of you continue bickering.

“Y/N,” Lewis tries to warn you, but you continue on with your rant.

Leaning towards Charles, Alex and Lily who are seated close together, you announce, “So, God is a woman.”

“Y/N!” Lewis groans this time.

“And my teammates mother, it’s so cool! I’m definitely going to ask for strategy points for the next season.”

The table shares a laugh as you and Lewis continue bickering back and forth, eliciting laughs from people who watch you with amusement. Eventually, Pierre clears his throat. “Okay, what is everyone’s plans for the break?” he asks, trying to look over the long table.

“Isa and I are off to Mallorca,” Carlos announces as she presses a sweet kiss to his cheek.

“I’m going back home,” Yuki shrugs.

“I’m going to see Chloe and Scotty,” Lance mumbles, “and probably Daniel, too.”

Everyone goes around to announce their plans for the break, but when it comes to you and Charles, you are nervous as you announce, “I’m just going to stay home, get to know the city, you know?”

“Yeah, same.” Charles nods, thinking he got away with his evasive answer.

“You’re going to get to know the city you were born and raised in?” Fernando asks with a knowing smirk.

“You can always find new things if you know where to look,” Charles replies in a serious tone, trying to appear stern as he nods to strengthen his point. You’re busy squeezing his hand under the table to death.

“Yeah, like what?” Max asks, which earns him a slap on the arm from Kelly. “What? I’m curious.”

“Like, umm, like-like cafés, and bookshops, and you know those little stores which sell souvenirs but not the generic kind?” He rambles, trying to think of more examples.

“Okay that’s enough,” Lewis cuts him off, shaking his head as he pinches the bridge of his nose. “We all know the two of you are dating. The entire grid, and engineers, and probably most of the team principles.”

“What?” You laugh nervously, trying to shrug him off. “Don’t be stupid.”

“Yeah, we are not dating.” Charles shakes his head, his octave going up as he receives looks from people around the table. “We are not!”

“Drop the act, it’s disgusting the way you two look at each other.” Checo complains from the other side of the table.

“Yeah, and I can see him doing stuff to your hand under the table.” Lance winces.

“He is not doing stuff to my hand under the table!” You squeal, but Charles is too busy trying to contain his laughter next to you. “Is this funny to you, Charles?”

“I mean, a little bit,” Charles confirms, finally succumbing to his laugher, “we have nothing to hide now, chérie.”

“I knew it!” Pierre exclaims, “I told you I saw them together at my birthday!” He tells his girlfriend.

“Toto and I saw them kissing after quali,” Lewis shrugs.

You gasp as you turn towards him. “You did not!”

“Yes we did,” Lewis argues, “even Susie saw.”

Charles pulls you towards himself, still laughing over people arguing whether they saw you together over the past year or not, as he wraps your arms around your shoulder, you murmur to him, “I am so crashing next to him next year, Daniel style.” You take a pause to think, “No, Mazepin style.”

“Maybe not crash into your teammate for the sake of poor Toto, mon soleil.”

You let out an unsatisfied grumble as you hear Alex complain to Lily, “Why didn’t she tell me? I thought we were best friends!” You groan and look around the table at all the people around you, who are all surprisingly supportive of your relationship, you smile as you press a soft kiss to Charles’ lips.

He grins as he asks, “What was that for?”

“Nothing,” you shrug, “I just think you’re pretty cool.”

“I think you’re pretty cool, too, my love.” He mumbles and gives you another kiss despite few groans coming from around the table.

#monzabee #requests open #f1 fic #f1 fanfic #f1 smut #formula 1 #fanfic #f1 x reader #f1 x you #f1 x y/n #charles leclerc #charles leclerc x reader #charles leclerc imagine #imagine #fluff #angst #smut #charles leclerc smut #charles leclerc fluff

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shefanispeculator · 3 years

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I'm slightly disappointed to log onto Zoom and find Gwen Stefani in Los Angeles. I wanted to see the ranch. Stefani spent most of the pandemic in Oklahoma with her fiancé and fellow The Voice coach Blake Shelton, with whom she has recently collaborated on a string of country radio hits, alongside a kitsch Christmas song. For a ska-pop superstar, it's a pivot, but Stefani and Shelton are cute together — picture-perfect in their opposite attraction.

Country Gwen exists, her urban counterpart assures me, but on this particular MacBook she's nowhere to be seen. I'm not sure what crude regional stereotypes I was expecting (Stefani spitting sunflower seeds? Shelton line dancing in the background?) but I get Californian sunshine instead, illuminating a version of Stefani more familiar from my teenage years, when Love. Angel. Music. Baby and its follow-up The Sweet Escape spawned millions of fans, haters and imitators. She's platinum blonde, red lipsticked and wearing a black-and-white outfit that matches the decor. The checkerboard pattern can be traced back to an even earlier era, when Stefani and her No Doubt bandmates were '80s teenagers obsessed with two-tone acts like Madness and The Specials.

Cowboy boots wouldn't fit this picture, and nor would Stefani's glitzy showgirl outfits from The Voice, where she just wrapped another season as a celebrity coach. As she prepares to release her fourth solo record, and enters the fifth decade of an extraordinarily successful music career, Gwen Stefani is re-re-branding as... Gwen Stefani.

Top: Local Boogeyman, Pants: GCDS, Shoes: Valentino, Earrings, bracelets and rings: Dena Kemp (The Residency Experience), Necklaces: Gwen's own, Engagement ring: Gwen's own

"But what is that?" Stefani asks with seriousness, as we consider the possibility of some essential, inherent Gwen. "Everyone's interpretation of what I am and how I sing, I mean, that's what this era is about for me."

Said era kicked off late last year, with the music video for "Let Me Reintroduce Myself." It saw Stefani playfully revisit the wardrobes of album cycles past, from the ab-bearing tomboy tank tops of "Hollaback Girl" to the club kid blue hair mascara of '90s No Doubt. Her Harajuku Girls also make a return. The entire visual is a huge flex, not only for the sheer volume of iconic career moments recreated in dutiful detail, but the fact Stefani can still fit into the clothes originally worn during all of them. She looks eerily the same, frighteningly good, ageing in reverse at the same pace as her frequent collaborator Pharrell.

"It's really a blessing to be able to have such a long career, where there really is nothing to prove anymore."

Pop stars are expected to be young forever, in looks but also in their capacity to innovate new trends. Which makes the nostalgic music video a curious choice. Doesn't Stefani know by now that the cardinal rule of pop is to avoid repeating yourself? That even the hottest artists in the world are basically required by law to create completely new eras from scratch every six months in order to appease fans and maintain maximum TikTok-ready relevance?

Of course she does, but that doesn't mean she has to participate. Stefani isn't trying to chase down her contemporaries, despite clearly possessing the physical fitness required. "It's really a blessing to be able to have such a long career, where there really is nothing to prove anymore," she says. "It's a different energy. You know, it's really just about doing it to do it, as opposed to trying to make a statement or make a mark."

Corset: Ronald van der Kemp, Bracelets: Dena Kemp (The Residency Experience), Earrings: Lana Jewelry (The Residency Experience), Engagement ring: Gwen's own

Even the Saweetie remix of her latest single "Slow Clap" happened on a whim, after the younger artist happened to post a video of herself vibing to Stefani's 2004 single "Luxurious" on Instagram Stories. They knocked out the song and accompanying video in a day. Neither seems bothered by the Old Navy meme. "It was just this little video that we did on the fly," Stefani says. "It just happened. It just feels good to put new stuff out there."

Stefani completed a two-year Vegas greatest hits residency in 2019, which gave her a sense of perspective on her own legacy. "You make a new record because that's what is exciting for you," she says. "But people really just want to hear the records after a while that were the backdrop to their lives, a 'Don't Speak' or a 'Just a Girl' or a 'Hollaback Girl,' or whatever it was for them. So, you know, it's hard — you can only be new when you're new, and that's just the truth, and I know that."

She says she was pleasantly surprised that "Let Me Reintroduce Myself" charted at all, and that she only found out it did when Shelton walked into the kitchen to show her the iTunes numbers. "I burst out crying with joy, because it was like, 'Whoa, really?' I think I'd set myself up to be quite realistic about where I'm at."

Stefani, endlessly polite and self-deprecating in conversation, which on her end mostly consists of endearingly earnest run-on monologues, says she still has "tons" of insecurities. I get the impression she has been trying harder to give herself credit lately. She recalls recently hearing Cyndi Lauper's "Girls Just Want to Have Fun" on the car radio and finding herself in awe of the song's timeless catchiness.

Suit: Balmain, Earrings and choker: Lana Jewelry (The Residency Experience), Necklaces: Gwen's own

"But then I started thinking," she says, in a goofy Cher Horowitz tone. "Like, I have a few of those myself." She talks of this realization as a genuine breakthrough, which is a little worrying for a woman who has sold 40 million records. No shit, she has a "few of those." More of them than Lauper, actually.

More new music is coming along slowly, but I've caught Stefani on a day when the horizon looks closer than usual, and while things haven't quite fallen into place yet, she's feeling more confident that they eventually will. "I'm at the end," she declares. "The idea of going for a session and not being with my kids or the idea of taking time away from Blake doesn't fuel my fire like it did two months ago. I need to decide, wrap it up, put out the project."

Crucially, there's no rush. The album will simply arrive sometime this year, tracklist and title currently undecided.

"You're talking to me at a weird transitional time," Stefani says repeatedly throughout our conversation, which sometimes takes on the cathartic tone of therapy. But having time in the first place is a new feeling.

Bracelet and choker: Dana Kemp (The Residency Experience), Obsession necklace: Lidow Archive, Gold necklaces: Gwen's own, Clothing: Blumarine, Boots: Philipp Plein

NO DOUBT WERE A BAND for nine years before getting on the radio. Enough time for Stefani and bassist Tony Kanal to be in a long term relationship then break up and write a whole hit album about it. All of the Fleetwood Mac drama was resolved pre-fame, which enabled the group to capitalize on the surprise success of Tragic Kingdom singles like "Don't Speak" and "Just a Girl" with a world tour that lasted almost three years. Three more albums followed, and Stefani has reinforced her household name status in every decade since, launching a solo career and multiple fashion lines while never totally cutting the cord from her original musical project.

In other words, record executives have been dictating Stefani's schedule since the mid-'90s. She even sings about it on Love. Angel. Music. Baby opener "What You Waiting For," in which her biological clock ticks like a metronome. Interscope Co-Founder Jimmy Iovine, who discovered No Doubt and continued to work with Stefani on her solo output, was quick to point out that his client's prime childbearing years were also her last opportunity to cross over into pop stardom. And after her first record went number one, it only made sense to lay down some new tracks straight away.

"Whether or not I get the response that I would hope to get — because that's what I'm used to, because I'm so damn spoiled and I've tasted the blood of success — I still got to do the creative journey."

"I had the baby, the first one, and it was only like eight weeks after I had him, that Jimmy was calling me saying, you've got to go in the studio with Akon," Stefani recalls cheerfully. "Like, Akon wants to work with you. Like, no, I'm nursing my baby. But then I couldn't say no." And then? "We wrote 'Sweet Escape.'" And then? "I went on a world tour." And then? "In the month that I got home from that one hundred and whatever shows it was, I got pregnant with Zuma. So then that was that." (It wasn't. Admittedly: "Then it was like, No Doubt, let's do another record.")

Things are different now: "You can just drop singles and you don't have to put a record out. But if you want to put a record out, you can work on it slowly." But even as she talks of slowing down, speculating that she might not even go on tour after the pandemic ends, in the next sentence Stefani's back to admitting that there's more work to be done, that she wants to write a couple more songs for her new record, "just to make sure."

Earrings: Lana Jewelry (The Residency Experience) Choker: Chanel, Necklaces: Gwen's own, Gloves: Laurel DeWitt, Top: Local Boogeyman

"The creation is the thing that fuels me so much," she says. "Whether or not I get the response that I would hope to get — because that's what I'm used to, because I'm so damn spoiled and I've tasted the blood of success — I still got to do the creative journey."

Like any good lyricist, she reaches out to her listener, hoping to convey a more universal point. "It's just probably the same for you as a writer," she guesses. "You know, it's the anticipation. You're in it now. You're getting the information. This is what you live for. You're doing the interview and then you're going to write it. And that's going to be the challenge."

GWEN STEFANI WAS PUTTING out diary entry pop when Olivia Rodrigo was still in diapers and Taylor Swift was but a humble Pennsylvania Christmas tree heiress. She struggles to pen lyrics that aren't confessional ("I'm not a creative writer when it comes to like, 'Oh, let's just write a sad song about something that didn't happen to me'"), and occasionally re-traumatizes herself when performing old hits. Return of Saturn deep cut "Dark Blue" triggers "crazy, just horrible" recollections of a past relationship. Even "Don't Speak" felt emotional onstage in Vegas.

But after releasing an excruciating divorce album, This Is What the Truth Feels Like, in 2016, Stefani is back to writing happy songs only. She's getting married, after all. She won't be releasing any of her trademark breakup anthems anytime soon. "Girl," she laughs, "I think I've had my fair share."

Bow: Laurel DeWitt, Earrings: Lana Jewelry (The Residency Experience), Bracelets: Dena Kemp (The Residency Experience), Shirt: Vintage Archive, Dress: Erdem, Tights: Capezio, Shoes: Marc Jacobs (Lidow Archive)

Stefani and Shelton's relationship has puzzled some fans. Shelton, a country radio phenomenon, never endorsed Trump in the 2016 election, but he did come close. Earlier this year, he was criticized for releasing a song called "Minimum Wage," about finding small joys during periods of economic struggle, at the peak of a recession.

Is Gwen Stefani a Republican now? She's not offended by the question, or really anything I have to ask. She has been famous for so long that she expects and even embraces scrutiny. "If you're going to be a star, that's what you get," she says. "You know what I mean? You get what you get, and you don't get upset, at all."

As for her politics, it's read-between-the-lines."I can see how people would be curious, but I think it's pretty obvious who I am," she says. "I've been around forever. I started my band because we were really influenced by ska, which was a movement that happened in the late '70s, and it was really all about people coming together. The first song I ever wrote was a song called 'Different People,' which was on the Obama playlist, you know, a song about everyone being different and being the same and loving each other. The very first song I wrote."

One of very few multi-racial bands playing stadium shows for hoardes of American teenangers in the 1990s, No Doubt did very literally embody those second-wave ska principles of inclusion. Stefani even wore bindis and saris on stage as a symbol of cultural exchange with Kanal, who is Indian-American, briefly kickstarting a white girl facial jewelry trend that it's safe to say would not fly in 2021.

Rings (left): Dena Kemp (The Residency Experience)

"The Specials and The Selecter and all those groups, and what they were doing in the late '70s was this whole kind of anti-racism, we come together, Black and white ska movement," Stefani elaborates on the band's founding principles. "And we were sort of echoing that in the '80s when we did it, we were like the third generation of ska."

Ska she's always happy to discuss, but Stefani was brought up to keep her electoral preferences personal, and that rule has held for her entire career. "The whole point of voting, is you have this personal space to feel how you feel," she explains. "I use my platform to share my life story and to engage with people and to exchange whatever gift I was giving. I'm not a political science major. I am not that person. Everyone knows that. So why would I even talk about it?"

"I don't need to go on Instagram and say 'girl power.' I just need to live and be a good person and leave a trail of greatness behind me."

It never has been. Looking back, it's weird that "Just a Girl" is so integral to Gwen Stefani's brand. She's never written anything else with remotely the same message, and or publicly identified as a feminist. To Stefani, it's just a song about growing up, and "all of a sudden you realize your gender." It wasn't meant as a protest or anthem: in fact, being her breakout hit, she didn't think anyone other than her bandmates and some local fans would ever hear it.

"I don't even know if I knew what feminist at that time was," she says. "I was very sheltered growing up with my family. I wasn't political. I wasn't angry." Even now: "I don't need to go on Instagram and say 'girl power.' I just need to live and be a good person and leave a trail of greatness behind me. Stop talking about it and stop trying to bully everybody about it. Just do it. And that's how I feel like I've lived my life."

WHEN STEFANI WAS GROWING up in 1970s Anaheim, her father got a job doing market research for Yamaha, which required frequent business trips to Japan. He'd bring home Sanrio toys, as well as anecdotes about the Tokyo district of Harajuku, where teenagers were dressing like Elvis, and "taking all these American things and making them Japanese." His daughter was entranced. "He would be telling me these things my whole life, like my whole life. I had a deep fascination."

So when No Doubt played Japan in 1996, Stefani describes, "It was a pretty big deal for me." The tour was the first time she'd traveled outside of the United states, save one trip to Italy when she was 21. "I just was inspired," she recalls. "It's a world away. And at that time it was even further, because you couldn't see it on the internet. I don't think a younger generation can even imagine what it's like to not have access to the world."

From then on, Japan became one of Stefani's biggest career motivations, especially when it came to her solo albums. If she could just write more hits, she'd get to tour there again, see the street style, visit the vintage stores. "If you read the actual lyrics [in 'What You Waiting For?'], it talks about being a fan of Japan and how if I do good, I get to go back there," she says.

In the meantime, she decided she'd bring Japan to Los Angeles. "I never got to have dancers with No Doubt. I never got to change costumes. I never got to do all of those fun girl things that I always love to do. So I had this idea that I would have a posse of girls — because I never got to hang with girls — and they would be Japanese, Harajuku girls, because those are the girls that I love. Those are my homies. That's where I would be if I had my dream come true, I could go live there and I could go hang out in Harajuku."

Earrings, bracelets and rings: Dena Kemp (The Residency Experience, Gold Necklaces: Gwen's own, Top: Local Boogeyman, Pants: GCDS, Shoes: Valentino

Dancers Maya Chino ("Love"), Jennifer Kita ("Angel"), Rino Nakasone ("Music") and Mayuko Kitayama ("Baby") would go on to accompany Stefani for her next two album cycles, dancing on stage and in her videos while also making silent, but very well-dressed, awards show appearances. Kita, who'd grown up in LA, visited Japan for the first time on Stefani's tour.

In a 2006 interview with Blender magazine, comedian Margaret Cho compared the Harajuku Girls to a minstrel show. The backlash against them has been consistent ever since. Stefani, to this day, disagrees.

"If we didn't buy and sell and trade our cultures in, we wouldn't have so much beauty, you know?" she says. "We learn from each other, we share from each other, we grow from each other. And all these rules are just dividing us more and more."

Hello Kitty merch was harder to come by when she was a kid, but in other ways, life felt easier. "I think that we grew up in a time where we didn't have so many rules. We didn't have to follow a narrative that was being edited for us through social media, we just had so much more freedom."

Earrings, bracelets and rings: Dena Kemp (The Residency Experience), Necklaces: Gwen's own, Dress: GCDS, Shirt: Faith Connexion, Tights: Capezio, Shoes: Marc Jacobs (Lidow Archive)

Stefani's penchant for rule breaking has always been apparent in her music as much as her aesthetic. Genre-wise, she's a randomista. The chart success of No Doubt's bouncing ska beats felt like an accidental post-grunge-era glitch in the matrix, and it's insane to this day that one of Stefani's biggest solo hits samples "If I Were a Rich Man" from Fiddler on the Roof, by way of '90s British dancehall duo Louchie Lou & Michie One. That another, "Wind It Up," features earnest Sound of Music yodeling.

"I just make up whatever comes out," Stefani says of her songwriting process. "I don't even know where it comes from. I feel like it just comes from the source. It's not trained, and it's not perfect, it's just real."

She looks back on the Love.Angel.Music.Baby era as unusually experimental and artistically fulfilling. "It was just a really incredible time, and a very creative time. I feel like it was just a really creative project."

STEFANI VIEWS HER CAREER success as mostly a matter of luck. Pop stardom is God-given and mysterious."Because the fact I made it, it doesn't make any sense," she reflects. "It's written in the stars. You know what I'm saying? I'm not the most talented. I'm not the most pretty. I'm not the most smart. None of those things. But I made it, right?"

Clothing: Blumarine, Bracelet and choker: Dena Kemp (The Residency Experience), Obsession necklace: Lidow Archive, Gold necklaces: Gwen's Own

Every week on The Voice she watches objectively gifted musicians fail at becoming artists. "I watched people that went through that without seeing their faces, without knowing what color they are. And I chose the ones that pulled my heartstrings. And even though they were so talented, none of them have had careers. It's made me look at myself and even feel even more amazed by the fact that anyone cared or cares."

If all of this is actually so out of her control, then Stefani feels safe stepping back a little bit. "I don't have that fuel in me like I used to, because I already won," she says. And now she has other victories in mind. "Being a good human, a good mother. I want to have a good marriage. I want to be a good wife. I want to win at finding peace. I want to win at finding other hobbies that I'm good at."

But at the same time? "If I'm inspired, I'm going to try to do something with that inspiration." That's the most fun part: whatever else comes after has always been an amazing bonus.

The "Let Me Reintroduce Myself" era, whatever form it may eventually take, isn't a desperate grab at former glory. It's Stefani refusing to evolve for the sake of it. She's poking fun at the whole idea of having to compete with past personas alongside current ones, while acknowledging the fact she's grateful to still be in the game at all.

"You don't know what you're doing," she says, somehow both confident and resigned. "You're a cartoon of yourself at this point, and you don't know what people are thinking. They're wondering, what? Why are you still here? And I'm like, I don't know. They said I could be here. So I'm here!"

Photography: Jamie Nelson Styling: Nicola Formichetti Hair: Sami Knight Makeup: Michael Anthony Nails: Carolyn Orellana Wardrobe director: Marta Del Rio Production: Katrina Kudlick Digitatech: Sean MacGillivray Logo design: Luca Devinu Story: Kat Gillespie

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