#and they did it in severance. and nightwing. and invincible. and friends. i could probably go on for a fucking hour

[vibrantstarfire]

the disposable black girlfriend trope makes me angrier than any other trope. and it's so fucking annoying because even in 2025 writers still think it's progressive solely on the basis of including a black woman -- regardless of how she's portrayed. like, wow, they really think they're doing something, introducing a black woman trojan horsed as a white man's object of desire, surely this time she will be treated as respect, he actually is giving her attention and affection and- whoops! they've already broken up. she's such a short-lived love interest that they're just endlessly reinforcing the idea that black women aren't good enough for white men. they won't say it -- they won't ever, ever admit it while they're too busy patting themselves on the back for throwing her in there. but they believe it. writers will create these genuinely interesting, compelling black women as love interests -- but only after they've already introduced the endgame white girl, to soften those darn bleeding-heart liberals to the idea that it's not disposableblackgirlfriend's fault, mainwhiteguy and endgamewhitegirl are just destined to be together. and to soften the bigoted viewers (closeted or otherwise) to the idea that it's okay, disposableblackgirlfriend won't be here forever, just to serve her purpose. and is there for a purpose. she's there for a whole host of narrative reasons. to show you that the white boy isn't bigoted, that he's a genuinely good guy, so good that he'd even date a black girl and she doesn't see him as a threat, isn't he progressive and good and fun and cool? but also to show you that he's got some growing up to do, because she shows him some kind of fundamental difference in values, or because she's just so much more mature and capable than he is (she will mother and therapy him through the entire relationship, btw). to show him what he really wants in a relationship, something she's just ...missing (they'll say later that they had no real chemistry, or that she just wasn't endgamewhitegirl. but that's not quite true. she had all the chemistry and wit and fun; he just sort of stood there. because he was written that way. it's not that his relationship meant nothing; it's that it was supposed to mean nothing to him, because god forbid he doesn't end up with endgamewhitegirl. god forbid he had actual, real feelings for disposableblackgirlfriend.) he forgets her name within two episodes. the audience is expected to, too.

it's agonizing because sometimes, no matter how many times we've fallen for this bait and switch, we think they're going to end up together. the chemistry is actually that good. she's incredible, and fun, and genuinely funny and smart and creative and loves him. there's no chance they'll just pack it up and break them up for some contrived reason. right?

but they do it. every fucking time. the instant she's served her purpose and taught the mainwhiteboy the lesson he needed to learn, she's gone.

the instant you see this pattern you can never unsee it and it ruins a solid 80% of recent long-form media because it's so needlessly disrespectful to black women. and it's fucking everywhere. black women deserve so much fucking more than this.

[danny-chase]

Chapters: 1/1 Fandom: Titans (Comics), Nightwing - Fandom Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Donna Troy & Dick Grayson Characters: Donna Troy, Dick Grayson, Roy Harper (mentioned), Garth (mentioned), Joey Wilson (mentioned) Additional Tags: non-graphic injury, Stitches, Donna and Dick are plutonic soulmates, Dick is emotionally repressed, mention of vomiting, Bruce is a good dad, POV Donna Troy, childhood best friends to adult best friends, Whipped Cream, a little fluff at the end, Teen Titans as Family, technically they're adults though, no beta we die like DONNA SORRY HONEY, Dick Grayson is Bad at Feelings, Donna Troy is slightly better at feelings Summary:

The one where Dick gives Donna stitches as she reflects on how he's changed throughout the years.

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“Donna, sweetheart, I love you, now hold still.” Dick carefully positioned her forearm on an examination table. A deep gash left blood steadily trickling down, squeezing out through his iron grasp. He wiped down the area with disinfectant, smiling at her fondly and projecting the perfect image of calm.

 Donna marveled for a moment. He was a well-oiled machine, moving with explicit confidence and practiced precision. She could easily believe him to be a paramedic, or even a doctor, if she didn’t know he’d dropped out of college. She remained stony face as he injected the local anesthetic, acutely aware of his eyes flicking from the gash to her face. Despite the painful stinging radiating through her arm, she was proud to say she didn’t flinch.

She was tired of hurting her best friend. She was the one who wasn’t careful enough, hadn’t dodged in time. But none of that ever mattered to Dick, perhaps it wasn’t fair, but if she flinched, he’d feel even worse.

 She still remembered the look on his face the first time he gave Roy stitches.

 There’d been tears welling in his eyes, his brow furrowed in determination and his skin lacking any color; he’d bit his lip so hard it bled. The instant he was finished, he raced out of the room, faster than she’d ever seen. Garth had followed, only to have the bathroom door slammed in his face; Dick had sobbed and vomited until he was left dry heaving.

 And here he stood, expressionless before her. “Can you feel it?” He gently pressed a finger near the wound. <em>Can you?</em> She wondered, trying to read past the blank haze in his eyes. “Donna?” He asked more firmly, voice even and unrevealing.

 “Nope.” She popped the p and kept the tone light, watching as suspicion flashed behind his eyes. He knew she wouldn’t complain, even if she could feel her arm. “Dick, I really can’t feel it, I promise.”

 Dick’s eyes always reminded her of a hawk. He inspected her face, and finding it clear from deceit, he turned his eyes to the wound, flicking on a bright lamp, and began wordlessly cleaning it.

 That first time, Dick hadn’t come out of the bathroom for hours and when he finally opened the door, he announced he was quitting the team. He was back the next day with a medical textbook, refusing to do anything until he finished memorizing it. They had to call Bruce in the middle of their sleepover because he wouldn’t sleep.

 He’d been grounded from Robin; they hadn’t seen him for a week. She’d been angry at the time, but now she realized Bruce was probably just trying to give him a break. The day he came back the book was memorized, and he had a little fake pad to practice stitching on. Bruce bought him his own surgical tools and gave him extra lessons. He had a small, jagged scar where he’d let Dick give him his first set of sutures.

 Dick was thirteen when he’d frantically given Roy stitches (later she realized he only knew how from watching Alfred), fourteen the first time he’d practice on Bruce, and sixteen by the time he began doing it apathetically. He did a lot of things seemingly apathetic these days, but if she was careful, she could spot the crinkle at the corner of his eyes, or the downward twitch of his lip.

 Slowly, Dick’s tweezers found and picked out the last metal shard. He was twenty-two now, and as he was readying their x-ray machine, the equipment was purchased by Victor’s father and not his own. The Titan’s Tower had been destroyed several times over, but by some miracle of engineering, the medical bay’s equipment always survived. He wrapped the wound, and draped lead over her, hesitating briefly before speaking.

 “I’ll be back in a second, it won’t take long.” He promised. She nodded; not like she was going anywhere. They’d done this before; Dick always doubled checked. But she couldn’t recall a single time he’d found something more.

 One time, he’d skipped the double check, and she’d heard Roy yelling at 3am, having been woken up when Dick’s worry got too intense to wait. But Roy had given in, the x-ray done a few minutes later. Sometimes, it was just easier to give into Dick’s paranoid behavior. One of these days, she liked to joke, they’d just put lead in their sheets or MRI equipment in the walls.

 Dick strode back in, evidently pleased with the results, and they began their silent tradition. Well almost silent; he turned on some ambient music, the same kind he listened to when studying. She let her mind wander, and his fingers never wavered as he removed the bandage and began the first stitch.

 She closed her eyes, thinking about times when things were simpler. When they went on picnics in the park and played frisbee together, how Dick would braid her hair and paint her nails before dates with Roy, had laughed loud, cried hard, and loved freely. He was the same as before but could flip on a dime and shut away who he used to be. She found herself missing the little boy who cried after giving stitches.  

 “Done.” She opened her eyes to an apologetic smile. He began wrapping the wound once again. “Lay off it for a while.” It was an order and a request, sometime long ago the distinction had faded away. She rolled her eyes to finish the routine.

 Her arm stung, but the weight in her chest was heavier and more distracting than the steady throb of pain. She wasn’t thirteen anymore, and neither was Dick, but she could pretend for the rest of the night that they were young and invincible (despite having physical evidence contradicting her).  

 So, she grabbed his hand tight and before he realized what was happening, began dragging him across the room.

 “Donna, I have work tomorrow.” He protested. Well, that would be easy enough to deal with.

 “Call in sick.” She suggested, not slackening her grip, lest Dick escape and fly off somewhere far away.

 “I’m out of sick days.” He stumbled along, doing his best to protest without causing harm. “And I have to patrol tonight.” Donna laughed, but not unkindly.

 “Let the city watch itself. Take a day without pay. Honey, you’re rich.” She suggested.

 “Doooonnnnnaaaaaaaaaa.” He groaned, as they made it into the hall. “I have a life, I can’t just…”

 “Drop everything to spend time with me?” She asked sweetly. “Sweetie, you have before. What makes tonight any different.” Dick opened his mouth and closed it. She steered them into the kitchen, finally releasing him. “We’re going to make hot fudge sundaes, and watch Scooby Doo, and fall asleep on the couch talking about boys.” Dick wrinkled his nose.

 “You hate Scooby Doo, and only <em>you</em> talk about boys.” She gave him an unimpressed look. She saw the way he used to look at Joey. “Donna, I know what you’re trying to do, and it’s great but I-”

 “Need to take time to take care of yourself?” She asked incredulously. “Wow, me too.” She held up her arm. “What a coincidence, less talking, more cartoons.” Dick stared at her. She counted the seconds as she stared back.

 He sighed, breaking first. She’d won this battle, though she had no idea where she stood in the war.

 “I’m going to lose my job.” He muttered. A bonus in her eyes, it would do him good to sleep more than three hours a night. She rummaged around for ingredients in the fridge.

 “Cry me a river.” An empty demand, he never would, not anymore.

 “Why are you so mean to me?” He pouted. She grabbed a can of whip cream and pointed it at him threateningly.

 “Because you have terrible bedside manners.” He stuck out his tongue and stole the can, dangling it over her face as she laughed and opened her mouth. He accidentally squirted some up her nose, but she didn’t mind.

 And as he pulled out the bowls, they fell into familiar conversation; the space gained through the years seeming to slip away as she was reacquainted with the man who gives her stitches.

[hellyeahheroes]

Ten Winners and Losers of DC Rebirth:

DC has dropped the Rebirth logo out of their titles. That is usually the sing they consider that the transition period for their books is over. They have built their status quo and what they have built during it is the new DC Universe. While I doubt fans will stop calling DC books Rebirth titles from now on (same as they didn’t stop using New 52 name long after DC dropped it from the covers), I want to look at what they managed to fix and bring to new fresh in this period, this last 1,5 year and also on what has failed. What were the winners and losers of DC Rebirth. Enjoy:

Winner: Superman Family

Out of all lines, I don’t think any has made as much of an improvement as Superman’s. While there were good stories in New 52 Era, that time’s take on Superman has been generally seen with negative reception. Bringing back married Superman and Lois AND their son Jon has been a brilliant move, that quickly launched both Superman and Action Comics to some of the most popular in the era. The emphasis on Superman as a father made him more relatable to growing audience, several well-written Lois moments helped remind people why she is a belowed character and Jon quickly gained love of older fans and kids alike. That success was then quickly capitalized on with Super Sons, giving the spotlight to Jon and his new friend, Damian Wayne. The return of classic Superman villains like Eradicator, Metallo, Doomsday, Hank Henshaw, Mr. Mxyztplk, Manchester Black and General Zod with a new, interesting antagonist in Mr. Oz, helped make it an era that will certainly be remembered. 

Adding to it three new books - Superwoman, Supergirl and New Super-Man only cements the lines’ status as probably the best quality-wise of the entire Rebirth. While Superwoman was sadly the shortest-living of them all, it still left us with Traci Thirteen and Natasha Irons as a couple, a move fans approved so much we now hope for Traci’s sexuality to be addressed in her upcoming show and Young Justice Season 3. Meanwhile, new take on Supergirl, taking clues from the show, but making Kara a high-schooler with adopted parents, has been well-regarded by the fans and New Super-Man became a minor fan-favorite, to the point DC took back the decision to cancel the series and let it continue as New Super-Man & the Justice League of China. 

Loser: Blue Beetle

Poor Jaime. One of the few characters that Rebirth set to fix after New 52 made him into a hot mess. The premise was solid - Jaime getting a mentor in form of previous Blue Beetle, Ted Kord, written by Keith Giffen, who shaped Ted into a comedic character and helped launch Jaime’s 2006 book. It had the potential for success. But the creative team (which J.M.DeMatteis joining in the middle) clearly didn’t believe in it and tried to launch a stealth team book they should have pitched in the first place. This resulted in a chaotic story that has lead to Blue Beetle’s cancellation and many plotlines left unresolved.

Winner: Damian Wayne

Rebirth was a good time to be Damian fan. Between his appearances in not one but two books, leading new Teen Titans and forming great friendship with Jonathan Kent as well as having a handful guest issues, be it in Nightwing or Superman or Batman, Damian has received a tremendous push. While the quality of some of these titles remains debatable among the fans and some are unhappy with him not being pushed as Batman’s partner, it is undeniable they have a lot of fresh Damian content to choose from.

Loser: Tim Drake

By contrast with Damian, Tim Drake has spent most of the Rebirth imprisoned by Mr. Oz and presumed dead. While his spirit was hanging over his friends in Detective Comics and his perceived loss affected them greatly, he himself was almost not present at all, really having a chance to shine only in two stories, Rise of the Batmen and A Lonely Place Of Living. In a way it feels as if James Tynion IV even knew he likes Tim too much and moved him away to give everyone else the spotlight - spotlight they undeniably needed, may I add.

Winner: Batman

It’s bizarre for me to even put him on this list. Batman is the golden child of DC, the fortunate son, the star, the fan-favorite. He always gets best writers, the spotlight, the books, the guest appearances. And yet, DC Rebirth did something unbelievable, something I would never bet to see with Batman. They let him be weak. When over the years Batman has amassed reputation that earned him nicknames and memes like “Prep Time”, “BatWank” or “Batgod” over how perfect, always right and invincible he became, in Rebirth this feels toned down. 

Batman in Rebirth was allowed to have flaws and vulnerabilities. His moments of super-competence are now contrasted with his emotional vulnerability. Batman was allowed to be a father who needs his children maybe even more than they need him, he was allowed to take serious beatings from Bane and Reverse Flash, to grieve after Tim, to seek happiness in marriage with Selina, to see his fears and regrets exposed in monstrous forms of Seven Dark Knights. All these things like tiny woodpeckers chipped little bits away from the image of BatGod and brought back Bruce Wayne, Batman the human. And boy did he needed to come back and remind people why this character is popular, to begin with. I mean, if even my bitter and cold heart started feeling a bit more sympathy for the guy whom last few decades made me despise, you know DC is doing something right.

Loser: Raven

One of the biggest mistakes of DC Rebirth was Marv Wolfman’s Raven book. Not the book itself, but the fact it was only a miniseries. Being limited to only six-issue format have visibly constrained the potential the story had and forced the writer to rush things. The fact that in January DC launches new Raven book only makes it that much more infuriating. DC had little faith in the character and while I’m grateful they were willing to try at all and they clearly are testing waters for her potential ongoing, I wish we could see how things would turn out, had she been given one in the first place. Or at least a twelve-issue miniseries, I’d rather have that than 12 issues of Chuck Dixon slamming his head against the wall in Bane: Conquest.

Winner: Green Lanterns

That was the book I doubt that many people believed in. Two relatively new members of Green Lanterns being given their title that early and made to work together. A book written by Sam Humphries, who didn’t gain that much of a good reputation for his works at Marvel. And yet...it worked. The series earned peoples’ love with an honest approach to subjects like anxiety disorder and extremely relatable portrayal of main characters. Jessica Cruz, in particular, seems to have grown into a fan-favorite to the point she’s going to be Green Lantern in DC Superhero Girls Universe and may even find a way into DC Comics Bombshells. This book opened a path of bright future to both Jessica and Simon, seeing how it still steadily continued as a bi-weekly series when other books with seemingly more famous character have been reduced to a monthly series. It opened Sam Humphries a way to his dream work at Nightwing. It thinks out of all Rebirth books this one might be one of the biggest breakout hits.

Loser: Gotham Academy

It feels cruel to put Gotham Academy in that category. The creative team truly gave their all to this title. But sadly, the second book they got managed only last for twelve issues, enough to wrap the dangling plot threads. While other DC books benefitted from a new beginning, this one seems to have suffered what restarts did to Marvel books - diminished sales. But I’ve said it once and I’ll say it again - the combined amount of issues Gotham Academy had is an impressive number of 38. Let the fans never allow anyone tell them this title failed. I need to also praise DC for the amount of faith they’ve put into this series and how hard they tried to make it take off and become popular. This effort is worthy of respect. And something that I’d never been expecting from Marvel, so kudos for trying to do better.

Winner: New 52 Wally West 

When Old Wally West from before Flashpoint came back, many people feared this means his New 52 counterpart, now revealed to be a cousin with the same name, will drop into comic book limbo and never be mentioned again. Thankfully DC had a better idea - they kept both of them around. And through a string of writers who wanted to use him, Young Wally has not only been prominently featured as a supporting character in Flash but also joined Teen Titans, had appearances in his cousin’s book Titans and even managed to become a cast member in Deathstroke’s series. While I have complained his life probably sucks with an amount of bad stuff happening, he did leave his mark on larger DC Universe, had a chance to win fans’ love and established relationships with other characters. Hell, he even managed to send Raven’s heart...racing.

I’m sorry, no more puns, I swear, don’t hurt me!

Loser: Conner Kent and Bart Allen

Another case where it feels outright cruel to call them losers. Both of them were erased with the reboot and replaced with versions that can be respectively called a hot mess and an outright identity theft (no, seriously, New 52 Bart turned out to be some asshole using his name). Since Rebirth launched the books started to tease fans with their returns. First, it was who might be in Mr. Oz prison next to Tim Drake’s in Detective Comics. Then the very clear erasure of Conner from Superman’s memories of Reign of Supermen, with Clark noting something is missing on the same page. Then Batman of Tomorrow bringing up Conner and finding out present Tim doesn’t remember him. The Murder Machine telling Barry there was a Bart in his reality. James Tynion IV and Joshua Williamson being very clear they want them back. And of course that Geoff Johns himself seems to want pre-flashpoint Conner back. And now the upcoming appearance of their evil future selves, Titans of Tomorrow in Super Sons of Tomorrow crossover. On the one hand, it appears DC wants to play a long game with setting up their return. On the other, many fans are probably having enough of constantly being shown a carrot on the stick and I hope DC will manage to bring those two back before fandom’s patience runs out.

Winner: Christopher Priest

If you read his essay The New Black Mambo, you will know that Christopher Priest has a complicated history with Big 2. After his successful, character-defining, run on Black Panther, he started to feel the publishers are seeing him as “black guy to write black people” and he felt they’re denying him their A-List characters and jerking him around whenever he tries to pitch a non-black book (he tried to launch an all-female Avengers series almost a decade before A-Force, for example). He also felt his books that do feature black and other poc protagonists are thrown to the assholes on the Internet, even back then ready to declare them a “black propaganda” and other bullshit, which killed his project the Crew before the first issue was even out. This had led him to reject offers on DC and Marvel books for nine years. 

Thankfully, during Rebirth DC was pulling its collective head out of its collective ass so well, they finally noticed why he keeps saying no and pitched him a different character - Deathstroke. On that book, Priest not only managed to rebuild mythos destroyed by New 52, but also built around Slade a diverse cast of complex, multi-layered characters and showed exactly how much of an awful, destructive person somebody like him would be. This opened him the door to Justice League, which he is currently writing, glad he can finally get his hands on all those characters he was always denied. 

Loser: Cyborg

The news on Christopher Priest taking over Justice League was quickly followed by reveal he will make Cyborg the new leader of the team. This sadly quickly became ironic, as DC announced the cancellation of Victor’s own series. Cyborg was another one of those characters DC tried to push even before Rebirth, during DC You, but to no success. Cyborg still retains his role in Justice League so his fans can see him there, but it’s a shame Rebirth didn’t manage to save his book.

Winner: Stjepan Sejic

Stjepan Sejic has become fairly popular on the Internet and in indie in the last few years. Yet, despite years of outstanding work and even solid portfolio of Image Comics books he worked on, he never managed to land a work for the Big 2 outside few covers for Marvel. In Rebirth DC has changed that by giving him not only an arc on Aquaman but bi-weekly Suicide Squad series as well. Hopefully, this will finally give him the spotlight and help land more prestigious jobs in the future, both of which he certainly deserves.

Loser: Frank Cho and Jonboy Meyers

Not all artists managed to capitalize on the success of Rebirth and made their own. Incredible talented Jonboy Meyers was on his way to make his art become the face of new Teen Titans, with his animesque style and modernized designs of the team members gaining a lot of attention. Yet he fell off the project due to “creative differences” after just a few issues. While creators leaving DC books and cursing the editorial was a common occurrence in New 52, it didn’t follow his departure. What’s more he also quickly had the same thing happen to his job at Marvel’s series Royals. I have not been privy to what were his reasons, but I just hope it wasn’t any serious health issues, as he gives an impression of a man too nice to lose two jobs due to acting like a primadonna, unlike some creators in the past.

Frank Cho, on the other hand, DID lose his Rebirth gig due to acting like a primadonna. Being put on variant covers for the first 24 issues of Wonder Woman, he has quit after just six, because Greg Rucka asked him to remove a pantyshot - a reasonable request especially during the time when DC tried to avoid controversies that haunted New 52. Cho, however, decided Diana’s underwear is a hill he will die on and threw a colossal temper tantrum that made him look extremely immature. Ever since his output involving Big 2 characters was a series of “fan” pinups of the same woman in different costumes with some characters screaming “OUTRAGE!” in the background, a sad attempt at pissing people off to feed his persecution complex.

Winner: Jack Kirby

In the seventies Jack “the King” Kirby gave DC several books and characters who maybe never rose to the popularity of their core heroes or his Marvel creations, but became iconic fan-favorites none the less. Were he still alive, 2017 would be his 100th birthday and DC went out of their way to honor him. Kamandi Challenge, Mister Miracle, Bug! the Adventures of Forager and Demon: Hell is Earth all are limited series that allowed some of King’s creations shine once again. Then DC gave others special issues that are now collected in a sweet trade. Not to mention some of those titles featuring Kirby’s heroes meeting each other (I mean, Forager outright went and resolved cliffhanger of Kirby’s original OMAC series) and his other characters and concepts are being featured in ongoing books like Superman or Green Lanterns. DC went out of their way to celebrate Jack Kirby during Rebirth. This is especially poignant at the time when all Marvel managed to do are some cheap variant covers and putting a bunch of his Monsters into one event because they were too busy spending most of the year shitting on one of his most beloved characters in Secret Empire.

Loser: Justice Society America and Legion of Super-Heroes

These two teams have been on everybody’s mouths ever since DC Rebirth Special teased their return. Yet outside of occasionally throwing us a bone here or there, teasing their returns in Batman and Flash, nothing had materialized out of this. I heard rumors there was a plan to launch JSA book, but it appears to have fallen through. Meaning currently both teams are in Comic Book Limbo with Shazam and Martian Manhunter.

Winner: Grant Morrison

Rebirth has become a time when you could notice more and more references to works of certain creator popping up - crazy Scott, Grant Morisson. Be it use of his characters like Aztek in Justice League of America or Doctor Hurt and Professor Pyg in Nightwing or concepts like Hypertime or his Multiversal ideas. With writers like Joshua Williamson, Tom King, Scott Snyder, Gerard Way, Tim Seeley or James Tynion IV it is clear that right now DC Universe is put in hands of creators who have been influenced by Morrison’s body of work and even others, like Gene Yang, while not directly touching on his ideas still add more pieces having similar feel. I’ve been saying Grant Morrison would be proud several times during this era and for a good reason. It feels he has achieved a similar position Warren Ellis had at Marvel for some time before 2015 - maybe not directly affecting the company, but having enough people who learned from or were inspired by him working on it, that he is present in spirit even when he isn’t writing anything.

Loser: Eddie Berganza

This might be a bit cheating since this has little to do with DC Rebirth itself. But it needs to be pointed out that during this era position of Eddie Berganza, an important editor and a serial sexual harasser who was seen as too big to be dealt with, started to tremble. Greg Rucka made DC ensure his new Wonder Woman book will not be edited by Berganza and neither he nor any member of his team will have to even interact with the guy. I like to see it as the first sing the industry was ready to deal with this pathetic, painful ulcer of a man. A thing that indeed has happened, when on the wave of allegations of sexual harassment in Hollywood his name has been brought up. DC and Warner decided to take a look at his case and he was promptly, in their own words, terminated. Good riddance. 

Winner: Imprints, Crossovers, and Elseworlds

One of the greatest successes of Rebirth for me was that DC took serious attempts at bringing back Wildstorm and Vertigo characters, whom they have mistreated by forcing into one Universe with rest of DC in New 52. Warren Ellis’ Wild Storm rebooted the 90′s Universe in a new flavor, giving us a fantastic science-fiction take on their heroes.Gerard Way brought back the feel of early Vertigo in his imprint Young Animal with great series like Doom Patrol, Shade: the Changing Girl, Mother Panic, Cave Carson Has a Cybernetic Eye and Bug! the Adventures of Forager. They are not stopping there, seeing how they are working on the return of Milestone Media, launching Dark Matter and working on an all-ages imprint.

At the same time DC launched an imprint for reinventing properties under their Hannah-Barbera license. Which, admittingly, gave us two baffling books in Scooby Apocalypse and Wacky Raceland but also fan-favorite Future Quest, Flinstones or new Dastardly & Muttley. DC seems to have enjoyed working on those books so much they made series of one-shots crossing over other HB characters with their heroes. And enjoyed THAT so much they did it again with Looney Tunes, which were much more entertaining I think anyone would have suspected. Speaking of which, DC has a blast with doing crossovers and you can always see them doing some sort of it - He-Man/Thundercats, Batman/Teenage Mutant Ninja Turtles, The Shadow/Batman, Wonder Woman/Conan, Justice League/Power Rangers or several Batman ‘66 crossovers. It seems to have even rubbed on their games, with Hellboy and Turtles making their way to Injustice 2.

And finally, DC had a lot of fun with Elseworlds lately. Including Nightwing: New Order, Green Lantern: Earth One, Gotham City Garage, DC Superhero Girls, DC Comics Bombshells or Batman: White Knight.  All of it contributed to a new image of DC as ever-expanding as both the world and the publisher. Which I feel greatly helped their success.

Loser: Marvel Comics

Oh come on, you’ve seen this one coming. When DC wins, Marvel is the biggest loser and vice-versa. But to say that DC suddenly cleaning their act caught Marvel by surprise would be an understatement. It might even be said that their own behavior allowed Rebirth to succeed - after all the big plot twist if Rebirth Special, the big reveal that could have easily turned people against DC, has been overshadowed by Marvel turning Captain America into a Nazi. Compared to THAT what DC did seemed much less outrageous and many people seem to be more open-minded to the Rebirth as a whole as a reason. 

After consistently losing in sales for months, Marvel tried to desperately try to shift the blame on diversity, bloat their sales, copy Rebirth with Legacy, while also making a ton of fuckups and see their bad past decisions finally catching up to them. It is shocking how badly they took the beating, culminating probably with a kick to the balls in form of DC nabbing Brian Bendis, Marvel’s best-selling writer - and even he was just one of the many creators who jumped ships by that point. Things have gotten so bad at Hosue of Ideas they let go their Editor-In-Chief Axel Alonso and replaced him with C.B. Cebulski. And even in that, they manage to come under fire. 

While in general, both companies seem to be in the constant back and forth, when one is on top and the other starts fucking up, how drastically had the landscape shifted from New 52 era, when Marvel was seen as a dominant one even if DC was beating them at sales is, to me, a testament to how big success DC had with Rebirth. Now the question remains if they manage to keep it up going forward - which I sincerely wish to them. Because let me say something - DC Rebirth made me fall in love with so many aspects of DC Universe I didn’t care about before and it even made me seek some older DC titles. And that, I feel is the best testament to Rebirth’s success.

If you feel I have missed any winner or loser or just want to call me an idiot for something I’ve said, comments and reblogs are welcome.

- Admin