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#and to be fair it is a combination of three projects
lazywitchling · 10 months
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“Jes, what do you have?”
A NEW PROJECT!!!
“NOOO!!!”
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mariacallous · 20 days
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The first thing to say about the hate and scorn currently directed at the mainstream US media is that they worked hard to earn it. They’ve done so by failing, repeatedly, determinedly, spectacularly to do their job, which is to maintain their independence, inform the electorate, and speak truth to power. While the left has long had reasons to dismiss centrist media, and the right has loathed it most when it did do its job well, the moderates who are furious at it now seem to be something new – and a host of former editors, media experts and independent journalists have been going after them hard this summer.
Longtime journalist James Fallows declares that three institutions – the Republican party, the supreme court, and the mainstream political press – “have catastrophically failed to ‘meet the moment’ under pressure of [the] Trump era”. Centrist political reformer and columnist Norm Ornstein states that these news institutions “have had no reflection, no willingness to think through how irresponsible and reckless so much of our mainstream press and so many of our journalists have been and continue to be”.
Most voters, he says, “have no clue what a second Trump term would actually be like. Instead, we get the same insipid focus on the horse race and the polls, while normalizing abnormal behavior and treating this like a typical presidential election, not one that is an existential threat to democracy.”
Lamenting the state of the media recently on X, Jeff Jarvis, another former editor and newspaper columnist, said: “What ‘press’? The broken and vindictive Times? The newly Murdochian Post? Hedge-fund newspaper husks? Rudderless CNN or NPR? Murdoch’s fascist media?”
These critics are responding to how the behemoths of the industry seem intent on bending the facts to fit their frameworks and agendas. In pursuit of clickbait content centered on conflicts and personalities, they follow each other into informational stampedes and confirmation bubbles.
They pursue the appearance of fairness and balance by treating the true and the false, the normal and the outrageous, as equally valid and by normalizing Republicans, especially Donald Trump, whose gibberish gets translated into English and whose past crimes and present-day lies and threats get glossed over. They neglect, again and again, important stories with real consequences. This is not entirely new – in a scathing analysis of 2016 election coverage, the Columbia Journalism Review noted that “in just six days, The New York Times ran as many cover stories about Hillary Clinton’s emails as they did about all policy issues combined in the 69 days leading up to the election” – but it’s gotten worse, and a lot of insiders have gotten sick of it.
In July, ordinary people on social media decided to share information about the rightwing Project 2025 and did a superb job of raising public awareness about it, while the press obsessed about Joe Biden’s age and health. NBC did report on this grassroots education effort, but did so using the “both sides are equally valid” framework often deployed by mainstream media, saying the agenda is “championed by some creators as a guide to less government oversight and slammed by others as a road map to an authoritarian takeover of America”. There is no valid case it brings less government oversight.
In an even more outrageous case, the New York Times ran a story comparing the Democratic and Republican plans to increase the housing supply – which treated Trump’s plans for mass deportation of undocumented immigrants as just another housing-supply strategy that might work or might not. (That it would create massive human rights violations and likely lead to huge civil disturbances was one overlooked factor, though the fact that some of these immigrants are key to the building trades was mentioned.)
Other stories of pressing concern are either picked up and dropped or just neglected overall, as with Trump’s threats to dismantle a huge portion of the climate legislation that is both the Biden administration’s signal achievement and crucial for the fate of the planet. The Washington Post editorial board did offer this risibly feeble critique on 17 August: “It would no doubt be better for the climate if the US president acknowledged the reality of global warming – rather than calling it a scam, as Mr Trump has.”
While the press blamed Biden for failing to communicate his achievements, which is part of his job, it’s their whole job to do so. The Climate Jobs National Resource Center reports that the Inflation Reduction Act has created “a combined potential of over $2tn in investment, 1,091,966 megawatts of clean power, and approximately 3,947,670 jobs”, but few Americans have any sense of what the bill has achieved or even that the economy is by many measures strong.
Last winter, the New York Times columnist Paul Krugman, who has a Nobel prize in economics, told Greg Sargent on the latter’s Daily Blast podcast that when he writes positive pieces about the Biden economy, his editor asks “don’t you want to qualify” it; “aren’t people upset by X, Y and Z and shouldn’t you be acknowledging that?”
Meanwhile in an accusatory piece about Kamala Harris headlined When your opponent calls you ‘communist,’ maybe don’t propose price controls?, a Washington Post columnist declares in another case of bothsiderism: “Voters want to blame someone for high grocery bills, and the presidential candidates have apparently decided the choices are either the Biden administration or corporate greed. Harris has chosen the latter.” The evidence that corporations have jacked up prices and are reaping huge profits is easy to find, but facts don’t matter much in this kind of opining.
It’s hard to gloat over the decline of these dinosaurs of American media, when a free press and a well-informed electorate are both crucial to democracy. The alternatives to the major news outlets simply don’t reach enough readers and listeners, though the non-profit investigative outfit ProPublica and progressive magazines such as the New Republic and Mother Jones, are doing a lot of the best reporting and commentary.
Earlier this year, when Alabama senator Katie Britt gave her loopy rebuttal to Biden’s State of the Union address, it was an independent journalist, Jonathan Katz, who broke the story on TikTok that her claims about a victim of sex trafficking contained significant falsehoods. The big news outlets picked up the scoop from him, making me wonder what their staffs of hundreds were doing that night.
A host of brilliant journalists young and old, have started independent newsletters, covering tech, the state of the media, politics, climate, reproductive rights and virtually everything else, but their reach is too modest to make them a replacement for the big newspapers and networks. The great exception might be historian Heather Cox Richardson, whose newsletter and Facebook followers give her a readership not much smaller than that of the Washington Post. The tremendous success of her sober, historically grounded (and footnoted!) news summaries and reflections bespeaks a hunger for real news.
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sgiandubh · 5 months
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The door faces North
This has been, by far, one of the most complex investigations I have ever done in this fandom, and I am truly sorry for the long wait I had to inflict on many of you & for the uncharacteristic radio silence in DMs and comments. During this peculiar journey, I checked, double-checked and cross-checked as many details as I could and I carefully considered at least two different theories, of which I still think they do not exclude each other. I am now confident enough to make not only an educated guess, but also a daring bet on SRH's next whisky move.
Also, sorry for the length of this post. Truly sorry - think of the completely pulverized night sleep I had to give up, in order to bring this to you.
But first, a word on Marple's obvious PR tip on the Hopetoun Estate refurbishment and distillery old/new project. I am fair game enough to tell you the obvious: her overall recounting of the principals is roughly correct, spare perhaps one or two minor details. Correct, but dry - she limits herself to the technical documentation submitted by Golden Decanters and The Hopetoun Estates Trust to the West Lothian Council for approval. She correctly points out that S is not a visible part of the deal, at this point in time and she does a decent summing up of a very, very, VERY plethoric amount of bureaucratic information. She concludes, and I think she is partially right, that he might be interested in becoming an investor (I am taking things a bit further, though). But in doing so, she focuses on the development phase of the project only: the possible connections with SRH and his own spirits business are less, if at all, obvious.
I am going to give you my view of all this charade and, if I am going to mention (and probably repeat) some things already found by her, I am going to focus on the people: this is where the whole story starts to become remarkably interesting, at least to me. After all, I remember promising you some more clarity. Here's an honest, fair play take.
Little did I know, when I started to write about that (now defunct) company, Midhope Castle Distillery, Ltd (https://www.tumblr.com/sgiandubh/748597198794670080/the-info-provided-above-is-correct-but-outdated?source=share), that my investigation would turn to this:
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... for it was to be just an almost random layer of a juggernaut matryoshka of defunct or still active companies, featuring roughly the same people and no less than 6 different name combinations centered around Midhope, Hopetoun, etc.
The following pics will give you an idea - feel free to open them in a separate tab, for clarity . I preferred this synthetic approach, because otherwise you will curse the shite out of me. But it had to be done, with or without Depon, Advil's Greek cousin (and before you ask a graphologist, this is my handwriting, and nobody else's 🙃):
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The only explanation for the whole almost frantic Midhope/Hopetoun crisscross/hopscotch (LOL) combos I can think of is two people trying to secure one (several?) credit lines or to attract significant investors for their project and ultimately failing to do so. But I might be wrong (although I doubt that, thank you). Out of this entire maze ( I swear I now have a migraine), there are only two active companies remaining: Golden Decanters Ltd (renamed GD Spirits Ltd, in April 2022) and Midhope Ltd (renamed Skosk Ltd, in July 2023). It is on them I am going to focus my gaze.
GD Spirits Ltd was incorporated in Berwick-upon-Tweed, England (just across the Scottish border), probably for tax reasons, on March 11, 2015, the nature of its business being listed as 'wholesale of wine, beer, spirits, etc.'. It started with a team of two women: Julia Mackenzie-Gillanders and Ann Medlock, whose names we are going to see over and over again in all the eight corporate avatars. Later down the timeline (LOL for three decades and a half), on January 30, 2018, they were briefly (until July 19, 2018) joined by two very interesting professionals: Mrs. Margaret Boswell, an attorney at the very prestigious international law firm Gide Loyrette Nouel (Paris and London offices)...
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...and Ken Robertson, former Corporate Affairs Director at Diageo Whisky, a subsidiary of the international Diageo group, one of the major players on the world spirits' market:
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The second company, Skosk Ltd, was incorporated in August 2021, in Perth, Scotland, its nature of business being listed as 'distilling, rectifying and blending of spirits', with the clear intention to align with the exacting criteria prescribed by the 2009 Scotch Whisky Regulations:
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[ Source: https://en.wikipedia.org/wiki/Scotch_whisky - sorry, I don't have time to wax lyrical on this, and neither do you]
This time, we only meet again the two distillerettes, Gillanders and Medwick. Up until now, at least, nobody else (attorney, former sales executive, whisky expert) has joined the platoon - TBC? I would not speculate and leave all options open.
There is little to 0 transparency on Skosk's financial situation, at the moment and to be honest, it looks very much like S's co-star (hehe)'s Irish business venture...
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... but I was a bit more lucky, and the numbers more chatty, as far as GD Spirits was concerned:
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Paging all shipper chartered accountants out there, but to me, it doesn't look great, at the moment. Cash is ridiculous, the net worth is hemorrhaging and the current assets are negligible, compared to 2020, when I think they managed to secure one or two credit lines, but not nearly enough for what they needed. Just enough to pay themselves and their external consultants and cover the operating costs, if you ask me.
The revised Planning Statement, of 8 February 2024, posted first by Marple, echoes my initial guess (COVID blew it up, see link to the first post) and the above assessment:
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Mark this: 'Discussions are now proceeding with investors and there is a realistic prospect that work will begin in the near future (2024/2025) to implement the permission.' Given that they will start with the road and parking rehabilitation and upgrading, probably overlapping with the distillery building, it would make sense to begin this autumn at the earliest, with the most urgent: access to the site itself.
The initial Planning Statement, dated 9 July 2020 and re-posted on March 21st, 2024, tells a more detailed story. This is part and parcel of the current project as well, since the revision is just pointing out the changes operated, not the entire rest, which remains unchanged. You be the judge:
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Also keep in mind this tiny, tiny thing: the Business Plan is 'submitted (...) under Private and Confidential Cover'. See where I am looking?
The initial plan was (and still is) for GD Spirits to produce their own booze, using Midhope's own barley (this is very important for the rest of my theory!). They even offer an overview of the real impact of their project on the local economy:
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20 to 38 initial new job creations for a £ 15 to 30 million investment is not 'huge', madam Marple. Cumbernauld is huge. This? This is rather modest, if you ask me. But hey, what do I know about the labor market, right?
That initial Statement tells also the story they want to tell about the genesis of their idea, the scouting for the right location and a couple of other interesting details:
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So they are telling us they started to look for the perfect location in 2018 and oh, hello, they found the Hopetoun Estate rather quickly, already starting the pre-planning application consultations as early as July 2019 (don't get me started, please):
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If so, then why did they incorporate not one, but two different companies clearly linking them to the Estate (Hopetoun Estate Distillery Ltd and Hopetoun Estate Whiskies Ltd) the same day and as early as May 23rd 2017 (and both dissolved in December 2022), as my above penciled timeline (LOOOOOL) shows? Who is really behind this project and why this entire ballet? It's like me pre-emptively looking for rental properties in (let's randomly guess) Lisbon, when it's just wishful thinking, heavily projecting and with 0 guarantees I will be posted there, right? I mean, I adore and deeply know Lisbon and I would be thrilled to go there. But I am not currently looking for any rental property, just like that, because that would be a #silly, rookie mistake. In their case, I think there's a different situation - again, you be the judge.
A first answer, as to who is really behind that project, was given by the UK media, back in 2020:
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How odd, when we know that both Mrs. Boswell, the well-traveled attorney and Mr. Robertson resigned from GD Spirits in July 2018. Do they still say hi to the two distillerettes? Do they quietly keep an eye on the project? Are they silent partners? Business angels? Shareholders? Time to remind you that under UK law, there is 0 visibility on the shareholder's structure of a company. You just see the officers (Director, Secretary, etc), on the Company House website. On an umpteenth, last- second cross-check, it became apparent that Mr. Robertson remained involved in another company of the distillerettes, Hopetoun Estate Whiskies Ltd (yes, the one mentioned above), until its voluntary strike-off, in December 2022.
Their best laid plans do mention OL, and how could it be otherwise? But all this £ 15 to 30 million hullaballoo for 20.000 people only (who counted them and how?), on a seasonal basis?
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High-end restaurant, luxury B&B, event spaces, you name it. Interesting, to say the least.
And, for the people in the back, who still think SRH has a 100 years lease at Midhope (Jesus H. Roosevelt Christ, the stupidity!):
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This is why he commented as a 'member of the public'. At face value, there is no public involvement into that project. Yet. But it is my belief there is a vested interest in all this, justifying the comment, the visit, those papers rolled in his fist, etc. At first, I thought that was a visit to Lallybroch by the Exec Producer of OL's Season 8, to discuss technicalities - and shared that privately with a wonderful friend only. I mean, why not and still perfectly possible. But then, as I could not sleep tonight and felt guilty to have you all waiting, I started to connect some tiny dots.
Like this one, for a start:
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Yes, I know, Marple told you that FIRST, I would not dare say otherwise, because if I did there would be a transcontinental screech. That trademark application was filed at the US Patent and Trade Office in September 2023 and I thought (and still partially do) it was a potential rebranding solution to The Sassenach's EUIPO nightmare (much exaggerated by the fandom's toothbrush experts):
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But you also know I am an idiot and I always check people's CVs, when I follow a thread. This morning, the one Distillerette I am particularly interested in is Mrs. Julia Hall-Mackenzie-Gillanders (née Scales) and not like *urv would be.
Her LinkedIn profile is exceptionally talkative, too:
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... and a BA (with Honors) in Fashion Design, class of 2005, at the Northumbria University.
The Financial Times article 'From packing boxes to wine deals worth millions', you can read on her LinkedIn page, tells a very interesting story. It is the story of a shy underdog (lots of temple bells clinging, at the moment), who made it by sheer persistence. It starts like this:
'When a painfully shy young woman contacted a fine wine merchant and said ' I have no qualifications- can I help?', she got the job and today is signing deals worth millions of pounds.'
It obviously did ring a bell and if SRH knows she exists (she is married, *urv!), and I dare to speculate he does, it must have struck a deep chord. Would I do business with her? I wouldn't speculate, although I am not very sure. Would he? He'd probably listen very carefully to what she has to pitch, for a start.
And what she has to pitch is also very interesting, in his world. A brief look at the Golden Decanters' website shows a first high-end single malt sourced collection of 4 exceptional expressions already sold out:
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And when they mean high-end, they mean gold leaf labelling and all the tralala:
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And, some last minute news, too:
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Remind me, because I am an old woman, after this white night: wasn't The Sassenach (no comment, we agree to disagree and I am very skeptical), a blend?
We have these dots, then:
Bold Underdog ->spirits business->high-end collection of single malts sold out->business partnership with owners of Midhope Castle, fictional Lallybroch in OL, including a distillery and whisky production with Midhope/Lallybroch barley -> visit by the male lead and spirits entrepreneur (also the fictional Lallybroch laird) to Midhope/Lallybroch and vested interest in the estate's most recent business project....
What if The Sassenach would be included, for a start, in that new Blended Collection? And could it really be fanfic to imagine a future high-end, limited edition, Lallybroch whisky produced at Midhope, with Midhope/Lallybroch barley? It wouldn't be the first time, would it: after all, they did it with that limited tequila batch.
As I said, because I am (remember Someone? LOL) a 'silly cow', I was hoping he wouldn't do it. But my guess is he might very well do exactly that, with those people and under that label.
It's half past eight AM, local time and I need a strong, black coffee.
I rest my case (and I am bracing myself for the screeching). I will answer Anons later, after I come back from the hairdresser's. Appointments must be kept at all costs. Thank you all for your patience.
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randomyuu · 1 year
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the way it follows you home, the stories i never told
My guy Vox once again graced us with lovely Goyuu fanfics, and the way it follows you home, the stories i never told, made me go FERAL.
Time travel? Two Gojou Satorus? Double affection for our sunshine Yuuji? Yuuji sandwich? What feels like possible continuation of (you'll whisper, serpent tongue) what you fear you have become???
FUCK.
I need to stop indulging my imagination too much. I should’ve been content with writing long-ass comments but noooooo, my brain goes “you gotta draw it”. DAMMIT VOX, YOU AND YOUR DELICIOUS WRITINGS HHHHHH
So… usually I should’ve picked a favourite scene that is within my drawing capability, but I just… love all three chapters??? So I made a questionable time investment? I can’t stop??? Help???
This is probably the most ambitious fanart project I’ve ever done so far. Fair enough, considering I might combust if I keep these welled-up emotions inside from reading Vox’s Goyuu fics. Fuck.
Fic info:
Title: the way it follows you home, the stories i never told
Author: @voxofthevoid
Pairing: YuuGoGo. Future!Yuuji, Future!Gojou, Teen!Gojou
(idk why I laugh writing YuuGoGo. I’m beyond help)
Currently, it is 3 chapters out of 8. And it’s gonna be NSFW chapter 4 onwards, so don’t forget to read the tags first, folks!
The drawings are under Read More, because I have lots of thoughts surrounding each chapter and drawings. It’ll be hella long if I didn’t hide it here. It was a mess down there. A combination of hours before, during, and after I read said fic. I’d say good luck finding the art among the sea of jumbled words but… you’ll find them easily. Don’t worry about it haha
SPOILERS FOR ALL 3 CHAPTERS! I highly recommend reading those first before diving into these drawings!
Also for the comics, read from right to left please!
From here on, I will be referring to the Future!Gojou as Gojou and the teenage one as Satoru.
Overall, drawing all these is fun! Really fun! This project pushed me quite hard, forcing me to test my limit (because I rarely draw this much back to back). Since this is a combination of drawings and comics, the coloring style will not be consistent. In a way, I want to try some brushes I never get to use, as well as try out my new graphic tablet. Drawing these got me giggling because I was finally able to let loose during line art. It's much easier to do so, and sometimes I just get to reread the fic and giggle to myself for the nth time.
CHAPTER 1:
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Whooo. Whooooooooo—
Ok, ok, the premise is just that good. It intrigued me, fascinated me, and I just… oomph. I cannot refuse a Time Travel Yuuji Sandwich. Sign me up.
Honestly, there are two scenes that are just… a bit too clear in my mind when reading this chapter. That would be the one I drew above, and the other is when Yaga called Gojou to come outside of the class. I love, loooove how Vox wrote Satoru’s POV. And when Yuuji fucking giggles?
I lost it.
Can you imagine, drawing Yuuji grins, with shiny stuff, maybe some sunlight, just purely happy and indulging Gojou?
Help me, for I am drowning in my love and adoration for Yuuji.
Page 2 is an experiment on using harsh black as shading (kind of?). I really enjoyed colouring Yuuji, and drawing those buffalo skulls! I wish I can grasp the concept of contrast a bit better tho :v
CHAPTER 2:
This is probably the only chapter where I picture still images instead of comic panels. A bit like those cool chapter covers in mangas. The one I really, really want to draw is the scene with Satoru on the table. Can’t pass the opportunity to highlight Satoru being a brat, albeit a really cool brat.
Cool idea drawing always proves to be a challenge, because of course my artistic skill just so happens to be below the requirement. Thank you, Sketchfab, for the chair and desk’s perspective otherwise I’m screwed lmao
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The second scene that I want to draw the most is this:
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Gojou is one step away from climbing Yuuji. Also, I have a bit of a problem picturing a man pouting that makes him look crazy instead, so please have Gojou pouting adorably instead. Because, as Yuuji said (with love), Gojou is (also) a brat.
This is possibly my favorite art in this project, after Yuuji's in Chapter 1 page 2. It's clean because I don't have to draw background, and I was having a fun time drawing Yuuji. And Gojou's squishy cheek as well.
Oh, actually, there is a “manga” scene in this chapter. It’s when Yuuji said, “I love Satoru.”
I just—
AAAAAHHHHH YUUJIIIIIII YOU AND VOX ARE GONNA BE THE DEATH OF ME. That secure relationship between Yuuji and Gojou? Satoru’s description of how Yuuji’s smile could blot out the sun??? Not me screaming 💀 I also see bits of hints of possible co-dependency, though I could be reading those wrong, but either way I’m good. Secure and possessive relationships are fun to consume hhhhhh
But yeah. There are too many wholesome Yuuji smiles in this fic, and I… I am not confident enough to draw genuine happiness. It’s too much for me ∠( ᐛ 」∠)_
For this chapter, another reason why I chose these two scenes is just because I want to try and draw cover-worthy pictures of Yuuji and Satoru, and Yuuji and Gojou (cough)
CHAPTER 3:
We start the chapter with Nanamin. Ah, Nanamin. I forgot what his teen self looked like and was surprised to see his design again lmao
I want to draw Yuuji and Nanami scene because… I just want to, I guess. I have never drawn him before (Yaga as well) so that's an interesting challenge. I got two ideas on how I want to draw it. One is a bit painting-esque, and the other one is like another chapter cover. In the end, I chose the cover one because I want to emphasise the difference between teen!Nanami and the Nanami from Yuuji’s original timeline, and how the watch feels like a connection between the same (yet not) person. It’s a bittersweet feeling? In a way?
I’m not really good at explaining my intention ∠( ᐛ 」∠)_
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I love Yuuji’s answer to Nanami's question.
AND FINALLY.
A Yuuji SandwichTM scene.
And oh B O I do I love it. Have I told you I like every chapter? I probably have. But this one? Satoru’s curiosity, Yuuji’s on-brand self-deprecation, and Gojou come strolling down to show more of Yuuji to his mini-self. I want to draw this whole scene, from Gojou finding them, feeding Yuuji snacks, bitch-slapping Satoru into the backroom, to Yuuji growling. Them trying to hide a boner from Yuuji’s growl got me cackling so hard I LOVE IT 😭
I love it all. Please love Yuuji in my stead, Satoru and Satonyan :3
Oh! Also! 40-finger Yuuji sounds really, really cool! I’ll be happy with whatever Vox will give us in future chapters, but 40-finger Yuuji… possible scene with this timeline’s Sukuna… my god. The action! The drama! The bloodshed! One can only hope.
However, as much as I love that whole scene, it’s still too much for me :”) I’m still not yet confident in delivering the humour and action. Also my already-long drawing plan had my brain groaning in protest so I can’t push my luck :'D
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When Gojou said "He looks sweet, but he's a bit of a beast", I kept picturing Yuuji staring innocently, but there was an edge to his look. As if the moment Satoru looks away, he will pounce. But in the end I just stick with innocent-looking Yuuji because I accidentally drew his eyes that way and I want to keep it in lol
Since Satoru points out how soft and cuddly Yuuji is, I also want to draw soft Yuuji :v
And the last one… is the last scene. For some reason, I read that both Gojou and Satoru share Yuuji’s lap and was having a frustrating yet fun time figuring out how it’s… physically possible, without having their butts on the ground because they both are not small at all. As I lined the art, I reread it again and… perhaps I read it wrong? Satoru is beside Yuuji, and not on his lap? So yeah, this one might be the least accurate, but hey, at least you can view it as a crack drawing or something :v
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AAAANNNDDD I HAVE EXCEEDED TODAY’S BRAIN CAPACITY OF FORMING WORDS
Have I told you I love this fic?
…I probably have.
Have an amazing week (❁´▽`❁)*✲゚*
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spoiledblogif · 7 months
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Join the Patreon for chapter demos, shorts, and early chapter releases.
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This is the development blog for the interactive fiction called "The Second Sight", which you can find on itch.io at the link above!
This is my first IF project, although I've been writing original stories and fanfiction for years.
I've included the story description and character profiles from the itch page below the cut.
This blog will be a combination of development info, images and music that I associate with the story, and other musings.
Fair warning, there might be spoilers from the latest chapters here, so I recommend catching up before reading too far.
Asks and submissions are always open.
You’re an urban legend in a county full of them.  When you were thirteen, you were found passed out in the road by one of the local cops. No missing persons report. No fingerprints on file. No memories. Just a name.
Oh, and some bizarre psychic powers.  You're content with simplicity. You like your isolated cabin and helping Carter track down missing persons.  You know that in theory there are more people like you out there, but you've never wanted to look behind the curtain to find out.
However, with the disappearance of a local teen named Casey Powell and a recent attempt on your foster father's life, your serene, isolated life comes abruptly to its end and a new chapter begins.
✤✤✤
The Second Sight is an urban fantasy story, where you step into the role of a psychic whose strange powers have always separated them from others. Those same powers will drag you down the rabbit hole and into a world that is both the familiar and foreign to everything you know. A world filled with magic, witches, fae, demons, and the unknown.
You can immerse yourself in the story by customizing your protagonist's general appearance, choosing how they interact with others, and whether you lean on logic or intuition to problem solve. There are three love interests planned (more may be added depending on player reception and feedback), the genders of which will be selected by the player upon meeting them.
Characters
Jacob Carter
Age: Late forties
Race: Human. Definitely.
Gender: Male
Temperament: Carter radiates grizzled, old bastard energy and despite being the least paternal person in the world, he is your adoptive father. While harsh and aloof on the surface, he is also fiercely protective of you and has bent over backwards to give a decent life to a kid that isn't even his. He doesn't talk about his life before coming to Herman County and you haven't asked him, though that might change soon enough...
✤✤✤
Zander/Zora
Age: Late twenties.
Race: Human.
Appearance: Umber brown skin, black locs, grey eyes
Temperament: Gentle and resolute, Z isn't what you imagine when you think of an agent of the mysterious Magic and Anomalies Bureau. Kind, soft-spoken, and exceedingly polite, Z is Carter's former apprentice and something about them puts the old man on edge.
✤✤✤ Renard/Rowan
Age: Appears to be in their late twenties or early thirties
Race: Human. Maybe.
Appearance: Tall and slender, white-blonde hair, and gold eyes.
Temperament: Playful and flirtatious, talking to R always feels like a game of cat and mouse and you can never be sure which role is yours. Part sad clown, part trickster, and always maddening to work with, the only things you can be certain of with R is that they probably know what they're doing. Everything else is up in the air.
✤✤✤
Unknown aka "The Kestrel"
Age: ???
Race: Definitely not human.
Appearance: Tall, beautiful, elegant, with black hair and black eyes.
Temperament: The Kestrel is a complete unknown. It's impossible to say whether they are a lethal ally or deadly enemy, but either way they are a powerful dreamwalker. You don't know how long they've been watching you, but you're willing to bet that it's been longer than you're comfortable with.
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moralesmilesanhour · 1 year
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teamwork (makes the dream work...?) pt. 3
summary: a big project is announced in class, meaning you and miles need to get your shit together. and other stuff.
wc: ~2k (I know.)
warnings: very briefly implied neglect...?
A/N: I struggled a lot w this one but I kinda got my flow back at the end! enjoy :)
prev. miles' pov snippet next
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By now, there were three things that you had never seen Miles Morales do:
Work with a partner, say ‘hello’ first, and eat lunch in the cafeteria.
The first thing was about to change in the next forty-five minutes or so. 
The third, you’d soon figure out as you crept quietly up the staircase that led to the rooftop. You had planned to convince the boy to actually cooperate with you in Calculus, offering to do his English homework in exchange. 
As soon as you reach the top of the stairwell, though, all thoughts of negotiation leave you. Your eyes land on Miles’ heaving figure, and you realize that there's a fourth thing you’d never seen him do: cry.
The only sound that could be heard was the whistling of wind and the small, whimpering sounds that it carried with it. He didn’t seem to have a bag or tray of food with him. It unnerved you to try to imagine what could make a boy that tall shrivel up like that.
You didn’t say anything (what could you say?), slowly stepping back down the stairwell.  While your back was turned, Miles peeked through his elbows and caught a glimpse of your retreating sneakers. He didn’t come downstairs until the bell rang.
You sat down at your not-by-the-window seat. Miles had arrived earlier than you as usual, but his head was down, seemingly asleep. 
The case holding his glasses sat unopened. As usual.
“Today, you all will begin to brainstorm for your partnered projects,” Ms. Jones beamed, clapping her hands together.
Miles’ head suddenly perked up. He looked like he’d just seen a ghost, while you chewed on your pencil’s eraser absentmindedly. There was no way Jones was about to pair you up with a temporary partner–
“...and I’ve switched some of the pairings to account for those who are unable to join us this week.” The woman made direct eye contact with you as she finished the sentence, and your stomach dropped.
 “Everyone will be partnered with the scholar sitting next to them.”
Small cheers and celebratory squeals erupted across the classroom. You look at Miles, who still has rings of red around his puffy eyes. He glances at you before turning away to fake-stare out of the window. 
Jones continues, “Your AP Physics teacher and I have decided to combine our projects into one prompt, meaning that the instructions are two-fold. In Physics, as you already know, you will be writing a lab report based on the experiments y’all have been doing all of last week. In my class, you’ll also come up with three short calculus problems based on real-life scenarios--”
The woman paused at the wave of groans and sighs, and shook her head.
 “--based on what you have learned, both here and in Physics. You will present at least one of them in class for your own mini-lessons. Any questions?”
The classroom was silent as she quickly scanned the room,
“Well, alright, then! I need someone to pass around these brainstorming sheets.”
Miles had a frown on his face for the entirety of Ms. Jones’ spiel, arms crossed like a toddler. You would’ve found it funny if you weren’t currently in the same boat.
Two sheets of paper landed on your desk, and you passed one to him.
“Any ideas, Morales?” 
“Not in an ‘ideas’ mood at the moment,” the boy muttered, massaging his temples.
You rest your chin on the backs of your hands and sigh.
“Fair enough.”
Another awkward silence. You began to jot down a few topics for math problems: projectiles, the speed of a vehicle, but your pen eventually slowed to a stop out of boredom. Had your friend been here, she would’ve filled the silence with lively conversation about the news, P.E., or Ms. Jones’ outfit. 
“Why don't you like working with people?” you ask, suddenly. Miles cut his eyes at you.
“ ‘Cuz of questions like that.”
“What if I’m just tryna make conversation?”
“About what?”
“Well, whatever’s on your mind,” you gesture towards the open spiral notebook next to him full of sketches. He hasn’t added anything new to it all class. “Must be something happening up there.”
The boy’s eyes flickered toward the page. You’d already seen it, so there was no point in shutting the notebook closed.
“I don’t see what’s so interesting about these.”
You tilted your head to see the drawings better. Some of the figures leaping across the page looked vaguely familiar; some from action movies, others from anime, judging by the hair.
“I like your art style. It’s so…” you stare up at the ceiling, lips jutting out as you try to find the right word. “...Knife-y.”
The corners of Miles’ lips quiver, and an unusual sound suddenly escapes him. His hand flies up to cover his mouth, and his shoulders shake as he briefly turns away.
“My fault,” he says, turning back around after clearing his throat. “You said it’s what?”
The sound of his stifled laughter makes you giggle despite being the subject of it.
“It’s sharp and pointy, okay? That’s what I meant.” 
At this point, both of you are struggling to keep a straight face at the back of the classroom.
“Why didn’t you just say that?”
“Listen, I forget words a lot. Gimme a break!”
Miles wipes a tear away, “Yeah, I ain’t never letting you forget that one.”
“Okay, back to the drawings, though. Who’s that?” you pointed at a sketch of the caped figure with sharp eyes from before. A shadow fell over the boy’s expression.
“Nobody important. Just sumn I made up.”
You hum in acknowledgement, drumming your fingers on the desk.
“One more question, then I’ll leave you alone. Why don’t you eat downstairs with everyone else?”
“It’s too loud down there, so I eat in the counselor’s office,” he answered.
Miles narrowed his eyes. “Now, can I ask you a question?”
“Go ahead.”
“How’d you know I don’t eat downstairs?”
He knew the answer, of course. But he wanted to know if you’d lie.
You nibbled at your bottom lip, staring at the solid lines on your worksheet.
“I…may or may not have seen you. Upstairs.”
Miles nodded slowly, silently. As if he was considering something.
“You was looking for me?”
“Yeah, I didn’t mean to…interrupt,” you look up and meet the boy’s eyes. “Did you get to eat lunch, though?”
He gave you a weird look. “What’s that gotta do with you stalking me?”
Crossing your arms defensively, you shot back, “You were so damn worried about whether I ate, why can’t I return the favor?”
Miles’ eyes widened for a moment, before darting in the other direction. “I think you should go back to doing your work.”
Just as he finished his sentence, the school bell rang. Miles was already standing with his bag slung over his shoulder.
As you gather your stuff, you call out, “Wait! I need your email for this project, I forgot.”
“Right,” Miles ripped out a sheet of paper from his notebook, scribbling his email address on it before handing it to you. “I’ll share my slides with you when I’m done.”
Your brows furrowed in confusion. 
“I thought you weren’t in an ‘ideas’ mood, today.”
The boy shrugged as he pulled the back door open with his free arm, stopping it with his foot. “I am now. We’re getting graded as a group.”
-
The two of you had decided to reconvene just outside the basketball court after the final bell of the day.
“You already decided to take over the slides, lemme at least present!”
“Nope. Not riskin’ it.”
You groaned, pacing around as Miles leaned on the chain link fence.
“I’m literally good at public speaking, what ‘risk’?”
“You,” Miles pointed, “are an entire letter grade below me in English. Why should I believe you?”
“I am on the mock trial team, bro.”
He raised a challenging eyebrow. “You any good at it, though?”
You scoffed, “Of course I am!”
“Prove it. Gimme a closing speech right now.”
A deep sigh left you, but you did happen to have a speech on-hand that you had won with last season. You moved to stand in front of Miles as if he were a jury member, and cleared your throat.
“Ladies and gentlemen of the jury,” you began, “in today’s trial, we have clearly laid out the facts of this case…”
By the time your speech was over, the court was empty and quiet. Miles nodded slowly, a smile spreading across his features. Your voice took on a sharp precision and clarity that he hadn’t gotten to hear in the couple days he’d known you.
“Shit, maybe that nigga is innocent,” he said beneath a laugh. “Alright.”
“You gonna let me present?” you perked up.
“Yeah, you convinced me. My bad,” the boy stuck out his hand.
You rolled your eyes, and shook it.
“Yeah, your bad.”
Suddenly, your hand flew over your mouth when you recalled something.
“Oh, shit, I gotta stay after and do my readings.”
“Stay…after?” Miles repeated. “There’s no office hours today.”
“I know,” you shrugged, “I just sorta hang out around here to do my homework till it gets too dark.”
The boy’s face was a picture of disbelief.
“Why don’t you just do it at home?”
“Too noisy. Can’t focus.”
Miles stared at the ground, looking deep in thought. He got off of the fence.
“Look, do you wanna study at mine? If your parents let you, I mean.”
“Don’t need to ask ‘em. Long as I’m home before midnight,” you replied.
Miles shook his head, but said nothing as he took out his phone and began to dial a number.
“Hello? Hi, mami. ¿Puedo estudiar con un compañero de clase?”
He paused for a second to wait for a reply.
“Sí, es la misma chica. M-hm. Love you, bye.”
“She said yes?”
Miles nodded, then gestured to get you to follow him. “Yup, ‘till ten.”
You hummed thoughtfully as the two of you began walking.
“I like your Spanish. It sounds better than Ms. Sanchez’s,” you remarked.
“ ‘My Spanish’?” Miles looked back at you briefly, eyes narrowed. “What does that even mean?”
“It just sounds nice.”
“You’re weird. Walk faster.”
-
“Can you even see without those?”
You pointed towards the brown case sitting on the small desk by Miles’ laptop as he typed away.
“I’ve seen enough,” he replied, keeping his eyes glued to the screen. The soft ‘thud’ of the case shutting reverberated across the quiet bedroom.
“I wouldn’t wear ‘em, if I was you. Fuck up your eyesight.”
“Too late,” you chirped. The case contained a pair of green, rectangular prescription glasses. The lenses were still clean from their utter lack of use. Of course, you couldn’t see a thing through them.
“Damn, you blind as fuck!”
This earned a snort from Miles. He paused his rapid typing and turned around to see you sprawled out on his bed, staring up at the ceiling through his glasses.
“Bro, do your homework,” he laughed. “Did you even start?”
You looked over at the small paperback novel laying by your head. 
“Maybe,” you said with a grunt, propping yourself up on your elbows. “How many chapters we got?”
“Just two.”
“Just?”
“I finished the book yesterday, you’ll be a’ight,” Miles said as he turned back to his laptop.
“Of course yo’ ass already finished the damn–Who’s point of view is this?” you asked, squinting at the paragraph you had left off on.
“Minerva’s, we in part two now.”
“Thanks.”
You sat in a comfortable silence for the next few hours, and you had read the assigned chapters before you knew it. The time on your phone read ‘9:01pm’ when you checked it. You heard Miles shut his laptop.
“A’ight, you gotta get up outta here. My ma said she gonna drop you off before work, that okay?”
“So soon?” you joked, sitting upright.
“Yeah, you need to dip. What if I had a girl over and she saw yo ass lying on my bed?”
“Alright, Mr. Bitches, I’m gone,” you hopped to your feet. “Lemme get my shoes first.”
Miles rose from his swivel chair and stretched.
“Damn right, I am.”
“Whatever you say, Morales.”
-
I don’t think I’ve ever written this many elipses and italics in my life. Anyways, I hope y’all enjoyed this longer-than-usual chapter. I’ll be uploading a bonus snippet that I cut out of this chapter this coming week, so look out for that ;)
thanks for reading!
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usafphantom2 · 1 month
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There is nothing that amuses me more than a secret inside of a secret.
Here’s an article that I wrote that my friend Dario Leone owner of Aviation Geek Club shared about the YF 12 and the secret SR 71 tail number 951.
Most people when they think of the YF 12 think of it as an experimental airplane that never really flew, but that is wrong. It did fly for many years. The last flight was in 1979 when it was flown to the Air Force Museum near Dayton, Ohio you can find it next to the XB-70.
The so-called YF-12C was really the SR-71A 61-7951, modified with a bogus tail number 06937 belonging to an A-12.
Taken in 1975, the interesting photos in this post show NASA Blackbirds carrying the ” Cold wall” heat transfer pod on a pylon beneath the forward fuselage.
The Blackbirds portrayed in these photos are usually referred to as YF-12s, but actually one of them was an SR-71 as Linda Sheffield Miller (Col Richard (Butch) Sheffield’s daughter, Col. Sheffield was an SR-71 Reconnaissance Systems Officer), who runs Born into the Wild Blue Yonder Habubrats Facebook page, told to The Aviation Geek Club: ‘In case anybody asked the pictures with the two NASA Blackbirds the one on the top is a YF-12 but the one on the bottom is an SR-71!
‘Another interesting thing about those pictures is that NASA was not allowed to have an SR-71 but they did and they passed it off as a YF-12!
In fact, the “YF-12C” was a then-secret SR-71A (serial no. 64-17951, the second production SR-71A) given the NASA tail no. 60-6937. The reason for this bit of subterfuge lay in the fact that NASA while flying the YF-12A interceptor version of the aircraft, was not allowed to possess the strategic reconnaissance version for some time. The bogus tail number actually belonged to a Lockheed A-12 (serial no. 60-6937), but the existence of the A-12 remained classified until 1982. The tail number 06937 was selected because it followed the sequence of tail numbers assigned to the three existing YF-12A aircraft: 06934, 06935, and 06936. Isn’t that amazing?’
The Coldwell project, supported by Langley Research Center, consisted of a stainless steel tube equipped with thermocouples and pressure sensors. A special insulating coating covered the tube, which was chilled with liquid nitrogen.
Given that the US Air Force (USAF) needed technical assistance to get the latest reconnaissance version of the A-12 family, the SR-71A, fully operational, the service offered NASA the use of two YF-12A aircraft, 60-6935 and 60-6936.
Eventually, with 146 flights between Dec. 11, 1969, and Nov. 7, 1979, 935 became the workhorse of the program while the second YF-12A, 936, made 62 flights. Given that this aircraft was lost in a non-fatal crash on Jun. 24, 1971, it was replaced by the so-called YF-12C SR-71A 61-7951, modified with YF-12A inlets and engines and a bogus tail number 06937.
The SR-71 differed from the YF-12A in that the YF-12A had a round nose while the SR-71 had its chine carried forward to the nose of the airplane. The SR-71 was longer, nearly 8 feet longer as it had an extra fuel tank that the YF 12 didn’t have. There were other differences in internal and external configuration, but the two aircraft shared common inlet designs, structural concepts, and subsystems. Also of note the SR 71C is really a combination of a static display of the SR 71 for the front half and the back half is the crashed YF-12!
In my study of all the Blackbirds, I have found other secrets inside of secrets. Such as the test SR-71 plane the 955. Everyone was told often that this airplane never left the United States, but that is not true.
When it comes to reconnaissance airplanes and War, even if it was a Cold War, Rearranging the facts is fair.
There will always be mystery in the SR 71 program.
Don’t believe that all of the secrets have been told.
I know that is not true.
Linda Sheffield, Daughter of a Habu
@Habubrats71 via X
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The first thing to say about the hate and scorn currently directed at the mainstream US media is that they worked hard to earn it. They’ve done so by failing, repeatedly, determinedly, spectacularly to do their job, which is to maintain their independence, inform the electorate, and speak truth to power. While the left has long had reasons to dismiss centrist media, and the right has loathed it most when it did do its job well, the moderates who are furious at it now seem to be something new – and a host of former editors, media experts and independent journalists have been going after them hard this summer.
Longtime journalist James Fallows declares that three institutions – the Republican party, the supreme court, and the mainstream political press – “have catastrophically failed to ‘meet the moment’ under pressure of [the] Trump era”. Centrist political reformer and columnist Norm Ornstein states that these news institutions “have had no reflection, no willingness to think through how irresponsible and reckless so much of our mainstream press and so many of our journalists have been and continue to be”.
Most voters, he says, “have no clue what a second Trump term would actually be like. Instead, we get the same insipid focus on the horse race and the polls, while normalizing abnormal behavior and treating this like a typical presidential election, not one that is an existential threat to democracy.”
Lamenting the state of the media recently on X, Jeff Jarvis, another former editor and newspaper columnist, said: “What ‘press’? The broken and vindictive Times? The newly Murdochian Post? Hedge-fund newspaper husks? Rudderless CNN or NPR? Murdoch’s fascist media?”
These critics are responding to how the behemoths of the industry seem intent on bending the facts to fit their frameworks and agendas. In pursuit of clickbait content centered on conflicts and personalities, they follow each other into informational stampedes and confirmation bubbles.
They pursue the appearance of fairness and balance by treating the true and the false, the normal and the outrageous, as equally valid and by normalizing Republicans, especially Donald Trump, whose gibberish gets translated into English and whose past crimes and present-day lies and threats get glossed over. They neglect, again and again, important stories with real consequences. This is not entirely new – in a scathing analysis of 2016 election coverage, the Columbia Journalism Review noted that “in just six days, The New York Times ran as many cover stories about Hillary Clinton’s emails as they did about all policy issues combined in the 69 days leading up to the election” – but it’s gotten worse, and a lot of insiders have gotten sick of it.
In July, ordinary people on social media decided to share information about the rightwing Project 2025 and did a superb job of raising public awareness about it, while the press obsessed about Joe Biden’s age and health. NBC did report on this grassroots education effort, but did so using the “both sides are equally valid” framework often deployed by mainstream media, saying the agenda is “championed by some creators as a guide to less government oversight and slammed by others as a road map to an authoritarian takeover of America”. There is no valid case it brings less government oversight.
In an even more outrageous case, the New York Times ran a story comparing the Democratic and Republican plans to increase the housing supply – which treated Trump’s plans for mass deportation of undocumented immigrants as just another housing-supply strategy that might work or might not. (That it would create massive human rights violations and likely lead to huge civil disturbances was one overlooked factor, though the fact that some of these immigrants are key to the building trades was mentioned.)
Other stories of pressing concern are either picked up and dropped or just neglected overall, as with Trump’s threats to dismantle a huge portion of the climate legislation that is both the Biden administration’s signal achievement and crucial for the fate of the planet. The Washington Post editorial board did offer this risibly feeble critique on 17 August: “It would no doubt be better for the climate if the US president acknowledged the reality of global warming – rather than calling it a scam, as Mr Trump has.”
While the press blamed Biden for failing to communicate his achievements, which is part of his job, it’s their whole job to do so. The Climate Jobs National Resource Center reports that the Inflation Reduction Act has created “a combined potential of over $2tn in investment, 1,091,966 megawatts of clean power, and approximately 3,947,670 jobs”, but few Americans have any sense of what the bill has achieved or even that the economy is by many measures strong.
Last winter, the New York Times columnist Paul Krugman, who has a Nobel prize in economics, told Greg Sargent on the latter’s Daily Blast podcast that when he writes positive pieces about the Biden economy, his editor asks “don’t you want to qualify” it; “aren’t people upset by X, Y and Z and shouldn’t you be acknowledging that?”
Meanwhile in an accusatory piece about Kamala Harris headlined When your opponent calls you ‘communist,’ maybe don’t propose price controls?, a Washington Post columnist declares in another case of bothsiderism: “Voters want to blame someone for high grocery bills, and the presidential candidates have apparently decided the choices are either the Biden administration or corporate greed. Harris has chosen the latter.” The evidence that corporations have jacked up prices and are reaping huge profits is easy to find, but facts don’t matter much in this kind of opining.
It’s hard to gloat over the decline of these dinosaurs of American media, when a free press and a well-informed electorate are both crucial to democracy. The alternatives to the major news outlets simply don’t reach enough readers and listeners, though the non-profit investigative outfit ProPublica and progressive magazines such as the New Republic and Mother Jones, are doing a lot of the best reporting and commentary.
Earlier this year, when Alabama senator Katie Britt gave her loopy rebuttal to Biden’s State of the Union address, it was an independent journalist, Jonathan Katz, who broke the story on TikTok that her claims about a victim of sex trafficking contained significant falsehoods. The big news outlets picked up the scoop from him, making me wonder what their staffs of hundreds were doing that night.
A host of brilliant journalists young and old, have started independent newsletters, covering tech, the state of the media, politics, climate, reproductive rights and virtually everything else, but their reach is too modest to make them a replacement for the big newspapers and networks. The great exception might be historian Heather Cox Richardson, whose newsletter and Facebook followers give her a readership not much smaller than that of the Washington Post. The tremendous success of her sober, historically grounded (and footnoted!) news summaries and reflections bespeaks a hunger for real news.
Rebecca Solnit is a Guardian US columnist. She is the author of Orwell’s Roses and co-editor with Thelma Young Lutunatabua of the climate anthology Not Too Late: Changing the Climate Story from Despair to Possibility
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I’m currently trying to write/outline a romance novel. It is starkly different from 3 act structures, what plot outlines/structures would you recommend for romance? Do they usually have 2-3 conflicts? For characters, especially for a normal romance, what are the goals usually, isn’t it just to find love or is that too 2d/flat? I can’t find any external/internal conflicts online, some external ones are available, but yeah, mostly unavailable. What are a few examples and what do external/internal conflicts mean in silly romance novels that are not so deep and intense as general fiction? Stuff on this topic are very scarce, sadly. I’d love ur perspective on this! Thank you in advance, love!!
Outlining a Romance Novel
Romance novel structure depends on the type of romance you want to write. Straight up romance revolves around two people meeting and falling in love. There is usually an external conflict against which this romance plays out, which provides the necessary tension, conflict of interest, fodder for misunderstanding, and other obstacles and challenges that create a bumpy road on the way to true love. However, this external conflict is in full service of the developing romance.
A great example of this type of romance would be the romance movies you see on Hallmark and Lifetime. Here's a trailer for a random one, but fair warning that this trailer gives everything away, so "spoiler alert" if that matters to you...)
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In Bottled with Love, Abbey and Nick meet when they're forced to work together on a project at the company he works for (where he's the CEO's wayward son.) The project (and their subsequent butting of heads) is the external conflict against which their romance plays out, but the focus is on the development of their relationship, not on the actual project. This story also has the added internal conflict for both characters, which is the "pen pal" relationships they both have going on secretly in the background, which adds additional conflict later on. Lately, romances that play out against genre conflicts are also popular. Like traditional romance, the romantic couple is still central to the story, but unlike traditional romance, the external conflict is given a lot more weight. And, there are usually internal conflicts for the main characters as well. A great example of this kind of romance is Outlander. I'm sticking in the season one trailer, but fair warning... there are glimpses of scenes with violence, nudity, sex, and SA:
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In the case of Outlander, Claire and Jamie meet when she is transported back in time from her home era of 1945 to the past era of 1743. In addition to the external conflict of Claire wanting to get back home to her own time, there's also an English officer (who turns out to be an ancestor of the husband she left in 1945) who is determined to make her life difficult. And, the first few books also play out first against the conflict between Scottish highlanders and the British occupiers. And, you can also have a combination of the two, where it's still a straight up romance, but it plays out against a genre background. In this case, the genre-related external conflict is still minor compared to the development of the romantic couple:
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In the case of the first and third example, there are very specific romance beats you'll want to hit. A really popular structure template is Gwen Hayes' Romancing the Beat. The Dabble web site and the DIY MFA web site also both have romance structure templates, and there are certainly others you can find via a general search for romance story structure. In the case of the second example, you will want to hit a lot of those beats, but you'll be weaving that into a story structure for stories with a plot-driven element (like Save the Cat! Writes a Novel or the Three-Act Structure.) Just remember, in all of these cases, you don't have to follow a template to a tee. They're just there as guidelines to help you navigate and plot your story. With romance, though, you do want to make sure you hit the important romantic beats.
As for some of your other questions:
Do they usually have 2-3 conflicts? Most romances have both internal and external conflict. Then, there may be multiple external conflicts if you do a story like Outlander which plays out against a genre-based backdrop and has an external conflict related to that genre.
For characters, especially for a normal romance, what are the goals usually, isn’t it just to find love or is that too 2d/flat? Romance beat sheets will clarify this for you, but yes, if you do a traditional romance, a "happily ever after" is the goal.
What are a few examples and what do external/internal conflicts mean in silly romance novels that are not so deep and intense as general fiction? Examples #1 and #3 provide an idea of what the external and internal conflicts can look like in traditional, straight up romance. External conflict in romance usually happens one of two ways: the protagonist leaves their "normal life" and ends up in a place where they meet the love interest. Or, the love interest gets dropped into their "normal life." Some examples:
-- protagonist leaves their big city job to visit their small hometown for Christmas
-- protagonist leaves their small hometown to attend a friend's destination wedding in Rome
-- protagonist leaves their stressful office job and takes a job a bakery that desperately needs a manager
-- love interest is the new partner on the protagonist's work project
-- love interest is the popular new photographer showing up at the weddings the protagonist plans/coordinates
-- love interest is the new supplier for the bakery the protagonist manages
As for internal conflict, it works the same as in other stories. The internal conflict is usually something that is keeping them from moving forward in their lives. Sometimes, whatever it is that brings the love interest into their lives is a result of them trying to break out of that rut. Or, it could be that however their life changes as a result of meeting the love interest is the thing that helps them get out of that rut.
I hope that gives you some direction for how to come up with conflict ideas and how to structure your story!
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since landing is closing down soon, i decided to take a quick break from SUPERSTRUCTURE (although i will be back don't you worry two fans) and made some fashion moodboards for the 14 fears from the magnus archives to accompany this post there will be some notes and insight on each collage under the cut.
the buried: the buried was really underutilized in the podcast imo. some of my favorite episodes revolved around the buried like lost john's cave and we all ignore the pit. i really hope this did it justice since jonny sims did not.
the corruption: oh my god this one was so hard to make. my google search history is full of terms like "bug infested dress", "moldy clothing" and "yucky fashion" the corruption girlies really seemed to like my last post so i felt obligated to get it right. i think i did okay.
the dark: making a black on black collage look decent is really hard 😭 I was originally going to go victorian for this one but ended up doing nu goth instead since I thought victorian fit a lot better with the end.
the desolation: this is one of my favorites. there's somthing so satisfying about combining ashy greys and black with orange it just tickles my brain. other than that, i don't really have any notes
the end: as mentioned earlier, i went with victorian mourning wear for the end. i mean queen victoria herself was in mourning and only wore black for forty years. that era is so synonymous with death it only felt fair to work its customs and fashion into my end board.
the eye: eye avatars are legally required to wear academic fashion. it just comes with the job description. i don't make the rules. have fun being jonathan sims
the flesh: this one really took me down a rabbit hole. first:, i could only find those anti-vegan shirts that your unemployed uncle wears to the family barbecue and then i came across this fashion designer and spent like an hour on her shop trying to figure out how she got her clothes to look like that. after that it took me another two hours to find all of the accessories. pinterest has been both my best friend and worst enemy over the course of this project.
the hunt: i am so sorry the supernatural gas leakage returned to my home when i made this and I age regressed into being 15 again. when i was making this i pictured it more as the trevor and julia flavor of the hunt instead of say, daisy. god breast america.
the lonely: this one was pretty easy to make once i got a handle on the color scheme. the aesthetic of the lonely has always striken me as a romanticization of the melancholy. think wanderer above the sea of fog. So i gave this one all the things i would romantasize about my life at my loneliest, which is why there's a teacup and a heart locket. the book was also a part of that, but it also doubles as a recreation of a leitner by theponderingalpaca on reddit.
the slaughter: yeah yeah i know the slaughter is supposed to be about war as well as murder, but forgive me for not making a fashion collage about military uniforms. that's really boring. i had just watched woodstock '99 before i made this though and decided to go more for that angry punk/metalhead fashion that korn was wearing in that concert. them and limp biskit are the closest we'll ever get to irl grifters bone.
the spiral: i made this moodboard twice. i know its crazy that the fear meant to represent insanity is hard to pin down, but i think i did it better the second time around. the first one read too much as regular kidcore/decora for my taste.
the stranger: i had to do this one last. i could not for the life of me figure out how to make a circus/uncanny fashion board without just doing clown fashion. i'm still not entirely sure how i feel about how it turned out, but at least the masks are cool.
the vast: vast avatars rise up!! this is a mike crew fan blog and i only wanted to base the fashion around him. he's in the top three list of guys i'm autistic about with elliott stardew valley and daniel powell from archive 81.
the web: not much to say here except if you are a web avatar you have to wear a cunty dress. it is simply non negotiable
thank you to @artmadval for giving me the idea to do this with your amazing fashion archives art, along with everyone else who went through all my yapping to get here. love yall!
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guess-that-ship · 4 months
Text
S11 Round 2
Two Sides of the Same Coin
cw: major spoilers, suicidal ideation
Heads and Tails are the same person. Heads is the first, having been put in a situation they couldn't bear to be in anymore, and due to divine intervention is placed in a new body to guide Tails, who has been put in the same situation they were in. Tails does not know the real identity of Heads, and Heads intends to keep it that way. Due to their intense self-loathing, Heads passive-agressively lets it out at Tails, teasing him all the time, and yet they are the one person Tails can confide in about their situation, and both bond over it.
Eventually, everything is too much for Tails to bear, and they lash out at everyone, Heads included due to the secrets they've kept from him. The situation being all too familiar, in order to stop Tails from destroying themself like they did before, Heads, while never directly engaging with him, helps from a distance, guiding Tails towards his happy ending. And Heads hates it. It's not fair that fate wanted them to fail just so Tails could do what they couldn't.
When Tails returns, Heads explains everything about what happened to them, and forces Tails to fight them to see who gets to keep this happy ending. They hate Tails because they hate themself, and they hate themself because they hate Tails. But Tails doesn't feel the same way. When he wins, Heads just wants Tails to kill them and be done with it, but Tails refuses. It was thanks to them that Tails was able to get their happy ending, and it wouldn't be right to keep either of them from it. Heads fades away, their job done, but both promise to meet again.
Weird Science
cw: drug addiction and recovery, racial discrimination
Two young geniuses meet in college. Scientist A is an aloof but brilliant poetic soul desperate to solve life's mysteries due to a tragic and sickly childhood. Scientist B is a volatile scholar desperate to prove his worth and angry over his treatment due to his race. And they were roommates. They spent most of college with only each other for company. Until Scientist B was kicked out.
With Scientist B's expulsion, the two part ways. They don't see each other again for many years, focusing on pursuing their personal passion projects in their specific areas of research. Scientist A becomes ultimately successful at his project, producing results three times. However, these success comes at a very heavy cost that leaves him falling to paranoia, jealousy, and guilt before spiraling into deep addiction. In desperation, Scientist A reaches out to Scientist B for help, not for himself but to help fix what he believes went wrong with his project.
Scientist B has also been busy working on his own projects, working a job well beneath him in order to have access to his subjects. He immediately comes to help his old friend, Scientist A. He helps A through his addiction. He also convinces A to combine their sciences to further his own research. They once more start to work together, blending both their geniuses to perfect B's project while also finding the solution to A's problems.
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housewifebuck · 6 months
Note
As an ex beekeeper I must ask about Buckley bees honey 👀
ok sorry it took me almost a month to answer the rest of these wip asks I kinda forgot all these fics existed. anywayyyy this fic is based on a post by @bucktits that I of course cannot fucking find now but it was about buddie meeting at a farmer's market and falling in love<3 and so was born the fic where buck and maddie (the doc title is kind of a lie bc maddie is the beekeeper and buck is more like her little apprentice) sell honey at a farmers market near Eddie's house every weekend and Eddie is allergic to honey but he becomes their #1 customer anyway bc he is obsessed with buck and wants to bone him so bad. and also they're both still firefighters but at different stations (sorry I know some of u hate that). it's really just dumb and silly and an excuse for me to write Eddie Swagless Diaz being a down bad diva. anyway ill put a snippet under the cut:)
“Three jars should last you more than a week, man.” Buck sounds amused, his eyes glittering in the mid-morning sun as he grins, and Eddie tries not to read anything into the fact that Buck so easily recalls what he’d bought last time he was here.
In his defense, he really did go through a fair amount of it already, and if he were to try and project his rate of future honey usage based on current available data, he’d say now is a perfectly acceptable time for him to restock. Christopher has been adding it as a topping to almost every possible breakfast food after Eddie let it slip that honey is a marginally healthier alternative to maple syrup, and Carla had taken a jar home as well.
“Well, Christopher loves it. And I gave some to a friend.” Two technically truthful facts that just happen to omit the third, also truthful fact that Eddie still has a jar and a half of honey sitting in his kitchen cabinet. Honey is nonperishable, right? So it’s a normal thing to store in bulk, he reasons.
Eddie can’t help but interpret Buck’s answering smile as knowing anyway, like he’s seeing right through him. The thought doesn’t bother him as much as it should.
“I’m glad you’re enjoying it!” Maddie pipes up from beneath the brim of her beach hat. She’s sitting in a camping chair behind the table, peering at him over the top of a pair of bright pink sunglasses. The combination of accessories seems redundant considering the canopy they now have covering their booth, but Eddie supposes white people can’t be too careful. He wonders if last week might have been the duo’s first time at a market; they seem decidedly better prepared this time around. 
He doesn’t particularly like the way Maddie’s gaze cuts between himself and her brother, nor does he enjoy the way her polite smile morphs slowly into a full-on grin as she watches them. She sits forward in her chair, clasping her hands in her lap and crossing one leg over the other like there’s nowhere else she’d rather be. 
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banamine-bananime · 7 months
Text
just listing some of my headcanons (mostly appearance/demographics) because i like listing things and i’m procrastinating hard
caboose - 18-19 in 2552. went straight from hs graduation to basic to sim training to blood gulch. he was gonna do a program where the UNSC provides a hefty scholarship for completion of an engineering degree with a few years of service upon graduation, but got enlisted instead through a combination of paperwork being confusing for bureaucratic nonsense reasons, paperwork being confusing for deliberate predatory we-need-as-many-people-for-cannon-fodder-as-possible reasons, and him being confused by any paperwork. 6'7”, ~250 lb, very muscular and not thin but not quite chubby either, very mixed but mostly latino and arabic ethnicities, thick fluffy 3A chin-length dark brown hair that's always in his eyes, round face with cute fuzzy eyebrows and aquiline nose. him and tucker (and kinda donut and perhaps sarge) are the only motherfuckers here with a stable happy childhood. uses-no-specific-label queer cis dude.
church - we know church is 5 in blood gulch lol but it think he thought he was like 23-ish/jimmy was around that age. in jimmy's body, 5'10, ~230 lb, chubby and "normal" level of muscularity for someone who has a somewhat active job but doesn't work out much, untidy thick straight black hair that's like 2" grown-out from a buzz, face passably similar to the director if you squint but not really (e.g. shorter/squarer face, eyes hazel instead of stupidly light green). epsilon projects a similar bodytype but would probably default to a young-director-ish face if he had to make one. i think he would at some point consciously change it around if he were doing a face with any regularity. bisexual and nonbinary and will probably never fully acknowledge it but she can have some pronouns as a treat (from tex or in her own internal monologue) sometimes.
tucker - 18-19 in 2552. went straight from hs graduation to basic to sim training to blood gulch. enlisted because he was a “fuck around without any motivation or particular goals in life” kind of teenage dirtbag who was like “oh hey predatory recruiters absolutely dominating every career fair in Covenant-war-era earth. i’ve heard being in the military is very sexy and exciting and makes you a chick magnet so sure sign me up”. 5’4”, ~110 lb scrawny guy in blood gulch -> ~135 still pretty skinny but more muscular later. 4C hair with a grown-out buzz from basic in blood gulch becoming locs when it's long enough. *takes you by the shoulders very seriously* repeat after me, his eyes are BROWN. and the only acceptable other option is when they’re turning gray as in a body horror way, gray as in your body becoming something uncanny to you, gray as in the horribly blinding cold light of unfathomably vast stars lightyears away from anything you’ve ever known (read lazarus left the tomb btw. treat yourself). very handsome face in a boy-next-door-looks-very-sweet-until-he-opens-his-mouth kinda way. an only child or had like one older sibling he wasn’t very close to by the time he enlisted. i think of him as a bi cis guy but i enjoy trans hcs.
kai - 20 in 2552. 5’2”, ~200 lb, fat and top-heavy hourglass and broadset. a little muscular (it’s not immediately obvious) as she was always athletic and basic training helped, but she’s made more for endurance (body by “dancing 7 hours and walking home across town drunk and sleep-deprived”) than strength. thick upper-back-length black 2C hair that she sometimes dyes streaks in or ombre (usually brown highlights but she mixes it up). broad face and nose, big adorable eyebrows, life-endingly cute eyes and smile. alternates between no-makeup all-leg-hair realness, and full femme glam for funsies with 5 sets of fake eyelashes trying to take flight (at least three of them are inevitably going to be Just Fucking Gone by some point in the party). pansexual ipsogender intersex gal (tbh the original reason i headcanoned her having mosaic turner’s is the colorblindess [x-linked recessive traits are rarely gonna show up if you have 2 X chromsomes vs having one, so i was like, “hey her retinas could be some of her XO tissues, and with mosaicism, fertility isn’t uncommon, so it doesn’t contradict her having had abortions”] and then years later i thought about it harder and was like wait she has achromatopsia and that’s autosomal. biology nerd fail moment. but anyways she’s intersex.)
tex - her body is modelled after allison aged 33 (when she died), but bigger stronger faster idealized-by-memory-and-wanting-her-to-be-invincible-to-the-point-of-looking-more-like-she’s-on-gear-and-photoshop-than-a-natural-body. 6’2”, body looks like ~220 lb of muscle and low-body-fat (but not like, cut for bodybuilding competition level of low-body-fat), but being made largely metal, she is heavier. whereas allison was like 5’9”, 170 lb, serious-crossfit-competitor kind of build but nowhere near as built as tex. face looks very similar to allison but just… weirdly airbrushed look and looks… sharper. harsher features. more intimidating. but she’s got this crooked smile that looks kinda like a smug smirk but also like she’s not laughing at you exactly, she’s just vibing with you and the inherent comedy of the absurdity of life. but when she’s Not Smiling it's the kind of expression you start backing away from expeditiously. i think of her having shoulder-length hair she wears in a ponytail but i do love short-hair tex dearly. gnc butch gay/bi (mostly attracted to women, uses both labels) cis woman who uses any pronouns.
wash - around 31? in 2552 (would put him being recruited to pfl at about 26 which feels right for being able to slide into the Goofy Innocent Rookie role but also plausibly have achieved a pretty high non-commissioned officer rank). 5’6” -155 lb, functional muscle with a build in-between lean and stocky (“otter” as a label keeps coming to mind). i don’t have a super settled facecanon but picture him as either white or mixed white and east asian. he has not changed his bleach-blonde crewcut since he was 17 and the shock of allowing himself to change it now might kill him. gay ace trans man.
carolina - 29 in 2552 (actually the youngest among the high-ranking freelancers. she would kill (jk) to protect this secret). she did the whole 4 year military academy to commissioned officer training thing and had a couple years of normal UNSC service before unfortunately getting wrapped up in her dad’s mad science pet project. 5’8”, ~150 lb, leanly muscular. i think of her having natural red hair she dyes bright red but i love a black-haired carolina too. we’ve seen her face. straight trans woman (transitioned as a preteen). i know, i wanted her to be in the wlw club, too. unfortunately every time i try shipping her with a woman she’s like “meh. thinking about my weird khaki man.” and i’m like oh. sorry about that affliction.
sarge - 62 (?) in 2552. 5’6”, ~200 lb, stocky and solidly muscular barrel-chested slight-beer-gut old dude. chinese-american. if you somehow catch him without his helmet he’s got wraparound reflective shades so good luck ever seeing his face (he’ll tell you it’s classified). another eternal crewcut guy but his is shorter than wash’s. bi and definitely a robofucker tbh. he is cis or trans depending on what’s funnier in any given circumstance.
grif - 24 in 2552. worked in honolulu a couple years after hs graduation until kai was old enough (17) he felt he could leave. did a year at university before realizing he’s smart enough to be admitted to cornell but not to get the scholarship he realistically needs to not be in crushing debt on graduation and also there’s not nearly enough regimentation to college life to prevent him from rotting in bed paralyzed by Problems. went through basic and stationed on the doomed outpost. that Whole Thing happened and he was reassigned to sim troopers. 5’8”, ~300 lb, fat and a little bit strong against his will from an involuntarily active job (he has valiantly resisted picking up cardiovascular conditioning. he works very hard on unfitness). he’s kinda cute in a “hasn’t washed his face in 5 days and his peachfuzz/stubble patches combo is very uneven but you caught him smiling for 2 seconds and oh no it was VERY charming” way. thick 2C dark-brown hair that’s a few inches long, wears it longer later. gay trans guy (because his little sister is named “younger sibling of the same gender” so like… also lmfao how unfortunate for kai that her name, which she did not choose, misgenders her big brother. like 😭 god it is very on the grif siblings brand of “hello so the circumstances we have been put in mean that my existence [kai]/how i have to leave you here to protect my own sanity [grif] is actively making your life much harder. i am ashamed of this, let us never communicate about it ever. i love you so much.”)
simmons - 23 in 2552. tried to do university several times and had to drop out for mental health reasons (a very polite way of putting “rapid spiral into absolute disaster every time”. it leaves room for giving him the benefit of the doubt that this was a proactive “ah i should take care of myself and this is not working for me :) #selfcare #therapy” decision. this is not benefit of the doubt that anyone who knows him would extend.). I go back and forth on whether to roll with the “suspiciously specific denial of being in a unit that was stranded and had to eat their dog to survive” thing or just say he was assigned straight to sim troopers. 5’11”, ~160 lb, wirey build and has to be standing at attention or else he holds himself so awkwardly. i pretty much go with the Standard Ginger Simmons Fanon Face but light brown hair also feels right and i think his hair should be very short. i really like when people draw his prosthetics very industrial/bare mechanical frame not trying to imitate biological form, just whatever’s functional. Red circle eye, hell yeah. bi and i used to firmly believe “this guy has to be cis because there is NO WAY he would have the hutzpah and willingness to put self-authenticity over doing what he’s Supposed To Do. we’ve seen how he deals with anxiety. he would just be white-knuckling his way through dysphoria to this day” HOWEVER i have really come around to trans simmons
donut - 19-20 in 2552. i see him taking a gap year or two to work on the farm and think about what he wants to do with his life (not productively introspecting on his deeper desires in life and what would allow him to fulfill them, god no, of course not. daydreaming unrealistically. obviously.) before enlisting. i think his upbringing was fairly happy but kinda weird and a bit insular within a small community of some Beliefs and possibly homeschooled. not like exactly Fundie Christian America as you might assume with that background; american subcultures have changed enough over 500 years that this is one of many totally unrecognizable to us. like it has some roots in Fundie Christianity and homesteading-from-a-weird-reactionary-tradfamily-can’t-trust-the-gubernment-place and some in Hippie-dippiness Spirituality, not-actually-a-cult-but-sometimes-you’ll-hear-him-say-things-he-thinks-are-normal-and-you’re-like-ummmmmmmm. (Idek how that headcanon started. i think i was just like so how DO you build a guy like donut). he’s 5’10”, ~185 lb, sturdy build, i don’t think people would consider him chubby but definitely not thin. his face and hair looks like he should be on a 1960s white america boyscouts poster but like, goofy about it. i think of him being mostly white but some latino heritage he’s curious about but was not raised connected to (hence wanting to learn spanish). acearospec and gay (he’s like…. mostly asexual and aromantic but it’s complicated. he is barely aware of being gay let alone ace or aro. he just fully makes up what he thinks sexual attraction and romance are and assigns it to random feelings/experiences). cis dude or nonbinary.
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Mechanical Bulls and Prom Dates
AO3
Summary:
While the boys in their friend group debate who could last the longer on a mechanical bull, Annabeth and Piper make a bet of their own about getting each other a date to the prom.
There are days where Annabeth wishes she knew Percy Jackson sooner. They had met in the fifth grade when Annabeth transferred schools. Which means she remembers the three years he had braces and constantly got gum stuck in the wires and he knew her before she learned to tame her blonde curls and mostly hid her hair inside beanies.
She spent so much of her middle school years at Percy’s apartment, watching cookies bake and doing homework at the kitchen table. Sally sometimes braided Annabeth’s hair in the summer before they went to the community pool. They were as close as two people could be.
But on days like today, Annabeth half-wishes she never knew him at all.
She catches him hunching over her favorite table in their high school library. It’s situated in the corner by the only working window which lets in a wonderful breeze on spring days like today. Percy’s sitting with some of their other friends: Jason, Leo, and Grover.
One might think the four boys are in deep discussion about something important—like the science fair project Annabeth is planning on working on during her free period—but no, Annabeth knows better.
“Listen, I could easily last 30 seconds,” Leo is saying, always the one to go for the long shot.
Despite their antics, Annabeth is actually glad to know them. Not that she’s ever admitted it to their faces. At the very least, they keep her life interesting.
Annabeth leans over Grover’s shoulder and sees a crude drawing of what she assumes is a mechanical bull. Grover has the heart of an artist but not the skill.
“Don’t tell me this is your idea of a science fair project?” She asks.
The boys all jump except her best friend; Percy is grinning at her. That troublemaker smirk that makes her want to hit him before he even replies with a smartass remark.
“If you must know,” Leo tells her, “we’re taking bets.”
Without thinking, she asks, “On what?”
“How long we could each last on a mechanical bull ride,” Jason says.
“Except there’s no winning because we’ll never be able to ride one,” Grover adds, though he doesn’t sound saddened by this fact.
Annabeth is calmly laying out her notebook and colored pencils to begin her own sketch for her science fair project as the boys continue arguing over who’d last longer and how they could test their theories with a mechanical bull.
Leo is in the middle of regaling about how he could build one when Annabeth decides to interject. Never one to hold back on shock value, Annabeth simply says, “there’s a bar on Clover Street that has one,” which causes Jason and Leo to whip their heads over to her.
She ignores them. Mostly because she doesn’t want to divulge her favorite spot in town—a combination book store and bar. It just happens to be within walking distance of said bar with the bull. Aptly named Mino-bar, a play on words of minotaur.
Annabeth has walked past it many times on her way to Boozy Books. She could fully escape there if she needed to as it was the only place in town where no one knew where to find her, except Thalia.
“So we settle up our bets and wait til we turn 21,” Jason says.
“Thalia can get you fakes,” Annabeth comments without looking up from her notebook.
Once again shocking the boys.
“I don’t know why you’re all so surprised, especially you Jason, didn’t Thalia offer to get you fake ids?”
“Um no!” Grover exclaims, “but she clearly got you one.”
Annabeth shrugs. Unwilling to admit to her trips to Boozy Books. It isn’t like she really used the fake id to get alcohol that much.
The volume of their arguing was getting louder.
“Alright losers, you need to quiet down before we all get kicked out of here,” Annabeth says, “I have a half hour left to get started on this project and I intend to do just that.”
To their credit, the boys do settle down. Grover even joins Annabeth and pulls out some homework to complete.
By lunch the following day, Annabeth is hopeful that the mechanical bull bets have been forgotten but as she approaches their normal table Jason and Leo are deep in conversation about it.
“Thalia said she’d get us fakes but it’ll take some time,” Jason is telling him.
Annabeth rolls her eyes.
Finally, Piper sits down across from Annabeth.
“Did you get number 24 on the calc homework?” She asks, immediately digging through her back bag for the worksheet.
With Piper there, she is able to tune out the boys until of course the calc homework is put away, their lunches are just empty wrappers, and Piper finally engages the rest of their table in conversation by asking what on earth they spent the last twenty minutes arguing about.
“Mechanical bulls!” Leo and Percy exclaim.
Why, oh, why did Annabeth continue to put up with this?
“Right.” Piper raises her eyebrows at Annabeth, who sighs in response.
Jason goes onto explain the betting and fake id issue.
“Why didn’t you just ask your sister?” Piper says, “she got Annabeth and I fakes forever ago.”
By forever ago, Piper meant Freshman year. Though, Annabeth hasn’t really used it until this past summer. Unless the three girls are trying to sneak in to see a band.
“Et tu Brute!” Grover yells, “everyone but us got fakes.”
“What would you even use a fake for?” Percy asks him.
Grover mumbles, “I don’t know but it might come in handy.”
Annabeth tries to cover her laughter with a cough but once Piper snorts, she couldn’t help but join her friends. They sober up when the bell rings.
“C’mon Chase,” Piper says, lopping their arms together, “onto calculus we go.”
“How goes the plan to ask Jason to senior prom?” Annabeth asks.
Her face reddens.
“Shove it.”
Annabeth smirks as they walk into the classroom. Only after Piper has gotten her textbook, calculator, and notebook out, does she look at Annabeth sitting at the desk next to her.
“I want him to ask me,” she admits, not for the first time, “but I know he won’t. He’s too unsure of himself even when I’ve been pretty obvious with my feelings.”
To be fair to Piper, she has made it obvious. She flirts openly with Jason, she has gotten more physically affectionate with him—hugging him at any opportunity, and offered to partner up with him for this history presentation.
“What about you? Anyone in particular you want to take to prom?” Piper bats her eyelashes because she knows exactly who Annabeth wanted to go with.
Annabeth has spent the last 5 years crushing on her best friend. The last year of that she came to realize it was definitely more than a simple crush. She is half in love with him.
How could she not be?
Percy was so sweet and had always been there for her. They had sleepovers, spent weekends together, and tried their best to match their class schedules. He invited her to swim meets and came to all her debates. She loved his parents and little sister like they were her family. Percy bonded with her brothers and made polite conversations with her dad and stepmom. Their lives were so intertwined and had been since they met.
He made her so happy sometimes, Annabeth felt like she would burst.
“Now you can shove it,” Annabeth says.
Piper was going to continue her teasing but their teacher started talking, saving Annabeth for the time being.
Normally, Percy drives her home after school but he has extra swim practice this week because of some big tournament coming up, which meant Piper and Annabeth carpooled.
“Wanna come over?” She asks, pulling out of the parking lot.
“Only if we can get coffee first.”
“Read my mind, Chase, read my mind.”
Their favorite coffee shop is pretty quiet today so the two girls just decided to sit and do their homework there. About an hour into it, Piper abruptly closes her calc textbook and stares at her friend until Annabeth takes out her headphones, “what?”
“Percy Jackson,” Piper says, “just ask him to prom.”
“Jason Grace,” Annabeth counters, “just ask him to prom.”
“Nice try, don’t flip the script on me. You’ve been crushing hard lately.”
“Oh and you haven’t?”
“I’m trying to get him to ask me, you my friend aren’t even trying.”
Annabeth sighs, “Percy is my best friend.”
“And he’s also in love with you but whatever,” Piper says, quietly, “you just don’t see the way he looks at you.”
She had heard this before from Piper. But if that were true why hadn’t Percy made a move to ask her out? Nothing about their relationship had changed.
“I’ve been noticing since we were freshman,” Piper continues, “I swear you’re just blind to it because you’ve known him so long. He’s probably been looking at you like this for years and you just needed me to point it out.”
“Fine,” Annabeth replies, “let’s make a bet.”
“Oh? What kind of bet?”
“Let’s see which one of us can get a prom date for the other first. I’ll handle Jason, you handle Percy.”
Since Piper is so confident that Percy returns Annabeth’s feelings, it should be easy for her. Annabeth considers herself to be pretty persuasive and knows Jason just needed a nudge in the right direction to finally ask Piper.
“And the winner gets?” Piper inquires.
“Bragging rights for one, a date to prom, and…”
“And the loser has to ride the mechanical bull when the boys go.”
Annabeth sticks her hand out across the table for Piper to shake.
“You’re on, McLean.”
Annabeth spends the next two days plotting. It has been a while since Piper and her had this intense of a bet going and frankly Annabeth wants to win.
After all, she had won the last two times. Typically their bets were about the love lives of other people.
The first being how long it would take their mutual friends Frank and Hazel to start dating. Piper had insisted on 3 months, but Annabeth knew how shy the two underclassmen were and said 6. The second, about an impending breakup between Drew and some college guy she’d been seeing.
This time is different. By the end of it, hopefully one of them would have a boyfriend and hopefully it would be Piper.
She knows exactly where to find Jason during their shared free period: in the gym shooting baskets. There are some other students hanging out in the gym. A group of girls playing volleyball.
“Hey, Jase!” Annabeth calls out.
Jason dribbles his basketball and walks over to her.
“Shouldn’t you be studying in the library?”
“Haha, I don’t spend every second studying, Jason.”
Though she had been in the library doing some homework.
He sits down on the bleachers. “So, what’s up?”
“Well, prom is coming up…”
“Let me stop you right there, I’m honored and all but I know someone else who would much rather take you.”
“Look Jason, that’s not what this is,” Annabeth tells him, now curious as to who wanted to ask her to prom, “I wanted to know if there was anyone you were thinking of asking?”
She swears Jason is blushing but maybe he’s just warm from basketball.
“And if I did?”
“Let’s just say I have a vested interest in who you take.”
Jason nods but didn’t say anything more.
Annabeth wants to pull the information from him but the bell rings signaling the end of her free period.
Maybe this isn’t going to be as easy as she first thought. Hopefully, Piper is having similar difficulties.
During lunch, Annabeth hopes to steal a moment with Jason again to ask him but she also doesn’t want to alert Percy. Thankfully, Hazel does most of the work for her. She appears at the table, her lunch tray in one hand and Frank holding the other.
“So…let’s talk prom! I want to know everything since Frank and I won’t be there.”
The juniors had already had their prom just a week ago. Hazel had worn a gorgeous turquoise gown.
“Can I please go dress shopping with you?” She asks.
“Of course,” Piper says, “you’re always invited along. Not sure when we’ll be going yet.”
“It’s still 3 weeks away,” Annabeth adds.
Hazel nods. “Are you planning on asking anyone?” She directs this query at the boys since she already knew who Annabeth and Piper wanted to go with.
“I asked Juniper forever ago,” Grover says, “she’s wearing this lacy green dress.”
“Ooo do you have pics?” Hazel asks.
Grover, of course, does. It’s a beautiful dress, Annabeth has to admit. Juniper is stunning in just jeans, she was going to blow them all away at prom.
“Leo? Jason? Percy? Any plans for prom dates?”
Leo shrugs, “you know me, fighting off the advances.”
Hazel rolls her eyes. “Waiting for the right girl?”
Leo winks. “You know it.”
The right girl happens to be the head cheerleader who never spared Leo a second glance. Annabeth isn’t sure why he’s still vying for her attention.
“I’ve got the right girl, just waiting for the right time,” Jason says.
He’s blushing a little and wouldn’t meet Annabeth’s gaze. She takes that as a good sign. Clearly he does intend to ask Piper. Now all Annabeth has to do was create the right moment.
In the midst of planning Piper’s perfect prom-posal, Annabeth misses part of Percy’s answer.
“…I just don’t know if she’s interested in me.”
Grover pats his shoulder and lovingly says, “you’re an idiot.”
Which causes Leo to burst into laughter to the point of crying, “Grover and I don’t agree often dude so you know we’re right.”
Clearly, Percy has someone he wants to ask too. With the way Piper is beaming at Annabeth, her friend obviously thought the girl was Annabeth.
Of course, it’s then the lunch bell rings. Annabeth finds herself walking to class with Piper at her side still wondering what kind of girl wouldn’t be interested in Percy.
He’s kind beyond belief. He’s extremely loyal, defending his best friends to the death. He’s smart—more street than book sometimes.
“Annabeth,” Piper says, obviously not for the first time. “I asked what you’re thinking about over there.”
“Huh?”
Piper widens her eyes and does a dramatic eye roll with a knowing smirk on her face. She then leans in and whispers, “I’m going to win.”
Friday is Percy’s big swim meet. Their friend group shows up in all shades of blue to support him. They don’t care if it isn’t school colors, Percy knows the blue is just for him. Thalia, of course, shows up in the darkest shade possible. She’s hardly ever seen in bright colors.
Having graduated 2 years ago, seeing Thalia walk these halls is a little weird. Realistically, it wasn’t that long ago that Thalia sat with them at lunch or passed Annabeth in the hallway between fifth and sixth period. But somehow so much has changed.
“Is it me or did the school get smaller?” Thalia says, leading against the wall by the boy’s locker room.
“It’s you,” Leo says.
She glares at him, “it was rhetorical, dummy.”
“Cmon, let’s go in, Jason saved us seats,” Annabeth tells them.
Jason is spread out in the third row of bleachers. Annabeth sits closest to him, Thalia files in next, then Piper, and finally Leo. Grover was supposed to meet them here too but Annabeth can’t spot him. She vaguely remembers during lunch Grover mentioning something about seeing Juniper so maybe he’s inviting her to join them.
“Before I forget,” Thalia says, “here.”
She passes Jason an ID.
“Oh wow, thanks.”
“In public really?” Annabeth chides.
“What? At least it’s not drugs,” Piper teases.
“And mine?” Leo asks.
Thalia stares at him, pointedly. “I feel like you have to earn it.”
“There’s money at stake here, how come I have to earn it?”
“Money?” Thalia questions, “I need to be filled in. A girl misses one weekend hangout and suddenly no one tells her anything.”
“To be fair, they only came up with this on Monday,” Piper says.
“Picture this,” Leo says, “All 7 of us sitting around a bar, sipping beer…”
“I’m not having a beer,” Annabeth cuts in.
“Okay, us boys drinking beer…”
“I don’t want beer either,” Jason says.
“Does one of you want to take over this story?”
Jason and Annabeth share a look.
“We’re betting on who can last the longest on a mechanical bull,” Jason tells his sister.
“Tell you what, I want in on this bet,” Thalia replies, “and I’ll give you this,” she dangles the fake ID in front of Leo’s face, “if our boy Percy places top 3 today.”
Leo looks a little worried but Annabeth doesn’t know why because Percy is definitely going to place top 3.
“Hey everyone!”
“Nothing like being here at the last minute,” Jason says.
Grover shrugs. He’s holding hands with Juniper, which Thalia isn’t about to let slide without commentary.
“Who’s the girl?” She whispers to Annabeth.
“His girlfriend.”
“Thalia!” Grover says, “I didn’t see you there.”
They awkwardly hug in the bleachers.
“This is Juniper,” he introduces, “Juniper, this is Thalia.”
“Hi,” Juniper says, “it’s nice to finally meet you. Grover talks about you a lot.”
“Aw, that’s cute Grover.” Thalia puts a hand over her heart. “I am pretty great so that makes sense.”
Annabeth has no idea if anything more is said because Percy and his team are walking out towards the pool.
He’s in his usual swim uniform in their school colors but Annabeth’s transfixed. He’s always looked good in green. Even if the uniforms did no one any favors, Percy still managed to draw eyes. Annabeth knew there were other girls who came just to watch him swim.
She dreaded the day he turned around to the bleachers and smiled up at one of them instead of her.
Percy’s little fan club consisted of a few sophomore girls. She didn’t know their names but they were quite obviously fawning over Annabeth’s best friend.
But Percy pays them no mind. Instead, he finds his friends in the crowd. Percy lights up when he spots them and waves aggressively at them.
“What a dork,” Thalia whispers but she’s waving back like the rest of them.
The match is long.
“Mommm, are we there yet?” Leo asks, in a high pitched voice.
“How much longer?” Jason adds.
Annabeth checks her phone. “Maybe a half hour?” She says.
Percy is currently warming the bench. He finished his individuals and now was waiting for his relay.
He’s fiddling with his phone, which Annabeth knows he’s not supposed to do. But meets are long and their coach knows it. He’s usually a little more understanding especially if it’s just sending a quick text like Percy is doing.
Percy: bored yet?
Annabeth: the boys are Annabeth: well Jason is fine, Leo and Grover are tired lol
Percy: no surprise there
A whistle blows and Percy tucks his phone away again. In no time, he’s back in the pool.
If he wins this race he’ll place second. At least, Annabeth thinks he will. Scoring for swimming is still a bit confusing. Mostly because she’s not focusing in on the coaches and every time she thinks to ask Percy, he distracts her with some silly antidote.
When the last whistle blows, the teams are toweled and waiting for results. It doesn’t take long, thankfully, to get scores.
Annabeth can’t keep the cheers in when they declare Percy as second. In fact, their whole group jumps up and starts chanting his name.
They celebrate with milkshakes at their favorite ice cream shop. There they make plans to go ride the mechanical bull at Mino-Bar the following weekend.
“I believe I owe you this,” Thalia says, sliding her hand across the table to Leo, “Percy pulled through.”
“Percy did what?” Percy asks.
“Placed top 3,” Jason fills him in.
“Unsurprisingly,” Piper adds.
Thalia picks up her hand revealing Leo’s fake ID underneath, “and I believe I said I want in on this bet.”
Leo pulls out his phone where he’s been keeping a list.
“Place your bet, mamacita.”
She plucks Leo’s phone straight from his hands and types in her guess. Thalia hands it back and grips his wrist, “call me that again and I’ll kill you.”
“She won’t,” Annabeth says, noticing their waitress has returned with their check. “She’s kidding.”
Jason is the last one easing out of their booth so Annabeth waits for him. Plus, she knows their group is going to the small lobby to huddle around the singular claw machine they still have. Percy’s on this mission to win a stuffed animal from it; he’s been attempting each time they come to no avail.
She’s not even sure why he wants one so bad. Maybe it’s just the success of winning he’s after. Percy’s always been pretty competitive. Even if the game is against a literal machine.
“Alright Jason, when are you asking Piper to prom?”
It’s time for a direct approach.
He freezes for a moment.
“I don’t know how,” he admits, “I think it needs to be special because…well…”
“It’s not just prom you’re after, you want to ask her out. I know.”
The two of them had only been flirting for the last year. It’ll be a relief to all of them when Jason and Piper finally get together. Though, their PDA might quickly become worse than the yearning.
Jason widens his eyes but out of all their friends Annabeth is the most likely to have clocked his feelings for Piper. It really shouldn’t have been that surprising.
“When did you figure it out?” he asks.
“Don’t worry, you’re only being obvious to me.”
He seems relieved. Annabeth gains nothing from letting him know Piper feels the same way. At this moment, it’s irrelevant for Jason to know of Piper’s feelings nor does she want to betray her friend's trust.
“Well, I’ve got stuff riding on this so we need a plan.”
So, they make plans to hangout.
As predicted the rest of the group is intently watching as Percy battles with the claw machine. Today’s prize he’s after seems to be a little gray owl stuffed animal. He loses.
“Out of quarters ‘’til next time,” he declares.
“Leo, I assume you want a ride home?” Piper asks.
“Yes ma’am.”
“Annabeth, you with me?” Percy questions, already dangling his keys.
They live close enough that he’s usually her ride.
“Not today, Jackson. I got plans with Jason.”
Percy’s smile drops. “Since when?”
“Don’t fret, I’ll still come over for dinner as promised. Tell Sally not to worry.”
It’s tradition after his swim meets to have dinner together. Annabeth loves his family. And Sally’s cooking.
“Okay.”
Thalia gives them a weird once over but says nothing. Thankfully, Grover breaks the tension that suddenly bubbles up by calling out after him, “wait up, Perc!” And ends up in the passenger seat.
“I’ll see you all Monday,” Piper says before getting into her car.
Jason, Annabeth, and Thalia all cross the lot and piled into Jason’s car.
On Monday, their plan is set into action.
It’s simple. Go up to her at her locker at the end of the day and ask. Straightforward, to the point.
An unmistakable ask to the prom. Thus creating a winner for their bet. No room for argument, which is good because Piper is a brilliant debater.
Of course, when the time comes with Annabeth watching from a safe distance, Jason never shows.
She’s texting him, trying to decide if she could stall Piper.
Jason picked up after the third ring.
“I can’t do it,” he tells her, “I need a new plan.”
Annabeth sighs.
“Okay, meet me at the courts, we'll regroup.”
Jason agrees. As Annabeth turns away from Piper’s locker she bumps directly into Percy.
“Hey!”
“Oh hi, Percy.”
“Where are you off too? I was going to ask if you had time to help me with my geometry?”
She checks the time. “I can meet you at the cafe in an hour?”
Annabeth is too busy staring at Jason’s text that he’s waiting for her in the gym that she doesn’t notice Percy’s weird gaze. “Um okay. See you in an hour.”
Their next plan requires little to no talking since that seemed to be Jason’s issue today.
And everything goes wrong, again. Jason’s handmade poster—a teenage movie cliche but something Annabeth knew Piper would find charming coming from Jason—is soaked by rain. As is Jason.
There hadn’t been rain in the forecast but the skies had opened up unexpectedly as soon as they got to school that morning.
They go even simpler on Wednesday. A cup of coffee with the word “prom?” written on it.
“You brought me coffee?” Piper questions when Jason tries to hand it over. “That’s sweet but I really prefer iced.”
She shakes her iced coffee that she must’ve gotten herself this morning.
Piper is rifling through her locket when she asks, “Annabeth do you want it?”
Annabeth shares a look of disappointment with Jason, who shrugs as if to say “oh well.”
She takes the coffee from him. They walk to homeroom together.
“It’s 3 strikes and you’re out right?” Jason says, “guess I’m out.”
“No way, we will figure this out. It’s just a little string of bad luck. Piper wants to go to prom with you. Of this I’m sure.”
Jason gives her a half smile, “you never give up.”
“And I’m not letting you give up either.”
Wednesday during lunch, Annabeth, Hazel, and Piper make plans to go dress shopping after school.
Piper drives them to the mall. They start with food before going in and out of every single store with any semblance of fancy attire. Piper and Annabeth go into dressing rooms with their arms full of dresses in various sizes and colors and lengths but walk out of the stores with nothing to show for it.
In their seventh store of the afternoon, Annabeth is trying on a seafoam green dress. It’s the exact shade of Percy’s eyes, she thinks, smoothing out the gown.
“How are we doing ladies?” Hazel asks from just outside the dressing room doors.
Annabeth steps out to show off her dress at the same time Piper’s door opens. Piper is in red. It’s beautiful against her skin tone.
“This does nothing for my boobs,” she sighs.
The dress does have a weird top.
“Oh Annabeth, you look amazing,” Piper says.
“You don’t think it washes me out?”
“Not at all,” Hazel replies.
Neither girl ends up leaving the mall with their dream prom dress. They’re upset by having little prospects but it also gives them the excuse to plan another girls’ day shopping.
As much as Annabeth loves planning, she’s feeling pretty hopeless by Friday. A whole week of prom plans gone awry. Annabeth’s not sure how many more cute ways to ask someone to prom she can think of.
She doesn’t see any of her friends in the hallway on the way to her locker. Not even Jason, which is odd since he’s normally standing at his own locker. Maybe he came up with his own plan to ask Piper to prom; Piper’s locker is on the other side of the building. Annabeth can only hope that’s where he is. She still really wants to win this bet.
Plus, she doesn’t think Piper’s made much progress on the Percy front. In fact, Percy hadn’t made any attempt to ask Annabeth to prom. Though she hadn’t seen much of him this week either. Beyond a little homework help, lunch, and their shared classes.
This weekend, she vows she’ll make time for her best friend. Prom schemes have taken up too much of her time. Sure, she wants to stick it to Piper but she also doesn’t want to neglect Percy.
Annabeth opens her locker and her heartbeat skips. Sitting on top of her calculus textbook is a small stuffed animal gray owl. In its lap, a tiny little sign asking: prom?
“I figured if I was going to ask my best friend out, it had better be extra cheesy.”
She moves her locker door and finds Percy smiling at her sheepishly.
“It’s pretty cheesy, so I’d call it a success.”
“It’s only a success if you say yes.”
“Why don’t you ask me then?”
Percy gives her a look like she can’t believe she’s making him do this.
“Annabeth Chase, will you go to prom with me?”
Forgetting all about how competitive she is and how badly she wants to win her bet with Piper, Annabeth says yes.
And the way Percy hugs her makes it totally worth it.
All she can think about is going to prom with Percy. Slow dancing at prom with Percy. Drinking spiked punch at prom with Percy. She thinks about how well worth it will all be once they’re at prom together.
Percy waves at her from just outside the fenced in area around the mechanical bull. Standing next to him is Piper smirking, clearly very pleased with herself.
Their whole group of friends is here tonight at Mino-Bar. Leo and Jason had already taken their turns on the bull and been thrown off within the first few seconds. All Annabeth had to do was get on it.
No one had placed bets on her. Well, Piper had but that was about prom dates not how long she’d last on the mechanical bull.
Annabeth is competitive but she’s not a sore loser even when she has every right to be. In this case, Annabeth has every right to be.
Piper and Jason had conspired against her. All those failed attempts at asking Piper to prom were false flags. Jason had actually been nervous to ask her…months ago…before they had apparently kissed at a party.
They both claimed to not be secretly dating. In fact, they had avoided talking about it for so long because they each assumed their feelings weren’t returned. Then, Piper had overheard Jason talking about kissing her and the rest is history.
“We’ve only been talking the last week or so,” Piper told her.
“So you cheated.”
“No, it had nothing to do with Jason and me.”
“Didn’t it? That was half of the bet, Pipes.”
“Okay fine, it did but it was about prom and Percy asked you first, you knew we were going to influence each boy into asking and you never said I couldn’t influence both of them.”
“You were deliberately stopping Jason from asking you!” She exclaimed, “that’s cheating.”
“Is it?” Piper asked, innocently.
Annabeth had been frustrated with her friend but at the end of the day, she couldn’t really argue. Piper was right. It hadn’t been against the rules to deter Jason from asking Piper to prom nor had it been to deter Percy. Annabeth had just been convinced Percy wouldn’t ask…she…her pride was responsible for her current situation.
And to reclaim that hurt pride, Annabeth had one mission: stay in the bull longer than any of the boys. Then the only thing anyone will be talking about is how Annabeth somehow outwitted and outlasted them all.
She grips the handles and braces herself. Just a few seconds. Annabeth counts them in her head drowning out the shouting and the music.
One. Two. Three.
She breathes and spins and is being tossed around.
Four. Five. Six.
She’s already done it. She’s outlasted Leo and Jason. Maybe just one more…
Seven.
And all she remembers is landing on the mat. The bull must stop moving but all Annabeth sees is green. Percy’s green eyes staring down at her with a wide grin.
His eyes are still worried but he’s clearly trying to mask it.
“Did you hit your head?” He asks, attempting to help her sit up.
She doesn’t remember answering. All Annabeth can think about is kissing him. So she does. She pulls Percy on top of her, he stumbles and bumps her nose. Annabeth holds his face and presses their lips together.
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malecdiscordserver · 6 months
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Artist sign-ups for the Shadowhunters Reverse Bang 2024: Presented by the Malec Discord Server are OFFICIALLY OPEN!
Artist sign-ups will close on April 6, 2024 at 8:00pm EST. That gives you three more weeks to read the rules, the FAQ, and the schedule to convince yourself to join.
We are so excited to bring back another year of artists taking the reins, and writers finding inspiration with their incredible works.
You might be asking yourself, what is a reverse bang? The Shadowhunters Reverse Bang is a collaborative fandom event that combines fandom talents! Artists create never-before-seen art that writers will find inspiration in and create an entirely new story based off of, and together, they create magic.
Who can participate? In order to participate in this reverse bang, you must be a part of the Malec Discord Server. You must be over 16 to participate and over 18 to create explicit works.
All other rules and FAQs can be found here or underneath the cut!
The schedule as it currently stands is below. This schedule is subject to change depending on the situation. You will be notified of any changes.
Artists Sign-ups Open - March 9 Artist Sign-ups Closed - April 6 Writer Sign-ups Open - April 7 Artist Check-in #1 - Due May 1 Writer Sign-ups Closed - May 16 Art Submissions Due - May 16 Art Claims Open - May 18 Art Claims Closed - May 20 Matches Revealed - May 25 Writer & Artist Check-in - Due July 1 Writer & Artist Check-in - Due August 1 Final Check-in (Fics & Art Due) - August 25 Posting Begins - August 31
Sign up as an artist here!
General Rules:
You must be part of the Malec Discord Server to participate in this event.
You must be over 16 to participate and over 18 to create explicit works.
All content must be brand new and never before posted to any forum. All content must be polished and finished. No unfinished works or WIPs that you plan on continuing later will be accepted. Works that are added chapters/continuations of previously published works are not permitted unless they can be viewed/read as a standalone.
All AI content is prohibited.
Artists are asked not to talk about their projects until after claims with anyone participating in this event to keep writer claims fair.
All content must focus on Shadowhunters universe characters.
All Shadowhunters characters/ships are accepted. OCs/borrowed characters will be accepted as minor characters.
AUs and crossovers are accepted as long as the Shadowhunters characters are the main focus.
Content of any rating and subject matter is accepted, but participants must make sure to include any relevant warnings and properly tag their work.
No blatantly hateful content of any kind.
Artists must communicate readily with their assigned writer and vice versa. This is a collaborative effort and writers must be open to the ideas the artists have. The same courtesy is asked of artists.
When you sign up for this event you are making a commitment to yourself, the Mods, and your future partner(s) to meet all posted deadlines and to communicate with the Mods and your partner(s) regularly. Please don’t sign up for the event unless you are confident that you can fully participate and be honest with yourself about what you can commit to.
Please respect the Mods and anyone working with you throughout this event. Certain complaints may disqualify you from this event.
The password to make sure you understand all rules is SHRB24. Remember this when you sign up.
Artist Specific Rules:
Artists must create at least one finished project and no more than two finished projects for this event.
Accepted forms of submitted art include:
Digital/physical art: 1 piece, 500px minimum
Photomanipulation: 1 piece with significant editing
Gifsets: 4 gifs (without watermarks)
Moodboards: 6 graphics
Video: 1 minute
Playlists: 10 songs and a graphic
Abstract art/line art, original songs, and poems will also be accepted as long as the prompt given to accompany it gives a clear picture for the writer.
Artists are expected to be respectful of the writer’s ideas. Artists are expected to be in contact with their writers about specific changes/ideas they might have along the way.
Artists will need somewhere to host their work so that it can be embedded on AO3.
Plagiarism will not be tolerated. If you are in need of stock images for your project please make sure that they are open source and that you provide the proper credits and sources. For gif creators using online gif makers, please remove watermarks before posting.
AI art is strictly prohibited.
Writer Specific Rules:
Writers must write a minimum of 4,000 words to participate in this event. There is no maximum limit but please keep in mind the time constraints of this event.
Writers are expected to be respectful of the artists’ ideas, likes, dislikes, and rating preferences. Writers are expected to be in contact with their artist about specific changes/ideas they might have along the way.
Writers must base their fics off of the art prompt they claim. For example, if the art features Clary as an art student, the fic should not be Malec-focused with Clary attending an art school in the background. The fic should be primarily about Clary being an art student.
Writers signing up for the event may not get their first pick when assigned art. Please be mindful of this! Ending your commitment because of this is not permitted and if you feel this will be an issue you should not sign up for the event.
Plagiarism and AI content will not be tolerated. All content must be the writer’s own original work.
Frequently Asked Questions
Why do I have to be a part of the Malec Discord Server to participate? All continuous communication for this event will be provided in a special category in the MDS. This includes all announcements, reminders, and ongoing requirements. If you want to join but don’t want access to the entire server, you can be given a Discord role based on your role in this event so the rest of the server is not accessible to you.
Sign-ups haven’t closed yet but I’m so excited about this challenge and really want to begin. Can I start working now? Artists are free to begin their piece(s) as soon as they read through the rules and requirements! Writers, unfortunately, will have to until they are matched with an artist, but we appreciate your enthusiasm for this event!
Can I sign up for more than one role? Absolutely. Many bang participants sign up for multiple roles as long as you believe you can complete all pieces before the assigned deadline(s).
What if someone doesn’t have a match? In the event that the art prompts outnumber writers, we will do several rounds of claiming so that every art prompt has a writer. If writers outnumber art prompts, we will open up the art prompts so that more than one writer is assigned to the same artist or ask artists if they are interested in completing more art. Every artist will be matched with at least one writer and vice versa.
What if I’m matched with an art prompt/partner I don’t want? The Mods (and most artists) would never want someone to create something that makes them uncomfortable, so if there is an art prompt that you don’t want to be matched with, don’t choose it during claims.
If you have any legitimate concerns about a partner (i.e. harassment or rude behavior), we ask that you please notify the Mods. Intervention by the Mods will not occur simply because of disliking story/design choices or the content they’re producing. Mods will not allow any rude or dismissive behavior by any participant. Please just be nice and work hard to help each other.
Can I repost old art or reuse/add to a WIP? No, All content must be brand new and never before posted to any forum. More on this in the rules.
What if I’m not around when claims occur? Claims will span three days and will not be on a first come first serve basis so as long as you are able to submit your interest in those three days, chances are you’ll be matched with one of your top three choices.
What if I’m not positive I can finish within the deadline? When you sign up for this event you are making a commitment to yourself, the Mods, and your future partner(s) to meet all posted deadlines and to communicate with the Mods and your partner(s) regularly. Please don’t sign up for the event unless you are confident that you can fully participate and be honest with yourself about what you can commit to.
What if something comes up after claims and I need to drop out? We understand that dropping out due to unforeseen circumstances can and will happen. We are/have always been very understanding when this happens and are willing to work with you. The quicker you let us know, the more options the Mods have.
How can I contact the Mods? Send us an ask on here or join the Discord server where we are more accessible.
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skyeblue8 · 10 months
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Alrighty, thank you for letting me share this stuff! Fair warning though, this is a stupid long ramble.
The title of this little rewrite project is currently Halfway Hell. Our star is Reagan Morgenstern, daughter to one of the most powerful and influential men, who lives in the lap of luxury, wealth, and privilege. However, her cozy life is changed forever the morning after her 21st birthday, when she is woken by a group of seven horrific and grotesque beasts. Her father, Solas, reveals to her a dark secret; He is not human, but rather a powerful sorcerer as old as humanity. Long ago, he and a group of wizards and witches were banished from their home world in the stars to be imprisoned in the Earth’s flaming core for the rest of time. Before they were banished however, Solas and his six siblings used their remaining magic to curse the first vestiges of humanity; The more wicked, despicable, and sinful they were when they were alive, the more monstrous, deadly, and magically potent their souls would be reborn as Solas’ unholy army. Utilizing the damned and tortured souls’ as magic replenishes, the Seven Siblings of Sin were able to breach their flaming prison, and now, Solas, The Dark King, believes the time for his forces of darkness to conquer all three realms is growing near, and when that time does, Reagan will be leading the charge alongside him as his Dark Princess. So to prepare, Reagan is shipped off to the many parts of the world where her father’s siblings reside, to learn to weaponize the magical properties of the six souls spiritually chained to her. But as Reagan spends more time with her ensnared entourage, a conflict begins to brew within herself: Should she follow her family destiny of rulership over all that is known? Or will the suffering and maybe-not-so-awful souls enslaved to her convince Reagan to turn a new leaf?
Ok so that’s basically the plot, I’ve also got a design for Reagan, who is my stand in for Charlie. It is a bit old which is why she’s called Piper on it, but I am planning to give her a slight makeover digitally. I’ve also got a bio for her but that’s also old and really long so I’ll be tweaking that. (btw solas is the stand in for Lucifer, he’s not meant to be Stolas, they’re entirely different characters here, I’m just using the name Solas for reasons including it sounds like Soulless and I think that’s good for your main villain)
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Basically, I’m making this rewrite mostly out of spite for all the wasted potential of hazbin/helluva, and all the stupid choices that were made that completely butchered what could’ve been two great adult animation shows. I’ll take the characters from both Hazbin and Helluva and change them to suit this new narrative, while sort combining both of their plots into one(a group of morally ambiguous non human entities do some fucked up shit on Earth, while also growing from hating each other into a found family and trying to save themselves and others like them from their eternal suffering) However, instead of directly using actual Christian demonic/religious figures and stories, I’m using those texts, mostly The Testament of Solomon, as inspiration for the characters, story, and world of Halfway Hell (example; Heaven and Hell are not the traditional Heaven and Hell we know in Christianity, though the parallels with fallen angels and the seven deadly sins and Armageddon are there) So no actual names of demons and angels will be dropped, my characters will just resemble them. I don’t want to offend people and their beliefs by using these names in vain because religion is important to a lot of people, and it’s a nuanced topic that has made people do good and bad things in the name religion ever since, well, the beginning. Plus, I feel like it could make room for more diverse creature designs if I don’t make them explicitly demons or other similar concepts from different cultures such as yokai. They’re meant to be moreso ghosts and monsters in a generic sense, just ones that were originally humans and sprout from a burning land. I want this to be fantasy oriented with all the magic and creature designs I’m planning, while also having a core general theme of change, and a more specific theme of how we can make the changes we want to our lives, and why we make those changes, unlike Hazbin where it’s all about redemption for now. The best way I can describe what I want Halfway Hell to feel like is if The Owl House was written like Bojack Horseman, basically a dramedy with fantasy elements. Originally I was gonna make this even more like Bojack Horseman in terms of realism and tone down the religious influences even more, with purely human characters, an ordinary Earth setting, and it was gonna be called Seven Swinging Souls but dammit, I like fantasy stuff and I wanna draw fantasy stuff. 
And that’s pretty much what I have so far. I’m thinking once I develop more ideas and make plenty of art for it, I’ll make a new account dedicated to Halfway Hell and maybe one day make a comic series out of it. No promises at all, I’m still suffering through college and this is mostly a creative outlet but who knows. Let me know your thoughts, thank you for reading all of this nonsense!
Honestly, after looking over the whole summary of the rewrite, I think this is a really solid re-imagining of Hazbin. Actually, I think it's more than that.
Now, I will make note of how much it deviates from the original concept in the fact that it takes away from the idea of a traditional Hellish afterlife, as well as the whole thing concepts we've been introduced to since everything's on Earth, I guess, but, it's because of those differences that I think it would work brilliantly as its own piece of written work as I think it would give it more credibility for being an outstandingly well-written, original project without having the association of Hazbin Hotel as I feel that would discredit it both to those who have problems with Hazbin/Helluva Boss' writing and those who are so loyal to it that they may want partial credit for Viv.
Now, for a bit of warning, I am often extremely picky and skeptical of all new shows, stories, written works, and series I first encounter, regardless of how well-recieved they are – and that's not usually a matter of one’s storytelling ability so much as my general pickiness. With that being said, I'm deeply interested in the potential this concept could have and how you can make it your own. Good luck in college! Idk what that's like yet, but I'm sure I will soon enough. And excellent work, here!
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