#and whenever i get into a media where the characters aren't objects i usually think. hm. but what if they were?

[wheucto]

yknow what screw it. here. have this like. art of if the human characters from su were objects goodbye

[stina-is-a-punk-rocker]

'birds of prey': a cinematic masterpiece

It's been a little over a year since Birds of Prey came out, a couple of months since I watched in on a whim, and I'm still not over this film.

Too many men people get pressed whenever you say you like this movie. "It's objectively bad," they say. "It's campy. It's too divergent from the canon. It's SJW propaganda."

Who gives a fuck, Richard? Who gives a single flying fuck?

I'll preface this by saying, my knowledge of the DCU is flimsy, at best. I've watched a couple of movies. My mum used to watch Smallville. I watched the pilot episode of Gotham. And I know enough about it to get the few references sprinkled in other media. But I draw a complete blank when it comes to the comics. So the canon of the comics had no effect on my enjoyment of the movie. Which I did. A lot.

I walked in blind when I watched Birds of Prey for the first time. I was unaware of the controversy surrounding it, and the only reason I even gave it the time of day was because I was bored.

I watched Suicide Squad circa 2016, and positively abhorred it- the only good thing about it was the soundtrack (the best songs are always wasted on the worst movies. Case in point: Twilight). And the not-so-casual misogyny was just... Yikes.

And then, we got Birds of Prey.

Since watching the film, I did a bit of research (see: Googling 'birds of prey movie reviews' and clicking on the first few results that popped up). The response was mixed- which honestly came as a surprise, since I thought it was great, and mine is the only opinion that holds weight.

I've read and watched a lot of those reviews. I watched the CinemaSins video. I watched the CinemaWins video, because CinemaSins has taken a major nosedive since I first started watching them.

Were all the negative reviews not-so-subtly indicative of the (predominantly male) critics' misogyny? I dunno; how did they talk about similar male-centered action films? I don't think it's fair to scream, "SEXIST!" just because someone didn't like the movie. Critics hated Venom (which was admittedly pretty meh. I still enjoyed it, though), but it was still pretty well-received by viewers.

I saw one review say that Birds of Prey was 'for the birds'... I'll let you unpack that yourself.

And yet, though I try to keep an open mind, I find it unfathomable how anyone can dislike Birds of Prey.

One of my favorite parts about the movie was the female gaze present throughout its entirety. I've seen people bring up the obvious change in Harley's costume- which I'm a bit iffy about, to be honest. Don't get me wrong- I love her choppy bangs and fun pigtails and the whole fluffy top thing she's got going on, but a whole lot of the critique towards her getup in Suicide Squad comes off a tad too slut-shamey (that isn't a word? Well, it is now).

Her outfit wasn't the issue. It's how she was framed.

In Suicide Squad, we get loads of shots of men leering at Harley, and a little too much emphasis on her breasts and arse in almost every scene she's in. As opposed to Birds of Prey, where Harley's still sexy (I'm seriously concerned for the straight men who found Harley unattractive in this film... You good, Pete?), but we focus on her face instead.

That part where Harley gives Canary a hair tie in the middle of a fight scene? Brilliant.

The characters have depth (a lot of reviews disagree with me. Well, what do I know? I am but a lowly STEM student). One of my favorites was Canary (and not just because I found her insanely attractive)- I love, love, love her arc in the film.

I've seen people complain that the villain didn't really get all villainy until towards the end of the film; which, if Sionis had to put on the mask for you to finally see him as the bad guy, then you've clearly missed most of the film. He's literally introduced while he's peeling the skin off of someone's face. Not to mention that one particular scene at the club- I won't go into too much detail, because it could be triggering to a lot of people- but it chilled me to the bone.

Following up with the villains: "All the men are bad guys," they say. "The whole film is feminist propaganda," they say.

And me posting this on International Women's Day is a bit on-the-nose, I'll admit, but this particular critique bothers me. Because those men aren't unrealistic. They aren't caricatures of men in the real world. We all know men just like them. A lot of them hit a little too close to home for me.

I've seen people complain that women touting the film as feminist turned them off from it- which, I dunno about you, but seems problematic to me on so many levels. Sure, not everything has to have a political agenda, but it's hardly like Harley & Co. scream, "GIRL POWER!" every three minutes.

(Also: it's funny how way more people get mad about poorly executed feminism than actual issues a lot of women in the world face, but that's a topic for another day.)

The diversity was just- wow. Getting not only one but FOUR Asian characters with lines? Hollywood, am I dreaming? The LGBTQ+ representation (not going into Sionis and Zsasz being queer coded)? Holy shit, yes! Maybe I'm getting too excited about this- Hollywood's a lot kinder to us minorities as of late- but it still fills me with joy whenever I see people like me onscreen.

Another complaint that springs up with regards to Birds of Prey is the skewed order in which Harley narrates the events. Which is kind of one of her defining traits- she's an unreliable narrator. And she makes it pretty obvious (this video explains it better than I can). The cartooned beginning was engaging, as corny as some of it was (loved the style, too).

The fight scenes were thrilling to watch. Not a single minute passed by where I was bored (my eyes usually glaze over during prolonged action scenes in films, which did not happen in this case). The comedy was well-timed and bold; the cartoonishness added to its charm.

And this is probably not even significant, but I adored the color scheme. I loved the bright, shocking colors; the emphasis on the pinks, reds and blacks.

And, finally, how could I go without mentioning the soundtrack? It was divine- I listen to the Birds of Prey album on Spotify almost every day; Lonely Gun and Experiment On Me are among my most-played songs, and the rest of the music is just as delightful.

In conclusion: go watch Birds of Prey if you haven't already. It's the closest thing to a spiritual experience I had last year.

[bxllafanficc]

¡Skate/sing your hearts out! (Yuri Plisetsky x reader)

(Part two)

Part two. Part one Part three Part four part five

Summary: After last year's cancellation of Figure Skating Grand Prix, Yuri Plisetsky finds himself unable to bring out his inner skater after a year of doing nothing but enjoy life like a regular teenager. That's when you enter the picture; We Are Voice Grand Awards's currently hottest competitive vocalist come first place two years in a row. Just like the other competitors of Grand Prix, it turns out that Victor and Yuuri faces the same issue. With an arrangement between Victor and Yakov, they agree to travel to Japan and hire you as a mutual coach for Yuri and Yuuri to help bring back the emotion into their performances like before, maybe even more intense than ever. Yuri however, who's never experienced issues with his coaches before, for some reason finds this one particularly difficult to coexist along with in their (reasonably) odd partnership. Warnings: none

*Your POV*

There. All set and done. You took a last look at the pair of eyes staring back at you in the full body mirror. Your hair all dried up with a blowdrier and a pair of white jeans along with your favorite leather jacket. A grey turtleneck on that and that was the outfit for today. Keeping it classy since Victor failed to cancel the meeting with the press a couple of hours from now. 'A big hoodie would've been the ideal alternative though' you thought and sighed. Nowadays it's all about keeping it as simple yet kind of professional for every day. Social media were all star struck about the world's latest announcement. 'Winner of this year's Grand Prix senior division goes on a tour with none other than the (y/n) (l/n)!' The newspapers were first out as usual thanks to the reporters crowding her personal space since two weeks from now since the news came out. A collaboration between a figure skating competition and a competition for vocalists. You never saw that coming but you could see the appeal. The currently hottest male skater along with a popular female singer, fighting for the spotlight even though they're sharing it evenly. Him with his skills and she with her voice. You agreed to participating when asked, of course. It was a great opportunity and experience. And currently you sought out every great possibility at the market right now. That's what lead you here.

You made your way out the room you were staying in and headed towards the dining area in deep thoughts. 'So that's Yuri Plisetsky up close?' You thought as you passed the living room. You entered the dining area and stood still at the entrance to take in the scene before you. Yuri Plisetsky is sitting at the dining table with his back facing you. Beside him with his side profile turned at your direction is coach Yakov who's chatting with Victor and Yuuri opposite of the table. Yuri is not talking. He's busy eating a dish called the pork cutlet bowl, you assumed. You had never tried one before but the dish was all too familiar thanks to the last Grand Prix competition on Yuuri Katsuki's behalf. You eyed Yuri carefully and entered the room. He's a little shorter than what was given away on television but other than that, very much the boy you'd seen competing time to time. His skating was without doubt impressive to say the least. His jumps were always perfect as expected and his upper body movements in beat to the music. Though, you always deemed something missing in his already amazing performances. Expression. The year he won gold at the senior division, you saw some great scenes of emotion displayed in his skating but it was clear that he never let them consume him. It always looked as if there was something on his mind and that held him back, even made him stop and hesitate sometimes.

"Whoo! (Y/n) is back! Yuri! Meet your coach in musical expressional performance."

The boy's attention was suddenly entirely on you now, in comparison for being totally relaxed and unfocused. He tensed up and the pair of breathtakingly blue and green eyes widened at her for the second time today. 'Hope this is not becoming a regular habit of his' whenever he sees me. It's starting to get a little embarrassing.'

"You! What even- What are you doing here?! A-aren't you like 19 years old or something? That's just two years away from me! That's.. You're far too young to be my coach!" The startled reaction of his kind of made you wonder what was up. He did meet you just about- ah. Your face mask and your covered hair clearly disguised you well enough for the boy not to recognize you. Though he clearly knew you.

"Great, so you're familiar with me. Then I don't need a further introduction." You flashed him a smile.

"Who isn't familiar with the star of We Are Voice and winner of gold two years in a row? At this point, you're basically stealing the spotlight I fought so hard to gain at my senior division debut." The words came out in a mutter and the negative impact of the comment made you raise an eyebrow at the boy on the floor in front of you. He still hadn't stood up to greet you which would be the appropriate thing to do first time meeting your coach. Then you pouted and leaned your now crossed arms against the wall to your right.

"Though, I am a little disappointed you didn't recognize me by voice. I mean, if I am as famous as you speak of, you surely would've known right away." That just earned a scoff from him.

"There are thousands of girls who sound similar to you. Yes, even with that (nationality) accent. Your voice isn't that special." The other men in the room widened their eyes. Ouch. And he's just as grumpy and homeboy teenage-crisis as he was portrayed in television and social media as well. You had thought it was only mere acting in an attempt to shun people away and making the attraction towards him less appealing.

"I see... Well that's one way putting it."

It certainly worked on you, you had thought for several years now but turns out he's just a jerk. Yakov moved to get in Yuri's face and scold him.

"Where is your manners? Quit playing a brat all of a sudden."

"What? Am I not allowed to speak my mind now when you have to suck up to miss universe over here all of a sudden?"

You raised a silent hand for the arguing pair to let their words die down and then you locked gaze with the insolent boy. Your eyes were blank but rock hard and you could swear that you saw a faint gulp forming in his throat.

"Get on your feet and get over here. Turn sideways." At least I didn't have to ask twice. But I didn't really ask him either. He rose to his feet and took some hesitant steps towards me. It was clear that he didn't trust me. 'Something to work on' I hummed to myself. His posture was stiff and crooked but after another word from Yakov, he straighten his back for me to see him properly. He pulled the hood of his hoodie off and mirrored my blank hard stare. I began to circle him, getting a fair look on what I would be working with for a set of weeks. His eyes didn't dare follow mine as I stepped beside him, knowing that I was out for him to break character. A stale being is much harder getting to know than a forward and open one.

Then, when you were behind his back, you reached out with your hand to his back and - shoved him casually forwards. A yelp of surprise echoed through the room as he stumbled and fell towards Victor who caught him right before hitting the floor face first. You and Yakov locked gaze and gave each other a slight nod before you once again turned to the upset boy.

"What the hell was that? You pushed me for what? Are you that sensitive for a little negativity for once?"

"Your balance is off." You simply said with the same blank expression and a headshake. He seemed dumbfounded of the answer and got off Victor with quick feet. He was close to you this time and the daggers you received was intended to leave wounds after he was done.

"Because you pushed me."

"Exactly."

"I wasn't prepared!"

"Exactly."

"We have some work to do, Yuri. Your break has been too long, it seems. She was only picking up on where you left off, in a way." Yakov spoke up between the one-sided staring contest. The boy turned towards the man which included his back facing my front once again. But this time, he was careful on taking a few steps forward to avoid history repeating itself.

"She's not you. She shouldn't do your job. It's none of her business anyway."

"It actually is if you think harder on it. There's no point in me working on your emotional performance if your practical performance is flawed. A skater who can't manage a simple shove will not get up on his or hers feet at the competition as well." You expected some kind of backlash from Yuri, at least a glare or something. But you were met with nothing to your surprise. He didn't speak up either.

"It's settled. You and I will rehearse you back into your former shape before your time with (y/n) begins, starting tomorrow. Meanwhile, also take some time to get to know each other, you two. You seem to need it." Yakov declared the schedule and choose to pinpoint the obvious tension between you and Yuri. You somewhat agreed on spending time besides training. Though, you would rather not take a verbal beating more than once a day further on.

Yuri still didn't speak up but he didn't object either.

"(Y/n), there's food left for you too! Please join us for dinner." Yuuri Katsuki exclaimed and waved an energetic hand towards the bowls and plates on the table. In front of you, you saw the back muscles of the Russian skater's form tense at the words.

You had to decline though. If not for the meeting, then for the sake of giving Yuri some space. It must be hard, after all. Whatever's he's going through right now.

"I would love to! But I have to excuse myself this time. After all, I have a meeting to attend and if I don't get going, I'll soon be running late. See ya folks later!"

And with that, you dashed off.

[cs-discourse]

here we go

https://cs-discourse.tumblr.com/post/179953845684/uuuuwuu-every1-whos-concerned-abt-biased-judging

ok this attitude has been pissing me off long enough that it's time for one of my Big Ole Posts (tm) about how shitty this is! thanks. 

uuuuwuu every1 whos concerned abt biased judging in comps is just soooow entitled !!!1 i cant bewieve ppl wouldnt want some1 whos literally explicitly stating at this point that they trust their friends more to "demonstrate dedication to the character" they assign to a design to b an influence in judging comps !!!!!11 bc artists Never weigh in on other artist's comps, so obviously thes ppl just want fwee merc designs !!!1!!1 also my last braincell just died pleas h

so here's the og post in question for quick reference

i honestly have no idea why people keep bringing up this idea of bias in judging competitions because, while i do think there is a type of bias that certainly exists, i think a lot of so-called "bias" that people have is ... not whatsoever like what people think it is lol. artists are people and there's always going to be SOME kind of bias no matter what you do, because it's literally fuckin impossible to NOT be biased. by that i mean:

your taste in plots/types of characters/medias influence your judging

quality of writing or art can influence your judging

the person who's applying for the adopt you may have previous judgement about

even if you say you aren't biased, you STILL have preferences and tastes in things that you prefer more than others, which in of itself is a kind of bias

people who know you (friends for example) will naturally know what your taste is. 

a competition is judged based on what form the artist thinks is best, right? 

NEWSFLASH EVERYONE'S IDEA OF "WHAT'S BEST" IS DIFFERENT FROM PERSON TO PERSON ..... "BEST" is literally the most subjective thing there is, and while i agree that there are certain aspects of art and writing that you can use as objective measurements of tangible skill, it's... still subjective. what people think is "best" will vary from person to person because we all have different tastes. so, essentially, this boils down to the idea that the winner of an adopt competition will ALWAYS be the form the artist liked best, because that is what the artist perceives as best. so like. when people appear biased in adopt competitions towards friends or certain circles, it's probably because they're literally friends because they have similar tastes in things, and therefore the form the artist likes best is naturally going to be from someone who shares similar tastes. 

so whenever i hear about """bias""" in competitions i just kind of roll my eyes tbqh because it's usually followed by complaints of "BUT I PUT IN SO MUCH EFFORT" or "I WROTE SO MUCH MORE THAN THE WINNER" uhhhh. if adopt contests were won by effort alone it wouldn't be a contest, it'd be an endurance test lol. literally just "who has the most time to waste writing out 60000k words of absolute meaningless fluff"... because, i hate to break it to you, but ANYONE can write 5000 words of mindless drivel that has literally no substance to it. 

now in caps for emphasis. takes a deep breath

THERE IS NO SKILL NEEDED TO BLOAT YOUR WORD COUNT. 

YOU DO NOT NEED TO KNOW HOW TO WRITE WELL TO WRITE 5000 WORDS.

YOU JUST NEED TO KNOW HOW TO TYPE AND PUT SENTENCES TOGETHER.

quality > quantity, always. like, i'm sorry you put in so many hours of effort but, those people who win with MUCH smaller wordcounts... did they not work to get as good as they did with writing? you put in 5 hours into one tryout. but others, take me for example: i have been writing for over 10 bloody years. i've worked hard to improve my writing, so you can't tell me i "didn't put in as much effort" as you because i did. i put in YEARS of work to get better so doing simple things would take me LESS time now. inb4 IT'S UNFAIR! dude, the literal definition of a contest is for the best to win. it wouldn't be a contest if it wasn't like that lol. it'd just be charity. what you should be doing instead of complaining about it is ASKING FOR CRIT and WORKING TO IMPROVE like a good sport? i get that it's discouraging but you should be prepared to lose when you join a contest. it's valid to be upset about but the moment you say you deserve it more than others JUST because of your effort, then i have a problem. 

and you know, there's gonna be times where i think a comp winner is objectively less skilled than other tryouts. honestly i just kind of shrug that off on account of different taste lol. sometimes that's just how it be, bc of those predetermined biases i mentioned before, and maybe a judge and i are just in completely stages of life so what i call quality might not appeal to the judge. that's also fine. anyway this really got off on a tangent but i'm leaving it in bc i think it needs saying. back to the og post

 > i cant bewieve ppl wouldnt want some1 whos literally explicitly stating at this point that they trust their friends more to "demonstrate dedication to the character" they assign to a design to b an influence in judging comps !!!!!11

wtf didn't i address this in a different post

here let me link it for you

https://cs-discourse.tumblr.com/post/179841459154/post179838988303-the-difference-is-that-you-have

which was replying to this: https://cs-discourse.tumblr.com/post/179838988303/179837734509-idk-anon-i-kinda-agree-with-the

i said it once but i'll say it again: artist entries aren't main adopts lol. people don't work for artist entries. all you fucking do is post on one like "can i have this pls" .. there is... no effort put into that lol. main adopts you WORK for. it's a CONTEST. claiming an artist entry is NOT a contest. if a bunch of little nasty gremlins come running up to me like a hungry horde trying to be the first one to claim my design, i think giving friends first pick is COMPLETELY FINE, BECAUSE WHAT DID ANYONE ELSE DO TO "DESERVE" THAT DESIGN? nothing. you did. nothing. you're literally coming here with this attitude that NOT GIVING THINGS AWAY TO STRANGERS FOR FREE SOMEHOW EQUALS BIAS? i literally do not understand your logic whatsoever. like. i'm trying really fucking hard. at least with main adopts the "payment" is the effort you put in trying to answer the artist's prompt. i know i sound super dumb repeating myself but i don't know how much simpler i can make this concept tbh

and this is EXACTLY why i say ya'll are fucking entitled because merc and any of the kal artists could be making REAL $$$$ selling their own designs and adoptables and art and NOT deal with all the bs ya'll throw at them. they're literally here because the ENJOY MAKING ((( FREE ))) CONTENT for you, and they're not obligated to do this. they can stop whenever they want. if you had to pay per hour for the length of time collectively worked by ANY species artist staff, the lot of you would be fucking broke. i'm actually constantly shocked that species artists work like, 8 hours or more on some of these gorgeous designs just to give them away for free in a contest. 

so, yeah, as someone who hasn't spent my entire life on CS (i've only been here for a year and a half), ya'll seem pretty fucking entitled to me lol. the world outside CS rarely gives out such gorgeous designs in write-to-adopt contests so i'm honestly baffled at the amount of bloody entitlement i see

>bc artists Never weigh in on other artist's comps, so obviously thes ppl just want fwee merc designs !!!1!!1 

this part i don't actually understand what you mean. do you mean they... help judge other comps? or like, enter them? i don't get what you mean by "weigh in" but listen, lol. just because something DOES happen doesn't mean it gives you a good reason to assume the worst. i mean... of course it happens. it's statistically impossible for skewed contests and bias to NOT happen, because there's always going to be cases of it happening. but like, what proof do you have that merc will be biased lol? like, real proof? because your main point i've basically debunked and don't believe in at all. do better than "i cant bewieve ppl wouldnt want some1 whos literally explicitly stating at this point that they trust their friends more to "demonstrate dedication to the character" they assign to a design to b an influence in judging comps !!!!!11" because this doesn't make any sense to me for the reasons i already listed above lmao. if artist entries were supposed to be contests they'd be contests. what the hell makes you important enough to get first dibs on a stranger's work. ARTIST ENTRIES AREN'T EVEN MADE TO BE GIVEN AWAY, THEY'RE MADE AS ARTIST ENTRIES.... LIKE.... JESUS i struggle to understand ya'll

anyway im done here, if you wanna actually talk and debate this hmu on discord at lysander#9229 bc if you actually talk to me instead of spew this hot mess on the blog i might actually listen to you and change my mind and be nice about it instead of being a condescending bitch. 

wait one more thing

>also my last braincell just died pleas h

yea clearly

p.s., why do you ppl keep going to the blog to give critique on merc's designs when on literally every other design merc makes there's this:

https://www.chickensmoothie.com/Forum/viewtopic.php?f=38&t=3950980

here i even linked it for you. idk why it's so hard for yall to give constructive crit like decent human beings

[awed-frog]

I love your 'love tropes everywhere' tag! And right now something came to my mind (Sorry I can't look it up by myself right now, but) might it be that most of these love tropes aren't recognized as such because of the music? At least I can't remember any "lovely" music in DeanCas-scenes, if you understand what I mean.

Hey! Thank you - that’s one of my most depressing tags, but it also makes it so clear what they’re doing with Destiel, doesn’t it?

(Sigh.)

As for the music - that’s a very interesting theory, but unfortunately, music is something I mostly know nothing about, so I don’t know if I can answer your queston. My opinion on that - and I presume that in this case, you’re wondering specifically about the parallels highlighted by this post - is that music can influence the way you view a scene, because even I know that, but I wonder if it can truly override our collective #NoHomo mindset. As I explained here, even for me, someone who grew up with a borderline hippy family reading weird books and watching weirder movies, both IRL and (often) on screen a gay couple is not a couple until they cross some line - and that line is much higher than it is for a straight couple. It’s unfair, but it’s apparently how brains work. For instance, yesterday a Facebook contact I haven’t seen in forever and ever posted a new picture - you could see these two guys, okay, arms around each other, some kind of beach in the distance - and there you see it again - if my friend had been with a girl, I would have assumed, 100%, that that was a romantic partner - a girlfriend or a wife - because something in the picture was very intimate and soft and that’s not how you pose with friends. But since they were two men, and I’d never heard anything about him being gay or bi, I just - I don’t know. You think best friend, you think jokey picture, like those best men playing bridesmaids and screaming at the ring. And whenever this happens, I’m not happy with myself - I tsk and roll my eyes and everything else - but our brains have this weird way of functioning statistically in how we see the world (in movies, 99% of couples are straight and 99% or bros are just friends, so that’s what you see) and then ignoring statistics as soon as there’s a rational decision to be made (a lot more people are killed in traffic and changing light bulbs than they are in terror attacks, and yet it’s the bombs we fear). So in the case of Dean and Cas I’m not exactly sure that even music can change anything, if simply because everything else really didn’t (all those I need you and breaking mind control spells and mixtapes and the platonic staring - if this had been a man and a woman, everybody to the Moon and beyond would have accepted it as canon asap). 

I mean, Sam and Jess were a couple, and this is the data our brains have been given - they were in love, they lived together, they went to parties and whatever - this means that what they’re doing with them - Sam seeing Jess by the side of the road, Lucifer pretending to be Jess, Sam rushing to save Jess from the fire and everything else - that’s not subtext - it’s text, and it supports the coherent and honest narrative we’ve seen from the very first episode. For those mythological creatures, the ‘casual viewers’, there’s no ambiguity there, no math to do in their heads. They’ve been told straight out that Sam loved Jess in a ‘I want to have babies with you’ way, so when Lucifer slips into her skin the situation is abundantly clear. Dean and Cas, on the other hand - what is missing, and mostly the reason I’m so angry, is that there is absolutely nothing textual there. Everything we have about them are things that can either be read both ways, or are so ‘unimportant’ that a normal viewer wouldn’t even notice them. This means that when Lucifer pretends to be Cas, the situation is very different (maybe not for us, but for a ton of people out there). And, frankly, not even Céline Dion could change this - after seeing the media’s reaction to the mixtape, for instance, it was clear to me that the next season could open with a montage of Dean teaching Cas how to dance with My Heart Will Go On blaring from some jukebox and it still wouldn’t be enough.

(Ugh.)

And the thing is, part of me understands this reluctance or obliviousness we’re seeing about realizing Destiel is a thing, because there is no reason, none, not to insert it in the text. If they want to preserve some UST and general misery, which is always a good idea, they could still have Dean talk to Jody - they had the perfect opening this season in her You can tell me anything speech - or, whatever, they could have filmed the magnificent episode someone (sorry, I never remember who) wrote here on tumblr about a case featuring some ex boyfriend of Dean’s. Seriously, it’s not that difficult.

(But, yeah.)

So, I’m sorry - the only thing I can offer here is that I checked out the first parallel (because I can’t bear to rewatch that last episode, and I do remember Casifer talking to Dean wasn’t framed in any particularly romantic way).

When Sam sees Jess in Bloody Mary, the background music is The Rolling Stones’ Laugh I Nearly Died, which starts well before that scene and seems to be more about Sam’s feelings of guilt and ‘unmooredness’ than his everlasting love for Jess. Jess appears during the guitar solo and disappears over the last refrain - I’m so sick and tired / Trying to turn the tide, yeah / So I’ll say my goodbye / Laugh, laugh / I nearly died. As for the Destiel scene that was heavily paralleled to that one, well - it’s neatly done, isn’t it, because in this case, Dean sees Cas right at the beginning of the episode (Sam and Jess, that was the very last scene) and, again, the scene is framed by a classic rock song, The Animals’ We Gotta Get Out of This Place. Now, the interesting thing is that the Destiel scene is played in a much more insistent way - that song is way more romantic, for starters (‘Cause girl, there’s a better life for me and you), and when Dean sees Cas, the lyrics go Now my girl you’re so young and pretty / And one thing I know is true, yeah / You’ll be dead before your time is due, I know it. The second thing is that Dean, unlike Sam, acts upon this vision - he stops the car, drives back, gets out, and looks around, whereas Sam simply stared in awed desperation at Jess before the screen went black. And, third point: when we saw Jess, that was filmed from Sam’s point of view, but when we saw Cas, that wasn’t Dean’s point of view - it was the external narrator’s (so to speak), and that generally means what we’re seeing is objective reality. Now, I’m not saying that’s yet another indication that Dean loves Cas (or maybe a little bit) - I think what’s happening here is that Cas, unlike Jess, was not dead, and that Dean actually had a glimpse of him walking along some road - maybe not the one he was driving on, but that scene - and this is confirmed by how it was filmed - was real. Dean saw Cas, and Cas saw Dean. That wasn’t a vision. As to what it means, subtextually, if anything - I am reminded of that Fanfiction thing where the two girls playing Dean and Cas were a couple in real life. External narrators and objective reality outside the theatre’s stage usually means, this is actually true, pay attention - but, again, it’s subtext, so, whatever.  

Anyway, if you’re interested in this I can recommend TV Tropes, which is devouring Supernatural with a vengeance (see for instance their Ho Yay! page, which features many examples of barely subtextual homoerotic moments).

(By the way - I rewatched bits of Bloody Mary to find that Jess scene and there he was, baby Dean waking Sam up from a nightmare and saying, ‘Sooner or later we’re going to have to talk about this’ - and that’s another example of viewer bias, isn’t it, because when I first started to watch the show, I didn’t really like Dean and mostly saw him as some insensitive fuckboy - and yet I bet there were plenty of little moments like that one which already contradicted this alpha male façade Dean was trying to cling on to. I guess I just didn’t see them, not until later, because I’d already decided in my mind what this character was like. 

Brains are funny things, aren’t they?)