I wander through this dream
Awake Alive
But something is wrong
These pastel skies, this soda steam
This pancake earth is gone
Just tell me
You feel
Exactly the same
Just tell me
You feel
No warmth in the flame
So tell me
That we
Have things we can mend
Just tell me
That we
Are not at the end
So tell me
Just tell me
Tell me
Tell me...
So tell me
As everything I know is changing
Try to find a way to stand my ground
Everything I know is rearranging
As I turn to look around
I am torn
This is me
But I see
I am free now
I am born
Once again
Cut the chain
Start a new reign
All that glitters cannot stay gold
Even raging fires will grow cold
Ill be strong
Unafraid
Be re-made
This is my ANGEL FADE
My wings are frail, they lose
Their powers
No way
For me to fly now
These cotton clouds,
These candy flowers
I know
Theyre all a lie
Just look at the skies
Theyre tearing apart
Do you realize
Youre breaking my heart
So tell me
That we
Have things we can mend
Just tell me
That we
Are not at the end
So tell me
Just tell me
Tell me
Tell me...
As everything I know is changing
Try to find a way to stand my ground
Everything I know is rearranging
As I turn to look around
I am torn
This is me
But I see
I am free now
I am born
Once again
Cut the chain
Start a new reign
All that glitters cannot stay gold
Even raging fires will grow cold
Ill be strong
Unafraid
Be re-made
This is my ANGEL FADE
There was a time my dream
Came true
My heart
Was young and care-free
I know that I was here
With you
For that
I feel so happy...
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Of all the great women of Hollywood's golden age, Carole Lombard is the most unjustly neglected. While her contemporaries Katharine Hepburn, Bette Davis, Joan Crawford, Barbara Stanwyck and Jean Harlow continue to be eulogised and commemorated, Lombard's star seems to be fading. These women were all, in their ways, worthy of admiration and even of emulation. But Lombard was incomparable.
When she died in 1942 at the age of only 33 in a plane crash while selling war bonds, director Wesley Ruggles, who'd worked with her for years, said that however tragic Jean Harlow's death had been, "somehow you knew you'd adjust. But we couldn't comprehend losing Carole, and we never adjusted to it, either. She was irreplaceable, and we just kept on missing her." - SARAH CHURCHWELL, "Oh, Carole!"
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so many people want to unravel the mystery of why angel was Like That as a vampire but they completely ignore his daddy issues even though angel's relationship with his father is central to his character. like angel was not some kind of anomalous monster who was uniquely evil from the jump. he was a total normie vampire when he crawled out of his grave, just a lil hungry guy looking for approval from his maker, right up until darla told him his dad and everyone else he loved as a human would always have power over him for the rest of his existence and he would never truly defeat them. and then he was like Ummmmmm i don't like that :[ and spent the next 150 years desperately trying to avoid being vulnerable like he was as a human and trying to be a worse father than his own father was just so his dad wouldn't have the last word. when he's soulless, angel likes to self-mythologize and imagine that he is somehow completely lacking in humanity, but the truth of the matter is that the very things that make him so monstrous -- his bone-deep fear of powerlessness, his need to have the upper emotional hand, and his centuries-long burning resentment of his mean ole dad -- are, in fact, all too human. it's not the demon in him that needs killing; it's the man.
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Sb tell Jada I said I need that. BC I. NEED. THAT!!!!!! Fuck you laughing at? Bench rider???? Come on now, if u gon laugh atleast make sure yo stats don’t look like they was just born 😂.
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i think the question that this blog asks often has a totally different answer depending on whether you choose to interpret it as either:
- if [character] was a detective in the death note universe, would they catch kira?
OR
- if kira was a villain (of the week, even) in [character]'s universe, would they catch him?
for example, if the icarly crew, behaving as they do on their own show, were transposed to the DN universe and tasked with finding kira, they'd probably fail. but if light yagami was dropped into the icarly universe they'd get him for sure. after like a few episodes where he's a recurring villain in a pathetic way. because that's the logic of the icarly universe.
(if you couldn't tell I've been thinking about the icarly gang catching kira since i saw the poll lmao)
((This is also a good take. Sometimes, you think to yourself - if the Death Note were somehow some sort of remotely-induced alchemical attack, would Scar be able to figure it out? Would Light, the adoptive son of Grumman (and therefore adoptive uncle of Riza Hawkeye), ever come to know who Scar was until it was too late? Or would his "in" with the Amestran military to come into multiple pieces of confidential information?
And sometimes, you think to yourself - if Scar was put into the Death Note universe he is going to be so busy turning other people into ragù that Kira is just not on his radar - until his older brother, notable medical malpractitioner, is almost killed in a freak accident. Then, Kira is now on Scar's hit list. Is Light able to find out that a deep-web hitman is after him, one who is methodically tracking down everyone who knows Light? (Also, the brother wasn't actually a target, word just spreads and Scar jumped to conclusions, like he always does.)
Much to think about!))
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