#anyway definitely shutting up now

[buildarocketboys]

Basically, overuse of machine translation is a symptom of a problem, not the problem itself. If my company stopped using machine translation for everything today, would that stop translators being underpaid or force companies to only ever produce good translations? Absolutely not. We would still be paid the same, and probably still be expected to produce the same amount of work at the same rate, but this time without a useful tool to make our work go faster. And if we couldn't keep up to those rates or the quality took a dip because of it (and it would, if only because having to work even faster would introduce more errors), then companies would simply go somewhere else where prices were lower or where they still use machine translation or, worst case scenario, actually not bother using a translator at all and just use machine translation which is what people in that post are scaremongering about in the first place!! As with literally every other industry, capitalism is the problem, but that doesn't get solved by attacking one aspect that, while it can have disadvantages and be used to devalue translators' work, is also an incredibly useful tool when used correctly.

[aquickstart]

ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.

another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!

farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.

but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.

but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.

but the important thing is this.

farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.

farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.

the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.

as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.

but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.

and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.

to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).

to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.

and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?

but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.

the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.

so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.

[ratwithhands]

I made another concept in the span of 5 minutes while on the bus.

Anyways Oracle AU Submas (Oraclemas?).

Ingo and Emmet have the ability to divine the future, with one issue. Ingo can see the timeline of fate, Emmet can see the events to unfold, and neither can see what the other does. Ingo doesn't know whether what is to come is good or bad, and Emmet can only see events out of order.

They are able to bypass this by holding hands and using full concentration (aka co-divination) to see the full future, however they usually just use their individual visions and piece them together. Co-divination is reserved for either actual fortune-telling services or to investigate a vision either one feels may be concerning.

anyways other fun notes:

Ingo's ability to know when things happen but not what they are make him patient and paranoid. There have been instances where he predicts an event and prepares for danger, then when it actually arrives it turns out to be something perfectly fine (eg. a surprise birthday party)

Emmet's knowledge of future events stresses him out, he gets wrinkles and creases much faster than Ingo, and essentially ages earlier

The twins often used these abilities to aid them in battle growing up, which later led to them pursuing the skill further until they developed their own sense for battle

Besides working as Subway Bosses, they sometimes operate as fortune tellers for those who request their help

They have seen a whole scope of different events, good and bad, and are generally used to talking about any kind of scenario. Some people interpret their lack of reactions to mean that they don't care about the future, but that is not the case

There are anomalies in their visions, certain periods or events don't make any sense to them and they can't make them out clearly

Anyways this is just a little shitpost concept but I mean hey you guys can let me know what you think. Hope you guys enjoy the art and see you later.

also bonus doodle (this is not how it happens but still):

(Emmet sometimes curses his bloodline for having this ability)

[spinnysocks]

the frenemies of all time

it was so hard to find pictures of them in the same shots 😭 they're in the same scenes all the time but not the same shots- i think it's actually a purposeful choice by the animators to show they're not actually allied, which i think is cool

[rapha-reads]

Me: I want to talk about Louis de Pointe du Lac in the books and how he's constantly haunting the narrative whenever Lestat is the narrator, even when he's not physically present or Lestat isn't even consciously thinking of him, because Lestat is actually always thinking of him and remembering him and using him as his humanity compass, and...

The tiny rational part of me: can you PLEASE go to bed, you'll write a love letter to Louis once you've had more than 4 hours of sleep, I am begging you, your eyes are burning, your neck is aching, you're starting to get a headache and you're being slightly delirious.

Me: but Louis.

Rational me: LATER.

Anyway I love Louis and I love how Lestat completely adores Louis and I love how every single vampire of the Court, from the most ancients to the youngests, know that they belong together and no one should ever try to separate them.

Also Louis noping out of the entire drama with Amel and those clone guys to go peacefully read in his crypt far away from the entire drama is so FUNNY AND RELATABLE, like same mate, saaaame, I'm good reading about it, don't wanna live it, no thanks.

[oorevitcejda]

"i do not condone violence :(" LAAAME SHUT THE FUCK UP YES YOU DO IF YOU HAVENT SAID A WORD ABOUT ANY OF THE ONGOING GENOCIDES YOU ARE ACTIVELY PARTICIPATING IN VIOLENCE ITS JUST VIOLENCE YOURE USED TO BECAUSE YOU DONT SEE BLACK OR BROWN PEOPLE AS HUMANS

[ruidusmoon]

i absolutely lack the brainpower to put my admiration for this mini arc into words but holy shit this was beautiful.

i love how complex the gods are, the relationships between them are so deeply loving and so broken. their family is prioritized over many things, mortals, promises and other families. even though they hurt each other that family tie is more important than almost everything else. they didn't want to hurt their children but they did it anyway for each other. at the end of the day they will cast aside their children in favor of their kin. the line is between those who matter and those who do not.

[slythernnn]

New wig who dis

[pardonmydelays]

i saw it and thought of you 🧃🧃🧃

BDHSJJSJDHDHDH I'M CACKLING

[ghost-proofbaby]

What do I have to do to get YOU to write the Quiet Place AU with Eddie though

and if i told you it's already dangerously close to becoming another wip? then what?

no but y'all can't encourage this truly i need to focus on finishing my current fics WAAAAH

[rosicheeks]

😇

[frienddungeon]

finally actually finished signalis (i immediately quit the game after the fake ending thinking that was it bc i'm a coward when it comes to horror games, but wanted to know what the story was actually about so i watched a breakdown. didn't think i'd be that interested but was hooked within five minutes. watched the whole thing and realised i never properly finished it. put off finishing it and watched more videos) omflllll this game is insane. it's so quickly become one of my favourite games of all time, like a game hasn't deeply impacted me and made me feel so much since i first played nitw back in 2020

[todayisafridaynight]

thinking about vampiric arakawas again just so i can make a 'blood-sucking politician' joke

[quietwingsinthesky]

what if. Amy “fix-it” because hallucifer makes sam so paranoid about dean leaving for no reason that sam gives in and follows him and is witness to the whole thing

[thirddoctor]

hot take but Tom Baker as Puddleglum >>> Tom Baker as the Doctor

[crescentmoonrider]

woke up pissed off bc of some cunt being rude in my notes yesterday, so im gonna indulge and reblog all of my bully megumi summer time drawings, aka yuuta thinks toji is hot and megumi wants to cry

reminder that it costs nothing to shut the fuck up instead of insulting artists when they draw something you dont like. either block me, block the ship tag, or scroll past like a well-adjusted person who wasn't raised in a barn

please and thank you

now time for some older art and yearly megumi bothering