#artist: mike patton

[haveyoulistenedtothisalbum-poll]

Tracklist:

Il Cielo In Una Stanza • Che Notte! • Ore D'Amore • Deep Down • Quello Che Conta • Urlo Negro • Scalinatella • L'Uomo Che Non Sapeva Amare • 20 Km Al Giorno • Ti Offro Da Bere • Senza Fine

Spotify ♪ Bandcamp ♪ YouTube

[gr33rdraws]

faith no more video study

[isoart]

Mike Patton AD Era

[m0nkeymonk]

A bunch of shity sketchs again!!!!

The first one is just ughh hes so ugly i cant!!! His eyes so silly his face is so dumb and stupid but i love it!!!!!

Emmm many of this sketches is not pretty similar to og, but i dont give a shi!! it's all in 1 try so... but i still love the color expression

Also no one saw the PREVIOUS POST!!!!

Oh!! I forgot last one is request 4 @perfectisaskinnedknee !!!! THANK U REQUEST!!!!🤭🤭🤭🤭

And req r open!! Commisons😳😳 too!!

[srndpt2024]

"The way to arrive and remain within 'the force field of the Holy Spirit', which is one way of describing consciousness - is both very simple and very hard: you've got to remain in love, with a foundational yes to every moment. You can't risk walking around with a negative, resentful, gossipy, critical mind." 

~ Richard Rohr

[depoteka]

sooooo anyway..

[bunglecryptid]

Trevor Dunn circa 1992 in his infamous Hellraiser pinhead mask. It's finally finished! Thanks to the man himself for answering a question I had about the mask (and making my day let's be honest). Would appreciate your thoughts, feedback and if you could share 🥺

All my art can be found here and I sell giclee fine art prints (including of Trevor and Mike) on Etsy here

@/shelleyfineart on Instagram, Etsy, Redbubble, YouTube & Tik Tok

[mentalabrasion-blog]

Faith No More - Surprise You're Dead [Official Music Video]

Legends.

[estradasphere]

love the sheer energy people are bringing to the john zorn hyhtb post

[haveyouheardthisband]

obscure bands and where to listen to them, part 2

Follow-up to [this post].

Here I'll go over five artists whose polls got an extremely low amount of "yes" votes, plug where you can listen to them, etc.

If you're a fan of one of these artists and I got anything wrong or you have anything to add, please send an ask!

Long post ahead.

-

PALMSY

Genres: Indie Pop, Jangle Pop, Bedroom Pop 10 out of 2,375 voters have listened to them. (0.4%)

Self-described as such: "Bedroom songs from the Netherlands. Feel-good sunny energy, jangly indie pop and the breezy energy of pop-punk." Their website (in Dutch) says they're influenced by artists such as Bombay Bicycle Club, Darwin Deez, Little Comets, and The Wombats. Released one EP in 2017 and seems to have been inactive since, but two members went on to form the band Banji.

Apple Music Soundcloud Spotify YouTube (official) YouTube (auto-generated)

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Clay J Gladstone

Genres: Pop Punk, Punk Rock 12 out of 2,495 voters have listened to them. (0.5%)

Australian. "Emo punk outfit Clay J Gladstone was formed in 2020, comprised of current and former members of powerhouses Resist the Thought, Caulfield, and Buried in Verona." Released one album and some singles in 2021-2022, but they're still active and playing shows! Apparently one of their guitarists got his equipment stolen recently but they were able to fundraise enough money to replace it so yay :)

Apple Music Bandcamp Soundcloud Spotify YouTube (official) YouTube (auto-generated)

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Radiation 4

Genres: Avant-Garde Metal, Mathcore 10 out of 2,314 voters have listened to them. (0.4%)

Los Angeles-based experimental metal band that dressed in lab coats and glasses for their live performances. Their MySpace listed their influences as "Sleepytime Gorilla Museum, Tom Waits, Mr Bungle, Botch..the list goes on." (IMO, the vocals especially are VERY Mike Patton-ish.) Released an EP in 2001 and an album in 2003, then went on hiatus in 2007 (though the vocalist uploaded some of their stuff to Bandcamp in 2022-2023?) Here's a fairly recent interview with the vocalist.

Bandcamp Here are unofficial YouTube uploads of Radiation 4 (2001 EP) and Wonderland (2003 album), which aren't on the Bandcamp, or anywhere else that I can find. ...Also, I finally found a copy of the album art for Wonderland that isn't JPEG'd into oblivion.

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LightGuides

Genres: Pop Rock, Indie Rock, Math Rock 4 out of 2,158 voters have listened to them. (0.2%)

Self-proclaimed "Glaswegian pop-punk samba legends" (they aren't really samba though...) previously known as We Hung Your Leader. According to their old website, their influences included Jimmy Eat World, Alexisonfire, Brand New, and The Get Up Kids. Released two "mini-albums" between 2010 and 2011, and ceased posting on social media around 2017. Here's an interview (from shortly before the release of their second album) if you want to know more!

Apple Music Soundcloud Spotify YouTube (official) YouTube (auto-generated)

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Tribraco

Genres: Jazz-Rock, Avant-Prog, Progressive Rock 12 out of 2,534 voters have listened to them. (0.5%)

Italian instrumental jazz-rock band, formed in Rome in 2004 initially as a trio but then grew to a quartet. Their MySpace listed such influences as John Zorn, Frank Zappa, Igor Stravinsky, and Fred Frith. Released two albums, one in 2008 and one in 2010. (...there's not much else I could find about them!)

Apple Music Spotify YouTube (official) YouTube (auto-generated)

[gr33rdraws]

das schutzenfest

[the-90s-music-colosseum]

this whole time i've been like 'haha very funny, (almost) no one here knows who Mike Patton is' and....you could just...look him up...but you know what? here, have a "summary" (lol it's long) of Mike motherfucking Patton and his career:

Mike is an aquarius, fire goat, grew up in Eureka, a small city on the northern california coast

he never intended to be a musician, but loves diverse music/soundscapes, is a curious person, worked in a record store, has perfect pitch and a bonkers vocal range and had close childhood friends (Trevor Dunn and Trey Spruance) who WERE studying music, they formed a band that would be called Mr. Bungle in their teens (fans tend to ship Trevor and Mike, and if you look at footage of them...you'll know why)

a demo tape of Mr. Bungle landed in the hands of Jim Martin, the guitarist for Faith No More...at the time they had fired their original singer and were looking for a replacement. The funny thing is, the demo was pretty hard thrash/death metal and FNM is....not that...but anyway, Mike was recruited to FNM, ostensibly for his singing ability, but he also was the profile of young, fit, long-haired, and hot as all get out. (fans tend to ship Mike and Roddy, and if you hear them banter on stage....you'll know why...and shoutout to Roddy for being an out gay man in metal in the early 90s...take that bja)

somehow, Mike finagled getting Mr. Bungle signed to the Warner Bros label when he signed onto FNM, so Bungle had a budget and exposure...and very little oversight...hence the MV for Quote Unquote/Travolta

The big Faith No More hit is Epic and that song catapulted them into a two year tour, during which Mike became known for being a fucking maniac (mostly shirtless) on/off stage....there's lots of true stories, and LOTS of untrue stories, no one, probably not even Mike knows exactly which is which. Two things are relevant: teen Mike started out straight edge, and during this tour he also gained a reputation for hating on groupie-and-party-focused rock stars. But his looks and his chaotic gremlin energy landed him this "reluctant pinup boy" persona.

Meanwhile Mike was also fully with Mr. Bungle, touring in his 'off time' from FNM, and at their shows everyone was completely unhinged.

HERE'S THE CRUX: after the success of Epic and the album it's from, The Real Thing, Faith No More were expected to have another massive hit with the next album....and they didn't. BUT they produced an album that to this day is beloved by fans even more that their first album, and Mike's stage persona continued to develop in this way that is mysterious, mesmerizing, sometimes heartbreaking, sometimes grotesque, sometimes just raw sexual/homoerotic/electrically-passionate energy. They're big abroad, but not as much in the US.

Through the rest of the 90s you see Mike with FNM and Bungle, but you also see him produce a baffling feat of a solo album, starting to experiment with his own band Fantômas, collaborating with avant garde musicians/artists, most notably John Zorn.

Faith No More disbands in 1998, but Mike continues with Bungle, and for many fans, his work with Mr. Bungle is considered paramount...FNM is fun, but Bungle is FUN, WEIRD, dangerous but not in a scary way, none of their four albums sound anything like each other. Their "pop" album is....not pop.

Mr. Bungle disbands officially in 2004 (both FNM and Bungle reunite later on), Mike continues to collaborate with musicians, form new bands (including my fave Tomahawk), make better and more impactful solo projects and generally work at a pace that seems the definition of workaholic....producing music that is both eclectic and instantly recognizable, but seldom (never?) hit material. (Since it's not the 90s, I won't describe in detail...but it truly is well worth looking up)

as a little extra, and as was referred to by lurkerwithabike, Mike suffered a certainly covid-times-influenced breakdown and dealt with alcoholism around 2021/2022. For someone who has kept his personal life and struggles cloaked in apocryphal stories and sarcasm, when Mike opened up about what he was dealing with at the time, for many of us it just solidified this deep, deep love for our little weirdo. Oh, and also, the entire time he's a fucking hottie and he hates it.

SO, from my perspective at least - that's why you get such fervor over some guy you've never heard of

fin

(ps....I could have written more....that is a threat)

This is actually so fascinating. May "who the heck is Mike Patton" be no more!

[laferocia]

Mike Patton at JazzIn Festival Milano, 2010: Mike talks about trees, his wife, and says lots of "WOW".

Alright, here we go! Santa is coming, and Lilia from Italy wants to make a gift for her international Mike fan friends.

Let me give you a bit of context: the event is called JazzMi Festival. The individuals you see at the beginning of the video are Letizia Moratti, who was the mayor of Milan at that time; Red Ronnie (the guy with red hair and round glasses), a famous italian DJ in the 70s and 80s and for years the host of a TV show where he featured excellent artists who could perform live, the "Roxy Bar"; Nick The Nightfly (the guy with white hair), a Scotsman who has been in Italy for years, at that time he was the artistic director of the event and also a DJ.

Letizia Moratti shakes hands with Nick and they exchange greetings.

Red Ronnie: sei il direttore del festival! // You are the festival director!

Nick: Sì! Benvenuto Red, benvenuto Red! Adesso andiamo a trovare anche Mike, magari lo salutiamo. Vediamo se... facciamo un viaggio da queste parti. // Yes! Welcome Red, welcome Red! Now let's go and find Mike, perhaps we can say hello to him too. Let's see if... we take a tour around these parts.

Letizia Moratti: sono molto felice di essere riuscita a venire // I am pleased to have succeeded in coming.

They have a brief exchange about a previous event in Milan. Nick mentions that it was a beautiful evening and compliments the mayor not only for the event but also for the speech, which he describes as touching and non-institutional. She thanks him and replies that she is not good at speaking in an institutional manner. Nick remarks that he has the same issue with Italian, sometimes saying things he shouldn't (Moratti, however, praises his Italian, which is indeed excellent, featuring a slight and charming Anglophone accent).

At 1:10, finally they met Mike.

Mike: Ciao, salve, tutto bene? Sono Mike. Questo è Daniele // Hi, hello, how are you? I'm Mike. This is Daniele.

Daniele: Piacere // Nice to meet you.

Moratti speaks to Mike in English and he responds in Italian "Parlo abbastanza bene, non perfetto" (= I speak Italian quite well, though not perfectly").

Moratti: grazie per essere qua // Thanks for being here.

Mike: oh, grazie per... it's great to be here.

A note of appreciation for Letizia Moratti: she is one of the few Italian politicians who speaks a decent English.

2:02, Mike: è un bel lavoro! // It's quite a job!

Red Ronnie: ha lavorato tanto! // She worked a lot!

Moratti: Sì, ho fatto tante volte il giro del mondo per riuscire, votano 157 paesi, bisogna avere il voto della maggioranza, eravamo in competizione con la Turchia, non è stato facile. Comunque adesso l'abbiamo, io vado a Shanghai per fare la handover cerimony. // Yes, I've traveled the world many times to succeed. There are 157 countries voting, and you need the majority vote. We were in competition with Turkey, and it wasn't easy. Anyway, we have it now. I'm going to Shanghai for the handover ceremony.

Mike shakes hand with Nick and with a guy that is a city councillor, Giovanni Terzi. Moratti explains to Mike that the municipal councillor organized the festival.

Nick: Mike io ti devo portare i saluti di Norah Jones // Mike, I've got greetings for you from Norah Jones.

Mike: ah! Stavo parlando con lei anche ieri sera che stava a Venezia. // Oh! I was talking to her just last night, she was in Venice.

Nick: Perché ha suonato l'altra sera, lei ha guardato e mi fa "oh my friend Mike Patton," // Because she performed the other night, she looked at *(a poster or something about the event, I guess)* and said "oh my friend Mike Patton".

3:26, Red Ronnie: fai tutto Mondo Cane? // Are you playing the whole 'Mondo Cane' project?

Mike: sì sì sì! 22 canzoni // Yes, 22 songs.

3:43, Mike: un'orchestra piccolina, 12 violini, però funziona! // A small orchestra, 12 violins, but it works!

*A brief interlude of idle chatter, LOL*

3:46, Red Ronnie: la cosa incredibile, come hai visto nel disco ha messo, sì, "Il cielo in una stanza", che son dei classici... Letizia Moratti: è una delle mie canzoni preferite! Mike: ah allora è la prima canzone! È un pochino diversa ma è riconoscibile insomma; Letizia Moratti: posso avere un autografo? Mike: certo! Dovrei chiederlo io a lei! (Mike is is using the formal "lei" instead of "tu" as a form of courtesy and respect for Moratti's role and age) //

ENG: Red Ronnie: The incredible thing, as you saw on the record, is that he included, yes, "Il cielo in una stanza," which are classics... Letizia Moratti: It's one of my favorite songs! Mike: Ah, it's the first song then! It's a little different but still recognizable, in short. Letizia Moratti: Can I have an autograph? Mike: Of course! I should be the one asking you for it!

4:09, Mike pointing to the CD: "ahi ahi ahi, hai ascoltato?" Letizia Moratti: no! Red Ronnie: no no ma lei ascolta, diciamo che lei ha scelto di venire... Letizia Moratti: io ho scelto di venire al tuo concerto! Eh sì! Ho guardato tutto il programma e poi... Mike: ah sì? E quello di Norah Jones non l'hai visto?

ENG: Mike *pointing to the CD*: "Ouch ouch ouch, have you listened?" Letizia Moratti: No! Red Ronnie: No no, but she listens, let's say she chose to come... Letizia Moratti: I chose to come to your concert! Oh yes! I watched the entire program and then... Mike: Oh yeah? And you didn't see Norah Jones' concert? (Mike laughs, you can understand the rest of the conversation because they speak in English.)

4:40, Red Ronnie: è interessante perché questo è un progetto internazionale ma è molto italiano e questo pur con una ricerca... Letizia Moratti: è questo che mi è piaciuto! Mike: sì è bello! Red Ronnie: perché ad esempio "Urlo negro" dei Blackmen che è un disco (che da) piccolino ascoltavo... Mike: conosci? Hai sentito? Red: io ho il disco! Mike: quarantacinque (45) giri? Red: il juke box, il 45! Mike: mamma mia, questo è raro! Red: e quando lo mettevo nel juke box... e vedere tu *(it should be "vedere te", LOL)* che fai "Mondo cane"... Letizia Moratti: ma Red ha una collezione che è una meraviglia! Mike: eh si vede che è un intenditore! Moratti: sì, sì, ha pezzi abbastanza unici, ha piatti di John Lennon con le ghiande della pace... adesso abbiamo in programma di fare il giardino di John Lennon per l'8 ottobre... Red: beh ormai... Moratti: tanto è stato già detto! Eh sì, per i 30 anni... L'idea è quella di avere un albero da ogni Paese del mondo, tutti i Paesi che verranno qui per l'Expo, dove ognuno pianti un albero... Red: bel gesto! Potresti portarne uno dall'America, dalla tua zona... Mike: sì, c'ho magari qualche seme, non so... Moratti: bello! Mike: Io sono di quelle parti, California del nord, Redwood. Nick: San Francisco, Redwood. Mike: sì sì però io sono proprio... vengo da anche di più, capito? Più a nord. Moratti: il primo ce lo hanno regalato dal Congo. Mike: Wow! E com'è? Moratti: è un eucalipto. È uno degli alberi loro tipici, sì. Mike: una sequoia a Milano? Moratti: una sequoia sarebbe bellissimo! Mike: però (it should be "il clima") la clima mi sa che... Moratti: esatto, bisognerà cercare degli alberi che non muoiano... Mike: sì deve essere bagnatissimo, capito? Deve avere tanta tanta pioggia e non troppo sole, perciò... magari cresce un po' così ma... Moratti: un po' mini! Mike: sì sì un bonsai-sequoia! Moratti: ti lascio, vorrai stare un attimo... Mike: no! Dai, abbiamo fatto già... *voice: vogliamo fare una foto?* //

ENG: Red Ronnie: It's interesting because this is an international project, but it's very Italian, and this is despite thorough research... Letizia Moratti: That's what I liked about it! Mike: Yes, it's beautiful! Red Ronnie: For example, "Urlo negro" by the Blackmen, which is a record I used to listen to when I was little... Mike: Do you know it? Have you heard it? Red: I have the record! Mike: 45 RPM? Red: The jukebox, the 45! Mike: Oh my, that's rare! Red: And when I put it on the jukebox... and see you doing "Mondo cane"... Letizia Moratti: But Red has a collection that is wonderful! Mike: You can tell he's a connoisseur! Moratti: Yes, yes, he has quite unique pieces, turntable platters from John Lennon with the acorns of peace... now we're planning to create the John Lennon garden for October 8th... Red: Well, by now... Moratti: It's already been said! Yes, for the 30th anniversary... The idea is to have a tree from every country in the world, all the countries that will come here for the Expo (in 2015, Milan hosted the Expo), where each one plants a tree... Red: Nice gesture! Could you bring one from America, from your area... Mike: Yes, I might have some seeds, I don't know... Moratti: Nice! Mike: I'm from those parts, Northern California, Redwood. Nick: San Francisco, Redwood. Mike: Yes, yes, but I'm even further north. Moratti: The first one they gave us was from Congo. Mike: Wow! How is it? Moratti: It's a eucalyptus. It's one of their typical trees, yes. Mike: A sequoia in Milan? Moratti: A sequoia would be beautiful! Mike: But the climate, I think... Moratti: Exactly, we'll need to look for trees that won't die... Mike: Yes, it has to be very wet, you know? It needs a lot of rain and not too much sun, so... maybe it grows a bit like this but... Moratti: A mini one! Mike: Yes, yes, a bonsai-sequoia! Moratti: I'll leave you, you might want to stay a moment... Mike: No! Come on, we're already done... *Voice: Do you want to take a photo?*

7:00, Moratti: ma in casa parli italiano con tua moglie o... Mike: tutto! tre parole in italiano, una in inglese. Red: ma poi è una bolognese! Moratti: infatti! Lo so! Mike: lo senti? Un po'? Red: le "s" un pochino. Mike: un po' esce. Red: ma hai vissuto a Bologna? Mike: sì, 6 anni, più o meno. Red: ah, in che anni? Mike: sarebbe primi anni 90. Red: allora quando facevo il Roxy Bar. Mike: ah, infatti! Ho riconosciuto 'sta faccia! Guardavo, sì sì guardavo! Una volta, con un altro gruppo, non ricordo quale che ne avevo un paio, mi han detto eravamo chiesto (eravamo chiesto: it is not correct in italian but we can understand that he was saying "ci avevano chiesto") di andare lì però non potevamo fare. Red: tu hai collaborato con i Melvins, i Melvins han suonato dal vivo. Mike: sì sì sì mi ricordo! Red: il gruppo più rumoroso che abbia mai avuto! Mike: eh già! Red: hanno fatto... guarda... non puoi capire! Perché lui (Mike) ti sembra un bravo ragazzo... *a female voice, prolly his wife: ok, basta grazie, andiamo!* Red: lui fa degli esperimenti con la voce molto interessanti, con delle scatole, esperimenti. Un po' quello che faceva anche Demetrio Stratos, solo che faceva solo vocalizzi. Mike: sì ma per me Demetrio Stratos per me è proprio un idolo, è un grande, sono un grande fan, e c'ho molto rispetto per lui, ma veramente! Red: buon concerto Mike! Mike: grazie! È stato un piacere. *The other guy: quando sentirai urlare saremo noi!" //

ENG: Moratti: But do you speak Italian at home with your wife or... Mike: Everything! Three words in Italian, one in English. Red: But then she's from Bologna! Moratti: Indeed! I know! Mike: Can you hear it (he meant the typical Bologna accent)? A bit? Red: The "s", a little bit. Mike: It comes out a bit. Red: But did you live in Bologna? Mike: Yes, for 6 years, more or less. Red: Ah, in which years? Mike: It would be the early '90s. Red: So when I was doing the Roxy Bar (Roxy Bar was a music show created and hosted by Red Ronnie, broadcast in Italy from 1992 to 2001). Mike: Ah, indeed! I recognized that face! I watched it, yes, I watched it! Once, with another band, I don't remember which one because I had a couple, they had asked us to go there, but we couldn't make it. Red: You collaborated with the Melvins, and the Melvins played live. Mike: Yes, yes, I remember! Red: The loudest band I've ever had there! Mike: Oh, indeed! Red: They made... look... you can't understand! *Talking to Moratti* Because he (Mike) seems like a nice guy... *a female voice, probably his wife: okay, enough, thank you, let's go!* Red: He experiments with the voice in very interesting ways, with boxes, experiments. A bit like what Demetrio Stratos used to do, only he did vocalizations. Mike: Yes, but for me, Demetrio Stratos is truly an idol, he's great, I'm a big fan, and I have a lot of respect for him, really! Red: Good concert, Mike! Mike: Thank you! It's been a pleasure. *The other guy: When you hear shouting, it'll be us!"

[aleprouswitch]

The whole "Kesha ripping off Pharmakon" occurrence didn't go unnoticed by the Chardiet sisters, and judging from their posts on Instagram, they're quite peeved about it, as they should be.

I messaged Margaret last night about this and her response was very broad but poignant - stealing from the underground and making it mainstream is pretty much how Rock 'n Roll in itself came to exist.

Trent Reznor did in fact make an astute observation that everything is a copy of a copy. So many artists have had their aesthetics, musical style, etc. stolen by the suits and never got their dues.

Hell, some artists that people think are so groundbreaking and original swiped elements of their style from other artists. Mike Patton borrowed heavily from Diamanda Galas, which I wrote about HERE.

Within a noise context, there seems to be a phenomenon in which noise music itself is considered taboo, but the aesthetics around it are ripe for the picking. This trend is unlikely to die down.

I want to make it clear that I have nothing against Kesha. I'm quite fond of a lot of her music, actually. I commend her strength and tenacity in the face of an abusive, oppressive music industry.

Both Kesha Sebert and Margaret Chardiet have something in common - they've used their music as a vehicle to highlight the pain and suffering that women especially have to endure in life.

With all of this being said, however, the visuals Kesha used for "Eat the Acid" is obviously lifted from Pharmakon's 2017 album, Contact. It would be in Kesha's best interest to just own up to it.

The importance and urgency that comes with female artists needing to express themselves should not be undermined, but the complicated nature of that expression isn't immune to scrutiny.

[bunglecryptid]

Holy fuck I can't believe he's almost done.

[brachiocephalics]

about me! 💫 [like after read, please]

🌠 my aliases are sunder and marrow! i go by too many names [most notably: doctor, nurse, strangelove, chris, dave, idris, ethel, ruin, miette, seth, divine, tori, brandy]

🌠 she/her & ze/hir, transsexual stone butch lesbian

🌠 mixed afro-latine, brazilian

🌠 18 (august 29th)

🌠 autistic & disabled

🌠 poly & taken by my 4 lovely boyfriends! you can follow three of them here: rajke sacremots & oscar marthammasters & diego rejectfalseicons. we are a package deal :-)

🌠 my best friend is rory 11amyrory. i am soulbonded to her and love her more than anyone else. follow him as well ❤️‍🩹

🩻 i enjoy sci-fi, horror, surrealism, erotic thrillers, war movies, formulaic TV shows, etc. some of my favourite directors include david cronenberg, lars von trier, dario argento & jesús franco. i don't have a letterboxd, i log all my film reviews in a beat-up notebook i have owned for about 8 years

🩻 some movies to get to know me: M*A*S*H, flesh for frankenstein, the texas chainsaw massacre, the house that jack built, rope (1948), california split, near dark, suspiria, peeping tom, all quiet on the western front (1930), venus in furs, preaching to the perverted, mulholland drive, crash (1996), videodrome, apocalypse now, natural born killers, eastern promises, crimes of the future (1970)

🩻 some shows to get to know me: twin peaks, the twilight zone, the x-files, buffy the vampire slayer, doctor who, monty python's flying circus, M*A*S*H, supernatural, house M.D, succession, star trek, midnight mass, dexter, BrBa/BCS

🩻 i am very passionate about music! i am an industrialist, but i enjoy all forms of extreme metal, noise, IDM, hardcore punk, trip-hop & avant-garde, as well as several other genres. my favourite musician of all time is mike patton. i am very interested in all his projects and love talking about him :) 🫂

🩻 some bands/musical artists to get to know me: mr. bungle, faith no more, the alter boys, fantomas, laibach, ministry, front 242, skinny puppy, KMFDM, pankow, monte cazazza, throbbing gristle, chris & cosey, raymond watts/PIG, depeche mode, foetus/JG thirlwell, godflesh, slint, aphex twin, orbital, atrax morgue, merzbow, lingua ignota, pharmakon, macronympha, nine inch nails/how to destroy angels, snake river conspiracy/mojave phone booth, primus, sepultura, wormrot, total fucking destruction, napalm death, cannibal corpse, crass, ramshackle glory, facada, morbid angel, lydia lunch/big sexy noise, portishead, nação zumbi, lamb, L7, sugarcoma, sonic youth

🩻 i am a medical student & hobby artist, as well as an amateur stage actor! i consider myself a big lover of the arts :)

i am always open to a chat and love it when people send me asks and DMs! thank you so much for reading! i hope we hit it off 🤞🏽