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#as if they didn't just do the same to azula
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When talking to an Azula hater: She's fourteen, she's abused, she's awesome, she deserves better, she's allowed to murder if she wants
When talking to an Azula stan: She's ruthless, she uses people without care, she abuses her brother and her friends, she's fucking evil, she doesn't get a free pass just because you like her
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ID: clips of azula set to "caesar on a tv screen" by the last dinner party, emphasizing her ambition and her desire to be loved. end ID.
when i was a child, i never felt like a child / i felt like an emperor with a city to burn
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the-genius-az · 5 months
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What is something special that Azula does only for Mai? Ty Lee? What does Mai do only for Azula? Etc. Could be something sweet or spicy
Thanks for the question, Amor!
Azula learned to make knives for Mai, she could easily buy them, but she decided to give more meaning to her gifts.
Azula wrote songs and sang for Ty Lee, after the girl admitted to loving her voice after a music class.
Mai wrote her daily life to Azula when the princess was too busy to be there.
Mai wrote poems for Ty Lee, she did it even more when she ran away to the circus.
Ty Lee painted Azula in all her paintings, the princess was her beautiful muse.
Ty Lee danced just for Mai, she taught her all the dances she learned.
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aceyanaheim · 2 years
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No one :
Absolutely no one:
Not a Single Soul I Swear
Me: Azula + Surface Pressure from Encanto
Me: But Also Azula+:What Else Can I Do from Encanto
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thefandomthings · 6 months
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Zuko x reader
"That's not what I meant, and you know it."
Betrayal
Hurt prompt #11: "That's not what I meant, and you know it."
Pairing: Zuko x F/Gn!reader
Warnings: Angst, No comfort, Established relationship, !!SPOILERS¡¡, Takes place in Book 2. Ep. 18
Notes: Oh boy, I have so many avatar requests, it's amazing. Thank you guys for participating in my event it makes me so happy! Tell me if y'all want a part 2.
Prompt Event Part 1 Part 2
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All you felt was pain, deep inside your chest. Watching your boyfriend take sides against the avatar once again was brutal. What made it even worse was Iroh was to be imprisoned, you would hold the same fate if you were captured.
You stood next to Katara and Aang, Azula and Zuko on the opposite side of the cave. Azula held the same malicious grin on her face, watching the three of you with smugness.
"My, my Y/n. You seem so down, how sad." She mocks you with a slight chuckle. Zuko gives her a glare, his eyes wandering back to you. They are full of guilt, pleading for forgiveness from you. Practically begging you to understand why he did it, to come with him.
"Leave Y/n alone, Azula." Zuko grunts, getting in a fighting stance with his sister. Azula clicks her tongue and rolls her eyes at her brother.
"They're the enemy now, Zuzu. Can't protect them forever." Azula laughs, blue fire erupting from her fists.
The blue flurries of fire woosh past you fastly. Katara quickly blocks the fire with her water. Using her octopus arms she slashes and whips at Azula, both going back and forth. The ground beneath the five of you shakes and cracks.
Aang and Zuko are going at it hand to hand. You watch out of the corner of your eye as Zuko takes a hit by Aangs wind, sending him flying back into one of the crystal pillars. Your heart stops, skipping a beat as Zuko groans.
You curse under your breath and run towards him, Aang is calling your name frantically. You slid against the rock surface and get the few rocks that landed on Zuko off. He lets out a huff of air, the weight of the rock off of his chest allowing him to breath.
He's quick to sit up, using his hands, he does a walk over away from you. Your heart felt like it was stabbed, watching as he gets in a protective stance. He knows you'd never hurt him on purpose, and he'd never hurt you.
"Why are you doing this, Zuko? Why are you so desperate to gain your honor back?" Your voice is meek, tears gathering at your waterline, blurring his figure.
"You know why I have to, Y/n. This is my chance to prove to my father I am worthy."
Zukos heart physically aches, seeing your tears making him question everything. He never wanted to hurt you, never wanted to put strain on your relationship. You're his everything, you've been with him since the beginning along with Iroh. Loving him even when he didn't love himself.
"But Zuko, when you get home and see your father, will he even except you? What if he hurts you again, or what if he tries to kill you?" You plead, knowing this isn't him. He's just confused and fighting himself.
Zuko stays quiet, thinking over your words carefully. You have a point. His father could easily do all of those things, Azula to. Does he really want to go through with this? Having Uncle imprisoned, possibly you too?
He closes his eyes tightly, fists clenched at his side. He lets out a long breath, salty tears slide down his cheeks as he looks back up at you again.
"He won't. I'm sorry Y/n. You can't change my mind. I'm going home." He lifts his fists back into a defensive stance, hands trembling.
"Please...Please forgive me."
You let out a strangled sob at his words, heart clenching and shattering. Zuko grits his teeth, holding back his own cries.
"Get out of here, before Azula realizes I haven't killed you." Without realizing it, Zuko was beside you. Taking you into his arms, he holds you as close as he can. His lips pressing multiple kisses to your head. His nose buried in your hair, taking in your shampoo scent one last time.
"Does this mean you don't love me anymore? Since you're leaving?" You asked, face hidden in his neck, tears hitting his skin like rain. Zuko squeezes you softly, kissing the apples of your cheeks.
"That not what I meant, Y/n. And you know it." He pulls away from you, taking a few steps back to create distance.
Water then wraps around his waist sending him flying. You scream his name as Katara takes you in her arms. You sob holding onto Katara as she sees you down.
"It'll be alright, Y/n. I promise." She hugs you tightly, the sound of wind echos in the cave as Aang enters the avatar state. Suddenly lighting cracks, blue electricity shoots towards Aang. Shooting into his back like a spear.
"AANG!" You and Katara race towards him, watching as he falls, his body is lifeless. Katara catches him, tears falling from her eyes. You use your bending to keep the three of you protected as Katara holds Aang and bends up the waterfall.
Zuko watches as the love of his life disappears. He lets out a sob, his fist pounding the ground.
He's sorry. So, so sorry. He never wanted to hurt you, cause you this much pain. Yet he has, and he might never, ever be able to fix it.
He hopes you're safe, and he'll come and find you when the time is right before it's to late.
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aangarchy · 10 months
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Incredibly specific moments in atla i think about ALL the time (i am Not normal)
Zuko's eyes slightly widening when witnessing Katara's bloodbending for the first time
Aang and Katara just missing each other looking back at the other after their argument in The Warriors of Kyoshi
Toph holding onto Sokka's arm once on Appa when he didn't have a saddle and once on the boat bringing them to the lake town
The moon being in full view as Suki tries to kiss Sokka in the Serpent's Pass, and the shadow returning as Sokka leaves
The "four seasons four loves" motif coming back throughout the episodes of the Northern Watertribe and specifically as Sokka gives himself up to serve in the battle against Zhao's seige and Yue turns away and quietly cries as she watches him walk off
Longshot talking for the first time ever as Jet lay dying
In that same breath, the way Toph says "he's lying" as they walk away from Jet knowing that he's going to die
Aang looking back at the Southern Airtemple ruins along with Momo as they fly away from it, seeing it disappear behind the clouds (this one specifically makes me cry so much)
The chants as Aang gets summoned by the Lion Turtle in book 3 being the SAME as the chants when Aang fuses with the ocean spirit in book 1 (there's other moments with these chants i think but i can't remember them off the top of my head)
Aang taking down Ozai's airship in the finale as his first attack and Sokka cheering him on like a proud older brother
Katara immediately without a shadow of a doubt responding "Aang won't lose" when Zuko questions if he'll be able to take on Ozai
Aang knowing Zuko was gonna fire at him in the crystal catacombs as soon as Zuko laid eyes on him (he gasped before Zuko even made a move) when even Azula wasn't sure what Zuko was gonna do in that scenario
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winter-tospring · 7 months
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The Agni Kai between Ozai and Zuko was one of the smartest, best additions to the show. I see people complaining about Zuko "fighting back", as though that's a bad thing or takes away the victimhood of his situation.
Zuko is prepared to fight someone else. Then his dad steps in. There's already a ton of pressure, and now confusion overwhelms, because wth why would he fight his dad and HOW. He doesn't want to fight him. But this Agni Kai's point is for honor, to prove himself to him, and a) he is firstly DEFENDING himself from his dad who is the one who starts fighting him hard. (throwing fire at him?? Hello??? Is he just supposed to take it??) b) don't you think Ozai would think worse of him if he didn't do anything at all? And don't you think Zuko takes that in consideration pretty quickly as his dad attacks him?
It's clear Ozai will fight. Now Zuko looks confused and scared during the fight, rightfully so, and he tries to figure out how far this will go. My wife keeps saying that he is sparring (and that y'all don't know about sparring, lol), and that doesn't mean you have to hurt your opponent, not the way Ozai intends. Zuko engages defensively, and then fights his father, hoping that's enough to show him that's he's good at this, that he's skilled. It doesn't have to go as far as Ozai takes it, it COULD just be sparring. Zuko COULD jusy try to show him what he's learned and hope his dad is pleased enough. Isn't that what he keeps trying to do anyway? Get his approval? Both he and Azula. Unfortunately, we know that's impossible.
The unfolding of this Agni Kai drives home the cruelty of Ozai in an even more intense way to me. Because no matter how well Zuko fights, it's not about skills, it's about how far he's willing to go, that's what Ozai is judging. The mentality behind it. Zuko isn't willing to hurt his father when he could, he holds back! That is his "weakness". And the way Ozai punishes this by doing what Zuko refused to do - burning Zuko where Zuko could've burned Ozai - that is a horrible reminder of this "failure" to go far enough, and the consequences it entails.
Zuko's scar now isn't just random placement, it has meaning behind it beyond the basic cruelty of Ozai hurting his child. It directly references Zuko's "weakness". Ozai showing him how it's done directly on his face, serving as a constant reminder that he couldn't be the strong one, so he got hurt by the one who was willing to be.
The sequence of Zuko holding back and Ozai NOT holding back but purposefully pausing and choosing to punish him this way was mind-blowing. Such a powerful, terrifying moment that makes Ozai feel even crueler than in the OG.
I don't think Zuko not engaging in the OG is bad at all, it virtually gets the same result; but I also don't think it's bad for him to decide to engage. It doesn't take away anything from the point, for me, the way it plays out in the live action takes it further. It examplifies Zuko and Ozai's relationship and Zuko's efforts - never enough - perfectly.
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ittsybittsybunny · 7 months
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ATLA Live Action Series Review:
The Good
Aesthetically this show felt right. Sure sometimes the outfits didn't quite feel lived in, but I always felt like I was watching a fantasy world with decent effects and interesting design. Also, I really enjoyed the sets!
Bending: Yes some of the fights feel very quick, but the bending looks cool. It is certainly better than 10 benders lifting one big rock. I can honestly say the opening bending fight scene gave me so much hope for this show.
Kyoshi Warriors: I loved seeing them in live action, and I thought Suki's performance was great!
Omashu: I think the mashup of the mechanist made sense since that is an important character overall and I would hate to see him cut. However, both Jet & the secret tunnels felt sloppily thrown in.
Northern Water Tribe: I really loved the way it looked, and appreciated the two episodes we spent here. I think Yue gained more agency in this interpretation, and why shouldn't the moon spirit be a waterbender. Also, episode seven felt the most in tune with the original show's spirit.
Zuko: I think he was one of the most fleshed-out and best parts of the show! Dallas Liu really captured Zuko's spirit, and the scene between him and Aang in episode 6 was wonderful!
Soundtrack: Hearing the original soundtrack bits is always great, and when I first heard the ending music I was so excited.
Is the show perfect, no - but I wouldn't mind a season 2.
The Bad
Pacing: Turning 20 episodes into 8 was bound to lead to some cuts...but oftentimes times things felt too quick or disjointed. I think there were editing problems contributing to this for sure, but sometimes things skipped around too much without a clear purpose as to why. Also, why bring in plots from later seasons when you barely have enough time already?
Writing: This show definitely suffered from exposition dumping, though it did get better as time went on. I think the biggest example of this is actually opening in the past rather than the present. We do not get to learn along with Aang that the world has changed, instead, we get to learn that 100 years have passed....which doesn't hold the same tension or worldbuilding.
Clunky Dialogue: Along with exposition, clunky dialogue is another example of bad writing. I think sometimes I felt like the acting was kind of meh in the beginning, but then over time I began to realize it had far more to do with the lines characters were trying to deliver. The actors themselves are not bad, just cursed with awkward writing and lines that feel out of touch with the setting they're in.
Main Trio: I don't entirely know that I believe Katara, Sokka, and Aang are friends as opposed to 3 people stuck together to save the world. Aang feels a little too somber for a young kid running away from his responsibilities, Sokka is protective, but not exactly the heart of the team, and Katara is sort of just there until the last two episodes. Where is her struggle, her desire to learn so strong she steals from pirates? Also, while Gordon Cormier did a great job, Aang does zero waterbending on his own, is overly serious, and tells Katara not to fight. Where is his desperation to protect his friends? It feels like they all lost emotional depth.
Tension: Bringing Ozai, Azula, and Zhao out in the beginning immediately causes us to lose the realization there is an even bigger bad. Part of why Ozai is so terrifying is he is a primarily silent villain until the third season when we finally see the face of the "big bad evil guy" behind it all. Yes, they add to Zuko's backstory, but again, they are revealing the villains too early. Azula is the antagonist of season 2 and one of my favorite characters, so I hope they do more with her in the future. Finally, Zhao is supposed to be an example of the uncontrollable nature of fire unrestrained, instead, he comes off as vaguely threatening with the supposed true power being Azula.
Characterization: While all characters are bound to lose something in a shorter show, it still felt like certain characters were more mutilated than others. I am sure there are 100 different opinions on who, but I think the biggest victim was Katara.
Katara: Katara manages to go from a complete novice to a bending master in what feels like a matter of days. The journey feels short, and that makes the results feel largely unearned. Katara is one of the strongest personalities in the show, determined, kind, and fiery. In many ways, she is the unpredictability of water - equally dangerous as it is necessary to live. She is the child of a war who lost her mother, forced to grow up too soon, and even raised her older brother. Yes, Katara often gets stereotyped as the mom friend, but overall she feels underutilized in this show. We really don't see enough of her journey until the very end.
Iroh: Iroh was always comedic but most importantly wise. Even when Zuko is trying to give himself advice, he mimics Iroh. Instead, he seems to be used more as comedic relief without the underlying experience. He just doesn't feel right. Also, he kills Zhao instead of Zhao getting himself killed - which is less about Iroh and more about the writing than anything.
Ozai is weirdly a little too nice. Yes, he burned Zuko and pits his kids against each other, but he feels toned down in a show claiming to be more mature than the original cartoon.
Azula is perhaps more realistically worried about losing her status as the golden child, but she is also missing the cruelty she and her father share. I understand worrying about making your character cartoonishly evil, but the Fire Nation is currently a deeply nationalistic empire trying to control the world. Where is the deep-seated belief that they are better than other people, not just trying to bring balance to the world? There is a line between creating complexity and toning down the very real evil inherent in this plan.
Roku: I can only say what the fuck was that. He was barely there, and not the serious master to Aang's youthful exuberance.
The Ugly
Show, Don't Tell: The show's single biggest issue seems to be speeding through story parts by simply stating things. Instead of allowing the audience to discover, trusting that we are smart enough to understand, let's just blatantly say things like Zuko is the only reason the 41st division is alive to their faces. Even though in the context of the story Ozai literally already said that.... it's the division, the division for Zuko, Zuko's division.
Thematic Misunderstandings: I think this show makes several minor changes with major implications, such as airbenders actively fighting the firebenders, when airbenders are known for their pacifist nature and the lie of an Airbender fighting force is actively propaganda. Similarly, Aang very quickly accepts his role as the avatar and doesn't even run away in the beginning. Without this conflict between his desire to be a carefree child and the fact that the world needs him - the show loses a key aspect of Aang's character. Also, the obsession with downplaying the avatar state as something dangerous feels like a disservice to the tradition, connection, and strength of the avatar, which can be permanently destroyed as the trade-off for that kind of power. It's dangerous for the balance of the entire world, not just because it's powerful!
The Agni Kai: Zuko's fight against his father is one of the defining moments of Ozai's cruelty, not just because he is willing to fight his child, but because Zuko tried to do everything right. Zuko shows deference to his father, apologizes, and most importantly refuses to fight! The determination not to upset his father and still be grievously injured and banished is a hugely important theme for the fire nation and Zuko's life as a whole. He tries to do everything he is supposed to and only regains his father's acceptance after he "kills" Aang. Zuko's struggle between moral vs. social right and wrong in contrast to his family is hugely important to his character.
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TLDR: ATLA was a fantastical animated television show that was never afraid to show character development and flaws. When you turn 20 episodes into 8, you are bound to lose something. You hollowed out the middle, leaving the shell of important moments and events without ever wondering if all the times in between formed the true spirit of the show.
Rating: 6.5/10 It's perfectly fine and worth a watch. Not a disaster, but certainly falls flat of the original.
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Top 15 Maiko moments
Since I made a Kataang list, and I think it's only fair I do it for Maiko too.
#15 - Casually leaning against each other during a meal (03x05)
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I'm starting off the list with the neverending trend that is "Maiko being unbelievably clingy."
I just can't deal witht he fact that these two both have demonstrated some difficulty/discomfort when other people get too touchy with them - yet you leave them in a room together and these motherfuckers suddenly think they're siamese twins.
They're not even trying to be romantic, they just... naturally gravitated towards each other and stayed in that position because it's what feels familiar and comfortable for them.
I remind you guys that The Beach is the episode in which they are at the most incompatible, yet even that episode is visually showing us "These dumbasses are so in love they just naturally act like a couple without even meaning to."
#14 - "It'll be nice to Zuko again. Won't it, Mai?" & Baby Mai's crush on Baby Zuko (02x03 & 02x07)
I know, I know, I'm cheating with this one because they are two separete moments from two different episodes, but SUE ME, I couldn't pick a favorite between them, and I also didn't want to remove the previous moment from the list, and "Top 16" just doesn't doesn't feel right.
I just love the way Mai is acting all shy whenever she so much as looks at Zuko in "Zuko Alone", how she clearly WANTS to hang out with him but doesn't really know how to start a conversation with him and feels all awkward.
And then years later, in the middle of a mission, she's just... happy that she might see him again, even if it's not in the most ideal situation. It's cute and I love it when Mai is happy and showing some of the emotions that hide behind her apathy for seemingly everything and everyone.
#13 - Grumpy dumbasses at the party (03x05)
On this one, those two just skipped several years ahead and went straight to "Bickering like a couple that has been married for fourty years, are clearly about to fight, yet refuse to get any space because WHY would they want to be away from each other? What a strange notion!"
Seriously, I lost count of how many times my grandparents had that exact same conversation when they're feeling the need to be difficult, and that scene made me have the same reaction I always have during these moments:
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They're annoyed at each other, yet they just... refuse to not to be near each other. And Mai's first instinct when she wants something is to tell Zuko to go get it for her, and he does because, once again, they just have no freaking clue how NOT to be a couple (and it took what, fifteen minutes for her to go check on him after their fight because she just doesn't know what the fuck she has to stay for if he's not around? That's a marriage if I've ever seen one).
Also Zuko's line of "That food was for my cranky girlfriend!" makes me laugh every time and it's actually so cute that he wants to spoil his girl even when they're both in a terrible mood.
#12 - First date/kiss (The Lost Adventures Comic)
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This moment is just SO. FREAKING. ADORABLE.
The way we see a bit more of Mai's prankester side (girl was friends with Azula and Ty Lee for a reason) and how Zuko can't help but find it endearing, the way they blush and act all unsure of themselves after he touched her shoulder, how Zuko can't even look at her when he admits that he likes seeing her happy and enjoying herself, Mai basically admiting that for a while she did the equivalent of "Little boy pulling at a girl's hair because he likes her and can't deal with it", and then, of course, the kiss. It's all just great.
And I gotta love how this date only happened because Azula set it up because Zuko was acting all angsty and saying he wouldn't go back to the Fire Nation - so she reminds him that something, or rather someone, he REALLY wants wasn't going to be around much longer, and that boy just doesn't hesitate to take the bait.
Also Azula and Ty Lee were HILARIOUS while spying on them, and the irony that Azula is basically playing 3D chess with her brother's love life for her own benefit, only to then accidentally shoot herself in the foot by the events she set in motion is just too good.
I really wish we could have seen this in a flashback during the actual show. It's just not fair that this little gem is hidden away in a comic.
#11 - Mai covering Zuko's eyes (03x05)
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Yet another silly, very quick moment that I'm likely the only one obsessing over, but I can't help it, I live for stuff like that. Zuko is on full rage mode for being on the island at all and thus Mai is getting very grumpy and annoyed at him... yet the second they witness the gross sight of Li and Lo in bathing suits, she just covers her boyfriend's eyes to spare him of the horror that is old people who ran out of fucks to give (and that is totally not their own fate when they're Li and Lo's age).
The inherent cuteness of their relationship seeping into every scene, even when they are not on their best moment, is just one of the things I love the most about this ship. If they're not "meant for each other" like some dumbasses insist, then how come they're so married?
Plus it was really funny, and I like it when things are funny. The more it makes me giggle, the higher it goes on the list XD
#10 - First on-screen kiss (03x01)
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This moment had me SHOCKED the first time I watched the show. I already thought Mai's crush on Zuko was cute, and I knew the series could make them a couple eventually - but I did not expect them to get together in between seasons. 7-year-old me was like "WAIT, THAT'S ALLOWED?"
Also, I've always loved how that moment started. Zuko is staring dramatically into the horizon, being angsty and walking right into an existential crisis - and Mai just goes "No, we're not doing that." It's just so fucking funny.
And it's also the first exemple of these two being completely unable to keep their hands to themselves. Mai just hugs him, touches his scar, and kisses him, and Zuko, who had trouble even hugging Iroh back, just... lets her. Because he doesn't mind it one bit when she does it.
I just really like how Mai's default way of comforting Zuko is by offering physical affection. It's freaking adorable. Also their "first" kiss happening in a gloomy day, with dark clouds everywhere, yet they're off in their own little world, just happy to be in each other's arms, is "Maiko in a nutshell." Add in some emo music and it becomes the most mid 2000s AMV ever.
#09 - "I'm sorry, Mai" (03x10)
This scene is one that just drives me up the wall with how much I love it. It's such a short little moment, but it's so significant to their relationship. Zuko wants to continue enjoying the life he has at the Fire Nation. He wants all the comfort that comes with being a prince, the approval of his father, the security of knowing he'll always have roof over his head and will one day be Fire Lord - and wants to stay and be with his girlfriend because he LOVES her.
But he can't. Because he knows innocent people will suffer and die if he doesn't stop his father. So he has to leave behind everything he holds dear, including Mai. He can't even say goodbye in person, both because it hurts and because what if something goes wrong and he ends up captured? He can't risk it.
So he leaves her a letter and says aloud an honest apology that he knows she can't hear, because he just HAS to say that he never wanted this.
More importantly though:
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That boy heard Azula's mocking comment in "The Avatar And The Fire Lord" and decided "You know what, maybe I should go see the royal painter and bring Mai along so we can have a portrait of us as a couple."
I just love them so much.
#08 - Confrontation at the Boiling Rock (03x15)
This is a BIG one. Mai is obviously pissed at him because of the way he broke up with her, and she cannot understand why the hell ZUKO, someone who has always been so deeply patriotic and a very proud prince is suddenly leaving everything behind to go help out a bunch of traitors.
Zuko stands his ground, and tries to make her understand - and then out of nowhere he just HAS to brag about how awesome she is when a guard offers to protect her. He simply not hesitate to basically say "Oh yeah, she could totally give me a hard time during a fight, ain't that great?" (Also the fact that the show never gave us a moment of them throwing knives together even though Zuko has a knife too is a CRIME).
But, of course, real life has to "ruin" the moment. Zuko sees an oportunity to go help his friends, and escapes the cell, locks the door - and then they just stare into each other's eyes, for what they know might be the last time.
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Mai's confusion and rage. Zuko's resolve to do what's right no matter the cost. Just that certainty that, whatever they both decide to do now, it will be final. There's no turning back from this. If their relationship ends that day, it ends FOREVER.
It literally lasts just a few seconds, but it's intense and does such an amazing job of allowing the characters to communicate with each other, and the audience, on what they're feeling.
And it's also the perfect set up for:
#07 - "I love Zuko more than I fear you" (03x15)
Literally NO ONE saw this coming, not even Mai herself, and if you tell me you did I'm gonna call you a liar, because OH MY FUCKING GOD!
Everything went wrong, the good guys are about to get captured, the situation is hopeless... and then in comes Mai, risking it all and taking a huge leap of faith.
She doesn't fully get why Zuko is so sure joining the Avatar will be good for their nation. She doesn't know if that will work out like he hopes. But she trusts him, and allows him to go for it, because she knows HIM, knows all the pain he went through trying to be Ozai's perfect son, and if he wants to throw his "perfect" life away just to be the one actually in charge of it, goddammit, she's on board and will do the same.
She knows there's no way she escapes that place with Zuko, it's too late for that. But she can allow HIM to leave "safely", while she stays behind and faces Azula's wrath - and she doesn't care, because she knows there's NOTHING Azula can do to her that would ever hurt as much as living with the knowledge that she just stood by and watched the downfall of the person she loved the most, that she chose to submit to Azula yet again instead of being her own damn self at long last.
It's the proof of Mai's devotion for Zuko, the moment in which her life became her own again, it's one hell of a plot-twist, and leads to yet ANOTHER epic moment of characters staring at each other with daggers in their eyes (and hands), and it's fucking beautiful!
#06 - Fight and reconciliation by the fire (03x05)
I can't lie, I'm a sucker for characters hitting their breaking point, confronting each other, letting all their rage and pain out - and then one puts everything aside to show some vulnerability and care for the other.
Zuko has not been feeling great about himself, and is taking it out on his girlfriend. Mai is not perfect either, and can't see that even Zuko's more "clueless" actions like giving her a sea-shell that she obviously wouldn't like is just him genuinely trying to be nice to her despite his impulse to act like a jerk, because he CARES.
Zuko is feeling insecure, wants reassurance, but Mai doesn't notice, and so he starts feeling threatened by a guy she full on says might as well not exist in her eyes. It's bad, but it's yet more proof that he CARES.
She goes after him after their fight, they open up a bit, Mai reminds Zuko that his sad life doesn't excuse the way he's been acting and when she stands up for herself against AZULA it just makes Zuko go instant simp mode and try to act all smooth and pull her close with that "I like it when you express yourself" (I can never get over that - boy, I know you're a teenager on vacation with your hot girlfriend that looks so cute when she's mad, you two are not alone yet, keep it in your pants!)
And then it happens. Zuko just loses it, can't deny that he is feeling like he is betraying himself because he no longer knows right from wrong and that is freaking him out because, even when he is firmly on the wrong side, he had ALWAYS been sure of his convictions and what he stands for, but now everything is messy and he doesn't know what he should care for.
Cue Mai deciding to forgive him for his angry outburts, for the unfair accusations, for the general unpleasant atitute, and just give him a bit of the support she now sees he had been needing and wasn't getting. A simple, straight-forward "I care about you", and a kiss - which Zuko eagerly accepts, and he IMMEDIATELY just keeps holding her close, all the fighting forgotten because he still has one source of stability in his life, one person he can rely on to be by his side when he doesn't know what he is doing.
05 - Cuddles and dessert (03x09)
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This is the point where it became borderline impossible for me to pick my favorites, and I'll probably regret the order a million times, but I gotta post this already.
I love this scene. I just genuinely adore it with all my heart. Them looking at each other all cute, smiling and unable to keep their hands to themselves, and Zuko just once again showing that he like spoiling his girl by asking a servent to bring something FOR THE LADY. Name literally one other character that has Zuko acting like that - YOU CAN'T! NOT EVEN WHEN HE WENT ON A CUTE DATE WITH SOMEONE ELSE!
The whole vibe is just so domestic and cosy. Literally the only thing that is missing is a cat purring next to them and it'd be my idea of heaven.
#04 - Supportive Mai (03x09)
Nightmares and daydreams really is THE Maiko episode. The fact Zuko goes to Mai's house for comfort and distraction when the meeting he thinks he's been excluded from is happening says a lot about how much she means to him (and for once her parents not being around is a good thing 👀), and then later he opens up to her about what bothered him about being Ozai's perfect son because he trusts her to be there for him. They've truly done some amazing progress after The Beach.
Mai's concern for him is just genuinely touching. Even when she doesn't know exactly what to say or do, she's still trying so hard because she doesn't like seeing Zuko truly down, and that is what made her his safe-space this entire episode.
#03 - "That gloomy girl that sighs a lot?" (03x14)
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Look at that boy. LOOK. AT. THAT. BOY.
He is just so smitten and clearly missing her. He LIKES the traits that the fandom insist makes her "unlikeable", that led to characters making fun of her in universe, the coping mechanism she used to protect herself from being hurt by people like her parents - can't get hurt if you don't care.
And Zuko doesn't see it as something she needs to change in herself, something undesirable, something he puts up with. He likes what everyone insists is a flaw of hers, and will so even when being teased about it because he can relate to being moody and angsty and cranky and wouldn't judge her for it because she's the person that consistently likes that about him too.
#02 - "You're so beautiful when you hate the world" (03x02)
This was the moment that made them one of my favorite Avatar ships. These two just not giving a fuck if that they're being embarrassing and cringy and just judging the whole world together and being disgusted by everything except each other. Not only is it a funny, wholesome moment, it is THE most accurate portrayal of a teen romance I've ever seen in my life. Just two dumbasses being in love and saying whatever nonsense they want, and kind of relating to each other for it.
Also them just basically telling Azula to fuck off because they wanna keeping making out was amazing.
01 - Reunited at the end (03x21)
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Once again. Look at that boy. Just you LOOK. AT. THAT. BOY.
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AAAAAAAAAAAAHHHHHHHHHHHHHHHHHHHHHHHH
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They're so cute. They're so happy. It's literally what their entire romantic arc in season three had been building up to and I'm forever greateful that the writers didn't rob us, and them, of it just because the fandom can't appreciate a good thing even as it stares them right in the face.
They're both finally on the same page, ready to support each other no matter what, with nothing and no one standing on their way, and allowing themselves to just enjoy their love. It's what they deserve.
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dannyboy-writes · 8 months
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Running away
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After fleeing the Fire Nation's land you found yourself in a small fishing village. Filled with flowers in spring and sunlight in the summer, with piles of leaves in autumn and a tad of snow in winter. Just a hint of whiteness. 
The last thing you would've expected from your travels was to end up here, having somewhat of a normal life, filled with joy. The only thing you would've changed was your last conversation with a certain someone. 
“You used to have long hair,” a familiar but distant voice said, as you turned around. 
"You used to be shorter," you said, face as serious as you could.
With a still straight face she said, "I could have you executed for that."
"Only if you can catch me," you finally broke a smile.
"True," Azula said, smiling as well. 
"What brings you to this lovely and remote area of the world," you asked, pulling some things off the table.
"I was searching for someone. They owe me a goodbye," she said playfully.
You put some water in a kettle, "I believe they said goodbye already."
"Did they?"
"I gave you a letter, it's more than I did to most," you defended. 
"You didn't give me a letter." 
"Well, I hid it in your room. You found it, you can't lie to me Azula," you laughed. 
She tried to maintain a serious face but dropped it soon as well, "I did find it." 
"I couldn't exactly leave it laying around, not with everything that was happening."
"I understand," she nodded. "I just wish you had given it to me." 
"I thought of it, but it was late. I had to ninja my way for it, I'm very proud of that," you said.
"Because of the guards?" 
"Yeah, that and the fact that everyone had my face in a reward poster…" 
She clasped her hands together and nodded. 
"Why are you still standing, Zula?" You said bringing a kettle of tea to the table and sitting down. "Get comfortable, do you want anything else?"
"No, it's fine," she said, shifting in her spot. 
"Is everything okay?"
"Of course. Why wouldn't it be," she asked in a paranoid tone.
"No reason," you said as she sat down. "Did you really come all this way just to get a goodbye?"
"Don't be silly, y/n. It's on the way in my travels," she lied. 
It had been too long since she last saw you, and the way your voice strained in your throat took her off balance. Perhaps this was how you'd always spoken, but she didn't think so. Maybe she had just grown too paranoid.
"Where are you going?" You asked. 
"Oh, let's not speak of that. How are you?" 
The question rocked you off your place, but you managed not to show it. 
"Well, I'm doing well. There's not much to do around here but fishing, so I do that, and sell that as well. I'm growing this tree in the back, it used to have a torn branch and it was falling off, but now it's looking good," you explained. "Sorry, you're probably bored by this." You said, knowing Azula wasn't one to be interested in the common occurrences of life.
"No, continue," she dismissed. And as you raised your eyebrow asked, "Please." 
"Well, there is also a small dragon-moose that comes around every now and then, searching for food. I tend to leave a pot of fresh water and some leftovers for him." You paused to sip on your tea, "Other than that it's all pretty calm. There's mostly old people here, so no one asks many questions. They usually tell stories to me, not the other way around, which is good." 
It was good, Azula thought. If you were still in hiding, even if you weren't in Fire Nation soil, it was good for people not to ask many questions. 
"How do you know it's the same dragon-moose?" She found herself asking, much to her own surprise.
You were taken a bit aback by the question but answered anyways. "Oh, he has a little white spot in between the eyes. Plus he always waits for me to sit down before he eats the food. I don't know why, really."
She smiled, again to her surprise. How simple your life was, and how content with it you sounded. All you did was fish, feed animals and listen to old people's stories, and yet you looked like the happiest person in the world. 
“It sounds wonderful,” she simply replied.
“Yeah… You sure you're fine?" You asked, concerned. It had been some time since you last saw her, but she didn't use to ask this many questions. 
“You have nothing to worry about, y/n. I promise," she nodded.
"Okay… Do you plan on staying?" 
"Would you like me to stay?" 
"I'm asking so I know how much food I should make, you don't have to stay."
"If you want me to stay I'll stay," she stated.
You blinked in surprise, not expecting that. "Uh, yeah, I would love that," you smiled. "That would be great." 
She nodded once again, this time with a smile plastered on her face. She thought about staying there, in your little house by the sea. 
Things would be so easy if she just had one more chance with you.
But she had Zuko and his friends on her heels, and it was better to leave you out of Fire Nation problems. One last dinner with you, that was all she needed.
When you woke up next morning with the house silent you knew she was gone, and when you walked into the kitchen and saw the note you hoped she was safe.
A little ‘thank you’ was all you had, and it was all you’d need.
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cienie-isengardu · 5 months
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Zuko and Azula in "The Beach"
Lately I think a lot about "The Beach" episode [x], especially about this small detail of great teamwork Zuko and Azula have during the game.
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Zuko is looking ahead, directly facing their rivals (who had the control of the ball at this moment) but his body is clearly lowered to the ground, left hand most likely touching the ground, legs bent and widely spaced - a clear contrast to Mai standing near and how he stood before on two separate occasions
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which is why I think Zuko willingly create an opportunity for Azula, so she could jump higher - something she definitely used to their team’s advantage. If Azula simply jumped on her brother’s back when he wasn’t expecting it or wasn’t ready, he would probably just fall face down from the impact but as the scene shows, he had no such problem nor was angry about it in the following scenes.
During the game sequences there was no dialogue shown between our protagonists, so it is hard to determine if Azula in advance called Zuko to give her a “lift” or Zuko offered on his own, or did they were that much in sync they just acted without thinking. Regardless I like this few seconds long interaction, because for me it implies how they trusted each other despite all the rivalry and bitterness from previous episodes. Like Zuko trusted Azula won’t use that moment to hurt/humiliate him by overuse of force, the same as Azula trusted in Zuko’s strength and that he won’t mess up by losing his balance. It is a small thing but no less sweet to see them working well together when fighting for the same goal - what reminds me a bit their teamwork from the previous season finale.
Interestingly, it was also the second time Zuko assisted Azula in scoring against their rivals while not scoring himself any point on screen. The first time happened almost right at the beggining of the game (second from total five sequences)
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while each girl have the solo sequence of winning a point:
Azula's first attack,
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later Ty Lee landing on the net
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and Mai kicking the ball (and presumably scoring)
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while Zuko’s two actions are shared only with his younger sister while there is no sense of competition between the siblings, something contrasting a lot with some previous and later episodes.
Azula is bossy and competitive through most of the episode and her brother lets her be that without a complaint. Azula and Zuko get along pretty well and A) do not argue (with the exception of the campfire scene and then they argue not even for the whole scene itself) and B) don't get on each nerves the way they do in the palace, with Ozai's presence looming in the back of their mind. I absolutely adore this episode, as it humanizes all our Fire Nation characters by showing them as teenagers outside the war zone but also giving us a bit of insight into what Azula and Zuko could be if Ozai didn't pit them against each other. And they could be a great team!
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sokkastyles · 3 days
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I just think some of y'all are waaay too comfortable judging Ursa over something she had no control over. Yes, I hate the plot point of Ursa giving up her memories, too, but I hate it because it's unnecessary, and actually stems from the same place of feeling like a woman has to have some justification for making the choice to continue with her life instead of, idk, endlessly suffering. Even if she hadn't had her memories erased, there was absolutely nothing she could have done for her children. She was literally forced out of their lives forever, and the only reason it wasn't forever is because Aang defeated the firelord.
Like, we see in the series that most people stopped believing in an end to the war after the Avatar disappeared 100 years ago. We see what hopeless people become. Ursa had no hope that her suffering would ever end, or the suffering of her children, and there was absolutely nothing she could do about it. People aren't angry at her because they think she could have saved Zuko and Azula, because she could not have. What they mostly seem angry about is that she had a happy life instead of one full of endless suffering and fear. As happy as she could be given the circumstances, although we also see in the scenes where she has her memories that she didn't want to forget her children, and regretted that she could not be there for them.
Idk, I just think it's odd that y'all can forgive a redeemed villain but not a mother for being forced into an impossible situation which she already blames herself for.
And Katara...Katara is a character who represents hope. You really think she would look at a woman who has no hope and condemn her for it? You really think Katara would condemn the actions of a woman who was forced to leave her home and family because it was the only escape from a man trying to control her, when her own grandmother did the same?
And again, this is not about her children, because there was nothing she could have done for them after she was banished from the country. What the hatred seems to primarily be about is that she continued to live her life and was her own person. Which is something that people do every day, despite being forced into horrible circumstances. It's something Ursa would have had to do even if she hadn't forgotten her children, and the fandom would have likely hated her even more for it. The misogyny directed at mothers and wives is primarily the reason the amnesia plotline exists, because y'all refuse to understand how trauma works, and Ursa still gets blamed even when writers try to come up with magical reasons to try to explain that trauma.
Ursa also doesn't get to be judged as a human being. Instead, the main criticism I hear is that she's "a bad mother." For something she did at a point in her life where it was no longer even possible for her to be a mother to her children, no matter what choice she made.
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burst-of-iridescent · 10 months
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Hey does everyone remember when Aang physically hurt Katara via burning her due to his own negligence with fire because he didn't listen at all to her concerns? But all of Katara's concerns were her being worried for him getting hurt and not herself, and then he hurts her badly, this never gets addressed again in the show, but I remember this vividly.
i actually like this scene on its own.
aang burning katara is a good character building moment because it's a brutal reminder of his own capacity for destruction. he needs to understand that his reckless actions can have horrific repercussions in order to fully realize the weight of his responsibility as both a firebender and the avatar, and it makes the moment where he uses zhao's recklessness against him more impactful. it also sets up the "water = life, fire = death" dichotomy that's part of katara's arc on viewing the world in binaries, which will later be broken down in book 3.
but ultimately the incident is still of greater significance to aang, and he's the one to bring it up in the guru and western air temple episodes, telling both guru pathik and zuko about his guilt over burning katara and his refusal to firebend ever again. this experience is also what leads him to accept zuko as his firebending teacher, and then finally forgive himself when he learns the true meaning of firebending. for the most part, it's a well-sustained arc and one of the few narratives aang has that is actually brought to completion.
do i wish that katara and aang had actually talked about his actions beyond this episode? yes. do i wish the aftermath had been focused a little more on katara instead of showcasing the impact of her physical injuries mostly through aang's continued self-flagellation? yes. but as a one-off incident contained to a single episode, i don't mind it.
what i do mind, however, is that this is not the last time the show is going to use katara as a lynchpin for aang's character development.
in the book 2 premiere, katara is turned into a pawn to propel aang into the avatar state. in the guru, her imprisonment is the reason that aang chooses to go back to ba sing se instead of unlocking his chakras. that is three separate times now that katara has been damselled in order to facilitate key turning points in aang's narrative, but not once does the same apply in reverse. there is never a moment where aang is the only one put in danger solely to drive katara's arc, the way she is in his. the closest we get is katara bringing aang back to life, but even then his death is still the result of his own choices and more integral to his storyline than hers.
now, compare this to the final agni kai.
at first glance, katara being put in danger just to complete zuko's redemption looks like the same tired trope, and had the scene ended at his sacrifice, it would be. but crucially, it's katara who continues the fight. katara who defeats the scion of fire nation destruction at the height of her power. katara who saves zuko just as he saved her.
in proving herself a master waterbender powerful enough to defeat azula and save someone she loves - someone who sacrificed themselves for her - from fire nation aggression, katara brings her own arc full circle. it is in triumphing over azula by saving each other that zuko and katara become the people they were always meant to be, and so their individual arcs are brought to their narrative culmination through bookending the other. the final agni kai works where the kat.aang moments fall short because it is of equal significance to both zuko and katara's narratives.
obviously, this is not to say that it's bad for certain characters to exist just to drive another character's arc. it's inevitable that some will be written solely to fulfill that purpose because a story only has so much narrative space, and it usually can't - and shouldn't - be divided equally amongst every single character.
but if we're talking about two main characters who end up in a lifelong romantic relationship, and it's the female character being repeatedly damselled to drive the male character's storyline within an already imbalanced dynamic... perhaps it's time to rethink a few things.
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missaccuracy · 6 months
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What I find interesting is how fandom cherry picks what Ursa's hallucination says.
In almost every Ursa discourse I see someone claim that the hallucination proves that Ursa loved Azula.
" See? Even Azula knows for sure her mother loved her, because her hallucination outright says so! "
And the same people who think that, more often than not, hold the opinion that:
" Ursa absolutely wouldn't be proud of Azula, because Azula became a bad person and that's why Azula herself doesn't believe this in the mirror scene. "
- What are you doing here?
- I didn't want to miss my own daughter's coronation.
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- Don't pretend to act proud! I know what you really think of me! You think I'm a monster.
Yes, Azula doesn't buy Ursa being proud of her coronation, but this is clearly not what the hallucination implies here. The hallucination of Ursa literally says that she didn't want to miss her "own daughter's coronation", impling pride in Azula for her achievement.
Should we also take this hallucination line as a proof that deep down Azula knew Ursa would be proud of her coronation, but denies it? And this is where I think the fandom will disagree.
So why one thing is the truth and the other is not? According to the fandom, we must believe, that Ursa acting proud of Azula's coronation is a lie, but her telling Azula that she loves her is suddenly the truth that Azula denies. I think there's a clear inconsistency here, which is overlooked.
Overall, this is Azula's own belief about the real Ursa:
That Ursa liked Zuko more than her and that she thought of her as a monster and that's why she wouldn't be proud of her.
Meanwhile, the hallucination:
Azula is the center of Ursa's attention. Ursa acts proud of Azula's coronation, reassuring Azula that she's she's just confused and that she loves her.
So I don't know, maybe this is the Ursa that Azula had just imagined to herself, rather than what what she knows, in order to cope with the reality of what she actually believed about what her mother thought of her. It can be just logically concluded that it's very unlikely that these are the things that Azula herself knows.
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p0ssywhippedcream · 1 year
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Hey girlll, it’s me again (at this point file a restraining order LMFAO😭) I quite literally had this idea right now- Zuko, Katara, and Reader (if you need to choose then waterbender?), are fighting Azula together, and reader takes the hit of lightning form Azula instea of Zuko to protect him (they have like A HUGE mutual pining too rn lol).
Later when they won and are at the palace, he visits her and says he wants to talk, and he says he was super scared and wouldn’t know how to live without her and confesses, and she says yes and says similar stuff and like they start dating.
THANK YOU SOO MUCH FOR YOUR WRITINGGGG- TAKE ALL THE TIME YOU NEED, JET LAG SUCKS DUDE, I SLEPT FOR LITERALLY 20 HOURS STRAIGHT ONE TIME LMAO. LOVE YOU GIRLLLL<333
"I'm okay, I swear!" You put your hand over his and it flexes on the bed, "I just need to rest, most of it was deflected by my water bending."
Zuko's thumb crawls out from underneath your palm and gently rubs the top of your hand, "But not all. You- you got hit by lightning, Y/n. You could have died."
You grunt as you shift on the bed, the bandages around your stomach preventing a fully comfortable position. "Yes, but I didn't. You don't have to worry, Zu, I'm not going anywhere."
And something about the way the light from the candle beside your bed catches your expression, casting such beautiful shadows on your reassuring smile, compels a heart-wrenching feeling inside Zuko. He needs you to know, in case he doesn't get a chance to say it again and because his overwhelming gratitude for your kindness towards him needs him to repay your pain with something almost as difficult to do.
"Y/n," He starts and despite the nerves, keeps his fiery gaze locked onto yours, "I- I can't lose you. I wouldn't know what to do."
You're a little taken aback, a rosy blush dancing with the firelight across your cheeks but you remain with that comforting smile of yours, "You'd keep being the good person you are, keep loving."
"I don't know if I could," He confesses with a small shiver down his spine knowing all he can tell you is the truth, "I don't think I can be a person at all without you. I can't live without you."
Your eyes widen, easy grin flattering and Zuko knows that rejection is coming, braces for it like he's in the presence of his father again until your soft hand is pulling his face closer and you're kissing him. You're kissing him slow and gentle, like leaves in a summer breeze but its your lips and it drives him crazy all the same. He presses a little more, molding his mouth against yours when a rushed exhale leaves your nose and he remembers your wound.
He pulls out of your reach, clutching the hand that drew him in as he checks your tummy and makes sure you're alright.
"Zuko," It comes out breathless and accompanied by a laugh, "I'd be more alright if you kiss me again."
So he does. A couple more times actually. And when you ask him to lay next to you in the bed as you sleep, no matter how red the idea makes him, he blows out the candle and tucks you in anyway. He watches your eyelashes flutter as little snores leave the lips that left him speechless and knows that he gets to watch you breathe in and breathe out, everyday for the rest of his life.
He wants to kiss your forehead but you're a light sleeper from your time with the Gaang so instead, he opts to kiss you tomorrow. And the tomorrow after that, and the one after that too. And he gets to kiss you and hold you and watch you breathe for the rest of his life, knowing how deep the love of yours goes as he traces a lighting bolt into the sheet beneath him.
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hadesisqueer · 1 month
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Honestly I have never fully agreed with the whole "Korra has the personality of a Firebender" because-- what exactly is the personality of a Firebender? She used Firebending a lot in the first books, I'll give you that, but it seemed more out of accessibility than anything; later she switches it for Air.
Fire is the element of power; Firebenders tend to be pretty determined people. Water is the element of change; Waterbenders tend to be very adaptable. Earth is the element of substance; Earthbenders usually are very resilient people. And Air is the element of freedom; Airbenders tend to be very free-spirited. There are stereotypes for benders (Firebenders are angry people and obsessed with honor, Earthbenders are usually pretty stubborn) that can be true with some people. But not always.
Now, here, look. These two are Airbenders.
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Do they have the same personality?
Now, these two.
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They're Earthbenders. Do they have the same personality?
What about these two Waterbenders?
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Are they any similar?
Or maybe these two Firebender brothers?
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What is the personality of a Firebender? Iroh's personality? Zuko's? Azula's, or Ozai's? Or Mako's?
Yes, Korra had affinity with firebending due to a couple of her personality traits that made her a very determined and fierce person. She also had an affinity with earthbending from a young age as well because she was a tough, stubborn and resilient person who stood her ground. However, she was also a very adaptable person who favored change, which is the main personality trait of what a Waterbender should be.
Personality traits aren't exclusive of one element. Kya is more spiritual and free-spirited than Tenzin and she's not an Airbender, but a Waterbender; stereotypically, Tenzin is kinda different than you'd expect an Airbender to be, actually, with him being more disciplined and serious. Bolin does not have the stereotypical Earthbender personality, either. And Mako doesn't have the stereotypical Firebender 'impulsive' personality either, he's more a 'cool under fire' person who usually stays level-headed in tough situations. Korra lacked spirituality and prefered to stand her ground or fight at first rather than avoiding conflict, which is why she had trouble with Airbending at first. But again, personality traits aren't exclusive of just one element nor does the element you bend really define and shape your personality; the way you are brought up, your environment and the people around you contribute more to that. Korra originally didn't have those traits due to the way she was raised, isolated from the world, groomed and pressured from a young age as the Avatar. Raise her differently, with a more normal, carefree childhood, and perhaps she wouldn't have struggled as much with airbending as she originally did.
In my opinion, the reason why people might think Korra has a full on 'Firebender personality' is because she has some common traits with a particular Firebender. The Firebender being Zuko. Both were originally hot headed, got angry easily at first, were fierce and impulsive. Korra also shared personality traits with Toph, too, being tough and stubborn —they were raised being isolated with no friends, too, which is a parallel between them. But like I said, personality traits can help with an element, but aren't exclusive of that element. Korra also had several things in common with Aang.
Personally, in my opinion, someone Korra has a lot in common with as well, maybe more than with Zuko or Toph-- is Katara, another Waterbender. They both are driven people with a lot of determination, righteous and passionate about what they believe in, and pretty adaptable as well. Korra seems to be more aggressive, and impulsive as well, but let's not act like Katara didn't have a temper, too, and like she wasn't impulsive and reckless as well sometimes (remember when she blew up a FN factory because Sokka said it without thinking of the consequences). They both could get very frustrated as well when they weren't immediately good at something they expected to be good at. There are many differences between them, yeah, due to the ways they were brought up —again, Korra was isolated from the world with no friends her age and pressured to be the Avatar and Katara was forced on a motherly role from a very young age after the loss of her actual mother. However, if they had been raised in more normal ways, I fully believe they'd be even more similar. Put Katara as the Avatar from a young age like Korra herself was and I think she could have been a very similar Avatar to Korra imo. But it also makes sense in some way they're similar considering Katara was Korra's waterbending master and likely one of her biggest role models growing up.
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(Free my girls they both get so overhated for no reason too).
Anyway, to me there is really no such actual thing as having 'the personality of X bender', they're mostly stereotypes. There are personality traits that can be helpful to bend an element, but they're never exclusive to that element. Just because you're stubborn as hell doesn't mean you're an Earthbender, and Bolin himself doesn't really exhibit that trait. Just because you're a very fierce person, doesn't mean you're an Firebender. You can be a pretty spiritual person and not an Airbender. You can be a very adaptable guy, but a Firebender instead of a Waterbender. Aang was far from having the slightest stereotypical Firebender personality and he didn't struggle with firebending, but he had the determination needed to be a Firebender. He also had the same adaptability needed to be a Waterbender. Korra had some personality traits that made her have it easy with firebending. She also had personality traits that made it easy for her to waterbend and earthbend. Easy.
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