#back to where i make sense

[stubborn-string-bones]

Workplace dysfunction and like,

I don't see it

I only half feel it

I stare them in the eyes and smile and ask if they really mean whatever they just said

I don't flinch and I ask them if they want to try again

I barely notice and stay polite and dig my heels in

so they go pick someone else who didn't eat this shit for breakfast for 18 years and knows it's wrong and gets hurt or at least reacts in a satisfying way

and I fucking hate it

[wardingshout]

Zelda goes mushroom girl

[dkettchen]

she would've told them unlike her canon! version who decided not to be an ally smh

[saewokhrisz]

also for tma prompt ideas, desolation avatar tim? I've seen the idea floating around n I think you would have an awesome interpretation

gorgeous gorgeous girls get blown up in a wax museum and become one with the wax and fire

[arson-09]

Tamlin is actually such an underrated character in acotar. Because of feyres very biased narrative she forces readers to ignore the complexity of his character and man. its sad

Tamlin is a character who is genuinely GOOD at his core. He changed so much of the spring court for good, eliminating slavery within the spring lands and mortals having more protection. Hes a morally good character that made a few mistakes and is boiled down to just those mistakes. Locking feyre in the house and the magical/emotional blow up, which are both pretty decent fuck ups (i dont think siding with hybern fully counts as he was a double agent all along and tamlin was decently justified in thinking feyre was being kept against her will. lets be fr here) and even after he’s extremely fucked over by the nightcourt, his lands and court burned to shit, he still saves rhysand. Saves rhysand and tells feyre to be happy, even when he has every reason to NOT do that!

Hes a character that clearly holds himself to a higher standard. throughout acotar he puts lucien and feyres safety above his own, even sending feyre away when she was the only one who could save him. Even though what he did to her wasnt great its not completely irredeemable, rhysand did much worse things to feyre and other people but hes living his best life while Tamlin seems to find himself unworthy of being a person (acosf wheres hes been in beast form for roughly over two years) hes a perfectionist who now doesnt even think he deserves anyone because he accidentally hurt the people he loves most.

Sjm accidentally created a beautifully rich and morally righteous character who is so extremely fucked by the narrative. Which doesnt even work half the time as sjm cant seemingly commit to making him a full villain (seemingly by accident again she gave him quite a reasonable explanation to everything he did ‘wrong’ but still chooses to make him a punching bag)

If Tamlin was genuinely a morally evil character he wouldnt have NEARLY the amount of fans as he does. Hes a character that requires the minimum amount of media literacy and comprehension to understand and i LOVE him.

[uncanny-tranny]

Social transition being seen (by some) as this super easy thing that isn't as hard as real transitioning (medical) is bullshit. Be critical of the idea that there are some trans people who just "have it easy" because they are trans or because they are trans in ways you may not be.

Social transition is just as difficult, hard, and rewarding as medical transition. Maybe it is not as hard for some, sure, but that is not the same as thinking that social transition is inherently easier or lesser. If you're socially transitioning, your voice still matters.

[ruporas]

special operatives (silly interaction beneath read more)

[ID: Digital Art in color of Trigun Maximum, characters included are Wolfwood, Elendira, and Legato in a casual meeting situation. The piece consists of orangey yellow lighting and purple shadows. Wolfwood sits on the left side, facing Elendira who’s on the right. He’s seated on a plain wooden chair with one knee up and he’s holding the strap to his Punisher in his left hand while his right sits against his thigh, He has an irritated expression as he speaks to Elendira. Elendira is sitting in a fancier seat, her right arm rests against Wolfwood’s propped up knee, her left hand holds her suitcase. She’s sitting cross legged with an amused expression. Legato can be seen in the back at the center of the image in his mobile body case, one of his eyes shown to be glaring at Wolfwood. End ID]

[ID: Sketch, uncolored comic. Elendira says to Wolfwood, “I’m not telling you to dedicate yourself to him, but just accept the situation at hand. We could get along better if we were on the same page.” Wolfwood responds, “Don’t peg me me for an optimist. I’m not dumb. But, I’m also not going to just live in resignation. Plus, I don’t have any interest in getting along with ya.” Elendira coos, “Aw, you sure? I have a wonderful shoulder to cry on when the weak people you’re trying to protect eventually dies in the coming months. Though, I guess it’s fine. Someone like you might just die before then anyway...” She snickers in her hand while Wolfwood is speechless and just glares. Legato is faintly drawn in the back, glaring at Wolfwood, muttering “worthless” repetitively. End ID]

[martyrbat]

my secret confession is i think a lot of current art in comics is pretty but sometimes way too glossy and lifeless... it kinda feels like a sticker sheet where they just swap out generic stock poses that they have on hand for that character rather than the art being reflective of the actual story and moment the character is currently in

[thatonebirdwrites]

Cheating Death Part 2

Part 1 here.

Only seconds after Lena vanished in the portal, the Kryptonite cage melted into the floor. A yellow light pulsed so brightly, Kara had to close her eyes. Light infused her cells and pushed the pain of the Kryptonite away.

Lena's words echoed in Kara's head. How she'd stomped and shouted, the tears on her face, the desperation in her voice. How heartbroken she'd been when she'd said, "No, no you don't get to tell me who I am anymore."

She didn't know what to do. Lena had been hurting and grieving this entire time, and what had she and her friends done? Celebrated her brother's death, ignored Lena's increasingly isolating behaviors, and pretended everything was fine.

It wasn't fine.

Yet, the yellow light. Why had that activated? Was it Lena or the Fortress?

Kara ran through the Fortress to the control panel. She dug into the log and swiftly found Lena's code. It had been programmed to create the cage if Kara asked about Myriad, but then the yellow light was also programmed to heal Kara after Lena escaped. A note was annotated on that section of the code, and Kara's breath caught in her throat.

"I wish I could stop loving you. This hurts worse than death."

Tears dampened her cheeks and she wiped them away. What would she tell Alex? How can she explain any of this?

She didn't want her friends to turn on Lena, and Alex definitely would go after Lena if she knew about the cage. It'd been temporary, and Lena had programed a healing sun-bed equivalent burst for after. That alone gave her hope that she could still reach Lena.

Because even in her heartbreak, Lena did not want Kara dead.

She grabbed the weapon she needed, the same one Lena had used to stop Leviathan from killing Kara, and re-calibrated security. Her tears froze on her cheeks by the time she finished.

Kara flew out of the Fortress and high into the stratosphere. She listened for Lena's heartbeat, but heard nothing at first. Fear clenched her heart. Either Lena hid behind lead, or something terrible had gone wrong since she'd left. She hoped it was the former.

With a heavy heart, she flew to the DEO. Alex waited on a balcony.

"Kara?" Alex said, alarmed. "What the hell happened? Where's Lena?"

Kara held out the weapon. "It works as hoped. Sustained blast will keep Rama Khan down, and then attach the power dampeners."

Alex took the weapon with a frown. "Kara, what happened to Lena? Where is she?"

Kara shook her head. She couldn't voice it. She refused to believe Lena was lost to them. There had to be a way to save her, to bring her back, to repair what Kara had fucked up.

She pressed her hands against her face and flinched when Alex tried to touch her shoulder. "I got to find her," she whispered. "I got to make things right. I got to."

"Kara, I can't help if you don't tell me." Alex's voice held kindness, but Kara knew how quickly Alex could turn to anger. When it came to Kara's safety, Alex might cross a line she'd regret. Kara had done it for Alex a few times.

But with Lena? Kara had no boundaries. Lena held her heart in a way no one else did. She'd talked herself into settling for Mon-el, but it'd never been who she needed.

She needed Lena.

"Kara?" Alex tried again. "Kara, talk to me."

"She's the one who shot Lex." The words felt unreal.

Alex's brow wrinkled. "I thought he died when he fell."

Kara shook her head. "We never found a body or even parts from his suit, remember? If he had a portal watch, he could have gone anywhere."

Alex sucked in a breath. "And Lena was waiting for him?"

Kara nodded. "She shot him to protect us. She's been grieving and hurting all this time, and what have we done? Ignored her grief! Where were we for her pain?" She paced the balcony as fury at herself and everyone around her built up in her sternum. "I hurt her! I hurt her with my lies, and I have to fix this."

"Kara," Alex hefted the weapon. "Maybe let Lena have her space. We still have to deal with--"

"Alex, you didn't hear her!" Her pacing quickened and a groove appeared in the concrete from her superspeed.

Kara should tell Alex, and yet she couldn't. She needed to save Lena from Myriad herself, but to do that, she needed to find Lena. And she still couldn't hear her heartbeat.

She let out a shout of rage, her fist colliding with the wall and shattering the concrete. "I hurt the person I love! I have to fix this. I have to bring her back."

Her rage petered into sobs, and she fell to her knees.

Her, the strongest and fastest on the planet, brought to her knees by a Luthor.

She thinks of all the times she could have told Lena, and how she'd chickened out, afraid of losing her. Afraid of living a life without Lena's presence. Now a Lena-shaped hole had been carved in her chest, and she hurt.

It felt like Kryptonite all over again.

Was this how Lena had felt the past few months? This agony?

And yet, Lena had still helped. She'd still saved Kara's life. Still built devices that helped others. Why Myriad? Why use that monstrous device? Kara couldn't make sense of it. The months of pretending to be Kara's friend.

She should be angry at Lena. Furious at the betrayal, but she felt only grief. She'd started this with her lies, with leaving Lena in the dark. Lena could have helped so much more if she'd been in on it from the start. Then this never would have happened.

Kara sat there, silent, head-bowed long enough for Alex to leave and return with a cup of herbal tea. Rooibos since most other teas were too intense thanks to Kara's supertaste. Her fingers curled around the warm cup.

"I tasked Brainy and J'onn with the weapons. We'll deal with Leviathan." Alex smiled and squeezed Kara's shoulder. "You do what you need to do, Kara. I'm with you, okay?"

Kara nodded numbly. She sipped the tea and slowly became aware of a high-pitched beeping. "Wait, that's the signal watch," she murmured. She put down the cup and listened. It came from downtown. "Lena," she whispered.

Before Alex could respond, Kara blasted into the sky and broke the sound barrier. The crack whipped across the city and shook windows. She landed on Lena's balcony at L-Corp, ripped open the door, and dashed into a dark room. The beeping came from the stairwell.

Horror twisted her gut. She supersped down the stairs, all forty-three flights, until she reached the stairs just below ground level near the door to security.

She threw open the door and the thick scent of iron assaulted her nose.

Eve lay in a pool of blood, no heartbeat. Someone dressed in black lay crumbled near Eve, again no heartbeat. Blood coated the stairs from where Lena must have crawled.

Lena, her Lena, lay motionless, one hand on the top step. For a horrifyingly long second, Kara couldn't hear a heartbeat. She dropped next to Lena and pressed her fingers against Lena's pulse point.

No, there it was.

A faint badum-badum, the most precious sound in the universe.

She could do nothing for the others, but she still had a chance to save Lena. A scan of her body revealed the bullet in her side, how it pierced a lung.

Kara gathered Lena into her arms, and ran through the security sector, hitting each door with her shoulder to wrench it open, until she finally made her way outside.

Lena's blood soaked into her suit, her head rolling in Kara's arms. She held her close and flew as fast as she dared toward the DEO. "Lena, please," she whispered, "please hold on. Don't you dare die on me. Not now. Not like this."

When her feet touched down, she heard Alex's voice shouting about a Rama Khan sighting. Agents poured into vehicles, and the team prepared to leave.

Kara ignored them. She walked through the bustle, and people parted for her.

Alex turned from where she studied Brainy's screens. Her eyes widened. "What the hell...?"

"Please. Help her." Tears clouded her vision.

"Medical now. Brainy J'onn's in charge." Alex grasped Kara's arm and maneuvered her through the mess of the control center. Technicians worked on last minute fine-tuning of weapons, and others manned screens plotting possible vectors. Activity that meant nothing to Kara, not if Lena died.

Not if she couldn't speak her last truth to Lena.

She laid Lena on the medical bed, and Alex ordered her nurses to get an IV in immediately. Kara began to pace, the blood drying on her suit. Alex cut away Lena's shirt and examined the wound.

"She needs surgery now."

"What do I do?" she asked Alex, anguished. "What do I do?"

Alex shook her head. "You can't help with this. Go help J'onn, and wear Lena's anti-kryptonite suit. I'm not sure how long I'll be in surgery."

"Can you save her?"

"I will try my best," Alex said. She refused to look at Kara, and that told her far too much.

Alex didn't think Lena would make it.

"Promise?" the words came out small, plaintive.

"Promise. Now get out of my way." Alex hooked the IV bag to the pole on one end of the bed, and rolled it toward an interior suite. Two nurses followed along with a second doctor.

Kara closed her eyes and listened to the most beautiful heartbeat in the universe -- it faintly hung on, slower and slower with each passing minute.

She couldn't stay and watch the medical team open up Lena. She couldn't.

Instead, she grabbed the anti-kryptonite suit. As it flowed over her, she almost wept again. It felt like Lena hugged her, the suit entirely her design and her nanites.

She flew outside and listened for J'onn. The fight was to the southeast by the docks.

Hadn't Leviathan been targeting Lena? She'd saved her once from them already. Maybe twice if she counted the break-in that had knocked Lena unconscious.

Now Lena was dying, and Kara didn't just want justice for Lena.

She wanted to tear apart whoever ordered that assassin.

The windows shook at the sonic boom, and the ground cratered when she landed.

Rama Khan and another Leviathan member battled J'onn and Dreamer, who had the weapon from the Fortress. Agents, with adjusted weaponry to match the power-disrupting frequency, scattered around the docks.

Kara didn't care about the risk. She didn't care about the Kryptonite weapons the assholes carried.

She crashed into Rama Khan and threw him into a dock building. The wall crumpled. "Did you hire Lena Luthor's killer?" she growled.

Rama Khan laughed and stood with hardly a mark on him and his ridiculous earth-toned suit. "Those who cross Leviathan do not live to tell the tale. Let you now join her, Supergirl." He extended his hand and the ground shook violently.

A blast from Dreamer's gun sent Rama Khan sprawling. Kara sped over and grabbed him by the throat. Her feet she stomped on his arms. "No one hurts Lena and survives," she growled. Her eyes glowed, and she let out a scream of grief and fury.

She blasted him and punched him again and again. Blood gushed from his face, but then he melted into the earth and stumbled into being a few feet away.

Only for Dreamer to blast him again. Kara pummeled him with the rage of a thousand suns. Her vision red, and the land ripped and shredded in their fight. Part of the pier demolished when Kara threw Rama Khan's accomplice into it. Another building fell when Rama blasted Kara into its walls.

Rama Khan slowed, each blast from the gun scrambled his powers long enough for Kara to rip into him until he bled from multiple places. She lost track of the others, so intent on eliminating the one who ordered Lena's hit.

"Kara!" J'onn clamped the power dampeners on the alien. "Kara, we got him."

Kara clenched Rama's neck and looked down to see the cuffs clasped to his wrists.

How much loss could a heart handle? Why did the universe seek to torture her so? Her entire planet, nearly all her friends, and now the woman she loves most -- loss melted through her crevices, filled her with a blinding fury.

She'd fought to keep everyone alive. It's why she needed to be in control, but that obsession of controlling everything, to make sure she never lost, had poisoned her. She couldn't control everything.

She couldn't even save Lena. The thought of Lena dying in surgery, of never hearing her voice again -- even Lena shouting in anger?

Her fingers crunched bone. Rama Khan tumbled from her grasp and hit the ground with a thump, motionless.

Dreamer and J'onn looked at her, but she didn't respond to their words or looks. Agents swarmed around them to secure the site, while Brainy set up the containment unit for Rama Khan and his accomplices. The ruckus roared like the sea in her ears.

She turned without a word and shot into the sky. She flew as high as she could, to where little to no oxygen existed. The fury burned in her, and she wanted to rip herself apart. She deactivated her helmet, turned off its life support systems, and let the lack of air suffocate her and her emotions.

She'd live. She'd always live, wouldn't she? While all she loved died.

She closed her eyes and let herself fall. Air whooshed around her body, screamed in her ears as she hit terminal velocity. For those brief moments, she heard nothing but the shrill wind, the rest of the Earth drowned out in her fall. A moment of release from the endless soundscape.

Halfway to the ground, she righted herself and flew to the edge of Earth's atmosphere. Again she let herself fall. For a third time, she soared high and fell.

Each time she let herself get closer and closer to hitting the ocean. No matter how hard she tried, she couldn't outpace her fury at her own actions. At her failure.

This time she hit the water. She sunk into its depths.

Sea life swam around her, the distant calls of whales rippled through the water. What should delight her brought her sorrow.

No, she couldn't die. Her wretched powers, her curse, kept her alive. Kept her isolated from those she loved. Her careful, practiced control meant even in moments of extreme emotion, she still had to make sure not to hug too tightly. And kissing? How many noses had she broken?

All she wanted was Lena. Even if she could never be with Lena, she needed Lena to be alive. To be healthy and happy. Kara could live with just being on the sidelines, right? As long as Lena was alive.

She burst out of the ocean in a shower of sea water. She hung in the air and watched the waves below her. Her ears tuned to her favorite heartbeat, and there it was, faint, far too faint, but still pulsing.

A slither of hope wove into Kara's wretched spirit. She flew back to the DEO, the wind drying the moisture from the sea.

When she landed, Nia met her at the balcony's doors. "Kara," she breathed out as if she'd been running. "Been looking everywhere."

Kara crossed her arms over her chest. "What do you want?"

"It's Lena. Alex said to let you know the surgery is ongoing and Lena's handling it like a pro." Nia met her gaze, but worry painted across her face. "Don't lose hope yet. She may still live."

Kara said nothing. She heard the rebuke in Nia's words, but she didn't regret her actions. For Lena, there was no boundaries. She'd destroy a thousand Rama Khans if it meant saving Lena.

She followed Nia down the hall, through two intersections, and into the medical bay. Most of the beds were occupied by injured agents from the Leviathan battle. It was the surgery room that occupied all of Kara's attention.

Lena's heart beat still in those glass walls.

Kara walked up to them and pressed a hand against the cool glass. Lena looked so pale. So fragile.

The tears returned. Her chest constricted with a Lena-shaped hole that ached with each beat of her heart.

She didn't move from that spot for the rest of the surgery. Kara held vigil in silence, unmoving. She'd given Lena revenge on those who tried to kill her, and now Kara waited.

Waited for hope to dawn once more.

/end part 2

[ropes3amthoughts]

I know people are just joking when they say stuff like “Mithrun is an old grandpa he doesn’t know he can’t say those words anymore he doesn’t know they don’t have any book tokens anymore” because of these extras below:

and whatever but like it honestly drives me kind of crazy. Like can we look at this for a second.

He was the lord of the dungeon for five years. Then he was being rehabilitated for TWENTY YEARS. That’s not super long for elves, that’s like four years for us, but that’s still a long time. And then he was the captain for another fourteen years, but he didn’t have any desire other than getting revenge on the demon.

Mithrun hasn’t really been properly socialized for a total of FORTY YEARS, which is like eight years for elves. He was totally shut off from the world, then he was rehabilitated, and then he was with the Canaries on a onetrack mindset to go after the demon. Mithrun was doing bad, he was recovering, and then he was better enough to be the captain of the Canaries again, but he was still not “better.” In all that time, the world didn’t wait for him when he was at his low point. It didn’t wait for him when he was spending all that time recovering. And by the time it’s near the end of the story where these comics take place he’s just been so far detached from the world. Like he’s most likely never tried to go buy a book token after becoming a dungeon lord. He’s most likely never talked to people and learned the new slang of the time, he’s never been caught up which words are good versus outdated. Mithrun is technically better enough to be captain, he’s better enough to have reintegrated into society, but he’s not quite adjusted yet. He’s been out for so many years suffering under the hands of the demon and scraping his way through recovery and trying to work to get to the demon that by the time he’s stopped and done stuff like gift exchanges or whatever many aspects of the world are vastly different from what he remembers. I think that’s a lot like a lot of people in real life too who have similar experiences. People in mental health centers or hospitals who spends even just months recovering can miss out on so much.

Does this make any sense? It’s kind of late so I don’t really know what I’m saying and I’m probably repeating myself but like Mithrun was at a low point and then he was recovering for so long!!!! And then when he’s reintegrated back into the world it’s changed without him!!!! He’s not some racist old man!!! The world just kept on turning when he was struggling and how is he even supposed to deal with that? Like he doesn’t have much desire but everybody is so upset with him for not knowing things like outdated terms or using cash because he didn’t know there were no more book tokens and he just can’t have known that because he literally wasn’t in a state to keep up with all of the stuff like that and now everything is different and maybe he doesn’t care because he has no desire to but like aghhhhhhhhhhhh sob sob sniffle oughhhhh 😭😭😭😭 Mithrun 😭😭😭😭😭😭😭😭😭 imagine I’m shaking him back and forth that’s how I feel right now oughhhhh

[stubborn-string-bones]

Welp! Hung out with our longtime former ED at an event and it turns out I'm holding a grudge, maybe forever. Shit may be exponentially more fucked up now and I do not hold her responsible for the actions of others but also like, get the fuck off that high horse

you gave that man an engraved invitation into this house

[turtleblogatlast]

Headcanon that Leo really loved to give his family massages growing up. We know that he’s good at them from the episode “You Got Served” and we know he likes spas and relaxation and getting massages himself from when he tried to get these in “Bad Hair Day” and from when Donnie made a tennis ball massage machine in “Smart Lair.”

So I think it’d be cute to think that maybe one day Leo overheard Splinter complaining about a bad back and immediately Leo thinks back to a comic or movie or something he saw where a massage helped so he offers to give one and it actually ends up helping Splinter.

Then April swings by the Lair at a later time and mentions her back hurting because of her backpack from school and Leo’s all like “I gotcha!”

From there, he occasionally manages to convince Donnie to sit for one because Donnie’s shrimp posture does not help him any (Leo pokes fun at how sandpaper-y Donnie’s shell is despite knowing it’s always like that and Donnie smacks him for it.) Donnie usually prefers hand massages instead however as all his typing and inventing adds up over time, and shoulder massages too once he starts wearing his battle shells more. Leo also figures out how to give massages to Raph and Mikey’s shells as well, though it’s a struggle at first to not scratch his hands on Raph’s spikes.

I think since Leo has such bad luck with spas and the like, he tries giving himself massages (though it’s not as helpful.) Like, with how his abilities work his legs are probably always aching from his portal jumping and one foot landings, so maybe he branches past back massages out of a need to help his own aches too. (Though he really wants a shell massage himself, the same way he’d give them…the one time with Donnie’s tennis ball massage machine was but a short moment of what Leo’s been missing out on and what he’ll continue missing out on…)

I don’t know, I just think it’d be cute to think Leo could have honed his massaging skill this way in order to help out his family (and also partially because he wants a massage himself.)

[mamawasatesttube]

wish more ppl in the timkon tag understood the concept of "best friends to lovers" 😩 where's my "years' worth of stupid inside jokes referenced at the worst moments just to make each other giggle" nonsense. where's the bone-deep understanding and knowing of each other. the ease and relaxation in each other's presence. the "i know how your head works without you having to tell me" of it all. where's the "no one knows me better than you. how could it be anyone but you" of it all!!!

[stormingfrost]

Kinda obsessed with the historical context of Rise of the Guardians. Pitch wanting the Dark Ages to come back, which historically was the decline of culture and records. The Guardians rose at the same time as the Renaissance with the rise of culture, knowledge, and science. (Tooth in particular mentions that she hasn’t been out in the field for 440 years, give or take, which would put that smack dab in the middle of the Renaissance) 

The way Pitch doesn’t want the world to change, the way the Guardians change in tune with the world. The way Jack, who lived in has a human in the 17th or 18th century, who lived in the time after the Renaissance and lived witnessing the world all the way to the modern era, is there to show the Guardians how much they missed and how they can further change and improve for the more modern world. These characters are immortal beings who have so much power over the world, it makes so much sense that when they fall and rise in power it impacts the world that they want to influence, for better or for worse. 

[iwritenarrativesandstuff]

Killua and the Power of Wishes

Okay going to try and make this coherent because the amount of wish association all through Killua's character development makes me want to chew plaster.

As a fair warning, this analysis ended up being long as hell, and I didn't even include everything I could've said. This is also just one lens to analyze Killua's story arc with, and I feel there are other valid interpretations of some of these moments. This is just one of mine, so keep that in mind please.

One last warning that this analysis does discuss emotional manipulation and abuse, as is par for Killua's background.

Let's set the stage with one important piece of info: Killua's birthday.

Killua's birthday is July 7th, the same day as Tanabata. Tanabata is a folklore-rich festival where according to legend, the two lovers, weaver Orihime and cowherd Hikoboshi, represented by the two stars, Vega and Altair, are allowed to reunite once a year after separation. A popular custom of Tanabata is to make wishes by writing them down on tanzaku, then hang it on a bamboo tree so that the wish might one day come true.

Tanabata is also known as the Star Festival. Please keep this in mind, because I'm going to come back to it.

To finish setting up the lens for this analysis, I'm going to need to dig into the game-changer scene for Killua's early characterization - his confrontation with Illumi at the end of the Hunter Exam, and specifically, the exact nature of Illumi's manipulation of him.

I say "game-changer" because it really is - up until this point, it's kind of fair to not fully know what to think about Killua. Certainly, he seems excited to hang out with Gon (he approached him first, after all) and he's friendly enough, but he's also arrogant and claims to be motivated mainly by boredom. For all intents and purposes, Killua seems set up to be Gon's dangerous yet charismatic rival... but then this scene happens and it completely turns it all on its head.

Because Killua may have mentioned his family was controlling before, but he seriously downplayed the severity of it - likely because he has no point of reference for how awful his situation actually is other than it makes him feel bad and trapped. Illumi's appearance immediately shifts our understanding of Killua from runaway murder kid with annoying murder family to straight-up victim of emotional abuse, and dissolves his cockiness instantly to terror.

What does all this have to do with wishes? Glad you asked. Let's look at some of Illumi's dialogue.

[ID: A screenshot from HxH episode 20 of the 2011 anime. Killua looks up, sweating and conflicted, as Illumi tells him "You don't want anything or wish for anything." End ID.]

This is the crux of Illumi's (and the family's) control. Killua's desires do not align with the family trade. They must be excised from him.

When Killua insists that he does have something that he really wants, Illumi says "Tell me what it is you want", in a mockery of a certain other sibling who would have helped fulfill this wish - Illumi asks only so he can completely dismantle it. And Killua isn't even really surprised at Illumi's words, just heartbroken. You can tell this isn't the first time this sort of thing has happened.

Killua states his wish quite fervently; he really means it. But his words are not rebellious, nor cathartic. Instead, he answers Illumi quietly, as if fearful or ashamed, almost reminiscent of a sinner's confession.

[ID: Two screenshots from HxH episode 20 of the 2011 anime. In the first Killua looks down with a troubled expression, saying "I want to become friends with Gon...". In the second, his face is hidden as he stands with hands clenched at his sides with a spotlight on him. He says "I'm sick of killing people..." End ID.]

It's such an innocent, simple want.

And Illumi proceeds to make him feel like even something so simple is harmful and selfish of him... not to the family, but to Gon.

In a matter of a few minutes, Illumi breaks down Killua's wish by:

Acknowledging this desire, but twisting it into something that will inevitably fade over time, thereby causing Killua to doubt his own conviction and feelings -> "Gon is a novelty, a radiant presence who has piqued your curiosity. No more than that."

Acknowledging that Gon is someone important to Killua, and undermining this by telling him that by his very nature, he will eventually bring harm to Gon, which makes him feel as though Killua cannot trust himself to be a good friend -> "If you try to be friends with him, you will one day want to kill him... because you are, by nature, a murderer." (As a... delightful... bonus, this is also apparently how Silva and Illumi justify their treatment of Killua to him - "This is the essence of your existence and we taught you accordingly." Like they adapted to Killua's nature, instead of them molding Killua into who they wanted him to be.)

Delivering an ultimatum - to fight Illumi and win, or else Gon will die - that Killua is doomed to fail due to his upbringing and the needle in his head. Since Killua doesn't know about the needle, he assumes this is his own personal failure, something Illumi feeds into -> "You're just not qualified to make friends."

And it's the last point that breaks him. The first two shoot down Killua's present wish, but the last proceeds to shatter any hope he might've had of wishing for anything similar in the future - he has told him that his desires are weak, temporary, inherently dangerous to those around him, and worst of all, aren't enough on their own for him to deserve friendship and love from others. And the clincher: Killua feels like all of this is his own fault, that there is something inherently dangerous and wrong with him!

So, it doesn't even matter to Killua anymore if he fails the Hunter Exam. To him, he just failed the only test that mattered.

10/10 manipulation, Illumi. Fuck you, seriously.

Killua's character arc is mainly his quest and struggle to refute Illumi's arguments and to shake off the manipulation and the ways in which his family have molded and controlled him. And by far, the most difficult part of his conditioning to shake off is this idea that he is undeserving of anything more than what he is already given.

It's almost like the family has drilled it into him that wishes are dangerous. How interesting.

Thankfully, however, there are two parties to Killua's wish here - Gon, too, is a part of it, and it is not simply his reciprocated desire to be Killua's friend that saves him, but also his recognition of Killua's situation for what it is (notably, when no one else correctly identified the true issue).

"You know it wasn't his choice. You manipulated him, kidnapping his spirit!"

The ensuing Zoldyck family arc emphasizes that Gon is 100% correct: the main hold Killua's family has on him isn't physical - it's all emotional.

Killua breaks one of his shackles when Milluki threatens to have his new friends killed, but he only breaks the rest when Zeno tells him he's free to go. So, if Killua could break loose at any point, was this still a rescue like Gon said?

Well, yes - just because he absolutely could've broken out physically at any time, that does not mean he could just leave. That's the nature of situations such as this - it's not as simple as "just leaving". Support is necessary, as is actually having something tangible outside the situation to go to - otherwise there is little point to leaving at all. Gon (and Kurapika and Leorio) showing up to free Killua showed him that his wish was reciprocated and allowed him to break one cuff - this is the start of his journey, but he still has a long ways to go. Notably, he again hesitates and closes off when Silva asks what he wants.

[ID: Three panels from HxH chapter 42. In the first, Silva asks Killua "...would you like to see [Gon]?" Killua's expression is complicated in the next panel - he's closed off and uncertain. Silva continues "Be honest, Kil... what do you want?" End ID.]

Killua will backtalk and casually break his shackles and death glare his family... but he's too fearful to voice his wants aloud.

And once again, asked by his father what he wants, he is subtly set up to fail. His wish is granted, but made conditional - "Do not betray your friends", something Killua is regrettably set up to do by virtue of the needle in his head that he, again, doesn't know about. Silva fully expects him to fail and come back home, disillusioned, believing it's his own fault due to his "nature", and trusting in Silva still as a "reasonable" figure in his life.

This condition placed on his friendship is what drives much of Killua's fear and insecurity with regards to Gon for much of the series - the idea that Killua has to earn his right to friendship, and that if he doesn't, he will lose it, one way or another.

It really makes me wish that Killua had actually gotten to hear Gon's views on friendship from the beginning of the Zoldyck Family arc, because it entirely refutes this entire philosophy. He even outright refuses to go through the Testing Gates at first, purely because he thinks the sentiment of needing to prove yourself just to be friends is completely outrageous - he only relents because there is no other way.

[ID: Two screenshots from episodes 21 and 22 of the 2011 HxH anime adaptation. Gon looks up at Illumi and firmly states "[Killua] doesn't need to earn the right to be my friend!" In the second, Gon's face is seen in profile and close up as he asks "Why would you test your friends?" End ID.]

I doubt it would've truly prevented Killua's insecurity from manifesting even if he had heard this, to be honest - his issues with usefulness are very deep-rooted in his upbringing - but still, it would've been nice for him to hear, I think.

However, that's not to say that this exact sentiment doesn't come through in their interactions.

Gon, as Killua's friend, cares about what Killua actually wants and wants to make sure Killua knows that - and that's part of what makes the Whale Island conversation between them really important.

[ID: Two images, both of the same scene from HxH chapter 64, and episode 37 of the 2011 anime. In the manga panel, Gon has turned his head to look at Killua directly, who looks shocked and taken aback, to say "I like hanging out with you." In the anime screenshot, Gon has turned his whole body to face Killua, and says "I think it's fun to be with you." End ID.]

I see a lot of people chalk this up to just Gon being Gon, but it reads to me as much more deliberate than even his usual honesty. He's turned so he's looking directly at Killua, which is a sure way to make his words come across clearly. The lead up to this is Killua, again, not knowing or being able to vocalize what he wants. He doesn't have a goal to work towards like Gon, he only knows what he doesn't want - he's a mix of envious and admiring towards Gon, who knows what he wants and simply goes for it.

But this conversation makes it clear that they have a shared wish - they both want to be friends, and they'd both like to stay together. It's not about earning, to Gon, it's only about if they both want the same thing - mutual, not conditional. There's a nice almost call-and-response type dialogue here, where Gon asserts that he likes spending time with Killua (very directly lol), then shares that Killua is the first friend his age he's had. This prompts Killua to say that Gon is his first friend ever, and that he does have fun with him. And just like that, Gon replies "Then let's stay together!" and pointedly includes Killua's desire to find a goal in their, now shared, upcoming journey.

Overhead, a shooting star appears in the sky. A mutual wish is granted.

[ID: A panel from HxH chapter 64. The night sky is full of stars. In the centre is a shooting star. End ID.]

Hm. Stars. Remember how I told you to keep that in mind, all the way back at the beginning? Their association with Tanabata, making a wish on a shooting star, etc. etc.?

Well, buckle up because this star is going to make you experience so much sadness now.

[ID: Panels from HxH chapter 286. The first is a conversation between Killua and Meleoron where Killua asserts he intends to "go down in flames with [Gon]". When Meleoron looks concerned, Killua brushes off the declaration as a joke. In the second image, Killua is turned away, his outline pale, as Meleoron thinks "Why... did you looks so sad... back there?" The last image is a cloudy night sky filled with stars. At the centre of the panel is a shooting star. End ID.]

Yeah, it makes its reappearance directly after Killua has "jokingly" resolved to die with Gon if it comes down to it, after "since it means nothing to you".

I am assured, in Japanese, the word choice here is 心中 (shinjuu), the word for double suicide, where the intent is to die at the same time in the same manner in order to be reunited in the afterlife. The implication here is that Killua, having increasingly grown insecure in his place by Gon's side but unable to voice this, knowing that Gon is hurtling down the path of no return, thinks back to their conversation under the stars where they both mutually wished to stay together and, because he believes that it is no longer possible for him to help Gon, has resolved to stay by his side in death, and after it.

...holy shit, kid.

[ID: Two screenshots from the 4th ending of the 2011 anime. In the first, Gon and Killua stand back to back as meteors fall around them. In the second, they stand facing away from the audience towards a body of water under a night sky filled with stars - Gon throws a stone, which flashes in the air like a shooting star. End ID.]

And of course, here's the shooting star again in the 2011 anime's Nagareboshi Kirari ending, as well as it being the subject of the song itself and rather explicitly referencing that wish to go on a journey together, to stay together, because... Madhouse hates us. I guess. :'(

What started off as a simple wish for a friend deepened into a wish to always stay by Gon's side. This is largely good at first! Killua is able to explore and experience genuine friendship, to get a taste for freedom, and use the power of his fervent wish to protect his dear friend in order to rid himself of Illumi's needle. However, the more Killua wants, the more he traps these wishes in monologues within his own head and does not voice them aloud. Part of it is that he already feels he's been given much more than he deserves - seeing himself as a creature of darkness and Gon as light - but a greater part of the issue here is not that Killua is afraid to wish for things, but that he is afraid wishing without "compensation" will inevitably lead to horrible repercussions - namely, losing who he loves.

In order to feel worthy of staying with Gon, of earning his friendship, Killua works hard to help Gon achieve his goals, taking on the role of wish grantor, growing to do practically anything needed to support him for seemingly nothing in return - but that's not 100% true. Killua wants at least some appreciation, whether he admits it or not - it's a security thing, and it also clearly makes him happy, even if he's not great at accepting it. He insists in Chimera Ant arc that friends don't need to thank friends, but this declaration always read as very sudden to me or like a rationalization, and it's relevant to remember that this is at the peak of Gon isolating himself and self-destructing before his eyes, and Killua's own insecurity regarding his importance to him.

Killua might not mind doing things without thanks, but that doesn't mean he doesn't like to hear that Gon appreciates him. He clearly does appreciate verbal confirmation of their bond! We know this.

[ID: Two screenshots from the 2011 anime. The first is from episode 61. Killua smiles down at the ground with his hands in his pockets, the colours having gone soft and bright. The second is from episode 70 during the dodgeball match. Gon smiles determinedly in the foreground as Killua looks shocked next to him. End ID.]

Keeping all this in mind, Killua's story, or at least this part of it, couldn't have concluded in a better way than his rescue of Alluka, the wish grantor.

Now, I could probably write an entire other analysis on Alluka and Nanika alone, but for the sake of not making this any longer than I already have, I'm going to go through only a few points. Alluka is incomprehensible to her family because they make no attempt to understand her, with the exception of Killua. The only thing they do seem to understand, when explained to them, is the demands made after Nanika grants a wish - this, of course, fits neatly into their own predetermined views on "earning" and "punishment". However, beyond this, they make no attempt to understand her, and since her power is deemed dangerous and uncontrollable, she is locked away.

They are worried, first and foremost, that Alluka will bring harm to the family, and there's two ways in which this could be true:

As a function of failing to fulfill her requests, of course

Because she, just by existing, threatens the family's status quo

I stated at the beginning that Killua's desires do not align with those of the family business, and he's always apparently been more open to understanding others - he asks Alluka and Nanika questions to understand them, and treats them with respect, while his family are more so focused on subjugating anything that might be a threat. This is what Illumi tried to drill into Killua after all; never fight a superior opponent - everything is about assessments of relative strength, which leaves no room for open-mindedness or getting to know people.

Faced with a daughter who is clearly incomprehensibly powerful, and a son, the would-be inheritor of the family trade, who is showing a disturbing amount of willingness to befriend instead of retreat from her, the family made the decision to excise Alluka not just from where she could "harm" the family power-wise, but also likely to secure their control over Killua, who they then set about practically programming to not have any more wishes for himself, or at least to not be able to vocalize them without fear of loss or retribution.

The family's nickname for Killua is "Kil" or "Killu", which is deeply fascinating to me as a reader - nicknames are expressions of endearment, typically, and I actually don't doubt that here. Killua's family does love him, but their love comes with conditions. He must be molded into the perfect son, and every part of him that doesn't fit must be excised.

So: Killua's memories of Alluka are suppressed with the needle, and she is further cut from his life by dropping the "a" from his name (the Zoldyck children are named like a game of shiratori - Illumi -> Milluki -> Killua -> Alluka -> Kalluto). The nickname is also like a command or order "to kill", which is of course what they want him to do.

Saving Gon through saving Alluka and Nanika forces Killua to have to face down the last and hardest of Illumi's manipulations to shake, and that's the notion that a wish, that kindness and friendship and love, cannot be unconditional without severe repercussions - where the people he cares about get hurt because of him, something he cannot envision being forgiven for.

It's a little sad to me that after spending most of the series struggling against his family's teachings that they didn't lead to Killua betraying Gon at all, as he'd feared... but to him betraying Nanika, by sending her away.

Here is this little girl with a bloodstained past, incredibly powerful and dangerous and capable of amazing feats, treated as some evil thing by those who fear her. But she is kind at heart. Her true strength lies in healing, not killing. And she only takes commands from Killua.

Illumi thinks this is because Killua is the only one with control over her. Killua believes this is because she wants praise. They're both partially correct, but this is not the full reason Nanika does what Killua asks of her.

[ID: Two screenshots from episode 146 of the 2011 anime. In the first, Nanika smiles and says "I love Killua." In the second, Killua looks at her, stricken. End ID.]

Nanika loves him. Everyone has been trying to figure out all these complicated rules and conditions on her wish granting and why Killua is the one exception, but the answer is exceedingly simple. She loves him, and wants to do nice things for him so he can have his wishes granted. It's the only way she knows to get the love that she wants in turn.

Just like her brother, Nanika makes herself useful to earn love and appreciation from someone who accepted her when no one else did.

Even though he knows Nanika just wants to help, he still sees her presence as a danger to the person he sees as pure and innocent who must be protected. He sends her away because her "nature" is to be a threat to Alluka's safety, even if she doesn't intend to be. Killua's fear of Illumi and repercussions causes him to make a horrible mistake.

And Alluka tears into him for it.

[ID: A set of panels from HxH chapter 336. A furious Alluka glares and asks Killua if he made Nanika cry. When Killua stutters, she demands he apologize to her. End ID.]

You tell him, girl.

Oh hey, this looks a little familiar, huh?

"Apologize to Killua!" says Gon to Illumi after Illumi sends Killua away.

Nanika should not be the one punished for the actions of those trying to control her. She certainly shouldn't be forced to leave those she loves, or have to earn love from them.

And neither should Killua.

[ID: Three panels from HxH chapter 336. Alluka yells, tears in her eyes, "If you're going to protect me... you have to protect Nanika too!!" Killua looks shocked, then his eyes widen. End ID.]

It's interesting to me that this is the line that snaps Killua out of his fear enough for him to properly speak with Nanika and apologize. One party cannot receive all the protection, nor can the other only give and give limitlessly.

Killua makes it clear to Nanika when speaking with her that he will protect her, and that she doesn't need to earn affection from people by granting their wishes. He promises they will both be there for each other - Killua will praise her whenever she wants, and not just when she does something for him, but he also doesn't refuse Nanika's desire to grant his wishes. It's mutual, not conditional.

And on the heels of this "betrayal", Killua asks for what he never thought he could receive - forgiveness. And even though Nanika is clearly still very upset...

[ID: Two screenshots from episode 146. In the first, Nanika and Killua face each other, both of them teary. Nanika says "Kay." In the second, he has pulled her into a hug. Nanika is teary, her fingers gripping Killua's back tightly. End ID.]

...she doesn't even have to think about it.

I do think Killua still has a ways to go, but he is in a position right now to learn from his relationship with his sisters about balance - that love is not just selfless devotion, but also allowing those who love you to help you and make you happy too. I think that's what unconditional love is, in a way - supporting and working together with the people you love to make each other's wishes come true.

[blueskittlesart]

deeply refreshing to see someone critical of Swift who also like, genuinely likes her. Like i'm neutral to positive on her, but the online discourse has been absolutely rancid. flipping between "Taylor Swift has never done anything wrong ever and she's a fucking genius" and "Taylor Swift is the worst lyricist of all time and also a bad person" is exhausting, so thank you for like. nuance or something lmao

not to make it serious for a sec but i genuinely think that being able to like things that are bad is really important. like I think that it's an important skill to be able to look at something and see what you personally enjoy about it and then take a step back and acknowledge that objectively it's flawed. and to also be able to acknowledge that liking something isn't necessarily an identity or a moral stance. and i think that fandom space in general could really benefit from more people taking the time to learn how to do that. it's okay to like things that are bad