#batman trilogy

[shelbygun]

silent work

pairing: jonathan crane x fem!reader

summary: it was impossible for you to stay still in his lap

warnings: cockwarming, smut, dom!jonathan, reader is a little needy

a/n: i just need to be on jon's lap, now (pss, it's my first fic, so sorry for the spelling mistakes, english is not my first language!)

When Jonathan works, you must be silent. He would put you on his lap, with his cock inside you while his eyes ran over papers, and you must not make even the slightest noise, otherwise he would punish you. It’s simple. 

You never disobey that rule of silence, you are always with your pretty little mouth closed, your face hidden in his neck. Sometimes you even managed to fall asleep.  

But today you didn't feel so obedient. 

You were bored of listening to the papers pass through Jonathan's fingers, the unbearable typing of his computer. He was analyzing some records of his recent patients, that meant you had to be quiet and still, not disturbing.

But boredom was killing you, and it didn't help to feel the veins of his cock throbbing against your walls, making the desire to move increase more and more.  

You glanced at Jonathan's face, who was too focused on what was written on the papers, and something crossed your mind. 

"If I move a little, he won't notice." 

Then, unable to hold on any longer, your hips began to move very carefully, trying not to raise suspicions and to be as sneaky as possible.

You felt a sense of relief when you were able to move and have his cock finally act inside you in a more pleasurable way.

The slight circles that your hips traced on Jonathan's lap were increasing in speed without you realizing it, but he did.

"Stay still, I'm not done yet. " He murmured quietly, holding your waist to make you stop.

You complained. "Please, Jonny..."

"No. I said stay still."

You pouted, burying your face in his neck and giving an annoyed huff. You had been like this for about an hour or even two and you still couldn't move, it was totally unfair.

About five minutes passed and you couldn't take it anymore, you had to move and end this otherwise you would go crazy.

No matter what Jonathan was going to say, you started moving again. You let out a low moan, feeling like that light friction was a gift from God.

"Don't. Move." Jonathan growled.

You let out an annoyed whine, pouting. "J-just allow me a little, Jonny... I feel very full..."

He sighed, putting the paperwork aside and focusing on you. "I said no. Stay still now." He demanded, grabbing your hips tightly, stopping your movements. "You're behaving very badly, fucking slut."

"P-please! Just a little more..." You pleaded, looking at him with your puppy eyes. You felt needy, your little pussy was begging for more.

Jonathan looked at you thoughtfully, deciding what to do. Then he looked down at the union of the two of you and at the incomplete work on the table.

"Fine, I let you. Just be quick." he finally said, sighing and making enough room for you to finish what you were starting.

Green light to continue.

You were actually moving now, putting your hands on his shoulders to make it easier. The little jumps you did made you moan like a dumb whore. It was all so relieving for you.

"Keep going, little slut. I want to see you cum." He murmured quietly, amused by how you moved so quickly, wanting to reach your orgasm. "Such a silly girl, huh? Always in need of cock..."

You moaned at his words, which encouraged you to go faster and reach your goal. You felt his hands on your hips, helping you with the jumps.

“O-oh, fuck…” you let a light whimper, biting your lips. You felt your legs trembling, your pussy squeezing his cock and that knot in your stomach was about to explode.

With one last moan you cum, panting softly. The mess you made oozed from your lips, staining Jonathan's pants white. You felt dizzy, but your face had a relieved smile.

You let your head fall onto his shoulder, regulating your breathing. You still had his cock inside you, and you will continue like that until he finishes his work, while you feel your sticky liquid.

"Such a little slut, always in need of Daddy's cock..."

[skintyfiia]

FINISHED!!!!!

[acousticbloke]

Decided to just finish it in grafite instead of color and i think it came out real good

[tomhardymyking]

A strong rumour says that the director of the next 𝗝𝗮𝗺𝗲𝘀 𝗕𝗼𝗻𝗱 film would be 𝗖𝗵𝗿𝗶𝘀𝘁𝗼𝗽𝗵𝗲𝗿 𝗡𝗼𝗹𝗮𝗻 😮

If so, we already know who would be in the film: 𝗧𝗼𝗺 as 007 and 𝗖𝗶𝗹𝗹𝗶𝗮𝗻 𝗠𝘂𝗿𝗽𝗵𝘆 as a possible villain, because this director repeats a lot of actors in his films, as you can see in the collage, and their names were rumoured 😏 I'm loving this idea so much 😍 I hope it comes true 🙏🏻💓

Opinions?

⠀⠀⠀⠀

Un fuerte rumor dice que el director de la próxima película de 𝗝𝗮𝗺𝗲𝘀 𝗕𝗼𝗻𝗱 sería 𝗖𝗵𝗿𝗶𝘀𝘁𝗼𝗽𝗵𝗲𝗿 𝗡𝗼𝗹𝗮𝗻 😮

De ser así, ya sabemos quiénes estarían en la película: 𝗧𝗼𝗺 como 007 y 𝗖𝗶𝗹𝗹𝗶𝗮𝗻 𝗠𝘂𝗿𝗽𝗵𝘆 como posible villano, porque este director repite mucho de actores en sus películas, como podéis ver en el collage, y se rumoreaban sus nombres 😏 Me está encantando tanto esta idea 😍 Ojalá se cumpla 🙏🏻💓

¿Opiniones?

⠀⠀

[holybagelsstuff]

Unpopular opinion but I think that the Scarecrow mask makes Dr. Crane even more attractive uhhh

[montimer]

May I ask if you write also for scarecrow from the Batman trilogy?? If you do, could you please write dating headcanons? And if you don’t, sorry to bother you :)

Okay this time there will be an exception just cus ya asked so nicely. And no you dont bother me at all. Also i apologize if its not accurate i didnt watch the show just clips

Batman trilogy Scarecrow x reader

Gn!reader, dating hc's

Hes very possessive.

He kinda has this uncanny vibes, maybe not to you. You love him endlessly.

He often compliments you.

Hes not even slightly embarrassed to kiss or hug you even if there are people around.

You see dating him is a lil different than the other scarecrows. He is more brave for sure, even w/ out the mask.

As much as hes curios he wouldn't want to expose you to his toxin. Unless you really want it, but not before he has an antidote w/ him.

Hes usually working, but he'll always make time for you.

You have to agree, mans got a good voice to him. If you tell him you'll never hear the end of it.

He let you wear his mask but only in private.

Mans professional so he can always help you, just ask him

When he plans something he wants you far away from the place. He wouldn't forgive himself if anything happened to you, even worse if it's caused by him.

He is more than obsessed w/ fear. But even so, you are so much important to him (and obsessed w/ you)

He'll let ya talk about whatever you want. He likes hearing ur voice

[belpheg0r-luna]

So, Cillian Murphy the butch lesbian that she is has all of hollywood's men falling head over heels for her attention while she just walks around with a smile and a shrug and goes home to her wife of 20 years and their two children.

[denimbex1986]

'If you’ve ever read an interview with the Irish actor Cillian Murphy, you might think him shy, irritable, or even neurotic. Journalists love to write about how closed-off he is, that if you ask him anything too personal he’ll shut down and give one-line answers. This makes their job very hard, they say. But what those interviews don’t tell you, is that if you let Murphy talk about a subject that he actually wants to talk about – such as his epic new film about the father of the atomic bomb J. Robert Oppenheimer – he’ll go on for ages. And he’ll be very open and interesting while he’s doing it. He might even make a joke.

He does this when NME meets him at a posh hotel in Soho. We’ve just walked into the room. Murphy is sat down, wearing a black v-neck jumper over a white t-shirt, black trousers and a pair of very pointy Chelsea boots. He seems relaxed, and greets us with a cheery “hello!”. Then he recognises the thick paperback tucked under our arm as a copy of American Prometheus, the Pulitzer Prize-winning biography from which Oppenheimer is adapted. We’d intended to read a quote from the book later but Murphy cuts in on our explanation. “No, you brought it in here to be pretentious,” he grins. “Would you like me to sign it for you?”

There are people who would sell their grandmas for a mere glimpse of Murphy, let alone an autograph. He’s been dogged by screaming fans since the early days of his career – when he broke out as often-shirtless apocalypse survivor Jim in Danny Boyle’s 2002 horror hit 28 Days Later. Brummie gangster series Peaky Blinders made him a global star, but his most famous film roles are notable because they’ve often come from collaborations with the same director. Christopher Nolan’s sci-fi blockbuster Inception, war thriller Dunkirk and his Batman trilogy all featured Murphy as the supporting curio – a side character that pops up every so often to steal your attention from the main protagonist. But in Oppenheimer, the duo’s latest creative partnership, he finally is the main character.

And he’s a good one too. Oppenheimer was an American scientist who made vital discoveries in quantum physics during the 1920s and ‘30s, going on to oversee the creation of the atomic bomb for the US Government – two of which were dropped on Japanese cities Hiroshima and Nagasaki in 1945, killing an estimated 220,000 people. Oppenheimer spent the rest of his life campaigning for disarmament, appalled at the weapon (his preferred term was “gadget”) he had helped to give the world. He also drank heavily and had a reputation as a womaniser, despite being quiet and sometimes socially awkward. Murphy calls him “contradictory” and “complex”, which is like saying Suella Braverman doesn’t like immigrants. “I do think that he believed it would be the weapon to end all wars,” Murphy continues, attempting to explain how a left-leaning humanitarian could spend two years perfecting the ultimate killing machine. “He thought that [having the bomb] would motivate countries to form a sort of nuclear world governance.” Murphy pauses. “He was naive.”

Was that naivety a choice though? Oppenheimer had an explosive ego, once attempting to poison a university professor who chastised him when he was a student. Could his desire to achieve such as historic breakthrough have led him to ignore his own better judgement?

“That’s an interesting take,” says Murphy. He runs his hands through his hair, which is styled into wavy curtains. He does this a lot when thinking a question over. “Chris used this amazing phrase. We were talking about Oppenheimer’s arc and he said, ‘You know, he’s dancing between the raindrops morally.’ That unlocked something in my mind when I was preparing.”

To play the role of Oppenheimer, Murphy went very deep. He read the Bhagavad Gita – a 700-page Hindu religious text that the physicist famously quoted from (“Now I am become Death, the destroyer of worlds.”) Then he started “skipping meals” in an effort to slim down to Oppenheimer’s rail-thin frame. During the actual shoot, Murphy smoked so many fake cigarettes that he worried it harmed his health. “They can’t be good for you,” he told The Guardian. Oppenheimer himself died of throat cancer in 1967.

On top of the physical strain, Murphy delved into some pretty dark emotional places. He had six months to research before filming began in February 2022, and during the 67-day production he often worked 18-hour days. War, genocide and the nuclear holocaust are unpleasant to think about at the best of times, never mind your every waking moment. It must have been brutal.

“You always have to take a holiday after a job,” he concedes, as though being a Hollywood actor is no different from plumbing toilets. “It’s not because… as some journalists like to think, you’re a method actor or whatever. It’s because you give so much time to the job and then suddenly you stop. You have all this displaced energy, you know, so you kind of don’t know what to do with yourself… But I’m a very easygoing sort of person. It doesn’t weigh me down.”

We suspect Murphy isn’t being entirely truthful here. Such is the intensity of his performance – all simmering discontent and wide-eyed panic attacks – that it’s difficult to believe he just shook the weight of global armageddon off each night before climbing into bed. Emily Blunt, who plays Oppenheimer’s wife Kitty in the film, has said Murphy regularly skipped cast dinners because of the “monumental” pressure he felt. “Of course he didn’t want to [eat] with us,” she told People magazine. Matt Damon, brilliant as mustachioed military boss General Groves, agreed: “His brain was just too full.” When we push Murphy on the subject, he reveals a little more. “I didn’t go out much. I didn’t socialise much, mainly because of the amount of work I had to do… I became so immersed in the role.”

To make the experience yet more profound, cameras rolled only “a couple of days” before Russia invaded Ukraine. The West united to impose stringent economic sanctions on Vladimir Putin and his people. The value of the Ruble plummeted, Russian billionaires were booted out of London and Moscow became a cultural ghost town with the likes of Green Day and Iron Maiden cancelling gigs. Putin’s response? To start lining up tactical nukes along his borders. Armageddon seemed closer than at any moment since the Cold War. Murphy (and his castmates) felt the heat. “It was everywhere, and we were fully aware of that,” he says. “The threat [of nuclear war] has escalated and receded over the years since 1945… and now it’s back. It’s always there, this Sword Of Damocles that is hanging over us.”

Murphy, 47, knows what it’s like to exist against the backdrop of conflict. He grew up during the Troubles in late 1970s and ‘80s Cork, Ireland, where reports of sectarian violence in the north often dominated the news. His mum was a French teacher and his dad worked for the civil service. As a teenager, he was obsessed with music. He read NME and loved Frank Zappa and The Beatles. To illustrate his fandom, he tells us about a trip he took to Liverpool, later in life, to see the legendary Cavern Club, where the mop tops first cut their teeth on stage. “I walked down to [the street where the Cavern Club is supposed to be],” he says, “and it wasn’t there. It was somewhere over there!” He gesticulates with his hands. “It’s not the real Cavern. It’s just a mock-up!”

Inspired by John, Paul, George and Ringo, Murphy and his brother formed a band: The Sons of Mr Green Genes, named after a Zappa tune from the avant garde groover’s 1969 album ‘Hot Rats’. The songs were similarly experimental, filled with “wacky lyrics and endless guitar solos”. Eventually, an indie label based in London, Acid Jazz, put a five-album deal on the table. He and his brother turned it down, citing reasons of artistic independence, but for a while rock and roll appeared more inviting than the movies.

Murphy is often disparaging about his songs to journalists, but they must have been doing something right. He’s also self-deprecating when we bring up the underrated 2002 short film Watchmen, which he co-wrote with BAFTA-winner Paloma Baeza – his only attempt at a screenplay. “I just never thought that I was good enough really,” he says. “It’s why I haven’t, you know, pursued the music either… I like to do one thing quite well.” He adds that it’s unlikely this will change in the future.

Murphy will be far too busy to write songs or screenplays for a while anyway. The first reviews for Oppenheimer are out, and some critics have him earmarked for an Oscar. He’ll charm his way through awards season no doubt, just as he does at the Paris premiere the night before our interview. Done up in a black suit with mustard shirt and matching oversized tie, he looks a bit like the handsome English teacher your best mate had a crush on. Walking the red carpet, he is happy to answer questions, speaking at length about Nolan’s genius and the “amazing” reaction to Oppenheimer so far. You can tell he’s enjoying himself.

Murphy’s not on duty tonight though, with London’s premiere scheduled for the day after our chat. Then he’ll be waiting to get on with his next gig, the dark indie drama Small Things Like These, adapted from Claire Keegan’s bestselling 2021 title, in which he’ll take the lead role. Following his breakthrough blockbuster with a low-key Irish drama is typically understated of Murphy, so not unexpected. More box office projects loom on the horizon – a standalone Peaky Blinders movie and the long-awaited horror threequel 28 Months Later – but he says he has “no new information” on either.

It’s difficult to say what Oppenheimer means for Murphy. He is a household name in the UK and Ireland, but less so in the States, where some still see him as a ‘TV actor’. In a recent interview to promote the film, Robert Downey Jr. talked of Murphy’s life “changing” after Oppenheimer, as if he’s a fresh actor on the scene. In a sense, Downey Jr. is right. This is Murphy’s first lead role in a sure-fire smash. And the parts he gets offered now may be a bit starrier. But don’t expect to see him in spandex on a Marvel soundstage anytime soon.

“I like unknowable, ambiguous, kind of enigmatic [characters],” he says. “To me that’s human life: the knotty, weird grey areas… A good man’s life is wholly uninteresting.”'

[acidtookmysoul]

Heath Ledger as Joker

The Dark Knight (2008)

[schizophreniadream]

[okletsgetnuts]

[acousticbloke]

And he is finally done, will never draw him again do not recomend 😀

[tomhardymyking]

“I spent my entire experience with Gary staring at him, and not returning any lines... He’s basically God, you know? He is one of my heroes, completely. I did nothing but gleam from him.” 💖 — 𝗧𝗼𝗺 about his feeling of working with 𝗚𝗮𝗿𝘆 𝗢𝗹𝗱𝗺𝗮𝗻 💓

Happy Birthday to him 🥳🎉🎂🎈!

⠀⠀⠀⠀

“Pasé toda mi experiencia con Gary mirándolo y sin responder ninguna línea... Él es básicamente Dios, ¿sabes? Es uno de mis héroes, completamente. No hice más que resplandecer por él.” 💖 — 𝗧𝗼𝗺 sobre su sentimiento de trabajar con 𝗚𝗮𝗿𝘆 𝗢𝗹𝗱𝗺𝗮𝗻 💓

¡Feliz cumpleaños a él 🥳🎉🎂🎈!

⠀⠀

[holybagelsstuff]

You know the acting is beyond perfect when in your headcanon the Nolanverse Joker's real name is Heath Ledger.

[florasletter]

Jonathan Nolan revealed that he wasn’t initially completely sold on the idea of Bane being the villain in 2012’s The Dark Knight Rises.

The writer-producer, who co-wrote 2008’s The Dark Knight and Rises with David S. Goyer and his brother and director Christopher Nolan, said on a recent episode on the Happy Sad Confused podcast that he was actually pushing for the Riddler to be the primary villain in the third film of the trilogy.

“We had these conversations,” Jonathan said. “Bane came out of a conversation with David [Goyer] and Chris. I was unsure about that at the story stage, but I [didn’t want it to be] back seat driving. Chris understood that what we had done and what Heath [Ledger] had done with [Joker] — you didn’t want to go anywhere near it.”

He continued, “I started to play with the idea of the Riddler and what could be done with that character. But it did feel like close enough to the space of what we had done with Heath, and you really needed to [change direction]. There’s another genre shift there. One of the things I was excited about for The Dark Knight Rises was that if you do a kind of urban crime genre for [The Dark Knight], the third one was a post-apocalyptic film. You sort of go: Batman always saves the day and the city survives. Why can’t we destroy Gotham and see what happens afterwards?”

The Fallout director wasn’t the only one initially pushing for the Riddler in Nolan’s third Batman movie. In September last year, Goyer said an executive from Warner Bros. suggested to him at the premiere of The Dark Knight that Leonardo DiCaprio should play the Riddler in the next film.

[marissamejia19]

The Voice of Gotham

Read my Batman fanfic story!