#bebe boo <3

[welcometohelck]

[goldsainz]

THREE IS COMPANY — one shot.

pairing: carlos sainz x reader x lando norris

MASTERLIST.

taglist: @lorarri @lpab @whatthefuckerr @noncannonships @mikasa140904

request: “Hello! So...perhaps a Carlando one? Hard launching with the drivers being shocked? 😂 Thanks for doing fun work!”

NOTE: i’ve had this request since april… i’m so sorry i’m just getting to it!! i hope you meant a throuple fic cause that’s what i did😭 anyway, carlando stays superior and unbothered. this is kinda short (and so unserious), but i hope it’s still good nonetheless 🫶

liked by carlossainz55, landonorris and 407,926 others

yourusername when you and i were forever wild

view all 6,118 comments

ynfan1 oh.

ynfan2 not a m*n stealing my wife🙄

kaliuchis te extraño bebe i miss you baby

⤷ yourusername yo másss me moreee

⤷ ynfan3 WHEN DID SHE LEARN SPANISH

landofan1 …lando?? hello??

ynfan4 she looks so so good

ynfan5 so who’s the lucky guy?

⤷ carlosfan1 and if is say it’s carlos then what

⤷ ynfan5 i’d say you’re delulu… but you do you, boo!

carlosfan2 CARLOS GET OUT OF HERE!!! LEAVE MY WIFE ALONE!!!

liked by danielricciardo, maxfewtrell and 1,073,824 others

lando.jpg Mine.

comments are limited

yourusername alrighty then!

yourusername didn’t know we were hard-launching😭

⤷ lando.jpg Had to set the record straight 🤷‍♂️

carlossainz55 ❤️😂

danielricciardo HUH

danielricciardo HOW DID I NOT KNOW ABOUT THIS?!?!

⤷ lando.jpg I’m very good at keeping secrets

⤷ yourusername lies!!

⤷ carlossainz55 Lies 2.0

⤷ danielricciardo YOU GOT CALLED A LIAR TWICE🤣🤣

maxverstappen1 Happy for you 3! 🧡

alex_albon Great news for afternoon tea

⤷ yourusername tell lily to invite me next time

⤷ alex_albon No, you always hog her attention🙄

liked by lance_stroll, carmenmmundt and 651,934 others

yourusername my boys

view all 9,781 comments

carlossainz55 Only yours, hermosa beautiful

⤷ yourusername los amo i love you

landofan31 i need at least a month to process this

carlosfan31 HELLO????

carlosfan32 carlando is real i can’t believe this

landonorris Oh, I look good😍

⤷ landonorris Carlos is there too! I hadn’t noticed…

⤷ yourusername you’re such a liar😭

⤷ carlossainz55 Say it to my face

landofan32 never getting over them

carlosfan33 SOME OF YOU DONT UNDERSTAND HOW ICONIC THIS IS

ynfan31 lost my wife to not one, but two men💔

liked by yourusername, charles_leclerc and 2,035,827 others

carlossainz55 Mis amores ❤️ My loves ❤️

view all 30,538 comments

landonorris This is kinda cute

⤷ yourusername you’re literally blushing, don’t act tough

⤷ carlossainz55 You’re literally next to me and you’re all smiley??

landofan41 they just called me single in a hundred different languages

charles_leclerc Sending you all the love!

liked by landonorris, carlossainz55 and 152,904 others

carlosfan41 Y/N IS SO CUTEE

landofan42 imma need them to stop with the cuteness i cannot take it anymore

lewishamilton 💜💜💜

⤷ yourusername I LOVE YOU LEWIS

⤷ landonorris Woah!

⤷ carlossainz55 Y/N, we talked about this🤣

landofan43 carlando being real still feels surreal

ynfan41 these are all my parents now. i don’t make the rules.

fernandoalo_oficial Felicitaciones a los tres! Congratulations to the three of you!

⤷ yourusername i cannot believe fernando alonso knows who i am…

⤷ carlosfan42 NOT Y/N BEING A FERNANDO FAN😭

[ineedhjalp]

ahh. I'm so normal, so tickety-boo, so sane. I'm GOOD YEH IM FEELIN ALRIGHT BEBE IMMA HAVE THE BEST FUCKIN

GOOD OMENS 3 CONFIRMATION

of my LIFE

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To the world.

[adorecline]

hi boo!!! could you write abt falling asleep and cuddling with Eric Forman pls:) ❤️

Hi bebe, thank you for requesting! I hope you like it! Feel free to request again <3

Quiet {Eric Forman x Fem!Reader}

Summary: y/n finally finds the peace and quiet she's been craving.

Warnings: Mentions of divorce, fighting, toxic home life

i do not give anyone permission to copy or repost my work on here or any other websites. no translations either. likes and reblogs are greatly appreciated.

Eric was laying in bed getting ready to go to sleep. He reached over to his bedside table to turn his lamp off.

Three knocks on the door made Eric jump and whip his head around. He looked at his window to see y/n, his girlfriend of 8 months, waving to him with an amused smile.

Eric got out of bed and pushed the window up letting y/n enter.

"Hey babe, what are you doing here so late?" Eric asked confused why y/n would be showing up at his window when she had just left a couple hours ago.

"I wanted to see you." y/n said leaning up to kiss him. "You want me to leave?"

"No, no, of course not." Eric reassured her. "It's just it's midnight, and I thought you went home?" He said observing her.

Her eyes were a little red and puffy like she had been crying, and they didn't have the same brightness they did early.

"I did." y/n nodded. "Don't really wanna be home right now though."

"Is everything okay?" Eric asked walking closer to her.

"Yeah, I'm fine." y/n smiled, but Eric knew better. He knew her. They had been dating for 8 months and had known each other since they were kids. Eric prided himself on knowing y/n.

"Really? Because you look like something's wrong." Eric pointed out. "Have you been crying?"

y/n took a deep breath before answering, "I'm fine, Eric. I swear."

"I don't believe you." Eric told her.

"Why not?" y/n scoffed.

"Because I know you," Eric said, "And I know when you're happy, sad, angry, jealous, whatever. I know you, and I know something's wrong, so please tell me what it is." He asked.

"It's not a big deal." y/n shook her head.

"Clearly it is if you're crying about it." Eric said. "Come on, babe. It's me."

"My parents just got into a little fight." y/n shrugged.

"A little fight?" Eric raised an eyebrow in question.

"Okay, it was a big fight. A big fight about how their marriage was a mistake and they should've never had a kid and made this life that neither of them wanted because now they're stuck with a life where they're miserable like they always feared."

Eric looked at her sadly. He hated to see her cry. He promised himself he would always make sure she was happy, and she clearly wasn't happy.

"It's gonna be okay, y/n." Eric told her. "I don't know what's gonna happen with you and your parents, but I know that you're gonna be okay."

"How?" y/n asked as Eric wrapped his arms around her.

"Because you've got me, and I'll always make sure you're okay." Eric told her.

y/n's lips twitched into a comforted smile. She wrapped her arms around Eric's torso and pulled him as close as she could.

"Wanna go to sleep?" Eric asked looking down at her. y/n nodded, and Eric pulled her over to his bed.

The two laid down together. y/n cuddled into Eric's chest listening to his heartbeat. She smiled at the warm feeling in her chest from Eric's embrace.

"I love you, Eric." y/n whispered.

"I love you, too, y/n." Eric kissed her head softly.

y/n fell asleep in the peaceful silence as Eric rubbed her back slowly. She held a content look on her face as she could finally relax.

[m-jelly]

Hey boo, I have a little request for you ❤️

You and Levi taking the little one to the park for a picnic. Levi brings out a cute little bike as a surprise and teaches your bebe how to ride it for the first time, while you cheer them on. 🥺

And if it’s not too long already maybe you all have snacks together afterwards? ❤️

Thank youuu!

🥺 I love this

@kenkopanda-art <3

Training wheels

Pairing: Dad!Levi x Fem!Mum!Reader

Genre and tags: Modern AU, romance, fluff, being parents, cute, picnic date, riding a bike

Concept: Levi teaches your little girl how to ride a bike. Afterwards, you have a little picnic.

Taglist: @ladycheesington @skittlelover69 @li-anne @levisbrat25 @youre-ackermine @nyxiieluna @galactict3a @notgoodforlife @nbinairyn @thebobaprincess @demonsimp6

Your four-year-old little girl, who looked just like her daddy ran ahead into the park with her little pigtails bouncing as she went. You smiled softly as Lilly squealed in delight. She stopped running and waited for her daddy. She grinned at Levi as he chased after her.

You let out a long happy sigh before laying out a blanket and the basket. You sat down and relaxed a little as you watched Levi be a wonderful father to his little girl. You got out two drinks, one for Levi and the other for Lilly.

Levi placed a bike with little training wheels in front of Lilly. "You ready?"

Lilly jumped up and down. "YES! I can do it!"

He chuckled. "Good girl. What's the first thing we need?"

She pointed to her head. "Helmet!"

"You got it." He flopped her bunny-themed one onto her head and clipped it in place. "There we go." He knelt in front of her. "You need your knee pads on and gloves."

She bounced up and down. "Yes, daddy."

He helped her put everything on. "There we go, little bunny. Now, hop on and we'll start."

Lilly climbed onto her bike. "Ready, daddy."

He stood behind her and held the handles. "Feet on the pedals, okay?"

"Yes."

"Now remember what I taught you. Push your feet against the pedals and make them go around."

Lilly hummed and pushed. "Got it!"

"Hold onto the handles." He chuckled as he pushed her bike to help her. "You got it, little bunny."

Lilly gasped. "I'm doing it, daddy!" She squealed in delight. "I'm moving!"

Levi laughed as walked fast. "You're doing so well."

You smiled as Levi ran with his daughter for a while to get her used to everything. He called out how to break and helped her turn the handles to go in a circle around you. You smiled and waved to her when she shouted for you. You blew her a few kisses and praised her.

Levi leaned down and whispered. "You ready to go alone?"

Lilly nodded. "Yes! I'm a big girl!"

"All right. I'm gonna let go in three!" He released her and stood still. "Two!" He smiled as she rode away from him. "Lilly!" He waved to her. "You did it!"

Lilly squealed. "I'm riding a bike! Mummy! Look!"

You clapped your hands. "Well done, Lilly! I'm so proud!"

Levi smiled. "She's growing up so fast." He looked over at you with a pleading gaze. "Bunny."

You smirked and pointed at him. "Don't give me that look, Mr, I know exactly what you're after." You hummed a laugh.

Lilly squealed. "Daddy! Help!"

Levi jogged over to her. "I'm coming! Hold the breaks!" Levi watched as Lilly pulled the brakes too hard making her fall off and let out a squeak when she hit the ground. "Lilly!" He skidded on his knees and cradled his little girl. "Lilly?"

Lilly giggled. "I'm okay!"

Levi hugged his daughter tightly. "My poor little bunny."

You let out a sigh of relief. "You sure you're okay?"

She nodded. "I'm okay, mummy." She hummed Levi and hummed. "May I have some juice?"

You opened your arms. "Sure thing. Come here for a cuddle and some juice." You hummed a laugh as she ran and dove into your arms. "Such a big brave girl." You opened her juice and gave it to her as she sat in your arms. You hugged her and smiled at Levi. "You okay handsome?"

Levi carried the bike over and hummed. "Yeah. Just a little shock."

"She's perfectly fine. Drink your tea." You smiled at Levi. "Love you."

Levi cuddled up to you and kissed you. "I love you so much." He smiled and found a snack for Lilly. "Eat up, little bunny."

Lilly wiggled her feet and hummed a song as she ate. "Yummy."

Levi laughed. "She's just like you, always happy with snacks."

You snorted a laugh. "You're right." You kissed the top of Lilly's head. "She's our special little girl."

"She's perfect."

Lilly yawned and rubbed her eyes. "Mummy? I'm tired."

You shifted her in your arms. "Have a little nap against me, okay? I'll hold you as you sleep."

"Thank you, mummy."

Levi held Lilly's hand as she passed out in your arms. "She's so cute. We make beautiful babies."

"We do." You let out a long sigh. "She took to that bike really well, but then again you've been talking to her about riding a bike for two weeks now. You really prepared her."

"I want her to be safe, but she still fell off."

You hummed. "Yes, but it was bound to happen, my love. You won't get it perfect the first time you do something. Most people compare life to riding a bike. You often fall down, but you just get back up and try again." You smiled at Levi. "She has you to help her with her bike and we'll keep her on grassy areas so the falls don't hurt."

Levi leaned over and bit your shoulder. "You're so smart. You're the best. I love you so much."

"I love you always, Levi."

[avroditelovesthesun]

A bebe <3

For you @nola-aiwe love you boo :)

[inactivebooo]

𝑭𝒓𝒂𝒏𝒄𝒊𝒔 𝑭𝒐𝒓𝒆𝒗𝒆𝒓 | 𝑩.𝑺

It had been a while since you’d heard from Bebe, and honestly? You felt lost. She’s your everything for goodness sake.

The clock beside you read 3 am , in a pathetic attempt at getting some sleep you curl up on your side of the bed , turning over and placing a hand on Bebe’s cold space.

You drag yourself through the day , going to work , coming home and making dinner. Then eating it .. alone, going to bed .. alone. Your days repeat like this as you slowly decline. You needed Bebe back. You couldn’t let people see how this affected you.

It was a sunny April day , your therapist had coaxed you into taking walks to clear your mind. And so here you were , strolling down and tree lined street. Glancing up at the gaps of sunlight through the trees .. your heart shatters. “Bebe.. please.. come home” you weakly call out into the quiet atmosphere.

The quilt was immense, you just wanted her back. Why did it have to be her?? Why couldn’t it of been you??

Autumn swiftly arrived , and it felt like it had only been a second. You weren’t done reminiscing her. You still cried every night begging for her back.

It had taken a lot of encouragement from your family and friends but you had finally decide to visit her.

“..hey Bebe, I .. I missed you- alot” you mumble , “I .. I know you’re mad at me .. and I don’t blame you” you take a deep breath “I need you to know I will always love you” gently you trace over her name engraved in the thick block of granite. Biting back tears you place the bouquet you bought down on the grass in front of her headstone before quickly leaving as the tears bubbled over.

For my boos 😽 @h3artilly @valstarroz

[frnkieroismydaddy]

Hey feel free to delete if this isn't ur thing but do you have any tips on how to get into drag? Just for fun. I'm thinking I'd like to do both sides cause im transmasc and honestly to me gender is a performance and I am being booed off stage

Anyway have a nice rest of ur day

if you're in a big gay city, i would recommend going to to drag shows and talks to the queens, kings, things and performers!! They will all have invaluable advice to give you about literally anything!!! If you're not lucky enough, the internet has plenty of queers to help you out. I'll be posting a lot of videos so check it out under the cut

If you're into femme drag stuff, check this makeup stuff out:

These are all well known reputable queens who know their shit and I highly recommend them all. Gottmik, the last queen is also transmasc <3

I'm not a drag king but I am aware of some drag kings, so here's some masc makeup:

If you want to get into the drag choreo, absolutely absolutely learn to lipsync- if that's what you want to do!! anything you do in drag will be incredible as long as you love it!

Here's a drag choreo vid by a legit queen:

and that's the video limit!! I recommend spending a year and a day googling, googling, googling everything.

people to google and check out:

Rupaul (mother)

trixie mattel (also mother)

gottmik (rupaul's first trans masc queen)

katya zamo (incredibly weird)

bob the drag queen (iconic)

violet chachki (kind of a bitch but beautiful)

bianca del rio (proved you can win drag race without being pretty)

crystal methyd (complete crackhead)

juno birch (trans femme space alien)

nina flowers (androgynous dj)

bebe zahara benet (rupaul's first)

courtney act (australia's finest)

kita mean (down under's first)

anita wiglet (comedy queen)

sugar and spice (they're two people but they do everything together)

the boulet brothers (cohosts of the horror drag competition Dragula)

Sharon Needles (horror queen)

Beverley Kills (sorta punk queen)

Alyssa Edwards (what the fuck is going on in here on this day?)

Raven (2nd in our hearts)

kim chi (plus size makeup brand owner)

Sasha Velour (no wigs, no problem)

Also: Drag is expensive and time consuming!!! You're gonna be buying your makeup, clothes, hair, accessories, body, shoes and anything else you can think of! You will also be putting it all together to look someone what presentable. It takes a lot of money to look this cheap!!

If there's anything else or anything specific you have questions about, feel free to dm me or send me another ask 💅🏻😘👑

[deadcactuswalking]

REVIEWING THE CHARTS: 04/11/2023 (Taylor Swift's '1989' TV/Halloween/The Beatles' Final Single)

Content warning: some language

…Taylor Swift. Welcome back to REVIEWING THE CHARTS!

Rundown

It’s an interesting week this week, for sure. It’s kind of both more and less busy than it appears at first glance. A lot of that is to do with Taylor Swift but we won’t be talking about her for a long time - instead, we start our episode always with the notable dropouts - oh, Taylor’s other songs dropped out to make room for her new ones? Of course they did. We do bid a brief farewell to “Style”, “Cruel Summer” (from the top 10 as well!) and “Anti-Hero”, but the latter two will be back in no time and otherwise, we have plenty of songs dropping out of the UK Top 75 - which is what I cover - after spending at least five weeks in the region or peaking in the top 40. We bid adieu to “Angry” by the Rolling Stones, “Got Me Started” by Troye Sivan, Nines’ “Daily Duppy” freestyle video, “I KNOW ?” by Travis Scott, “Cheat on Me” by Burna Boy featuring Dave, “Used to be Young” by Miley Cyrus and “Riptide” by Vance Joy - that one’ll be back soon enough, not sure about the others.

There’s no need to concern though because we have a disproportionate amount of returns, especially consider there is a singular notable gain, “Lil Boo Thang” by Paul Russell at #52. As for our returns, we have “Kill Bill” by SZA back at #70 and the typical Halloween re-entries, which seemed to perform a bit better this year for whatever reason, maybe because the charts are weak, and we do actually have two new Halloween songs debuting, but as for the re-entries we have “Somebody’s Watching Me” by Rockwell featuring uncredited guest vocals from Michael Jackson at #44, “Monster Mash” by Bobby “Boris” Pickett and the Crypt-Kickers at #29, “Ghostbusters” by Ray Parker, Jr. at #21 and of course “Thriller” at #20. We also have the bizarre return of “Teenage Dirtbag” by Wheatus at #38, which thanks to a TikTok trend and a recent 20th anniversary tour, as well as a sped-up version being released last year, has finally gained enough traction to come back to the top 40. It’s a great song… kind of, so I’m not really complaining about it. In fact, I say this is revenge for when it was stuck at #2 for two weeks in 2001, blocked off by Atomic Kitten’s “Whole Again”, which is a fine enough song but really could have given Wheatus one week.

As for our top five, well, this is a family show,  but Taylor Swift doesn’t want it to be, clearly. Her re-recording of 2014’s 1989 of course hits #1 as you’d expect, and we have three songs from her in the top five, starting with “Slut!” at #5. Thankfully there are no re-recordings that charted, instead these are all the new “From the Vault” tracks. Sure, “Strangers” by Kenya Grace is at #4 and “Prada” by casso, RAYE and D-Block Europe is at #3 but then we’re back to Taylor with “Now that We Don’t Talk” debuting at #2 and “Is it Over Now?” at the very top, becoming Taylor’s third #1. It’s the Taylor show way later on however as we have one of the more interesting batches of new songs I think we’ve ever had. Try and put these songs together in one room and see what happens.

NEW ARRIVALS

#74 - “Heart Still Beating” - Nathan Dawe and Bebe Rexha

Produced by Nathan Dawe and Punctual

So we start with a pretty normal introduction to our list of new songs, that being a pretty typical house track with Bebe Rexha on vocals and for what it’s worth, it’s pretty well done. The chill-out atmosphere with the looming synth bass and beeping is designed damn well, especially with the trickling patter of keys against the 90s house percussion that builds up into a really fascinating pre-drop, that creates a strange tension with itself so you don’t expect it when the hurricane actually makes landfall on that ugly but undeniable synth flourish. I would have probably gone for a vocalist who isn’t as annoying as Bebe Rexha can be, especially when her vocals are taken to weird lengths and inflections in the second verse, but she can belt as effectively as she needs to when she does need to, and the song’s ultimately a pretty simple copy-and-paste trick even if that one trick is done very well, so it’s in and out. It’s far from an unpleasant experience when it’s in, though, I’ll give it that.

#73 - “MONEY ON THE DASH” - Elley Duhé and Whethan

Produced by Whethan and Dru DeCaro

Whethan is one of those artists that I think we probably touched upon on this show but I have no real way of knowing because he seems to be nowhere and everywhere at once, and he doesn’t often make appearances on the pop charts. Regardless, he’s an EDM producer that has remix and production credits for days and out of his solo work, I’m pretty sure I’ve only heard his song with Yeat so I have no idea how he’ll work with… someone’s favourite Tate McRaesque singer, Elley Duhé, who has definitely charted before, although not in much capacity. This song is actually from the start of this year but has just charted and what the Hell is that vocal inflection? I don’t know who told Ms. Duhé she could do a deadpan semi-rap where she decides to have an episode whenever she says the words, “control”, “high”, “dice” or “slow”, but it’s so incessantly annoying that it basically just goes full circle and becomes catchy. Whethan’s production helps here given that he and DeCaro have an almost deceitfully simple slap house bass track that seems to show all its tricks to you in the first verse - or hook, she doesn’t actually say anything else - but there’s something else there, specifically this weird respite with flubbing synths and a soaring acoustic guitar line that just continues to develop on itself with a very tropical-feeling build-up that is rendered absolutely irrelevant by the fact it returns to the plodding bass drop with no fanfare at all and no elements of that mix remaining. I can’t tell if it’s a genius way of playfully implementing the attitude of a DJ mix set into a track or if it’s just a troll but either way… I kind of groove with this one. I don’t know to what capacity, but I feel like it’s just weird enough to get a pass. Watch this space, I could see it growing on me.

#55 - “Spooky, Scary Skeletons” - Andrew Gold

Produced by Andrew Gold

Alright, so this year we get two new songs added into the recurring Halloween canon, making their first entry into the top 75, starting with Andrew Gold’s 1996 novelty single “Spooky, Scary Skeletons”. The late Andrew Gold was already long past his prime when this was released. He had his intermittent top 40 hits in the 70s and 80s but this song is taken straight from a children’s novelty album he made specifically for the holiday. Gold wanted the nine songs on that album to fill a void that hadn’t been filled for Halloween songs that were both fun and scary. Interpolating a piece of classical music by Chopin, the song has always just been a bit of a goof. There’s a little narrative at play at least, with the skeletons who just want to socialise, and the melodies are cute if a bit incessant and jabbering. Now the story of the song’s success is a really nice one, mostly because it originates in a really cute place: a 1998 throw-away Halloween VHS by Disney that adorably paid up the song with their iconic 1920s short The Skeleton Dance. Hilariously, the Disney version didn’t go viral - a recreation by a YouTuber who could not find the original did, and thanks to its memehood, the song took on a new life in the 2010s that it never really had before, partly because of just how well the song fit the video but also it fits with the quirky, random sense of 2010s humour that emerged around this time. It also fit electronic beats, as an EDM remix of the track by The Living Tombstone is probably the more well-known version nowadays. It’s terrible, but of course it is, and it helped propel the song to where it is now: frankly, a Halloween classic. Just as cute as the Disney video is the one of a man dressed up in some kind of pumpkin-fitted morph suit that is from a very obscure Nebraskan local broadcast and just ended up in the hands of the Internet who fused it with the viral track and made something incredibly special with it. I may not really like the song, but the story of its success is a pretty fun oddity and whilst it’s a shame Gold didn’t live to see it, it has granted more attention to his work especially in recent years due to TikTok and a vinyl re-release of said Halloween album, now including the remix. Now, perhaps, quite unfittingly after a song about skeletons, a posthumous single.

#42 - “Now and Then” - The Beatles

Produced by Paul McCartney and Giles Martin

Now check this: not only are we getting a song from the Goddamn Beatles, but we’re getting it only a day after it released, thanks to great streaming and expected but still impressive sales. This song has only been out for around a day and a band like The Beatles has flourished on the longevity of their music, so it almost feels wrong to comment this early, even if the song in some form has been around for a while. Lennon wrote this very simple song in the late 1970s. It’s a wispy hiss of a ballad that he never developed on during his lifetime. In 1994, Paul McCartney found himself in possession of Lennon demo tapes, and the three then-remaining Beatles recorded a couple songs using them. “Now and Then” never made the light of day, mostly because George Harrison wasn’t a fan, but decades later, the main problem of vocal quality has largely been fixed thanks to AI technology they’d already used to isolate conversations in their 2021 Get Back documentary. You can vaguely tell that machine learning was used, sure, but it was not to create a synthetic recording and rather improve the quality of an already existing one. There’s also a level of love-letter attention to detail here that really convinces me this isn’t just a cash-in: Paul starts the song with a countdown like he starts the first song in their catalogue, but he doesn’t have the energetic 1-2-3-4 this time around, just a steady 1-2 and a faint 3-count. The bridge actually takes harmonies from dense vocal takes George Harrison did for some of their classic tracks, ones you wouldn’t really be able to notice in their original form because of the sheer amount of layers and takes a lot of those songs have, and places them on top of each other in this new recording to make sure he had extra presence on the track, including a tribute to Harrison in the form of a George-style slide guitar solo from Paul. This song definitely feels special, even if it doesn’t really feel like much of a song. It’s a fleeting final moment, ending The Beatles with a feathery ballad, but it’s still a beautiful one. The core “song” is essentially still in demo form here, with Lennon’s frail, depressed vocal take standing out as particularly sad when it has the reverb and echo against a backdrop of melancholy pianos and an absolutely gorgeous string section. I have already listened to this song a LOT and this has been what’s grown on me the most: just the absolute despair in this insecure, paranoid love song. Ringo Starr’s drums click with little oomph until the first chorus, where they finally ramp up alongside the strings, and Paul starts harmonising with his long-passed friend, “now and then, I miss you - now and then, I want you to be there for me, always to return to me”. Whilst never meant to be, the lyrics find themselves easily re-contextualised in the context of the legacy of The Beatles, and it’s pretty damn heartbreaking, especially with a much older Paul having his voice back up a literal dead man’s final recordings. That soaring solo is also astonishing in how it slides off the baroque instrumentation, and the strings roll back into the harmonies that sound like they were made for the song even if Harrison had originally recorded them for other sessions. It all lines up incredibly well - for an after-the-fact job, the mixing work is intricate, and there’s something profound about it ending with Ringo in the distance appreciating that it was a good take. I expect this to gain next week but after that, I doubt this’ll stick around, or give them an 18th #1 for that matter, but it’s an excellent little joy to have while it’s here, so let’s savour every moment of it.

#14 - “This is Halloween” - Danny Elfman

Produced by Danny Elfman, Bob Badami and Richard Kraft

Now this is the second Halloween song newly entering, and frankly the story is a lot less interesting. It’s the opening theme for a Halloween movie. It’s an incessantly catchy song performed by the citizens of the film’s zany setting conceived by Tim Burton in 1993’s The Nightmare Before Christmas which I have not seen since I was a child. I mean, it’s more accessible than the songs from The Rocky Horror Picture Show, I guess, but it’s kind of funny how this is the highest-peaking Halloween song this week given that it’s the most on-the-nose of the Halloween tracks but also the one perhaps least understandable if you don’t know the context given the amount of characters performing and to me, this has always been a fun novelty wherein I’m just not in on the joke. The song that the Official Charts Company credits also doesn’t really exist. There is not a version credited to Danny Elfman anywhere - there’s the version by “the citizens of Halloween”, which is the film version then tributed re-recordings by Panic! at the Disco and… Marilyn Manson. Well, isn’t that the scariest thing about this holiday? Get that man away from children’s media.

#5 - “Slut!” (Taylor’s Version) (From the Vault) - Taylor Swift

Produced by Taylor Swift, Jack Antonoff and Patrik Berger

Welp, now we’re in Taylor Territory and I will try to keep it brief - after all, these are barely even singles. These are deluxe tracks she cut off the original and waited damn near a decade to re-record and re-release, the fact that they’re being promoted and streamed is more a by-product of them being Taylor Swift songs rather than on the merit of them being, you know, songs. This was the intended single - things didn’t really work out, more on that later - and I should warn you, I don’t like 1989 that much to begin with. It has some of her best singles but is also much less sonically cohesive than it should be and has some of her all-time worst songs, some of which were actually improved in this re-recording. This is still a finished song though, and a pretty decent one too, with Taylor sarcastically convicting herself of the “crime” of being lovestruck with a guy and losing her mind about him, but with the acknowledgement - and looming threat - of how the media and society as a whole treats women and their sexual relationships. You can kind of tell she wrote this before she started swearing because the title drop is so faint and sounds borderline accidental with her typical breathy delivery amidst an expectedly reverb-drenched synthpop instrumental. The harmonies in the pre-chorus are particularly beautiful and whilst I really don’t like the flat-feeling percussion, I understand it kind of comes with the material as far as it comes to indie-infused pop from the mid-2010s. For a song called “Slut!”, it does a lot to make itself sound kind of cute and bouncy, and I can appreciate that dissonance, especially on the oddly glitched outro which is a pretty nice surprise by the end of the track, which does kind of run its course at that point. Anyway, next.

#2 - “Now that We Don’t Talk” (Taylor’s Version) (From the Vault) - Taylor Swift

Produced by Taylor Swift and Jack Antonoff

Continuing the relationship story, we have a post-breakup track where Taylor reminisces but honestly most just bitches about this guy that she can no longer know the inner workings of because they don’t talk anymore. This one’s just fine. The lyrics have a similar level of detail but there are also just less lyrics to think about, and her falsetto in the chorus, as well as her generally staccato delivery, is kind of grating against a particularly rubbery synthpop backing that feels much more like an 80s pastiche than the other vault tracks. I guess she just really wanted to replicate the feel of the original album with this one. That’s not a compliment.

#1 - “Is It Over Now?” (Taylor’s Version) (From the Vault) - Taylor Swift

Produced by Taylor Swift and Jack Antonoff

Now this is what the fans essentially chose as the single, and I can see why because this is fantastic. From the slightly off-beat echoing vocal loops in the beginning of the track that seem to collude around this faint very 80s synth propulsion to the contradicting lyrical detail, anxiety is ridden through this confessional track about mutual infidelity taking place at the very end of a dying relationship. The drums have a real power to them, coming in alongside a bright synth flare that really hits hard in that pre-chorus, and the way that Taylor’s vocals handle the wordy, off-rhythm lyrics is really interesting, it’s like she’s constantly doing damage control for her own song, which devolves into bitter half-rapping with some of the best vocal takes I’ve ever heard from Taylor. This is what all of Midnights should have sounded like - Hell, it doesn’t even sound like it came from 1989, it sounds straight out of her recent work. Maybe it was just a timeless track, but I find it very difficult to imagine that Taylor - or Antonoff for that record - passed on what would be an absolute slam-dunk of a single nine years later. Either way, it’s here now, it’s excellent and we’ll see how long it lasts. I have a feeling it’ll be longer than we expect.

Conclusion

Well, ultimately, like I said, it was a very interesting week and honestly, a pretty great one where I’m excluding the Halloween tracks on the principle of novelty - they function less as real songs than even the Christmas tracks - but liked pretty much everything else, except Taylor Swift’s “Now that We Don’t Talk” which does get the Worst of the Week but batting 2 for 3 is not that bad at all, and she grabs the Honourable Mentions with both “Slut!” and especially “Is it Over Now?”. The Best of the Week… I mean it wasn’t ever a competition, was it? It goes to “Now and Then” by The Beatles as you could see from a mile away. Anyways, we start the holiday season with practically the next episode, with Taylor acting a send-off to… normal music, so be prepared for that. For now though, thank you for reading, goodbye to Matthew Perry - we’ll try to keep it down - and I’ll see you next week!

[blue-slxt]

Okay bebe let's talk hair. I have 3C curls. Just below shoulder length now, and my last haircut was last year January. I got a bob length cut 😭 to trim off my home done bleached lengths. So it hasn't grown much. I don't wear my hair up anymore, because after witnessing myself on the inverted filter last year, I was like.... Mmm, hell no, I've gotta hide my face as much as possible 😂

But I do have a question to ask you. We all have trauma one way or another, unfortunately in this society it's not uncommon 😒. My thing is, playing with my hair. When I was little I used to make knots in my hair and then rip the knots out 🥺😬 I haven't really grown out of it? Now I don't intentionally make the knots, but with the way I play with my hair, knots just form and I still rip them out, so maybe that habit didn't die. It's not even a habit I don't think, it's like I'm unconsciously doing it? Or it's second nature for me to do now. It causes so many knots, causes so much frizz 😤

I've been thinking the past few years if it must be a trauma related sort of thing? When I get uncomfortable or scared or angry or anxious I pull my hair, not out of my head, but tug it really hard. When I'm watching TV or Netflix; playing with my hair. When I'm talking with ppl; playing with my hair. When I'm daydreaming; playing with my hair.

Okay I'm sorry that's a lot. Hope it's not too much for you boo 💓🥹 also, sending hugs and good vibes your way.

Aw love <3 first of all, thank you for the good vibes. Lord knows I am in desperate need of some positivity in my life right now.

Secondly, I totally get where you're coming from. I have locs so I don't really have the issue of messing with my hair, but I have a terrible habit of ripping my nails. It's something I've done for as long as I can remember. I want to let them grow and get healthy, but after they get to a certain point where I'm just starting to get happy with the length, I have this crazy urge to just tear them off. I never used to understand why I did it until I started going to therapy. My therapist believes it's a symptom of my anxiety disorder. I'm a generally anxious and fidgety person and one of the ways that I fidget is by picking, especially at my nails. And it gets way worse when I'm in a specific situation that has my anxiety peaking.

One of the methods that somewhat helps me is finding something else to fidget with. In a way it's basically replacing one bad habit with a new better one. For me, it's usually touching my ears or fidgeting with my piercings. It's less destructive and still helps me get that "picky" feeling out of my system. This is just what I've found works for me. It may be a method you wanna look into if you're wanting to not mess with your hair so much. It takes some conscious effort in the beginning, but eventually, it starts to feel kinda normal. At least, for me, that's how it worked.

I hope this was at least a little bit helpful for you love. Good luck! And feel free to hop in my ask box any time! <3333

[welcometohelck]

[peculiarbunch]

Spell Out Your URL With Song Titles - Then Tag As Many People As There Are Letters In The URL:

P - “Play Date” - Melanie Martinez

E - “Electric Feel” - MGMT

C - “Comin’ up From Behind” - Marcy Playground

U - “Use Somebody” - Kings of Leon

L - “Ladytron” - Roxy Music

I - “I Love You, Will You Marry me” - Yungblud

A - “Another Night” - Real McCoy

R - “R U Mine?” - Arctic Monkeys

B - “Bebe Buell” - Chester French

U - “Under the Gun” - The Killers

N - “Narc” - Interpol

C - “Creator” - Santigold ft. Switch and FreQ Nasty

H - “Hercules” - Hercules & Love Affair

Tagged by: @bloodentitled (*kisses* love ya, boo)

Tagging: @daemondesires, @bbyxsplice, @writcrsblck, @undeaden, @hollywoodcannon, & anyone else that'd like to do this! :) <3 Have fun, y'all!

[giancarlofisichella]

top 5 friends<3

Not in order..!! Bebe Lily Rafa Boo & Merill u are all slayers of the highest caliber

[wqbytop100]

WQBY (the world of Q)

Top 150 for the week ending January 28, 2024

Never Be Friends --Jost, Mingue -3 [H] .6sec

Heart Still Beating ---Nathan Dawe, Bebe Rexha -2 [EDM] .4sec

It's Love (If We Get It Right)--Anthony Russo -4 [P] .9sec

You're Hired, NEIKED, Ayra Starr -1 (starts w/vocals)

One On One ---The Knocks, Sofi Tukker -5 [H] [EDM] .12sec

Feels Like Us ---GT_OFICE, ALWZ SNNY, Robbie Rosen -6 [EDM] .7sec

Anyone --Morgan Page -22 [EDM] (starts w/vocals)

She's On My Mind ---Romy -9 [P] .15sec

All Fckd Up---Kapuzen -14 [H] [EDM] (starts vocals w/half a sec)

Good In Goodbye---Frank Walker, Trivecta -12 .10sec

Kill Anyone --Two Feet, Ari Abdul -13 [M][SD] .10sec

Both---Tiesto, 21 Savage, BIA -10 .06sec

Diamond Therapy ---Diplo, Walker & Royce, Channel Tres -8 [EDM] (Starts vocals)

Dark Skies --A R I Z O N A -7 .11sec

***Jet Plane --R3HAB, VIZE, JP Cooper -(new) [House, Pop, EDM, Dance] .1sec

Other Boys --Marshmello, Dove Cameron -15 (starts vocals)

You---Svidden, Seeb -11 .7sec

Bad Blood--Theresa Rex -25 [P] .5sec

***Weak -Vintage Culture --Vintage Culture, Maverick Sabre, Tom Breu -(new) [N,H] [EDM] .9sec

***Close Your Eyes -Lucas Estrada, Tribbs, Stephen Puth -(new) [H] [EDM] .7sec

I Don't Wanna Worry -NEEDTOBREATHE -27 (starts vocals)

U Miss Me--Vicetone -16 [EDM] .7sec

***Dirty Desire---Vicetone -(new) [H] .21sec

Next Year's Light ---Elliot Moss -21 [M] .6sec

Flex---Tony Dark Eyes -20 [N,H] .3sec

Graveyard--- A R I Z O N A -19 .6sec

***Rhythm Machine ---Westend, Max Styler -(new) [N,H] .12sec

Lift Off ---Dombresky -18 [N,H] [EDM] .03sec

Spend The Night ---BJ the Chicago Kid, Coco Jones -29 [M] .10sec

Dizzy--Sick Individuals, LOUI LANE -32 [H] [EDM] .03ec

I'll Be There--Robin Schulz, Rita Ora, Tiago PZK -17

More Baby ---Chris Lake, Luna -26 [N]

Go Off --Mike Candys -23 [N,EDM]

Jaguar ---Yaeger -31

Easy--3LAU, XIRA -24

Mirrors ---Caravan Palace -57 [EDM]

Save My Love --Destiny Rogers -34[M,SD]

Lullaby --Britti -33 [M] [SD]

Good Morning--Timmy Trumpet, Alle Farben, YOU -30

Strangers--Kenya Grace -28 [M]

Cutting Loose --Disco Lines, J. Worra, Anabel Englund -126 [H] [EDM]

Run Free (Countdown) --Tiesto, R3HAB -54

Body Moving ---Eliza Rose, Calvin Harris -56 [EDM]

See You Again --Vicetone, Anna Clendenning -35 [EDM]

***No Reason--- The Chemical Brothers, Chris Lake remix -(new) [H] [EDM]

AEIOU--PNAU, Empire of the Sun -37

Sorry Now ---A R I Z O N A -36 [M] [SD]

Dreamteam --Galantis, Neon Trees -42 [EDM]

Nevada --Vicetone, Cuzi Zuehisdorff -39 [EDM]

Run --ATB, Nu Aspect, Orem -64 [H] [EDM]

Stop The Time --Zombic -41 [EDM]

Rebel --TVXQ -77

***ADHD --Mae Stephens -(new) [P]

Yard Sale --Alex Warren -70

Stress You ---Lucas Estrada, SUPER Hi -38

OhLA LA --Idris Elba, Sasha GiGi -40 [N]

Pull You Closer --Sistek, Sadie Rose Van -43

Drums---James Hype, Kim Petras -51 [EDM]

Years ---Just_Us -58

Who I Am --Alan Walker, Putri Ariani, Peder Elias -60 [M]

Killing Me --Conan Gray -58

She Got It Bad --Martin Jensen, MATTN -44

Dreaming ---Marshmello, Pink Sting -46

***I Got Time --Brittney Spencer - (new)

Mas Que Nada --Oliver Heldens, Ian Asher, Sergio Mendez -127 [H] [EDM]

Summertime Friends---The Chainsmokers -45

Jungle ---Alok, The Chainsmokers, Mae Stephens -47

Saving Up -Dom Dolla -48 [H]

Hungry Heart --Declan J. Donavan -49

The Tower --Future Island -50

The Greatest Thing Alive --Mark Knight, Green Velvet, James Hurr -52

Lil Boo Thing--Paul Russell (Galantis remix) -53 [H] [EDM]

Tension --Kylie Minogue -55

Proud --Victoria Nadine -78 [M]

Rusty ---Layto -84

I Can't Be The Only One --SIRA, YouNotUs -92 [H]

You Can Have It --Kungs, Victor Flash -62 [H]

Living In A Haze---Milky Chance -61

Stay The Night --Just Kiddin, Camden Cox -98

***Sorry Ain't Enough --Michael Gerow -(new) [SD]

Untouchable --ITZY -130

Waking Up --Felix Jaehn, Leony -131 [H] [EDM]

***Lie To Me --Jubel, KIDDO -(new)

***Dance Is The Answer --Dubdogs, RUBACK, Ticon f/Raja Ram -(new) [N] [House] [EDM]

What Are We Waiting For -- for King & Country -97

***Biggest Regret---Gorgon City, Bbyafricka -(new) [H] [EDM]

***Do You Feel It --VAMERO, Cyril M. Mougleta -(new) [EDM]

Hangin' On --A R I Z O N A -63

All My Life --Tiesto, FAST BOY -102

Maybe In The Summere--Foinix, Chris Ruo, Geoff Duncan -94 [EDM]

***One By One---Robin Schulz, Topic, Oaks -(new) [H] [EDM]

***No Strings ---X Ambassadors -(new)

***Me ---Steve Angello -(new) [EDM]

***Missing You --Frank Walker, Nate Smith -(new) [H] [EDM]

***I Don't Remember --Walker & Royce, VNSSA -(new)[N] [H] [EDM]

One Last Dance --Imanbek, Ali Gatie -65

Running In A Dream --Nils Hoffmann, Kasbo, Vancouver Sleep Clinic -66

Hall Of Forever --Henrik -108 [SD]

***Face To Face ---Kenzie -(new) [P]

Holding Pattern --Nihil Young, Artiflex Mundi, Adam Nazar -104 [H] [EDM]

Head Down ---Lost Frequencies, Bastille -101 [H] [EDM]

<>Us ---Steve Aoki f/ ERNEST -[last on @#137 12.10.23]

Wanna Dance --Alle Farben, James Carter, VARGEN -87 [EDM]

Losing You --Gabry Pointe, bshp, Joe Cleere -67 [H]

Twisted --Laura Davidson -68

Wanna ---Paul Dally -70

Daydream --Will Swinton -71

Jealous --Pascal Letoublon, IZKO, Jordan Rys -72

Get Dirty ---Return Of The Jaded, Tommie Sunshine -73

Waiting --LP Giobbi, Redfield, DJ Rae, -74

At Your Worst --Calum Scott -75 [M]

Tears On The Dancefloor --Icona Pop -76 [EDM]

Fire --Alan Walker, YUQI, JVKE, (G)I-DLE -79

Bite Marks --Ari Abdul -80

Heat Rising --Pete Tong, Jem Cooke, Jules Buckley -81

Disco En Egypte --Bon Entendeur -82

On My Way --Kaskade -83 >>>

Boyfriend ---USHER -85

Champagne Shit ---Janelle Monae, Latto, Quavo -86

Phone --MEDUZA, Em Beihold, Sam Thompkins (Lil Chan Remix) -88

DJ Play A Christmas Song ---CHER, (Robin Schulz remix) -89 [S]

Superhero ---AUDIEN -90 [EDM]

The Way ---Miller Blue -91 [M]

Blur ---KREAM, Marlo Rex -93

(Trust Me Now) I'm Fine --ROZES -95

Young & Foolish ---Loud Luxury, Charlieonafriday -96 [H]

Lights On Noboby's Home --Graham Barham -99

Coulda Been Love --Randal King -100

How Do I Say Goodbye--Adventure Club, Delaney Jane -124 [H]

Behind --Myles Smith -110

J Christ --Lil Nas -128

<>Give It To Me --Lucky Luke -(re-entry)

I'm Only Here For The Beat --Madelline (Evil Mix) -114 ]H]

Mean Girls --Caleigh -113

Funny Bunny -Elliot Lee -115 [N]

***Lighthouse ---Calum Scott -(new)

Memory ---Bonnie & Clyde, SUM SUN -117

<>Overdrive --Ofenbach, Norma Jean Martine -(re-entry) [last on 12.10.23 @#101]

<>I'm In Love With You --Fred Falke, Zen Freeman, Ampersounds -(re-entry) [H]

<>Rush --Troye Sivan -(re-entry)

***Alibi --Ella Henderson, Rudimental -(new)

Let Go --Connor Price, Nic D -133 [M]

Kiss Like This ---FETISH -132

i'm Just Ken --Ryan Gosling, Mark Ronson, Purple Disco Machine -105 [N,H] [EDM]

Holding Me Back---Nils Hoffmann, The Kite String Tangle -107 [H]

Walk It Like I Talk It --Saucy Santana -112

Front To Back --Deorro, Electric Polar Bears -116 [H] [EDM]

Thank You (Not So Bad) --Dimitri Vegas, Like Mike, Tiesto, Dido -118

Hungover --John Summit, Mathame, Camden Cox -120 [H] [EDM]

Falling Behind -Sultan + Shepard, Panana -122 [H]

[N] =Novelty Song [S]= Christmas (Seasonal) [H=House] [P=Pop] [I =Indie] [C=Country] [SD=SlowDance] [HH=HipHop] [D=Dance] [R=Rock] [P=Spirtual] [E=Emotional] [M=Smooth] [EDM=Electronic Dance Music] [SP=Synthpop]

[webbedsight]

congrats to trixie! you finally won a lipsync, you country bitch <3 xx

[spookysmujer]

time of the month with Oscar would be like...

(gif belongs to @merakiaes​ ✨)

a/n:  Let’s normalize period talk. If anyone feels they need someone to talk to, I am here for you seeing as I endure hell with my period/PCOS/endometrial cancer. This was anonymously requested, however their requested contained s4 spoilers which is why I didn’t post their ask. But thank you boo for the request! 😗 Follow, like, comment, reblog, turn on notifs por favooooor!

he is patient and understanding when Aunt Flo comes to town

🍬🍫🍬 all the sweets🍬🍫🍬

once you unexpectedly got your period at work and Oscar stopped by with a change of clothes and hygiene products 

not a single f!ck given about going to store for you 

“I got you travel flush-able wipes, better cleaning for when you’re on the go and shit.”

Oscar knowing when to give you all the attention as well when to give you space

back rubs, cuddles and him playing with your hair

finding a little care bag in you middle console; extra pad/tampons, wipes, midol etc... “stop leaving this at home, nena.”

❗️ Oscar being educated❗️ 

“Did you know 11% of women suffer from endometriosis? 1 in 4 have PCOS. Make an appointment, bebe. You were so nauseated from your cramps, shouldn’t be like that.”

you’d be irritable, unable to concentrate but he’s always patient with you

dubbed with a heavy flow, it would be almost always you leak over night, but he would never make it a big deal

“Amor, despierta, wake up. Let me clean the sheet. It’s fine, bebe. Com’n I got the shower running.” 🥺

wearing his big shirts and sweats, staying in to watch movies and binge watch tv shows that you already watched 23 times 

it hurts to see you in so much pain from the cramping

he would create makeshift heating pads; a tied sock with uncooked rice that can be reheated in the microwave, endlessly 🤤

never childish or teasing if you happen to leak while in public

giving you his flannel to wrap around your waist

many don’t know that one of your first encounters with Oscar was at a party when he noticed the red stain on your behind and he shrugged off his flannel for you, “Here.” He moved closer to your ear, “you’re leaking.”

you being beyond embarrassed, walking out but he followed and assured you that it was natural. “I’m Oscar by the way, let me walk you home.” 

he learned to track your cycles with you

the mood swings would have him groaning and/or laughing 

“Hm, no wonder there is a broomstick in the bathroom, la bruja está en camino. The witch is on her way,  Ay, cálmate! I’m kidding... maybe.”

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