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#because like 3 chapters from now i get to have a lil intro inspired chapter and thats ALL i want
channelrat · 2 years
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its 3am and i just wanna write which probably isnt smart but
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eilinelsghost · 9 months
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Writing Year Wrapped
As someone who struggles to name things in my own writing that I enjoy (thanks, childhood of being repeatedly told that anything but self-derision was arrogance), I thought it might be nice to have an excuse in case anyone else needs a reason to talk about things they're proud of.
So for the year end, let's get this going!
3 Favorite Fics You've Written This Year
Atanatárissë || My 2023 TRSB fic written to accompany @anerea-lantiria's absolutely incredible art. It was an unexpected delight to get to push into the Atani mythology and this one will always be really close to my heart.
A Heady Fragrance of Honey || Finrod's moment of Balan-epiphany and my chance to delve into a bit of his background in Valinor.
And Still the Light Returns || One of the things that has always made me flinch about the Finrod/Bëor dynamic is how Bëor pretty much abandons his kids. Getting to wrangle with that (and make Balan wrangle with that too) was good for my heart. Also have I mentioned that I adore Belen? I adore Belen.
3 Fics That Stretched You the Most
In These Holy Waters || I hated this one with an absolute passion when I posted it. It was like pulling teeth trying to get words on the page. I've now come to terms with it and find I have a fond spot for it after all.
A Harmony Refracted || Honestly either of the anon smuts would count here, but this one is the better of the two so it's the one I'll list. Never thought I'd write smut, but it was weirdly freeing to try it after a very shame-centric upbringing.
Many a Dreadful Path || Writing Beren has been one of the hardest things in the entire Atandil series so far. I just cannot find that guy's voice for the life of me. This continues to be a struggle as the series continues, but I wrangled a lot with him on this one and was fairly pleased with where it landed.
3 Favorite Lines You've Written As always, I'm going to stretch the definition bit on what "a line" is because I need these to make sense.
"He could see all the way to the shore, the crags where he had perched only a few minutes before shining crisp and vivid through the water. And there to his right—Nóm dazzling in the midst of it. A cloud of gold, his hair floating about him; his body suspended as though caught in glass with the shimmering light cascading along its facets." —In These Holy Waters, Atandil 14
"So it was to be reborn, Finrod mused as he moved ever nearer his brother, the essence of your fëa lingering and binding you to your place in the world, to the memory of your vessel, but you knew the unmaking yet within every fiber. Each sinew held too the memory of that. You walked through the world, more permeable than before, light and pain both spilling more easily from its cracks." —Little Lords of the Brine
"Yet my reticence faltered once and in that brief moment she rose beside me—a balm and not a sharp thing of shearing edges. And she has remained there ever since, steady through the tempests, my first love gone before me as I go now before those who remain, a loss abated not deeper delved. Do not flee memory for fear of heightening pain, for it is the physic that soothes the long ache and that which binds the wound together. Remind Nóm of it as well, for he will forget it." —Atanatárissë, Chapter 5
3 Characters You Enjoyed Writing (that surprised you)
Belen || My dearest lil guy, my baby hedgehog, my adorable nerd. He has a single reference in the intro notes of the Athrabeth and has turned into one of my absolute favorite characters in the entire series.
Estreth || She showed up as an accident and ended up a damn delight.
Hiril || She was in a list of people I thought it would make sense to explore in my TRSB fic and she surprised me by ending up one of the easiest voices to find, when I expected her to be one of the more difficult.
3 Unexpected Inspirations
A joke about whether Nargothrond just had some random Lembas Lady resulted in one of my new favorite characters in Atandil: Meril, besain of Nargothrond who was born in Cuiviénen and is one of Finrod's chief counselors.
The Father Duck story from And Still the Light Returns is based on a story from my childhood. We lived on a lake and a duck got caught in the ice in the middle of our bay. My mom and our neighbor dragged a canoe down and chopped their way through the ice to get the duck. It lived in our neighbor's bathtub for a bit until the local vet was open and could help get it to a wildlife center to recover and be set loose.
My 4 year old blowing a penny whistle as hard as he could for an unbelievably long time gave us Belen and his carved flute in A Shuddering in the Air.
3 WIPs You're Excited About in the Upcoming Year
Darkly the Sundering Flood || Mostly listing this because I'm *hoping* that putting it on here jinxes me and makes it a fic from this year still. It's Atandil 15. It's a beast. It has been murdering me for 2 months.
The Reckoning of Souls || Still Atandil. The gang is in Tol-in-gaurhoth. Everybody's having a terrible time. We discuss souls and Orcs and making people complicit in their own breaking.
A Broken Reflection (working title) || The boys finally get together.
3 People Tagged to Share Theirs
Tagging with zero pressure:
@thelordofgifs
@sallysavestheday
@polutrope
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breezy-cheezy · 10 months
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I just want to say it's been delightful watching you get into One Piece. It's been one of my main fandoms for years, but most of the people I was following who posted about it moved on to other things and I didn't have the energy to try to find new ones, so my dash has been pretty empty of it and I mostly just kept up with the anime/manga and not much else. Your enthusiasm for it, and all the art you've been posting and reblogging, has been a highlight of my days. I have a One Piece fanfic I've been trying to finish for years, and I've felt more like writing it in the past week or so than I have in a very long time (haven't actually managed it yet, but maybe soon, I hope). I'm glad you're having fun, and I can't wait to see you get farther in the series. <3
And *I* just wanna say how touching this message is!! 🥺 Thank you for sending this, I’ve been putting off responding because I was hoarding it like a dragon HAHA
I’m glad you’re enjoying the sudden OP onslaught! Part of me always worries, but it IS my blog and I enjoy slapping a bunch of funny pirates on my metaphorical fridge, glad you’re getting a kick out of it too! Perks of a media about as old as me too is that there’s sooooo much content to dig through, it’s very fun! Even if I suck at avoiding spoilers LOL (I will at least try to shield my buddy from spoilers as she also works her way through the manga at her own pace XD)
I hear ya on struggling to finish a fic for so long…for me, with new fandom comes new ideas and we’ll see if I can actually finish these, lmao. I’m glad to hear you’re inspired again! What’s the fic about, out of curiosity? 👀 If you feel like sharing that is!
Thank you, it’s been a VERY fun read, and I hope to watch some parts in the anime later! For now tho manga is easiest for me to consume, and the art is just really nice?? 1000+ chapters used to be so intimidating but now I find it’s hard to put the thing down X’’’’D One Piece good, found family got me good! I’ll be a bit more detailed under the cut real fast (I’ve been yelling at another friend on discord with regular manga updates but I will say this)
Isa don’t open the read more :> :
I just finished Thriller Bark arc and ooooooh boy that was a Time. Zoro you are insane *sobbing* HOW IS HE EVEN ALIVE
Usopp getting to use his anxiety/depression/negative thoughts as a strength against Perona was. SO funny yet SO vindicating, I love himmmmm-
Also the stuff with Brook is one of the things I feel I need to watch the anime on because!!! Music!!! That’s difficult to translate through manga, as pretty as the art is. Same for Chopper’s send off from Drum Island, I wanna see the pretty pink Sakura Blossoms!!!! But yea Brook made me cry. I remember really hoping Laboon would pop up again and BOY HOWDY let the skeleton see his baby whale again I beg….
I just hit the Sabody arc too and spotted Law for the first time! I already know his backstory (oops I’m nosey) and WOW HE’S A LITTLE SH*T HAHAHA funny greasy lookin man good to see ya X’’’D I also love Camie!! Kinda refreshing to see a female character getting to finally make the same (if not even MORE) whacky faces like the boys do hhdfhgjkdf you’re doing great sweetieeeee 😂 (also good to see Hachi again!!)
Also the intro to Celestial Dragons and slave trade is so. Man. This is VILE. The extent of horrors the Government will look away from because they’re Celestial Dragons doing the horrors. AUGH. Gross. The situation is revealed in a really neat way too, very engaging. Sooooo satisfying watching Luffy full on punch one CD in the face tho, BLESS. Love that funky lil dude. He really doesn’t care who you are, he can and WILL punch you if friends are threatened.
ALSO I do see Ace’s execution being set up in the bg. I know in a general sense what….happens to him. I don’t like it, let him out 😭
BUT YEA I’M HAVING ALOT OF FUN THANK YOU!!!!
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artificialqueens · 4 years
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Bet You Look Good On The Dancefloor, 3 (Branjie) (and background everyone else) - Ortega
a/n: hey fam!! we are over halfway through the rewrite so hopefully soon i can get a brand brand new chapter out to u soon, in the meantime enjoy chapter 3 all over again and see if u can spot the differences lmao?? idk but i hope u enjoy anyway!!
fic summary: Strictly Come Dancing enters its 18th series and its producers, after being goaded by a rival dance show on its inclusivity, commission it to be an all-female cast. Unlike Akeria who’s just here to bone her potential dance partner, dancer Vanessa is ready to act like a professional.
And then TV presenter Brooke Lynn walks into the rehearsal room.
***
28th September 2020
Vanessa has never been more excited in her life as she paces the rehearsal room, checks herself out for what is surely the millionth time in the mirrors and pulls a few strands of her dark hair out of her ponytail to frame her face. There’s a cameraman and a lighting person and a random producer set up in one corner too but Vanessa hardly acknowledges them, because it’s her first rehearsal with Brooke and in a moment she’s going to walk through those doors and they’ll get to start their journey together.
Saturday night had been a blur. They’d been rushed off to film their post-show reaction interview and Vanessa hardly remembers what she’d said. She supposes it couldn’t have been more incoherent than her immediate reaction. Or perhaps it had been. They’d swapped numbers excitedly, Vanessa’s heart dipping a little as Brooke insisted she couldn’t join for post-show drinks as she had to film early the next morning. With a pang of embarrassment, Vanessa remembers the text she’d sent to Brooke in the early hours of the morning as a result of Monique and Akeria’s shocking influence and way too much tequila:
V: iknow its 1am but im still so excited to be partnered wirg u and i cant wait for first rehearsal!!!!!!! x
It’s a miracle Brooke had still been up so her reply could come instantly and Vanessa didn’t have to wake up smelling of alcohol, kebab and regret the next day.
B: I’m excited too!! Have a good night, can’t wait for Monday x
It’s not like Vanessa has a crush- she’s just excited, as she keeps reminding herself, and Brooke is her first partner. It’s natural to look forward to seeing her as much as she is.
Vanessa inspects her reflection again, frowning and pulling out two more strands of hair from her ponytail to hang loose. She gives a cry of frustration as she realises she’s ruined it by pulling out way too much, so she bends over and hangs her head down between her knees to gather her hair up again.
She’s in this position when the door opens and she hears Brooke’s voice ringing into the echoey room.
“Good morning! Oh shit, am I interrupting something?“
Embarrassed, Vanessa flips her hair back and stands up straight, walking quickly over to Brooke as she dumps her gym bag at the door. “No, fuck, sorry, I was just fixing my hair! Hey!”
Brooke has her arms out ready to hug Vanessa and she accepts gladly. She smells all clean and of fabric softener. She probably uses in-wash scent boosters like an adult who has complete control of her life and more money than sense. They pull out of the hug and Vanessa fixes Brooke with a smile.
“So!” Vanessa starts, but there’s a noise from the other side of the room. One of the producers has stepped forward.
“Uh yeah, ladies, we can’t use that intro. We’re gonna have to film again.”
“How come?” Vanessa asked, realising too late that it’s because she was bent over with her hair hanging to the ground and that Brooke swore. The girls share a guilty laugh and Brooke retreats to the door. The good news is that they get to hug for a second time when they reshoot, and Vanessa gets another scent of Brooke’s detergent and the protected feeling of having the other girl’s strong arms around her.
“So, first rehearsal!” Vanessa chats cheerfully, leaning on the barre and tilting her head as she talks to Brooke. “How we feelin’?”
“Good! Excited. Ready. Positive adjectives,” Brooke says all at once, smiling at her. “How about you?”
“I’m happy. Kinda nervous, ‘cuz now I have to live up to your expectations.”
“And they are great expectations.”
Vanessa nods. “George Orwell style.”
Brooke pauses, fixing Vanessa with a funny look, then bursts out laughing. “Even Charles Dickens?”
Vanessa laughs, shrugging. “They both wrote books, I stay winning.”
She watches as Brooke doubles over clutching her stomach in hysteria, and feels a sense of pride at having made the girl laugh so much. Remembering the film crew in the corner, she smacks her hands together. “Right! For our first dance as a Strictly partnership, we are doin’ a…quickstep!”
Brooke raises her eyebrows and nods slowly. “Ballroom first, okay! I can do that. I guess I’m surprised we’re not doing Latin.”
Vanessa shrugs. “Ballroom ain’t my strong suit so I figured it’s better to get it out the way early while we got other, shittier girls we can hide behind.”
There’s a beat of silence as the two girls look at each other. They both speak at the same time. “…Farrah.”
“Reshoot!” the producer shouts over, Vanessa feeling herself roll her eyes like a teenager. Brooke snorts a laugh and Vanessa feels that little match spark up in her gut again. They reshoot, having the same conversation as before in so many words. It’s tricky remembering not to swear- Vanessa peppers fuck and shit into her daily language like she’s seasoning it, so it’s odd attempting to remove that from her vocabulary. She should probably be trying to give Brooke the impression of a mysterious and graceful woman who says gosh and darn but if she’s going to be working with her she’s going to be working with her, not a cookie-cutter picture perfect imitation.
“You wanna warm up?” Vanessa asks her, feeling a little bashful as Brooke rolls her neck slowly. She gives a small shake of her head as a long strip of her bare neck is exposed, her blonde ponytail falling over her shoulder. Vanessa feels like shaking her head herself, shaking all the thoughts that just entered her head out of it. Get a grip.
“Nah, I already did a bit before I came. We’ve got a gym at the flat, so it’s good for that kind of thing.”
Vanessa feels her eyebrows fly up her face. What kind of fancy-ass flat does she live in? “You wanna just do a bit of conditioning then? I saw you were good at it on the induction day, so you prolly don’t need to do much-”
“You had your eyes on me on induction day then?” Brooke interrupts, gives Vanessa a cheeky wink that makes her face hot. She thinks about making a jibe related to Brooke eyeing her up during squats, but she thinks it’s maybe a bit much. This is only the third time they’ve seen each other, after all. She doesn’t know why she’s acting like such a teenager.
“You wish, princess,” she sticks her tongue out. Brooke laughs and Vanessa joins her, trying not to think too much about where that princess appeared from out of nowhere.
Brooke shrugs in agreement and they do a bit of conditioning on the mats that are kept at the studio. They don’t really need to be doing too much- it’s a quickstep, it’s not exactly Cirque du Soleil- but Vanessa enjoys giving her muscles a proper stretch anyway. She doesn’t need to be the bendiest dancer in the world but she likes to feel as if her flexibility and strength are constantly improving. The film crew stay to catch some rehearsal shots but Vanessa feels as if it’s only her and Brooke in the room, their easy small-talk coming naturally as they stretch and chat over the chill R&B Vanessa’s stuck on in the background. Brooke’s been working that morning already, shooting for The Voice. They’ve moved filming to the morning so she can participate in the show. Vanessa says she hopes it’s not inconvenienced her too much and Brooke laughs and waves her apology away, saying it’s been her dream to get asked on the show ever since she rose to TV-presenter status.
Vanessa agrees, tells her about growing up watching the show with her Mom, how it inspired her when she began to compete all those years ago. She could get into other stuff, like the Summer when they couldn’t fly back to Puerto Rico because Vanessa had begged and pleaded with her Mom to spend the flight money on another term at dance school instead and it had caused a rift so huge it almost tore a hole in her family. But she doesn’t. As Vanessa reminds herself, it’s only their third meeting.
So why does she have to fight the compulsion to tell Brooke her damn life story?
Before Vanessa can blurt out any emotional moments from her upbringing (and she doesn’t exactly have a shortage of them), she slaps her thighs, stands up and rolls the mat away.
“Okay, let’s get started. Now obviously you’re good-”
“Oh, of course,” Brooke jokes. Vanessa’s heart gives a dip.
“- so I think we can maybe just start learning the full thing? If it’s too hard then we can just do some of the basics and go over lil’ techniques an’…stuff,” Vanessa clocks the cameras, changes the “shit” she was about to let out. “But the good news is we got two weeks to learn this one instead of one.”
“So there’s no excuse for it not to be perfect,” Brooke nods immediately. Vanessa freezes, taken aback. Brooke in turn looks almost as if she’s been caught out, and her face turns a little red. “Sorry. That probably seems way too keen, it’s just a fun dancing show-”
“Nah, keep that spirit. I’m a fan of that,” Vanessa smiles at her and Brooke, reassured, smiles back. The girl’s clearly a perfectionist. Vanessa adds that to her growing list of things she’s learning about her new partner. “Aight, I’m gonna show you how it’s gonna look. Lemme get my phone.”
Vanessa dashes over to her gym bag, scrambles about in it for a moment. She spent all of Sunday and stayed up all night finishing off the choreography with Crystal, who she’d also helped choreograph her first dance too, not that Crystal needed any help choreographing Latin. Or indeed ballroom. Or indeed any dance full stop. They’d brainstormed and drank gallons of water and chatted together excitedly the whole time. Being on the show with Crystal is nice because they practise their Spanish together so Vanessa doesn’t lose too much of it, and she understands what it’s like to be away from her huge extended family on days like Cinco di Mayo when the only real celebration of that in the UK is a display of Mexican party food in Tesco, and they moan together about the fact that neither of them have seen a single plantain on sale since arriving in the country. Finally finding her phone in her gym bag, Vanessa searches for the video she and Crystal took of the quickstep once it was all finished. Finding it, she plops down next to Brooke who’s sitting on the dusty floor and leaning against the mirrored wall. She hits play, holds her breath nervously and hopes Brooke will like what she’s come up with. Vanessa is relieved when a small smile grows on Brooke’s face.
“Are we actually doing it to Pon De Replay?”
“Damn right we are!” Vanessa replies proudly. She got her song request in early and the producers approved it on Sunday morning. She knows that she’s not as good at ballroom but she likes the fact that she can use songs she likes and twist the style to fit, making it more comfortable for her. The dance she’s created is clever, even if she does think so herself. First week is all about showcasing your celebrity and what they do, what kind of person they are, so Vanessa wants to give Brooke a challenge. The first half is a straightforward quickstep and the second is the same but everything mirrored and in reverse. There’s a silly bit at the start where Brooke’s going to pretend to be interviewing Vanessa to reflect her everyday career. It’s cheesy, but that’s Strictly.
The video comes to an end and Brooke is smiling from ear to ear. “Oh my God. I love it.”
“Ah! Amazing. I’m so glad,” Vanessa beams, happy and relieved all at once.
“I mean, it looks hard. But I didn’t think any of this would be easy.”
“It’ll get easier, though! Just needs practise. And remember, we’ve got two weeks!” Vanessa reminds her, standing up and shaking herself out. “So we’ve got ages. I mean. In between all the press and social media madness, obviously.”
“Obviously,” Brooke laughs, pushing herself up from the floor. “Right, come on then, teacher. What do we start with?”
Vanessa begins showing Brooke the routine, the complex and intricate little steps and hops of the quickstep taking Brooke a little bit of getting used to. But by lunchtime, they’ve gone through a little chunk of the dance already and they’ve run it without and with the music. Vanessa’s pleased with their progress and when they stop for their lunch break they’re both exhausted, sweaty, and smiling.
“You good?” Vanessa asks Brooke, who’s taking a long swig of her drink. Her eyes widen as she nods quickly.
“Yeah! Christ, it’s so tough. You’re a good teacher, though,” Brooke says, finally finishing her water. The praise makes Vanessa blush; she’s glad she’s already red from all the dancing so it doesn’t show as much.
“You’re doin’ great. Makin’ my job easy,” Vanessa smiles at her. She bites her lip before speaking again. “Hey, you wanna come have lunch with me?”
Brooke pulls a face and pouts. “Aw, that sounds amazing but I’ve got a meeting with my agent at quarter past. To make sure you’re not committing human rights violations against me or whatever.”
Vanessa snorts a laugh, tries not to look disappointed. They promise to meet back at the studio in half an hour, and Vanessa heads to the canteen where she knows some of the other girls will be having lunch too. The studios that a bunch of them have had the foresight to block-book are great and modern, and Vanessa feels bad for girls like Jan who’s having to rehearse in a draughty church hall near Jackie’s sleepy Hounslow suburb. Pushing open the double doors, she finds Phi Phi, Jaida, Monique, Crystal and Plastique already sitting at a table and eating lunch. Vanessa dashes over.
“Beep beep, hoes! Winner coming through,” she shouts over to them cheerfully, Monique laughing and rolling her eyes long-sufferingly as Jaida shakes her head at her.
“Take several seats, bitch.”
“One’s fine, thanks,” Vanessa flutters her lashes at her, causing the other girl to laugh.
“How did you even get in through the door with your head this big?” Monique scoffs, as Vanessa chucks her bag down and rakes through it for her lunch.
“Hey, you’d be crowin’ as well if you saw what my girl can do,” she points out, ignoring the way Monique’s eyebrows fly up her face at the my girl.
“It’s not about who’s got the best dancer from the start, it’s all about the potential,” Plastique shrugs at her. Vanessa gives a laugh.
“Aw, Scarlet’s got loads of that, right?” she jibes, the other girls laughing. Plastique rolls her eyes.
“We spent half an hour on a step-ball-change. Every object in the room slowly started to merge into implements with which I could kill both her and myself,” Plastique put her head in her hands. She’d ended up being partnered with the soap star and Monique, to her badly-suppressed delight, had been given singer Monet.
“At least she’s trying to work hard,” Phi Phi sighed, her face taking on a sour expression. “Willam is killing me. She keeps doing shit wrong and if I point it out she just makes a joke about it. And she keeps dashing next door to show shit to Courtney! What the hell is up with that? Courtney’s got Blair to worry about, she doesn’t need a damn goofball interrupting her rehearsal every two minutes to add to that.”
“Where is Courtney, anyway?” Vanessa asked, taking a big bite out of her chicken and rice. She knows Courtney shares their studios too and she’s notable by her absence.
Phi Phi pulls a face in response. “Let’s just say her and Blair have a lot of work to do.”
“Well, I can’t relate,” Monique smiles smugly. “Me an’ Monet have been doing amazing.”
“So’ve me and Gigi! She’s awesome,” Crystal pipes up excitedly. Vanessa swears she can see her pupils turn into little hearts as she speaks. “She’s so hardworking. We’ve done, like, half our dance already.”
“No you haven’t, stop lying,” Phi Phi nudges her under the table with her foot. Crystal rolls her eyes, resigned.
“Okay, not half, but maybe like a quarter. An eighth? A twelfth.”
The girls explode laughing and Vanessa actually has to wipe tears from her eyes. When she calms down, she asks Jaida how her rehearsals with Yvie are going so far.
“Alright, I guess. The girl’s really great, she’s got so much talent. But the bitch won’t stop filmin’ shit for her fuckin’ vlogs! I’d leap out the damn window but our room’s on the ground floor.”
Another roar flies up from the girls. It’s always funny to see how they all gel with their dance partners, and Vanessa has never got to experience it for herself until this year. She’s so happy she’s been paired with Brooke.
After the girls finish their lunch, Vanessa and Brooke continue to rehearse. The days pass like that easily with hours spent in hold, out of hold, stepping, hopping, watching Brooke tear her hands through her messy ponytail in frustration when she can’t immediately nail a particular move. Vanessa learns that Brooke’s hard on herself and, though she never snaps or yells, Vanessa knows it annoys her having to really properly work at the tricky bits. Truth be told, Vanessa gets annoyed at herself too. She curses herself whenever Brooke struggles with something, becomes convinced she should have made the dance a little easier for her. If Brooke doesn’t pick something up quickly Vanessa is irritated at her own teaching methods. She knows Brooke wants to be the best no matter how much she plays the competition off as simply a bit of fun, and she gets annoyed when it seems like she’s not doing enough to help her achieve that.
On the whole, though, Vanessa tries not to beat herself up too much. They do seem to be making really good progress in comparison to some of the other girls, and they’ve more or less learned the whole dance by the end of the first week. It bodes well for their next few weeks together, as they both know the two-week rehearsal process is a luxury that’s not going to be afforded to them for the rest of the series. Besides, next week is full of social media madness and promo filmings and they’ve got their It Takes Two interview with Cheryl on Friday. It’s going to be exhausting.
“It’s going to be exhausting,” Brooke smiles gently, contemplating the week ahead and rubbing her eyes at the end of their Saturday night rehearsal. It’s 10pm and probably far too late and Vanessa should’ve let Brooke get an early night but she got carried away polishing up little sections with her.
“I’m sorry. I shouldn’t have kept you so late tonight,” Vanessa laments, frowning. Brooke frowns back, her face full of concern.
“Don’t apologise! I’m willing to stay as long as it takes. However long you think I need,” Brooke gives a small laugh, and Vanessa concedes and joins her laughter. The thought hits her that they’ve not shared too much on social media yet. Some of the pairs are giving round-the-clock updates as if they’re News 24 (she doesn’t think Aja and Farrah have stopped going live on Instagram since they began rehearsing but that’s what you get with a reality TV star as a partner), and Vanessa feels a bit guilty. She knows she’s got fans- it never gets any less crazy to say but it’s true- and she knows they’re as excited about her Strictly journey as she is. So she takes her phone out of her bag and waves it a little at Brooke.
“Hey. I know it’s late, but we’ve been workin’ so hard we kinda forgot about all the fun shit. Wanna take a few post-rehearsal selfies for Insta?”
She pauses as Brooke lets out a small laugh, suddenly feels embarrassed. “You know. If that’s your sorta thing.”
“I’m a TV presenter, Vanessa, I’m not the Prime Minister. I’m allowed to have fun,” Brooke laughs, struts up to stand beside her and faces the mirrored wall. “Go on then, Naomi Campbell, start the damn photoshoot.”
Vanessa laughs and her heart gives a little flutter as Brooke locks her fingers and rests them on her shoulder, leaning down and resting her head on them. She pouts and in turn Vanessa throws up a peace sign and sticks her tongue out. She takes a burst of five photos that will all look identical but she knows she’ll be able to find a tiny, minute difference in them all. Brooke leans over her phone as she scrolls through the photos, and suddenly jabs a finger against her screen.
“That one. It’s cute.”
Vanessa obeys orders and puts it on her Instagram story along with a timestamp and a little gif of a teddy bear falling asleep.
“Now do a video!” Brooke bounces on her toes all excited, and Vanessa has to laugh at how much she’s getting into the swing of things. Vanessa points the camera at them both, begins recording.
“Hey guys, Vanjie here with my girl Brooke Lynn, so it is…” she forgets the time, appeals to Brooke. “10.05? 10.06?”
“Way-too-late-o’clock,” Brooke chimes in, pokes Vanessa’s face teasingly. Vanessa rolls her eyes.
“We’ll go with that. An’ we have just finished a run of our full dance, you’re gonna love it, I can’t wait to show off this girl, y’all are not ready.”
Vanessa feels her face grow ever-so-slightly flushed as Brooke turns to her and smiles. “Aww. That’s cute, thanks! Oh, can we tell them what the song is?”
Vanessa faces her and laughs. “No way! We gotta wait til Monday, that’s when they all get released.”
“Please?” Brooke actually pouts. It’s too adorable and her face is so close to Vanessa’s in her attempt to fit into frame that Vanessa could totally lean forward and give her the tiniest little kiss if she wanted.
She doesn’t want to. Why the fuck did that thought just appear in her head?
“No! They’ll find out on Monday. And the dance too! No special treatment.”
“Ugh. I’m so telling my agent, this is definitely illegal. Should’ve stayed on the damn One Show.”
Vanessa bursts out laughing at Brooke’s joke, shakes her head at the camera. “I have to work with this diva. Jeez. Well, see you guys later!”
“Yeah, see you all later! If she hasn’t murdered me by then.”
“If I haven’t murdered her by then. Bye, love ya!” Vanessa signs off and stops recording, posts the video to her story as Brooke laughs. “You’re a natural at all this social media shit. Right, go get some rest. See you Monday, girl.”
“See you Monday,” Brooke smiles. Vanessa doesn’t miss the way she sort of hovers, lingering with the smile still on her face before looking to the floor and then leaving the room. Vanessa wonders what she was thinking. It couldn’t have been that important.
Before Vanessa begins to pack up she checks Instagram to see the reaction to the stuff she’s just dropped. There’s a few replies- she always gets them on her stories from fans and she tries to reply to most of them. One in particular catches her eye- a reply to the video which is peppered with heart-eye emojis and simply reads:
OHMYGOSH!!!!! You guys are SO cute together!!!
Vanessa doesn’t realise how long she’s been smiling until she’s left the studio and walking to the tube.
They both have a day off on Sunday- they all do. It’s been a long first week and they’ve all earned it. Vanessa has an ice bath because she’s forgotten how intense it is to be rehearsing all day every day with just one other person. It reminds her of the show she did that Summer with-
Well. It doesn’t matter now.
What matters now is Brooke, and Vanessa spends most of the daytime on Sunday sitting on the small sofa that’s squashed under the ceiling beam in her tiny narrow flat, curled up under a blanket and trying to figure out how to text her. She wants to make that connection with her partner, she wants her and Brooke to be close friends and to be able to go for lunch and talk about anything together and have their own little jokes and stuff like that. Lots of the dancers have that kind of connection with their girls already- Crystal and Gigi are averaging around two silly selfies a day on social media, Vanessa can hear Monique and Monet’s laughter ricocheting off the walls and down the stairs from their rehearsal room, and there is already some are-they-aren’t-they media speculation in the form of Jan and Jackie, who were papped going to get bagels in a break between rehearsals with their pinkies interlocked and small smiles on their faces. Vanessa’s not jealous of them, whatever it is they have. She’d asked Crystal about them, because she’s closer with Jan, and Crystal had laughed it off and said they’re just friends and they’re getting on very well. Vanessa has reason to doubt her, mind you. She knows chemistry when she sees it.
Vanessa finally decides to shoot Brooke a message at around six at night. She’s making a cheat meal of mac and cheese with a bunch of chorizo through it, because she damn well deserves a carb and some dairy and some oily meat. It’s when she realises that she’s made enough for a small village that she takes her phone out, messages Brooke before she can overthink it.
V: i’ve just made way too much mac and cheese, u wanna have a rehearsal room floor picnic tomorrow? x
The moment it’s sent she regrets how outrageously fucking pathetic she sounds. That is until she gets a reply around two minutes later, one that makes her face hurt with a smile.
B: No chance you’re offloading your failed masterchef attempts onto me. How do I know it’s edible? x
Her reply is flirtatious. Vanessa tries to explain it away but she can’t, so she positions her phone in front of the huge earthenware tray she’s just taken out of the oven, the breadcrumbs giving a satisfying crackle as she sticks a serving spoon into it and takes a boomerang of the strings of cheese and billows of steam that emerge as she pulls the spoon out and a golden slice of the baked pasta with it. She sends it off to Brooke without any written reply and for a moment she forgets about any potential response as hunger overtakes her. She grabs a white bowl with a small crack down its side and piles the pasta high into it, sitting back on the couch and pulling the purple blanket over her knees as she scans the channels for something to keep her company as she eats. She settles on a rerun of some 90s gameshow and as it eventually finishes, so does her dinner. It’s only then that Vanessa remembers her phone, and as she dashes back across to the kitchen counter her heart gives a giant thump of joy as she sees four messages from Brooke.
B: Omg I take it all back, I will never doubt your cooking skills again x
B: Is that chorizo???????? I’m so hungry x
B: Are you mad at me because I said it wouldn’t be edible?? I’m sorry!!!!!! x
B: Please bring some for lunch tomorrow! I’ll get us a dessert, call it an apology x
Vanessa looks at the little “x” after each one. She’s blushing before she even knows it and it’s almost like Brooke has planted real little kisses on both her cheeks.
V: i’d say it’s a date but i’m not gonna give u the satisfaction x
A reply from Brooke doesn’t come but somehow it doesn’t bother her.
They have their picnic on the floor of the rehearsal room the next day, just as had been promised. Brooke makes ridiculous noises as she takes her first bite of the mac and cheese and Vanessa pokes fun at her for buying the cakes and not baking them (but Galaxy cake bars are delicious, so she doesn’t complain too much). They make a silly video for Instagram- “Hey guys! We’ve stopped for lunch and I brought a picnic!” “Hey, I made cakes!” “Bought cakes. Bought.” - and they’re almost too full to practise afterwards but they do, until late into the night, and the day after that and the day after that. They squeeze in their photoshoot for the title sequence and an interview for the Radio Times and the days pass in a busy blur. Vanessa’s smile grows wider with each rehearsal as they become better and better at the dance and on Thursday night they run it through with no mistakes at all, Vanessa so happy that she jumps into Brooke’ arms and squeals with delight and Brooke squeezes her tight and does the same. Before they know it it’s Friday, they’re the last It Takes Two interview of the week, and the first show is a little over twenty-four hours away.
“You nervous?” Vanessa whispers to Brooke as they watch Cheryl interviewing one of the past contestants they’ve invited on to give their insight. The sister show of Strictly isn’t watched by a huge number of people but it is watched by the hardcore fans, and Vanessa is anxious to make a good impression.
“A little. I’m used to conducting the interviews, not giving them,” Brooke frowns a bit, sweeps her blonde hair over her shoulder. She turned up to the studios in a smart blue suit and orange heels and Vanessa is amazed that she hasn’t dissolved into liquid form under Brooke’s gaze.
Brooke is so beautiful, and Vanessa wonders if she’ll ever stop thinking that to herself.
Vanessa drops a shy hand to her side and takes Brooke’s, lacing their fingers together and giving them a squeeze. They hold hands and press their bodies together and look into each other’s eyes all the time as part of the dance so it’s not weird, it’s almost routine. When Brooke smiles at her, reassured and at ease, Vanessa relaxes by at least ninety percent.
They’re soon called out while a pre-recorded VT of their rehearsal footage plays and they whisper an excited hey to Cheryl in all her fake-tanned, white-toothed glory, the very vision of an Essex girl-turned-professional. Vanessa’s been interviewed by Cheryl before, last year when she was on the bench and all she had to do were some silly challenges and goof around with the other pros. This is different.
Vanessa takes a quick breath in and holds it while she smiles maniacally at the camera and Cheryl does their introduction. “Alright, now, joining us for the last interview of the week- it’s Brooke and Vanessa!”
A cheer goes up from the production crew as they both wave to the camera, and it makes Vanessa’s smile turn more goofy than she’d intended it to be. She leans into Brooke’s side as she laughs and she notices that Brooke’s got an arm resting on the headboard on the sofa behind her.
“Now, Brooke, you’ve had a fortnight of rehearsals and had to work around your busy taping schedule- what’s that been like?” Cheryl asks, leaning forward with interest. Vanessa has always liked Cheryl, mainly because an interview with her feels like a chat with an old friend and she always genuinely seems interested in what someone has to say.
“Ugh, you know what? It’s been amazing,” Brooke smiles, and Vanessa’s heart lights up in affirmation. She turns to look at Brooke and she’s already smiling at her. “Obviously it’s been tiring at times, I think I’ve had a combined total of about 10 hours of sleep this week-”
Vanessa snorts, laughs at how dramatic Brooke’s being.
“-but I wouldn’t change it. I’ve learned so much, and V’s such a good teacher. I really struck it lucky with her.”
The production team let out an “aww”, and Vanessa tries to bite back a grin and fails. Brooke’s arm goes from the headboard to rest around her shoulders and Vanessa is scared to move in case she scares her away like a butterfly.
“Now speaking of- Vanessa,” Cheryl’s face breaks into a smile as she turns to her, and Vanessa’s stomach flutters a little with nerves. “You obviously felt you struck it lucky with Brooke too, let’s remind everyone of your reaction to getting paired with her.”
Vanessa lets out a wail of protest and buries her face in her hands as the clip of their pairing is played, and she can hear Brooke creasing with laughter beside her. Her embarrassment is rewarded with Brooke squeezing her shoulder in reassurance, and Vanessa supposes it’s sort of worth it. The clip comes to an end and, as Vanessa takes her hands away from her face, she knows she’s blushing hard.
“Now, you were…I think you were a bit happy?” Cheryl teases sarcastically. Vanessa playfully glares at her, and Brooke squeezes her shoulder again. “Are you still as overjoyed with having Brooke as a partner now you’ve started to rehearse with her?”
“Aw, I’m still as happy as I was on launch night. Honestly,” Vanessa smiles at Cheryl, turns and smiles at Brooke too because she can’t help it. “She just makes it so easy because- she doesn’t stop smiling, so rehearsals are fun, and she is just the hardest-working girl…that even a word? Hardest-working…most hardworking..I don’t know, but she’s it, you know?”
Her praise is rewarded by Brooke dropping her hand down to her waist, and Vanessa’s heart gives a judder. It’s not like she’s not used to Brooke’s hands on her, but the context is different, and it throws her off ever so slightly in the best possible way.
“I think what’s nice is- I’ve wanted to be on this show for so long and it’s V’s first year with a partner, so we’re kind of doing this whole journey together, and it’s special,” Brooke smiles, and Vanessa nods in agreement, as if the movement of her head will stop the blood rushing to her cheeks in a blush.
“It is nice! Because I suppose, Brooke, you ain’t gotta compare yourself to anyone because there’s not been any partners before you,” Cheryl adds with a shrug. Vanessa smiles at her words and nods, turns to Brooke as she speaks.
“Yeah. You’re my favourite.”
Brooke’s eyes have a twinkle in them as she smiles back at her. “Aw, thanks.”
The interaction is so quick that Cheryl’s already on to her next question before she can pick up on it. “Now, Vanessa, you chose a quickstep for week one, why was that?”
Vanessa sighs a little as she thinks about it. She doesn’t want to come across too cocky, come out with because my girl’s the best and I knew she could do it in her sleep with her eyes shut, so she instead tries to come across as humble as she can. “I think because- it’s a fast dance, and it’s good to go right in at the deep end on your first week. I can see Brooke Lynn’s potential, and I know what she’s capable of, so we just sort of went for it and she’s coped so well. She’s thrived.”
“Not survived, but thrived! I love it!,” Cheryl laughs along with her. “Now, this pairing, I have heard…through the grapevine…this is a bit of a linguistically challenged pairing, am I right?”
Vanessa blinks at her. “What’s that even mean?”
Brooke howls with laughter beside her and Cheryl does the same opposite, and Vanessa pouts. She doesn’t like to look dumb, and the wounded part of her wants to remind them both that she’s the only one out of the three of them that speaks more than one language, but she lets it drop when Brooke explains it to her softly. “Like…words and stuff.”
“Oh right! Yeah, so Brooke’s got lil words for all the steps we’re doin’.”
“It just helps me remember the timing!” Brooke laughs, her turn to feel embarrassed as she covers her face with her hands.
“Yeah, so we go, like…step, hop, beans-on-toast!” Vanessa explains. Cheryl’s looking at Brooke as if she has two heads.
“What is beans on toast?!” she exclaims. Brooke shakes her head, gives Vanessa a look of admonishment.
“It’s just a little phrase, and it goes with the timing of the steps of the dance, and it helps me remember them…I won’t do it on the night, you won’t hear me say it!” Brooke laughs. She’s got the slightest hint of a blush hitting her cheeks, and part of Vanessa feels warm with the fact that the stage lights are too bright to pick up on it and it’s like a secret only she knows.
“Well, Vanessa, there’s also a revelation I’ve heard today that I’m a little bit shocked by…” Cheryl begins, and Vanessa feels nervous, as if Cheryl’s about to rip the butterflies out of her stomach and show them to Brooke as some sort of proof of any embarrassing little feelings she’s got for her. “…you’re a Strictly pro that can’t actually say the name of one of the dance moves?”
“Oh my God,” Vanessa lets out a groan. She knows instantly what Cheryl is referring to, and Brooke’s hand is wrenched from its position on her waist as she claps her hands with mirth.
“Can you say it now?” Brooke teases, and Vanessa rolls her eyes at her.
“Girl, you know I can’t!” she whines, prepares herself to try and say the offending word. “Sash-ay?”
“No!” Brooke laughs, the twinkle in her eye almost blinding.
“Sash-ay?” Vanessa hears herself, and shakes her head. “No, wait, I already said it like that.”
“It’s not like a sachet of sauce,” Cheryl supplies unhelpfully. Vanessa raises her eyebrows at her. She tries again.
“Chassé,” she finally comes out with, and a roar of satisfaction erupts from the crew behind the cameras. She laughs as she protests her lack of pronunciation. “Leave me alone, I got two languages to try an’ speak in!”
“And you can’t say chassé in either of them,” Brooke teases, sticking her tongue out at her. Vanessa finds it hard to rip her eyes away from her partner as Cheryl speaks again.
“Well, you two, you’ve been a joy to have with us today, good luck for Saturday night-”
“Thank you!”
“- Brooke and Vanessa, everybody!”
A cheer goes up from the crew, and Vanessa can’t help but giggle at the silliness that was the end of their interview. As Cheryl introduces another section of the show, Vanessa feels Brooke slip her hand into her own, squeezing it once. Vanessa squeezes back, and Brooke meets her eyes in a calm smile. It’s Friday evening, they’re off to rehearse as soon as this is over, and then it will be Saturday and their first live show as a couple. Vanessa is the best kind of nervous, and she finds herself shutting her eyes for a second as if to check she’s not dreaming.
Another squeeze of her hand from Brooke Lynn brings her back to earth with a bump, but she doesn’t mind.
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Moth Work Intro + False Idol | Writing Update
Hey People of Earth! 
Today I thought I’d do a writing update on a project I’ve mentioned a lot in my vlogs but haven’t mentioned as of yet on here! This is a personal ‘passion project’ that I’ve been picking away at since January and have recently taken on as my transition project from Rewired to my next book.
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So yee! MOTH WORK (or ‘boys on a boat’ for those who keep up with the vlogs lols) has been my current project for the last few weeks since finishing REWIRED. I didn’t really mean to expand it as much as I have as it simply started off as a spinoff story of my boys Lonan and Harrison which I write every few months when I’m having a breakdown and need something to cheer me up. :-)
I’ve mentioned a few of these stories in the past (like Fishbowl and Mandarin), though this story is a bit different, as I’ve expanded it quite a lot more than I intended to! If you aren’t super caught up with Rewired, I’d definitely scroll through a few of my last updates so this one will make more sense! 
What’s it about? 
Moth Work is a FOSTERED spinoff story following Lonan and Harrison (dumb+dumber) at the peak of their relationship. I *was saying* that the plot went loosely as follows: after finding a photograph of a woman in Lonan’s father’s dark room, they set out to find her, HOWEVER, because I never stick to plans, I have yet to follow through with this main plot thread, lol. Vaguely, I’d just say the most important part of this story is their relationship at its most fragile because who is plot I don’t know her. 
Moth Work follows the events after REWIRED, and is a bit of a bridge between it and the next book. This makes it kind of hard to explain because a) it’s in a different POV, and b) context, but hopefully that makes sense! In essence: Lonan + Harrison’s relationship is big sad and Harrison tries to make it less big sad and it gets even more big sad. 
I’ll share a very quick profile of both of the boys so there’s some context for the following excerpts I’ll share!
Harrison
My boy
Generally very outgoing, tho around Lonan this fizzles. Only wants the best for Lonan despite their history. He’s the ‘main’ narrator of the piece (third limited to him though I’m guilty of head hopping lol), so the work has a softer tone than I’m used to. Though Harrison tries to be a Macho Man, around Lonan he’s most himself--mellow, a lil stupidly romantic, and vulnerable. 
Lonan
My problematic son/probably should be cancelled 
The “issue” in the relationship loool. He’s emotionally immature and lacks accountability, but because of his past, lacks the ability to recognize these faults and work on them. Because of this, he’s fundamentally stayed the same for the last few works he’s been in (if not gotten worse). Lonan requires a lot of emotional assistance, though he isn’t self-aware enough to recognize this. This is often the cause of much conflict. 
Conception:
Like I mentioned, I often write short spinoff stories following these boys because it’s a safe happy place for when I’m feeling stressed. This is basically how this piece started, though I’ve continued it for different reasons which I’ll get into. I don’t remember how the first scene was brainstormed, but I do know when I started writing this a few months ago, I wanted it to be a lot longer than my previous stories--a place where I could just dump my writing, even when it wasn’t good. I think I did this to cope with the stress of my writing class honestly, lol, I think I needed a break from ‘serious’ writing AKA a place I could just goof off and have some fun. 
The writing bit: 
Writing this story has been a bit inconsistent. I’ve been drafting it in little pieces since the beginning of the year, and only recently picked it up as more of a ‘full-time’ work. This is subject to change depending on whether or not I get more of book 7 done. I’ve gone from writing 20 words a day to 0 to 1000--there’s really no consistency with the drafting process here. 
I have recently decided that I’ll most likely expand this into either a novella or novel itself because there is literally so much tea left to explore and it’s surpassed 10k words. Drafting Moth Work has been so helpful in easing me back into the world of FOSTERED and piecing together the huge time gap from the end of book 6 to the start of book 7. I’ve been a bit anxious to really dive into book 7 for the fear of the unknown, so inching myself closer to that timeline through this project has been very helpful!
The editing bit:
I recently did an edit around the line level for this entire piece (it’s about 12k words right now) because a) it really needed it b) I was losing steam/starting to get embarrassed and c) I needed a refresher of what had happened because je suis tres forgetful. This edit made me feel so much better about the project. It initially started off as a work where the writing didn’t actually matter and this mentality was working until I got so embarrassed of the prose I found it difficult to read through old scenes to refresh myself and thus couldn’t productively draft. 
This project isn’t written exactly in my usual style--it’s pretty stripped back and actually reminds me a lot of how my style would’ve been in book 3 had I been a better writer four years ago lol. I think the looser style works for the voice/the story itself but I def wouldn’t categorize this as litfic (what I usually write). Although the prose isn’t very complex, it took me a really long time to get comfortable enough to edit?? But once I got into the rhythm of it a few days ago, I completed the edit fairly quickly, and I’m 100% feeling better about the project overall! Though the prose is still not my top priority I’m not as embarrassed of it currently lols. 
I also divided the project into chapters because it was getting pretty long to just be one mass of text. I currently have 3 chapters. This update will cover chapter 1. 
Playlist:
Yo this is literally the best part of writing this project, lol, I get to listen to so much different music?? I’ve made a comprehensive playlist for this story with a character by character breakdown (if anyone wants to see that/highlights, let me know!). This playlist pulls from every song from my library, so we span genres and artists like crazy. Nothing But Thieves has been the primary artist for this story (specifically their self-titled album). These songs (all NBT oop) are the most relevant if you want to get the general tone lol (anything with a star has explicitly inspired the project):
Excuse Me*
Honey Whiskey*
Tempt You (Evocatio)*
If I Get High (II)
Gods
Lover, Please Stay*
I Was Just A Kid*
Get Better
Hell, Yeah*
Afterlife
Reset Me
Particles
Sorry
Number 13
Excerpts:
I don’t have *many* because prose hasn’t really been a top priority for this project, but I’ll try to include at least one per scene. 
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This is one of the opening paragraphs from chapter one which I’ve titled ‘False Idol’. In short, the chapter follows the boys first attempting to destroy the dark room and then getting distracted and eventually not pulling through after Harrison finds a picture of Ominous Lady. 
The chapter’s chronology is wild so we can break it up as follows:
Scene A
The boys enter the dark room with the intention of burning it down
Harrison reaches for his lighter and drops it which prompts him to find the photograph of Ominous Lady
Him and Lonan mildly argue about Ominous Lady until Lonan takes it too seriously and throws a tantrum :-DD
Scene B
Not really a full scene, just a bridge between scene A and C.
Harrison has been waiting for Lonan to return to their campsite for the entire day and he decides to at the very last moment
“hey so i’m unable to apologize for anything but also! cigarette! let’s share it! lungs!” 
Scene C
The boys exercising their canoeing skills
This leads us to our first “beat”.
Lonan interrupts Harrison’s peaceful evening by having a mild crisis
This takes place right after the events of Lolita, Lolita (chapter 16 of REWIRED). We then jump back to the fictive present.
 This alternates like 5 more times lol then the chapter is done!
The following excerpt describes their entry into the dark room. Don’t know how smart it is to be smoking in a room full of highly flammable material but we out here.
I don’t think she’s particularly special but I also don’t hate her so!! hoping an aesthetic photo will make it read better :’)) I ! don’t ! think ! it does ! but !
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Harrison shoulders the door first, traps it open with the clip of his boot. Dust and streaks of light rake behind him as he pushes through cardboard boxes, mountains of photo paper on the ground. Lonan follows silently, still wearing Harrison’s jacket. Trails of smoke from his cigarette catch in the negatives hanging by the clothespins, chemical peel between the layers of ink. In one hand he tends to his cigarette, and in the next, lugs in the canister of gasoline they found in the cabin’s cellar. As Harrison fumbles for his flashlight, Lonan sets it down by the table so it sloshes like the Pacific. 
This is a bit of when Harrison finds the photograph of Ominous Lady:
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He turns the photograph over, and shines the flashlight on it. It’s scratched and developed wrong, little bits of orange obscuring the woman’s face, but it’s very much a woman. A dark bob and bangs in her eyes, jewelry hanging from her septum. Sunshades enough to reflect the European street behind her. The discreet jet of ink on her skin, blues and greens peeking out from under her sleeve. Izzy, he recognizes. Lonan’s mother. 
Nudging Lonan with an elbow, “I didn’t know your mom has tattoos.” 
Lonan takes the photograph cautiously, holding it by the corners like it’ll burn him. His brow trembles, but it takes him only seconds to say, “That’s not my mom.” He takes the flashlight from Harrison and examines it closer, fingers nimble and tracing the edges. In the grey light of the dark room, he looks nullified. Just a monochromatic hum of chromosomes and skin. 
that’s not my MOM
After the boys find the photograph, Lonan gets triggered at Harrison’s suggestion to find the woman (he presumes her to be someone involved with his father) and promptly has a tantrum and exits. This leads us into the next scene where the boys! actually! get! on! boat! In this scene Lonan tries to say sorry for his tantrum by offering Harrison a cigarette (lol) and because Harrison is hopelessly romantic and also hopelessly dumb, says yeeeees sir! They go for a canoe ride on the water. Thought it was going to be sweet, ended up being a shitstorm but!
This paragraph is kind of toast but:
The canoe isn’t hard to get into the water. After a few nudges from the dock into the slow dip of tide, it stabilizes easily. Harrison is convinced it will capsize but Lonan knows it won’t. They take one ore each, and ignore the life jackets at the back of the shed.
The moon is large and mesmerizing. As Harrison and Lonan take turns pushing the canoe into the water, mast first, then its entire belly, it colours them silver. Lonan’s protected the cigarette in the pocket of his shirt. Harrison stares at its faint outline stretched under the fabric. Lonan steps into the canoe first, rocking with the current, and extends a hand for Harrison. He pulls him in and they row until the cabin is the size of a fingernail, the wave steady and dense. Each cut of the paddle feels like plunging a scalpel into flesh and Harrison watches Lonan do it easily. In the distance, the cabin doesn’t look so menacing. Reeve has left the lamp on by the loft, and it glimmers back like an eyeball, effervescent and tiny. Nothing but a reflective penny in the distance.
Here’s some Harrison being lame:
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The water laps at the base of the canoe, and Ris reaches over and touches it like it’s holy. He makes the sign of the cross and it feels perverse, cold water dripping from forehead to chin.
For a while it’s quiet. Just the distant hum of crickets, the slash of the paddle, and the off-chance flash of something in the distance; an animal, a flashlight. Ris tries not to think about Lonan’s dad, like a dead man slithering through the water, following their boat. He picks at a saltine, sucks it between his tongue meditatively. Against the sky, Lonan is backlit and lovely and flecks of his hair peek up from around the jacket’s collar. Harrison wonders if as a child, everyone said he looked just like his father. 
On top of lacking accountability, Lonan is also a professional canoeist so he takes over while Harrison eats saltines and reminisces about an encounter they had weeks prior. This leads into the solid chunk of backstory that I weirdly jump in an out of for the entire chapter. :)
Backstory consists of drunk Lonan having a crisis while Harrison tries to have a peaceful evening of taping up his drawings to his bedroom ceiling. The following excerpt describes the moment right after Lonan enters the room.
Harrison’s lips secured around his cigarette, his hand mid-air with packing tape and line drawings of the moon. A tinny country song dribbled through the radio. The minute-meal he’d heat up in the microwave lying forgotten and cold on his desk. Harrison set the pile of drawings down and turned off the music.
“Emily left?” Lonan asked. He kept his face upward, stared clumsily at the ceiling. Harrison watched his eyes trace the new drawings, following the uncalculated pattern. 
This paragraph is made up of 5 similes and this is the only reason I’m sharing it :)))):
Lonan has stopped paddling. The canoe sits in the middle of the lake, lifeless, like a bone in the water. He’s turned so Harrison can see him in profile, and Ris can’t tell if it’s relieving or worrying to see his face. Lonan’s jaw is taut, like there are words he wants to say there but can’t. Filling up the hollow bone. He blinks slowly, like he’s trying to re-centre himself, his chest quivering with breaths meant to steady him. The water laps at the base of the canoe, whirling. Dark hair tangles down his cheeks like the fingers of a poltergeist. 
I think that’s a pretty good way to end this post lol! How many similes have you put in one paragraph? What’s your record lol this is probably mine!
Hope y’all enjoy the intro to MOTH WORK. I have two other chapters already written which I’ll update on in a separate post! For now I hope you like this more laid back project, let me know what you think!
---Rachel
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The Milo Murphy’s Law Wiki Guy AU: Balthazar Cavendish Vs The World: Chapter 1: Prologue: The First Domino Falls
Darkness.
The stage is set.
Lights!
Music!
CURTAIN!
The curtain parts and we are greeted with a big ass title card that states in what can almost be described as a whisper that the year is
2141 The place? Marlborough Lines, Andover, Hampshire, in the United Kingdom. 51° 12′ 32.72″ N, 1° 31′ 17.65″ W.
As we cross non league football grounds, a railway station and a flour mill, we can see a mostly industrial town, in which the clouds are grey, yet cool.
Not your stereotypical English weather here, folks!
In this sort of lifeless small town, rooted in traditional thinking, we approach the very basis of this old timey tree of a town: Marlbourough Lines, the official Army Headquarters of The United Kingdom.
At first glance, the building would seem unimportant to most: Beige walls, multiple green doors, surprisingly miniscule.
In fact, its most striking external feature would be its oddly shaped roof.
Ah, but you see…
It is what inside that is important.
And it is definitely true with Marlborough Lines, and as we enter the doors, the hustle and bustle of Behind The Scenes army management is shown to our curious eyes.
Here you will not see men and women in green practice their shooting, however.
Here, my dear friends, is where we find the minds behind the operations.
Men in dark blue high neck tunics and elaborate headwear shuffle along importantly, discussing matters with a dry, formal air.
Everything, even the most trivial of conversations is gravely important.
Bushy beards and wrinkled faces nod and harrumph, and sounds of hurried typing and fax machine dials reverberate in a light room.
One of these bearded men, a Sergeant Arthur Wilson, former bank clerk from Thetford, Norfolk, currently twiddling his thumbs and pacing agitatedly near a big, wooden brown door, made of the oldest and finest yew,  is tasked with a most unenviable errand: Deliver the Chief of the General Staff bad news.
The polished wall clock tick tocked the seconds away, causing more and more sweat to glisten on Sergeant Wilson’s forehead, as he took out a hankerchief to wipe the droplets away.
“Just get it over with, Arthur old boy…”, he told himself, trying to ignore his heart’s desire to leap out and travel the world as a minstrel.
Or a dog show judge. He hadn’t chosen yet.
“You may come in, Sergeant Wilson.”, the gruff yet deathly serious commanding tone of the Chief of the General Staff sounded from within the office out to poor Arthur’s ears.
Arthur gulped, his throat almost croaking like a toad as he edged nervously towards the shiny brass metal door knob.
As he wiped his brow once more, he tried to settle his irate nerves.
“Take it easy, old chap. It’s just routine. Yes, routine.”
He nervously turned the handle.
“Why, you’ve told him this a million times.”
Of course, a small voice inside him couldn’t help but retort “Well, he’s also massacred you every single time you’ve said that.”
But there was no time to dilly dally.
Otherwise Arthur would get massacred twice.
And there were only so many times that could happen in a day.
Arousing last bits of blind courage, Arthur swung the door open wide, entering the office with a frenzy.
“Sir, I have bad news to report!”, he shouted out in attention, saluting the currently turned with his back to him chief.
The office was quite a sight to see: Swarms of medals decorated the walls, maps and diagrams of key hot spots and defensive positions hung on every spot that wasn’t filled with pictures of important people meeting the Chief, and shelves upon shelves of thick, detailed books on military history stood proudly, knowledge practically oozing from their yellowing pages.
However, that was not what caught Arthur’s eyes, and certainly your eyes would agree.
All eyes would and should dart towards the Chief himself, his imposing and towering stature present even when seated.
His back was hunched in thought, but since no one could see his eyes, no one could tell whether said thoughts were stormy or cordial.
One thing for sure: He would not like the news.
And that was immediately apparent in his dark, turquoise eyes that almost cut Arthur to ribbons without a single word.
The rest of the slaughter would be done with his piercing and sharp voice, one that could slice through air like it was… Well, air.
“What… Bad news, Sergeant?”, The Chief asked with a decidedly displeased tone.
Sergeant Wilson took a moment to breath as his voice trembled.
“Well… You see… It’s about… Um… Oh, you know…”
“This never gets easier, does it?”, he thought to himself.
The Chief, his rifle green high neck tunic and monocle now present, stood up, his large form now even more apparent as he strode towards Arthur, each step echoing in the halls of Arthur’s mind.
“In actual fact, Sergeant Wilson, I don’t know. If I did know… The matter would have been resolved long ago.”
His hands crossed behind his back, his head now lowering to meet the meek man below him, The Chief stared him straight in the eyes. The whites of his eyes to be specific.
“Refusing to report under order could lead to serious trouble for you.”, He said with way more than a hint of a threat in his words.
He tugged at the cross adorning Arthur’s chest.
“Would be a real pity if someone as essential as you lost their privilege to serve the Queen’s army over something as trivial as… Bad news.”
His words were loud and clear, and as Arthur gulped one last time, he choked out the message he so feared.
“Understood sir. It’s… It’s about your son, sir.”
The Chief’s composure died alongside Arthur’s words, his monocled eye twitching and his dulcet tones now replaced with rage and frustration.
“You don’t mean…”
He seethed and huffed, slamming the door aside, knocking Arthur down to the ground with a loud thud.
“Back to your duties, Sergeant Wilson!”, The Chief barked as he marched down the hall towards the entrance doors with great intensity.
“I will deal with Balthazar personally!”
As the doors swung wide and the sun invaded the premises, a doozy Arthur weakly saluted from the ground.
“As you wish, Chief Cavendish…”
1. Just seeing that there’s a title and a tagline and that this story is finally happening is magical to me. A friend of mine and I came up with this back in October 2018, and I’ve been adding more and more to it ever since!
2. Believe it or not, back when I was consistently making stories for the wiki, the plan was to post this on December 2018 (preferably Christmas). There would be a sequel (which I hadn’t chosen yet, and would end up becoming WaffleTail’s requested “Is This A Crossover Fanfic?”) and the threequel, “The Question”, was scheduled for Serend’s birthday. As you all know, the reverse happened.
3. Only a few things were clear to me from the start: The title, the plot (at least, parts of it), the villains and the ending. The musical parts were only thought of back in September 2019 after a first viewing of Steven Universe: The Movie left quite the impression!
4. The purple font that stops after Cavendish is on purpose: Purple is the official BI-Sexual color on the LGBTQ+ Flag. It represents his denial. The World is black because most of it (outside of a few close friends) want him to be someone else.
5. I like the intro! The story is written as a movie, a musical and a play, so the whole curtain shebang was fun to add!
6. I must say that another inspiration comes from MelissaFan’s musical about Milolissa! It sparked something in me, so thanks, Colleen!
7. 2141’s green font (that you can't see) is because of Cavendish, and because it felt kind of soft and homely, before everything goes to the shit.
8. Every detail in this one, from the military uniforms to the longitude and latitude to the locations are accurate. Lot’s of research for this one!
9. It was fun writing this chapter! This story HAD to be different to my usual stories, so I spend a lot of time on locations. It feels slower than most of my work, and it was fun to try doing that!
10. It is what inside that is important isn’t very subtle, true.
11. Arthur Wilson is one big “Dad’s Army” reference, and I love him for that!
12. In general, writing this scene was so different! It really feels like nothing we’ve seen before in the AU, which is most of this story. It’s easily the most mature, adult and sad story yet, and it takes us to places we’ve never seen!
13. And we finally see Cavendish’s Dad! He did appear as a ghost in “This Date Must Work” but it is here that is his true debut! He doesn’t feature that much (in fact, once this prologue ends, you won’t see him again until the end), but he is important! His presence is the reason Cavendish is the way he is, and he is arguably the biggest figure in Cavendish’s life!
I’m sure some of you may find this chapter a tad disappointing: Only 1k words? And it’s not even about Cavendish? Yes, I get you. But don’t worry! Not only is this chapter important, it will  be continued on Monday, where some REALLY big things happen!
In short: Lil’ Cavendish. Nuff said.
Please share your thoughts on this one! I’d be more than happy to answer all maner of praise, critique and questions you may have! Here, on FF.Net, Ao3 or Tumblr, I’ll take anything!
See ya then!
The Milo Murphy’s Law Wiki Guy.
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