#because so far no one has pointed it out

[factual-fantasy]

Years later..

He really did shoot for the moon..

[rambles-about-minecraft-ocs]

one of my favorite things about zedaph is that on a server full of people that find strange and oft-overlooked minecraft mechanics or rare events and then see just how far they can push them in the name of spectacle or efficiency or world-breaking, zed is over here finding these mechanics in order to do the weirdest things he can think of in as entertaining a manner as possible

like i 100% have faith in zedaph's theoretical ability to be just as efficient or spectacular or world-breaking. if he wanted to do that stuff, i trust that he absolutely could. but thats so far from being his priority. instead, hes going to spend around a week of irl time focused entirely on eventually having the good luck to spawn in something insanely rare so that he can convert it into something even rarer, the result of which being something that 99% of the server reacts with complete and utter shock that it even exists in the first place, just because its zany and funny and he wanted to. and i love that

[poorly-drawn-mdzs]

Izutsumi character study

[pokimoko]

The fact that Main-verse Ooo is as good and as kind as it is (relative to the other universes shown so far, at least, it's obviously not perfect) all because of the same character that starts off as the OG series' antagonist, the person we were made to see as the bad guy (albeit an often ineffectual one) for several seasons, is making me lose my mind.

Imagine finding out the guy you spent your childhood beating up and saving princesses from is in fact a driving catalyst behind you being able to exist, and not only exist but also live in a world that knows what kindness is. All because that man, the same man who you've witnessed do terrible things, once met a little girl and taught her how to be good.

Simon's story really shows us that even if you lose your way and forget how it is to be good yourself, the world keeps the memory for you. That act of love Simon showed Marcy by protecting her and seeing her as more than the monster she thought herself to be created ripples upon ripples, small at first but eventually enough to help give their wreckage of a world—a world that easily could have been forsaken, its goodness overlooked because of its inhospitable remains—a chance to grow into something beautiful. Because of those very same ripples Simon created, the people of Ooo grew up in a world where they know enough about kindness that they were able and willing to spare the 'bad guy' some, to see beyond the wreckage and allow him to grow too.

In saving Marceline, Simon helped to not only to save the world, but also himself.

[sealrock]

my newest weird guy still doesn't have a name but he has a cute face. and cute sharp teeth.

[sashimiyas]

i know this may just be my indulgence. but i do think osamu and iwaizumi would get along so well

[girlwiththegreenhat]

i genuinely love when you can tell an older show was Not made with high quality video viewing in mind. i am watching knight rider and constantly seeing all the little mistakes they surely brushed under the rug thinking nobody would see them on their crunchy little CRTs back in the 80s, that are huge attention grabbers now in HD fullscreen on my 3 foot computer monitor

the biggest one of course is all the drivers/controllers for the (in-universe) self driving car, kitt. there's guys tucked down in the footwells who can't always stay out of the shot. there's a guy who has a Car Seat Suit to blend in and look like the drivers seat from a distance, but you can always tell when that's the method they're using for a particular shot because its so much thicker than the passenger seat next to it and the headrest is missing it's cutout section. in at least one instance he starts taking the suit off too early, on a focus shot of the damn car, so its REAL visible.

all the extremely obvious stunt drivers or performers who look nothing like the character they're supposed to be

props, such as animals, vanishing from the car interior for stunt/race sequences.

the production crew (or their shadows) being visible in the background. only at a glance, but its especially hilarious in shots where nobody else is supposed to be around

the camera panning out from a sound stage set far enough that you can actually see over the edges of the set and into the stage they were filming in. mostly this happens with their truck trailer mobile unit thing.

this one isn't a mistake but every time the car "turbo jumps" they CLEARLY hide the ramp behind another car, a prop, the environment, and its just. so charming. sometimes its blatantly on screen just for a moment. like... of Course in real life this car isn't magically leaping 20 feet, of course its a ramp, but it's still so silly and fun to be reminded of how they were doing those stunts to begin with.

also not really a mistake but related, the bracket they keep on the front of the car for stunt work.... is just left on half the time. cuz it's a pain to take on and off.

and there are more examples that are more unique that haven't cemented themselves in my head well yet, but these are the more notable or common things i see and it's really charming. if i'm not giggling to myself noticing the "seams" and flaws and so human imperfections of your show or movie what EVEN is the point. hollywood is too flashy these days i think!

[puppyeared]

you seem like the. kind of person who I'd run into during a rock concert while I'm trying to find bathroom and notably you are dressed kind of oddly for the concert (see: divorced dad outfit. hawaiian shirt. jorts. chunky sandles. giant sun hat.) and so I ask you "hello, do you know where I can find the bathroom?" and you go "yeah sure!!" and you point me the complete opposite direction from the bathroom. not on purpose, but because you also have no idea where the bathroom is. I thank you and go on my way, both of us oblivious to the fact we are currently very much not at a rock concert. it's an idie band that just screams really loud. sorry if that's specific you just give me giant 'perpetual tourist that isn't really a tourist and has never left their home city but just seems like a tourist anyways' energy

naw thats a pretty reasonable impression id say

[wesavegotham]

I don't feel like going through my blog to search for the post, but called it:

And then they didn't even show Bruce or Dick's reaction to Damian getting kidnapped, only Barbara's pretty generic one.

Can someone tell DC's writers that it's kind of hard to care when not even the characters in the story have emotional reactions to what is happening? If you have someone's child getting kidnapped shouldn't we see the parent's reaction first?

Also the only "joke" the writer seems capable of making with Damian is that he's constantly getting told that he's a bad child/person, which is something I'm pretty tired of general but in this storyline it's especially annoying because so far Damian has contributed absolutely zero to the plot except for needing to be rescued by other people.

[dayurno]

omg reverse riko au is making me feel so ill..... please let us know if you have any more thoughts abt riko kayleigh and kevin legend.....

I DO my idea is that its around the same age kevin and riko met in canon so tetsuji kicks the bucket when riko is 7/8 and riko is (very forcibly) removed from the nest and sidelined to kayleigh as a new moriyama asset from the main branch takes over the nest. riko struggles a lot with the change because he is very young and very scared and he’s used to horrible things at tetsuji’s hand, which means that he doesn’t trust kayleigh and finds kevin entirely too weird. it’s honestly really cute because i think at this point obviously 7 year old kevin wants to befriend him but riko is such an anxious ball of anger that most of their interactions are like

baby riko: what do you WANT from me. go AWAY!!!! NOW

baby kevin: (heavy irish accent) nothing i think. do you want a bite of my sandwich?

anyway i think riko and kayleigh do get along but he never really considers her his mother or even godmother, for a long time he thinks of her as his Benefactor until the child therapy starts hitting and she becomes Aunt Kayleigh and then after a few more years he can be loosely convinced to refer to her as auntie once or twice a year. his second son syndrome never really leaves him; in the upcoming years riko struggles with the idea that he’s anything But an add-on to the days and still overworks himself to death trying to be acknowledged by kengo, but it’s leaps better just from being outside the nest and having people to look out for him

riko and kevin have some rough patches, especially during riko’s first years with the days. because kevin is an easy target and riko is afraid of kayleigh he ends up letting a lot of that anger out on kevin, though obviously at this point they are children and riko’s anger manifests in some mild bullying and name calling. i think kevin doesn’t even understand it most of the time 😭 riko has been around grown ups his entire life so his adult level insults make no sense to kevin’s seven year old mind. nevertheless after kayleigh tells him to stop picking on kevin riko does respect it (first out of fear, then later because they actually get along) and they go on to become brothers with only a slight tendency towards antagonism. riko’s jealousy of kevin is still a big part of their relationship and i think even more so when college applications roll around, and he’s even more worried when wymack comes into the picture, but it never culminates into anything as horrible as hand breaking because riko has an actual outlet and a support system :) it’s mostly a yelling match that eventually turns to getting scolded by kayleigh for acting like barbarians

[mittensmorgul]

There’s another post going around about this, but tumblr won’t let me reblog it but...

When I read a story written by a human being, I’m not just reading it because I want to read a coffee shop AU with a specific plot description. I’m reading it because it’s making a connection to another human storyteller and seeing a piece of them carved into the words. Storytelling is a human act of sharing joy, angst, tension, resolution, satisfaction. It’s an act of love.

Writing and reading a story isn’t just an act of creation and consumption. I hate that commercialism and AI are reducing it to that sort of transaction. Like oh, you need words on this subject and that’s the end of it. Like what we really needed was just a vending machine we can push buttons on to get a fix, as if the human creating the story wasn’t a factor. That the author’s life experience and views and feelings haven’t infused the words with their own unique touches.

I’ve read hundreds of coffee shop AU’s over the years (and thousands of fics in general). I’ve seen many similar tropes reused across stories, and just like an AI would, I’ve learned things about writing them that I will always carry with me. But unlike an AI, a human author is not just the sum total of coffee shop AU’s we’ve consumed. Even if we used the same prompt, the same sets of tropes, the same characters. I will always choose the human-crafted story over the computer generated one.

Because again, I’m not just looking for a very specific fix via a series of words. I’m looking for a human connection through story.

Unlike an AI, I have BEEN to a coffee shop. I’ve had experiences in coffee shops. I’ve had funny little meet-cutes with people. I’ve accidentally spilled coffee on myself and knocked heads with someone as we both rushed to wipe it up. I know what it FEELS like. The machine doesn’t.

I’ve also read millions of things that aren’t fanfic, or coffee shop AU’s. I’ve experienced things OTHER than going to coffee shops and having meet-cutes. And I know what all those things feel like when processed through my personal human lens of experience, which is different from every other personal human lens of experience.

All the machine can do is spit out what it THINKS a human experience is, and I honestly don’t care about that at all. Fic is not a “product” to be “generated.” It’s an art form that connects us to other people who share the same love of a thing that we do.

People who, even when all writing the same characters in the same setting to the exact same prompt, will all add something or have a viewpoint about something or bring a completely different personality and life experience to the story that no one else on the planet could. That’s what I’m actually reading.

[quibbs126]

You know Twitter was talking about something, namely that with this update we’re could be getting yet another Legendary group

I’ve been told that they aren’t, and these are just the Epics to come with the update, but that’s not the point I’m making

The point is that I’m noticing just how many new Legendary/premium tier groups there have been. Just in 2024 alone, we got the Novas in Ovenbreak, the Beasts in Kingdom, and then the Archons/First Cream’s group in Witch’s Castle. That’s 3 groups and we’re not even halfway through the year

On some level it feels like they keep trying to give us new big things to be excited about, while not delivering on their already made promises, such as bringing in the Ovenbreak Legendaries, which they teased in late 2022 and we’ve only gotten one new one so far (not counting Pitaya)

It’s like me coming up with a new idea every couple of days and abandoning previous ideas I said I was going to work on, especially with AUs. Except I’m not a company with millions of players, I’m one scatterbrained, ADHD riddled person. So following my example is a very bad idea

I mean maybe let some new Legendaries just be one offs, like Xylitol Nova and just let it be one space themed update, or maybe First Cream (though I don’t know enough about her yet to say). The Beasts can stay, they work as a group since they’re basically evil Ancients/the original holder of the Soul Jams, though maybe they should have come after the White Lily chapter, and have Beast Yeast come after her story, after all the Ancients are recruited, instead of jamming in new hooks and shuffling the actual focus to the background

Like at this point I’m getting concerned about this company, since these releases feel like short term getting your money for promise of future updates while neglecting the hooks already set up (like the Dragons or Dark Enchantress (especially Dark Enchantress)), and it’s not gonna go well in the long run. Granted I’m not knowledgeable in how businesses work so what do I know?

I mean personally I just want closure to arcs that have been set up, as well as possibly seeing my old favorites again, I don’t really care that much about the company itself, I don’t even pay money. It’s just that they make the stories that I like and want to see more of

[ride-a-dromedary]

I hope Halsin's lack of mentioning Ormn in the epilogue means that he had him moved out to Reithwin as well. The poor bear really seemed to miss him at the Grove.

Halsin mentions needing to teach the children that not all bears are friendly (like he is in wildshape), and I think Ormn would actually be a great help with that.

[uranium-city]

guys i really hate to say it but Abe's kind of been the highlight of the last two episodes for me & feels most in character to his S1 counterpart when compared to the other main characters 😭

ALSO him & Joan had more genuine chemistry in the one hospital scene than JFK & Joan have had all season & as a member of the JoanFK nation i am frustrated

[frecklystars]

GOD!!!!! 😭😭💓💗💖💓💓💞💞💕💟💝💘💝💝💞💗💘💝💟💓💗💞💕💟💝💘💓💖💓💕💕

[quietwingsinthesky]

obsessed with the idea of the doctor and the master standing together in opposition to gallifrey post-end of time. less in it being the reality of the situation, and more in it being what the master perceives it to be in the immediate aftermath of being. well. told he was going to be disposed of. the combination of that rejection with the doctor choosing him, the way that sets them up with a common enemy. but where that enemy for the master becomes gallifrey in the abstract with the council as the face of it, the doctor never sees it that way, never thinks of it as the two of them against their own world. the doctor, crucially, kept count of the children. when he saves gallifrey, it isn’t about the master at all, not to anyone but the master themself. because how are they supposed to take the doctor choosing gallifrey over them as anything other than a betrayal.