The Noble House of Lockwood
Lord Alistair Lockwood, his wife Lady Evangeline Lockwood, and their children: Silas, Byron, and Theodore Lockwood.
Lord Alistair Lockwood
Current head of the Lockwood Estate.
Wood Elf.
Extremely wealthy.
Member of the ruling council of Arborcea.
Takes great (too much) pride in his house, name, and family.
Has a short temper and is quick to bring it out on those who displease him.
Loves his [legitimate] sons, although he's not good at showing it, at least not in healthy ways.
Had an affair with a human woman ~27 years ago that resulted in Rook's birth.
One of the key players in placing Arborcea under Elven rule.
Very well-respected among the other nobles.
Stubborn and prideful, even arrogant. (His eldest son, Silas, takes after him in this regard.)
Despite his prominent place on the council, he hungers for more. More power, more wealth, more influence.
Very traditionalist/old-fashioned.
A strict father, but well-respect and even idolized by his [legitimate] sons.
Lady Evangeline Lockwood
Lady of the Lockwood Estate.
Eldest daughter of another of Arborcea's noble houses.
High Elf.
Her and Alistair's marriage was an arranged one for politics and money, not love.
Strongly begrudges Alistair for the affair that led to Rook's existence, and has not forgiven him yet. (26 years is a blink of an eye for an elf.)
Despite this, will forever and always keep up appearances of a happy and faithful couple. (Even when they are alone, she hardly ever shows her displeasure with Alistair.)
Was thrilled when Rook ran away, because it meant that there was no longer a constant reminder of her husband's infidelity and shame wandering the halls of her house.
Vain, and always fishing for compliments from everyone around her.
Cleverer than she lets on.
Her sons are her greatest love and pride. They can do (almost) no wrong in her eyes. (However, damaging the image of house Lockwood does count as wrong.)
Has tea gatherings with the other noble ladies where they talk shit about anything and anyone.
Very strict mistress to the servants and anyone in her employ.
Also a strict mother, though much more loving.
Silas Lockwood
The oldest Lockwood brother.
The closest thing to a "rebellious" kid the [legitimate] Lockwood family has.
Stereotypical "popular kid": has a ton of friends and is always the center of attention despite being a dick to most people.
Is rarely at home, usually off "adventuring" (aka, paying other people to do the real work, then let him come in and deal the final blow and taking the credit.)
Excellent fencer, but initially trained for dueling competitions for entertainment, not lethality. His style is kind of exaggeratedly showy because of this.
When he's not adventuring or dueling, he's usually in a tavern, slightly drunk and surrounded by "20 of his closest friends". (or "friends"... most of them are using him or he's using them. He's aware of this and doesn't care.)
Has his father's short temper and intense pride. Can never walk away from a fight.
Hates nothing more than losing/being humiliated.
Byron Lockwood
Middle child, often overlooked in favor of his siblings.
Most boring/practical of the kids.
Doesn't really know what he wants in life.
Doomed to always be out-shined by Silas or Theo.
Totally not bitter about it.
Currently engaged to the daughter of another noble house.
Wants to inherit the title of Lord Lockwood, and is offended that someone as irresponsible as Silas would get it.
Perfectionist. Expects the best from everyone around him at all times.
The only Lockwood kid with a "real" job. (Manages some of his father's interests in a handful of shipping companies based in Arborcea.)
Think of the stereotypical shitty boss: Greedy, ambitious, treats his underlings like tools not people.
Theodore "Theo" Lockwood
The youngest Lockwood brother.
His parents' favorite.
Mama's boy, has Lady Lockwood wrapped around his finger and he knows it.
Spoiled youngest child. Is used to getting everything he wants whenever he wants it.
Will get very upset if his desires are not met.
Has spent the last few decades attending various kind of universities for degrees in all sorts of things. (the perks of being an elf and super rich, I guess.)
When asked about his plans "after schooling", he just does a kind of vague handwave and starts rambling about "research projects", but can't give any straight answers.
Will probably end up as some kind of weird professor/research funder: Ultra wealthy, multiple PHDs, "inventor" (but really just pays people to invent things for him), more than a little bit of a jerk. All his future students will come in so thrilled to meet this famous guy who's done so much impressive shit, but end up leaving disillusioned about their idol.
Not as smart as he seems. More than possibly has paid his way through at least a few of his classes/degrees.
As an academic will almost certainly plagiarize most or all of his work.
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happy wednesday!!! one scoop of mafia boys please
WIP Wednesday (5/8) | Mafia Front Restaurant AU (Part 155)
Since Jean and Kevin returned, there’s been music coming from the kitchen that Neil vaguely recognizes. He hums along to a song he knows Jean has sung before and places a few cards down. He and Andrew have been neck and neck the whole game, but Neil’s about to win. He’s so close he can taste it.
“Remind me who’s winning,” Andrew says, flicking his fingers at the napkin Neil’s been scribbling points on. He’s got a handful of cards left and looks pissed about it.
“Me. I’ve got 475, you’re at 470.”
“Mm,” Andrew hums and clicks his tongue. “And you said the first to 500 wins.”
“Yep.”
Andrew nods, then smirks before snatching up the entire discard pile— to Neil’s confusion, doubling his hand. The goalie organizes his new cards in a flash and makes four different runs on his side of the table before dropping his very last card down beside the deck, effectively ending the game. Neil’s mouth drops open into a gape that probably makes him look like an imbecile, but he can’t help it.
“What the fuck? How did—” Neil looks over Andrew’s plays to find that they’re all legal. He’s been beaten. Neil slaps his remaining cards against the table, but Andrew merely props his chin on his hand.
“Oh how the table turns.” Andrew says. “In a circle I mean. Since I was winning at the start.”
Neil bites the inside of his cheek. Damn it, this is worse than losing to Jean.
“Would you like to play Go Fish instead?” Andrew says, the taunt making Neil’s nostrils flare. “I also know Old Maid, if that would be easier for you.”
“Fuck you.” Neil grits out, counting their points and discovering that Andrew hadn’t just beat him. He annihilated him with that last hand, winning with 540 points to Neil’s paltry 490.
“I know a few other games that aren’t for children, but they might be too advanced for you.”
“Shut up.” Neil says. Then, “What other games?”
Andrew shrugs. “Spit, Poker, Egyptian Rat Screw—”
“Wait,” Neil holds up a hand. “What was that last one?”
“Egyptian Rat Screw,” Andrew repeats. “I learned it in juvie.”
Neil blinks. “In juvie? What did you do?”
“None of your business.” Andrew smiles sweetly. “Oh, do you know how to play war? It’s the simplest card game I know. Maybe you could win at that if I hold your hand—”
“I know war,” Neil spits. “Just deal the damn cards. For rummy. I’m winning the next one.”
Andrew gives the tiniest of smiles. “If you say so.”
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i'm seeing people commenting on this new toji art as if it symbolises gege placed toji in heaven even after everything he did and i know it's mostly a joke but i feel like this is actually an interesting thing to talk about. as we all know, jujutsu kaisen is a heavily buddhist inspired story. having in account all the situations gege has made use of this element, which i will add here:
(the first two are illustrations for chapters 89 and 90 of the manga, before gojo and kenjaku died, and the latter for chapter 180)
i think it's safe to say halos aren't used within the manga to be associated with the christian connotation (except for hana, even though her holiness and the one she serves also aren't traditionally christian by context clues we had so far). halos in buddhist art are actually used to depict enlightened beings, which correlates a lot more to toji than whatever christian symbol ever could. however, i don't think it's clear if gege has used halos in jjk with this specific meaning in mind. so far only gojo, kenjaku/geto and rika have been drawn with halos over their heads, as shown above, despite not being the only dead characters. additionally, all their halos are drawn different, taking shape of things relevant to them (gojo has the infinity sign; rika has a flower crown which can be associated with marriage; and, kenjaku has two halos, one within the other, possibly symbolising him residing inside geto). this could relate to toji as he's the only one with a simple halo, and also the only one within those four that is deprived of cursed energy. in my view, this new toji illustration doesn't mean gege sees him as a saintly figure or someone who would go to heaven - that's also why gojo and nanami are shown their own versions of the afterlife at the brink of death - but, most likely, that gege depicts him as a character that has reached an unparalleled understanding of his own existence and transcended death.
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