#bellarke hug

[lady-blodreina]

Clarke and Bellamy hugging each other after all the angst of season 3

Clarke Griffin and Bellamy Blake, the 100 3x13: Join or Die

[pendragaryen]

Random Bellarke moments 1/~

[dia-viller]

You may not like bellarke, but you can't deny that their hugs were the best

[liesmultixxx]

bellarke & percabeth aka my Roman Empire

[bellamysgriffin]

Come back Come back Come back to me...

[badlucksav]

if you needed me, i’m bound true

[izloveshorses]

THE WAY SHE LOOKS AT HIM LIKE HE’S AN ANGEL I’M SO SICK

[userlaylivia]

this will be my last post about the 100 and my rewatch for a little while because I'll just rant in the tags of edits from now on unless I have to vent lol

clarke was willing to let her own mother die in 3x15 because she wouldn't give the pass phrase to the flame but in s4 she couldn't kill bellamy to save the human race. she literally couldn't live without him and I'm sobbing!! but yeah it makes total sense she could kill him in s7 to save madi sure jason.

bellamy loved clarke and clarke loved bellamy it was obvious af to anyone with eyes! if you think they weren't in love you are in denial! bob and eliza themselves confirmed it along with the fact they were supposed to be endgame so!!

[alphinias]

the tension Bailey and Rudy created in 3x04 drives me wild like the shot of just their faces and the magnetic unspoken story they tell with their body language — I 🫣💥

Literally! One of my first thoughts seeing this scene is it’s gonna be one of those iconic shots people always associate with this ship, even if they haven’t seen the show and have just been on the outskirts of the fandom. Kinda like the stydia trap scene where they’re looking at each other that’s absolutely everywhere if you search anything involving stydia.

So hats off to Rudy and Bailey and also the director who got this shot (even though I’m not a huge Darnell fan and am still bitter she didn’t get their hands too).

[yiangchen]

it's so tragic funny that while i was watching t100, jroth was so adamant that there was nothing romantic there with bellarke, that it literally made me doubt what was very clearly being written as romantic (and it actually was. like, we know this now. it has been confirmed).

looking back, bellarke could have kissed at so many different points in the show, without changing anything else but having them kiss, and it would have made perfect sense. it would have flowed. it would have aligned with their relationship development.

just think about it. 1x09. unity day. is this a bit early? yes. but do they have the chemistry? yes. and have they had sufficient build up for two characters to have their first kiss? yes. honestly more than a lot of ships that happen in the first season of their show. especially since day trip just happened! plus, the flirting during unity day was...not subtle.

listen...she wanted to kiss him here so bad. seriously though. clarke could have and that would have been a very natural progression of this scene. it would have especially fit the early drop ship days vibe.

(or you could add in a scene where clarke finds him later, now sufficiently buzzed, they flirt some more, then she kisses him, and bellamy's like, "woah, woah, princess, what are you doing?" but he's smiling and she just shrugs with a smile and goes in to kiss him again, saying "having fun", and bellamy says, "you're drunk" and clarke is exasperated saying, "well you told me to!" and bellamy laughs, very amused, and from the look in his eyes, you can tell that he is also very very VERY smitten.)

if you still think that's too soon, yeah, i tend to agree. i love the idea of s1 bellarke in fanfic, but for the show, i prefer a bit more of slowburn. so let's push it to season 2. no, that's not a true slowburn, but still, you had to wait a little for it, and a lot of shows do this successfully. so anyway. 2x05. post iconic reunion hug, shot in a very romantic way i might add.

bellamy is watching clarke sleep by the fire, she wakes, we have some platonic gazing with firelight flickering across their faces...

we all know how the scene goes. he reassures her. he confides in her. she reassures him back.

i'm sorry, but the way they are looking at each other here? dude, if they had been sitting any closer, they could have kissed. i tend to think it would be more in character for clarke to initiate a first kiss with bellamy in s1-4, but in this scene, i 100% could see bellamy going in to kiss her after this.

(and yes, i'm aware that octavia was pretending to be asleep this whole time, but honestly, her reaction to them would have added some much needed levity to the situation. octavia is a bellarke shipper, after all. also, some people might say that this would make clarke's "i love you" to finn less believable, but i disagree. you can have feelings for two people at the same time. i mean, she literally kisses lxa very quickly after finn's death sooo yeah...plus, it would have made the bellarke angst of s2b/3 even better.)

maybe you still want more of a slowburn though, and that is perfectly fair, which brings me to s3, which in my opinion would have been one of the best seasons for canon bellarke. alright. 3x05. hakeldama yup! it was prime time for a first kiss. i mean, all the build up of s1/2 obviously, but also...this had just happened:

but anyway...back to hakeldama. this is the peak of their angst. nothing tops it.

but then, after the heat of the moment, the softness comes in. as it always does with these two. they wind up sharing the softest, most romantic scene in this entire show (fight me).

that last gif, man...at this point, i think they would both go in for the kiss. mutually initiated. god, it would have fit the scene so well!

(some people might say that this would invalidate clarke's love for lxa, considering everything that happens two eps later, but again, i disagree. like i said before, you can have feelings for two people at the same time. people might also say that this would undermine bellamy's relationship with gina, but you know what? the whole fucking narrative undermined that relationship, so i really don't care. i loved gina, but if clarke can kiss lxa right after finn's death, then bellamy can kiss clarke right after gina's death. this show is messy, okay? and bellarke are messy as fuckkkk.)

still think it would be too early? okay. season 4 then. very recently, i realized how easy making bellarke canon in s4 would have been, holyyyy. starting off in 4x03. bellamy is sleeping on the couch and clarke watches him sleep with the softest smile on her face (i'm still crying about this btw). i can't find the right gif, but you all know the smile! then clarke is struggling so bellamy wakes up and is there to support her, making a declaration that has romantic undertones, it just does!

and then clarke lowkey makes a move on him lmao. for real though?? what was this???

i would only change one thing here. he takes a seat beside her first and then puts his hand on her shoulder. so that way they are eye level (aka kissing level).

when she lifts her head off their hands, their faces would be so close. maybe bellamy would tuck a lock of hair behind her ear, not realizing how intimate that kind of thing is until he does it. i could see them kissing here. clarke would initiate. although, i think it would be so much better if it was just an almost kiss. bellamy tells her she should get some sleep right before it happens.

and then in 4x06...

it's actually so funny how she says that and then she's like 'oh no. that sounded like it implied something. i did not mean to imply.'

and bellamy's over here like 'omg she's implying.'

which leads to him literally about to confess. i'm sorry, but there is no other way to interpret....

and of course clarke interrupts, but this is the moment, you guys! this could have been the moment.

right after this, before roan's interruption, there's a pause, and then clarke kisses him. it's a quick one. the kind of kiss where she has both of her hands on his face and he's so stunned by it that his eyebrows raise in surprise and before he can even process that it's happened, she's pulled back and they're looking at each other, a bit in awe, both surprised that she just did that.

then in 4x09, we actually get to see the reunion!! and it's the running kind. just like 2x05. only this time, after they run to each other and hug, bellamy pulls back and takes her face in his hands to examine her for injuries, and once he realizes she's okay, probably after she reassures him and puts a hand on his face, then he kisses her, but they both go in for it (and i cry).

in 4x13, i would change the location of the head and heart scene. somewhere more private...a bedroom (!). so, after this moment:

and bellamy turns away, upset, clarke pulls him back to face her and takes his face in her hands. his eyes are watery. so are hers. she kisses him. one thing leads to another and we get the sex scene we deserved!! then they're lying in bed, cuddling. bellamy's head is on her chest and clarke's playing with his hair. that's when she decides to ruin the moment lmao and continues the head and heart convo with "we've been through a lot together, you and i." i can just see it so well. they would shift so that they're laying on their sides, facing one another. maybe clarke's fingers play with the hair at the nape of his neck now. when she says he has a big heart, her palm rests on his bare chest. when she says he has to use his head too, her fingers of her other hand shift from his neck to his temple. when bellamy says, "i've got you for that," clarke kisses him. their foreheads stay touching for a few breathes, then she pulls back to look at him and says that raven's premonition came true. like...am i crazy or would this have worked so well?? literally the same dialogue but...they're together.

(plus, this could have led to clarke raising bellamy's kid--august--along with madi over those six years they are separated, i'm just saying!)

maybe you still think that season 5 was the ultimate time for bellarke to go canon, and you know what? i honestly might just agree. the set up was there with clarke calling bellamy every day for 2,199 days. the potential was there. madi was the biggest bellarke shipper i swear. she wanted them to be together even more than all of us combined i think. for a bellarke kiss though, you would almost have to drastically change the course of events...unless you go with 5x13 and blecho have broken up earlier in the season. after clarke wakes bellamy from cryo (still crying about this moment, yeah!), i could see them having a moment.

before jordan walks in, maybe clarke helps bellamy out of the pod, and once they're both standing, bellamy would finally make his move. instead of bellamy asking why they're the only ones there, clarke does. bellamy tells her, "we'll figure it out, clarke, but first, i have something i wanna say." maybe he does something soft, like take her hand or brush her hair behind her ear. clarke is staring at him, not quite believing what is happening right now, but deep down, she knows. he tells her, "those six years without you were the worst of my life and i don't wanna waste any more time." clarke is wearing a watery smile, still not quite sure she believes what she's hearing. she tells him, "i radioed you every day you were gone." bellamy's whole face lights up and he tells her, "i know." their foreheads touch. both of his hands are cradling her cheeks, her hands are cradling his wrists. she whispers his name. it's the kind of kiss where the time before the kiss is excruciatingly long, but once they kiss, it becomes much more urgent as they finally give in to all of the feelings. god. would have been ICONIC.

plus, they both looked absolutely gorgeous in this scene. hello???

would have been one hell of an aesthetically pleasing first kiss holyyyy. then jordan interrupts and makes some comment about how his mom and dad were right all along :)

if not season 5 though...moving onto season 6. 6x10 to be exact. i know i've said that other times were the ultimate time for canon bellarke, but this episode is too! or right after it in 6x11. there are two scenarios that i see playing out here. (in both, blecho have broken up previously.)

in the first scenario, it's 6x10. as soon as bellamy saves clarke and she wakes up, instead of going in to hug him, i swear when i was watching it that i really thought she was going in for the kiss. that was the one and only time where i legitimately thought they were about to kiss while watching. it had never made more sense than in that moment. even with all of jroth's attempted brainwashing, my mind was stronger in that moment. it saw it coming. or at least i thought i did lmao. i know they didn't actually kiss.

but listen.

they really should have.

clarke is literally looking at him like this:

come on, man.

i usually say that bellamy should be the one initiating post s4, but in this moment, it would have been clarke.

and if not then, the other scenario is that they hug as usual. clarke gets some rest as usual. but when she wakes up in 6x11 and bellamy is at her side, they are in a separate private tent. they have that same conversation that they do. they argue about clarke risking her life again. but then...

he tells her, "hey, i just got you back." he says it firm but soft. i see bellamy initiating the kiss here, especially since he's almost lost her twice now, but once clarke realizes that this is really happening, that after all this time he wants her just as much as she wants him, she would for sure be the one initiating everything else. she would be sitting in his lap making out with him so fast jfsldkjfaslk and you know what? good for her!! they either just kiss a lot here, laying down on the bed, all tangled up together, and then they're interrupted, or maybe, just for once, they're allowed to be happy, uninterrupted, and they sleep together. either way. natural progression.

that's really the point of this longwinded post. so many times it could have happened. all of them a nature progression of the story that was being told.

then comes season 7...

there are no words.

6x13 left them off in a perfect place...

the set up was literally right there! they should have kissed in 7x01!! they should have lived happily ever after with madi in a seaside cabin situated in a field of gold!!

[bellamyblake]

goddammit, I love bellarke, I love everything about bellarke, I love the way Bellamy's eyes get so puppy and sweet around her, with his heart literally written all over his chest, I love Clarke's way of looking back at him, i love the way they talk to each other without speaking, understanding each other without words, i love their gentle hugs, I love their quiet words, their understanding, I love Bellamy understanding why she had to leave, I understand him walking through a forest with his leg bleeding while trying to get to her, I understand him pumping her heart back to live, I understand Clarke seeing through him the way nobody ever did in this awful world they live in, the way she sees his kind, soft, beautiful heart, amidst all the pain, the bravado, the strength, the 'You're not a killer, Bellamy', I understand the scared look he gives her when they separete in 4x13, before the death wave and how he knows...he can tell it's gonna be the last time, I understand the way he breaks when he realizes he left her behind to die, I can understand the same break in his voice in 5x03 when Madi tells him 'Clarke's alive.' I understand how he gives his heart out to her, with so much love and kindness, I can see the warmth in hers back, her pain, her confusion after everything she has been through and through it all, despite everything, the world, the grounders, the radiation being against them, I can see this one boy covering the hand of this one girl as they pull a lever and they send their lives to shit but are there for each other-

and just bellarke

[lady-blodreina]

We need each other, Bellamy... The only way we're going to pull this off is together

Clarke Griffin and Bellamy Blake, The 100 3x13: Join or Die

[lee-em-dee]

A Sequence Analysis of the 6x13 Bellarke Reunion

[a.k.a. the final scene of The 100 because Jroth can Jrot in hell]

After a grim conversation between Bellamy and Jordan, the sequence transitions to a warmly lit, wide angle perspective of the reunion at Sanctum. Friends and lovers “meet again,” hugging, kissing, reconciling in a series of action shots: Miller & Jackson, Murphy/Emori & Raven, Jackson & Echo. The sound of their laughter cuts through the uplifting strains of the melody playing [GAITS “Other Side”]. Against the show’s constant onslaught of death and destruction, the beauty in these brief flashes of joy isn’t lost on us; it’s fleeting, but it’s potent. We’re back at the gates of Arkadia in 2x16, only this time around, prospects for the future aren’t quite so bleak, nor is it “getting dark, too dark to see” beneath “that cold black cloud [coming] around” [RAIGN “Knocking on Heaven’s Door”].

Instead, the refrain “I know I’ll see you on the other side” embodies a sense of hope and certainty while also referencing Jasper’s parting words in S4. Unlike his nihilistic outlook, however, the soft, inviting quality of these opening shots seems to suggest that there’s light at the end of the tunnel—a glimpse at the other side of heaven’s door, where peace prevails and war is a distant memory.

As this undertone of cautious optimism resonates, the frame is swallowed up by a dark mass of faceless bodies. The music slows, the crowd parts, and exposed in the center of the frame is Clarke Griffin—a solitary, motionless figure within a stream of movement. Her silent presence isolates her from the liveliness of her surroundings. From the side angle of the camera in the shadowy foreground only her profile is visible, yet the expression on her face is noticeably stunned. We’re left with a sense of anticipation. Where is her gaze focused? What commands her attention so fiercely, stopping her in her tracks and arresting her movements? The anticipation builds, and, with it, the percussive intensity of the music. Soft vocalizations trail after “the other side,” echoing in our ears as we --

Cut to a reverse shot of Bellamy. He makes his way to his people, but it’s clear that the words exchanged with a disillusioned Jordan weigh on him. His eyes are fixed on the ground, brows furrowed, a pensive expression reflecting his weary frame of mind. It’s the aftermath of yet another battle, another spoke on a wheel that spins and spins, unleashing more devastation with each turn. We, as the audience, can only hope that this is the end of its vicious cycle. He’s lost in thought, but a glance ahead has his eyes snagging on something out of shot. No, someone. Bellamy’s steps falter for a beat, then his eyes widen a fraction. He’s mesmerized.

On the receiving end of his gaze, Clarke sharply exhales. The steady pulsing of the music stutters before the rhythm picks up in rapid sixteenth notes, akin to a heartbeat that skips, flutters, then pounds. Energy thrums in the single look that they share; everything else seems to melt away as they fixate on each other, as the tether that binds them together tugs, as the distance between twin souls is bridged.

We’re hit with the crescendo of the music, punctuated by the sustained beat of the drums. It’s booming. A fluid tracking shot follows Clarke as she launches herself away from the crowd into Bellamy’s open arms, and the force of their collision is shown through their synchronized exhalations of breath, through the swaying movement of their bodies pressed tightly together. Like cymbals crashing, they meet in the middle of the frame. The blocking instantly establishes a bubble of intimacy around them that blocks out the rest of the world as they completely obscure the figures (“girlfriend”) in the background. Refracted light slices across the screen at an angle, tracing the points of contact between these two people who radiate warmth and ignite under a single touch.

The music swells. Their embrace is set to the bridge “oh wait for me in fields of gold,” and as they hold each other, lost to a symphony of grief and elation, we get the sense that in each other’s arms these two broken beings are very much found. It’s a homecoming.

Clarke burrows her face into Bellamy’s neck. The sun beaming in the background sends scattered light over his shoulder, captured as flare in the camera lens. Not only does this element add a layer of visual impact and aesthetic beauty to the shot, but it also intensifies the climactic moment when their bodies collide. Tension is built and built until it finally snaps; in doing so, emotional catharsis (for both the characters and for the audience) is maximized. The combination of the lens flare and camera movements makes for a striking, visually dynamic shot with epic romantic overtones. In their reunion a sense of rightness is restored, which has remained a consistent theme of the show for six seasons. When the camera finally settles, what’s captured is the sheer magnetism of the moment. Nearby murmured conversations are unable to overtake the melody, and the bustling movements of the crowd are unable to break that hypnotic hold they have on each other.

Clarke clings to Bellamy; now, more than ever, it’s evident that her love for him is a refuge, her strength in times of weakness. Even so, sorrow threatens to overtake the solace found in his embrace; Bellamy immediately senses this, rubs a soothing pattern across her back. With brows drawn, he nestles his face against her shoulder as if to will her pain away.

We cut to a dynamic two shot, with Bellamy occupying the left side of the frame and Clarke the right. Both seem reluctant to part, and as they do, harsh realities set in. Bellamy delivers the sobering line, “I heard about Abby.” Like a death knell, its implications land on Clarke and reverberate through this gentle, short-lived moment of peace. Her face crumples. With a despondent shake of her head, she manages, “I tried to do better. I did.” Bellamy can only nod. His strained expression conveys how the mere sight of Clarke’s pain is excruciating to him. A sharp intake of breath from her—“And then I lost my mom.” The tremor in her voice betrays her composure; the words catch in her throat, imparting a strangled quality to the line.

Her mother’s death clings to her. It’s reflected in her head-to-toe black attire, in the misery painted on her face. The weight of impossible decisions looms (how tragic that her mother’s endangerment was what drove her to pull the lever back in Mount Weather), and it seems that, this time around, the burden is too heavy to carry alone. “Tell me it was worth it,” she pleads to Bellamy, barely choking the words out as she battles tears. “Tell—tell me it was worth it.” In deep anguish Bellamy watches Clarke unravel before his eyes. With gentle words he tries to piece her back together. “Hey—Hey, we did. We did do better.”

This entire verbal exchange is filmed as a continuous arc shot that swings back and forth on an axis (Bellamy -> Clarke / Clarke -> Bellamy) with the sun acting as the focal point between them. The shot—much like their soul-deep connection—remains unbroken and uninterrupted. Rather than keeping a fixed, static position, the camera’s movements allow us to feel the push-pull emotional tension of the scene. It orbits Bellamy and Clarke in a way that cinematically mirrors the gravitational pull they feel towards each other. For years and years, the two have danced around each other. Though distance and time separated them, they’ve always been inextricably tied together in common orbit. Like binary stars, Bellamy and Clarke orient themselves around a shared barycenter. Their center of gravity—the sun flaring at the center of the frame—coincides with the show’s key thematic elements: forgiveness, rebirth, redemption. The rising of the sun marks the start of a new day and, with it, another chance to do better.

With each dizzying motion of the camera, flashes of light shine between their silhouettes, obscured only to re-emerge seconds later as lens flare; The sequence, as a whole, is a study in subtle contrasts: the contrast between the white sun in the background, the light glinting off the water, the pale gold of the sky + of Clarke’s hair vs Bellamy and Clarke’s shadowy figures captured in low-exposure, the darkness of their clothing, Bellamy’s black hair. This balance of light and shadows/brightness and darkness mirrors the tenuous balance between hope and despair driving the scene. In parallel, the despair that consumes Clarke is a darkness balanced out by Bellamy, who maintains a more optimistic outlook for the future and serves as her guiding light.

[Additional Note: These cinematic contrasts are also a perfect illustration of the concept of yin and yang—the cosmic duality that reflects Bellamy and Clarke’s “head and heart” relationship. The two are equal, seemingly opposing forces but, in actuality, function in such a way that enforces their complementary and interdependent nature: One cannot exist without the other, and both are connected as two halves of a whole in perfect equilibrium. Yin and yang—the head and the heart—do not act as isolated parts, but rather continuously influence and interact with each other to bring forth balance and harmony.]

Hope.

In spite of everything, it shows its presence in the vibrant yellow tones of a scene filmed at golden hour; the honeyed glow creates a dreamy, inviting atmosphere, giving off a quality of softness and romanticism that balances out the heaviness of their conversation. Hope echoes in the melody as it conveys the inevitability of reuniting with a loved one in this life or the next: “It’s not the end. It’s all I know…I know I’ll see you, I know I’ll see you on the other side.” (In other words, we will meet again). Hope is felt through the warmth of two lovers embracing, the warmth of the rising sun on their faces.

As we cut to a final close-up shot of Bellamy, he delivers the last line of the scene with resolve: “I have to believe that that matters,” he murmurs softly, brows knit in concern. His eyes search Clarke’s, but her teary gaze is cast low as she chokes down a sob. Her close-up shot captures the internal conflict taking place:

 It’s a mental battle—grappling with the urge to fall apart or to suppress the vortex of raw emotion churning inside her. Bleary-eyed, she turns away from Bellamy as if every instinct screams at her to flee, to bear the burden alone. Still, an unspoken conversation anchors her to the spot: “Together.” “I got you for that.” “I need you.” “If I’m on that list, you’re on that list.” “The heart and the head.” “You don’t have to do this alone.” Though devastation lines her face, the morning sunrise bathes her skin in light. Clarke draws a shaky breath. She turns back to Bellamy, then nods: a decision has been made. The camera switches from this close-up of Clarke to a hazy, low exposure medium shot as she leans into Bellamy, drawing strength from him (notice its resemblance to Miller and Jackson’s reunion). They wrap their arms around each other, and their bodies meld together. Clarke tucks her chin onto Bellamy’s shoulder. The immediate relief that she’s flooded with is palpable. She closes her eyes and sighs, and Bellamy rubs her back consolingly. The visual of their merging silhouettes—reminiscent of two suns eclipsing just above the horizon line—composes the final frame of the scene before the shot dissolves with a last “I know I’ll see you on the other side.”

There’s a true sense of finality to this closing shot which sets it apart from others before it—or, rather, establishes it as a culmination of every moment in Bellamy and Clarke’s “exhausting” history to get to this state of perfect alignment. The hug, in particular, serves as a departure from previous seasons’ hug scenes in which an interruption was often required to progress the conflict and reestablish some semblance of distance between the two of them.

In this season, however, though death and distance and other outside forces conspired to separate Bellamy and Clarke...they, against all odds, end it with bodies intertwined, defenses stripped away, never more unified both physically and emotionally: the heart and the head joined together in perfect equilibrium. Two bodies, two souls breathing, moving, thinking, and working as one.

[for-ships-that-never-sail]

LISTEN

I’m on the ✨ #LukolaEndgame ✨ hopes and dreams delulu (but hopefully not actually delulu) train 🚂 just as much as the next person here

BUT ALSO

I wouldn’t be mad at this?? 👀

Like…. He’s a handsome man, and if Nic intends to respectfully climb him like a tree, I GET IT. 👀🤤

See below for more Lukola positive thoughts though…

👇🏼

SO Nic has already mentioned Eamon by name (as a friend) in at least 2 or 3 interviews during the recent press tour… She’s also said she very much believes in the friends to lovers trope that is just as applicable here…. Andddddddd I’ve seen Nic hug A on video in a very friendly way (not that she wouldn’t hug her or be nice to her even if she didddd want L rn) and I also just saw someone’s theory on the Lukola tag about Nic’s “shit or get off the pot” paddle hit side eye vibes potentially being about her just giving L friendly advise on his stuff with A, which I can technically see as plausible…

So yeah, I know those ideas are gonna pisssss people off, but I’m just saying…. It would be a gorgeous love story for Lukola to one day be endgame, BUT in the meantime, I can see their current situations being all of thisss^

NOW in terms of my personal hopes and dreams of Lukola actually being endgame… I see it the way I see #Beliza 😅

Is anyone here from THOSE days?? When we used to look at #Bellarke and say, “if Bellamy is not supposed to be in love with Clarke, someone needs to tell Bob to stop looking at Eliza like that” (because we thought it was justtttt an acting choice)???

And then BAMMM

Out of absolutely fucking NOWHERE (I mean for some of us crazies that were following too closely it wasn’t 100% out of nowhere… but I knooooow that’s how the majority felt) they’re about to be filming the last season of the show and they’re just like yeah so GUESS WHAT GUYS I MARRIED MY BEST FRIEND and everyone is like ??? 🤯 I mean y’all were definitely close friends when you were shooting and doing promo every year for sure but like when the fuck did you become actual bestttt friends irl??? When the fuck did you start dating???? When did you even decide you’d get married?? Cause just a few months ago we were still seeing both of your other public shipssss!!! (Let’s also fully jump over THAT drama 👀) And then they were just like, so ummm we kissed after our first date and we just KNEW this was ITTTT so we got married 2 seconds later cause like why wouldn’t we?? We are best friends and soulmatesssss ✨🌈🦄 🥰🦞

Anyway

That’s how I imagine Lukola to one day become official 🤷🏻‍♀️ Like they’ll date other people openly, and then suddenly OUT OF THE BLUE they’re MARRIED and everyone’s fucking confused AND elated! Lol

I do wonder if already having been so intimate with each other as Polin (unlike Bellarke, which, let’s just not think about that anymore either 😫) would delay or speed up Lukola if this were the case.

Like either it’ll speed them up because they know they LIKED all of THAT 👀 so by the time Bridgerton is officially coming to a close they’ll feel comfortable enough to stop being so professional about their relationship and acknowledge the 🐘 in the room and get on itttttt and get married 4 dates in… ORRRRR it will slow them down because they would continue to think they LIKED IT only because they were experiencing emotional residue from being too in character as Polin. Meaning the show would have to end and they’d have to actually part ways for a while, and they’d have to miss each other a LOTTT, and realize it wasn’t just Polin that created all this 🌩️ energy 🌩️ between them, and then one of them would need to just jump in the deep end and be like, so uhmmmm I thought I was feeling the tingles cause I was just super into being Colin but maybeee that wasn’t ittt…. so do you, errr… wanna??? 👀

My concern with option 2 is that it has higher potential for “ships that pass in the night” vibes 😫

So

GOD I humbly pray that it’s actually the first version, and that they’re just sowing their wild oats until Bridgerton is nearly over, justttt because they don’t wanna accidentally fuck up any work dynamics, and that as soon as the official end is in sight, they will just get married two seconds into dating irl AMEN 🙏🏼

[daemonsrhaenyras]

November 19th, 2014 - Happy 8th Year Bellarke Hug Anniversary "Now there's something I thought I'd never see!"

[okmcintyre]