Tumgik
#best of both worlds imo
acoraxia · 2 months
Text
feeding the patrons burnt monkey soon
and then corrupted cat god content
81 notes · View notes
skinandscales-if · 2 months
Note
Love how different Skye & Reese's methods of comforting MC after they were re-collared are:
Skye: *offers her hand & silent support* Reese: "Do you wanna kill Atlas? I know where we can dump his body."
Skye: ohh it is all going to be okay I promise. let’s get slurpees together :3
Reese:
Tumblr media
50 notes · View notes
cookinguptales · 9 months
Text
By the way, if any of you really want to read and learn about Dante's Inferno, Purgatorio, and Paradiso, Columbia University has a free web course about it.
If you click that link, they have free versions of the text (in the original Italian but also both the Mandelbaum and Longfellow translations) that you can use to follow along with the lectures. They also have pretty extensive commentary on the text as well as galleries and audio recordings to help you understand things better.
It's a really excellent free resource!
24 notes · View notes
thoughtfulchaos773 · 2 months
Text
Tumblr media
Based on a reddit comment and a convo with @turbulenthandholding - because the gears were turning.
There's something here. Carmy is shaped by the two women in his life - the comparison between Claire and Donna - but also influenced by Andrea and Sydney to lead with a gentle approach.
Something here about feminine leadership-based on empathy, intuition and collaboration.
It's not toxic masculinity - being a ' ball breaker' like Chef David.
Carmy desires for Sydney to push him the same way Chef Terry did.
But there's a complexity to that - because as Sydney said, she's not his babysitter. He also needs to push himself to be better - but with a gentle push, of course.
73 notes · View notes
ganondoodle · 12 days
Text
(while i am crumbling into pieces from cramp pain)
back when they announced the totk masterworks book i said i wasnt happy about it bc it would either
prove they thought all this was good from the start and everything went as planned
show us that they had unbelievable better ideas and plans but for some unknow reason scrapped it all
as it stands now with the concepts i have seen ... they somehow did both, some things seemed to have been planned fro mthe start (the whole focus on sonau/zonai stuff for example, which i personally just dont like bc i liked them better as an unkown mystery you never get to meet) and other stuff (like ganondorfs concepts, or the infinitely cooler castle in the sky esque concepts for the sky islands, instead of some nonsensical, meaningless little stone crumbs) was much, much more interesting initially (together with the interviews that said they initially planned to have the battery be a magic meter and make the sonau more magic than tech- but then decided to build their stuff around modern electrical devices just so players would immediately know what it was an what it would do -why????? thats so boring?? and unecessary ?? and they still give you tutorials for it anyway, multiple times??!!- for some ungodly reason)
it makes me more and more sure that this game, that took 6 years to make with most assets already being there (the same time that botw took to make?????????), went through a similar development hell as that one final fantasy game did where the director decided to make it an entirely different game every few weeks bc he saw something cool in another game-
its the only thing that makes sense to me, why else would it be so weirdly ... unfinished, its full of grand ideas badly executed, or like i said in a previous post, like an alpha build (weird! did someone in charge also see cool stuff every few months and decide they wanted it in there too no matter what so everyone had to scramble to try and put it in making the whole jenga tower fall over and over??), just to test how far you can push things, with placeholders everywhere, the same cutscene pasted in where another should be and a placeholder reason to get players to go soemwhere (fake zelda) and rough ideas for puzzles etc, that was never finished, jsut highly polished (in looks, sounds and presentation) in hopes of it being 'good enough' or players not noticing (like, take the underground for example, the idea itself is fantastic and cool as fuck, but its feels like an idea that was never finished and just barely fileld with some things to try and cover up the fact that it was never done, like a statue that wasnt done being carved but ran out of time so they painted it anyway- take the base map and invert it, put some easily accessible points of jumping down into it in random spots to test if the game can handle it- no time left to actually get that idea anywhere more specific and well thought out/put together, so its left like that, put the same texture everywhere, barely modified copies of the same enemies, and some little reward spots that make no sense, modelling three types of trees and an enemy camp is way quicker to do than actually making an entire new map (they didnt have to make it the same size btw, just make it big but unique caves, put the gravity effect down there in enclosed spaces! makes it less weird to have randomly happen in the sky! etc) but its there!! its in the game and if they are lucky most players wont go down there enough to notice how meaningless and unfinished it all is)
knowing they would most likely never admit to it though, probably bc of their reputation, is just addign to the frustrations i have with it :I
(i just hate to not know the reason for things, if the devs, who are usually the ones being worked to the bone for things they know arent good, where put through that bc some executive big shot threw their tables around every so often or neglected their project bc they wanted to focus on something else first ... id like to know, i dont enjoy making up these conspiracy (?) theories .......... but i cant shake this feeling, its jsut makes no sense)
51 notes · View notes
petr1kov · 9 months
Text
i think the main reason why i like one piece is that it's like dragon ball if dragon ball had good worldbuilding
20 notes · View notes
scalproie · 5 months
Text
*shaking and crying* where is Urizen
8 notes · View notes
aq2003 · 18 days
Text
rewatching ben whishaw's richard ii and yea i think the biggest difference between his and the rsc version is that he plays richard's flippancy/disregard for other people's lives completely straight and in a kind of sinister way while david plays it for humor
#shoutout to the scene with dt's richard and gaunt because it's so FUCKING funny dwhgjkflkjwjlw#it's like that one twelve scene in dw where he's reading clara's flashcards for social interaction#and he's like 'uh i'm sorry for the death of your friend slash family member slash pet'. Same energy#ricky 2#in terms of 'what's more fun for me to watch' i like david better but both are v good ways to play the character imo#one emphasizes the dislikability and the other emphasizes the hubris#although i don't think playing richard's character for humor would work as well without an audience to bounce it off of#one of the weakest parts of david's 2009 film hamlet is that (now that i've listened to an audio clip of the stage recording)#the hamlet w rosencrantz/guildenstern bit in act 2 scene 2 is filled with too much dead air where the live audience would normally laugh#and like hamlet Is meant to be more Funny as a play in a way richard ii is not so it's not like. dealbreaking or anything#but i am so grateful that the rsc richard ii is a stage recording rather than. made for tv bc i can imagine a world#where tv dt richard ii would have a bunch of scenes like the hamlet/ros/guil scene where it would drag more than it needed to#so like while i do slightly prefer the rsc version both versions are ultimately best suited to their respective mediums#also rory kinnear plays henry a lot more human and sympathetic than nigel lindsay does#which means that while he is much much much more entertaining to watch#i do feel like the wider theme of the fragility and sheer ridiculousness of the monarchy as a concept comes thru better in the rsc version#as well as (perhaps accidentally..) satirizing the english nationalistic sentiment expressed by a bunch of the characters#but then again i don't think that's what hollow crown was shooting for they wanted to do a grounded drama and they did a grounded drama
4 notes · View notes
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
7 notes · View notes
randomnameless · 8 months
Note
As much as I love the tragedy of Lyon and his unrequited love for both Renais twins, I agree that the banner should've had other characters. Keep Myhrr, add Morva, change the duo to Joshua/Natasha, add Ismaire and then, idk, Caellach or Gerik as the TT reward. But seeing the cyl results and Lyon still doing great even after daddy Fomortiis I'm not surprised they're milking this dry and probably will make Lyon more of a tragic bisexual disaster rather than someone with a hurt ego in an hypothetically remake of Sacred Stones. But the thing I don't agree with is that the trend of dead dads stopped in this banner, I think it stopped with the fates banner as we did not get Valentines Garon (we were ROBBED) and Valentines Mikoto/Sumeragi; and even before the fates banner we can argue if the awakening banner also broke the trend (depends if you count the robins' and chrom as dead parents when they're only dead in a timeline we only get to experience in dlc). And tbh I think breaking trends is kind of nice, wish they did the same with other banners (tired already of the harem jokes on bridal and the playboy/playgirl suits in easter).
CAELLACH ALT
Sing it with me anon!
TBF about Lyon's popularity in CYL... Fomortiis couldn't be voted for!
And FEH feeds itself - by bringing more light to old characters through their own depiction, CYL voters will vote for Lyon based as the version they see in CYL, not the Lyon we got in FE8.
So yeah, I guess people will now remember him as a "tragic bisexual disaster" of a character, and not the egomaniac who thought he could go toe to toe against Satan to "win" the love of the twins and his people.
(heck, FE13's depiction of Lyon was closer to the character than FEH's!)
You're right about the previous Valentine's banner, but it completely escaped me lol, since it was a Fates seasonal and I don't really have a lot of feelings for Fates' cast.
Chrom at least was in his "father" role, because Lucina was there - ditto for Lissa.
I'd say breaking the trend bring more freshness... but those trends are the only occasions to have some characters added in, sure Vigarde was brought in his zombie form last year - but without the "dead parents" Valentine, would FEH really had an occasion to bring Vigarde? Fado? Morva? Ismaire??
That's why I was so pissed at dragonween ending (i know flayn is a lizard) - Dragonween was the only (because I don't have faith in FEH) opportunity to get less known dragons released (the Goldoans!), or even alts for the most serious ones (Duo!Duma lol), but now it was just... a seasonal banner with popular character and maybe one oddball like any other.
I agree on the harem jokes for the bridal banners though, but it's in general tiredness for the bridal banners in themselves, even if I liked bridal Louise and bridal Pent - it's a tiresome banner only to sell characters in white and poofy dresses with, sometimes, a breast modifier and the less is said about the easter banners, the better we are lol
(unless they go full bara for this year's easter banner, with Izuka Daizuke's league of vilains, Bunny!Ashnard, Bunny!Medeus, Bunny!Hardin, Bunny!Fomortiis...)
A trend I would like to see disappear though is the Fodlan summer - I'd love swimsuit!Seteth as much as Mythic!Willy - but this grows really stale. They even joked about it last year in the TT, but damn, let it go IS, please.
3 notes · View notes
digsys · 1 year
Text
Tumblr media Tumblr media
kozaynia !!!!!! <3
7 notes · View notes
defendglobe · 2 years
Text
as far as star trek cliffhanger season finales go, that was one of the best i've ever seen. war breaks out, the DS9 crew is separated, and the cardassians take over the station. good lord.
2 notes · View notes
astrxealis · 2 years
Text
HELLO. I’M DONE PLAYING NIER AUTOMATA FOR TODAY. 4 HOURS HOORAY. words cannot describe how good this game is and how much i love it (btw i’m in the part w pascal now hehe)
4 notes · View notes
weaselle · 20 days
Text
i want to talk about real life villains
Not someone who mugs you, or kills someone while driving drunk, those are just criminals. I mean VILLAINS.
Not like trump or musk, who are... cartoonishly evil. And not sexy villains, not grandiose villains, not even satisfyingly two dimensional villains it is easy to hate unconditionally. The real villains.
I had a client who was a retired executive for one of the big oil companies, i think it was Shell or Chevron. Had a home just outside of San Francisco that was wall to wall floor to ceiling full of expensive art. Literally. I once accidentally knocked a painting off the wall because it was hanging at knee height at the corner of the stairs, and it had a little brass plaque on it, and i looked up the name of the artist and it was Monet's apprentice and son-in-law, who was apparently also a famous painter. He had an original Andy Warhol, which should have been a prize piece for anyone to showcase -- it was hanging in the bathroom. I swear to god this guy was using a Chihuly (famous glass sculptor) as a fruit bowl. And he was like, "idk my wife was the one who liked art"
I was intrigued by this guy, because in the circles i run this dude is The Enemy. right? Wealthy oil executive? But as my client, he was... like a sweet grandpa. A poor widower, a nice old man, anyone who knew him would have called him a sweetheart. He had a slightly bewildered air, a sort of gentle bumbling nature.
And the fact that he was both of these things, a Sweet Little Old Man and The Enemy, at the same time, seemed important and fascinating to me.
He reminded me of some antagonist from fiction, but i couldn't put my finger on who. And when i did it all made sense.
John Hammond.
probably one of the most realistic bad guys ever written.
If you've only ever seen the movie, this will need some explaining.
Michael Crichton wrote Jurassic Park in 1990, and i read it shortly thereafter. In the movie, the dinosaurs are the antagonists, which imo erases 50% of the point of the story.
book spoilers below.
In the book, John Hammond is the villain but it takes the reader like half the book to figure that out. Just like my client, John is a sweet old man who wants lovely things for people. He's a very sympathetic character. But as the book progresses, you start to see something about him.
He has an idea, and he's sure it's a good one. When someone else dies in pursuit of his dream, he doesn't think anything of it. When other people turn out to care about that, he brings in experts to evaluate the safety of his idea, and when they quickly tell him his idea is dangerous and needs to be put on hold, he ignores his own experts that he himself hired, because they are telling him that he is wrong, and he is sure he is right.
In his mind, he's a visionary, and nobody understands his vision. He is surrounded by naysayers. Several things have proven too difficult to do the best and safest way, so he has cut corners and taken shortcuts so he can keep moving forward with his plans, but he's sure it's fine. He refuses to hear any word of caution, because he believes he is being cautious enough, and he knows best, even though he has no background in any of the sciences or professions involved. He sends his own grandchildren out into a life-threatening situation because he is willfully ignorant of the danger he is creating.
THIS is like the real villains of the world. He doesn't want anyone to die. Far from it, he only wants good things for people! He's a sweet old man who loves his grandchildren. But he has money and power and refuses to hear that what he is doing is dangerous for everyone, even his own family.
I think he's possibly one of the most important villains ever written in popular fiction.
In the book, he is killed by a pack of the smallest, cutest, "least dangerous" dinosaurs, because a big part of why we read fiction is to see the villains face thematic justice. But like a cigarette CEO dying of lung cancer, his death does not stop his creation from spreading out into the world to continue to endanger everyone else.
I think it is really important to see and understand this kind of villainy in fiction, so you can recognize it in real life.
Sweetheart of a grandfather. Wanted the best for everyone. Right up until what was best for everyone inconvenienced the pursuit of his own interests.
And my client was like that too. His wife had died, and his dog was now the love of his life, and she was this little old dog with silky hair in a hair cut that left long wispy bits on her lower legs. Certain plant materials were easily entangled in this hair and impossible to get out without pulling her hair which clearly hurt her. When i suggested he ask his groomer to trim her lower leg hair short to avoid this, he refused, saying he really liked her usual hair cut.
I emphasized that she was in pain after every walk due to the plant debris getting caught in her leg hair, and a simple trim could put an end to her daily painful removal of it, and he just frowned like i'd recommended he take a bath in pig shit and said "But she'll be ugly" and refused to talk about it anymore.
Sweet old man though. Everyone loved him.
12K notes · View notes
astrowrld300 · 3 months
Text
Astro Observations
Pt 2
It's so unreal how well Taurus placements can cook. Especially if there's Cancer in the big three. Taurus suns also have natural green thumbs
Cancer suns with Gemini Venuses are in constant conflict between they're ego and what they actually desire for love
This is definitely becoming common knowledge on the internet but all Libra placements that are personal and not generational are gay to some extent. Something about the scales allows them to go both ways I don't know . Depending on the placement and degree, it might make them uncomfortable, or the may proudly embrace it. But personal Libra placements can definitely go both ways
Cardinal signs are obsessed with each other, even though they're so toxic for each other.
5th house and Leo placements really love music. Leo rules the 5th house which is all about music, creativity and fun. So these natives really feel it.
Having your sun in the 11th house is a beautiful placement and creates a selfless person, but its the only placement for the sun to not be about "I" anymore. The sun is all about ego and self, ruled by Aries, but the 11th house is all about the collective, friends and the "greater good". Your ego is also heavily influenced by the collective and how you insert your self into the world.
Taurus moons have round/visible nostrils. They all have a green thumb for cooking as well
Aquarius suns and moons have very square shaped jawlines. Both the men and women.
The best sun+rising combo I've ever seen for Aquarius suns has to be Cancer rising. The blend is really heavenly and harmonious, the Cancer really softens out the Aquarian features perfectly (talking about the women idk about the men). This is only physical though
The best combo for Cancer suns definitely has to be Virgo in the big three. Either in the moon or rising, Virgo gives Cancer this snatched look that blends perfectly with the bone structure of cancer suns. (I'm also mostly referring to women here I don't know about the men) Although physically pretty, the combo creates a super insecure individual
Travel is such a big theme in the lives of natives with personal 9th house placements. It almost becomes the focus of life if there's a stellium.
Having your moon at 17 degrees (a critical Leo degree) makes you hella dramatic with your feelings. They're still valid, but you come off as a drama queen when feeling them.
Cancer suns are just as insecure and attention seeking as Leo when underdeveloped. Even though they're not sister signs they're ruled by the sun and moon, so essentially they are each other inside out.
Pisces is represented by the fish and the suns usually have big/swelled features and look a little bit like fish. Virgo placements have sharper/more defined features and Aries placements have prominent/tighter features.
Neptune aspecting Venus is a very underrated beauty indicator for transits and natal charts
Sagittarius rising are blessed with good luck in life since their chart ruler is Jupiter, the planet of luck. They also have hips on the larger side since Sagittarius rules the hips
Capricorn rules the skeletal part of the body and the native suns really have that skeleton bone structure in the face
Moon conjunct Rising is one of my favorite placements synastry placements for friendships. They are each other inside out and understand each other without words.
The most underrated house for the moon imo is the 9th house. The moon does really well here, there's a natural optimism and lightness to their feelings and emotions. I think this is from the influence of Sagittarius and Jupiter. They're also really funny people naturally and have a kind of intelligent humor
Cancer and Taurus placements are such big foodies. They also know how to cook very well and genuinely enjoy getting fat over other signs. Obviously all signs have the ability to cook, but Cancers and Tauruses make that home cooked comfort food that tastes like the feeling of your mom carrying you to bed.
5th house moons never feel emotionally fulfilled unless they're feeling some kind of fun or pleasure in life.
Taurus suns are the definition of work smarter not harder
Aries Mercuries are so smart especially if the sun is in Taurus or Gemini.
Geminis are known to talk with their hands and Italy's rising sign is literally Gemini...
You can always tell someone is Somali from the size of their forehead and the countries rising sign is literally Aries
Venus in the 8th house natal and synastry is that kind of ride or die love
Capricorn sun men actually think people what to hear their life lessons/lectures. It's really corny but they genuinely think they're helping. They also care so much about their rep but will never admit it. It makes sense because they rule the tenth house which is the house of popularity and is associated with our public image and rep. So obviously when Capricorn is in the sun, planet of self, their ego is closely tied with how they're perceived by others.
Scorpio moons are low key delusional but it's okay you guys had a rough childhood/relationship with your mother
The sexual attraction is crazy when you have the same mars sign as your partners rising sign (example. Leo mars-Leo rising) or if you have your mars opposite to their mars (example. Leo mars-Aquarius mars)
Aries moon women in red or leopard print is so perfect
Your gonna love the sun sign of whatever your rising sign is since the sun will naturally embody all the traits that you admire and will effortlessly be everything you want to be portrayed as.
Taurus risings, suns and moons look like bulls
Cancer venuses can lowkey hold down gemini venuses, it’s really harmonious for friendships. Not as compatible relationship wise because cancer venuses really don’t mess with how gemini venuses love. The love languages are just too different but when there are no constricting boundaries and it’s more of a playful friendship this pairing really works
1K notes · View notes
Text
WE CAN DIP IF YOU’RE READY ; SATORU GOJO
synopsis; your dreams of a peaceful summer are rudely shattered by the presence of your best friend’s older brother; the same brother who rejected you five years ago. the same brother you’re still hopelessly, uselessly in love with.
word count; 7.4k
contents; satoru gojo/reader, gn!reader, best friend’s brother!gojo (he’s the hottest man in the stratosphere imo), mild age gap (five years!), unrequited love, but with a hopeful ending kind of, bittersweet fluff, mostly summer shenanigans and pining, riko is satoru’s younger sister and i would give her the stars, sugu makes a guest appearance, (they’re both just there to bully gojo), he’s fairly mature in this i think, reader is very stubborn and very down bad, [name] is used exactly once
a/n; personally i would let him use me as workout gear (tagging @teddybeartoji @dollsuguru @hayakawalove @stellamancer @vagabond-umlaut !! tysm for the help and encouragement ily 🥺🥺)
Tumblr media
one mellow summer morning, over a breakfast of pancake and toast, the puppy-love you’ve nurtured for the past three years finally reaches its conclusion.
you’re seventeen years old. in three months you’ll be eighteen, standing on your own two feet, headed in a new direction — the whole world within your reach.
but right now you’re still only seventeen, and lovesick, and sleeping on a mattress in your best friend’s room, listening to the sound of the nearby sea. you’re seventeen, and dreaming about things you can’t have. you’re seventeen, and foolishly wearing your heart on your sleeve. 
you’re seventeen, and hopelessly, uselessly in love with a certain satoru gojo.
it’s early. your veins are sleepy and your heart is heavy, and you wake up at the crack of dawn just to catch a glimpse of him before he leaves for work. he’s leaning against the kitchen island when you trot down the stairs, and the smell of syrupy pancakes hangs heavy in the air; his bare chest is exposed, pajama pants clinging to the curve of his hips, and he rejects you with an easygoing kindness you wish he wouldn’t grant you.
”you’re more like a younger sibling to me. you understand, right?”
(suddenly, without mercy; a finality to his voice.)
he ruffles your hair, and you’re still sleepy, and you wish you could grasp the strings of your heartbeat to stop it from fluttering like this. wish you could pull yourself out of whatever trance he put you in, all those years ago, when you stumbled over the threshold to your best friend’s house and crashed headfirst into his chest.
”you’re a good kid,” he says, and his smile teeters on the edge of something apologetic. mostly, it’s pitying. ”there are lots of people out there for you.”
he ruffles your hair, as affectionate as ever, the same as it’s always been. not a trace of any romantic intent. the weight of his palm on your head is usually a comfort, but like this?
it’s a specific kind of torture. 
(there are lots of people out there for you.)
i know, you want to tell him, but your voice is raspy and your throat feels sort of dry. i know.
but i want you.
“don’t get hung up on a schoolgirl crush, hm?”
when you finally raise your head, satoru is looking right at you. kindly, patiently, like a benevolent god. his blue eyes flecked with dots of white, like fluffy clouds on a summer sky. tilting his head to the right, as if searching for confirmation, waiting for your response. you muster up the will to nod; smiling in a way that must seem pitiful.
but he just pinches your cheek, throws a backpack over his broad shoulders, and asks you to let his sister know he’ll be home later than usual today.
then he leaves. he leaves you alone with two plates of sugary pancakes on the kitchen table, one for you and one for riko. he put whipped cream on top, and chocolate chips in the batter. it smells good. it smells like an apology.
and that’s how it ends. 
there’s no great climax, no real resolution. you bite down on your lip, and spend about an hour pitifully sniffling into a fluffy pillow, even though none of it comes as a surprise. it still hurts, though. your best friend comforts you, tells you that at least you have some kind of closure now — an absolute rejection to make your feelings go away. about time, she thinks, though she’s far too kind to say it outloud.
except they don’t.
the moral of the story is: satoru gojo doesn’t love you back. he’s known you since you were fourteen, since he was nineteen, and he could never see you as anything more than a naive little kid. you’re his sister’s best friend, and he loves you, but not in the way you love him. it’s not surprising, or shocking. it’s exactly how it should be.
satoru gojo doesn’t love you back. he never will.
(you really, really wish your stupid heartbeat cared.)
Tumblr media
one breezy summer evening, five years later, you step onto a bustling train platform — dragging your luggage behind you, and breathing in the scent of a familiar seaside.
above you, seagulls chatter and cry. you look around, and everything feels familiar, despite the time that’s passed since the last summer you visited. the same flowers, peach blossoms and hydrangeas and tulips in all kinds of shades, the same street vendors and aroma of freshly grilled fish. the same cute and quaint port town, quiet during winter and autumn, pleasantly noisy during the warmer seasons. right now, on the cusp of june, there are enough tourists around to make finding the right face in the crowd a difficult task.
luckily, she’s quick to find you. 
with her long, dark locks of hair, neatly braided, her yellow sundress and matching headband; sunflowers embroidered into the fabric. barreling towards you with a speed that would scare you a little if you weren’t so used to it, so used to her.
riko. your one and only best friend.
she’s nestled into your embrace before you can get any greetings out, and squeezing you so tightly that you have no choice but to let her beat you to it. she’s warm, like a bundle of sunshine. the same as always.
with a low whine of your name, she nuzzles into your chest. “i missed youuuu…”
a chuckle bubbles up in your throat. and even though it hasn’t been very long at all, even though you talk on the phone almost every day and saw each other in person just about a month ago, you indulge her.
“i missed you too, riko.”
another whine, and then she’s pulling back. squishing your cheeks together and pouting petulantly. “you better have! don’t ever make me spend summer all alone again, okay?”
”you’re still mad about that?” you match her expression, eager to protest. “it’s not my fault i got sick.”
“too sick to see your best friend? too sick to continue our most important tradition?” she shakes her head, letting go of you. struggling not to smile. “awful. just awful!”
“drama queen.” her lips break out into a grin, and yours follow. “i’m here now, aren’t i?”
“you are,” she agrees, quick to link her arm with yours. you follow her steps, leading you towards that familiar house. you can see it from here, a roof burdened with morning glories, those expensive white walls. “no, but seriously. i’m really happy to see you.” her voice drips with joy, giddy and sweet. “i don’t think i’d survive two months alone with that old man.” 
ah. right.
the girl on your right chatters on and on, clinging to you, gradually melting away your skittish nerves. she tells you about her morning, what she ate for breakfast, the new show she’s been binging — it’s just as familiar as the house that soon comes fully into view. big and expensive, but still cozy, overgrown with flora. you don’t think either of the siblings really bother to take care of it, but it’s a pretty kind of neglect. a cute veranda, a beautiful garden. the apple tree you used to climb. the buzz of an old radio spills out from an opened window, translucent curtains swaying with the breeze. when you strain your eyes you think you hear humming.
riko grins, dragging you with her through the opened gate. the yellow paint on the fence is starting to peel, and someone from inside has started pushing the door open, and the butterflies in your stomach can do nothing but sputter and squirm.
it’s summer, and you're back. back in that cute, quaint port town.
(and so is he.)
“why, hello there! if it isn’t my cute little [name].”
time stills, for just a single moment.
he looks the same as you remember. a little taller, you think, but he was always tall enough to tower over you; broad shoulders and long legs, sharp blue eyes gazing down at you. he’s wearing black shades, but you can still feel the weight of his pupils, crumble under the knowledge that his attention is entirely on you. wearing a pair of sweatpants and a tight black shirt, showing off every dip and ridge of his chest.
a pleasantly cool breeze ruffles his white hair, short and trimmed, healthy locks to match his bright and sunny grin.
he looks happy to see you.
“don’t be weird,” comes riko’s voice, breaking you out of your little spell. all while she’s ushering you both towards the door, beyond the threshold, into the hallway. satoru clicks his tongue.
“so hostile today. shouldn't you be in a good mood?”
then he’s turning towards you, again, tilting his head just enough for his eyes to peek out. they’re crinkled at the edges, and his smile is fond. “how was your trip?”
more butterflies. his voice flows from his glossy lips, smooth and melted, pleasantly deep. you can only hang on to riko’s arm, mustering a small smile of your own. “good,” you chirp. a little stiff, but polite, like you’re greeting an old friend; it’s been so long since you last spoke to him. ”i’m tired, though.”
your reply is met with a chuckle, a raspy tremor of his vocal cords. it sends a shiver down your spine. the weight on your arm disappears, as riko stumbles forward and kicks her sandals off. muttering something about gum getting stuck on the sole. you’re left standing right across from satoru, suddenly very aware of how much space he takes up all on his own. leaning against the wall, making himself comfortable. and chuckling, with that stupidly sexy voice. “i bet. take a nap if you need to, yeah?”
a moment of silence. riko curses in the background, and you shift from foot to foot. unable to properly look into his eyes. for a second, his smile drops — eyes obscured by the black glass of his frames, betraying no emotion. it only lasts a second.
then he’s moving forward, one large stride towards you, leaning down to wrap his big arms around your waist. not as tight as you remember his hugs being. you wonder if he’s holding back.
(his touch burns your skin, all the same.)
one of his palms finds solace on the top of your head, ruffling your hair. you can hear the smile in his voice when he speaks, terribly sincere.
“i missed you, kiddo.”
a quiet squeak tumbles from your lips, and you pray to every god you can think of that he doesn’t hear it. his chest is pressed right against you, firm, radiating body heat. his limbs wrap you up in it, a cocoon of warmth that makes it hard to breathe. you can smell his cologne from where your cheek meets his collarbone; sandalwood invading your senses.
“i m-missed you too,” is all you can croak out, voice breaking pitifully. at this rate you might actually faint.
just out of view, riko narrows her eyes. before you can plead for help, she’s tugging you away from the embrace, pushing her brother away, and you inhale as much of the fresh summer air as you can. 
“alright, that’s enough,” she huffs, pulling you closer. “c’mon! we should unpack your stuff right away!”
“want me to carry it?” satoru asks, already eyeing your luggage like a predator about to lunge at his prey. even if you say no, you know he’s not going to listen. 
so you let him. and within the next few minutes, you’re seated on riko’s bed, suitcase on the floor, a glass of lemonade in your hand. blinking sluggishly. 
“are you sure you’ll be alright?”
you raise your head. your best friend is looking at you with a questioning glance, head tilted and brows furrowed. now you’re all alone, and it’s quiet, peaceful. her brother went out to buy snacks for you. all you can hear is the low buzz of the radio downstairs, and faraway waves. 
“huh?”
“i mean, with, y’know…” she moves her hands haphazardly, making some kind of gesture you don’t understand. “with my brother. and your… condition.”
you blink.
“… did you just refer to my crush as a condition?”
“well, it might as well be!” she groans, muffled, faceplanting onto the mattress. “don’t think i didn’t see you checking out his biceps just now. you’re so obvious.” 
heat rushes to your cheeks. you try to shoo it away with a furrow of your brows and a loud exhale, but it lingers underneath your skin. “look — i —“ you scramble for words, brain tied up in fatigued knots. “did you see that shirt? is he buying them a size too small, or what?”
“oh, come on! that’s all it takes?”
another pair of exhales. you cross your legs, and she rolls onto her back. the silence is comfortable, and you gnaw at your bottom lip until she speaks up again.
“you could really, really do better, you know?”
her voice is quiet. soft, sincere, delicate as a sheet of glass. you know she’s just looking out for you, that she doesn’t want you pining for a guy who’ll never return those feelings — she’s kind like that, always has been. but…
“… i just like him.”
you take a tentative sip of your lemonade. sour and sweet. the cubes of ice clink against the glass, fresh condensation cooling down the tips of your fingers. her gaze lingers on your skin. it’s heavy, just like his.
you meet it with a sheepish smile, a little self-deprecating, but not embarrassed. she already knows all about your predicament. 
(you just like him. that’s all there is to it.)
and she pulls herself into a sitting position.
“i know, i know,” she finally sighs, slumping against you, cheek smushed over your shoulder. “just don’t give him more attention than me, ‘kay?”
you let out giggle. “well, duh.”
she gives you a sunny grin.
“okay, good.” 
you put the glass down on the windowsill beside you. just so you can stretch your arms out, falling backwards; a mountain of pillows cushioning your fall. a yawn spills past your lips, and riko sits up.
“wanna take a nap?” she tilts her head, dark locks framing her pretty blue eyes, deep as the sea. “that’s probably good. we’re going straight to the beach tomorrow, you know!”
“mm…” your eyes flutter shut, and you focus on that faraway sound. waves crashing against sand, the whistling of seagulls, the salty scent of the ocean. “that sounds nice.”
despite your exhaustion, you end up tossing and turning that night. not because of your best friend’s snores, or the feeling of a mattress you haven’t slept on in two years — but from the quiet sounds downstairs. glasses clinking, a chuckle here and there. the tv being turned on. tossing and turning from the knowledge that your childhood heartthrob, current heartthrob, is in the same house as you. a little older, a little less childish, even more charming than you remember him being.
you’re older, too. more mature, you like to think, even if the gain is small.
(maybe there’s a chance?)
shaking the thoughts from your head, mind still spinning along to the tune of his humming, you squeeze your eyes shut and try to fall asleep.
you’ll be okay.
Tumblr media
okay, nevermind. you’re completely screwed.
“oh, there you are!”
satoru is already waiting up ahead when you step onto the beach, feeling the sand between your toes, a pleasantly cool breeze giving you respite from the sweltering heat.
the sun beats down on you, fervent sunlight warming the water up ahead, calm waves and a sparkling blue to match the hue of the sky; cobalts and ceruleans, melting together like watercolour on a canvas. people crowd around the food stands, shaved ice and churros and grilled fish, scents mingling together with the joyous chatter all around you. vibrant sensations, enough to excite but not to overwhelm. 
a picture-perfect summer day.
your heart tingles with something giddy, skipping happily as you follow riko’s lead; she’s wearing a cute bikini set, frilly and floral, hair styled into a pair of braided pigtails, kept together by her favorite scrunchies. leading you towards her older brother, waiting patiently, having already grabbed a nice spot for you. a parasol, a blanket, a picnic basket. you see bottles of pink lemonade, wrapped sandwiches, strawberries in a plastic container.
more than anything, you see him. you see him, and realize just how screwed you are.
he’s smiling, when you approach. as always. hair tousled by the ocean breeze, blue eyes gleaming with mirth, exposed by the sunglasses close to slipping down the bridge of his nose. he’s wearing a hawaiian shirt, black in colour, white floral patterns to tie it all together. just unbuttoned enough to show off his collarbone, a sliver of his chest, the short sleeves exposing his biceps; patches of pale skin, shining with the beginnings of sweat. 
(you’re about to fucking explode.)
as soon as you’re in sight, satoru lights up, aiming the flash of his phone in your direction. his other hand stays tucked into the pocket of his shorts. “aw, look at you two!” he coos, grinning brightly, teasing and sweet. “pose for the camera, okay?”
you’re still too hypnotized to react, but riko scurries ahead, ready to steal it from his grasp.
“no pictures!”
“oh, don’t be like that!” he takes a step back, dodging her attack by a hair, still wearing the same grin. “you’re gonna thank me ten years from now, trust me. it’s for the memories!”
a new voice spills into the air, suddenly, and you’re brought back into reality. it’s silky and low, smooth and nice, honeysuckle nectar turned into sound. interrupting the siblings.
“it’s been ten seconds. how are you already bickering?” 
you turn towards its source, and spot a familiar face — right next to satoru. were you seriously too mesmerized to notice him? black hair, another hawaiian shirt, slightly lidded eyes… 
suguru. 
he meets your surprised stare with a relaxed smile, and takes a step forward; meeting you for a quick hug. he looks the same as he did when you were younger, odd bangs, hair tied up into a bun.
“hi there,” he hums, right by your ear, a light squeeze before he lets go. “it’s been a while.”
you part your lips, smiling through your words. a little stunned. “i didn’t know you’d be here too!”
he chuckles, a light shrug of his shoulders. “me neither. satoru called me last night and asked me to drop by. i had time to kill.”
“you missed me.”
a dubious look. suguru gives a lazy roll of his eyes, avoiding the smug voice to his right. “i saw you last week,” he tuts, an unimpressed expression on his face. “how could i miss you?”
“do you need a reason to miss your best friend?” he shakes his head, slowly, side to side. white locks swaying back and forth. “awful. just awful.”
you stifle a smile, completely unsuccessful. the sun feels nice on your skin, and the scent of the sea is nostalgic, and they’re all the same as ever. it’s like you can feel your nerves melting away, slowly but surely, like grains of sand slipping through the gaps between your fingers. 
“the matching shirts are cute,” you point out, wanting to partake in the conversation, only to be met with a pair of furrowed brows.
suguru sighs. “that…” he mutters, massaging his temple, not before shooting satoru a dirty glance. “wasn't planned.”
said man only grins, unperturbed, tucking his phone back into his pocket. thoroughly amused. “he’s mad that i stole his fit,” he chirps, stretching his arms idly. it makes his shirt ride up, ever so slightly, and you swallow a gulp.
“well… you look good in it.”
at that, satoru stills. gazing at you, silently, before breaking out into another grin. self-satisfied, a smooth curve, sunlight against the white of his teeth. you glance away, suddenly a little shy.
“does he?” the other two deadpan, completely in sync. it shoos away the smile on his lips, making way for a displeased frown.
“oh, come on. would it kill you to call me handsome now and then?”
“handsome?” riko places her hands on her hips, raising an unimpressed brow, a sassy lilt to her voice. “you look like a single father down on his luck.”
“seconded,” suguru quips, hiding the beginnings of a smirk. picking at a piece of lint on his shirt. “honestly, i’m surprised you’re wearing any layers at all. not gonna flaunt your abs this time?”
satoru brightens, suddenly. wiggling his brows, a sweet coo on the tip of his tongue. “oh? want me to loosen up a couple buttons?” he purrs, and you hate yourself a little for the instant yes that resounds through your mind. “you know you can always just ask, suguru.”
his teasing goes ignored, but you don’t miss the amusement that flits through the scope of suguru’s eyes, even as he tries to maintain that deadpan expression.
finally, he exhales. “well, see you later,” he hums, directed to you and riko, checking the time on his wristwatch. “i should probably get going.”
“you’re not staying?” you ask, lashes fluttering with a confused blink. he smiles.
“i am,” he reassures you. “just gonna go fishing for a while. i thought i’d give it a try.”
“fishing?” riko exclaims, covering her amused grin with the palm of her hand. stifling laughter, you can tell, a bout of giggles begging to push past her lips. “what are you, fifty?”
satoru lets out a snort. to his left, suguru goes eerily silent — ominous, staring into your best friend’s eyes with no visible emotion. enough to make her smile fall. you feel a sense of deja vu.
“wait, i’m just kidding!” she suddenly squeaks, clinging to your arm and hiding behind you. she’s always had good survival instincts. ”don’t put me in a headlock!”
(they’re so stupid. 
gosh, you missed them.)
“oh, by the way — do you want some shaved ice?” she turns to you, eyes crinkled at the edges, voice syrupy and sweet. “i can go get us some. what flavour do you want?”
“ah, great idea!” satoru matches her tone, tongue flitting out to lick his lips, glossy with chapstick. “i was just craving something sweet.”
“you’re paying, by the way.”
“…”
“so? any preference?” she tilts her head, waiting patiently for your reply. smiling once she gets it. “alright, got it. you, suguru?”
“i’m good. thanks, though.”
“okie-dokie,” she puts her palm out, facing satoru. “money, please.”
he only tuts, digging through his pocket and pulling out a black wallet. you think you spot a photocard, but he’s pulled out a credit card and tucked it back into his pocket before you can get a closer look. 
“get me watermelon, okay? strawberry is fine too. if push comes to shove, go for anything other than lemon.” he hands her the card with a click of his tongue. “and watch out for creeps. if anyone hits on you, you know where to aim.”
she pockets it with a huff, exasperation on her features. “i’m twenty-three, toru. i can take care of myself.”
“aww, don’t be like that,” he coos, hands reaching out to squish her cheeks. she tries to squirm away, to no avail. “you’ll always be my little baby sister, you know. and, as your dependable big bro, i —“
“ugh, whatever.” she shoots him an unimpressed glance, finally escaping his hold. ”are you gonna go all men are wolves on us, or something?”
”they are! just look at suguru.”
”hey.”
you hide a growing smile behind your hand, watching them bicker and banter, feeling that sense of peace again. the summer day feels a little like a hazy daydream, a heavy nostalgia that sticks to your bones like gum on the sole of your shoe. 
and, once again — you end up alone with a certain someone. suguru walks towards the faraway pier, riko strolls up to the stand selling shaved ice, and satoru lingers behind. you think he looks relaxed, at ease, but you can’t really look at him for too long without feeling nervous. without feeling as if you’re both ignoring the elephant in the room. 
it still feels a little like there’s an invisible wall between you.
he’s the first to speak up, craning his neck and stretching like a big cat, a tiny groan flowing from his throat. “well, there they go,” he hums. “what do you feel like doing first?”
“ummm…” you rack your brain for ideas, coming up empty. a little fried by his presence. you could go into the water, and escape the heat — sunbathing with him doesn’t sound so bad, though…
lost deep in thought, you barely notice him inching closer. still weighing your options, water or land, a relaxing nap or a splash war. you don’t notice until you feel his arm sneaking around your waist, pulling you closer, just by a hair. stealing all the oxygen from your lungs.
(you think your brain shuts down a little.)
his touch burns, as always. bare skin on bare skin. electric, a trail of sparks rushing through your veins. he’s warm, and solid, effortlessly composed — guiding you right where he wants you, which is by his chest, where you can practically hear the steady rhythm of his heartbeat —
and then he’s pulling away.
you raise your head to meet his gaze, completely flushed, unsure if you were hallucinating or not. he’s looking somewhere behind you, with a distinctly cold gaze, one you aren’t accustomed to seeing. you crane your neck, catching a glimpse of a man turning his back on you both before walking away.
… was he staring at you, or what?
when you search for satoru’s eyes again, they’re already on you. he’s smiling, a little sheepish, scratching at the back of his neck.
“sorry,” he chuckles. “i got paranoid.”
oh.
your skin still feels like it’s on fire. a lingering heat, blossoming where his skin touched yours, rendering you speechless. embarrassing, embarrassing, embarrassing. he was just looking out for you.
finally, you gain control over your vocal chords, dry and charred. just enough to croak out a response.
“i — it’s fine.”
your eyes stay glued to the sand beneath you, staring at a crushed seashell, unable to look him in the eye. feeling the back of your neck grow hotter. you miss the dirty glance riko sends his way, having just returned with the shaved ice, and the way satoru mouths out a silent what?
it’s easier after that. she grounds you, a little, leading you out into the sea. the water is pleasantly mild, licking at your ankles, coaxing you further, until it’s reaching up to your waist. it cools you down considerably, and before you know it you’re splashing her with all you’ve got, giggles filling the salty air — seagull cries above you and wet sand beneath your feet, a glimmer or two of tiny fish, loud laughter. sensations all around you. satoru watches you with a smile, munching on a sandwich, not joining you both until riko beckons him over.
the day stretches on, melting away into evening. people leave the beach behind them, suguru heads back to the house with a bucket of fish and a smug smile, riko dries herself off with a towel and rushes to a nearby convenience store when she notices that it’s about to close. murmuring something about dinner, shooting you an anxious glance, a silent will you be alright on your own? with him? 
you wave her off with a smile. hoping it’ll come off as convincing, even though you’re anything but.
one way or another, you end up under a parasol with a certain satoru gojo; putting empty bottles of lemonade back into the picnic basket, rolling up the blanket, stuck with cleaning duty. satoru carries it all, unwilling to let you help, the basket hanging off his arm. you walk away from the beach, stepping onto solid asphalt again, beginning your trekk up towards the main street — not too long of a walk, but you’re tired, even though satoru doesn’t seem tuckered out in the slightest. walking a step or two ahead of you.
the sun is beginning to set, melting like a sundae on the boundary of the horizon, rays of golden sunshine dripping down your wrist. satoru looks good in it, the pink and orange; peaceful, somehow. when the breeze licks a stripe across his cheek, he closes his eyes and exhales. there’s a smile on those lips, a smile of contentment.
he turns towards you and waits until you catch up.
“tired?” he coos, tilting his head, absently tucking his shades into the breast pocket of his shirt. blinking slowly, eyes shimmering in the summery hue of evening. 
“kinda,” you smile, trying to muster a pep in your step. another hum buzzes in his throat, and then he’s facing forward again.
“c’mon. let’s get you something from the vending machine, okay? ‘s just up ahead.” he pats your head, once, twice. “that’ll give you some energy.”
you can only nod, following his lead. hydrangeas bloom all around you, a thick syrupy scent, paired with apple blossoms from the backyards you pass. then you spot the vending machine. satoru takes out his wallet, finding his card — it’s not the same one as before. riko still has it.
and this time, you’re close enough to see it. in his wallet is a photocard, clearly visible; of a baby, sleeping soundly, with short tufts of hair. a dark colour unlike his own.
(your heart melts, a little.)
“cola or sprite?”
you raise your head, looking through the barrier of glass in front of you. then you’re stepping forward, fingertip pressing against it, pointing towards a green can of sprite. not looking at him, as you make your choice. ”this one.”
— suddenly, you feel his skin on yours.
you’re sleepy, and pliant, jaw caught between his fingers. he lifts it up, turns it towards him, just so that you’ll meet his gaze. two seas of blue, flecks of pure white, summer skies and summer clouds.
“there,” he exhales, pleased. giving you a reassuring smile before pulling away. “you’ve barely looked me in the eye today. ‘s gonna break my heart, y’know.”
a pause. you gulp, on instinct, shying away from his unbridled attention — eyes moving from those summer skies down to the curve of his glossy lips, and then back up again. a mistake, because when you glance down once more — unable to help yourself — you see it.
that apologetic smile.
(you really are obvious, aren’t you?
how embarrassing.)
silence splits the scene in half, only the faraway sounds of seagulls as background noise. they sound a little like they’re laughing, mocking you.
satoru presses a button on the vending machine, followed by a quiet beep. he doesn’t look at you when he broaches the subject, and you wonder if it’s out of respect or discomfort.
“still not over that schoolgirl crush, huh?”
something twists inside your gut. a little ugly, a little sentimental. now that he’s made the first move, it’s easier to move the pieces.
“… it’s not a crush,” you murmur, kicking at a pebble on the ground. surprised by how clear your voice comes out. “i’m in love with you.”
a sigh. another beep, and the sound of a sodacan falling against metal flooring. he crouches down.
“… you could really, really do better.”
you watch as he fumbles with the pick-up box, eyes trained on the back of his neck, the buzzed hair of his undercut. letting out a quiet breath. “riko said the same thing.”
a snort pushes past his lips, ripe with fondness. he pulls himself up from the ground, shifting his weight from one foot to another, reaching for his wallet again. “oh, i’m sure.” he tucks the card back, slipping it into his pocket. a stray cat strolls by you, unburdened, waving its tail in the air. “really, though. you should listen to her.”
something cold meets your cheek. metal, condensation, a pleasant shiver down your spine. he presses the aluminium can against you, and you receive it with a murmur of thanks.
“i’m too old for you, for one.” he continues, and suddenly you feel a little like you’re being lectured. you break open the lid of the sprite can.
“you’re five years older.” a fizzy sound crackles like static in your ears, carbonation bubbling up, sticking to your fingertips. “and we’re both adults.”
he huffs out a breath, only mildly amused. “i’m pushing thirty, y’know?”
you take a sip, lips against cold aluminum, melting sunrays lapping at your skin. it tastes sweet. 
“i know.” a pause, your bottom lip trapped between two sharp teeth. gnawing at the flesh. ”i can’t control how i feel, though.”
“yeah,” he sighs, leaning back against the glass. crossing one leg over the other, fiddling with something in his pocket. “i know.”
a moment passes. then he parts his lips, again.
“hey, how about you join me on a mixer someday?” he searches for your gaze, smiling, another one of those charming tilts of his head. “i know some cute guys. and girls, if that’s your thing.”
your answer is instantaneous.
“i’ll pass.”
another exhale, breathed out into the summer air. it’s dripping with exasperation, ripe with fatigue, but there’s still something fond there. unmistakable.
“fine, fine. just… think about it, okay?” his palm finds its way to your head, ruffling your hair with a gentle caress. that comforting weight. “c’mon, let’s go back. riri’s making dinner tonight.”
and then he’s taking a step forward. you watch his back for only a moment, still deep in thought. a fizzy, syrupy sweetness sticking to your teeth, a sense of nostalgia invading all your senses. and, as always, that silent adoration.
deep down, you know it’s true. there’s no changing this, whatever this is. in the same way riko will always be his baby sister, you’ll always just be the brat that sniffled into his chest after your first fight with her. 
he’ll never quite see you the way you’d like him to.
(but, then again, isn’t that a part of it? that subtle, subtle kindness of his. the sense of maturity that asks for nothing in return.)
satoru is a good guy. that’s why you can’t help but adore him, despite everything. can’t help but watch his back as he leaves you behind, wishing you could catch up. that your legs were long enough.
it feels nice, to open yourself up like this. crack the lid of your heart, and have him wade through the carbonation. it feels nice to have your feelings be acknowledged, even if they aren’t reciprocated, even if you’re completely delusional and high on summer joy. it feels nice just to watch him shine.
you gulp down the rest of your sprite, toss it into a trash can across the street, and stumble after him. veins sleepy, heart heavy, overwhelmed by adoration. you’ve already cracked the lid open; everything else comes easy. you just want to make a move, any move. want to see how he’ll react.
“satoru,” you call, and he comes to a standstill. when he turns around your arms are outstretched. “can i have a piggyback ride?”
the man before you blinks. once, then twice, fluttering like angel wings, or pretty clouds. 
and then his smile grows. you catch a glimpse of his dimples, for just a moment, and then he’s beckoning you closer with a chuckle.
“yeah? now you’re suddenly all brave?” he shakes his head, no real discontentment behind it. “or are you really that exhausted?”
he studies you intently, ripe with fondness, and you think your sluggish blinks must be enough to convince him. because he crouches down, back facing you, and chirps out a hop on. a little teasing, of course, but still nice. his arms underneath your thighs, lifting you up like it’s nothing. making sure you’re comfortable. he’s strong. very strong.
the butterflies in your stomach flutter around again.
and, honestly, you really are very exhausted. bones buzzing with something sleepy and fatigued, sore after all the running around you did in the water. completely tuckered out, resting your cheek against his back. like this, you can feel his muscles, the solidity of his body. it’s a little bit distracting.
“— remember?”
a series of blinks. you grasp onto his shoulders, holding back a yawn. “huh?”
“you falling asleep on me?” he chuckles, walking forward. one step after another, the soles of his sandals hitting the asphalt. “i was saying — how i remember doing this back then.”
you tilt your head.
“when you fell and twisted your ankle. i think it was nearby, actually… some park?”
“... oh.” when you really concentrate, you think you do recall it; the feeling of his back against your chest, a dull ache in your foot. “yeah, i remember.”
satoru hums, a little buzz of amusement. “after that, you and riri would ask me for it all the time. carry us, big bro!” his imitation makes you smile, voice high and squeaky. “so childish, i swear. i could barely carry one of you.”
a chuckle tumbles from your lips, and it seems to spur him on; because he continues. nostalgia pouring out his throat.
“don’t tell her, okay? but, see — i started going to the gym after that. lifting weights. training, and stuff,” he huffs out an amused exhale, grinning softly. “suguru made me carry boulders on the beach. it was kind of our thing.”
“we almost got arrested once.”
you can’t help but laugh, hiding in the smooth fabric of his shirt, in between those printed white flowers. shoulders shaking slightly, giddy and amused. “you did that just ‘cause you were embarrassed?”
“no,” he murmurs, softly, the slightest shake of his head. ”because i wanted to be prepared. in case the two of you ever happened to fall over at the same time, or something…” a sheepish little chuckle. ”i wanted to be able to carry you both back.”
satoru continues to walk, facing away from you. always smiling, you’re sure. even if you can’t see it.
“you’re both precious to me,” he says, making sure to keep a steady hold around your legs. “that’s why i don’t want either of you wasting yourselves on some random guy. i hope you can understand that.”
silence. then, a displeased huff.
“… you’re not some random guy, if that’s what you’re implying.”
“well, of course not. i’m the guy,” he stands a little straighter, and you can practically see the smug smirk on his lips. “but i’m not a very good person.”
you blink.
silence fills the open air.
he says it so casually that you almost don't catch it. matter-of-factly, like it’s just another obvious realization, something so deeply ingrained that it isn’t even worthy of a tonal shift. satoru, who makes pancakes for the people he loves, who carries your bags and buys you soda and keeps a picture of his baby sister in his wallet. satoru, your first love.
that satoru isn’t a good person?
(how could he ever, ever think that?)
“you are.”
a low hum buzzes in his throat. you’re not sure he heard you. if he did, he simply doesn’t care enough to respond. the scene flickers by, the moment comes and goes — you want to protest again, but something about this silence makes you hesitate.
the only thing you can do is —
“satoru.”
another little hum. acknowledging, this time. 
“do you… i mean,” you choke down a bundle of words, replacing them with new ones. gnawing at the flesh of your bottom lip. “is there really no chance… you’ll ever feel the same? none at all?”
a mirthless chuckle. he sounds a little tired, you think, more than a little exasperated. but the amusement is still there, laced into his voice, and you drink it in the same way you’ve always done. a little root, soaking in the light of the sun.
“after all that,” he mutters, “you’re still asking?”
a moment’s pause. you listen intently, as if you could hear the gears of his mind shift if you focus enough. as if just being stubborn enough could coax him into opening up the way you have. 
finally, he parts his lips.
“well,” comes a sigh, a click of his tongue. he breathes in the summer breeze. “maybe in a couple decades or so.”
you stare. those white tufts of hair sway with every step he takes, and his voice has a finality to it that isn’t lost on you. solemn, steady, a pillar of salt.
“… okay.”
a pause. then he’s barking out a short laugh, shoulders shaking with the sound. you tighten your grip around them. “okay?” he repeats, pinching the skin of your thigh. “can’t you read between the lines, you little troublemaker?”
a huff. you kick your legs, a little, just stretching them contentedly. wet hair sticking to his skin, your cheek still smushed against him, enveloped in his neverending warmth. “i don’t mind,” you whisper, choking down a yawn. “i’ve already waited eight years. a couple decades more isn’t too bad.”
silence, again. you wonder what he’s thinking, if you’ll ever come close to cracking open the lid of his heart. he parts his lips, and oxygen spills out.
(you think it’s a start.)
“… has anyone ever told you that you’re awfully stubborn?”
you’re quick to nod, nuzzling into his undercut. wearing a satisfied smile. “riko tells me all the time.”
“does she?” there’s silent laughter hiding between his teeth, eager to spill out. “that’s good. listen to her, alright? you might learn a thing or two.”
now he’s just teasing you. the sun is setting, and the air smells like saltwater, and satoru’s back is warm; his voice set to a melodic lilt, as if tempting you to close your eyes. it’s summer, in a quiet port town.
and you adore him again. 
that’s right, you muse, belatedly. loving him was never a choice, and waiting wasn’t ever an issue. getting over him is the tall hurdle, the root of the problem, a root you intend you trip over as many times as it takes for this something to bloom.
because he’s beautiful, and comfortable, and kind. because it’s his back you always end up clinging to. because he knows how you like your pancakes, how you take your coffee, what you look like when you cry. because you like this feeling, the swarm of butterflies in your stomach. even if they’re completely meaningless in the long run.
satoru is right, and so is riko. you’re stubborn, terribly so. if only you could see that as a bad thing.
if only you were physically capable of giving this something up.
unlike the siblings and their overgrown yard, you just can’t seem to look away from an ugly bud yet to bloom — just in case it ends up blossoming, this summer, or the next. just in case it turns into something worth plucking from the ground. it’s fine if it withers away; at least it’ll give way to better soil.
you just like him. you just want to see where it leads you. that’s all, that’s it. that was always it.
“but promise you’ll go with me to that mixer, okay?” his voice calls, breaking you out of your thoughts, unrelenting. ”i’ll find you someone who’ll get your mind off little ol’ me.”
ah. that’s right. 
(you’re terribly, horribly stubborn —
and satoru is too.)
you grin, soft and giddy, thinking of the years ahead of you both. what they’ll be like. where’s the fun in a certain future?
“fine,” you hum, wrapping your arms around his neck. inhaling that familiar scent of sandalwood. “do your worst.”
2K notes · View notes