#big pauper

[thesimpinquestion]

Anyone else?

[overlordraax]

Here's my art for NyonSuperStar's fantastic fic 'A Pauper in Prime's Paint' for the @tf-bigbang

It's a fantasy au where Roddy has to take the place of Acolyte of the Matrix, Orion Pax. It's also got Rodimags and Unicron and Sentinel being a jackass. Go read it! It's a lot of fun.

I had a lot of fun trying to get the designs to work for both Rodi and his disguise and to find the look for this au, but I'm super happy with how all of this came out.

[agent-calivide]

So- normally this blog is exclusively for IEYTD content- but I think I'm gonna shift to just be my interests, because there is one thing that I'm absolutely feral about and desperately need to scream into the void over.

Discussion surrounding the 2004 film Barbie Princess and the Pauper makes me irrationally angry.

Barbie’s Princess and the Pauper is a surprisingly decent film for being made purely to shill doll, with music that's absolutely gorgeous and a story that's a bit less dark than the original novel it's parodying.

A brief summary for those who don’t know- though if my YouTube recommended’s anything to go by Barbie is taking over the collective hivemind of nostalgia at the moment- Barbie Princess and the Pauper is the story of two young women, Anneliese and Erica, living two completely separate lives, one being a princess and one being a pauper. The twist, however, is that they were completely identical, save for their hair and a shockingly relevant birthmark for only being mentioned twice.

Erica is a poor seamstress who’s worked like a dog by her wicked boss, Madame Carp, trying to pay off her parent’s debts so she can pursue life as a singer. Truly, the best rep for anyone who’s suffered through retail with a shitty boss. Annelise meanwhile, is a princess who spends her days being lavishly spoiled as a princess typically would, but she doesn’t want to be spoiled. On the contrary, she would rather spend her day studying than getting her feet massaged and faffing about. At least- that’s what the song “I am a girl like you” and most of the fandom would have you believe.

In the song “I am a girl like you", we start with Annelise and Erica meeting, Annelise saying that she’s not looking forward to marrying this king and Erica responding with “At least you’re not an indentured servant”. Annelise asks for elaboration, and the song starts. Erica talks about how her mornings start with paying her boss money for a hot breakfast, then having to get up, walk a mile through cold, wet roads just to get the eggs for breakfast and then come back when all she wants to do is sleep in. Once again, relatable. She then looks at Annelise and asks her how her morning starts. Annelise pauses, and is visibly bashful, clearly hesitant to share, but Erica asks her to go on. Then, Annelise tells Erica that if she wants eggs she rings a bell and her maid runs in with breakfast and cookies, and while she eats she gets a foot rub and has live music being played for her, but she doesn’t want to be spoiled and doted on, she wants to be in the library!

If this was the beginning and ending of Annelise’s characterization? I’d get it. If Erica thought Annelise was spoiled, I’d get it. But she doesn’t. On the contrary, Erica hears this rich girl complaining about how she doesn’t like her life but is aware of how good she has it, and chooses to reach out. To say “hey, I can relate to that." “There’s somewhere else we’d rather be, somewhere that’s our, somewhere that dreams come true” If anything, this is a testament to Erica’s empathy, her kindness, and her ability to put herself in someone else’s shoes even when they objectively have it better. Throughout this song Erica will talk about work and Annelise will talk about the lighthearted fun parts of being a princess, but will casually mention how she’s in a position that she doesn’t want. Erica has to walk through the mud every morning for breakfast, Annelise gets it served literally on a silver platter, Erica has to make dresses, Annelise gets to dance around in frilly dresses. But Annelise also mentions that she’d rather be in the library and get to marry who she chooses, not be betrothed for the sake of her kingdom, more on that in a minute.

And time and time again, I see people talk about how Annelise is tone deaf, how she’s complaining about what is, objectively, a better situation. But honestly, I find this stance to be major character assassination, and is one that I’m seeing more and more frequently in regards to Annelise and most other “rich” characters quite frankly. Now, normally I don’t mind opinions like “this character is spoiled and should have more development than just crappy parents” or “it’s bad that they rushed this antagonistic character’s ark so they can have them for the series finale” I think that argument works just fine on the spoiled rich girl archetype, like Pacifica Northwest and Sasha Waybright, but I see a lot of people slapping that sticker onto any character that grew up wealthy regardless if they were an antagonist or not.

I get not liking a character if they’re antagonistic, or relating better to a character who had to work for everything they had. Most of us didn’t grow up as princesses in fancy castles and have been stuck with horrible bosses. I understand why people relate to Erica more, especially as someone who worked at a fabric shop with a crappy manager. But on more than one occasion I’ve seen people take the stance that Annelise’s part in the song “just like you” is insensitive and Erica should’ve shouted at Annelise, reminded her of her privilege, “laid the verbal smackdown on her and show her how hard it was being a peasant” before quickly following it up with a “I was just kidding!” when anyone calls out that Annelise isn’t a one dimensional privileged white girl. And if that was the only context we got of Annelise, I’d understand where it came from.

But if we look at Annelise throughout the course of the whole movie, that’s not true at all, quite the opposite. Our first scene we get of Annelise is her, getting fitted for a wedding gown to marry a man she doesn’t want to be with while a servant is fretting over her schedule for the day. That doesn’t sound like the typical Disney princess who gets to spend her days doing whatever she wants post-coronation. This is an actual princess, with real responsibilities. She has to give speeches, attend meetings, speak with upper class societies, and all she wants, the first thing she says in the introduction song “Free”, is “all my life I’ve always wanted to have one day just for me, nothing to do and for once nowhere I need to be”.

While she is bemoaning to herself, she’s not exactly fighting her scheduler on this either. She doesn’t complain, she doesn’t fight back, no quips or whining or witty banter, she simply accepts that she has to do what is told and dreams of a world where she doesn’t have to do all that. And that’s the big point that I see a lot of people ignoring. She is absolutely busting her ass every day, in and out, doing as told and not getting a second to breathe.

Let’s look at the one day we see that is truly just Annelise in her environment. She is getting a fitting for a wedding dress to marry some king while the royal scheduler tells her she has to give a speech at the Historical Society, then has to rush over to a Horticultural Society Tea, then has Math lessons, Geography lessons, and presumably much more after if we’re basing it off the massive to-do list of parchment we see. As someone who survived the public education system, the thought of giving a speech, going to a high pressure lunch that’s basically a work meeting, then having to do a full day of school after that makes me want to simply wither away and cry. She’s not sitting around, looking pretty and riding horses all day. She has responsibilities, duties, commitments to her mother and her kingdom.

We then cut to Erica, who shares much of the same sentiment. “All my life I’ve always wanted to have one day for myself, not waking up with a pile of work on every shelf” before singing about all the work she has to do as a low-class seamstress. This is what we’d expect from the pauper side of things. Erica works hard to earn a living at a small seamstress shop and wishes she could be doing something more with her life. This is when Madame Carp walks in and we see a glint of Erica’s personality. She’s spunky, she talks back, she calls Madame Carp’s dress shop a debtor’s prison to her face and argues about her parent’s debts. While she is committed to paying back her parent’s debts, she’s not taking it lying down, and that is a fundamental difference between Annelise and Erica.

While Erica will see a problem and call out that it really sucks, Annelise will look at a problem and simply accept that she has to fix it with little more than a comment to herself. Both of these girls are dreaming about freedom, but Erica is fighting for her freedom while to Annelise, it’s little more than a fantasy.

And that includes the freedom to marry whom she chooses. And this is when we see just how far Annelise will go to please her mother, as she looks out and sees the love of her life, her tutor, Julian. Julian is implied to be a good friend who’s been her teacher for a long while, and he feeds her passions. He teaches her, he encourages her to learn, he is one of the few people in her life who feels joy in Annelise’s happiness. Because, truly, when we see the way she interacts with the other servants and maids, she doesn’t have many friends. She doesn’t have anyone to talk to about her grievances, her lack of freedom, any of it. All she has is Julian, and she likely will lose him in the marriage to King Dominick. He's already calling her "your highness" like an authority figure rather and Annelise, his friend, and she hasn't even met the king yet.

She can’t even have her fantasy to marry Julian, as it’s quickly interrupted by her mother cutting her off and saying “I’m so sorry my darling, but as you know, it is vital you marry king Dominick. It is the only way to take care of our people”. And Annelise just accepts this. She just goes “yeah, I know, I have to do this for the kingdom” and pushes her fantasies away. And the very next line is Annelise talking about how she knows she’s lucky, she knows she’s privileged to have all of this nice stuff, this nice life, but is quickly realizing that every present comes with strings. While she may get to have a lavish life, it’s not all it’s cracked up to be.

We then see Erica, who’s talking about how while she doesn’t have nice things, she has spirit, determination, and she will achieve her dreams no matter what. This song truly establishes just how different the girls are, specifically in regards to their challenges and the obstacles they encounter. Erica, though currently trapped by her parents' debts at Madam Carp’s, has a fire, a will, a determination. She, though in debt as a pauper, isn’t willing to give up on her goal and aspirations of being a professional singer.

Annelise meanwhile, could have resources. She could reach out and get help, or run away with Julian, or do something to get out of her situation, but she refuses to. She can’t get past this mental barrier of duty and responsibility, and even while downright miserable, she won’t complain and won’t voice her needs. But the kicker is truly in the bridge of Free. Erica says “Soon I will forever be free” while Annelise says “Now I fear I’ll never be free” Erica is damn near counting the days, she’s looking at freedom as an inevitability, something that she will be getting soon. Annelise knows and accepts that freedom simply isn’t in the cards for her. In the end, both girls dream of leaving their situations, but they both decide to stay in their respective positions for the good of those around them. They both are committed to their duties, but Erica’s duty will hopefully finish in the near future, while Annelise’s duty is her entire life.

Later in the film, Erica takes Annelise’s place at the castle as Annelise has been kidnapped by Priminger and Julian needs someone to pretend to be the princess so the king doesn’t leave. In “To be a princess” he proceeds to educate Erica on a lot of aspects of being a princess. This pertains but is not limited to: be charming but detached and yet amused, do keep a grip and never crack, always look your best, never get to rest, never show dismay, be there when people call, and never show a thing you feel inside. With lessons like that, it’s no wonder that Annelise feels an absolute commitment to being a princess and never has a day to herself. Everything and everyone around her, including her best friend, says that she’s not allowed to feel, to breathe, to relax. She always has to be alert, aware, she has to have a thought and a response for every single possible comment and retort. And when Erica’s taught all this, it’s painted as overwhelming to learn, but imagine that being every day of your life for every week of every month of every year. That sounds absolutely crushing. Erica at least gets to let off some steam. She snaps at Madame Carp, she jokes with Bertie, she sneaks out to town square and sings. She has outlets away from work that Annelise simply does not have.

Okay, so Annelise is completely committed to her job as a princess, big whoop. She still is filthy stinking rich and royals were married to people they didn’t like all the time, she still is incredibly privileged. Maybe so, however, there’s more to this marriage than just some sort of uniting of kingdoms or prior arrangement. The reason that she’s getting married to Dominick is the kingdom has fallen bankrupt. Why has it gone bankrupt? Has the queen spent an egregious amount of money on castles? Was the king a warmonger who put all their funds into their armies? Does princess Annelise have a penchant for expensive travel and one of a kind crowns?

No.

The kingdom is bankrupt because the queen’s advisor has mined their mines dry of gold in hopes of taking over the kingdom. With no gold coming in, there was nothing to exchange, and the queen had to fix the problem before it started to hurt her people more than it already has. Her solution? The only one. Marry Annelise off to the nearest wealthy suitor and hope that it injects money into their economy.

The royals of this kingdom did nothing wrong, other than letting an evil man have so much access to power, which I don’t think any of us have the right to judge. If anything, the only one who’s privileged and trying to take advantage of it is the royal advisor Preminger. He talks about how he’s scraped by for years to climb the ranks and deserves to be a king, but in that same vein he doesn’t care about the kingdom, the people who are affected by his decisions. He’s so hellbent on becoming king, he doesn’t think about the fact that for all intents and purposes, he’s made it. He’s wealthy, absurdly so unlike Erica, but he’s also not a royal and thus has no duties to do any work he doesn’t feel like it, able to disappear for weeks on end and not have anyone on his back unlike Annelise. He has everything the girls want, but it’s not enough for him. He wants more.

Annelise meanwhile, is very aware of her privilege as a princess and tries to relate to those around her, even if she’s a bit unsuccessful at it. Before Annelise meets King Dominick, Julian decides that, as her friend, he thinks she needs some air. To get out of this stuffy castle and go see the kingdom as a normal girl before she loses it all. So, he gets her a cloak and takes her down to the nearby village, and here we can really see that she’s aware of her privileges when she’s outside of the castle.

As she and Julien walk around the town she asks him which house is his and he says “more of a room really, we couldn’t afford a house.” and immediately Annelise feels guilty, backtracking and starting to apologize for assuming he had a house. She doesn’t look at him in confusion or make fun of him for not having a house to himself, she instantly realizes that she was “in the wrong” to assume and tries to apologize for being presumptuous or assuming he was wealthier than he was. But Julien doesn’t laugh at her, doesn’t scoff, doesn’t tell her to “check her privilege”. He simply gives her a small smile and says “I know”. He assures her that, as his friend, she didn’t cause offense, he’s aware that she simply didn’t know he was in that bad of a financial situation growing up. He simply laughs it off then carries on with the conversation.

And this entire next section is Julien just being the absolute best. He engages with her interests, he gets Annelise her favorite flower, he calls the flower by its (fake) scientific name as he hands it off to her and he knows that it’s her favorite and that she'd appreciate him talking about science with her. He’s simply engaging with her as a mutual, a friend, and shows interest in her- well- interests. She gets to happily indulge in fantasy for a moment, but it’s quickly ripped away as she looks around the market and notices that the kingdom’s bankruptcy is already setting in. Shops are getting boarded up, families are being forced to leave, and she’s reminded that she has to get married to King Dominick for their sake. And she is visibly saddened by this. Not that she has to marry Dominick, but that her people are suffering over something that she and her mother couldn’t have possibly prevented.

Her train of thought gets interrupted by Erica singing in town square, Erica having snuck out from work to sing in the town square for coin, and she is doing a damn good job. We see she earns a decent amount of money for just singing on the road. People gather around Erica and listen to her song, she gives a sense of hope, she is pursuing her own freedom and people are enjoying it. Erica once again gets a reminder that her dream of freedom is not only soon, but achievable. It’s in reach, it’s not a completely absurd notion like Annelise's freedom. This is quickly interrupted by Madame Carp stepping in and yelling at Erica for leaving work, stealing her hard earned money and telling her to get back to work- which on one hand, bitch. On the other, Erica leaving work in the middle of the day to sing in town square is… a choice.

But, regardless, Erica’s left with nothing and is alone on the street, and who steps in to put coins in her cup after Madame Carp’s left? Annelise! She comes over, gives Erica money, and the two talk for a bit. Erica finds out Annelise is the princess and asks why she’s outside the castle, and Annelise says “I’m savoring my first and last taste of freedom before getting married next week… to a total stranger.”

Note that she didn’t say “I’m getting a breather” or “I'm taking a break”. She said “I’m getting my first and last taste of freedom before getting married NEXT. WEEK. She has never, ever, ever gotten a day off, taken a break, gotten to truly rest and get a breather. Us viewers? We get weekends, holidays, a day off on occasion, but Annelise doesn’t. She doesn’t get a moment’s rest because her life is her job. She’s never even been outside the castle walls until this day! Her whole life has been work and has been dedicated to her kingdom, to her mother’s expectations. While yes she is definitely more privileged than Erica, it’s not fun and games. If anything, it’s a 24/7, 365 job, every day of the year. And then this happens. “At least you’re not an indentured servant”

This. This one line. Drives. Me. Insane. And I think this line primes people to take the stance that Annelise is simply spoiled. Just because your arm is broken, doesn’t mean my sprained ankle doesn’t hurt.

This is when “Girl like you” starts, and this is also what most people use as reference to say Annelise is spoiled and tone deaf. Because here’s the thing, Annelise never says she has it bad, she never claims that her life sucks. And when Erica tells her her morning routine, Annelise is visibly apprehensive to share her morning routine, because she is aware that it’s rather tone deaf to say that her life sucks because she’s marrying some guy she doesn’t know after hearing how Erica’s morning starts every. Single. Day. She clearly knows how absurd it is to complain, most likely because she’s friends with Julian, who seems to have also been a pauper before getting hired to tutor Annelise. But Erica presses so she folds and shares her morning routine and actively chooses to complain about something little, almost diminishing her misery in a way. Like “Oh, haha, yeah my morning’s pretty good, but I just want to do what I want to do for once rather than follow my mother’s schedule- but it’s fine! I’m fine!” And that is why it’s so important for Erica to reach out first and say “I’m just like you, you’re just like me”

Because it’s not just about reading science books. It’s Annelise wanting to rest, to pursue her interests, not the interests of her mother or her kingdom. Erica sees right through Annalise’s act and finds solidarity in it. She opens up about how miserable it is working at Madame Carp’s and Annalise, excited that she can actually carry this conversation, happily talks about how she loves Madame Carp’s dresses.

This is the other point I see a lot of people reference, as Erica talks about how abusive Madame Carp is and Annelise cuts in to say she loves the dresses that wicked woman sells. This, honestly, is just a mood to me. I couldn’t tell you how many times I’ve been excited to carry on a conversation, only to immediately put my foot in my mouth as I realize I misread the tone. But once again, rather than Erica getting snobby, going “Did you not hear me? I just called it a penitentiary.” She simply smiles at the naïve princess and tells her she made the dress the princess was wearing.

Annelise proceeds to compliment her work, praise it for its detailing, and the two continue to talk, Erica talking bout how she has little issue with making dresses while Annelise has fun wearing them, and the two actually talk about her getting to “imagine life without the strife of an unfamiliar groom”.

Erica recognizes that Annelise’s situation, though much more comfortable than hers, absolutely sucks. That all of those privileges come at a cost and honestly questions if they’re worth it. And then Annelise proceeds to say “but I’d never let my mother know, I wouldn’t want to disappoint her!”

Once again, Annelise is not only diminishing her needs and putting her happiness aside for her mother’s happiness, but she shows that all of her issues are mental blocks. Social pressures that have been put on her from her life being raised as a princess. She’s not singing on a corner for pennies, but she also isn’t allowed to pursue her own happiness. She’s a tool, not a person.

And after these two talk and bond and get to know each other, what happens? Annelise uses her privilege to help Erica. She tells Erica “hey, I love your singing, I want you to perform at the castle, I’ll send someone to bring you up to the castle and perform”

This offer would be life changing for Erica. Having Erica come up to the castle, perform, and probably get paid quite a handsome sum for it? To a seamstress and street singer like Erica, that could literally get her out of debt and onto stage that much sooner. Annelise, rather than going “oh, she’s poor, I don’t want to be seen with her” like a stereotypical rich girl archetype says “Come, sing for us, you’re talented and I want to share your gift with others”. And Erica is rightfully ecstatic at that offer, and is over the moon when Annelise says she’ll send someone to get her.

Later, due to plot purposes, Annelise and Erica get mixed up, Anneilse stuck in the streets and Erica up in the castle. Annelise, in a moment of desperation, goes to Madame Carp’s dress emporium for shelter. The problem? Madame Carp thinks Annelise is Erica, and locks her in the back of the shop with the other seamstress, Bertie. While Bertie does think it’s Erica at first, Annelise tells Bertie the whole story (presumably) and proceeds to do exactly as instructed. She doesn’t throw a fit or refuse to help, she sits down, grabs a needle, and gets to work. Sloppy work, but work nonetheless. Even when Bertie tells Annelise that she doesn’t have to work on the dresses, she insists on helping. She doesn’t once say “I’m a princess, I shouldn’t be doing this” she simply accepts that this is her work now and adds it onto her plate. Even when she’s not in the castle, she thinks it’s her job to take on work that she’s assigned, and while it’s painted as a moment of empathy and kindness, Annelise is shown to put her desires as the very last thing to prioritize.

Eventually she’s released from Madam Carp’s by Preminger and he immediately locks her in a mine shaft and tries to murder her and Julian. Yes, he’s gone full blown Disney villain and locks the two away in a mineshaft then causes a cave in. Annelise and Julian are locked in a shaft in a caved in mine. Can I say this one more time: Annelise and Julian are buried alive in a m i n e. Most people in this situation would be panicking, crying, generally reacting distressed, we can see Julian sure as hell is, as he grabs a pick and immediately tries to dig himself and Annelise out. What is Annelise doing during all of this? Staying calm, comforting Julian, and finding her kingdom’s solution to bankruptcy.

Say what you will about how “it’s just a movie” but I know that were I trapped in a caved in mine, my mind would not be on how to fix a problem that looked like it wasn’t gonna be my issue very, very soon. But not only does Annelise use the rock as a touching analogy to make Julian feel better about himself, she keeps the crystals in mind and when they escape the mine collapse- due to cat shenaniganry- and informs her mother of them to solve the kingdom’s gold issues.

Here, Annelise once again is solving a problem that she didn’t even cause to get her happily ever after. She is truly doing all of the work on this school project, and people are digging at how she was raised in a fancy castle rather than acknowledging that Annelise did a lot of hard work. One video I saw was someone talking about how if they were Erika they would’ve stayed in Annelise’s position to “earn that bag” and make some actual changes to improve the kingdom, but Annelise does make changes to help the kingdom!

She finds a new export, saves her kingdom’s market from completely crashing, helps revitalize the economy, and because of all of that people can move back home and re-open their shops! We don’t know much about how this kingdom is run, but we do know that the royalty feel a duty to help their people, to do what is best for the masses regardless of how much they don’t want to do it. This isn’t like the modern day one percent where people tear down historical sites to make room for their mega yachts. The reason Annelise and the Queen are rich is they are the government. They are a monarchy. We don’t see any massive balls or galas like we do in Island Princess or Cinderella, they’re not just throwing money around for the amusement of it.

They’re bankrupt because their mines ran dry, and they managed to save their kingdom by finding a new export. “Why don’t they use their own money to help people if they’re so fabulously wealthy?” While that idea could be a good bandaid, eventually that money would also run out and then not only would the kingdom be bankrupt, but there’d be no incentive for any nearby kingdoms to marry Annelise because she’d be a poor princess to a broke kingdom that would offer effectively no benefits to any allyship. The best, and most to the point plan that the queen comes up with is to marry her daughter off so her kingdom would get an injection of money as soon as possible, because they effectively had no other solutions. They didn’t know about the crystal mines, and they didn’t know Preminger was fabulously wealthy. The only solution was to make themselves look good, like a viable, healthy(ish) kingdom and hope that Dominick would accept the proposal and save their kingdom.

And that leads me to Dominick. Dominick, unlike Annelise, doesn’t use his privilege to help anyone other than himself and Erica. And even then, that privilege mostly amounts to him getting to do what he wants. While Annelise simply accepts that she has to marry this king, Dominick goes out of his way to disguise himself as a page boy so he could get to know Annelise before agreeing to anything. Dominick preemptively gives himself an out and chooses to test Annelise, while Annelise has to take the hand she’s given and not complain. In all of this, Annelise isn’t the one with a choice, ever. Her mother chooses to marry her off, her mother chooses king Dominick, Dominick chooses to disguise himself, and then Preminger chooses to kidnap her so she can’t marry Dominick. She has no agency in her life.

The only reason Dominick reveals himself to Erica (who is pretending to be Annelise at the moment so the marriage to save the kingdom doesn’t get called off) is because he thinks Annelise ran away because she didn’t want to marry a stranger. But he still is the one with the agency, and he only reveals his true self when he thinks that Annelise acted on her own behalf.

So Annelies isn’t allowed to have her own agency, but is spoiled because she’s rich, meanwhile Dominick is a king who practices his own agency regularly throughout the movie and he is rarely if ever criticized for it. He gets to meet Erica, fall in love with her, he gets to choose her, and when Erica is revealed to be a pauper and thrown in the dungeon he gets to use a suit of armor to sneak in and get her out of the prison safely. While I don’t think he got permission to break her out, he still was allowed to use his resources to go back to Annelise’s castle and get a suit of armor to sneak into the dungeon and break Erica out.

No one else in this film would’ve had access to resources like that other than maybe Annelise, and yet I don’t see anyone saying that Erica should check King Dominick’s privilege and lecture him on how he was lucky that he was allowed to get have the money to be a king and access to a suit of armor to sneak into the dungeons and save her from probably a death sentence. In this situation, Dominick is purely using his privileges for himself. Yes, he saves Erica, but at this point he’s also in love with her, and he’s saving her not just because she’s a good person, but because he’s fallen in love with her and doesn’t want to lose her.

When she’s accused of killing Annelise, he is distraught. He doesn’t believe it, he can’t fathom that this sweet young lady that he’s spent the week with would do something so horrid. That is why he saves her. Not because of some sense of justice, it’s because he’s smitten with her. Yes, he uses his privilege to help someone in a worse position than him, but according to people who are criticizing Annelise, that’s not enough. Especially when it’s a decision made out of self interest.

At the end of the film, Annelise and Dominick both help Erica with her situation. The royal family, having found out that Madame Carp’s business is corrupt at best, stops purchasing from her and she goes out of business. I can already hear people saying “The family shouldn’t have been buying dresses from Madame Carp in the first place! She’s vindictive and cruel to her workers!” and to that I raise you: How many beauty influencers and brands these days do something sketchy, and it’s later revealed that they were a horrible person or a bad corporation?

My first thought, as someone who wears alternative fashion, is DollsKill. I can admit that I’ve purchased things off of their website before I found out how unethical they are. Should I have done more research? Yes. And I don’t shop with them any more because of it. But if I, and many other people, were able to make that mistake in the year of 2023 with access to infinite information on the internet, then it’s easy to see how someone in the 1700’s could’ve made the same folly.

Especially since Madame Carp doesn’t exactly go around bragging that she abuses her seamstresses. We know that Annelise never met Madame Carp before the film, as Madame Carp claims she’s the princess’s “close personal friend” while actively calling Annelise "Erica" and refusing to believe it’s actually the princess in her boutique. Realistically, Annelise and the queen likely don’t even go shopping, they probably have a servant go into the market, buy a few gowns for upcoming events, and only know the gowns by their brands.

I do wonder what happened to Bertie after all of this, but she seems pretty happy that Madame Carp has to leave, so perhaps she has a backup plan or some sort of safety net. Maybe she was also in debt to Madame Carp and was just looking forward to paying off her debts before starting her own dress emporium, we don’t really know. Either way, the dress shop closing gives Erica the freedom to pursue her music career that she was being held back from and she does so. But that still leaves our boy Dominick. He talks to Erica, tries to convince her to stay with him, but she tells him that her dream is to travel and sing. He does eventually acquiesce and gives her an engagement ring, telling her that it was for her anyways, and that it wasn’t a promise nor pressure, simply a gift. In the end, after performing for a long while, Erica decides that she wants to be with Dominick and travels to his kingdom to marry him.

I think that Annelise and Dominick are both good people for being Monarchs that put the interest of those around them before themselves. But for some reason, Annelise is held to a much higher standard than Dominick, even when she makes very human mistakes. They both are raised as royalty, King Dominick likely even more so as he’s king of a wealthy kingdom, but he is never put under the same scrutiny as Annelise. Sure, he never claims to relate to Julian, but Annelise never claimed to relate to Erica until she suggested it.

And Annelise’s privileges aren’t always a good thing. I feel like people neglect the whole section of the story where she was kidnapped and held prisoner because of her mother’s advisor. Not figuratively, literally. Taken from her home and locked in a random cabin because Preminger wanted to be king and figured that kidnapping her was the wisest choice rather than just advising the queen to not marry her off. Annelise is actively put in danger and harm’s way because of her status.

Honestly, Annelise really gets the shaft, full pun intended, in the second half of the film, a lot of time being spent on Erica and King Dominick’s relationship. Despite being The Princess and the Pauper, Annelise’s story is really the B plot to Erica’s love story. This makes sense, after all, she spends a lot of time just kidnapped and locked in various rooms, but in a weird way this just shows yet again that she has no autonomy even in her own story. And yet, she’s the one who’s scorned for being spoiled.

“Well, she is spoiled. She had a roof over her head and warm food and we see how Erika is baffled at the spoils when she’s a princess” But I'm gonna say something that's likely gonna get the pitchforks out: Money doesn't buy happiness. Before anyone hits me with a “I’d rather cry in a bugatti than a gutter”, let me explain.

The phrase “money can’t buy happiness” has two very different interpretations, and I find that both sides refuse to listen to the other even though both have valid arguments. There’s the stance that it can buy happiness, as money provides all sorts of things. On the surface, it’s shallow things, jewelry, gaming consoles, toys, fashion, knick knacks and trinkets that provide short term serotonin by buying something that you really want. But dig a bit deeper, and it gives more than that. Money is stability, shelter, food, water. It’s hard to be happy if you can’t have those things. To further elaborate, if you’re in a bad enough position that you can’t afford to heat your home, or buy a meal, or get clean drinking water, being able to afford that, either by your own means or by having someone else get it for you, is something that can’t be put into a monetary value- even if it literally is given a price. Getting to have access to water, shelter, knowing that you’ll have food in the morning, that’s something that you likely won’t understand the value of if you’ve always had it. Money may not buy literal happiness, but it provides security, and that security can lead to happiness.

Then there’s the argument that it can’t buy happiness, and people who have this opinion usually aren’t wondering where their next meal will be coming from or if they can pay rent this month. This stance is usually painted as privileged and spoiled because “well, you can say that because you’ve never had to worry about paying to survive”, but in my experience it’s quite the contrary. Most people I’ve met who say “money can’t buy happiness” usually include a caveat that if someone is in a position where they can’t afford food or shelter then of course money buys happiness. Stability is the foundation of comfort and comfort leads to happiness. No one is saying that someone’s ridiculous for being happy they can afford to live. And if you have seen that stance, then I'm sorry humans just suck.

Rather, “money can’t buy happiness” means that material objects cannot replace emotional intimacy or support. Surface level items have short-term pleasure that cannot be sustainable as the happiness lasts less and less with each material object. And this feeling of dissatisfaction only increases the more things you get. This is especially true when it comes to gifts. While gift giving is a valid love language, the whole point of it is giving or receiving items that have sentimental value more than monetary value. A pebble that’s their favorite color means way more than a PS5 when they exclusively use Nintendo products.

But when you don’t have a support system, healthy relationships, and the people you do have around you try to replace emotional intimacy with shallow gifts that don’t amount to anything, you find yourself downright miserable. Most people that I’ve met that have the stance that money can’t buy happiness tend to reach that conclusion after a guardian figure causes intense emotional distress or neglect then tries to purchase love with a shallow but expensive gift. It’s not that money can’t provide you with things that make you happy, it’s that money can’t provide emotional intimacy or a genuine support system.

If anything, Princess and the Pauper is the perfect allegory for this phrase, as Erica, though poor and struggling to get by, has emotional support in Bertie, her singing, her dreams. But, she doesn’t have access to security, stability, physical comforts, and is blocked from pursuing her goals because of external factors. Annelise meanwhile, is in a position of comfort and stability, but doesn’t have any emotional support nor outlets, her only friend being her teacher and her mother having a strict regime for her to follow regardless of her desires while being surrounded by luxurious gifts from other royalty that are ultimately empty gestures.

All of this to say, while Annelise is a princess who lives with the privileges of being a rich, upper class girl with access to many things that Erica could only dream of, her life isn’t one of luxury and spoils. She doesn’t get to indulge in her pleasures and can only appreciate things on a surface level because that is all she has time for. I don’t think most of the people who criticize Annelise could actually handle her schedule every day of every month of every year. She’s not some Disney princess who’s only job is to be pretty and interesting for the male love interest, she has duty. Responsibility. A full time job that dictates her sleep schedule.

She’s not unaware of her privileges and if anything is always using them to help everyone else, and at the end of the film she still doesn’t get that freedom that she’s searching for. She invites a pauper to sing at the castle, she tries to find solutions to the kingdom’s bankruptcy for her people, she goes out of her way to help when she can, and she’s not completely insensitive to the struggles of her friends. Even when she’s supposed to be taking a break, or is in a dire situation, she’s still constantly thinking of how to help others first.

Yes, she gets to marry Julian, but she’s still a princess and still likely follows her royal schedule to a T. While Erica got to learn what it’s like to be a princess, got to pursue her music, and got to marry King Dominick, becoming a princess herself, Annelise’s conclusion is ultimately that she managed to solve the kingdom’s bankruptcy so she could marry whom she chooses and then proceeds to fall back into the same routine of fixing everything for everyone else. She only gets freedom in one aspect, and we never see her actually get a day to herself, a day to relax. The only “relaxation” we see happening is with Erica while she spends time with Dominick, and that week likely was going to be Annelise’s only break before the marriage. So even after saving the day, Annelise still doesn’t get what she wants, and yet supposedly she’s spoiled rotten.

Truly, she does do what she says in the first song Free. “I’ll remain forever royal… Duty means doing the things your heart may well regret.” Erica never actually repays her parent’s debts, Madame Carp goes out of business and Erica gets let off the hook probably because she has two very powerful royals on her side. And this once again is Annelise using her privileges to help those who don't have the same as her by choosing to not support a business that is bad for its workers.

Erica gets released from her servitude early and then gets to chase after her dreams, but Annelise only gets to marry Julian after putting in the work to solve the bankruptcy so she doesn’t have to marry some other rich king that isn’t the one who fell for her best friend.

[nachoaveragejoe234]

Barbie movies settings (including mentioned places that aren't the setting of the movie)

Nutcracker and Swan Lake - Russia. Based on Russian ballets, Tchaikovsky can be seen in a picture in Clara's house, Ivan has a Russian name and accent

Rapunzel - Germany

12 Dancing Princesses - Germany. Based on a Brothers Grimm story

Princess and the Pauper - England. Based on The Prince and the Pauper, which was set in England

Magic of Pegasus - Netherlands during winter. Annika is a Dutch name and several characters, including her, wear vaguely Dutch clothing. Other places that have been theorized are Scandinavia and Russia.

Fairytopia trilogy - Portugal. Elina mentions knowing Mariposa, who's from Spain, and is "cut off from Flutterfield".

Barbie Diaries - Malibu, California

Island Princess - Italy. Names such as Rosella, Antonio, Luciana, and Ariana already tell us a lot, but the sunny weather, the characters all having tans, and some of the architecture also indicate this.

Christmas Carol - London, England

Three Musketeers - Paris, France

Diamond Castle - Europe, likely Germany/France, and/or Greece. Liana and Alexa wear stereotypically European dresses, the house looks like a traditional French cottage, but the Muses wear togas and the Diamond Castle itself looks vaguely Greek temple-ish on the inside.

Thumbelina - United States. Updated the setting and time period to the 2000s, clearly not in Denmark.

Fashion Fairytale - Paris, France

Mermaid Tale - Malibu, California

Mariposa - Spain. Also because of the accents.

Mermaid Tale 2 - Australia (the Ambassadors are however coded as Korean, African, Brazilian, and Russian), maybe New Zealand (Aquellia is implied to be near it)

Fairy Secret - Malibu, California (Gloss Angeles is another dimension)

Princess Charm School - Europe. No indication as to where "Gardania" is. However, most speaking Charm School students are from other places (Hadley is from South America, Isla is from Japan, Portia is from Scotland, and Josette is from Africa)

Princess and the Popstar - Monaco. Meribella looks like Monaco, with it's small status and how rich it is. Also Amelia mentions her grandma knowing the King of Spain.

Mariposa and the Fairy Princess - Malta. Shimmervale is "across Fairytopia", and the British accents of many people, as well as several dark haired background fairies, some with light skin, some with dark skin, a common feature of Maltese people.

Pink Shoes - United States, France, Russia (The ballet world uses Giselle, a French ballet, and Swan Lake)

Pony Tale - Switzerland

Pearl Princess - Denmark. A mermid story with some similarities to The Little Mermaid.

Secret Door - Europe (Zinnia is another dimension)

Princess Power - Europe or an alternate reality America, or somehwere in the near distant future

Starlight Adventure - Space, in the future

Great Puppy Adventure - Willows, Wisconsin

Puppy Chase - Hawaii

Rock N Royals - Europe (with campers from other European places: Sloane from Scotland, maybe her two friends are American as they resemble Dua Lipa and Halle Bailey vaguely, Aubray from Ireland, Genevieve from England, Svetlana Petranova from Russia)

Spy Squad - Los Angeles, California

Video Game Hero - United States, "Japan". Her video game is heavily Japanese inspired, with animesque characters and Nintendoesque visuals.

Dolphin Magic - Malibu, California

Princess Adventure - Europe

Lost Birthday - United States

Big City Big Dreams - New York

Mermaid Power - Malibu, California

[the-writer-nerd-ro]

Barbie Poll Time

[disneybooklist]

[suzieloveships]

Do people that say that the new barbie movies are bad actually watched them and didn't like them or just saw that the animation is diffrent and decided to hate it? Asking for a friend

[barbiebattle]

[simplyghosting]

Of our two dogs, one shoves his massive bulk under my desk while I’m sitting there to sleep curled into the tiniest space in the house on the tile floor. The other? Sleeps on the bottom, curtained off bunk of my brother’s bunk bed, head on a pillow, tucked in with a sheet AND blanket, knocked out so hard you can say “are you serious?” when you see him and he won’t even twitch.

[raitrolling]

i was reading bad incorrect quotes blogs again

@cloudbattrolls @goddesstrolls @trolloled @scrambledtrolls

[luckyfiona]

“ what are you doing out here by yourself? ”

(Flashback to their first meeting???¿?¿?)

She hasn't stopped thinking about him, not even to sleep. Every inch of her― her brain, her heart, her soul, her dreams― everything is preoccupied with the brave boy who kept her out of harm's way the other night.

It's been one year since Fíona's parents had to give her up, because they couldn't afford to feed her. They couldn't take care of her, so they sent her off with Captain Price to give her a better life in America. In theory, he's her savior, but Fíona doesn't feel very safe with him. Maybe because she knows he only took her because it's profitable for him. The stranger who protected her had nothing to gain in doing so; he only did it out of an extraordinary humanitarianism. He acted more like a loving family member to her since she first emigrated to this place. She didn't know his name.

She's been scavenging for loose change since she started her indentured servitude, to try to slowly create the more beautiful life she was promised in America, as if her savings of pennies would ever afford her the dresses she makes at the boutique, or even a vase of flowers to put in her sad little room. But recent events have her realizing that if she truly wants to beautify her life, she's better off investing in people to keep in it. She thinks she'd be happier as a pauper with a family than a luxurious little orphan in a cold, dark manor. So, she takes her modest savings to the kindly old man on the corner with some kind of popcorn stand. He says he's selling the new all-time favorite American snack. He calls it Cracker-Jack. She's never heard of it, but she hopes her new all-time favorite American boy has.

She counts out her modest savings on the table of the popcorn stand with raw determination in her eyes. She wants to offer the boy something to eat. She wants to take care of him the way he took care of her, so she never had to lose him. She wants to feed him so she never has to give him up.

She takes her offering to the spooky alley where she first saw him, in eager anticipation that he'll slip through again― as if some part of him might be hoping to cross paths with her again, too. As the minutes pass into hours, optimism turns into dread and every noise seems to startle her, and it's the first time in her life that she realizes just how much danger she's willing to put herself in to find someone who will care about her. By the time he spots her, she's so focused on the noise she heard at the other end of the alley, convinced there's someone there with hungry eyes and a knife, she nearly jumps out of her skin at the blunt tap of his fingers on her shoulder. When she whips around to meet his gray eyes, she realizes she should've spent less time convincing herself that there were ghouls floating around her and more time planning what she was going to say.

❝ Hi. Sorry. ❞

She's reminded of what a maladjusted outsider she really is when she finally has a chance to talk to someone her own age and doesn't know how to. She stammers, taking in boyish features: raised eyebrows that don't posit to have seen everything, a mischievous elven nose ready to be thumbed at anyone trying to use their stature to pick on him, wide eyes that haven't lost their humanity even despite the purple crescent moon framing the left one, which paints a scene to her of him earning it while sticking up for a little guy― she wouldn't find out until a bit later that he received it from being too scared to stick up for himself in the face of a volatile commander. Awkward and curt, starstruck and stumbling, she shoves the bag of Cracker-Jack against his chest and insists:

❝ It― It's America's new all-time favorite snack. ❞

In an act of kindness she never anticipated, and maybe one even he didn't know he had in him, he suggests they sit and eat it together. Two underfed strays, they're halfway through wordlessly devouring the box of Cracker-Jack, with rogue kernels flying out of the sides of their mouths and down their shirts when his stomach is finally full enough to collect himself and address the elephant in the alleyway:

(“what are you doing out here by yourself?”)

Fiona fixes her posture and pivots to the persona of a sophisticated woman who has to finish chewing and swallow before she speaks, and it gives her enough time to figure out how to answer that question. He already had to have gathered she was waiting for him with the gift. It was a bit late to play it cool or tough. Her posture sinks back into a more comfortable position, honest with herself and open to him.

❝ I suppose I haven't got any friends to be out here with me. ❞

There was nothing to gain in pretending she wasn't sad and lonely. She couldn't do anything to fix it if she didn't address it. There was productivity in being intimately vulnerable, and if she took the lead in establishing that kind of disarmament, it could encourage him to do the same. It didn't seem like either of them had much to lose, but they could help each other if they dropped their guards.

❝ But it doesn't seem like you have many real friends, either. ❞

She couldn't help but notice, that night she first saw him, how quickly the street urchins he was horsing around with scattered the second he threw himself into harm's way to help Fíona. Hungry, desperate, lost and unloved boys seem to operate more like a wild pack of dogs than a band of brothers who would back each other up if it wouldn't benefit themselves. She decided that she and her favorite boy could be better than typical mutts. She holds out a hand to shake, like a civilized dog― one that people could love.

❝ I'm― ❞ The name Fíona Comascaigh nearly leaves her mouth before she remembers Mrs. Price told her not to say it like that anymore if she wants to be accepted. It's crucial to meet people on their level, to bend herself and acclimate to their culture for them to see her as a member of their tribe. She affects her best American accent before fumbling out: ❝ Fiona Comisky. ❞

When they shake, with their hands caked with nutty caramel and popcorn dust―the bread they've broken together― it feels meaningful to her, like they've sealed a bond she'll hold with her for a long, long time. They're attached now. As both of their disgusting candy residue intermingles, it's like a blood pact ritual. But stickier.

╳ — 𝐐𝐔𝐄𝐒𝐓𝐈𝐎𝐍 𝐏𝐑𝐎𝐌𝐏𝐓𝐒 ! // ACCEPTING.

[brush-it-gently]

You know there are a lot of Barbie repros that I think are near but I'm not too interested in, especially because of the price, but if Mattel released the Happy Family line again I would go bankrupt on the spot to obtain them

[theorahsart]

Many people tend to think of Asexual romance as being... something that just doesn't exist

(ie. People assuming a couple in a movie aren't a couple until they make it official with a big kiss!)

But really, Asexual Romance can look something like this-

This is from my autobio GN 'How to be Ace'

I've also got an explicitly Ace Romance going on between the two main characters in Paupers Prince too:

Presently, we only know that Alfred is Ace- John has trauma and is in denial about it lol

But I look forward to sharing a full on romance where the Ace experience is at the center, rather than non existent or interpretational 💜🖤💜🖤

There may not be many Asexual Romances in TV or film, but there's quite a lot in books! Here's a few of my reccs below (cos I posted this on IG first lol) Do you have any favourites? 😄

[wafflefrie]

Here is a short list, in no particular order, of things that came out in 2014 thus making them ten years old this year:

The Lego movie

Guardians of the galaxy

Paddington

The hunger games: mockingjay pt 1

Big hero six

Into the woods

Interstellar

How to train your dragon 2 (still have not seen)

And a happy twenty years to:

Shrek 2

Barbie: the princess and the pauper

Ella enchanted

The incredibles

Howls moving castle

And finally, last but not least, a very happy twenty years to Nicolas cage stealing the Declaration of Independence

Happy new years

[bestjeanistmonster]

Designs for @son1c ‘s princess and the pauper au!!!

(The idea is so big-brained omg and designing these was honestly so fun)

[juyeonszn]

BLACK OUT OR BACK OUT

THE TBZ FRAT HOUSE IS HOSTING THE BLACK OUT OR BACK OUT COLLAB BY @juyeonszn AND @itsbeeble!

YOU’RE INVITED!

PAIRING tbz x f!reader

GENRES smut ﹒fluff ﹒minimal angst ﹒crack

WARNINGS 18+ MINORS DO NOT INTERACT! mature language, mentions of alcohol, sexual content, more warnings per individual fic!

SUMMARY have you ever wondered what your favorite frat boyz are up to in their personal lives? if so, then these fics are just for you! join us as we take a glimpse into the tau beta zeta fraternity and see what they get up to in their free time!

MORE LETS GAURRRRR i’m so excited to announce this collab with loml reese both as a cute fun little idea we had and in celebration of her 1 year tumblr anniversary! we also realized it happened to be the same day as tbz day LOL so that’s kinda crazy 😭 my boyz have been here for 6 years wow 💔 anyways i hope all of u love these as much as we do! and always, don’t forget to rb if u enjoyed!! send an ask if u’d like to be tagged in these <3

PERM TAGLIST @winterchimez @maessseongs @itsbeeble @zzoguri @deoboyznet @cloverdaisies

FALL SEMESTER

TRY HARD — LEE JUYEON (12/6)

Need to get rid of some junk? Well these college hunks will haul YOUR junk! Give us a call at xxx-xxx-JUNK and we’ll haul YOUR junk for FREE! (limited time offer)

EXCITEMENT — JI CHANGMIN (12/6)

You know, when you told your girl friends that you’d never finished before, you were expecting it to blow over like no big deal. What you weren’t expecting was for it to spiral into a whole other mess.

SEEING STARS — KIM SUNWOO (12/10)

It’s slightly embarrassing how Sunwoo is naive enough to take Eric Sohn’s “advice” to heart. Luckily, you like idiots. Especially when they kick a ball into your face and agree to do a semester’s worth of school work for you.

CLUMSY — JU HAKNYEON (12/10)

When Haknyeon ran into you at a TBZ party for the first time, he didn’t think he would fall for you so quickly. Or literally. Or both simultaneously. But there’s a first time for everything, he supposes.

“FRIENDLY” COMPETITION — LEE SANGYEON (12/14)

The TBZ frat had always had a rivalry with the KAT sorority. At least, they did when you and Sangyeon became the presidents three years ago. What happens when you mix a little friendly competition into this rivalry of yours?

JE NE SAIS QUOI — JACOB BAE (12/14)

Jacob thought the concept of fraternities was stupid. So stupid that despite every single one of his friends being in one, he still refused to join. However, after meeting you at one of the TBZ parties, he’s starting to think maybe they’re not that horrible.

SPRING SEMESTER

LET LOOSE — KIM YOUNGHOON (12/19)

Younghoon has hated you. He thought you were stuck up with that better-than-you princess attitude of yours. What better than to just…fuck it right out of you?

(NO) STRINGS ATTACHED — LEE HYUNJAE (12/19)

Becoming friends with Lee Hyunjae after his valiant attempt to save your life (stopping you from drunk driving) was certainly not on your year’s bingo card. Also not on your bingo card? Waking up in his bed every other night following, but it’s not like you’re really complaining.

NO BITCHES? — ERIC SOHN (12/22)

When you met Eric, you’d thought he was just another frat boy, looking to get into any woman’s pants (particularly yours at that moment). You never would’ve thought that he was just a loser who really liked FNAF and just thought you were pretty.

PARTY O’CLOCK — CHOI CHANHEE (12/22)

In spite of being a frat boy himself, Chanhee could never actually see himself enjoying the luxuries of the title. Besides, how could he with all the responsibilities of being treasurer? Enter you and your carefree spirit and Chanhee’s got a real big problem on his hands.

PRINCESS AND THE PAUPER — KEVIN MOON (PT. 1 1/1, PT. 2 1/3)

It wasn’t like you and Kevin hated each other. In fact, you quite admired him despite his somewhat indifferent attitude toward you. Well, now that you’re paired up for the last dance of the year, you guess it’s the perfect time to find out why.

© juyeonszn & itsbeeble. do not steal, claim, or repost.