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dotthings · 4 years

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Let’s talk about why Dean dancing with a lamp is subtext, but it’s subtext that supports textual arcs. Dean dancing with a lamp is not random. Meta on why Dean dancing with a lamp is part of the build of a textual arc for Dean, thematically, which also connects to his relationship with Cas. This symbolic moment being tacitly about Destiel will only feel like reaching if you ignore context, ignore canon, ignore long arcing, ignore textual material surrounding it. This isn’t just me talking about a ship, this is an important arc for Dean himself emotionally and the way canon’s working, Cas has become the star player in this specific emotional Dean arc about yearning.

Here are some canon quotes. I could just leave these here and not write another word of meta because the canon wrote it for me. But I’ve added some further commentary to spell out clearly what I’m getting at.

Dean in 8.14 “Trial and Error” by Andrew Dabb:

“You see a light at the end of this ugly-ass tunnel. I don't. But I tell you what I do know – it's that I'm gonna die with a gun in my hand. 'Cause that's what I have waiting for me – that's all I have waiting for me. I want you to get out. I want you to have a life – become a man of Letters, whatever. You, with a wife and kids and – and – and grandkids, living till you're fat and bald and chugging Viagra – that is my perfect ending, and it's the only one that I'm gonna get.”

Dean in 10.16 “Paint it Black” by Eugenie Ross-Lemming and Brad Buckner:

“You know, the life I live, the work I do…I pretty much just figured that that was all there was to me, you know? Tear around and jam the key in the ignition and haul ass until I ran out of gas. I guess I just thought sooner or later, I’d go out the same way that I live – pedal to the metal, and that would be it....Now, um… recent events, uh… make me think I might be closer to that than I really thought. And…I don’t know. I mean, you know, there’s – there’s things, there’s…people, feelings that I-I-I want to experience differently than I have before, or maybe even for the first time.”

Sam and Dean in 11.04 “Baby” by Robbie Thompson:

SAM: Really? You don't . . . Ever want something more? DEAN: I'm sorry, have you met us? We're batting a whopping zero in domestic life, man. Goose eggs. SAM: You don't ever think about something? Not marriage or whatever. But . . . Something? You know, with a hunter? Somebody who understands the life?

Sam and Dean in 13.23 “Let the Good Times Roll” by Andrew Dabb:

DEAN: But on a beach somewhere, you know? Can you imagine? You, me, Cas, toes in the sand, couple of them little umbrella drinks. Matching Hawaiian shirts, obviously. Some hula girls. SAM: You talking about retiring? You? DEAN: If I knew the world was safe? Hell, yeah. And you know why? 'Cause we freaking earned it, man.

Sam and Dean in 15.08 “Our Father, Who Aren’t in Heaven” by Eugenie Ross-Lemming and Brad Buckner:

DEAN: Look, man, I didn't want to say anything, okay, 'cause I was kind of in in a bad place, and, uh, yeah, I didn't want to jinx it or whatever, but, you know, I tried the family thing, right? SAM: Yeah, me too. And that's not for us. DEAN: No, not really. But I'm just saying if it was to work, Eileen, you know, she gets it. She gets us. She gets the life. She's hot. SAM: Dean. I mean, I'm not even- DEAN: Look, all I'm saying is you- you could do worse, okay? And she could certainly do better. Like, so much better. I'm happy for you, Sammy.

Dean and Garth in 15.10 “The Heroes’ Journey” written by Andrew Dabb:

DEAN: You know, I gotta say, aside from pincushion in there… this is pretty nice. GARTH: Yeah, better than I ever thought I'd get. I mean, hunting -- I figured I'd be dead before I'm 40. You know, go out young and pretty. But now I've got a great wife, great kids. I guess...sometimes things work out.

Dean in 15.10 “The Heroes’ Journey” by Andrew Dabb:

Dean, wistful, watching through the window as Garth and Bess dance: You know, I always thought I could be a good dancer if I wanted to be.

Ok, let those roll around in your brain for moment.

Now: CONTEXT. CONTEXT. CONTEXT.

There’s this long running arc about maybe Sam and Dean could each find a significant other, not white picket fence, but...something, with someone already in the life, who gets their life. There’s Dean’s move from despairing and believing the only ending he could have, the only ending any hunter could have, is dying with a gun in hand, to Dean’s enthusiasm for the concept of retirement, Dean’s wistfulness about finding a significant other, for what he thinks he can’t have, and he starts the cycle all over again, if he can’t have it, then he wants Sam to have it, so Dean encourages Sam with Eileen. Saileen, the Dean-blessed, Dean-approved Sam ship. Dean ships it. And that is how the canon is trending, complete with Sam and Eileen kissing goodbye and saying “this is real” and even God himself saying their feelings were real, “that was all you,” even if God manipulated events around them. Which is an overt mirror to Dean and Cas and Dean’s expressly stated doubts about what’s real and what isn’t, and Cas telling Dean “we are.”

Much the way Sam has been witness to Destiel, and has often pointed out Dean’s Cas feelings. Dean’s got a front row seat to Saileen and approves; Sam’s had a front row seat to Destiel and approves.

Let’s throw in Robert Berens’ work in The Trap here, since that’s relevant to this specific topic as well, because why did Sam and Dean in the potential future timeline where they’d killed Chuck give up and cave in to their vampire instincts? The world being overwhelmed with monsters...and losing Eileen and losing Cas. It’s right there in the dialogue. I’ll give you the quote and everything:

Sam and Dean in 15.09 “The Trap” by Robert Berens:

SAM: You want to quit? What's happened to you, Dean? Ever since -- DEAN: Ever since what? We lost pretty much everyone we've ever cared about? Ever since the Mark made Cas go crazy? Ever since I had to bury him in a Ma'lak box? Ever since then? Yeah. You know why? 'Cause the monsters -- they're everywhere. Everywhere! What we do -- it's not even Hunting anymore. It's whack-a-mole. We don't even save people. Every friend we've ever had is either dead, or they got wise and they packed it in. SAM: Jody's still fighting, and Bobby -- DEAN: Bobby has a death wish, and you know it. And Jody -- ever since what happened to Donna and the girls, she does, too. And after Eileen... so do you.

“Ever since” Dean had to bury Cas in a Ma’lak box. “After Eileen...so do you.”

So there’s this canonical long, long thread across multiple authors (and those weren’t even all the quotes, I’m sure people could dig up more) about Dean in particular yearning towards finding a significant other, some contentment, with someone who already is in the hunting life, who gets it, who understands.

An episode that flat out shows how losing their significant others is the final straw that rips out Sam and Dean’s last will to fight, and they lose themselves, and after they’re turned into vampires, they just...give into the darkness. Where Sam gives up their shot at destroying the big bad because losing everyone they love is too high a cost. Where losing Cas makes Dean lose hope, where losing Eileen sends Sam into a death wish mindset. Sam and Dean don’t just need each other. That’s not canon, it never has been.

And then right after that, along comes meta episode The Heroes’ Journey. Sorry if you don’t like The Heroes’ Journey, but it’s what the canon did, it’s textual, along with everything else I’ve pointed out here, and in among the crackish humor are some real emotional narrative points.

In The Heroes’ Journey, Dean gets to see Garth’s life. Garth found his significant other, Bess, and she’s another werewolf. Now, Garth’s life resembles the traditional white picket fence idea a lot more than what Team Free Will are headed for. Garth has a big house with a porch, and he’s a dentist. He’s also a werewolf and his wife is a werewolf and his kids are werewolves because Bess is a pureblood werewolf, Garth didn’t exactly leave the life, and he helps Sam and Dean on a case. But nothing’s been indicating to me that anyone in Team Free Will is headed for that kind of settling down, with a house, becoming a dentist. However, the canon has been practically shouting now, as we near final episodes of SPN, to make the point about a desirable outcome--some kind of stability, contentment, and a significant other. Dean gets a front row seat to seeing a hunter can have that. Garth’s a hunter who turned into a werewolf and he can have that.

When EP’s talk about how they aren’t headed for a white picket fence or driving off into the sunset or settling down, none of that rules out them finding...something...with someone, and some form of stability and contentment. Nope, I can’t really imagine them in the suburbs becoming dentists. But canon sure is putting up big neon arrows to...something. Think outside the box. This isn’t about the white picket fence.

And in The Heroes’ Journey, Dean, conked out on the good gas so Garth can fix his teeth, has a trippy dream where he dances with a lamp.

Rewatch the ep. Look at how the dance is choreographed not just the use of light, because that’s a clue too. The whole dance could have been Dean and Garth being dancing bros, but Garth fades off the stage, and Dean dances alone...until he grabs the standing lamp. In a season where Dean and Cas’s relationship is an A-plot, define it how you like, it’s A-plot. Their breakup and their reconciliation, which played like a marital breakup and reconciliation, are tied to major mytharc beats. In a season where a long-running textual theme about Dean’s developing hope for retirement and his wistfulness about “things...people...feelings...” is getting further play. Where Dean and Cas’s relationship continues to be one of the show’s most central ones.

Dean dances with a lamp. While his emotionally fraught, intense close relationship with Cas--A BEING MADE OF LIGHT--has a long-running arc and recently more and more textual level content spelling out the sublimated romantic interest in small words, while there’s an arc about Dean’s yearning for that stability, contentment, a significant other.

CONTEXT.

We don’t think Destiel’s “going canon” because Dean dances with a lamp, it’s that Dean dancing with a lamp is kinda loud serving as reflection of canon textual arcing. Sometimes subtext adds a layer. Sometimes subtext is directly tied to the surface layers, an echo, a highlighter.

I’ll just be over here, crying because Dean danced with a lamp.

#Dean Winchester #Castiel #Destiel #Destiel meta #spn meta #spn #supernatural #Saileen

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popculturebuffet · 3 years

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Of Moons, Millionares and Mothers (DT17 Season 2 Retrospective): The Most Dangerous Game Night! (Paid for by WeirdKev27)

Welcome all you happy people! As some of you will recall I do a lot of duck based retrospectives on this blog: Ride of the Three Cablleros! which took a look at all the Cabs major American adventures, Shadow Into Light, my Weblena colored look at Lena Sabrewing’s journey from abused teenager to magical protector, and the Della arc which I dind’t give a cool name but covered since Shadow Into Light read right into it’s final chapter and ended up perfectly synching up with the final month of the series. And of course i’m still working my way through the life and times of Scrooge McDuck with a plan to finish the main story in September barring any delays, sickness that sorta thing.

So it shouldn’t be at all a shock that having covered all of season 3 when it came out and covered the two season 1 arcs i’d be taking a look at Season 2′s three story arcs. So I probably would’ve covered them anyway.. but Kev, one of my patreons and the guy who commissioned Shadow Into Light AND Ride of the Three Cablleros, had expressed interest in doing the Glomgold arc from season 2 as it centers around his favorite character, Zan Owlson. He also wanted to do Della’s arc in time for mothers day, and was all too happy to combine both, and politely agreed to my request to do the Louie arc as well. To help soften the blow, I also suggested since he’s a patreon of mine on patreon.com/popculturebuffet he use his second review (You get one guaranteed review a month with 5 and he’s a 10 dollar backer so he gets two, and he’s earmarked marked one for House of Mouse through the end of the year) to help soften the blow a bit, which means some weeks i’ll be doubling up on this one. He agreed and it’s thanks to him that all of this happened so thanks bud. It’s also thanks to him I have money in the first place and I wouldn’t be here without him.

As for why I insisted on the Louie arc it wasn’t out of greed but out of pragmatism. I covered the Della arc purely on my own time, and gladly did so. But back then I also kept making the mistake of shoving retrospectives back again and again and again and that’s why there’s a rather nasty gap in my New X-Men retrospective I think severely harmed it , and a similar one for life and times which wounded it. I don’t mind taking smaller gaps of say a month when needed, but I learned from the experience I can’t just delay things constantly out of convince and expect it to work.

Not only that but the Lena and Della arcs only interact in the very last part. With these arc? While they don’t really touch at first and run parallel much like season 1′s arcs did, they start intersecting heavily as soon as Della gets back. Raiders of the Doomsday Vault! touches on both Della’s recent return and Glomgold’s bet with Scrooge, Happy Birthday Doofus Drake! has the A-Plot centered around Louie’s plot and the B-Plot centered around Della bonding with Huey as part of hers. And the final four is one one long, sustained arc, finishing up all three in the process. So yeah it was a package deal and as such this will be my third largest retrospective at 17 parts including the prologue. (As i’ll also be covering Della’s four issues in the IDW Comic released back in season 1). For the record my largest will be my Tom Lucitor Retrospective as 24 (in part due to doing the eclipsa arc for the same reasons as Dellas), and ride of the three cablleros at 20 is in a close second. This is going to be a long ride that will take most of summer, so buckle up, get your Louie Inc signs, Glomgold’ posters to jump through and black licorice gum ready and join me won’t you under the cut as we start this fantastic adventure together.

We open season 2 with all but one of our heroes proudly posing as they enter a temple. Scrooge even has his treasure of the lost lamp outfit on. Louie.. just looks tired and bored. One of the things I love about these reviews is that I haven’t watched most of the episodes since they first aired. Sure i’ve revisited some of my favorites like Dangerous Chemistry and the 87 Cent Solution, but I haven’t really DONE a full died in wool episode by episode rewatch of the series. I’ve got SO MUCH I haven’t watched, haven’t rewatched and haven’t even started, that I really DON’T have the time for it outside of my job. So it is VERY nice to get a chance to do so once in a while with it.

As such knowing Louie’s real motive this episode it makes this scene hit diffrently. On first airing Ducktales was back after a short hiatus, our heroes are operating at full speed and daringly charting through a temple: Dewey and Webby have become tighter than ever and easily stop a pit trap and Scrooge and Huey easily solve an arrow puzzle. But while at first glance Louie is just fed up because as he puts it later “I’m just loveably lazy”, knowing he’s really just burnt out, scared he’s going to die or worse like he likely thinks his Mom did because he’s not good enough.. it’s really tearjerking. Here’s an 11 year old who at his core feels he doesn’t belong in his family and just wants a friggin break from the dangerous shit they do. It hits even harder as a fan of the venture bros but i’ll save that for later. Point is he’s telling Scrooge he’s burnt out.

So then this happens...

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It really is almost the exact same joke, but diffrent enough since for one, Family Guy’s is driven by the refrenece (And god how I miss how their refrence humor used to have an actual purpose), where as here it’s to set up something else and hints for later: Louie having parsed how most adventures to at this point. While Scrooge is right in pointing out how every adventure is unique.. Louie’s not wrong that there is a small pattern to it: The Whoah! , The “Wait, What?” and the Aggggh!. Scrooge scoffs.. but Louie is proven correct as Dewey Whoas, a mechanisim trggers (Wait what?”) And everyone screams as they run from a giant wheel.

Back at home though it’s even more apparent poor Louie is miserable while his family is just jazzed. I can’t BLAME THEM, but I can’t blame him either for being, tired, worn out and just wanting ONE minute where they aren’t adventuering. There are some nice touches though as Scrooge runs off and finds a map in the idol: We see Duckworth removing the Scrooge as a Prospector painting based on Carl Bark’s painting of him from the foyer and instead replacing it with the painting of Scrooge, Donald and Della. It’s a nice little acknowledgment of how things have changed.. from Scrooge being alone and running from a painful past to having accepted it and gone back to being a family man. We also get Beakley just casually picking up Louie to vacum.

In the Triplet’s room.. which by the way why do they all share one room? In universe I mean, I mean is it saving on the power bill or does scrooge have the other rooms filled. Only four bedrooms are occupied: the boys, webby’s , Beakly’s (Which we never see but implicitly exists), and Scrooge’s himself. While the mansion isn’t LIMITLESS, it has to have more rooms than that. Is the rest just storage?

Out of universe though I do get why and i’ts why I let this concept of sharing a room when you have enough for everyone in the first place slide: it allows the boys to interact more easily outside of adventures by having all three in the same location. This episode is a good example of that as it kicks off Louie’s plan admirably: Louie is burnt out while Huey is excited.. and in another hint of Louie’s true gift he casually notices part of Dewey’s woodchuck uniform he was looking after is undone, simply making a quip about a sewing patch. He gets the idea for a scheme from there: to finally get his break by convincing Huey he’s slipping and exploiting his brother’s tendency for manic episodes.. which as someone with those I highly don’t approve and is far and away one of the more questionable things Louie’s done. And this is in an arc that includes him nearly wiping out all of existence.

Still it gets Huey on board but Scrooge and the wonder twins are a harder sell. Dewey and Webby are so jazzed on frinedship their even speaking in unions “This Needs to stop!” “I’ve tried but they really do enjoy harmonizing”

Louie insists the adventuring is driving them apart and making them less close.. and while Scrooge insits it brings them closer together he ends up proving his point when Louie fakes not knowing which triplet is which.. and Scrooge GENUINELY struggles with which one’s Huey and Which ones Dewey. Dewey’s face is at the top of the page.. and utterly and completely priceless.

And while I thought it was the same impressive face from night on Kilmotor hill turns out, nerp their uniquely hilaroius

Same mood though. But I do love this callback: almost a YEAR later, and Scrooge STILL is like...

But while movie night and make your own pizza night, which i’m pleased as punch to find isn’t just something my family does, don’t do anything one thing does... GAME NIGHT. Cue a glorious minute of David Tennant goofily shouting Game Night to everyone in the mansion. Seriously getting him was one of the series masterstrokes. The man has only done a few roles in voicework but damn is he a natural. Not eveyrone can adapt to it this fast. While I love Walton Goggins, it clearly took him a few episodes of invincible to get really comfortable with it. It’s why I have such respect for Voice Actors in general: I’ts not an easy job, it takes a lot of skill, and it can be often thankless. It’s also why i’ve made a concentrated effort ot more know of them by voice simply because they’ve earned that much.

Anyways Beakly pops Louie’s bubble that htis is not going to be relaxing for a very obvious reason: Scrooge is relentless against his enmies and game night makes YOU the enemy. He quickly has them pair off into teams, taking Donald right off the bat.

We also get one of the best jokes in the entire series “If you loose your out of the will” “(Genuinely suprised) I was in the will?”

It’s almost entriely in Tony’s delivery there. The surprise is just perfectly delivered. It’s also oddly touching as despite a decade’s estrangement and Donald understandably thinking he wasn’t in it in anymore, Scrooge NEVER removed Donald from it . Sure he’s thretaning it over game night but he clearly takes this ungodly seriously. Duckworth leaves to go do ghost stuff.. which is code for make up a flimsy excuse to run the fuck away. To make matters worse she’s stuck with Launchpad as a partner. Louie is left with Huey and immieditly regrets sending his brother into a panicy spiral as he’s already set up a creepy scheduling board.

So i’m going to go ahead and cover the Webby and Dewey Plot, and the acompanying Donald and Scrooge antics now to save us some time. I’ll come back to it at the climax of Louie’s plot obviously and to the episodes credit the pacing is exceptional, weaving in and out of both plots , Louie struggling to keep the whole shrinking plot a secret and the rest of the families game night, excelently, it’s just with my brain i’ts harder to do that in a recap so...

Game Night: Crush Your Enmies and See Them Driven Before You Scrooge goes to the Conan of Sumeria/Melissa School of Game Nighting. Or in short...

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Why HASN’T there been a Conan musical? So he and Donald dominate the first round, Charades, with Scrooge easily guessing almost EVERYHTING Donald mimes. As Webby puts it “When you’ve been around donald for 30 years you get good at non-verbal commuincation”. Granted they have a commuincation breakdown that results in this magic.

So Webby understandably assumes that given their best friends and Scrooge and Donald, while reconciled, hate each other, that they have an advantage. She is wrong. Not the first time: she also assumed she and Lena were just friends. It happens. you get a few wrong everyone does. Instead we get a great bit of Dewey utterly failing to guess it’s Scrooge despite Webby being obvious because Dewey’s brain is a riddle for the ages.

Jenga dosen’t really go great for either so they go solo for SCROOGEPOLY. Because of COURSE Scrooge created monopoly in this version. I simletaniously love and hate how eveyr piece is a top hat. I love it because it’s a hilarously quick gag.. but also hate it because one of Monopoly’s biggest draws is having so many diffrent peices. I mean some like the sports car make sense but then you have a dog for some reason and an ironing board. I mean I love that dog, he’s a good boy but I don’t understand why he’s in this. If anyone knows the weird old timey reasoning for either of these let me know in the replies or my asks.

This isn’t bad stuff mind, it’s just not really deep in stuff for me to make fun of. Apart from Donald ending up in jail... again. At least it’s not as bad as say goblin jail or that time he had to carve pinocchio’s nose into a shiv to surivive whale jail.

Louie: “How Long Before That’s Not Enough?”

Okay I kid, the subplot is good.. but that’s th epotatoes.. this is the potatoes iwth cheese.. look I love meat but potatoes don’t get enough love. They just don’t and you can do all kinds of delicious things to them. It’s why a good third of side dishes at most restaurants are potato based.

But yeah rolling it back a bit Louie is confident that even with the this will be mildly relaxing.. then Gyro bursts in thorugh the double doors proudly announcing his invention and pries himself in, ignoring Louie’s desperate attempts to shut him out.

Gyro is.. different in this episode. He’s peppy and while he’s mildly condescnding to the Gyropludians, more no that in a second, he’s far more enthuastic and freindly to everyone else and less of the awkward ballbag he’d been last season and would be again this season.

This feels like an ATTEMPTED course correct. See a lot of people, if understandably didn’t like how Gyro was in season 1. Fan of the original him from the comics and show iddn’t like the nice, friendly weirdo suddenly being a sour, condesencindg weirdo. Me I was FINE with the change from unintentional mad scientist to intentional one... I just feel they overdid it on the asshole as season 1 went on. In The Great Dime Chase he’s fine, he’s egosticial, angry and kind of a pill.. but he also clearly cares for his creations, rightfully hates the board for constantly doubting him, and is frustrated his creations keep going rouge. It was a nice balance.

The balance got thrown off entirely however once Fenton entered the scene. The crew just leaned WAY to hard into hwo much of a shitweasel he was to fenton: giving him an office in the bathroom with a cool quip, trying to beat him up (even if his rage over Fenton’s dumbassery was warranted that was not), and finally trying to take the gizmoduck armor back not out of any real concerns but because he’s worried he’ll loose his job... his job iwth the man who freely tolerates his creations going insane and really dosen’t care about his own colateral let alone Gyro’s. It came off as disngenous and that he simply didn’t trust FENTON with it and wanted and excuse to take the armor Fenton had clearly earned. He also pit manny and bulb against each other for a job which just felt out of character even for him to possibly fire one of his children which felt horribly out of character. Toniing this down was a good thing.. I just feel they overcorrected. They tried making him the 80′s version with a slight ego here, and when that didn’t work they just downplayed him for the rest of the season. He’s still around, in fact we’ll be seeing him again soon enough, and he still gets some great jokes... he’s just not really focused on at all. But they managed to fix their fix in season 3: they did have Gyro be a dick to Fenton again but gave proper context, had him apologize and framed it less as a funny joke and more as him being abusive because he was abused himself and breaking the cycle. He also kept the supporting role but kept the shadiness in it, with the earpiece bit from “Louie’s Eleven” being a highlight.

Gyro has a new device that can pick up tiny sounds and has found a tiny civilization in the ducks house, dubbing them Gyropudlians because he apparnetly likes Gullivers Travels. I do not really know what that’s about, nor have I seen any of the movies. Not even the jack black one made on a dare to see if they could actually sell a movie on the concept “This old story but as a jack black comedy”. And it went horribly wrong because they actually did get it greenlit and someone out there actually watched it. Not me... and I watched the Wrong MIssy entirely of my own volition. I’m not immune from making eye staining mistakes. This just wasn’t one of them.

Gyro ends up getting shrunk down because he naturally attached a shrink ray to it because...

So Louie shrugs it off correctly figuring out the arc of that sort of story: Gyro becomes a god, he learns a life lesson that sort of thing. Also I do applaud them for making the lost tribe not horribly racist.. that is a hard line to walk. They just make them generic instead which.. still better than racist. “Not Racist” isn’t a very high bar to clear but given this version went out of it’s way to be inclusive while the original show.. what’s a good metaphor for this.. hrmmm... these rakes are all the racism in the original show i’ve encoungered so far and probably will in the future, and i’m sideshow bob.

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Eventually though the Gyropudlians decide to decalre war on the giants because unknowingly the Ducks have been destroying their civilizations time and time again.. mostly louie but donald clearly peed a civiliztion to death..and i’m not grasping at straws there he left the bathroom and the other two possiblities for the floating city are too horrible to comprehend. Or it was just the sink and i’m a bastard... i’m probably a bastard.

So they blast the shrink ray around the kitchen and get Launchpad, so now he’s a part of this cliche. Beakly finds them.. is highly supscious, and Huey’s lie is.. not convincing... but this gets her out of game night with her overcompeitive boss so she takes the out and gets the fuck out and is not seen for the rest of the episode.. probably for several days. Look she does a lot around the house no one’s going to question if she comes back after a mysteirous absence with someone elses blood on her apron and several thousnd ddollars in brazilian cocaine. The sweetest cocaine of all. Scrooge is just used to it by now.

Anyways things continue to escalate as The Gyropuldians, Launchpad and Gyro launch an assault on the tower of infinity, aka the jenga tower and knock it over. The Good news is launchpad surivives and we get a great bit of the brothers hugging then awkarly and half assedly explaning it to cover. the bad news is the Gyropudlians considered it an act of war and have trained some flies to man the microphone shrink ray dealie.

It’s here we get the best scene of the episode: Huey is naturally worried.. even more so after he sees Louie’s response to the unfolding chaos: Curling up in a fetal position and rocking back in forth muttering to himself this was supposed to be a fun night in. Huey finally has had enough of this and wants to knwo wha tthe hell this is all about, shooting down Louie attempting to deflect it with his usual lazy schtick. Even at his laziest he’d pride self preservation over doing nothing. This is something worse. And while Huey is furious his rage is coming out of concern. While Huey prides himself on his brain... he has the biggest heart of the three. He’s the most empathetic and the one most willing to reach out to the others when they need him. Not that hte others lack it, Dewey was the one to welcome Webby into the group the most after all, it’s just Huey displays it the most. So his anger comes off entirely as genuine worry at Louie acting out of character and trying to avoid doing what eveyrone else does. And his response.. is heartbreaking...

“BECAUSE I’MMom was great at adventuring, and she still got hurt. I'm only good at talking my way out of it. How long before that's not enough? NOT GOOD AT IT OKAY?!”

Bobby Monihan.. really dosen’t get enough credit for this show. When he gets to really do something big with Louie he goes for it and he uttelry dominates the scnee here. Danny Pudi is no slouch mind.. but Monihan REALLy gets to show what he can do. His reasoning for his worries is also just as well delivered and heartbreaking.

“Mom was great at adventuring, and she still got hurt. I'm only good at talking my way out of it. How long before that's not enough?“

It just.. stings a lot. To find that Louie’s exaustion wasn’t out of self intrest.. but just out of fear. That he won’t be good enough at best and that he’ll end up like his mom: lost or dead never to be seen again as far as he figures. As a third of this arc will bear out, tha’ts not even remotely true, but out of the three Louie is the most pragmatic so while he says hurt.. he thinks she’s dead. And if she, someone as capable as scrooge or as close as someone whose not him can be, could end up dead... he’s living on borrowed time.

This is where the Venture bros comparison really comes out to me... because they had a similar if more spread out storyline in season 5, with bookish brother Dean, Huey if he lacked autisim but gained 80 dozen more issues, found out he and his brother Hank, aka Dewey in his teens, were clones because his dad is really bad at keeping his sons alive because he’s also bad at everything else including science, parenting, being emotinally open, making a cocktail that isn’t a crime against nature, sex, and not treating hank like garbage, which should fall under shitty parenting but I love my empty headed boy.

So why bring this up? Well besides self indulgance because I love both shows iwth a signifgant portion of my heart and frank flat out admitted to being a venture bros fan, and having Beakly take some cues from Brock, I love the accidental parallels here: both are arcs about a boy adventuer coming to grips with their mortality. Both withdraw, both are heavily depressed and both feel there’s no real light at the end of the tunnel for htem anymore.

And both.. are drawn out of it the same way.. by a concerned brother pulling them out of their misery and self doubt:

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It’s the same here... Huey helps Louie through it, understanding how he feels.. and like Hank did for Dean, proving to Louie he’s not alone. He points out that yes Della did get hurt.. but it’s because she went in alone. He’s got his family.. they won’t let him get lost or die.. because their not alone. The reason they can do all this stuff is because their together. Their all amazing alone.. but together their unstoppable. And i’ts fine Louie’s afraid.. but he can’t let that fear kill everyone he cares about.

So our boys run upstairs, but are a second too late as the gyro pudlians shrink the other four down, and the duo’s attempt to grow them just makes one of the gyropudlians giant instead. With things at their grimmist.. Louie finds his TRUE talent, looks at the situation. and takes charge. In the span of two minutes he completely turns the tide: he has launchpad crash his way out, which he does by pure accident because of course he does he’s nature’s perfect Himbo. He next has Donald and scrooge take on some guards to give Dewey and Webby some room and has Huey take out the giant with his sewing. His final part is to have Dewey and Webby work their way up to the ray gun.. which is a probelma s both have lost all confidence due to realizing they have nothing in common and can’t fathom how their friends. Scrooge’s reply? Of course their not.. THEIR FAMILY. It was then that a thousand debbigail shippers cried out and were silenced... I know I was one of them. I couldn’t speak for about a minute. It was awful.

And yeah.. I had been shipping Dewey and Webby up to this point, but it was becoming increasingly obvious they were being treated like brother and sister and then this happened. And in hindsight i’m glad I jumepd the hell off as they turne dout ot be blood related so I dodged a bullet there an found better ships for both. So no harm no F.O.W.L. clone accidental incest.

Realizing this the two find their second wind and save the day. OUr heroes are restored and things are good.

The next day, Louie faces the music with Scrooge and is terrified, not helped by Scrooge being dead serious... but his worries are for naught. Scrooge instead only has one thing to say

“You saw all the angles”

Something the crew conciously did was have each of the kids mimic one of Scrooge’s tennants, something that was heavily implied before but made fully explicit here: Dewey is toughter than the toughies, Huey is Smarter than the smarties... and Louie is the oft forgotten Sharper than the sharpies. Scrooge even lampshades how that part of his motto is often left out. And of course as frank made clear post series, Webby made her way into the family Square.

But back to the sharpie thing, I like this because it defines what that truly means, as it often comes off as similar to the smartie bit hence i’ts exclusion: It’s the ablitliyt to think quickly, strategize, a strategic, critical mind that can come up with a gambit in an instant and use everyone to the best of their abillity. It’s why for an example, Scott Summers is one of my faviorite x-men. Because while his eye laser things are impressive it’s this kind of cleverness and tactical insight, seeing all the pieces on the board and easily manuvering them, friend and foe, that makes him so awesome. And as scrooge muses it could make Louie even richer than he is. And in a truly touching gesture, Scrooge gives Louie the idol, confident in his Nephew’s potetial. His mother reached hers... he only needs time. So with that Louie’s arc truly begins and he hangs a shingle on the triplets door. Louie inc is born.

Final Thoughts: This episode caught me by suprise: I remember it being decent.. but damn if it wasn’t amazing on the rewatch, with the knowledge of Louie’s weakness helping but really it’s just a funny, tightly paced half hour of television. It has great jokes, a great emtoinal arc and in general is jsut well.. great. I didn’t see this poteitial the first time because I was more hung up on fethry finally appearing, the cabs finally appearing.. all the things in the distance after this ep. But this ep is just damn good and I wish i’d put it on my best of list. Top shelf stuff.

Next time on Of Moons, Millionares and Mothers: The second arc starts up as FLINTHEART GLOMGOLD returns as an amensiac south african fisherman and it’s up to Webby and Louie to unravel his past to figure out why he’s acting like this and if this is another one of his insane schemes. We also meet Zan Owlson buisnesswoman of the year and person about to go through some undeserved shit at the hands of a stupid man. Later Today: We return to Amity Park for more Danny Phantom and meet his second most intresting enemy as an innocent fuckup turns a spoiled brat into one of most dangerous enemies. Also PUPPIES and Tucker being the worst.

Wednsday: We grab onto some more ducktales as Donald returns to Ducktales 87. And judging by the content warning so does racisim.

If you liked this review stop my patreon RIGHT HERE. Seriously please do: you’ll find exclusive reviews, and if you join you’ll get acess to my discord, get to pick a short for my shortstravganzas, and help me reach my strech goals. And at my next one at 20, just 5 dollars away, ALL READERS will get a darkwing duck review a month and reivews of the two ducktales movie as well as the Danny Phantom TV Movie the ultimate enemy!

See you at the next rainbow!

#ducktales #season 2 arcs #louie duck #huey duck #scrooge mcduck #dewey duck #webby vanderquack #donald duck #gyro gearloose #bentina beakley #launchpad mcquack #duckworth #the most dangerous game night!#della duck

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mcustorm · 4 years

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45 M/M Gay Movies, Ranked

The other day I bit the bullet and decided to watch Brokeback Mountain for the first time. All I knew about that movie was that it was basically the CMBYN of yesteryear and somebody got killed with a tire iron. Anyways, so I finish the movie and realize that I’ve seen a *lot* of gay movies, especially in the last couple of years. So here are my rankings according to nothing but my personal preference. I won’t write about all of them, but you can ask about something if I leave it out.

I wish I could give you a rubric for this. The reality is, there are some radically different movies on this list with different tones and intentions. There’s buddy comedies, tearjerkers, small indie features, big theater releases. So trying to rank them all is TUFF.

The Way He Looks - Such a beautiful coming-of-age movie. Maybe the 2nd one I saw on this list? Perfect length, perfect characterization, simple yet compelling, clever. And nothing feels better than reaching a happy ending (for once, because some of these movies’ endings-- SHEESH) that’s been earned. It just hasn’t been topped.

2. God’s Own Country

3. Pride

4. Kanarie - Yea, we don’t talk about this movie enough. It’s one of the most recent that I’ve seen. Beautiful. The way that it references apartheid and the war to reflect the protagonist’s feelings? Flawless.

5. Jongens - The first movie that I saw on this list, gets many a bonus point for that.

6. Moonlight - Yes, I am black. Yes, I understand this movie may be too low. Moonlight kind of scares me. In general, there’s not nearly enough discourse surrounding this one for me. But while it’s not exactly a popcorn-muncher, to me it’s the most personal movie on the list. When I look at Chiron and all that he’s been through, I can’t help but draw parallels to my own story up to this point. It holds a mirror up to me in a way that no other movie on this list does. That makes me uncomfortable.

But it is so poetic. Have you guys seen the script for this? The directing, the SOUNDTRACK, the acting. Phenomenal.

7. Weekend

8. Call Me By Your Name - Yes, I am aware of people’s beef with this one. Yes, I understand a lot of people may feel this one is overrated. While I do think this one gets worse on rewatch, the truth is, it’s not really *that* overrated because hot take: most (meaning over half) of the movies on this list range somewhere from “just okay” to “painstakingly bad”.

It’s the score, the cinematography, the subtext in most all of the dialogue, the acting, the way that you can smell the apricots through the fucking screen. People who say this movie is a vacation ad are fucking CORRECT. One of my biggest gripes however is that it’s too fucking long. And uh, that age difference...

And Armie Hammer’s a weirdo...

9. Dating Amber* - Dating Amber has one of those “Duh” premises that sounds like it could’ve been done like 30 times before yet I can’t think of any other examples of it. So what you’d think would be a wacky premise actually turns out to be a frankly poignant movie with an emotional story arc for the main two characters.

10. Hello Stranger: The Movie* - This movie, which is the first sequel (sorta) on the list, frankly had no business being as good as it was. Even though the web series is required viewing, I felt the movie fixed like all of the series’ issues: pacing, lack of compelling drama, the awkward quarantine format. The drama and stakes are there without us having to visit Angst City. And the theme and the ending reprise is HEAT.

11. Uncle Frank* - Uncle Frank is like The Help of gay movies. Like The Help, it’s *overall* a short, sweet and fluffy movie set decades ago. Like The Help, you’ll still come out of it feeling pretty good even though it has some dark moments. Also like The Help, you’ll wonder after the fact if the central white girl absolutely needed to be so...well, central for this story to be told. Bonus points for Paul Bettany and Character Actress Margo Martindale.

12. Brokeback Mountain - Tragic.

13. Moffie - Set during the South African border war, same as Kanarie. You even hear the word “moffie” throughout Kanarie. Anyways, this is a war movie for the gays, and a very intense watch. I liked that it was a much more realistic view of what a soldier endured during that period, and of course on the flip side I thought it was more thorough in its depiction of the rampant racism. I gotta find a good book on this era.

14. A Moment In the Reeds

15. Get Real - Maybe the most out of place movie on the list. I need to rewatch it. I do recall absolutely loving the score, however. Like, I fucks with this:

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16. Freier Fall - When I finished Brokeback I was like, “Wait, wasn’t that just Free Fall with extra steps?” And yea, it kinda is. But even discount Brokeback is still pretty good.

17. Beautiful Thing - There are few things to like about this one, the relationship between the two guys, the mother’s love for her son even though it’s not all rainbows, that nice little final scene. I did not care for the dark-skinned woman being portrayed as, you know, the drug abusing, school dropout, gossipy, butt of jokes neighbor. But that guy really looks like Tom Holland tho.

18. Love, Simon - It’s at this point that I move from “Yea, that movie is good, you should watch it!” to “Look, you may like it, you may not.”

19. The 10 Year Plan - This movie is so fucking cheesy that there was cheddar coming though my speakers. But when I think of “Hallmark/Lifetime, but for the gays” this is the crown jewel. There’s some other movies on this list that could’ve taken some notes.

20. The Christmas Setup* - The trend of fluffy-white-gay-cable-network-movie continues and in good form. It’s not deep. It’s not really thought provoking. It’s cute. Fran Drescher is there. You should watch it.

21. Giant Little Ones

22. Hidden Kisses

23. Alex Strangelove - In a unique twist, the emotional core of this one is arguably between Alex and his girlfriend. All that ends up happening, however, is we the viewer keep wanting more Alex/Elliott scenes; those are the most electric in the whole movie. The end result is a hot yet endearing mess.

24. Fair Haven

25. The Thing About Harry - Freeform’s attempt at making a cheesy rom-com for the gays. It’s...okay. I personally feel like the main character’s friend is highkey trifling but it’s whatever.

26. Your Name Engraved Herein* - So I guess I’ve decided I officially hate angst. I mean, I get how it’s often necessary to tell an effective story, but I’m just not here for 2 hour indie angst fests that get passed off as “high art” anymore. I cannot do it. Somehow this is Brokeback’s fault...there just has to be a better way to tell gay stories in the 2020′s. Anyways, the last song was fuego.

27. The Perfect Wedding - Easily the most bizarre movie on this list. It’s so bad, I liked it a lot.

28. Naz and Maalik - The first half of the movie with the two leads just riffing is some pretty great stuff. The back half starts throwing plot developments that are just less than interesting.

29. My Best Friend

30. The Curiosity of Chance

31. Being 17 - Boring. Angsty.

32. And Then We Danced

33. Center of My World - Has some of the most trifling characters EVER. I was so angry. This movie for me has *0* rewatchability.

34. Just Friends

35. 4th Man Out - This movie was basically “a bro/Hangover-style movie, but for the gays.” I absolutely love the intention, but the execution was a little shoddy. One day we’re gonna get a flawless movie that nails what this movie was going for. I hope we remember this movie whenever that day comes.

36. Latter Days - So fucking preachy.

37. GBF - Another bizarre one, but at least this movie gets how wacky it is.

38. Beach Rats

39. Shelter - I’ve noticed a lot of people like this one. To that I say...yikes. Remember that scene from Family Guy where Peter says he doesn’t care for The Godfather? I did not care for Shelter. It insists upon itself (not really, but still).

40. Handsome Devil

41. Esteros - It’s at this point of the list that we shift from “Movies that are the definition of ‘ight’ “ to “These movies are bad. Bad. BAAAAAD.”

42. Monster Pies

43. Were the World Mine - I couldn’t even finish it. Wanna watch a better musical? Go watch Kanarie. Wanna watch a better Shakespeare adaptation? The Lion King is the movie for you, or even fucking She’s the Man.

44. North Sea Texas - So boring. I actually think this one may need a rewatch, because I swear it shouldn’t have been as terrible as it was.

45. Salvation Army - I have no idea what this movie was going for. I understand that it is autobiographical, however...it simultaneously barely has any plot or character developments. This one has shades of Beach Rats, but it’s significantly worse, and I didn’t even like Beach Rats that much.

So that’s it, thanks if you made it down this far. I guess I’ll update the list as I inevitably watch more of these. I would love movie recommendations!

#lgbtcinema #the way he looks #cmbyn #love simon #thanks for reading #thanks profusely to the gif-makers #i couldn't finish maurice...i'm so sorry #half of these are breaking glass or wolfe #argue with yo mama

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afraschatz · 4 years

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Leverage: The 12 Steps Job

It‘s been a while since I‘ve done one of these, but I‘m rewatching Leverage yet again (SHOW, I MISSED YOU) and here are plenty of things I love about ‚The 12 Step Job‘: I love…

… The montage of Hurley in the car and how he walks into his office. Man, that is one NEAT character introduction because when you first watch this, of course he could pass as an absolute jerk and the baddie of the week – despite the client‘s description of him as enthusiastic and sweet. But at the same time this is just how he is later on in this ep and when he returns in The Boys‘ Night Out Job: An absolute slob and a complete mess but also very congenial (how much he knows about all his co-workers? Sweet) and with his heart in the right place.

… Nate being a complete dick and so fucking in denial about his alcohol problem here. I haven‘t watched season one in a while and it‘s so interesting how his and Sophie‘s relationship is so different here (the biggest shift of course being between s2 and s3 where Nate decides to take a vacation in prison and Sophie runs the crew in the meantime – this changes things forever). But it‘s so cool how Gina‘s acting walks the thin line between being the one who is absolutely in the right here and being just that bit annoying that allows Nate to justify implying that she‘s overly dramatic

… Eliot‘s hair is ON FIRE in that episode, wow and that blue shirt *chef‘s kiss*

… how the team works together in figuring out where Hurley might be. Yes, it‘s season one and Nate is very much calling the shots – and he is the one narrowing it down here – but Eliot and Hardison specifically absolutely pitch in.

… Sophie‘s and Eliot‘s little eyeroll at Hardison‘s dropping strip club knowledge

… ‘if Billy was a drunken sex fiend’ – hahaha, Parker, spot on as always – and Eliot‘s and Hardison‘s responding expressions. Come on, boys, don‘t deny it, you‘re in love with her already.

… that look on Nate‘s face when he figures out how to find Hurley. His whole expression changes, his gaze focusses, he leans forward and that drunken haze is gone for the moment

… how Eliot and Hardison constantly share the same frame <3

… Eliot‘s little DELIGHTED smile. Okay, his and Hardison‘s delight in strip joints doesn‘t quite fit later seasons, so we all can just agree that Hardison asking for change for 100 in singles is just because they really want to tip generously for the chicken wings there or something :)

… Eliot‘s and Hardison‘s synchronized walk off

… ‘Don‘t get mad, Eliot, I may have spilled slushie in your car’ and his badly acted expression of contrition hahaha, no one is buying that, Hardison

… Eliot and Hardison being extremely sexy in sitting in Eliot’s car (and as so often, look at the perfect way that shot is lit! Hardison’s and Eliot’s faces both fricking glow)

… very smartly dressed random thugs

… the messy way the fight scene is shot – close ups and very wobbly camera moves, and how you can still tell how efficiently Eliot fights and how… well not all that efficiently Hardison is. And yes, again, it’s season one, so Hardison grabs the gun and shoots it, too, instead of just sitting back and chilling while he watches Eliot beat people up (which is way better than the strip joint idea anyway)

… Eliot being annoyed with Hardison

… ‘Is he sleeping?’ LOL, yes, Sophie, that’s why Hurley is using the air bag as a pillow

… Nate looking progressively more like the absolute mess he is as the episode progresses

… - how confusing is it that Sterling’s Theme is used and Sterling isn’t immediately around the next corner? That is SO cool because yes, he shows up later, or rather: withdrawal!Nate hallucinates him; and so his theme music this early in the episode is almost like foreshadowing

… everyone in group therapy apparently understanding Sam perfectly well aside from Nate

… Parker having to read from the cheat sheet she wrote onto her lower arm to get her three-sentence-character-intro right

… Hurley’s massive list of addiction, with the climax of “Tacos”

… “Uh-huh” - and Sophie and Nate having another fight while everyone else in the group is already tired of it. Especially Parker, if one were to judge by her VERY subtle expressions.

… Parker aggressively chewing on the meds the doctor gave her. I absolutely LOVE the way she constantly gives other people this uncensored WTF-look in season one

… Eliot being smart in the parking lot. I have so much love and respect for how that’s played here again – Eliot is the one who has to have 360 vision, it’s his job to anticipate problems in all forms and sizes

… Hardison’s bricks-on-the-seat plan. That’s so great because he might be the smartest guy Eliot knows TM, but he is fucking afraid here and panicking and that’s not conducive to coming up with super clever plans, is it?

… Hardison and Eliot working together while bitching at one another - “Yes, there are a lot of wires! It’s a Com-Pu-Ter!!”

… Hardison’s brain rebooting as he figures out that it’s a computer bomb and the system needs to be re-booted

… Eliot trusting Hardison’s knowledge, and Christian’s acting here – knowing Hardison is right, being low key annoyed by it, being just a bit unsettled (that lip quiver!) “Run that sack of bricks by me again...” - “Are you ready?” - “NO!” and his trembling hand - he is so good at rapidly changing expressions and tones

… “I’m gonna go and freshen up a little bit. Maybe cry a little”

… Hardison thinking on his feet and that sweet Jamaican accent – Eliot thinking that is sexy, and backing him up with a bomb

… and again, Kane’s acting – that beat and that look before he says “Sure” when Hardison asks whether he’d have saved him as well

… Nate’s withdrawal. So well done. Over all, the show is SO good at showing that alcoholism is a sickness and a serious problem, even if (especially if!) Nate doesn’t acknowledge it

… HARDISON AND ELIOT’S DATE AT THE RECEPTION DESK. - So, while in the scene before, Hardison takes the lead in acting their way out of the situation, here it’s Eliot by shamelessly flirting with the receptionist. And Hardison’s FACE throughout this. Like, bro, do we have time for this? DO WE? - And then “I’m with him”. And Eliot trying so hard not to burst into laughter, especially when Hardison is doing that thing he is famous for which is shamelessly over-acting just to piss Eliot off. - The ringing of the reception bell and “Bring yo ass”. And none of that even being mentioned in the next scene. - So much quality content in this episode.

… Sophie taking over for Nate when Nate very obviously can’t, and her tone of voice changing to what we’ll get to know from season three Sophie

… Parker coming up with a believable story and selling it. Up to the point where her make believe parents found gold under their trailer…

… Nate’s withdrawal getting worse, Tim’s acting is brilliant here.

… Sophie talking differently to Nate than before. Yes, she still seems to focus on Nate and how Nate is being a dick to them and particularly her, but her voice is different and she uses the real emotion between her and Nate’s exchange to get what they need from Hurley; the list of people he wronged. Brilliant little twist here, because of course Sophie is focused on the con and on helping their client, especially now that Nate is threatening to lose his focus entirely

… that Genesis? Veeeeery subtle product placement, Leverage hahaha

… “I checked your notes - he seems like a deeply troubled man” - Thank you, doctor, yeah. Nate IS a deeply troubled man. And again: Nate’s withdrawal getting much worse, and the con threatening to get out of hand. I said it before, and I’ll say it again: It’s really great how they used this episode to focus so much on Nate’s alcoholism. It’s something so important not only for later seasons but also for the upcoming s1 finale, and we’ve watched enough episodes at this point that we understand WHY this happened to him. And this episode doesn’t offer an easy fix, nor do the following seasons. “Just give me something to do” is what Nate says here, and Sophie has to decide whether or not this is really the right thing to do

… “He is an addict, he knows how to manipulate people, my father was an addict, my grandfather was an addict, I know how these people operate” - yes, Nate, we know who you’re talking about. And so does Sophie

… Sterling as the one Nate hallucinates. Because Sterling knows him, because they used to be friends, because Sterling is as ruthless as Nate is (well, nearly), because Nate is still projecting and in denial that he is in fact talking about himself. So what does he do? He imagines his former friend who is now on the other side, chasing him. - I’m not too big a fan of Sterling in later seasons but this is such a STELLAR use of his character, and Mark’s acting is brilliant here, and so is, of course, Tim’s.

… “Knocking on heaven’s door” - ouch

… Nate’s aggression towards Hurley, first in a physical form and that is scary but also less dangerous because it’s unfocused; and then when his mind has something to focus on, that sharp sharp focus – fuck, he’s one scary dude indeed, it’s rather disconcerting that one is looking at Hurley for emotional reassurance in this scene…

… Parker’s strange walk because of her meds and the return on her focus when her thief-self kicks back in

… “If you’re doing it to help someone, doesn’t that make it okay?” Good question, Hurley. Your answer, Nate?

… Nate shoving Hurley in the hallway rather than explaining what’s going on. Funny, and sliiiightly sloppy, Mr Ford

...Tacos :)

… Eliot and Hardison sharing the same level of annoyance and then acceptance. So in tune in this episode, these two

… re-using that bomb. Everyone does their part in sustainability and careful usage of resources ;)

… the thugs thinking the bomb thing was done by the Jamaicans, aka Hardison and Eliot

… Eliot’s and Hardison’s reservations in the flashback. “Uh---why?” from Hardison and Eliot’s emphatic headshake

… the cash in the tire. Very practical choice, Hurley

… HURLEY JUST WANTS A HUG

… Hardison going the extra mile with Hurley’s new identity by getting him a gym membership

… Parker’s brilliant drawing!!!

… Parker smelling the Sharpie

… Parker running, PARKER HUGGING ELIOT AND HARDISON!!!! OT3!!!

… and that song, that is a variation of “What shall we do with the drunken sailor”, right?

Seriously, this is such a dark episode for Leverage standards because of that focus on Nate’s addiction, and yet, it’s counterbalanced by so much Hardison/Eliot fun and competence porn, by Sophie’s strength and by the fact that the villain of the week has a redemption arc. I love this show so much and this mix shows why again; such a delicate balance, so beautifully handled

#leverage #nate ford #sophie deveraux #eliot spencer #alec hardison #parker #Things I Love About #The Twelve Steps Job

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preppymayhem · 3 years

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While Dawson isn’t my favorite character at all, I do feel like the show rehabilitated him but then they regressed him again. Most people say Dawson was the best in season 4 but I actually like his S5 arc the most. I think Mitch’s death lead to some character growth. Dawson seemed to be taking more responsibly in his family. I liked his relationship with Jen (even though it was sickly sweet in the beginning). A lot of people hate Dawson for blaming Joey for his dad’s death but I don’t think he blamed her for it, I think he blamed himself. I think she just reminded him of the past. His rant to Joey wasn’t any worse than what Pacey said during promicide.

I think Joey annoyed me more than Dawson in S5 because she kept giving him mixed signals. She implied that she doesn’t want him, then chased to the airport and said that she does, but didn’t clarify what she wants them to be. Joey feels like she has an ownership over Dawson as much as he feels that was about her. In S2 she literally told Jen “Stop encroaching on what’s mine.” In the begining of S5 Joey was jealous of Audrey because she was “flirting” with Dawson. I think S5 was the only season I liked Dawson more than Joey and Pacey (but that could be because we saw less of him). I disliked the Keren storyline. I wasn’t a fan of Pacey sleeping with girls whose names he didn’t care to remember or his machisma. Also I really hated the storyline where Pacey cheated on Audrey with Alex. He gaslit Audrey and then tried to get her back because Alex didn’t sleep with him. I honestly felt like Audrey could do better. Pacey really treated her terribly. His arc was even worse in S6.

I think S6 is where I started to hate all the characters and/or their storylines. It regressed them further.

Also Idk why the fandom keeps holding Dawson accountable for slut shaming Jen even after his apology to her in S3. Joey slut shamed Jen more often than Dawson did. She also slut-shamed Audrey. There was even a scene where Jen slut-shamed Audrey and said that she had a future in porn which I find wildly OOC for Jen because she was upset when Abby Morgan said the same thing to her.

I actually think that all the male main characters are equally misogynistic. Jack tried to get his friend laid by telling him that Audrey was “easy.” He also said that he doesn’t call back people be sleeps with because he’s a “guy.” Pacey has a tendency to sexualize women. He also bragged about sleeping with that reporter girl to his colleagues. I think the writers made Pacey and Jack way more sexist and bro-ey during the college years.

Sorry about my rant. I rewatched the college years more closely. I skipped through a lot of scenes on my rewatch. I actually think that other characters don’t get called out on their actions as much as Dawson. Boy, I think the writing is terrible.

Okay, here’s the thing Anon, I can’t really view tv shows diegetically anymore (meaning I can’t just get lost in the universe and pretend these are real people with agency as opposed to fictional constructs made up of a bunch of ideas and writer’s decision).

My personal problem with Dawson which never changed even through the time he was “rehabilitated” was the air of entitlement and the sort Main Character plot armor he always had where his side and viewpoint were privileged. I still maintain that Dawson was the wrong protagonist of the show is a grade example of why you should be wary of making the main protagonist of the show a self-insert.

And in that I maintain that both of Jack and Pacey’s “broeyness” and Joey’s regression as a character in season 5 came off to me as the writers working on rehabbing Dawson on multiple fronts. It wasn’t just him doing better but he looks better when everyone else seems worse. (Joey as a character was always brought down by being tied to Dawson, he really, really brings out the worst in her and it is in this where it most apparent that she is being written by a bunch of male writers)

Honestly s5 and most of s6 is a crapshoot. The last 3/4ths of Season 3 was really the show’s high point (Season 4 is good but it was a bit of a down slide and s5 and 6 were the writers just floundering to get the show on track. They sort of righted it at the end to at least manage a mostly satisfying conclusion so there’s that.

All that I want to say that the writing for DC was pretty typical for US television (are there shows that have done better? Yes. are there shows that have done worse? Also Yes). I tend to like to focus on stuff that I like and did well. It is just the unevenness that splotchy is sort what you get with US television especially from shows produced for network broadcast. It’s why I find television writing fascinating, because on one hand you get these wild story decisions but then also understand there are logistical, practical and systemic reasons why US TV is just like that at times.

And honestly, I am personally okay with the fandom giving the female characters a break and not the main white dude character on, it’s a nice change of pace of fandom’s usual modus operandi

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petekaos · 4 years

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What did you think about the last episode!!

hi hi! so uhhh... this is going to get long and i’ve combined like 10 other asks i want to address, so your ask may be answered here! if you want Rahul’s Take On The 2gether Finale, then brace yourself.

...I didn't really like the last episode, I feel like it could've been a lot better/more emotional

I dunno if it's because I didn't like the last 2 episodes but even though the show literally finished I'm not emotional? The last episode I felt actually really happy watching was ep 9 but now I'm just 'ok, that show finished.' I'm sad bc I thought I would have a stronger reaction to the ending and them getting back together but I'm just meh :/

Really don't want to sound like those annoying people but damn really no kiss scene

I liked the ending, it was okay I guess but gmmtv better prepare for a shitstorm bc so many people didn't lololol

Honestly the best and well written episodes were ones where they still weren't a couple, like 8 and 9 were amazing

Although the finale was good, I feel llke in the future when I want to rewatch my favorite moments from this series, I will go for the first 10 or so episodes more often than not. It kinda feels like 2gether peaked around episodes 7-10, which is perfectly fine!! It was all in all a great series that did what it wanted to do and I’ll always cherish it but, I probably won’t rewatch much of the last two episodes

They made pam even worse!! Before she had her talk with tine anyway!!

My thoughts on the finale: could've been a lot better, could've been a lot worse

2Gether really felt like a giant inflatable castle that was carefully blown up for the past 12 weeks only to let it rapidly and poorly deflate in the end

The ending was fine and was expected but for me it's underwhelming in the sense that the past episodes, especially 4, 8 and 9 were really written in comparison so the finale is kinda meh bc I knew there was gonna be a happy ending. But still the YouTube comments and what some people on tumblr are saying is ridiculous, I don't want to even think about Twitter but imo I don't think any of gmmtvs other shows can top dbks ending like that ending was perfect,

i honestly love that 2gether focused so much on the story and the emotion and became so successful without all the usual fan service. i hope the whole industry takes something away from that! but i still felt like the finale was a little emotionally stunted when it came to tine/sarawat. i just wanted a big YES, I CHOOSE YOU moment, and tine's reappearance and the bracelet scene just didn't do it for me. you know what would have, though? a kiss. or a hug, or holding hands, or something sweet

okay, my friends! here is my opinion on the 2gether finale first, and then i’m gonna address what i personally hold of the more negative response the fandom has shown. i generally thought the finale had... a solid ending. i went into it with absolutely no expectations apart from sarawat’s song and a happy ending, because i knew it would be messy and not as good as ep 4 or 9 etc, considering the sheer amount of open storylines that were left to be resolved in one episode. i knew it would polarise the fandom--but i personally thought the ending was fine! a bit cliche, a bit rushed, but it was okay and it was a good enough ending for me to put 2gether behind me, the first season at least. the bracelet scenes and shots were amazing, the song was incredible (although i wish they would have had sarawat sing a bit more), the conversation pam and tine had was solid as well! there were a lot of things i liked about the finale and bright and win killed their solo acting as always. however, there are some things i wanna get into more detail about that i feel could have been done better, not only as a finale but as a show itself.

time allocated for the storylines. or: plotlines in general. this has been my bone to pick ever since episode 10. not gonna lie, this wasn’t good, especially from ep 10 onwards. there were so many storylines and plotlines that were dragged out further than necessary, and so many plotlines that should have started earlier. best example for this is mil and phukong, the mil redemption storyline should have started in ep 10 and should have had him be sincere for once, and the mil/phukong storyline should have actually made sense from the beginning and started in ep 11 at the latest. the mantype storyline should have also started a bit earlier than that and given us an explanation as to why type was crying at the retreat. however, mantype did pull it off!

writing! this ties in with the first point. the writing felt a bit inconsistent in the last two episodes and it’s a pity, really, that this is one of the downfalls :/ all the actors in this series, from the mains (bright, win, mike, toptap, frank, drake) to the side characters (gunsmile, love, gigie, film, etc.) are such good actors and it’s unfortunate that the last three episodes were a bit :// in terms of writing and plotlines. they all did the best they could with what was written and that... yeah.

conflict. this has to do with the first two points. the finale felt rushed. that’s something that i don’t think anyone really can argue? and i expected that, so i wasn’t too disappointed by it or anything. obviously it would have felt rushed considering the fact that they had to wrap up 3 or 4 episodes’ worth of storylines in one episode, which was a blunder on the writers’ part. the conflict fell flat, then. if they had had pam come in earlier and had tine and sarawat spend more time away from each other, we would have gotten an explosive reaction. i really do think that after they got together for real, the writers struggled to find conflict to keep the story going, jumping from tine’s insecurities to mil to pam for no reason whatever. i think it would have been much better done if we had mil as an antagonist wrapped up and on the road to redemption in ep 10 and had pam come in there, with tine’s insecurities as a b plot. i feel that would have been a bit more gripping. but, hey, guess that’s just me!

order of filming. this has to do with people saying that brightwin’s chemistry was off in the finale. i don’t think it was off, per se, but it was definitely lacking when we compare it to their chemistry in ep 4 or 9 or 10, y’know? that’s because i believe the finale was filmed earlier, when bright and win were still getting to know each other and figuring out how well they could improv. and they can improv, from what we’ve seen! so there really is nothing i can say apart from the fact that it’s a bit disappointing that they decided to film such a pivotal scene at the beginning. if it had been filmed in the end, it would have definitely been better!

flashbacks. the finale needed all the time it was gonna get, and i am disappointed by the amount of flashbacks they used, honestly. i would have cut down on the number of sarawatine flashbacks and used them sparingly when they reunited, because that just... makes sense and evokes emotion in the viewer, you know? the only flashbacks that served well were type’s view of everything and phukong and mil, because they were new. it just... felt a bit inauthentic.

pam. or: the girls in general. there is nothing i can do here but SCREAM. pam should have come in way earlier and replaced mil as the centre point of conflict for ep 11 and 12 to have been as good as the rest of the show, or ep 4 and 9 at least. her character fell so flat and the conflict she brought with her fell so flat as well, honestly. the girls should have been done better--more of earn and sarawat! more of pear! they could have tied into the plot effortlessly!

mil and phukong x mil. yeah this is a... whole ass bulletpoint, unfortunately. call me a clown all you want for expecting him to have at least a half assed redemption arc in the finale but goddamn was that... not good. really bitter over the fact phukong was straight up okay with being a “replacement” for tine even though... that doesn’t even make sense. i just... yeah, this wasn’t good. i feel super bad for frank and drake because they deserve a well written show or at the very least a well written storyline for all of their chemistry and work they put in, considering the fact that they are so so young. i could go on about a good mil arc for ages but i just... yeah i’m writing a fic, so y’all will see.

the reunion. this stems from the flat conflict and the rushed-ness of it all, but yeah. it wasn’t particularly hard-hitting, but i still enjoyed it because it’s sarawat and tine. this has to do with when they filmed as well, and just... because the angst didn’t start early enough for it to hit home. and i really do wish we’d had a scene after that with the both of them, alone. a lot of their things happen with a lot of people around them... and nah.

one year later. bro. bro. bro. the music club thing was cute! but i would have just... loved to see them alone, y’know? a scene of them being alone and intimate, just sitting next to each other on the couch or at a football game or sarawat continuing bringing the cheerleaders snacks, even a year later. them going to another concert. anything where they were just... alone. i wanted to see them together! we got that with mantype and we even got that fucking... scene on the roof where mil and phukong were just fuckin around? yeah? i would have loved to see that with sarawat and tine so much. (also btw pretty sure the rooftop scenes with mil and phukong is also where drake and frank took this photo and it made me so happy dhsndh like... the shot where mil took his hand off phukong’s eyes? i called it immediately and my partner was like ???)

intimacy. chemistry. the biggest thing everyone is talking about. now comes the part that y’all all wanted to know if you’ve been reading this far lmfao, my take on the fact that was no kiss in the finale! and my take is... i expected there to be no kiss in the finale somewhere deep within, and honestly i’m fine with not having a kiss. my only problems with all of this are first of all, that we didn’t get a proper kiss in the entire series and had sarawat kissing tine one-sidedly. secondly, i would have loved verbal intimacy as well! an i love you, or y’know, some hand holding, anything! this is also due to the fact that i believe the series was filmed relatively early on. i just wish... again, that they would have been alone one year later and we could have just seen them being domestic, as we have already seen them!

so those are some of my thoughts on the finale. considering the fandom’s response... i can see why people are upset or disappointed but i don’t think it’s, like, that justified to throw the whole show away as well. yeah, the ending wasn’t perfect, but if you’ve enjoyed the show as a whole... maybe it’s okay, y’know? like, personally, i don’t think i’m ever going to rewatch the finale. but i do love the earlier episodes and i am gonna watch them back at some point, probably! it’s all well and good and valid to criticise the lack of intimacy and kissing in the finale i guess, but if you’re a straight girl then maybe... watch your words. 2gether has portrayed a wonderful love story between two men and to see straight people throw it away as “bromance” or say it’s the “straightest bl of all time” or whatever because of the lack of kisses is kind of hurtful. i am completely open to discussing this with lgbt people, mlm specifically, and you can come talk to me about your thoughts if you’re a straight woman as well. all i’m asking for is that you maybe show a little bit of empathy and respect, y’know? i also do think 2gether peaked around episode 9/10 and i’m fine with that! it gave me so much more than characters and relationships--it gave me the fandom and everyone here and words cannot express how grateful i am for all of you. maybe the last few episodes were poorly written and the finale wasn’t everything y’all hoped for... but i did and do love this show. i cannot wait to see where brightwin go next.

#tried to put this under a cut but it gave up on me lmfaooo #also yeah dbk finale was perfect nothing can compare dsmdhs #2gether the series #2gether finale #for my own tagging purposes #ref #rahul answers

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razberryyum · 5 years

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The Untamed/陈情令 Rewatch, Episode 3 (spoilers for everything)

(covers some of MDZS chap 13 and erm...that’s it. They mostly go rogue for this ep*)

WangXian meter: 🐰🐰🐰🐰🐰🐰🐰🐰🐰🐰🐰🐰🐰🐰🐰🐰

(a 🐰 is earned every time there is a WangXian scene or even when they’re just thinking of each other...some scenes deserve more than one 🐰...don’t worry about it, it’s not an exact science 🐰🐰🐰)

Really, bless Team CQL for transforming what was only an anecdote in the novel into one of the most beautiful scenes in the show. The first time Wei Ying and Lan Zhan first crossed swords played out like a moonlite, rooftop ballet and it is completely breath-taking and romantic and perfect. What makes this scene even more meaningful to me now is the added sense of poignancy of knowing that they will never be able to spar like that again due to Wei Wuxian’s diminished abilities in his Mo Xuanyu form. Although, even before his rebirth they wouldn’t have been able to repeat this dance since Wei Ying's extraordinary swordsmanship had already gone away with his golden core. It's yet another reminder of not only how much he’s lost, but also how great a sacrifice he made for Jiang Cheng. Just thinking about that is enough to make my heart ache like crazy all over again over how much Wei Ying loves his bro and how much he went through for him without JC even knowing it for such a long time.

But back to happier thoughts, what I also loved about this scene is just how downright adorable Wei Ying was being. Actually, he really was being a total mischievous cutie during most of his time at Cloud Recesses, which makes sense since this is the Wei Wuxian that was still brimming with boyish charm and innocence as his life still hadn’t been touched by heartbreak and tragedy yet. That reminds me of another reason why I am so impressed with Xiao Zhan as an actor is because he basically had to portray three different roles in The Untamed—as the youthful, wide-eyed Wei Ying, followed by the more bitter and mature Yiling Patriarch, and then finally the carefree yet jaded Mo Xuanyu—and he performed each persona with equal aplomb while injecting noticeable differences in each phase of WWX’s life as exemplified by alterations in his posture, expressions and even the way he says his lines. I'm not familiar with what acting awards are available in China’s entertainment industry, but I hope he receives some sort of award recognition for his work. He definitely deserves some nominations at least.

That is not to say that Wang Yibo was being a slouch either; even though I had my doubts about him initially, I do still recognize that playing a stoic character is not an easy task since he had to find creative ways to avoid falling into dullness. A good deal of microexpressing is involved that can be difficult for an unseasoned and non-professionally trained actor, but WYB definitely lived up to the challenge as the show progressed. But because WWX is the more blatantly dynamic character, one’s attention is naturally drawn to him, even I was more focused on him at first, so I ended up neglecting what was going on with WYB’s Lan Zhan. It was only after revisiting this episode that I was truly able to appreciate the subtlety of performance.

While it’s hard to imagine anyone being able to resist Wei Ying’s charms, I do believe Lan Zhan was indeed mostly irritated by him during their initial interactions. At the same time, however, he also clearly noticed that there was more to WWX than meets the eye since he was definitely intelligent (after all, he correctly deduced, twice, what was going on with the injured cultivator Lan Zhan brought back) and he was also quite skilled since their sword fight ended at a draw. But because Lan Zhan had years of propriety instilled in him by Uncle Lan, his automatic reaction to someone who was as unruly as Wei Ying had to be instant disapproval and annoyance. The irony of that is most likely because Wei Ying was such an annoyance to Lan Zhan that he couldn’t help but constantly notice him as a result, as one would do with an eyesore, so even from the first moment they met, his attention was already captured. It’s not the most positive way to start a relationship to be sure, but obviously it worked out for the best in the long run, especially once Lan Zhan got to know Wei Ying better and that animosity turned into something more affectionate.

Big Brother Appreciation Time

There are many reasons to love big bro Lan Xichen—he is such a sweet, caring, gentle, considerate, and loving soul who is also a skilled and talented cultivator—the least of which is his intent on playing matchmaker between his little brother and WWX right from the start. I loved that he noticed something in Wei Ying immediately and realized he would be a good person for LWJ to have in his life. Bless him for being so observant and intelligent.

Random Bits of Randomness

If Lan Qiren knew that this rude, improper kid would one day be the person to “corrupt” his beloved nephew and steal his pure, innocent heart, he probably would’ve spit up all the blood in his body and dropped dead right then and there. I will always laugh at just how offended he looked when Wei Ying dared to rest Suibian on his desk, as if he had dumped dog shit in front of him instead.

I just wanted to commend Mian Mian’s fellow sect-mate on the left there who, even though she was not complimented on her good looks or even given a second glance by WWX, still generously talked Mian Mian into allowing the Jiangs to stay at the hotel. I thought she deserved some credit for her nice gesture.

Not having read the novel yet when I first watched this episode, I was actually shocked at the reveal that Shijie was engaged to Jin Zixuan because I would never have thought they had that relationship from this scene. I know JZX didn’t really have any intention of honoring that arranged marriage at this point in the story, but the rudeness he allowed his servant to get away with was still unbelievable. I mean, seriously what the hell, she was still his fiancee, he hadn’t broken off the engagement yet, how DARE he allow that nobody back there address Shijie and his potential future in-laws in such a rude way. The fact that he actually kicked them out of the hotel was also shocking because it felt completely unnecessary. I really didn't like JZX because of this moment and that sentiment stayed with me for quite some time. What made the scene sadder is Shijie obviously was crushing on him and for the longest time I couldn’t understand why because I thought she totally could do better AND deserved better. I can’t say that I ever learned to love JZX, but I definitely don’t dislike him anymore.

Though I’ve been pretty critical of the CGI in The Untamed for the first two episodes, I do want to point out that not all of it is horrible: I was actually impressed with how both Cloud Recesses and Nightless City looked, even though I think their design for Nightless City was rather off the mark since it no longer suited its name. Since they were going to go with the dark theme and make the Wen Sect as blatantly villainous as possible, the production team should’ve just changed Nightless City’s name to Forever Night City (“長夜城”). Personally, I would’ve preferred it more if they had just stuck with the design of the Wen sect’s residence and uniforms as they were described in the novel (which was beautifully brought to life in the donghua) since I liked how deceptively righteous the Wens seemed. In CQL, they were so obviously the bad guys that they bordered on being cartoonish, especially Wen Ruohan (portrayed by Xiu Qing). Man, his performance simply was NOT working for me AT ALL. Even his make-up was a mess...looked like it was melting off of him all the time. In contrast, I thought Wen Chao (portrayed by He Peng) was bit much at first too, but then eventually I started to appreciate the actor’s performance, especially during his last scenes where he actually made me feel bad for his character because he was so convincingly pathetic. WRH never won me over and I was really relieved when he finally died. I actually thought they gave the actor too many scenes already leading up to his death. Felt like a lot of unnecessary filler to stretch out the episodes.

Xue Yang is absolutely evil and horrible and psychotic and a total mass murderer and villain, but dammit, as soon as he showed up, I couldn’t help but immediately take a liking to him, and it’s all the actor’s fault. I have never seen Wang Haoxuan in any other show before...then again, I think he’s only been in two other shows prior to The Untamed, both of which I haven’t watched...but much like with Xiao Zhan and Wang Yibo, I think the show struck gold by casting him as Xue Yang. In addition to making his character difficult to hate, he has also made him so interesting and magnetic that I couldn’t wait to see him pop up again. I am so glad that Team CQL altered the Yi City arc so that we were introduced to Xue Yang, Xiao Xingchen and Song Lan sooner than in the novel. Not only did it allow us to become acquainted with the characters early on so that by the time Yi City rolled around, everything that happened in that arc would be even more emotionally effective because we were already invested in them, but we also got Xue Yang sooner and more often, and for that I am thankful. I already liked him before I read the novel so by the time I came across his character in the book, all I could imagine was Wang Haoxuan. He completely fit the image of Xue Yang for me. I don’t know if I would feel the same way had I read the novel first before watching the show, but I would probably still like Wang Haoxuan’s portrayal. I know there have been criticisms that he is overacting, but for me, everything he did worked. It worked so much that I wish things had been different with his character, that Xue Yang wasn’t the monster that he is and committed all those atrocities that he did. I mean, he’s literally worse than Charles Manson. And yet, I still like him; I can’t help it, he’s just so much fun to watch. His eyes freaking sparkles. How am I supposed to resist that?? Look, there are times in a person’s life where one must make certain decisions that are undoubtedly not wise ones, but one still must stick with them because that’s the choice that was made. Liking Xue Yang is definitely one of those decisions for me and I’ll just have to live with it.

**I didn’t want to put this right at top since they would be unavoidable spoilers, but Shijie, Wen Qing and Wen Ning never attended the studies at Cloud Recesses. I’m really happy for that change in the drama, especially since we got to know Shijie more. As mentioned above, the early introduction of Xue Yang and the yin metals was also a deviation from the novel.

Questions TBD:

I had questions regarding the whole yin metal drama, but I have a feeling it’s only because I wasn’t paying close enough attention to that part of the story every time I watched these earlier episodes. I tend to zone out when we dropped in on WRH because I just find him so ridiculous and his whole set up in his fortress ridiculous too. Those zombie/ghost puppet dudes are just silly and I think it's kind of hilarious that WRH would just have his precious yin metal floating in the main hall like that for everyone to see. He has a cool throne, I’ll give him that, but otherwise, I really just can’t with him. On this rewatch this time around though, I am going to really force myself to pay closer attention to WRH and yin metal stuff so that I can finally make sense of it all, or at least know for sure that it was never meant to make sense because they actually botched that whole storyline.

Overall Episode Rating: 8 Lil Apples out of 10

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quarterfromcanon · 4 years

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27-29 for the get to know my favorites game

Hello, lovely! Thank you for these. :) Trios turned out to be a surprising challenge (I apparently have more favorite groups of four than three), but I’m pretty happy with the ones I remembered after giving it some thought. The final picks are under the cut! <3

Top 5 BROTPs

1. Paula Proctor & Rebecca Bunch (Crazy Ex-Girlfriend) - Naturally, this was the immediate choice that sprang to mind. It’s the first relationship on the show I really fell in love with, and it’s the one friendship in the series that consistently tugs on my heartstrings. It’s flawed, complicated, and messy but the genuine connection underneath it all is strong enough that I’m hopeful they can work through their problems. I would’ve preferred to see more emphasis on that effort in the fourth season (and a lot more work on Rebecca’s friendships with Heather and Valencia as well), but I want to believe things improved between them after the finale.

2. Steve Harrington & Robin Buckley (Stranger Things) - The general public opinion of Steve Harrington has been on such a journey since Season 1, bringing him now to a status of common fan favorite. As such, I think a delicate balance needed to be struck in finding a suitable match to team up with him on adventures. This person needed to:

A) Have good chemistry in their interactions with Steve

B) Bring a new dynamic to the table that he didn’t already have with an existing connection

and most importantly

C) Be a unique and engaging character that the audience would care about individually, so they didn’t get lost in simply being an offshoot of Steve’s story. They couldn’t be relegated to perpetual sidekick with little else to define them.

As far as I’m concerned, Robin Buckley fits the bill on every account. She’s artistic, resilient, loyal, and - especially endearing to me - a movie buff. She has a quick wit, a sharp mind, and a big heart. Being friends with Robin helps Steve take the specter of his high school self less seriously so he can put it behind him, and she helps him more fully embrace the person he’s becoming in the wake of that lost status. Having Steve for a friend helps Robin resolve some lingering emotional scars from school as well. It gives her an opportunity to share her authentic self with a peer and - to her relief and ours - find acceptance after revealing a pretty important secret. I can’t wait to watch the two of them be adorably nerdy and goofy bros at Family Video in Season 4, presumably with some daring fights against dark forces when they’re off the clock. Does saying I hope Kali comes to Hawkins somehow and bonds with one or both of them mean I can speak that into existence? I’m doing that now. It’s worth a try. If it happens in some capacity when the time comes, know that I will throw a One Blogger Party of epic proportions.

3. Wynonna Earp & Nicole Haught (Wynonna Earp) - I had to use this specific screencap because it perfectly encapsulates the chaotic energy that makes me loves these two together so much. Their separate approaches to their shared work environment are at pretty much polar opposite ends of the spectrum, but they make a pretty solid team when they play to each other’s strengths and communicate. They also both love Waverly most of all, so it feels like they were bound to work out their differences eventually since neither would want to make her feel torn between her sister and her girlfriend. The hijinks they get up to in each other’s company are just top shelf. I look forward to at least a little bit of fun like that from every season. If I wind up having a lasting partner later on down the road, it’d be cool if their personality balanced well with my sister’s on this level. I’d also be really happy if I ultimately gelled with her person in a way that sounded unlikely at first but worked. Fingers crossed for both outcomes, but I guess we’ll have to wait and see.

4. Emily Thorne [Amanda Clarke] & Nolan Ross (Revenge) - I have two things to quickly clarify for those who are unfamiliar with this show.

#1 She has two listed names because she was born Amanda Clarke but goes by Emily Thorne for most of the series to hide her true identity.

#2 Despite the impression this picture may give, Nolan is not marrying Emily; he is simply walking her down the aisle.

These two are there for each other through so much - the looming threat of discovery, jail time, capture, near death experiences, heartbreak, the passing of loved ones, etc. - and they make it to the other side with a deep bond the likes of which they’ll never experience with another person. It is at times heavily one-sided because of how much drama Emily deliberately dives into, but it’s something that she tries to make up for during her more self-aware and less self-involved times. There’s genuine love and mutual respect there by the finale and it’s really gratifying to witness the journey they’ve taken together.

[~Slightly spoiler-y closing statement after these brackets~] I was pretty sure I knew where the show was going with romantic ships by the end. I knew for certain it wasn’t my personal OTP for her because they’d already killed that person off quite some time ago. There was a part of me that could’ve found some contentment in leaving the story with these two as a couple. After all, one of my favorite ship dynamics is Reluctant Acquaintances to Best Friends to Lovers, but it was not to be. That being said, the platonic friendship they shared was a big part of the heart of the show and I cherish it for that. Nolan was a rare exception for Emily, a genuine bond formed in the years when she was tried to operate like her heart was made of stone. I also think working with Emily gave Nolan a sense of purpose and let him flourish in his area of expertise. I’m not sure how either of them would feel about the musical reference but, to slightly paraphrase from Wicked: because they knew each other, they have been changed for good.

5. Penelope Stamp & Bang Bang (The Brothers Bloom) - I have seen Rachel Weisz and Rinko Kikuchi in more roles since this movie than I had prior to watching it for the first time so, if anything, my fangirling over this friendship has gotten worse rather than more manageable. x) This post classified the film under the subgenre whimsical noir. It turns out that’s a style I instantly adore every time I stumble upon it. One of the titular brothers, Stephen, lives so deeply immersed in the variations of the world he writes for their heists that even those closest to him are essentially characters he can interact with on a daily basis. His feelings for them as people can get very muddled with his feelings for them as interesting OCs to move through narratives. A big trouble with this is that his living archetypes can often get reduced to clichés. He’s not always mindful of their nuances or allowing for the full range of their autonomy. Penelope is selected by Stephen to serve as the “manic pixie dream girl” who will be his brother Bloom’s forever love and Bang Bang is essentially presented as a “dragon lady” stereotype. I haven’t done a rewatch in years so I may be giving the movie too much credit here, but I remember this choice feeling at least semi-deliberate. It could be interpreted as a way to illustrate how Stephen warps real life to fit his vision. At least, I can definitely remember scenes that felt like they debunked the one-note assessments of these two. What I genuinely love, though, are the little moments when Penelope and Bang Bang are able to just spend time together with little to no interference from Stephen or Bloom. They share their hobbies and teach each other new skills. It feels like they truly perceive one another as whole human beings on a level that neither guy is capable of doing since they’re both so immersed in the drama of the plot. When the women are with each other, they get to be more than an extension of the men who maneuver them; they get to be themselves. Penelope is the only one Bang Bang clearly wants to maintain contact with once the heist is finished. I think that says a lot. Honestly, this is another BROTP that could slide to OTP. If someone wrote fic of them completely severing ties with the brothers and going off on their own - romantically or platonically - I wouldn’t be upset at all.

Top 5 Trios

1. Luke, Leia, & Han (Star Wars Episodes IV - VI) - Oh dear, I’m overwhelmed just looking at a picture of them together. Star Wars has been a part of my life since childhood. Getting to watch the original trilogy felt like a rite of passage (when I was really little, Mom used to find things for us to do outside the room while Dad watched because she was afraid some of it might scare me). Princess Leia resounded with me on a level that almost no other fictional royalty has ever quite matched. Han’s wardrobe is still some serious #aestheticgoals and I would 100% wear replicas of his jackets and vests if I had them. I also remember thinking that Luke’s new look in Return of the Jedi was SO COOL with the all-black wardrobe and green lightsaber. Wow, imagine that, an edgy costume change that shared vibes with the common Disney villain color palette called to me as a baby fan of antagonists and antiheroes! Who ever could have foreseen that sudden spike in appreciation? :P Anyway, one of my lingering sorrows about the more recent trilogy is that we never got to see all three of them as aged adults in each other’s company. I still wanted our new cast to get their time to shine, of course, but I do lament the absence of at least one little trio reunion.

2. Luna, Neville, & Ginny (Harry Potter series) - The Silver Trio, pictured here with the first set of three that comes to mind when thinking about the books and movies. I do still love Harry, Ron, and Hermione, but I’ve found a growing appreciation for this other team-up over the years. They’ve been through a lot too, even if they are not always present where the main action is. Bullying, loss of parents, manipulation of the mind and body, abuse at the hands of authority figures - they’re all left with internal (and probably external) scars to bear. There’s also something to be said for how strong they all were in the school year set during Deathly Hallows, when the Golden Trio wasn’t around to inspire and unite those who wanted to stand up to ever-increasing tyranny. It can be easy, unfortunately, for them to get written off based on the oversimplified stereotypes that have gotten associated with them. People remember Luna as being weird and spacey, Neville as awkward and hapless, and Ginny as bland and lovestruck. They’re all far more nuanced than that, and they accomplish great things while fighting for and beside their friends. I’m planning on doing a re-read of the books at some point, and I really look forward to revisiting these brave kids.

3. Irma, Marion, & Miranda (Picnic at Hanging Rock) - Ah, yes, my very recently discovered darlings. I have many thoughts about them all. I’ll try to keep this as condensed as I can while still making sense. Some spoilers will follow, although those won’t answer every question the story poses. There are audience members who ship the above characters as a throuple, which I totally get, but for me it’s like soulmates of a different kind. These three have met at a point in their lives when they all burn with compatible intensity. They long for the same dream version of youth, for a way to begin life free from the confines of a world that won’t accept all their hearts contain. While the people that surround them may not be willing to bend the rules, nature itself appears to show them mercy. How often do we see a story of girls who just... love other women so much that a sacred location goes, “Y’know what? I’m gonna help you escape your restrictive society. Permanently.” This miniseries definitely depicts the setting as being involved in messing with the investigation, as a mystical place that befuddles unwanted intruders. I love the way these three fortify each other in times of pain and fear, and there’s something deeply moving about how standing side-by-side helps them defy the odds.

4. Sarah, Alison, & Cosima (Orphan Black) - Okay so, technically, when I picture our core team in this show, the net is a little wider. My mind tends to also include Felix, Mrs. S., Kira, Helena, Donnie, Delphine, and Scott. However, I think you could kinda argue that those characters have a stronger connection to one of the above three than they do to the other two. Thus, this ends up being the central triangle. They’re all such solid performances and the fact they’re all played by the same person is incredibly impressive (not to mention the, like, twelve other clones Tatiana brings to life throughout the series). Watching them go from tense strangers to sestras was wonderful. I’m glad they had each other through the increasingly complicated web of lies and schemes they had to unravel and survive.

5. Galavant, Sid, & Isabella (Galavant) - Remember how James Marsden was in Enchanted? If you dialed down the deliberately cartoonish quality of that performance and allowed for more not-so-G-rated humor, I feel like you’d have a general sense of what Galavant is like as a character. Sid is his squire and Isabella is a princess whose mission happens to combine with Galavant’s, albeit fueled by different driving motivations. They find themselves involved in a lot of shenanigans because of Galavant - even in his own universe, he’s into the whole dashing knight thing more than is strictly necessary - but they make a fun little team to follow through the world of this musical television series. I’ve gotten fuzzy on the details since I watched it air live four years ago, but I remember the series being enough of a summer feel-good time that I’d be game to revisit the show again someday.

Top 5 Family Relationships

1. Stevie Budd & The Roses (Schitt’s Creek) - The whole fish-out-of-water setup for this series was already pretty fun in and of itself, especially given how outlandish their lifestyles evidently were before the show begins. The thing that makes it special, though, is how the absence of all their expensive distractions finally helps them prioritize being a family. The Roses do a lot of work to reconcile who they were with who they find themselves becoming in the present. It’s sweet to see them collectively conclude that growing closer to each other is one of the few things they do not regret in the slightest. They also silently agree to adopt Stevie along the way and, boy, does that give me a lot of Big Feelings, particularly in the later seasons.

2. River Song & The Ponds (Doctor Who) - I think it’s been like seven years or so, give or take, since I watched Doctor Who with any regularity. These three have resurfaced in my mind many times since then. They all love with such fierce and unwavering devotion, spanning lifetimes. It’s fascinating - and often heartbreaking - to learn about the things they’ve experienced and endured. Oh gosh, and once the show reveals how River’s story overlaps with theirs, and you pay attention to how she looks at them, IT HURTS but it’s so engaging to watch. The emotions are all flooding back just remembering them now. Argh, what great characters... </3

3. The Tico Sisters (Star Wars Episode VIII: The Last Jedi) - Rose appears in two installments of the third trilogy, but this is the episode that has both Tico daughters. We never get to see them interact onscreen in the film, but I still feel the bond between these sisters so intensely. I found out later that Kelly was present for the filming of Paige’s death scene (which happens so early in the movie that it doesn’t feel like a big spoiler - please forgive me if it is). I’m glad that was something they decided to do behind-the-scenes, because it definitely informs Rose’s grief. She’s sitting in the dark, picturing her big sister’s final moments with such horribly vivid detail that it feels like she was there, and yet she can’t do anything to change how it ends. The shape of the sisters’ necklaces immediately establishes that they were a unit even when acting independently, that they felt like two halves of a whole - all they had left of their family. Now there is only one, and that fact is a weight around Rose’s neck both figuratively and literally. It serves as a visual reminder of how she carries Paige’s absence always, trying to discover and embrace who she is on her own while still honoring the memory of a relative she loved so deeply. I think she reaches the end of Episode VIII feeling like she’s someone of whom her sister would be quite proud. I’m very proud of her, too.

4. The Tyler Siblings (Wonderfalls) - Jaye is comically different than the rest of her family, and the show establishes that right out the gate when we learn that she’s the only one whose name doesn’t rhyme with the rest (left to right, the others are Karen, Sharon, Darrin, and Aaron, respectively). Her relationships with her parents could certainly lead me off on some analytical tangents but, predictably, it’s the sibling stuff that interests me more. I think it could be said that all three do more living inside their heads than they do out in the world, and that they’ve all grown up to be borderline loners (Ironically Jaye, who is considered the most troubled, is the only one I remember being shown to have formed and maintained a friendship). Aaron’s a very philosophical and analytical person, so you get the sense he talks to himself more than to others, although he still manages to resurface from those deep contemplations so he can goad and tease his sisters from time to time. Sharon is high-strung, competitive, and brings that “disaster lesbian” energy to basically every social interaction she has. Jaye’s standoffishness seems to stem from both the difficulty of fitting in with people and the fear that connections will fall apart once they manage to form at all. They’re all just messes trying to make the best out of the situations they face, and I appreciate that. I also enjoy how prominently the Jaye and Sharon sister bond features throughout the show’s only season. It starts out on pretty rocky ground, but they grow a lot in regard to how willing they are to communicate and express their love for one another.

5. The Brothers Proctor (Crazy Ex-Girlfriend) - The family dynamics in their house are in need of some serious work, without a doubt. I’m just really touched by how close these two have become without Paula’s notice. It’s possible they always were, in that we-fight-but-we-care way that siblings can often be, but the supportive side of that really moves to the forefront as they get older in the series and it warms my heart. There’s such a glaring difference between The Household As Paula Views It and Things That Are Happening While She’s Not Paying Attention. I can’t help using fic as a way to explore that. I happily find excuses for her sons to make pop-in appearances, just to check up on them. I'm so pleased that, as of Season 4, they seem to have become fairly well-adjusted in spite of everything. Oh, and I am still not over the revelation that they attend renaissance festivals together, in character, for fun. What precious cuties who would no doubt dislike me referring to them as such! Paula, please give them an extra hug from me!

#About Me #Answered Asks

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justlightthefirstspark · 5 years

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Utd vs City - FA Cup 4th round - Jan 25th 2020

Okay so this game was a little all over the place, I feel like everything just goes out the window on derby day. For real tho my blood pressure went through the roof this afternoon, I HATE derby day. Moving on.

‘10 - Cracking save from Earps. She was on her game today (except for towards the end, but we’ll get to that later on). She did have some great saves though

Today I learned that I’m not a massive fan of Ellen White. She’s very good, yes, so disagree with me if you must, but she seemed pretty intent on literally killing Abbie McManus for a little while there, and she nearly came through Hayley Ladd at one stage, so... yeah. I’m not really a fan. Just don’t think a striker needs to make as many sliding tackles as she did today 🤷🏽‍♀️

‘22 - Jackie meggsed Steph Houghton and I thought I was gonna die of joy. If that’s even a thing. Also, wish we could have made something from that but hey.

‘24 - Was a little choppy for a lot of the first half. Sigsworth had a glorious opportunity to open the scoring but unfortunately couldn’t make anything happen, and then Ross went kinda close, but it ended up creeping over the bar. City were definitely in charge at this point though, most of what United had was coming off the counter

‘30 - Goal, City. Abbie... bro. Personally, I never bought a ticket for the McManus hype train. And that’s why.

‘37 - Nailed on chance for United surely, ball in from Hanson I’m pretty sure, but Sigsworth just couldn’t get there

Half time: First half went pretty much as I expected it to, minus the goal if I’m being honest. McManus’ mistake was pretty stupid, and shortsighted, but what’s done is done. I do think that we need a new CB (at least one) in the summer, cause I haven’t been majorly impressed w McManus tbh. I much prefer the Turner x2 partnership at CB, but even then Amy can have a tendency to make some silly mistakes. (I’m sure Millie does too, I just haven’t seen those yet. They’re human, not robots, we all make mistakes!) I think Abbie, needs to be benched for a little while; move Amy back to CB w Millie, move Smith onto the right and bring Ökvist in on the left, and just let her develop and learn on the job. (Should Amy have to relinquish that RB spot, Smith should have it over Harris imo)

‘45 - No changes at the half, which was annoyingggggg. Also the male commentator (can’t remember his name, soz) kept making reference to the QF loss to Reading last season and I was not appreciative. Like, at all.

‘48 - Like for the majority of the first half, Zelem was sitting very deep in the Utd midfield. Was almost like a back 5 at times, w Zel sat just in front of Abbie and Millie. She was basically invisible during the first half due to this as well, little to no offensive action. I’m pretty sure that Ladd started sitting deeper to push Zelem up at some stage though

‘56 - Goal, City. This was game over for me (lol). I’m not really sure who I blame for this one, seen a lot of blame on Amy, but there was definitely a delayed reaction from Millie in there too, so I’d have to watch it back (which I don’t plan to tbh) to fully make up my mind, so I’m gonna blame them both. Seems only fair. 🤷🏽‍♀️

‘59 - James 🔁 Ross. An hour too late but I’ll take it. I’d have started James, without a doubt, but Casey said they were “managing her for the upcoming games”, also she kinda has a tendency to pick up yellows - through no fault of her own really though. Some other players just can’t deal with her strength on the ball so when they challenge her, they come off the worse and she gets in trouble. Riddle me that one 🧐

I also think we need a new striker in the summer, Ross just isn’t working. We need another game changer, another creative outlet like Lauren cause it’s massively unfair to rest that responsibility solely on the shoulders of an 18 year old.

‘60 - glorious shot from Hanson that just couldn’t make it. She really opened City up down the right side. To be honest it was a great save from Roebuck too

‘69 - GOAL; United. Remember when I said Lauren James should have started? Because Lauren James scored a super goal 10 mins after she came on the pitch. Lovely turn and shot, straight past the keeper. Game on, apparently.

‘69 - Arnot 🔁 Sigsworth. I think this was a good swap, even though it may not have been like for like. Jess was EVERYWHERE today, I genuinely don’t think there was an inch of the pitch she didn’t cover. She had a few decent chances, which any other day she probably would have put away but that’s the way it goes I guess 🤷🏽‍♀️ Honestly if we had any other options, I’d rest her more, but we don’t so... I do think it’s the right decision to sub her off around the hour mark if she’s gonna play this often though. She’s gonna burn out quick cause she’s doing way more than she needs/has to (because we have no bench and a lot of inexperience/players who just aren’t that good, so everyone is doing 47 jobs but shhhh)

‘72 - 👻 - Pure daylight robbery is the only way I can describe this. One of McManus or Arnot has the ball OVER the line, but it’s disallowed 🤦🏽‍♀️ (Before anyone comes for me claiming “salt” or whatever, there is nothing you can say to me that would change my mind. There’s videos from the stand that show the ball over the line, Ellie Roebuck’s body-language and position show her clearly fishing the ball out of the net, the reaction of all the players around the goal show that it went in - Utd players elated, and City’s dejected. Also Miss Ellen “I couldn’t really see. I wasn’t in the line of it” White can swing. She was 2 feet away and staring right at it.)

‘76 - Goal; City. Jill Scott floats it up and in , with a delayed reaction from Earps. She should have seen that one coming a mile off but I reckon it took a deflection (possibly off McManus’ shoulder?) cause her body movements completely changed - albeit just a fraction too late. Also, I have *no idea* what Amy was doing in the box there, I just know that I don’t ever wanna see whatever that was ever again. Flailing around on the ground like a literal fish out of water. Not good.

‘87 - GOAL; United. Well, own goal; Hemp. But I’ll take it. Thought for a second it was Houghton but she was too busy feigning a foul 🤷🏽‍♀️

‘90 - I’ll be honest, I had to stop watching here cause I couldn’t take it. There was like, a year’s worth of added time bc of two injuries to City players but nothing of note happened during this time so I have nothing to say.

All in all, I think our entire back line had an off day today.

Abbie, imo she’s our main defensive weak link. I’d say a solid 70% of City’s chances came down our right side due to this. I’d have to go back and rewatch every game from the start of the season to pick out specific instances, but there can be a bit of hesitancy and airiness to her game sometimes, it doesn’t always seem like she thinks before she does. And she (well, all of them do it really) plays it back way more than is healthy for my stress levels.

Millie gets the benefit of the doubt from me today cause she very rarely has off days, but she was very quiet today.

Amy, has some extent of the benefit of the doubt cause she’s not a RB/FB by nature, she’s had to change her game a bit, but she was not great today (see previous point about the right side of our defence)

I actually think Kirsty Smith was the best of the 4, her service to Hanson on the left was excellent.

We really, really missed Galton down the left though, so I hope she’s back for Wednesday! Lauren needs to start vs Chelsea too, and against Reading tbh but we’ll worry about that one later.

Also, as a little side note, I have to say I really enjoyed Jayne Ludlow’s commentary this afternoon! I know she did the Utd/Spurs reverse fixture in October, and I’m sure she’s done a few more, but I’d like to hear a lot more of her (or really, anyone else who knows the game as well as she does, or in a similar capacity). She, obviously, knows the game really well, and I thought her analysis and opinions were really interesting to listen to.

#i don’t think this is as good as the last one but it’s fine #still tho pls be nice if you read 😇#manchester united women #muwfc #my writing

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zimdestroyer-dib · 5 years

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Opinion on show Prof. Membrane VS movie Prof. Membrane?

Of course! This will contain spoilers, just to warn ya! Also, thanks for this ask! I’ve been meaning to say somethin’ like this. @ everyone else, if you want me to “rate” a certain character, please let me know!

Show Membrane opinion:

He can be a jerk(and kinda cruel), petty(he straight-up said “Fine! If you’re not going to take this seriously, no infinite power for you!” and,,, kept his word), and not all that good of a father. He’s absent from his home and children often due to him trying to improve the world through SCIENCE!, which means said kids end up being left to their own devices at home. He does love them, though, and does still keep contact with them via advanced technology.

Rewatching the series has had me laughing a LOT whenever he’s not calling Dib crazy and insane(poor Feebly. I feel you, bro). Like, he’s so exaggerated and his interactions with the people around him can have me chuckling quite a bit. There was this one scene where he said something like “Curses aren’t real, son.” before proceeding to go Up and yell in a possessed manner for less than 2 second before sitting back down.

His laugh is so good. It’s over-the-top and sometimes really contagious(at least for me). I was watching the show yesterday and he was spending time with Gaz. His response to her telling him that Dib was suffering (by cleaning a toilet with his head in that one Pig Dimension) was great and went something like: “HAHAHAHAHA! You are the funny child.”

He’s a DILF, too, but looks like he’d be pretty bony. I’d still snuggle the hay outta him tho. Also, his hair being sentient scares me but also makes me laugh. I wonder if it works like Pinkie Pie’s and/or Lion’s manes...

[I’ll give my opinions for who I like better between the 2 at the end!]

Movie Membrane opinion:

Once again, a sometimes cruel sometimes jerk, but this time he’s Present in his kids’ lives(but that doesn’t mean he isn’t still mean to his son). He has some comedic times (he can say some “crAaAzY stUUuuff”), but I’ve noticed more and more that he’s... still... not a good dad. Like... Sheesh. In both cases, I’ve seen quite a bit of favoritism related to Gaz, but in ETF it’s more subtle(?? I need to watch it again).

He flip-flops a lot in his parental “skills”; one moment he’s doubting/gaslighting the hell out of his son, the next he’s “proud” of him, and then, oh wait you won’t believe it’s not butter!! He basically takes it all back by calling his son crazy again! He may be a DILF(imo, but not a very good dad...), but I still wanna kick him right in his kneecaps and brick his “funny bone”s(sorry if that’s a bit much. I just... hate when parents aren’t good to their children :/).

His new design is pleasant to my eyes, and I think his robot arms are the shiz, but that might make snuggling him be a little bit uncomfy. Unless they’re somehow soft? His flesh body looks soft, though, like a pillow, so gentle hugs and snuggles are acceptable.

His favourite child is still Gaz, which I can tell by the fact that she is treated nowhere the same as Dib. Once again, keep the bricks away from me and restrain my limbs. Anyway, I don’t think I’ve said my point enough/clearly: I HATE how he treats Dib like he’s irrational and doesn’t know what he’s talking about. I hate that he gaslights him. I hate that he remains willfully ignorant about the things his son tries to show/share with him. I just really hate him in that whole aspect.

Like, I get not enjoying the same things as your kids(I don’t have kids, but I do have siblings and I’m the eldest, plus I do have friends that don’t always share my same interests), but completely brushing them off as if they’re stupid? That’s just sick. I’m not just speaking from my “daddy issues” standpoint; I’m also talking from a general point of worry and care.

Conclusion:

Dadness + Personality Comparison: Both Membranes aren’t very good dads, but I personally think that Movie Membrane might be almost worse than Show Membrane- at least, in regard to the way he treats Dib. Yes, Show Membrane did do wrong, but since he was more absent he didn’t have all the time that Movie Membrane did to constantly make his son feel lesser than.

Show Membrane and Movie Membrane both love their kids, but they’re both cruel to their respective sons in their own ways. Both aren’t verbally kind always(the gaslighting, calling their respective sons “crazy” several times, etc), and Show Membrane even said he knew Dib would end up in the mental ward of his lab eventually(o o f that one really hurt when he said that). Now that I think about it, they’re both just... not good people. Not to say they don’t have redeeming qualities! But man oh man...

It did a hurted on me real bad when, as stated previously, Movie Membrane gave his praises to his son only to yank it away by going right back to his favourite passtime: gaslighting his only son. Ugh... It makes me feel like the times he’s being a “good” dad are disingenuine.

Humor Comparison: Both Membranes amuse me during their comedic times, but I think that they’re on their own Levels Of Funny. I say this because Show Membrane had his obliviousness/willful ignorance, scientific mindset, random outbursts, and pettiness drive the type of humor he presented- plus, sometimes I think I may have laughed at unintentionally funny parts.

Movie Membrane’s humorous moments were meant to be funny(but I do think I also laughed at unintentionally funny parts in this case too). Movie Membrane felt more... idk, watered down? in his humor, since I think the movie was not only to attract old fans but rather to also attract newer fans(feel free to correct me if I’m wrong!)- which means the jokes would need to also apply to/amuse a larger audience. Which is great that more fans would join the fandom, but having the humor be not quite as “sharp”(as in, kind-of off-putting, maybe sharp-tongued??) would probably make the people who watch the show afterwards quite... idk. I can’t speak for all others.

Design Comparison: I like both designs a lot! They work for the respective medias they reside in, with the sharper corners/features of Show Membrane(which, you may know, has “sharper” style) and the softer and more round features of Movie Membrane also works for the films “softer” style.

As stated pryviously, I think that if Movie Membrane doesn’t hug too hard then cuddling with him wouldn’t be (too?) painful. And despite the frame of Show Membrane, he could potentially be snuggleable, too.

Which One I Like More: I don’t know which I like more, since they both have kind of intense(?) pros and cons, but if I had to choose... I think Movie Membrane. Even though he’s unkind to his son, he is around more to actually intertact with his children. But idk, they’re both not very nice people(which is the point, I think?)

#invader zim #spoilers #professor membrane #invader zim: enter the florpus #character rating #thanks for the ask!#anon #long post #from zd-d #abuse mention #edit: fixed an error that i missed bc i was half asleep while writing it

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quarterette · 4 years

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Utawarerumono: The False Faces ep 13-25 Liveblog

Gonna just straight up do individual episode comments, since the second half is gonna be denser in content. As with the first half, this is a rewatch and will have spoilers for the games.

Opening Comments: Man there’s not much movement in the animation but its beautiful all the same.

Ep 13:

- *spit take* why are they sending Rulu? IDK if it was because the directors weren’t informed about the whole “baby of the family” detail because I can’t imagine Shis letting this happen

- Interesting how instead being of a secret force that Oshtoru sent, Haku and gang are now the accompanying force to Rulu and Atuy.

- I’ll be pleasantly surprised if Entua makes more sense in the anime than in the games

- oh wow Dekopompo is even worse in the anime, straight-up running off on his own.

Ep 14:

- I like how instead of Atuy catching the arrow the twins have a force field. Granted, it make Atuy even more of a non-entity

- the extreme long shots of the CGI soldiers are really nice. I don’t feel like we see the loss of formations as they come into contact with each other often in war anime

- why are the twins running like that - imo that way too much movement for dainty girls (maybe I’ve watched too much anime)

- wow they totally recontextualized retrieving Shinonon and cut down a lot of potential runtime.

- did they seriously remove Atuy’s bloodlust

- you know open-eyed Ougi is growing on me, him and Nosuri have such lovely eye color

- poor Maroro

Ep 15:

- I’m relieved that the adaptation art makes Raiko look less like Lelouch. Always seemed like lazy design to me, him and Mikazuchi look nothing alike.

- did they introduce the telepaths in MoD? I can’t remember.

- that triple-take of Zeguni dying was just silly. If it were one slice x3 it would have been fine but this... Oshtoru be flexing with that mountain.

- I never really felt calling Witsu an Eva was quite right but with the Akuruturuka.... yeah I see it.

- truly we are in the war arc proper now.

- Heh wouldn’t it have been interesting to have the proxies’ subservience kick in instead of having the twins shield Haku. Oh well missed opportunities. IMO it would have worked well with the accelerated timeline the anime needed to achieve.

- what is with the triple takes this episode

- ah haku wasn’t even able to save them gg

- post episode revisiting the VN comments:

they hint at the telepaths, and as I thought the Vurai razing the city wasn’t in the VN. It was a good showpiece and works with Vurai’s characterization, but messes with Haku’s as a cost - the VN suggests that Haku inherently can be ruthless (he suggests scapegoating Moznu for Anju’s kidnapping, which the anime totally skips over), while it looks like the anime is gonna use this mass destruction as the reason for steeling his heart. I can’t say I hate that the writers chose to have the main characters in the fray, but it definitely requires more suspension of disbelief that everyone got out okay compared to the VN.

- Interestingly we don’t see Oshtoru’s mech form at all. I do like the increased bro scenes between Mikazuchi and Oshtoru

Ep 16:

- Yeah we immediately feel the ripples of that last episode changing Haku’s trajectory... its a logical trajectory but... ugh. I’m not sure how I feel about such a contrary Haku. It wasn’t really a thing in the VN? So frustrating augh. Utawarerumono was never a story big on moralizing about war... and the anime writers aren’t doing a great job adding it in.

- I’m 99% sure they pulled some of Ukon’s lines for comforting Haku here from a conversation they had in the VN waaaayyy back around the gigiri fight, making the scene all the more frustrating. The concepts of powerlessness and loss of life is something that Haku had been introduced to the moment he woke up and had already been working on dealing with. I can’t say its an invalid take that he’d be shook over mass destruction (I mean, most people would) but it’s a sharp deviation from the VN.

- Oh wow they’re totally gonna retool the banquet to deal with haku’s trauma instead of him dealing with his memories of being the LAST OF HIS KIND aren’t they.

- yeah they did

- oh god don’t say the word seduce haku, rulu’s gonna die from blood loss

- lol i don’t remember the twins being tied up

- rulu is dead

- and now haku is dead too. I think only Ougi and Yakutowaruto escaped unscathed.

- this did give me the bro bonding that I had been missing in the show thus far. Not enough drinking scenes! like literally the VN is literally just baths and booze between the action lol

Ep 17:

- ah finally the flashback episode. lol all the crunchyroll comments are like “watch the first season”.

- haku calling his new buddies family... oof mito’s knowing gaze makes it all the much sadder

- Haku:”did you need to go that far” Mito: “lemme do it again with Tuskuru”

- hah “reposition your camera” nice, easy way to not show his face

- heh stares at your sister-in-law’s butt, that’s actually a pretty subtle hint without adapting any of the monologue from the VN that he kinda had feelings for her

- damn this is probably the most complete vision of the future we get in any medium

- hey to be fair the ameterasu blast was mutsumi and not exactly a product of mankind fighting each other - but it does go to show just how little Mito knew about what was actually going down

- to continue with my frustration, we see that haku is called out by his bro that he has a habit of “conceal don’t feel” so it makes his emo bit last episode even more jarring - though in hindsight I guess his depression comes less out of the blue for his friends now - its just that the reason is misattributed

- oof “make up for lost time”

- ooh I like the final scene with Woshis as the delegate to Tuskuru. The VN did fine without it but man what a cliffie for those watching the first time.

Ep 18:

- oof we’re not going to have any shinonon/kiwru antics are we

- man I can’t wait to see Benawi - he was my favorite chara in Uta1 after Touka

- wow they really did just ignore the fact that Kiwru is the prince of Ennakamuy and cut him out of the party

- dugh never mind I don’t like ougi’s open eyes here

- speaking of ougi they totally glossed over his role as reconnaissance

- and have they even mentioned that nosuri is trying to retake their clan’s name?

- cocopo still best bird

Ep 19:

- of course you’ll be sweaty haku, boro boro only wears that brown undershirt in tuskur smh

- i love how all of the dads we see dote on their daughters so much

- of course only now do they mention the fact that atuy and haku are drinking buddies and we just have to take it at face value

- actually seeing those sailor uniforms in action make atuy’s regret that much funnier, the stills don’t quite do it justice (though really, it’s the sound effects carrying the team)

- lol the background soyankekur antics are great

- cocopooooo noooo damn this romance with mukkur is great

Ep 20:

- huhu woshis was allowed down to the underground garden huh

- benawiiiiiiiiiiiiiiii

- dang they didn’t use the hot air balloon ;-; so disappointing like if they do it this way they won’t even get to retake the supplies ;-;

- i guess its a good way to hint at kuon’s identity

- something is wrong with kurou’s face

- also where the fuck is nosuri - i know kiwru is a lost cause for this show but nosuri too? they really are trying to wipe out the tactics seen in the VN

- i do think the line about kurou’s line to kuon about “ripping the country in half” is nice - can’t remember if it was in the VN but at this point most of the good lines seem to be coming out of the VN

- ugh the twins are such a cop out, still think they should have went with the hot air balloon strategy

- we hardly knew ye mito

Ep 21:

- dang I’m pleasantly surprised by these CG soldiers

- bye bye munechika, still salty you can’t turn into a mech

- oof “I’m sure my mom was someone like you” this show lives and breathes on dramatic irony

- bye bye anju, what was the point of actually having oshtoru there when the tea was delivered? makes him seem more incompetent than he is, though entua was nowhere to be seen - imo for the best

- oshtoru, an honorable man through and through, giving up your mask, lowkey too honorable for your own good

- okay one of my favorite things is how regularly dekopompo is ignored during the generals’ council meetings; overlapping voices isn’t really a thing in the VNs due to its nature as a written medium first and foremost

- oh interesting Oshtoru’s men are coming to defend him that’s new

- oh no torture time ;-;

- post episode VN notes: ugh they also dropped the Woshis power grab of locking Dekopompo and Raiko outside of the gates

Ep 22:

- Yes go be a dad Yakuto and stop Nekone from doing stupid shit please oh please oh please

- Man they are seriously retooling oshtoru’s downfall aren’t they - wish it didn’t come off so crudely planned. Like, y’all know Oshtoru is loved by the people, did the generals not think some sort of rioting would happen if you let that info go public? Granted the original plot of having Entua sneak the info out is pretty contrived... but at least it better preserves the perceived competency of the generals by forcing a smaller timeframe in which everything goes down.

- man people watching this will be so confused next season when they realize Kiwru is a prince

- wut Kuon you should know you probably won’t be able to get info to the princesses once y’all leave. Good that Shinonon is going on ahead to Ennakamuy though.

- eh are they’re gonna try leaving by sea this time? even though Ennakamuy is in the mountains?

- secret tunnel ~ ♫

- aw no Evenkuruga reveal for Nosuri and Ougi. Though, I guess the anime never established that their base was in the Hakuorokaku basement...

- you know, since they just generalized the jamming barrier it’s kinda nice to see that the gang had to sneak in the hard way. IMO that’s one of the “game design justifies the plot” moments - the VN tries to keep everyone together so you can have all your unit options when fighting, but let’s be honest smaller strike teams work at times.

- oh hi Honoka, you’re not arrested here? guess not.

- oh god have they been translating Atuy’s “onii-san”s as “mister” this whole time? I can’t say that “love” was a better translation but that’s just tragic

- I wish we got more hints that haku actually has been doing some training (aka the SRPG parts of the game) rather than these random moments of competency and knocking out the guards.

- good god oshtoru your honorableness is gonna be the death of you. how can you trust Vurai. Seriously idk how it’s gonna turn out here, but Vurai literally wants to see Anju dead in the VN.

- ok i lie splitting the party was a terrible idea. they are taking way too long to convince oshtoru to take a stand. these men are way too stubborn. jk its fine

- whelp there goes the boat

- aw yeh Yakutowaruto lets go

Ep 23:

- Yakutowaruto continues to be a badass

- ugh and of course Oshtoru gets hurt, and he’s not gonna tell anyone

- ok I’m enjoying how acrobatic these twins are

- the plot change ripples continue to be seen; there’s no distractions at the gates since dekopompo is inside the gates. Raiko’s strategy stuff does make for good tension tho.

- ugh the fact that Soyankekuru is in the capital is gonna complicate things. The moment Atuy is seen to defect he’s screwed. That’s gonna change the timeframe of things second half.

- lol Kuon god powers time, hope there weren’t too many casualties. Poor Nosuri now has two sacks of people to deal with...

- ok I feel like I’m seeing more poor art quality this episode

- wow it seems that everyone’s on board for some arson today

- bruh don’t take him through the sewers Oshtoru’s wound’s gonna get infected

- oh god who thought it was a good idea to give Rulu a blade.

- Cocopo best bird. Period. MVP.

- Soyankekuru, what a guy.

Ep 24:

- ooh mech fight in the city? oh nvm its just a sword fight. a sword fight between two beasts. thank god vurai ain’t that dumb

- wait they said there was a barrier in the palace, but i don’t think there was a barrier for the outer walls? why the frick didn’t the twins just teleport out for the last bit? they were pretty close to the gates... unless they needed the gates open anyways?

- vurai? not dumb? scratch that, good god do y’all not care about the safety of the people? guess not cuz it’s MECH FIGHT TIME (ok, if we’re honest oshtoru’s the one who initiated so yes he’s equally dumb)

- water vs fire, groudon vs kyogre, this is what animation is all about YASSS

- the twins’ shield is too OP

- haku please stop indulging Nekone

- will the twins actually be able to seal Vurai? they were kind of trash at doing their job in the VN (though they did have the good excuse of being exhausted for this particular instance)

- ok that nekone running sequence is jank

- damn haku blocked that punch? oh no he’s on fire

- looking like nekone’s “it was my fault” is gonna be part of a cascade of setbacks rather than the final blow. I’m kinda glad - the VN’s take was probably the most exasperating part of the whole story - gutwrenching but also made me want to punch her. I’m up for arguing whether or not taking that away was a good thing

- oh no the salt. no. how could you put it at the post-credits scene.

- vurai’s confirmed dead? that could be a problem next season.

Ep 25:

- dang what an opener giving us no info just kuon looking sad. we had emo haku now get ready for emo kuon i guess

- nuedori is probably my favorite song after kimi ga tame, such a good song to overlay the time skip over

- man anime viewers must be so confused. like they saw Haku and Oshtoru get out of town but only Oshtoru show up. man this is so effed up.

- no not the fan noooo augh brokoro in the kokoro

- sad nekone really sells it doesn’t it

- dang I knew Ennakamuy was surrounded by mountains but I guess the anime went and interpreted that as a CRATER

- at least kuon didn’t leave until later in the night?

-i know the twins did a spell in the VN as well but seeing the visual change between haku and oshtoru is a bit silly

- what’s with the flower field that’s so cheesy

- i can see why someone said laughed rather than cried during this particular use of kimi ga tame - the alternating shots to his saltification is just silly, there’s so many prettier shots for showing people dissolving - like the VN gave you a very serviceable “standing on a cliff as the sun rises and you fade into dust” why didn’t you take it

- side note in the VN i was imagining it something like this scene from CCS but different lighting (sorry I could only find the english dub on short notice, timestamp at 1:13:24):

youtube

- also how could you get everyone off model during such an important part

- you know what I’m just gonna pretend that there was some really bad production crunch so they had to do a rush job smh

- i do like this orchestration tho

- oh god the cheese never ends, now it’s raining

- that said it’s not terrible, but definitely missing something compared to the VN

- haha with some of your decisions next season you might just end up in Denebokshir Haku. jk we all know how it ends

- boro boro ;-; yes go hug your kid she needs all the comfort she can get

#utawarerumono #utawarerumono: the false faces #utawarerumono: itsuwari no kamen #spoilers #things i've watched

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fromtheringapron · 5 years

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WWE SummerSlam 2016

Date: August 21, 2016.

Location: The Barclay Center in Brooklyn, New York.

Attendance: 15,974

Commentary: Michael Cole, Byron Saxton, and Corey Graves (Raw). Mauro Renallo, John “Bradshaw” Layfield, and David Otunga (SmackDown).

Results:

Kickoff Match: The Usos (Jimmy and Jey), The Hype Bros (Mojo Rawley and Zack Ryder), and American Alpha (Chad Gable and Jason Jordan) defeated Breezango (Fandango and Tyler Breeze), The Ascension (Konnor and Viktor), and The Vaudevillains (Simon Gotch and Aiden English.

Kickoff Match: Sami Zayn and Neville defeated The Dudley Boyz (Bubba Ray and D-Von).

Kickoff Match, First in a Best of Seven Series: Sheamus defeated Cesaro.

1. Chris Jericho and Kevin Owens defeated Enzo Amore and Big Cass.

2. Raw Women’s Championship Match: Charlotte defeated Sasha Banks (champion) to win the title.

3. Intercontinental Championship Match: The Miz (champion) (with Maryse) defeated Apollo Crews.

4. AJ Styles defeated John Cena.

5. WWE Tag Team Championship Match: Luke Gallows and Karl Anderson defeated The New Day (Kofi Kingston and Xavier Woods) (champions) via disqualification.

6. WWE Championship Match: Dean Ambrose (champion) defeated Dolph Ziggler.

7. Nikki Bella, Natalya, and Alexa Bliss defeated Naomi, Carmella, and Becky Lynch.

8. WWE Universal Championship Match: Finn Balor defeated Seth Rollins to become the inaugural champion.

9. Brock Lesnar (with Paul Heyman) defeated Randy Orton via knockout.

My Review

SummerSlam 2016 is one long ass show. I’m aware that’s a bit of a redundant statement because, in the age of the WWE Network, every show is long and, more often than not, they’re also ass. However, the point still stands: this show is a whopping 4 hours and it’s not something you can digest in one sitting on a rewatch. For the record, I totally support making the SummerSlams and Survivor Series and so on seem just as big and important as WrestleMania. It’s fine by me for WWE’s Big 4 to feature absolutely stacked cards. Unfortunately, in modern WWE, this approach also results in the shows running out of gas midway through and some of the matches going on way longer than they should. The 2016 edition of the summer classic isn’t exactly the worst example of this trend, but it definitely shows similar signs of fatigue.

On top of that, it’s such a heel-dominated show. It’s only occasionally satisfying. In their crusade to make the audience finally embrace Roman Reigns, the WWE would pile on the heel victories in hopes the crowd would pop like crazy once the Big Dog got the W in the main event. It’s inherently flawed psychology to think the crowd is just going to accept a long-awaited face win from just anybody. That can really only work in a particular situation. Needless to say, it often failed because while Roman would get the W, the crowd still hated him. Worse here is that he doesn’t even wrestle on this show. So who was this booking supposed to benefit? I guess you could make the argument for Finn Balor, whose Universal title win remains a highlight of his WWE tenure. Even then, it was rendered irrelevant 24 hours later, as Balor would vacate the title due to injury.

With all that in mind, it shouldn’t be surprising that such a heel-heavy show ends on a rather depressing note. Brock Lesnar pummels Randy Orton into a bloody mess and that’s it. That’s the show. Fade to black. It would’ve been fine if placed somewhere in the middle of the card, but it’s such an awkward way to close up shop. They did have a pretty workable story going into the match, and I’m not gonna pass up the rare occasion to see Orton get beaten into oblivion, but talk about deflating. The whole thing winds up looking like a pale imitation of Lesnar’s squash of John Cena back at SummerSlam 2014. Oh, and there’s some drama with Shane McMahon at the end because, as we all know, that’s exactly what the WWE needs: more McMahon family drama!

The far more successful dream match is John Cena vs AJ Styles. Truly something special. It’s essentially the same finishing move and near-fall spam fest that plagues every major WWE main event, but I don’t mind it here. This is meant to be an epic blockbuster between two of the biggest stars in wrestling of the post-Monday Night War era. It makes perfect sense for both guys to throw all of their deadliest ammunition at each other right out of the gate. Styles was in the midst of one of the hottest stretches of his career at this point, but Cena deserves just as much credit here. It’s kind of amazing. For all the times he’s proven that he can rise to the occasion in a big match situation, there are still anti-Cena bros to this day who’ll deny it every step of the way. His record of putting people over isn’t perfect, especially at SummerSlam, but what he does for AJ here is pretty selfless. I don’t think even his haters can deny that.

Overall, SummerSlam 2016 isn’t a bad show by any means but, again, the length ensures it will inevitably start to drag. A shame, because there’s probably a pretty good show somewhere in here. It’s nice that the WWE is trying to make the biggest party of the summer feel important, but too much partying can make even the most diehard fan eventually feel pooped.

My Random Notes

I can only imagine what someone like Jon Stewart really thinks of WWE’s comedy. I mean, he’s probably had plenty of experience doing his best with bad material, but you’d have to think he had to grin and bear it here at several points.

In light of Sasha Banks’ recent spat with the company, I can really see why she’d be frustrated with her booking. Would it have killed them to have her hold the Women’s title for longer than a month? I know an injury is cited as the official reason she dropped the belt here, but it’s still the first of several instances of them yanking the rug out from under her.

Man, Enzo and Cass were so frickin’ over. They’re such laughing stocks now that it’s quickly become lost to time how much the fans were digging them. Of course, they only have themselves to blame for fucking it all up, but they really did have something special there for a bit.

Dean Ambrose in his black torn shirt gives me some serious Bobby Heenan singlet vibes.

Funny how the pre-match hype package for Dean vs. Dolph centers so much around who Dolph Ziggler is because, as I’ve stated here previously, I still have no frickin’ idea who Dolph is supposed to be. He’s some anonymous hybrid of HBK, Mr. Perfect, Billy Gunn, and an ‘80s Trapper Keeper with literally no individuality. I find it ironic that he later got into a storyline where he kept changing gimmicks only to never find anything of his own. What a summary of his entire WWE career.

Hey, Balor may have had to surrender the title 24 hours later, but at least this meant him getting another run with the belt in the future, right? Right?!?

Man, Nikki Bella was so frickin’ over. Why does it feel like I’m repeating myself? In all seriousness though, people can hate on the Bellas all they want, but in no way should it be surprising that they still get big pops. They’ve done more for WWE’s mainstream visibility than a lot of other superstars allegedly have.

Speaking of Nikki, crazy to think that she’s only one in the six-woman tag to not hold the Smackdown Women’s title.

I can’t be the only one who felt a little kick to gut when they showed fans waiting outside the now-deceased Toys R Us. I don’t need another reminder that my childhood is dead.

When did Lana drop the accent? I don’t watch Raw and Smackdown weekly anymore, but it horrifies me to know I let this travesty pass me by.

I know some people were upset they allowed The New Day to surpass Demolition’s record for the longest reign as tag champs but I’m totally okay with the decision. Sure, they occasionally get into terrible storylines like this ringpostitis shit, but they’re incredibly over, sell a ton of merchandise, and can wring out some entertainment from even the worst material. If they really wanted to insult Demolition, they should’ve given that honor to The Ascension.

#wwe summerslam #finn balor #sasha banks #roman reigns #total bellas

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hallelujuh · 6 years

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shay’s favorite albums of 2017

didn’t commit to finishing this until the literal very end of 2018 but whatever fdjhfkjdsnfds

I’m not sure if it was my newfound willingness to explore new genres and artists, but I thought 2017 was a fantastic year for music. Plenty old favorites of mine released new albums this year, and I was lucky enough to discover a lot of music, both from new musicians and old. Here’s my top twenty albums of this year.

20. Divide by Ed Sheeran

19. Fin by Syd

18. Blossom by Milky Chance

17. I See You by the xx

16. Trip by Jhene Aiko

15. Good for You by Amine

14. Future Friends by Superfruit

13. Sacred Hearts Club by Foster the People

12. American Teen by Khalid

11. All We Know of Heaven, All We Need of Hell by Pvris

10. From the Outside by Hey Violet - While I originally only cared about this band because it’s composed of mostly girls, which is rare, I’ve grown to really love them as musicians. They’re very creative, producing catchy pop tracks that aren’t like most pop songs, and their debut album is fun as hell. Each song makes the listener feel badass and sexy and young, and you just kinda wanna dance and enjoy life. Favorite track: Tie between Like Lovers Do and Unholy. The former is distinctive and unique, and reminds me of Emilie Autumn, and the latter is incredibly well-produced and pretty visceral for a pop track by such a young band.

9. After Laughter by Paramore - Continuing their previous album’s sound so that every song sounds like Ain’t It Fun, After Laughter has a gorgeous aesthetic, a memorable sound, and, notably, follows the trend of most emo artists of today - disguising sad lyrics beneath happy music, as made famous by Twenty One Pilots. Each song is catchy, allow the lyrics all leave you feeling a bit empty, but you’ll be dancing to misery. Favorite track: 26. I’m always a sucker for the one mellow song on an album full of bops, and that rang true once more. 26 is about reflecting back on how you’ve spent your youth, and it’s paired with a bittersweet simplistic guitar. Hayley’s vocals hold pain, but also gratitude.

8. Hopeless Fountain Kingdom by Halsey - I’ve been a huge Halsey fan since before Badlands even came out, when all we had was Room 93 and live versions of then-unreleased tracks. Though her evolving sound was criticized by some, I appreciated that HFK follows the formula so many other sophomore records follow, with the lyrics addressing new-found fame and how the artist is dealing with it, and also how they want their sound to be since they’ve already made it big. This record was clearly more hip-hop driven, with production that sounded heavily influenced by Kanye, but it felt fitting. Furthermore, HFK is the redemption arc to Badland’s heartbreak-themes. It’s really a triumphant album overall. Favorite track: Sorry. While 100 Letters is my most-played track and therefore a close second, because the simplistic beat allows Ashley’s lyrics to shine, and she’s a lyricist and a poet before she’s a singer - I believe Sorry is the quintessential song from this record. Her pain is so tangible in this stripped-down ballad, and it’s such a nice switch from her usual lust-driven upbeat songs. I always have respect for musicians who can bear their sleeve in such an open, honest way, and while Ashley’s always been vocal about her struggles, it’s still nice to hear such a heartfelt track come about even after all her success.

7. Dua Lipa by Dua Lipa - This young pop singer's self-titled debut is a catchy, passionate, and solid record that's earned her a well-deserved place on the charts and in people's playlists. The songs are rather cliched, recycled themes that I've heard from dozens of other young female artists, but there's some emotionally-charged pop ballads that show potential. Dua's vocals remind me of a raspier Ariana Grande mixed with a less-powerful Christina Aguilera. Seeing as those two aforementioned singers can over-do their performances a bit, I enjoyed this mellower newcomer. Don't get me wrong, Dua's unique in her own way, and she's hardly a copycat; but I'm worried her talent will overlooked because there's already others like her. Still, it was a solid album that I enjoy thoroughly, and I had multiple tracks from it on repeat.

6. Beautiful Trauma by P!nk - I've been a P!nk fan since I was very young, and this album was wonderfully nostalgic to me. P!nk's one of the few artists who's never been swayed by a need to stay relevant; she just makes the music she wants to make, and her fans love her for it. This record was, at times, a little generic beat-wise, but still distinctly P!nk. As always, she wore her heart on her sleeve and you can feel how personal every song is; how genuine every word is. It really pays off. Favorite track: Barbies - This is a song I think every girl over thirteen can relate to. I'm twenty years younger than P!nk, but this track really resonated with me. It was the only song on this record I listened to repeatedly. I think every girl wants to grow up as quickly as possible, but once you reach adulthood, you just want to be a kid again. You long for simpler times. The beautiful message of the song (enjoy your youth) is paired beautifully with gorgeous instruments (violin! cello! wow!), which adds a timelessness to the track.

5. One More Light by Linkin Park - Although most, myself included, were unhappy with the pop-driven sound of LP’s seventh effort, the death of Chester added a lot to how meaningful this album is. Listening to it now fills me with a hopeful nostalgia, in contrast with how I listened to it in the days following his passing. What once sounded like a cry for help that no one listened to, now sounds like a triumphant farewell. As usual, these guys put their hearts into the making of this record, and it’s a real bummer that it took Chester killing himself to make people appreciate that. LP is a master at their craft, regardless of what genre they’re feeling at the moment. It’s a solid album, full of truly heartfelt lyrics and Chester’s beautiful voice, and I’ve often found myself listening to it when I’m feeling down. It really helps. And that’s what LP’s music has always been about, I think. Being there for you when you feel like no one else is. This album still felt like that, even though it was through a different genre. They let go of the anger that fueled their signature sound in the beginning, in exchange for a more rounded, reflective take on things. I think that’s comforting, and beautiful, in a way no one seemed to understand. What’s better than someone making peace with the world? Alternatively, what’s worse than someone taking their own life because people didn’t want to see them get better? Favorite track: Talking to Myself. I watched this video the day it was released - hours before Chester’s passing was announced. I enjoyed the bass and the video made me smile. After I found out, and after a few hours of crying, I rewatched this video, and it meant so much more the second time. The song itself is a favorite because it’s such a fun track. The bass line is catchy as hell, and my favorite part of the song is the chorus following the bridge, where Chester does a powerful run and then briefly lapses into Meteora-style vocals (”you keep running like the sky is falling”). That bit is so profoundly incredible to listen to for me, and I’m glad he left us with it.

4. Revival by Eminem - I’m one of the biggest Eminem stans of all time, so I’d probably buy a record that consisted entirely of Marshall shitting - but in all actuality, though he could never disappoint me, I was prepared for the worst, and I was pleasantly surprised. This album felt more solid than MMLP2′s experimental sounds, with Em showing us he really hasn’t fallen off. His usage of words like “lit” and “shook” are admittedly a little cringey, and his take at a more modern sound on Believe (with a trap beat and a Migos-like flow) is questionable, but the lyrics show he’s just as on top of his game than ever. It’s not an instant-classic like MMLP - those days are probably over - but it’s a decent record with several damn good songs. (Edit, 12/2018: Bro I wrote this last year, what the fuck was I on dgfkjdgh.) Favorite track: In Your Head. While the most memorable tracks on this record are definitely the collaborations - my favorites being River with Ed Sheeran and Need Me with P!nk - this rather short track really stood out. I listened to the album for the first time on my CD player, without having looked at the track listing since it was released a few weeks back, so every song was a surprise, and when I heard O'Riordan’s vocals, I got very excited, since Zombie is one of my favorite songs of all time. Though the original song is about war, Em raps over the sample track’s bass line and signature guitar riff and speaks about the skeletons in his closet with a passion reminiscent of The Eminem Show and a flow taken from his Recovery days. The smooth transition to Castle is another nice touch. While his speed in the last thirty seconds of Offended is impressive (with Flight of the Bumblebee in the background! Ha!), this was the song that sold me on this album. It’s everything I love about Eminem. (Note: This was written before O’Riordan’s passing. RIP.)

3. Scum Fuck / Flower Boy by Tyler, the Creator - From the goofy poster boy of a generation of carefree and colorfully dressed punks, to an extremely talented and capable producer and musician, watching Tyler’s growth as an artist and a human has been extremely rewarding, especially as a longtime Tyler/OF fan. While Cherry Bomb failed to impress me in the midst of my emo-craze, I appreciated that it was a turning point in Tyler’s career. SFFB, however, successfully took me right out of my indie-craze. Flower Boy builds upon what Tyler tried to do on CB, and it works out much better. Watching his brilliant NPR Tiny Desk Concert only solidified this belief. Tyler’s a musical genius, and I hope more people come to realize it. Favorite track: 911/Mr. Lonely. The whole record is full of earworms - Glitter, Boredom, See You Again - and it’s truly a feat Tyler was able to pull that off. But I have to go with this single - both songs are catchy, the production is masterful, Frank Ocean and Steve Lacy’s voices are beautiful. Who Dat Boy didn’t particularly excite me upon first listen, but these two tracks did, because they reminded me how talented and incredible Tyler is.

2. DAMN. by Kendrick Lamar - My favorite thing about musicians is getting to watch them mature, both musically and personally. I’ve frequently compared DAMN to J. Cole’s 4 Your Eyez Only, as both records feature Jermaine and Kendrick discussing much more mature concepts within their albums. Kendrick’s always been grounded because of his upbringing, whereas Cole was a little more blinded by fame for the first few albums. However, since their respective last albums, Kendrick has gotten engaged, and Cole got married and had a little girl (EDIT: Apparently he had a boy!), and you can hear how these lifestyle changes have influenced their lyrical content, which is really nice to behold. Kendrick’s always seemed like a very intelligent person, with an understanding of the world many in his field lack, and this album highlights that beautifully. Favorite track: Humble. While Love’s a personal favorite, Humble’s success reminded me of Control. I still remember the day that dropped - and Humble felt similar, as it was Kendrick reminding us that he’s simply on another level. The simplistic and almost grating beat excellently parodies every single rap song that’s on the radio these days, except Kendrick proves his superiority by showing us that the beat’s not the important part; the lyrics are. It’s genius, and I’ll never get over how iconic it is, honestly.

1. Saturation I, II, & III by Brockhampton - Because this remarkably talented new group released three new records this year, and I can’t pick a favorite, nor can or do I want to rate them separately, they easily earn this spot. With flawless and innovative production, refreshingly creative and intricate lyrics, remarkable versatility, and, best of all, a youthful individuality reminiscent of Odd Future circa 2011, Brockhampton is one of the best things 2017 has offered. I’ve grown attached to these kids, and I’m glad I’ll be able to see where they go and how big they get. Favorite track: Star. While Junky is the most impressive track, and Follow is my personal favorite, Star earns this spot because it’s the song that single-handedly got me into Brockhampton. The name-dropping bop is a good introduction to the band, as it features their signature memorably synth-infused beats, Ameer’s clever wordplay, Ian’s favorite thing to talk about (his sexuality) as well as his penchant for hooks and bridges, Merlyn’s loud and brash vocals, etc. I won’t be compiling a list of my favorite songs of this year, but if I did, this would easily make the top ten. It reminded me exactly why I love rap music, in a time when I was beginning to doubt hip hop.

honorable mentions

CTRL by SZA - Though I’d never heard of SZA aside from her feature on Consideration, this album was hyped immensely by Twitter, so I felt I had to check it out. Unfortunately I was disappointed. Although the album’s masterfully done, and I love the production and her voice, the lyrical content ruined it for me. Of course, this is personal preference, and she’s allowed to write songs about whatever the hell she wants to, but the nature of the lyrics were what kept me from being a fan. To each their own, I guess.

Everybody by Logic - I wasn’t a big Logic fan prior to 1-800. Funny story, actually - I thought he was entirely white, and I’m vehemently against white rappers. He's more like a biracial Kendrick, especially in flow on Hallelujah. The record continues the trend started by Bey’s Lemonade of celebrating black power and beauty, with Logic demonstrating a fresh, biracial perspective on it. Loved that there were actual instrumentals, that was refreshing, considering modern rap beats are often created entirely using synthesizers. Also love that Logic’s cementing himself as the Inclusive Rapper, and accepting that title proudly. Good for him.

I Decided by Big Sean - I’ve been a casual Big Sean fan since Finally Famous (2011), but he’s very rarely impressed me with his lyricism. This album showed that Sean’s matured and grown as a person and a rapper, but the songs didn’t leave enough of an impression on me to be featured on my list.

Lust for Life by Lana Del Rey - Although I’m sure die-hards were more than happy with this record, I didn’t enjoy it as much as I wish I could’ve. Lana’s sound hasn’t changed much, so I don’t think the quality of her music is decreasing, I just think my tastes are changing. This newer stuff hasn’t appealed to me nearly as much as her Born to Die/Paradise stuff did. I think 2012!me would’ve loved this record, but 2017!me was unsatisfied.

Melodrama by Lorde - I can always appreciate growth in an artist, but in Lorde’s case, I couldn’t bring myself to like the change. While there’s traces of the sound that put her on the map, and the music still sounds like teenage rebellion, it just doesn’t invoke the same feelings. It’s less grounded - and not in a good way.

Lovely Little Lonely by The Maine - The pop punk 1D continues to make catchy, solid tunes, but nothing about this record particularly stands out to me. Still, it’s a decent album from an underrated band.

extended plays

they’re too short to be included in my top albums, but i wanted to mention them anyway.

Caught Up by Sarah Close - I found this adorable Brit through her fantastic covers of popular songs, and thankfully I was subscribed when she started posting original music. Caught Up isn’t particularly unique, but the songs are fun, her voice is wonderful, and it’s a solid little EP.

Y.O.U by Dodie - I’ve watched Dodie’s covers for a while, so it’s nice to see she’s making original stuff. Love the style of it. Very excited to see what she puts out next.

dont smile at me by Billy Eilish - The fifteen-year-old, who sounds very similar to the recently-disgraced Melanie Martinez, may talk like an annoying skater boy, but her angelic singing voice keeps pulling me back in. I’m not used to talented celebrities being younger than me. It’s depressing. (EDIT: I spelled Billie wrong jdgdhf she’s in my top 10 artists of this year now too hahh)

Hard by The Neighbourhood - This band has been a favorite for four years now; I even saw them live for my birthday in 2015. They could never disappoint me, but their recent music hasn’t changed much to what long-time fans like myself fell in love with in the days of I Love You, which is nice to see, when so many other artists I used to like are experimenting with their sound in unflattering ways.

#mine #txt #2017

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