#bruno nicolai

[postpunkindustrial]

Bruno Nicolai - The Case of the Scorpions Tail

Bruno Nicolai was is best know for being Ennio Morricine's arranger and conductor for his soundtracks.

But he also produced the soundtrack for many Giallo, Exploitation and genre films. And his Soundtrack for The Caso of the Scorpions Tail is a monster.

Get it from my Google Drive HERE

[suspiria76]

THE ANTICHRIST

Italy

1974

Directed by Alberto De Martino

[filmap]

La dama rossa uccide sette volte / The Red Queen Kills Seven Times Emilio Miraglia. 1972

Castle Schloss Neuenstein, Schloßstraße 49, 74632 Neuenstein, Germany See in map

See in imdb

[thebutcher-5]

Il gatto a nove code

Benvenuti o bentornati sul nostro blog. Nello scorso articolo abbiamo continuato a parlare dei film animati della DreamWorks, arrivando non solo al loro settimo lungometraggio ma anche al loro ultimo film con tecnica tradizionale ossia Sinbad – La leggenda dei sette mari. La storia parla di Sinbad, un pirata che dopo essere caduto in mare viene salvato da Eris, dea della discordia, che gli…

[radiophd]

bruno nicolai -- la coda dello scorpione

[ogdensnutgoneflake]

Caligula & Ennia ✽ Bruno Nicolai from the soundtrack to Caligula (1979)

[giallofever2]

[postpunkindustrial]

Bruno Nicolai - La Coda Dello Scorpione: Sequence 1 (1971)

[unetealombre]

[suspiria76]

RED CATS IN A GLASS LABYRINTH also known as EYEBALL

Italy/Spain

1975

Directed by Umberto Lenzi

[pierreism]

'Lady Chaplin' by Bobby Solo

Written by Giuseppe Cassia & Bruno Nicolai! From the motion picture soundtrack to Missione speciale Lady Chaplin (1966). Video by davidfromlille

[a-contemplative-soul]

A composition that brings me a mix of melancholy and romance feelings, it feels like two lovers that are far away from each other and keep thinking about each other. It's a superb short song.

Song: All the Colors of the Dark

Artist Bruno Nicolai

Year: 1972

[sinceileftyoublog]

Dylan LeBlanc & Jarrod Dickenson Live Show Review: 2/1, Sleeping Village, Chicago

Dylan LeBlanc & Jim LeBlanc

BY JORDAN MAINZER

Last night at Sleeping Village, when Dylan LeBlanc and his excellently titled band The Steel Vaqueros (guitarist Clay Houle, bassist Jim LeBlanc--also Dylan's father--and drummer Dave Givan) walked out to Orchestra di Bruno Nicolai & Orchestra di Ennio Morricone's "L'estasi dell'oro (Dal film 'Il buono, il brutto, il cattivo'''')", I didn't think anything they were going to play could match the grand cinematic scope of Spaghetti Western music. I was dead wrong. Whether performing songs from his stellar 2023 concept album Coyote (ATO) or back catalog slow burners like "If the Creek Don't Rise", LeBlanc and company created worlds of space and slowly filled them up with sound.

From left to right: Clay Houle, Dylan LeBlanc, & Jim LeBlanc

Dylan LeBlanc & Jim LeBlanc

LeBlanc started off the night with "Beyond the Veil", the perfect song to introduce his palette and skills: leading a Crazy Horse-style band, singing with what can only be described as a gravel-throated falsetto, simultaneously worn and gentle. That vocal echo gorgeously contrasted the instrumentation throughout the night, like the tactile guitars on "Dust" and the mighty kick drum on "Dark Waters", the combination structured, yet loose. You could say the same thing about the songs themselves. Though each composition was presented faithfully, The Steel Vaqueros took their opportunities to jam. They introduced "No Promises Broken" with acoustic guitar and bass noodling, "Coyote" with a sprinkling instrumental. And "Wicked Kind" pummeled with the most explosive stomp this side of "The Chain". Turns out, if listening to Dylan LeBlanc albums allow you the opportunity to consciously explore the commonalities between his created universes and our lived one, watching him live allows you to simply get lost in both.

From left to right: Houle, Dylan LeBlanc, & Jim LeBlanc

Claire Dickenson & Jarrod Dickenson

Opening for LeBlanc was Nashville-via-Texas singer-songwriter Jarrod Dickenson, who also released a very good album in 2023, BIG TALK (Hooked). With a couple guitars in tow and accompanied by his wife Claire on backing vocals and hand percussion, Dickenson played from throughout his discography and showcased his versatility on the axe, fast-picking on "Faint of Heart", blues-ily chirping on "Home Again". With sparser arrangements, he was able to emphasize his lyrics, taking the time to contextualize some of his songs before playing them, such as ode to touring "Born to Wander" and the empathetic "Long Hard Look". Selfishly, my favorite part of his set happened because yours truly posted on Instagram how much he'd like to hear Dickenson's cover of Guy Clark's "Dublin Blues" (originally released on his 2020 covers EP Under a Texas Sky). Though he usually plays it on his 6-string acoustic guitar, he had been leaving that guitar at the hotel while on tour, as he only has a 40-minute opening set. Well, he borrowed a capo from The Steel Vaqueros and valiantly nailed it on the 12-string. Even if it was a flop, though, the gesture exemplified the friendly spirit of the night, steeped in folk tradition but unafraid of experimentation.

Jarrod Dickenson

[spaceintruderdetector]

Adios Sabata (Suite)

[flashfuckingflesh]

Don't Mess with Texas Unless You're EVIL Going Up Against "Shanghai Joe" reviewed! (Cauldron Films / Blu-ray)

East Doesn’t Just Meet the West, It Kicks It’s Ass in “Shanghai Joe!” A Chinese immigrant arrives into San Francisco looking to begin a life as an American cowboy.  Met with extreme prejudice, he pushes forward to avoid the Western stereotypes of his race by taking a stagecoach to anywhere Texas in order to become a true-to-form Cowboy.  Mocking monikered Shanghai Joe, even in Texas Joe is met…