patch notes for EarthAnimals.v.12.09
Fixed male cat urethras to be less narrow (now 3.5x wider). Same correction made in male goats
Made alterations to equine cardiac sphincter- horses can now vomit
Scrapped french bulldogs and performed full overhaul of skeleton and soft tissue
Fixed panda GI tract and enabled diet options other than bamboo
Koala populations no longer dripping with chlamydia
Added 5,000 vaquitas to the Gulf of Mexico
Fixed cheetah coefficient of inbreeding. Note: organs can no longer be transplanted freely among population!
All dogs are now born with stomach tacked in place on body wall, preventing lethal twisting (gdv)
Fixed incorrect placement of legs in loons (they are now able to walk)
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Wildest dreams wishes for Good Omens Season 3 which will probably not come true but I can still hope hey!
Number 16.
How I desperately want them to defiantly hold hands when facing down the combined hoards of heaven and hell in the final act of season 3.
Think about it. Season 1 we have this image:
Then season 2 we get this image:
Something is always between them. Which means there’s a good possibility the next step is nothing gets between them for the final act.
So season 3, I want to see them standing side by side and determinedly grab each others hand, Aziraphale clutching a flaming sword with his other and Crowley holding his Bentley crank in his other, facing down the Metatron and whoever else is there trying to bring about the second coming.
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GUYS. I HAVE A THEORY. IT’S SUCH A GOOD THEORY. ACTUALLY IT’S THE BEST. Actually I’m just gonna go ahead and call this canon. I’m staking my entire identity on it.
So, I was gonna do an in depth art post bouncing off this excellent bit of research. I was expecting some thematic hints a la Hannibal and much fun to be had.
I decided to start with this:
Francis Bacon’s Three Studies for Figures at the Base of a Crucifixion, which hangs on the wall in the Dubai apartment.
Let’s sidestep the Christian connotations of the crucifixion* IMO the Christ bit is misdirection (mostly. We’ll come back to that)
Armand: Witnesses to Christ’s agony. Mr Bacon also referred to these as the Three Furies.
Who are they? The Furies/Erinyes are Ancient Greek Goddesses of vengeance. "The Erinyes, that under earth take vengeance on men, whosoever hath sworn a false oath" ... They are traditionally depicted as … preoccupied with avenging patricide and matricide by hunting down and killing violent criminals ... Their task is to hear complaints brought by mortals against the insolence of the young to the aged, of children to parents, of hosts to guests.” (wiki)
Kinda on point for a vampire that tried to kill his maker, no? Or for a vampire that’s abusing the guests in his home? Or an old man shit-talking two much older vamps. (lol jk not you Danny boy, you trash them all you want bb).
Armand: We’ve received an aggressive offer for the Bacon triptych.
Louis: Oh? I didn’t know we’d made it available.
Armand: It’s a new name, so I’ll have to run due diligence.
Hmm, who could possibly be being setup to enter late season under cover as some innocuous buyer? Who would Armand let into his theatre home in order to wreck it? Who’s presence/interest/existence would he keep from Louis? Who better to complete Bacon's intention and provide the crucified final figure of the set, but...
YES! Our favourite victim of patricide. The ultimate Daddy Vampire. Lestat de fucking Lioncourt.
Guys there’s a reason I’ve been calling him White Vampire Jesus and it’s not (just) because I find myself hilarious.
Real Rashid: The lawyer for the buyer is ready for the teleconference.
Not a massive deal, rich people make lawyers do things for them. But so do VAMPIRES WHO DON’T WANT TO BE IDENTIFIED.
But yeah, lets’ get into that phone call. Mr Philips, the lawyer, is introduced to Mr du Lac (like, in case anyone was wondering how Lestat knew it was Louis who owned it, just fucking use your real name Louis, sure.) The buyer wants it for her husband (GUYS. HE WANTS IT FOR LOUIS).
This is episode 2.03 and, guys, Lestat is EVERYWHERE in this episode. We get Armand opening up, but not about his full past, just about his past with Lestat.
Dreamstat dogs Louis’s footsteps
Louis admits to Armand that Lestat was his maker in this episode.
And the scene directly before the lawyer calls?
Louis and Claudia are talking about Lestat, it moves on to Bruce, but it starts with Lestat.
We could also talk about how, this season, as the focus has moved away from Loustat to Loumand, the action has moved away from the main room with the Triptych, to the tree room and the dining room.
Lets start with the tree room, where Armand (the clinging vine) reaches, but never touches Louis (the tree).
"For woman is a branching tree,
and man a clinging vine.
And from your branches carelessly,
he’ll take what he can find."
(Let no man steal your thyme, trad)
Too much? Then how about the dining room of equally symbolic paintings. (and, side note. Paintings have been IT this season. This is the Armand season, the Amadeo season, the Louis photographer season, the breaking into museums to look at or steal art season. If S1 was music, S2 is art).
The dining room where we find the Ron Bechet, Transformation (A TREE AND VINES FFS), representing Louis (or Loumand) and the (stolen - can we take a moment to appreciate the hilarity that is Louis and Armand dressing up as police officers to carry out one of the biggest art heists in recent history?) Rembrandt, Christ in the Storm on the Sea of Galilee representing Daniel (Fear and Faith).
You can see them more clearly in the S1 scene where Dan and Louis are at either end of the table, each before their own painting.
But also in S2 in combo with the Marius christ-and-demons, representing Armand (or representing Armius?? Lol do they have a ship name? kill me now). I find it very interesting how Armand is sometimes framed with Dan's painting behind him and at other times with Louis', almost like he's being pulled between the two.
Anyway. Point is the GIANT RED ORANGE LESTAT CHRIST SYMBOLISM is suspiciously out of frame this season.
See the difference in framing here in Season 1: (note, this is DanLou first meeting. It's BEEN THERE FROM THE BEGINNING)
And this itty bitty corner shot in Season 2:
And when does the triptych come back into frame? Oh just DIRECTLY AFTER THIS BIT OMFG:
Me too, Dan. Me too.
The triptych has been on the wall from the start of the show. Looming over everything, haunting the narrative, like a giant bleeding meta signpost.
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