#but I can't for the love of God find it

[egophiliac]

this is basically what happened, right?

(these guys are very lucky that everyone at NRC 1) has the combined intelligence of a sack of bricks, and 2) is easily distracted by shiny things.)

[lotus-pear]

lore accurate chuuya canonically drives a 2006 sparkly barbie motorcycle

[heybiji]

dandelion casually dropping traumatic information while insisting that instead of killing the problem wizard they simply burn his tongue

[stevebabey]

you thought it would be all sweetness??? nooo u got to have a little miscommunication angst before anyone gets any hickies. but they will. in time >:) part one. part two. this is a part three :)

Steve blames it all on the clock.

That stupid cuckoo clock on the wall of the Munson trailer. It's an absolute horror of interior design that would make Steve’s mom shiver if she ever laid eyes on it. It’s probably why Eddie loves it — and the god-awful cuckoo! noise it makes when it goes off.

Because the moment Eddie utters that delightful question, asking for a hickie, the nerve of him, Steve loves it — and Steve is more than ready to oblige him — the stupid clock goes off.

It gives them both a fright, Steve more than Eddie. He gives a whole-body twitch that shifts them both, his head snapping to the wall, a breath forced out of his lungs at the sight of the mustard-coloured bird. Shit. Stupid fuckin’ clock, Steve thinks.

But it seems to break the trance over the room. The sweet tension of their shared closeness is sucked out of the room in an instant. Steve is suddenly aware of the time the popping out bird is announcing. It’s late. Far later than Steve intended to stay over, especially considering work tomorrow.

Without meaning to, the prickle under Steve’s skin rolls through his body. It steals away the comfort that he usually feels with Eddie, tenseness filling his body. Steve hates it — hates how he can’t stop himself from tensing up beneath Eddie.

Eddie notices. He's quick to to retract himself from Steve, pushing up and back, giving Steve his space. He sits beside Steve on the couch, still close. Not close enough to touch.

It helps. The rigidness of Steve's body relaxes just a bit but Steve doesn’t want that. He wants Eddie back on him. Wants his hands gripping Steve’s side. His breath fanning over Steve’s face, cheeks cherry red and pupils blown wide. Steve doesn’t say any of that and he sure is shit isn't brave enough to ask for it.

Instead, he croaks, “It’s late.”

Steve reluctantly pushes himself up from his slumped position, eyes already searching for his scattered shoes. He misses the way Eddie’s face falls, the way he tries to tug his hair in front of his face to hide the hurt. It takes another second to school his expression.

Steve hears a cough and then Eddie agrees with a murmur. “Yeah, sure.”

The words ache. No part of Steve is relieved to have Eddie agree with him. He’s not sure what he wanted; for Eddie to egg him to stay just a little while longer? To prove that their kisses hadn’t been a heat of the moment impulsivity? There's nothing to prove they weren't.

No, it was Steve who said he had to go. It is late. But then again maybe, Eddie wanted him to leave. But, no— Eddie just asked for a hickie, he wouldn’t—

“Don’t you have work early tomorrow?” Steve’s spiral cuts short at Eddie’s voice, tinged with… irritation?

O-kay. Now Steve’s not sure what to think. What had been the source of immense joy because Steve had asked for a kiss and Eddie said yes is suddenly… tilted.

The beginnings of embarrassment begin to cling to Steve like a thick fog. He’s done it again. Been overly eager. Asked for too much, too soon— fuck, that had been Eddie’s first kiss too.

“Yeah,” Steve replies, standing and shoving his foot into the one shoe he can find. He spies the other one under the table and wiggles it out with his toe. He can’t find in it to look at Eddie, not just yet. “Yeah, uh, I should get going.”

It’s all wrong. Steve shouldn’t be leaving — not on these terms. Not when he can’t look at Eddie for fear of what he’ll find. Regret? Steve’s not sure if he could face Eddie again, not if there’s even a trace of it on his face. It would feel like Halloween all over again, a bludgeon on Steve’s too-soft heart. It’ll crumble, he just knows it.

Steve wants to stay. He really wants to. He wants to ask for another kiss, ask for a dozen more kisses. Wants to give the hickie Eddie asked so nicely for and receive one back; matching love bites, like a gentler version of their matching twisted scars adorning their sides.

But he’s always asking for more. Steve always needs more. It’s greedy. It’s embarrassing how much he wants it, how he’s already gotten patient touches from Eddie but it’s not enough. Eddie had sounded a pinch annoyed — even aggravated at Steve.

It doesn't cross his mind that it might be for any other reason. Really, Steve thinks he’s doing Eddie a favour.

“Um,” Steve clears his throat, takes the wobble out of his words. Nods to himself and chances a glimpse at Eddie. The older is staring down at his lap, locks of hair trapped between twitchy fingers. They should talk about it. Steve’s not brave enough to risk his heart tonight.

“Well, g’night.” He says quietly, letting himself out the trailer door. He closes it behind him gently, shoes tapping against the stairs on the way down. It feels wrong, it feels wrong — but it would be selfish to turn back.

He repeats the sentiment over and over, raspy whispers beneath his breath as he climbs into his car. It would be selfish. The engine turns over and he hesitates for just a moment, hoping to catch a silhouette in the kitchen window. It’s empty. Of course, it’s empty.

Of course, Eddie is not chancing for a glance at him on his way out because Steve just asked for more and more and more, and he took Eddie’s first kiss and then— He whispers it to himself again. It would be selfish to turn back.

When he thinks about it on the drive home, Steve’s sure it all comes back to that stupid fucking clock.

-

Eddie stares in the mirror.

He’s not sure why he was so convinced there would be some radical change in him upon popping his make-out cherry but… well, here he was. Staring in the mirror like he had this morning. Except 10 hours earlier, he had been unkissed.

Tonight, the difference shows. His lips are rosier than usual, a swell to them given by hasty sweet kisses. It’s the only evidence of his spit-sharing moment of passion with Steve on the couch. The rosy colour is already beginning to fade.

Eddie sinks his teeth in. He doesn’t want the only physical proof that he even got to kiss Steve to be gone so soon. Even if that fact seems terribly bitter now.

“What the shit did you do, Munson?” He murmurs to himself in the tiny bathroom mirror.

It’s got toothpaste specks splayed across it. Eddie stares past them. Stares into his own face, reading every change in his features as emotions inside him churn. It’s heading for a distraught expression, the upturn of his brows and quiver in his lips giving him away. He always was a crier. Eddie really wishes he wasn’t.

“Idiot!” He pairs the word with a bang on the wall beside the mirror, frustration leaking out. The toothbrush on the sink shudders in its cup with a clink.

Eddie hates the welling in his eyes. He hates that he ruined the first fuckin’ good thing to happen to him in this town. Loathes that he drives away the first person who actually knows him and still wants to kiss him.

Well, wanted to kiss him.

Eddie’s pretty sure Steve scampering out of the trailer is more than a big enough sign. It’s a blazingly bright neon sign — light up words that say ‘This was a mistake!’

Except, it hadn’t felt at all like a mistake to Eddie. It had felt wonderful, better than anything he had thought, the soft curve of Steve’s lips, the grip on his hands on Eddie’s face, the heat in his face, the— Eddie growls, wiping his hand down his face to shake the thoughts. Too good to be true was what it was.

It’s because of what he said. Of what he asked for. It had to be that. But— but Steve had looked eager and almost excited and then the stupid clock had gone off, scaring the shit out of them both. Maybe it was then that Eddie’s words had sunk in and Steve realised what he’d gotten into— and who he’d gotten into it with.

“You had to ask for more, huh?” Eddie scolds himself angrily, wiping his cheeks harshly when a tear streaks free. Another follows, just as fast. Eddie wipes roughly at his face to clear them. Doesn’t care about the streaks of red he leaves on his cheeks. Another trembling reprimand comes out. “You just had to push it, huh? You fuckin’ idiot.”

Eddie can’t stand his reflection anymore. He tears his gaze away as he spins and heads straight for his room.

The button on his stereo is sticky and it takes a few forceful clicks to turn it on, but when he does, he cranks it. It’s loud enough he’ll surely wake some neighbours. Eddie can’t find it in him to care, not even when the neighbours dog starts off with its incessant barking. Anything to stop hearing himself cry.

-

“Something’s up with Eddie.” is the first thing Robin says when she comes in the front door.

Steve’s mid-yawn when she does, a result of a night of tossing and turning, and he somehow manages a strange choke at her words. In a haste to shut his mouth, he chomps on his fingers covering his mouth — then hisses, pulling it away from his face. He ignores Robin’s perplexed expression, shoving the hand deep in his pocket. His ears feel a tad hotter.

“What? Why? What makes you think that?” Steve asks the questions in rapid succession. Very chill, he chides himself. At this rate, Robin would have him all figured out 10 minutes into their shift.

And it’s not like— well, Robin’s advice is usually great. A bit cut-throat, sure. She doesn’t have a problem trodding on his feelings on her way to tell him the hard truth. Usually, it’s fine. Steve could probably do with a bit of ego-bruising.

Today, he’s… It’s different. That’s what Steve tells himself. This thing with Eddie, he wants to fix it himself. And with too much meddling from Robin’s advice, even if it was with the best intentions, might mix things up too much. It’s hard enough keeping his half-baked apology that’s been brewing since last night in proper order in his mind.

Thankfully, Robin doesn’t comment on his odd demeanor. She just bustles into the back room — there are a couple sounds of her dumping her stuff. When she comes back out the front, she’s fixing her Family Video vest. It looks perfectly straight to Steve.

He checks his own — it’s sitting askew, part of the collar flipped over. He hastily fixes it, running his hands down the front to smooth it a bit.

“Just,” Robin starts, talking as she sits in front of the computer, beginning to take a crack at the admin she managed. She likes doing things as she talks, Steve knows. Helps keep her from letting words run away from her.

Steve’s thankful for it now because she isn’t looking at him when she says, “I think he might have had a bad nightmare last night, or something of that sort. I don’t know. Maybe I’m way off — you know how I am with trying to read people, Steve. I’m not good at it! But when I saw him, he just seemed…”

Robin seems to take an extra moment to deliberate her word choice. Steve’s really glad she’s still facing the computer so she can’t see the myriad of emotions that show on his face.

“…Off.” is the word she decides on.

Which means bad. Steve feels like he’s swallowed a stone. It sinks deep into his stomach. It burns, sour and scorned, twisting up his gut. It means Eddie is bad — it means disappointment, means he regretted it. That Steve had been right; that he’d been too eager, too soon. Too much.

Right. Of course, this happens again. Really, Steve had brought it on himself by asking for so much. It had been one thing to ask for a hug — who actually has to do that? — and then to expect he might get Eddie to kiss him too? What a overstep. Christ, he's an idiot.

“That’s not…” He hears himself say, still lost in his thoughts. It's only when Robin turns on the stool, brows raised, that Steve realises he hasn’t finished his sentence. “Good. That’s not good. To hear.”

Steve turns and starts shuffling around the films on the returns cart, picking them up at random. He stares at a copy of ‘The Princess Bride’ in his hands, a new release, and forces out a causal question.

“What made you think that?” He asks, shoving the film into an empty slot, like he was arranging them. He’s relieved when Robin’s clicking on the keyboard resumes, along with a dramatic sigh.

“I don’t know. I don’t know if I can be trusted to read anyone’s emotions correctly at any given time, honestly. Remember that old lady? I thought she was being sweet that whole time and then you told me she was being rude! And I couldn’t even tell…”

Robin’s ramble is comforting and helpful to Steve in a way he didn’t know they could be. He presses the cart out, finally getting a move on with it, but delivers a quick nod to Robin when she’s looking to let her know he’s still tuned in. He listens to her get distracted by another topic and leaves Eddie’s name in the dust. It’s a silent relief.

It’s a task to multi-task, listening and devising a plan, but Steve has all shift to find the balance. It’s sometime between finishing re-stocking the action section and starting the romance that Steve decides he should apologise. He should go over today and apologise.

Eddie’s a big boy but Steve’s fairly certain now, if he regretted it, Eddie had probably felt obliged to kiss him back. Probably hadn’t minded the first kiss but- but— Something sticks in his brain; it was Eddie’s first kiss.

It makes Steve feel worse. It doesn’t matter, really, Steve should say sorry for all of it. God, he’s such an idiot.

By the time he’s clocked out, it’s all set in place. He’s got a dozen different apologies running in a loop in his head, reciting the words in time with his anxious tapping on the steering wheel. It’s not a long drive out to Forest Hills Trailer Park. The drive is well-known now. Steve tries hard not to wallow in what he might be losing today. What he lost because he’d been too greedy with want.

The sight of a brown van parked roadside yanks him from his thoughts. Eddie’s van. Steve’s stomach turns, nerves gnawing faster. He slows, trying to catch eye of the other boy as he rolls to a stop behind the van. The sun is beginning to dip closer to the horizon, the temperature going with it.

At the same time, they see each other; Eddie’s head popping around the raised hood to see who had stopped, right as Steve pops his door. Eddie retreats in an instant. Steve's chest grows a bit tighter.

Gravel crunches underfoot as Steve takes a few wary steps closer. It doesn’t take more than a couple before Eddie calls out. He doesn’t bother poking his head out again.

“Go away, Steve.”

Steve swallows thickly. Yeah, okay, he deserves that. He deserves probably worse than that. But more importantly than that, Eddie deserves to hear this. And Steve... needs to not lose Eddie.

“Can I… can we talk?” Steve asks, taking a couple steps closer. A car whizzes by on the road, hidden from Steve's view behind the van. He still keeps his distance, hovering. His hands clench nervously at his sides. Steve shoves them deep in his jean pockets, wiping the sweat off them as he goes.

“What part of ‘Go away’ isn’t clear enough for you?” Eddie snarks back. He still doesn't stick his head out, still won’t look at Steve. It stings.

“I know, I’m sorry,” Steve starts, another instinctive step forward taken. “I-I just, I shouldn’t have left like I did last night. I wanted to apologise.”

There’s a clattering from behind the hood like Eddie’s dropped a tool. He swears. Steve wants to take another step, wants to see Eddie — wants to read every emotion and apologise for causing any of the ugly ones.

“Well, apology accepted,” Eddie responds. There’s a bite in his words. His next words are grumblier, quieter. “And message fuckin’ received.”

What? “What’s that supposed to mean?”

“That—” Finally, Eddie steps away from the van, rounding the hood to march up to Steve. His arms cross over his chest, a wrinkle set between his brows that pull his face into a glare. Robin was right; he is off. This isn’t normal Eddie. Fuck, Steve had fucked up bad.

“That means message received, Steve.” Eddie seethes. He uncrosses his arms to gesture wildly. Steve misses the wobble in his bottom lip. “Message received loud and clear! I get it!”

And all Steve wants to ask is: get what? He doesn’t ask that. He should know what. That would be an idiotic question, would make Eddie more irritated. Lord knows, Steve has been enough of a fool in the last day. So, he doesn’t ask.

“Look, I just…” Steve starts, words a bit weak. They die in his throat as he tries to recall a single apology he had practiced all day and comes up empty. “I’m just- I just wanted—look, I’m sorry I took your first kiss!”

It’s not exactly what he means to say, but Steve certainly is sorry for it. Eddie’s expression wavers, some anger slipping away. Confusion takes its place.

“What?” Eddie says with a tone of bafflement. “What are you talking about?”

“And I’m sorry I kept… kept asking for more.” Steve continues on, pulling on the thread inside him, connected to the terrible stone he swallowed earlier. He tugs it. Hopes pulling it will unravel the guilt sitting heavy in his stomach.

Steve scrunches his eyes shut and rubs the bridge of his nose. “I know, okay? I know that I can be a lot.” He sighs and drops his hands.

“But I didn’t mean to… shit,” He wrenches his eyes open. Eddie’s a bit wide-eyed now, brown eyes watching him intently. Steve doesn’t know what expression he’s wearing, can’t tell if it’s good or worse. He continues, soft words scraping out his throat.

“I didn’t mean to be like that with you.”

Eddie searches Steve’s face, eyes darting and wild. He licks his lips. His hands are in motion, fingers twisting rings, quick and fast. It’s a nervous action.

“What do you mean by ‘like that?’” Eddie asks, voice gentler. It's lost its snarl from before.

Steve blinks, a scrape of teeth worrying his bottom lip. He murmurs his admittance lowly, just one word, “Selfish.”

Eddie doesn’t try to hide his surprise; it ripples across his face in a wave. Confusion melts away into something closer to, Steve hopes desperately, relief. Steve can feel his own heart thudding hard inside his chest — can feel the beat it skips when Eddie steps closer.

“Steve?” Eddie says, sounding unlike himself. Steve’s never heard his voice that small. He nods, wordlessly. Eddie searches his face once more — wide brown eyes scanning and devouring. Steve can’t help but do the same.

He drinks in the details of Eddie’s face; the soft scruff along his top lip, the darkness of his lashes and the way they kiss in the corner that Steve adores. The pink of his lips. The familiar ache to kiss Eddie surges up within him, still as violent and strong as it had been the night before.

Steve should really stop looking at Eddie’s lips. He’s supposed to be apologising. He drags his eyes up and meets Eddie’s gaze full-on, prepared for whatever he might say. Except, he’s not expecting him at all to say;

“Can I... try this again?” It comes out a ragged breath, Eddie's scared eyes conveying the weight behind his words.

And this time Steve doesn't even need to ask what because he knows. Because Eddie's hands are reaching up and holding either side of Steve's face so gently. Steve can't recall a time he's ever been held so softly. His own hands come up slowly, draping around Eddie's wrists to hold them, to keep them there.

Eddie's thumb traces. It draws a sweet line of that familiar fire beneath Steve's skin along til it's settled on Steve's bottom lip, resting. The blood under Eddie's thumb thrums, gloriously warm, aching with want. Yes. Steve thinks. Yes, yes, yes.

"Yes, please." Steve breathes, so sincere the words comes out as a kiss against Eddie's thumb.

So, Eddie kisses him.

now with a part four !

tags below! sry if i tagged u and u didn't want it just tagging everyone who replied <3 @they-reap-what-we-sow @impeachy @anaibis @resident-gay-bitch @ediewentmissing @newtstabber @original-cypher @invisibleflame812 @hunterbow04 @leather-and-freckles @dracoswifeandlokispet @foolofentirelytoomanyfandoms @lfaewrites @sundead @call-me-big-eyes @the-redthread @goblinmanifesto @etaka @bishopextractions @ketterfuck @persephone13 @beckkthewreck @maya-custodios-dionach @autumnal-dawn @yourstrulyjoko @gleefully-macabre @princess-eddie @savory-babby

[starry-bi-sky]

Clone^2 Damian

If you really think about, Damian's situation in the clone^2 au is... kinda tragic? Especially in the early months of his arrival. Like,,, think about it. Damian has always known he was a clone of Damian Wayne, that he was a copy of the blood son. There was nothing 'original' about him, not even his name (of which at least Danny has that). He was just... a replacement. A disposable one, to boot.

And he knew that, to an extent, by the time he was six years old. he might not have been actively acknowledging it -- he's six years old -- but deep down he knew. And like, he's six years old. Every small child craves the love and affection of an adult, especially their parents, and even though he knew he was clone, I imagine he still considered - and still does consider, somewhat - Talia and Bruce as his mother and father. And I really doubt he was... getting it?

Now, I know Talia loves Damian, her son. At least in some interpretations she does, and in this au she does. But... a clone of her son? I'm not so certain if she would have the same affection for baby Dames as she would for Damian. I don't think she would treat him badly, but I don't think Talia would treat him warmly either. Kinda just, distant. Colder than she would have been with OG Damian.

And, I know I've mentioned Damian's arrival from Danny's point of view, and its kind of comical kind of insane from his perspective -- a little boy clone of Damian Wayne falls through a portal and immediately attacks him. That sounds like a bad joke.

But, if you think of this from Damian's point of view? It's like he just got dropped into a scary movie. Like, think about it. You're six years old, and suddenly a portal, as green and as swirling as your grandfather's pools, opens up beneath your feet and sucks you through.

After an intense bout of vertigo, you end up in a massive, urban city -- completely different from the rural mountain palace that you lived in for the last six years of your life, and in this city, you don't know any of the language. You don't know what anyone is saying, you can't read any of the signs - you are completely stranded, away from home.

And then, to make things worse, you're facing a figure with a terrifying mask and eyes as burning green as the portal you fell through. Of course Damian's first instinct, six years old, is to attack. He's terrified.

And this figure, he's not a good fighter, but he's fast, and he dodges you quickly. He grabs your sword with his hands, and tries to restrain you, saying something in a language you don't know. Naturally, Damian is just scared. He's six! He'd just be learning how to read if he was normal child going to school.

This figure halfway through the fight yanks off his mask -- he realizes you're scared -- and looking at you now, is a youthful version of your father. This is a clone of your dad, someone you have never met but, six years old, still wants to. Damian gets defensive. This is an imposter.

But this imposter eventually gets you home with him - and he's using his little box, his phone, to communicate with you through a mechanical voice speaking in arabic. and it's frustrating. The boy, the imposter, can say whatever to you just fine, but trying to talk back is a hassle and a half. He's six, he doesn't have that much patience.

He wants to go home.

And so he keeps trying to run away. He keeps trying to find out of this hellish concrete jungle, and he keeps getting lost. It's loud, and busy, and there are people talking to you and you don't understand them, and there are rules and signs you don't understand - Damian tries to cross the street and nearly gets hit by a car. He doesn't know how the road signs work, he was never taught. They didn't get to that.

And he gets lost. And it gets dark, and Damian is brave, but he is six, and this is the worst stress he's been under in all his six years of life. He wants, desperately more than anything, to go home. Why wouldn't he? The only stable... semi-stable environment he was in just got ripped out from under his feet, literally! He wants his mother.

And it's not happening.

But there's something good to be said, at least. The imposter that looks like his father always comes and finds him, no matter what. He could have left that morning, and he will find Damian at midnight, frazzled and worried, and carrying an extra jacket with him because it is cold in Amity Park and Damian is six years old.

And sometimes Damian attacks him - he's scared and stressed and he doesn't want to be here. And every time he catches the sword. Even though Damian can see it cut into his hand and pearls of blood well up and stains his fingers. Even though Damian can see him wince in pain and bite his lip, he still catches it.

But with that little box, he coaxes Damian to come back with him. It's cold, it's dark, Amity Park is unsafe at night. They can figure something out tomorrow, please. And every time, he agrees, reluctantly. And the imposter takes the extra jacket he brought with -- a flannel, a hoodie, a jacket -- and he wraps it around him. It's warm, Damian's clothes are not that thick, and even though he thinks he might hate this imposter, he still sticks close to his legs as he leads him down the street.

And sometimes the imposter carries him, because Damian's shoes are not that thick, and he cuts his foot on broken glass while they're walking home. The imposter sits in the bathroom with him and carefully cleans the cut out, and makes sure it doesn't get infected.

There's hope you know, he still has it. His mother will be looking for him. She'll be worried. He's important to them. Damian may not be the original, but he is still a blood son. He is still her son. She will come find him. This nightmare will end soon. He can go home.

And then weeks pass, and nothing. Then months, and nothing. His family is not coming for him, and it hurts. Hurts more than anything. And yet while that happens, the boy he's attacked, and hurt, teaches himself arabic in order to speak to him. He takes Damian out of the house one afternoon and buys him new clothes, or tries to. And then he keeps buying him new clothes. He gives him blankets and gives up his bed to him until they can get him one himself, and steadily he teaches Damian english.

This boy is kind. Kinder than Damian's ever experienced, and he doesn't know what to do with it. He's devastated by the fact that he is not as important to his family as his family is to him. What do you do when you're six years old and you learn something like that? When a random stranger who looks like your father is kinder to you, and cares more about you than your family did?

And then Damian tells him he's a clone. He's Damian Wayne's clone, and he tells him his purpose - that their grandfather made him to kill him. And the boy, the imposter, Damian thinks he probably already knows that he's a clone. But he doesn't say that. He just nods, and asks him if he wants to tell his original about him.

Damian says no. He doesn't want to. He's tired of living in the shadow of his original. He wants to keep this to himself. This is his. For once, all of this is his.

And to his surprise, the imposter doesn't try and convince him otherwise. He just nods, and says okay. And when Damian asks why, the imposter - his brother - looks at him and says.

"I don't care about Damian Wayne. I care about you." And in Damian's gobsmacked silence, his brother continues. He tells him that if Damian doesn't want to tell his original that he exists, then they don't need to. They don't need to worry about the LoA going after him, because clearly if his 'grandfather' needs to make a clone of Damian in order to take him out, then whatever it was that Damian Wayne was doing to keep himself safe, was working.

"Wayne already has people in his corner, he's got Gotham's army of vigilantes to keep himself safe." his brother says with his eyes as blue as moonlight. "You, however. Do not." And he continues, and says that if Damian Wayne has the same training as Damian does, then he will be fine. He doesn't need to be aware of his clone. Because if DW doesn't know about Damian, then the LoA doesn't either.

And here's the thing. Damian would not have survived in the LoA for long. Not as a clone. No matter what, he was going to die no matter what he did, and sooner rather than later. The sword of Damocles was always hanging above his head in the League of Assassins.

That portal, and meeting Danny, saved his life. There's no way around it. And to an extent Damian knows this even at six years old. He may not be aware that he would've died, but he knows that meeting Danny was the best thing to happen to him.

It's no wonder after that, that Damian is as clingy to Danny as he is. Danny is the first person he's met to offer him unconditional love, with no strings attached, only pure affection.

[neversetyoufree]

She can't keep getting away with this

[hooned]

list of accomplishments in sunghoon's diary: #1 rode the vikings TWICE (p.s. jake only rode it once so extra points)

[loversofthegrave]

foreplay! 🥰😘💓💕💖💌☺

[aithusarosekiller]

Every time I click 'next chapter' on a dorlene or Jegulus fic and see the words 'another super long wolfstar chapter bc we love them!' Or some shit like that, a gay person dies

It's true, scientifically proven and everything

[einaudis]

ALL OF US STRANGERS (2023) dir. ANDREW HAIGH

[kazumahashimoto]

you're colder than i remember

[ibetittering]

My grandma's thinking about taking us the Germany this year and all I can think about is when I got a bladder infection the last time I was there

(Part 11)

[angelicartemis]

OH LAWD... I LOVE HIM 😭‼️💕💕💕

The SECOND I finished watching the pilot I busted out my IPad and got absolutely silly.

HOUGHHHDHZ THE HIM 😫‼️

[tinybro]

jasico server was chatting about the cupid scene and jason getting nico's memories blasted straight into his brain and how jason being shot with one of cupid's arrows while with nico and this was just never brought up in canon again and now i'm thinking like...what if that's just how cupid's arrows work? not by magically manifesting love for someone out of nothing, but by giving someone the perspective that'd make them fall in love naturally? jason gets a front row seat to nico's memories and instantly understands him intimately and can trust him completely without any doubt or suspicion

so what if jason, after slowly realizing he's totally in love with nico, just thought back to the arrow incident and it made him second-guess everything? because maybe he's only feeling this way because cupid hit him with an arrow with only nico was around and it's no different than any other god messing with his love life

[mwagneto]

yaz queen of evasive action

[greenerteacups]

Hi! I am an ardent fan of your writing, and I hope to be as sorted and planned as you some day in my own writing journey.

My question is: you have a keen eye when it comes to planning character personality, dynamics, and such. I've also been wading through your ask replies, and your insights into how you write people and how you make them play off of each other is so wonderful to read. If it's not too personal a q, how did you learn how to write like this? Did you go to school for writing, does it come from years of observing people, do you have reading list recs for "how to write real people and real interactions"?

Thanks! This is a really flattering question. I'll try to answer it honestly, because I wish someone had been brutally honest about this with me when I was a young writer.

I didn't go to school for writing. I started doing it when I was about nine years old. It sucked very badly. I kept writing throughout high school, and it still mostly sucked, but some of it was occasionally interesting. ("Interesting" here does not mean "good," by the way.) I took a break in college, and then came back. I've been writing ever since. Sometimes, I feel good about it. A lot of the time, I don't!

I hate giving this advice, because I remember how it feels to get it, and it's the most uninspiring, boring-ass, dog shit advice you can get, but it's also the only advice that is 100% unequivocally true: you have to write, and specifically, you have to write things that suck.

I do not mean that you should make things that suck on purpose. I mean that you have to sit down and try your absolute hardest to make something good. You have to put in the hours, the elbow grease, the blood, sweat, and tears, and then you have to read it over and accept that it just totally sucks. There is no way around this, and you should be wary of people who tell you there is. There is no trick, no rule, no book you can buy or article you can read, that will make your writing not suck. The best someone else can do is tell you what good writing looks like, and chances are, you knew that anyway — after all, you love to read. You wouldn't be trying to do this if you didn't. And anyone who says they can teach you to write so good it doesn't suck at first is either lying to you, or they have forgotten how they learned to write in the first place.

So the trick is to sit there in the miserable doldrums of Suck, write a ton, and learn to like it. Because this is the phase of your path as an artist when you find what it is you love about writing, and it cannot be the chance to make "good writing." This will be the thing that bears you through and compels you to keep going when your writing is shit, i.e., the very thing that makes you a writer in the first place. So find that, and you've got a good start.

Some people know this, but assume that perseverance as a writer is about trying to get to the point where you don't suck anymore. This is not true, and it is an actively dangerous lie to tell young writers. You are not aiming to feel like your writing doesn't suck. You are aiming to write. You are aiming to have written. Everything else is dust and rust. And of course, you'll find things you like about your pieces, you'll find things you're proud of, you'll learn to love the things you've made. But that little itch of self-criticism, in the back of your brain — the one that cringes when you read a clunky line, or thinks of a better character beat right after it's far too late to change — that's never going away. That's the Writer part of you. Read Kafka, read Dickens, read Tolstoy, you will find diary entries where they lament how absolutely fucking atrocious their writing was, and how angry they are that they can't do better. A good writer hates their sentences because they can always imagine better ones. And the ability to imagine a better sentence is what's going to make you pick up the pen again tomorrow. And the day after that. And the day after that.

Which is what I mean, and probably what all those other annoying, preachy advice-givers mean, when we say: a good writer is just someone who writes every day. It's that easy, and that hard.